#then I admired everything else

[pensat-i-fet]

He didn't leave and I already miss him 😕

[martuzzio]

POV he's on his way to defend you from a spider

[vellichorsdesire]

your f/o(s) noticing you feel / think badly about yourself, proceeding taking your hands in theirs, scooting a little closer and mumbling sweetly about all the things they so love about you.

[jonsnowunemploymentera]

Randomly thinking about grrm’s deconstruction of knighthood in asoiaf and how ironic it is that the Night’s Watch - an organization known to be half full of murderers, rapists, thieves, and all sorts of criminals - is essentially in charge of defending all of humanity when shit hits the fan. Like westeros just scrambled ‘the lowest of the low’ together into a penal colony in the far north and is totally fine depending on them for their survival; though tbf, i guess part of it has to do with expecting these societal ‘others’ to give their not so valuable lives for the good of the realm, who really cares if they live or die because they’re out of sight and out of mind. And it’s kinda funny too when we factor in the kingsguard because it’s a far more respected institution than the NW presently, but it too has its fair share of monsters. Quite a few men of the kingsguard have been morally bankrupt individuals, and we even see how the men of the KG sometimes forget other people they should be responsible for because their one priority is the king (we see what happens when you put the people of the realm first and then are ostracized by it a la Jaime tho there’s more to it). Missing the forest for the tree is something both institutions share, making them quite similar. So it’s interesting how grrm flips the fantasy classic of the black knight vs the white knight. The black knight is often anti-heroic, if not straight up villainous, and is often made to be diametrically opposed to the valiant and ever good white knight. But asoiaf has white and black knights both be shown of great virtue and great vice. The white knights in this story really are no better than the black knights. I’d love to see how these two entities could intersect, i.e., what happens when a white knight eventually changes his cloak for a black one (*cough* Jaime *cough*) and how that falls into grrm’s deconstruction of the romance of chivalry, the extent of personal heroism, and perceived knightly virtue. Welp I don’t even know what point I’m trying to make anymore, I just wanted to talk about the KG and the NW because they’re really cool.

[ashanimus]

For @lollytea, fanart of her fic Pages Remain!

[stuckinapril]

There will not be a single moment next week in which I’m not running around doing something

[most-normal-eccles-cake-ignorer]

celestial surveillance + some garden of eden parallels

For there is nothing hidden that will not be disclosed, and nothing concealed that will not be known or brought out into the open. - Luke 8:17 (NIV)

Over and over, we see how the bookshop feels safe/private while simultaneously being sort of a fishbowl, leaving its inhabitants quite exposed to onlookers. *garden of eden vibes*

Similarly, Aziraphale and Crowley tried to conduct a class-A surreptitious 6000+ year agreement/slowburn romance and yet their 25 Lazarii relationship is fairly obvious to others.

Reminiscent of how Crowley is painfully aware that nothing is certain and time is horribly finite, Aziraphale lives with the knowledge that anything he does or says can be used against him—or much worse, used against Crowley or others our little guardian cares about. Unlike his emotional support demon, however, Aziraphale was afraid Before the Beginning, before The Fall.

While Upstairs aren't the only ones watching, they have the potential to be the most dangerous threat (emphasis on potential bc they have to take an interest and also maybe stumble into important clues): The heavenly office overlooks the entire world. Where Hell had to send Furfur to the theatre with a camera, Heaven's got Earth Observation Files they can pull up to see what someone was doing at any point in history—not even St. James Park can keep you anonymous in the face of thirty-seven classes of scriveners/recording angels!

Aziraphale may tend to underestimate danger in general because of his misplaced hope that Heaven is truly Good, but in the same way that he can be both clever and stupid, I think he trusts Heaven and fears it at the same time. Why else would he be so worried about breaking their rules even when he knows they are wrong?

Of course, Aziraphale is also a courageous little bastard with a deity-defying protective streak! Despite Heaven's indoctrination, we see him navigating all sorts of grey area as he learns to 'blur the edges'. But he knows it isn’t safe to do that openly. He keeps this more human side hidden and tries not to think too hard about why doing good is wrong in heavens eyes. (lol other people's aziraphale metas are my main food group rn)

At the end of S2, we see him leave A.Z. Garden & Co. after tasting the forbidden fruit large oat milk latte, armed with his naïve/misguided 'knowledge of Good and Evil'. (and perhaps he knows he can't 'let the sun can’t go down' on him in Soho lest the the Metatron mete out death instead of coffees?) When Adam and Eve left Eden, Aziraphale and Crowley observed from above. When the angel and demon leave their own garden, we get the sense that they are also being watched.

(also idk if this is anything but Adam facing off against the lion while Eve looks on in the bg seemed a bit like Crowley watching Aziraphale walk into danger w the Metatron. could be a good sign since the lion gets turned into salami)

There are hints at the end of S2 that the watching is getting a little a spicier (at least I think they are hints haha): the bookshop windows are still broken during the last part of E6, further decreasing privacy; the zombies used binoculars to watch A&C from the Dirty Donkey under cover of darkness in 1941 but the Metatron just looks across the road in the light of day. And then there's the whole 'hefty jigger of almond syrup'.

[notbecauseofvictories]

inexplicably sad about the loathly lady. I just can't imagine being brave enough to ask anyone whether they would prefer you be attractive in the sight of their friends, or attractive when they fuck you. that those are the only two options. I can't stop thinking about how there are many other answers to that question, and almost all of them are wrong.

