#as jon and bran eventually find out
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jonsnowunemploymentera · 9 months ago
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Randomly thinking about grrm’s deconstruction of knighthood in asoiaf and how ironic it is that the Night’s Watch - an organization known to be half full of murderers, rapists, thieves, and all sorts of criminals - is essentially in charge of defending all of humanity when shit hits the fan. Like westeros just scrambled ‘the lowest of the low’ together into a penal colony in the far north and is totally fine depending on them for their survival; though tbf, i guess part of it has to do with expecting these societal ‘others’ to give their not so valuable lives for the good of the realm, who really cares if they live or die because they’re out of sight and out of mind. And it’s kinda funny too when we factor in the kingsguard because it’s a far more respected institution than the NW presently, but it too has its fair share of monsters. Quite a few men of the kingsguard have been morally bankrupt individuals, and we even see how the men of the KG sometimes forget other people they should be responsible for because their one priority is the king (we see what happens when you put the people of the realm first and then are ostracized by it a la Jaime tho there’s more to it). Missing the forest for the tree is something both institutions share, making them quite similar. So it’s interesting how grrm flips the fantasy classic of the black knight vs the white knight. The black knight is often anti-heroic, if not straight up villainous, and is often made to be diametrically opposed to the valiant and ever good white knight. But asoiaf has white and black knights both be shown of great virtue and great vice. The white knights in this story really are no better than the black knights. I’d love to see how these two entities could intersect, i.e., what happens when a white knight eventually changes his cloak for a black one (*cough* Jaime *cough*) and how that falls into grrm’s deconstruction of the romance of chivalry, the extent of personal heroism, and perceived knightly virtue. Welp I don’t even know what point I’m trying to make anymore, I just wanted to talk about the KG and the NW because they’re really cool.
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llonelygoddess · 1 year ago
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Yandere House Stark Headcanons
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A/N: I ended up not doing Bran and Rickon only because I wanted to get this out sooner rather than later and they were a little difficult to write for. If you'd like to see headcanons for them I can definitely make another post for them, just let me know.
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Let's say you are a low born person looking for refuge in Winterfell after your village was sacked by Wildlings. You had hoped to find some tavern to hold up in or even a brothel, but unbeknownst to you the Stark family kept an eye on newcomers. When they received news of your arrival, they requested your presence. It was only to talk about the possibility of nearby Wildlings, but when YOU showed up beaten and scared for your life- how could they not offer their Stark hospitality?
This is where the yandere tendencies begin.
Ned Stark, as a yandere, is protective and definitely has a savior complex. He's an honorable and just man that can't help but bring home strays, so when he sees you it's like finding Jon all over again. A deep sense of responsibility comes over him and he knows in that moment that you are just as much his as any of his kids. From that day forward he assigns a room for you in the castle and a handmaiden to keep you company, not that you'll be needing it. The family of course is shocked at his sudden interest, but they all love to see him happy and nothing makes him more happy than seeing you taken care of.
Now Catelyn is initially worried that Ned has taken a romantic interest in you, but when she sees the way you both interact she understands the fatherly bond he is trying to create very similar to his own kids. It didn't take long for her to fall into her own yandere tendencies; checking in on you in the mornings, making prayer wheels even when you're not sick, helping in the kitchen to make sure your food was perfect ( and not poisoned). She takes her role as your surrogate mother very seriously,sometimes to the extent of watching you sleep or ordering guards to discreetly watch over you and report back. Her biggest worry is that you'll be taken away from them so she takes extra precautions to keep you safe.
Robb is head over heels for you instantly. Man is down bad. Much like his father, Robb has a savior complex and finds himself wanting to be YOUR savior always. He does this by training extra hard with Jon, keeping an eye on you at all times, and giving threatening looks to any man or woman who gets too close to you. He doesn’t mean to scare away any potential friends but he does mean to scare away potential lovers. He couldn’t bear to see you with anyone outside the family, and even then he has a sword up his butt about it. 
On the other hand, Jon takes a while to warm up to you. He loves his family and is vicious to outsiders who could harm them. Eventually, seeing how you interact with everyone makes him a tad jealous. Not of you, but of his family and how easily they can approach you. I definitely see Jon as an overprotective/stalker yandere with strong jealous tendencies that make him beg for your approval. He finds himself wherever you are, lurking in the background, waiting for the right moment to catch you alone. Jon feels like himself around you and the more time you spend together the more addicted to your presence he becomes. 
Theon is hands down THE worshiper of the group. It's a hot take for sure but as a yandere, I see Theon's insecurities and fears taking over, slightly similar to reek!Theon. He sees you as a deity, above the Lords and Ladies, even above the King/Queen themself. If it were up to him he'd be the one giving you your meals, running your baths, standing by your side as guard. He cherishes your very presence and hopes one day you'll see his never ending loyalty to you and only you. 
Sansa is very quiet about her obsession, you almost couldn't tell. She's the perfect friend, always sitting next to you at meals, gossiping about the Lords and Lady's of court, and helping you stock your wardrobe. Whatever hobby you choose to pick up, she's always there to praise you in your efforts and guide you in whatever way she can. She especially loves teaching you how to embroider as it's her specialty. It was all but normal until you came upon her private journal filled with both your names in beautiful cursive surrounded by hearts. You begin to notice the closeness she silently demands, eyeing everyone else to stay away. You see the way she longingly watches you from afar when you choose to spend time with anyone else. And your dresses, that you both so carefully picked out, seem to have a little embroidered "SS" on the nape of your neck.
Arya sees you as her golden older sibling, the one who can do no wrong. She is constantly dragging you around Winterfell - riding horses and trying to shoot arrows (and failing lol). She finds comfort within you, the only person who doesn't expect anything of her except to be herself. And for that she will never leave your side. Most nights you'll find her trying to sneak into your room to share a bed, but whether she can get past the guards Ned and Catelyn have posted outside your door is another story.
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claymoresword · 1 year ago
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Where's My Love
Cersei Lannister x Stark Fem!Reader 🐺
Prompt: I was wondering if you could write a Cersei x Stark!fem!reader where she's Ned's youngest sister and Cersei's ex-secret lover. Reader is a rebel like Arya and never married but she's very protective of her nieces/nephews. She and Cersei had a bad breakup and are finally reuniting during the events of the first GOT episode when the king's court goes to Winterfell. You could write reader backing up Arya again Joffrey and Cersei seething 😂😂😂 you can include g!p and smut if you want.
Wordcount: 5.8k
Pairing: Cersei x Stark Reader
Warnings: g!p reader, smut, power play, depictions of physical abuse, cheating , very toxic , references to alcoholism, breeding kink if you squint, emotional manipulation, did i already say this was toxic ?
Note: thank you so much 🐑 for the prompt! i actually had a lot of fun writing this one. also important to note this is my first time actually publishing something y'all have requested me to write so hopefully i got this right.. i know i tweaked and added a couple things but i hope you don't mind! and if you hate this i'm sorry lmao i tried <33
(smut after asterisks)
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Bouts of laughter erupt from your nephews as Bran once again misses his mark, the arrow flies way over the target.
You glare at the older boys, in response Robb places a hand over his mouth, Jon instead chooses to avoid your gaze entirely focusing his stare at the ground beneath.
All dirt and sleet on the base of your boot, the ground squelched with every step you took.
“Try again, Bran. Take a deep breath, aim properly.” You order placing a lingering hand on his shoulder. 
The young boy nods obediently as you step back once more, he raises his bow arm. 
He aims, soon releasing the string, and once again, he misses. The arrow pierces the edge of a barrel on the far left, leagues away from his actual target.
Once again the boys burst into fits of laughter, this time is it not you who reprimands them.
“And which one of you was a marksman at ten?” You follow the sound of your brother's voice, he is standing on the balcony above, Catelyn by his side.
“Keep trying, Bran.” Jon decides to cease his teasing, he encourages his half-brother.
A sudden gust of wind tickles your face, the cold breeze permeates the air, bleeding through the thin fabric of your doublet. You immediately regret not putting on more layers this morning. You have lost track of the days, but there is no doubt that winter is coming.