[daincrediblegg]

genuinely I don't think they could have pulled a better power move on the mental optics of Arthur Fleck/ Joker than the fact that he holds himself accountable rather than dismiss the violence he had about himself and that he perpetuated on others. it really frames the character himself as someone emotionally capable of meaningful introspection and change which is something you just don't see even remotely to nearly an explicit degree with any other joker portrayal (let alone portrayals of mental illness in mass media and depictions of "villainy" that so often fall so short of this mark)

[hau-and-lillie-and-gladion]

Something something, Liko having a heart to heart with Amethio and talking about how there are some things you’ll never know about someone until you talk to them, followed by Gibeon refusing to hear Amethio’s explanation and immediately kicking him out...

[deadbeandrop]

ahem. and if i may be completely unwell about the moose and slug for a moment,

i keep thinking about a post-story scene where lumpus and slinkman's relationship is still in rocky territory, and they have like... kind of a half-arguement getting ready for bed and it doesn't really go anywhere but there's still a tension in the air, and then a moment of silence as they settle and face each other in the dark. there's a beat. and then slinkman just... reaches over to take lumpus' glasses off (he'd always been in the habit of adjusting them over the years), and he's confused for a second, and slinkman's just like "you shouldn't sleep with those on. you're going to break them" which is like, ah, yes, completely logical action, and something he's told him a million times,

but it's Also like "Oh, God. even when you don't have to anymore, and you said you'd stop doing it all the time, and you're mad at me, you're still taking care of me just because you care enough to that it's complete subconscious instinct for you to do so. i'm gonna jump off a cliff"

because, when you're in the dark, in complete silence, sharing a shoddy pull-out couch bed in the basement of your stupid hand-me-down bait-and-tackle shop with your life-long best friend, your only friend, almost a bit like you used to when you'd push your beds closer together at night the camp you loved all those years ago, well, then there's also nothing else around to distract from the fact that you appreciate that more than anything in the entire world

and so lumpus takes a second and is like ....Right. (voice crack) Of course. and turns to face the ceiling and feels like he's going to be sick <- (i love nausea being one of lumpus' gut responses to feeling things ❤️)

[im-out-of-it]

PSA KIND OF A RANT BUT ALSO JUST A GENUINE QUESTION BUT LIKE DOES ANYONE FEEL WEIRDED OUT THAT THE SHADOWHUNTER SERIES ARE KIND OF TARGETED FOR TEENS (I mean, aren’t they though)

I know I hate and shit on the shadowhunter series (SORRY IT DESERVES TO BE CRITICIZED) and y’all, I’m seriously okay with having characters have trauma and being complex (seriously I’m all for it!!!! I love those fascinating characters) but make these people young adults or something. because this should not be targeted for teens!!!!! LET ME REPEAT MYSELF!!!! THIS SHOULD NOT BE TARGETED FOR TEENS!!!!! I just don’t like the message it sends. I think it’s probably the worst in TMI.

oh if you’re abused or have a shit childhood, it’s okay to put that on others and make it their problem. oh if you’re boyfriend is toxic and emotionally abusive, it’s okay because y’all are soulmates apparently and your whole identity is about him!!!!!!! I don’t mind insane fantasy romances!!!! but don’t target it towards teens!!!!! I still get amazed that this incest toxic fantasy is for teens???????

I don’t know, it’s just weird that a 50+ year old woman is writing about teens having sex. like does anyone feel Cordelia was extremely sexualized????? there’s just so much problematic shit CC writes. and once again, I don’t believe that fantasy books should be “real” “make sense” or whatever excuse people want to use to defend misrepresentation, incest, or heavy topics (abuse, trauma) that are written poorly.

I don’t care if clary and jace aren’t actually siblings- they thought they were and they’re both toxic to one another, also the fact that clary is there to serve jace’s happiness is wild. so like if you want an outrageous fantasy world, that’s absolutely valid but don’t have it targeted for teens. this is my whole beef with the shadowhunter series (and more let’s be obvious) is that teens pick up these books and maybe they don’t understand (doesn’t a brain fully develop at 25 or something?????) and thinks the type of stuff that is in this book is okay or to be admired.

maybe I think too much of this (I’m a very heavy and emotional thinker/person who feels A LOT) and maybe teens don’t actually think this???? maybe they can differentiate that this is fiction and not to be admired? but it’s just weird reading about teens and all the problematic stuff they do. I’m in the young adult ish category so it feels uncomfortable at times for me. make them young adults or something!!!!!!

I’m probably just thinking too much into this lmao but does anyone else feel this way about the books???? and before someone says OmG dOn’T rEaD iF yOu DoN’t LiKe It- the only reason I read these books was because of show Malec and I stupidly thought it was going to be the same masterpiece and I was sorely mistaken- and then I read about the insane stuff CC has gotten away with (plagiarism, how she treated people in the Harry otter fandom, how she treats her own fans when they criticize her, like I think she’s actually insane) and I just feel like this fantasy world and some of these characters deserved better treatment and should’ve been put in the hands of an author who actually cared more. I’m just tired of problematic authors and writers ruining shit for us

[seventh-district]

i’ve just finished season one of TMA, and being someone who’s okay with spoilers is fun because it means i can peruse the wiki and scroll through the tag and i get to become privy to all sorts of weird, wonderful, halfway-out-of-context information that i get to look forward to understanding in the future

like. what do you mean Leitner’s in the tunnels?

what do you mean Jon eats the extinguished sun??

what do you mean it’s spelled Gerard Keay???

[seaglassdinosaur]

Nimona always responding to the question of ‘what are you’ with ‘I’m Nimona’ because it’s an intention to make her personhood the focus instead of the what of her identity. It’s a statement of ‘judge me for my character and the person I am, not just the what of what I am.’

She is a person first.

[sysig]

Good to see you again ♥ (Patreon)

Bonus:

[seaofreverie]

You ever finish a drawing that you really like and then you spend the next three days randomly looking at it for minutes at a time like that could make it possible for you to absorb its alluring and magnetic essence with your eyes