“Robb, make certain your brother continues practicing. I am going back inside, but remember– your father is watching.” You warn your eldest nephew, as stern as you can manage. 
Shaggy streaks of red hair fall over his eyes as he nods. 
You wrap your arms around yourself as you start up the stairs, but your plan to slip back into your chambers unnoticed fails.
“Y/n.” Cat appears next to you.
“Are you alright?” The Lady of Winterfell asks, and you force a sweet smile, one to disarm and hopefully quell her worries. 
Catelyn didn't exactly warm to you at first, and neither did you with her, but over time you both grew to truly care for one another. She was like an older sister to you, the void left by your late sister Lyanna did not seem so large with her around.
“I'm fine, I just needed to fetch something from my bedchambers, that's all.” You lie. However, the older woman somehow always manages to see right through you.
She gazes upon you skeptically only to eventually release your arm. She takes a step back, allowing you to take your leave without further interrogation.
-
In truth, you were far from alright. 
Despite yourself, you have been on edge since finding out that the King is on his way to Winterfell with his Lady wife and all of their children.
This visit is a sudden one. Upon the death of Jon Arryn you had expected things to be different, knowing how much the former Hand meant to your brother– but you never anticipated a visit from the King himself.
You hadn't seen Robert in nine years, and his wife for longer than that. 
It is not by accident.
If it was up to you, things would be different. You would still be in King's Landing today, perhaps serving as Knight– or as Cersei had once intended, a personal guard for the Queen.
You were once certain that you would spend the rest of your days by Cersei's side, no matter the circumstances, but you merely held the high hopefulness of a young girl. 
Since then have been forced to accept that life is nothing like the tales and songs you were fed as a child. The Gods are not always merciful, things rarely ever go to plan and love most certainly does not conquer all.
Life got in the way of your love, and pride did the rest. 
You have not spoken to Cersei Lannister in a decade, yet your entire being continued to ache with every day that you have spent apart. Time does not heal the type of hurt that only yields to resentment.
When the King and Queen arrive for their visit on the morrow, you intend to avoid her Grace at all costs, for her sake and your own. Above all, you will have no choice but to grit your teeth and endure what you must.
You haven't seen Cersei in years, but you were bound to slaughter each other given the chance.
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“Come in!” You beckon whoever was on the other side of the door as you fastened the clasps on your doublet.
Ned ceases his knocking, pushing the door open, he looks upon you in a way he knew you hated, but your brother can hardly help it.
He worries about you. When you returned home all those years ago, you were inconsolable. 
You are a Stark, not made for the South. Your brother tried in jest, but he knew it wasn't the weather, or even court politics that despaired you. 
It was Cersei, it had always been Cersei.
"The King was seen riding up; he should be arriving any moment.” Ned states.
“Right, I'm almost done here.” You quip, but the man takes it upon himself to assist you with your sheepskin cloak, draping it over your shoulders.
He keeps his hands on you, his brows furrowed with evident worry, and for some reason you can't help but find it all a bit silly, you chuckle lightly. “I will be fine, Ned.” 
Your brother appears less than convinced,  you shove him playfully. “You worry about me too much, brother, it’s beginning to age you.”
Ned scoffs. “Aye, try being in my position for a day and you'll understand why I worry so much… but it is time that's aging me, little sister.” Ned quips in response and this makes you pause.
You notice the streaks of white, scattered across his dark locks. As the morning sun peeks through the window, catching his face, you observe more of those streaks in his beard.
Where has time gone?
Ned steps closer, it seems that he has mistaken your silence for something else. Your brother plants a quick kiss on the crown of your head as a result.
In times like this you can't help but feel like a girl of thirteen again, looking to her older brother for protection.
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You watched as the Kingsguard rode through the walls of Winterfell, Lannister banners in hand. It unsettles you more than you thought it would. You gnaw at the inside of your cheek, turning to Sansa, her younger sister still nowhere in sight.
“Sansa, where is your sister?” You question and the girl only shrugs dismissively, but you aren't left wondering for long as Arya can be seen pushing through the crowd, quickly settling next to you.
The young girl was wearing an iron helm you had never seen before, her once pristine dress now ornamented with specks of dirt and grime. You shake your head disapprovingly, an effort to suppress your amusement.
Sansa scoffs at the sight of her younger sister, while you snatch the helm off Arya's head, she looks up at you with a scowl.
“Where did you even get this?” You ask, your tone manages to match the look on her face.
Arya gives you no response, and you aren't allowed the opportunity to press her further as you feel a nudge against your arm. Ned forces you to look ahead as the King can be seen dismounting his horse.
Ned kneels, and you and everyone else follows suit.
After a beat, the King's command all of you to rise, and soon you spot the carriage halting a few feet behind him.
You involuntarily held your breath as the door opens. The Queen emerges, she keeps her gaze ahead as she climbs down the steps.
Cersei looks the picture of poise and grace. She seems older, and somehow even more beautiful than you remembered. It knocked the wind right out of you, you had to look away. 
Your eyes are no longer on the Queen, but your chest aches all the same.
“Cat!” Your attention is pulled to the display before you as the King addresses your sister in law, pulling her in for an embrace that she doesn't appear to be prepared for.
“Nine years. why haven't I seen you, where the hell have you been?” Robert addresses your brother once more.
“Guarding the North, Your Grace. Winterfell is yours.” Ned replies, practiced and noble as he always was.
Robert then turns to you, a scowl upon his face, one that stuns you slightly. Your mind turns to Cersei, you consider what she might have shared with her Lord husband in your absence. 
She must have told him the real reason you left King's Landing, no doubt the King will want you punished for repeatedly bedding his wife all those years ago. but then the King's frown turns, and your mind ceases its torment. 
Robert lunges only to pull you in for an embrace, a gesture that startles you, your body remains tense until he releases you from his hold.
“I expected better from you, Y/n.” The King narrows his gaze in a puckish manner. 
“Unlike your damned brother here I thought you enjoyed the Keep. I was sure you wanted to serve in my Kingsguard.” He adds, and you force a grin, gallant yet strained.
“I admit that was a different time, Your Grace. These days, my passions lie elsewhere.” You reply, and you can hardly prevent the way your gaze flits towards the Queen for a moment.
Cersei has been stood beside her husband, staring at you relentlessly for the entire duration of this interaction. If the Queen has remained the same person she was all those years ago, then you know for certain this was her attempt to intimidate– but you were not so keen on letting her have the upper hand. 
You drill your expression, unfazed.
The King snorts derisively at your answer, but says nothing more.
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You had spent most of the afternoon, drowning in your cups. The knowledge that Cersei was only a few doors away was aggravating, everything you thought to have successfully repressed has now resurfaced.
Every inch of you calls out to Cersei, your very soul yearns for her. You craved the unbearable pain, and blinding pleasure that came with being around her.
You have laid awake many nights picturing the ways you would confront her. The things you would say to her. 
You fantasized about the possibility of finally being rid of all of your pain. To hurt her the same way she hurt you. Your heart, dense and cold, obstructed by all things Cersei. Within you, you carried everything you despised about the other woman– and all the things you adored.
The Queen was a mistake you couldn't erase, and simultaneously the best thing that has ever happened to you. You hate her, but you cannot stand to be apart from her.
-
The sound of commotion snatches you out of your thoughts. The voices that permeate sound vaguely familiar to you, but you are only able to place them once you take a glance out your window.
You spot Arya and Bran in the courtyard. Prince Joffrey standing over them, your face falls as you spot his steel unsheathed from his scabbard and in his hand.
Without another moment's thought you rushed downstairs towards the training yard, prepared to pacify the affair, however dire it may be, but it seems Arya has taken the situation into her own hands.
Bran is gone, but the Prince is now on the ground. It seems that Arya has managed to disarm the older boy, his steel thrown to the side in the dirt. 
Now she is threatening Joffrey with a wooden practice sword, her direwolf beside her, growling with intent at the Prince.
“Arya enough!” You intercept the blow, forcefully dragging your niece away from the boy.
“What the seven hells do you think you're doing?” You bark, and Arya drops the sword, her chest still heaving.
A young girl seething with unbridled fury was such an uncommon sight that it makes you grimace.
“He was trying to hurt Bran! I had to protect him.” Arya gestures to the Prince, the boy still whimpering in pain.
“Damn you and that stupid dog! I am telling my mother! I will report you to the king!” Joffrey hurls his threats, and Arya makes the juvenile decision to respond.
“Nymeria's a direwolf, not a dog!” She shouts and you sigh, placing a hand over your niece's mouth to silence her, an action Arya fights but your grip on her doesn't relent.
“My Prince, I am sure my niece meant no harm–” You try but the boy interjects.
“No harm?” The Prince hisses. “She nearly sliced my arm off!” Once again he whimpers like a pup that had just been trampled.
You take a step forward to examine the cut on Joffrey's arm, and it was only that– a minor cut, one that will heal without leaving as much as a scar.
Large footsteps approach, the Prince's sworn guard comes rushing to the scene, Sandor Clegane scowls at you before assisting the boy to his feet effortlessly with one hand.
“Some protector you are, dog. I almost died!” Joffrey then redirects his frustrations towards his guard.
He continues muttering insults as he retrieves his sword from the dirt, strutting out of the training yard.
Nymeria doesn't cease her growling until the boy was entirely out of sight, it was also only then you remove your hand from Arya's mouth.
“Have you completely lost your wits?” You gape, looking down at your niece disapprovingly, before kneeling to be at eye level with her.
“He was–” Arya starts, but you interrupt.“–I don't care what he did, Arya. You never attack a Prince.” You state firmly.
“You do something like this again and I will make sure you never get the chance to wield a weapon again, do you understand?” You assert, and your tone is harsh enough to make Arya wince.
She doesn't reply with words, she continues looking down at her feet as she nods.
“Let's go and get you cleaned up.” You state, you try to pull her by the arm but Arya doesn't budge.
“I was trying to be brave, like you.” She mutters under her breath, and you turn to look at the young girl once more.
“What?” You ask.
“Don't be upset with me, please, please. I'm sorry.” Then Arya states frantically, her voice small and frail– it shatters you.
“Oh, Arya– my sweet girl.” You say, kneeling once again. “I'm not upset, I was worried.” You pull her in for an embrace, your niece clutches you tightly in return.
After a prolonged moment, you cease the hug, wiping away some of the dirt from her face with the pads of your thumbs. 
Then you took a quick scan of your surroundings, to ensure that you were alone before speaking again.
“Our Prince is a bit of a cunt.” You finally quip, earning a chuckle from Arya.
“He is.” Your niece beams at you, in turn this makes you fill with relief.
“I am proud of you for disarming him. but next time, leave it at that. Do you understand the consequences that come with attacking a King's heir?” You ask, and you watch as a realization graces the young girl, she averts her gaze, this time with guilt.
“Never again, do you hear me?”
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You were exhausted from the events of the day, and yet it was not close to over. 
You decide to retire to your chambers, aiming for at least a few hours rest before the King's welcome feast later this evening.
Resting your hand on the pommel of your sword, you take large steps through the gallery. You crave the horn of ale waiting for you on your nightstand, the comfort of your warm bed.
You turn the corner, a figure appears before you and you swerve out of the way quickly enough to avoid whoever it was that decided to walk toward you in this exact moment from the opposite direction.
As you gather yourself to take a proper look at the woman who you nearly bumped into, your blood runs cold. 
“Your Grace, forgive me.” You state curtly, inclining your head at Cersei. 
Your hand remains resting on the hilt of your sword as you attempt to slip past her, but before you can successfully walk away, she has a hold of your arm, dragging you backwards to where you stood.
You yank your arm out of her hold, a scowl covers your features, but Cersei ignores your visible discontent as she speaks.
“That niece of yours tried to murder my son.” The Queen accuses.
“What?” You can't help the half-laugh that slips out of you. Cersei takes offense to this, her expression hardens.
“Joff will bear those scars for the rest of his life.” She is not backing down, and you can't pretend that you possessed the will to deal with her theatrics.
You only roll your eyes, finally slipping past her and into your chambers.
You step inside your room, but before you can close the door Cersei intercepts, forcefully pushing it open to let herself in.
She slams it closed behind herself.
“You dare walk away from your Queen?” She bellows.
This time you groan, collapsing onto your bed.
You ignore her statement, rubbing your hands over your face in frustration. “Oh, Cersei, it is a cut, it'll heal!”
A prolonged silence from the Queen, she only speaks again once you sit up in your bed.
“You've not changed a bit.” She remarks, treacherous emerald gaze meeting your pale greys.
“Neither have you.” You retaliate boldly.
More silence until Cersei is first to look away, clasping her hands infront of herself she assumes an impassive stance.
“I will have that girl punished.” The Queen threatens, her tone sounds spiteful. but you don't hide your incredulity.
“For what?” You ask, and Cersei's jaw clenches even tighter, you wonder if she might lunge at you.
“She attacked my son. the King's heir.” Cersei retorts, and you scoff.
“Is that what Robert’s teaching his sons? How to lose to a little girl?” You taunt, not backing down.
You knew Arya should receive consequences for her actions by right, but giving Cersei that satisfaction is the absolute last thing you plan to do.
“Or is it not the King's doing at all?” You ask again as Cersei fails to respond. You rise from the bed, stepping closer to the Queen.
“Is it Jaime's fault?” You tilt your head inquisitively, mockingly. 
You are close enough to smell the lavender oil on Cersei's skin. Her eyes flit to your lips for a fleeting moment, and yours do the same to hers. 
Then a madness overcomes you, prompting your next choice of words.
“I expect it is him you've been opening your legs for these days–” You utter, but you are swiftly silenced when Cersei's palm makes contact with your cheek.
She slaps you across the face, your head turns slightly from the force of it. Your face is now throbbing, raw and red with traces of Cersei's wrath. 
She goes to strike you again, and this time it is intercepted by your firm grip on her wrist. 
A fury reignites within you as Cersei tries to fight out of your hold, entirely allowing your emotions to guide your actions, your hand finds her throat. Before your rational mind can mitigate it, you have your fingers firmly wrapped around her neck. The back of her head slams against the wooden door as you forcibly pinned her upon it.
The Queen is clawing at your hand, struggling to take a breath as you restricted her airway. A real fear flashes across Cersei's face, and a part of you wants to watch her fall limp within your grasp, to quiet her once and for all, to destroy the cause of your agony. but you don't– instead you take a step back, releasing her. 
Cersei gasps as air sharply re enters her lungs, roughly wiping away the tears that have made it down her cheeks.
The Queen attempts to regain her resolve the best she can, and the look she gives you is not one of shock, instead it is pure disdain, and you look at her the same. Cersei doesn't speak, she merely shoves you harshly with both hands against your chest, as you stumbled back, she turns to open the door.
You collapse on your bed once more as Cersei dissapears into the hallway, the door shutting behind her. 
“Fuck.” You cursed under your breath. It seemed the Queen will never fail to elicit the worst from you– to make you act like an utter lunatic.
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The welcome feast has been dragging on now for what felt like an eternity. 
The King was no longer seated as his high table, instead he was in the center of the hall, shamelessly flirting with some of the servants.
You roll your eyes, reaching for the flagon of ale infront of you, as you attempted to lift it, it doesn't budge. You fleetingly wonder if the liquor had caused you to lose all strength in your arm, only to realize your brother was holding the jug firmly on the table so it wouldn't move.
You squint at Ned, and he glares at you in return.
“Enough. You'll drink yourself into an early grave if you keep this up.” Your brother warns and it makes you snigger.
“That is the plan, brother.” You slur slightly, but Ned makes the deliberate effort to ignore you.
You slump backwards in your chair, when you've realized you lost this argument, as you often did when it came to the lord of Winterfell.
You eyes fall upon King Robert once more, he is still in the middle of the room, surrounded by maidens and even more whores. 
This time he is no longer flirting with them, he is in a full lip lock with one of the women. He does this in the presence of the Queen, dishonouring her for all to see.
You grimace at the sight, an unwanted rage overcomes you. You can hardly believe this lecherous drunk was King of the Seven Kingdoms. Married to the most beautiful woman in all of the seven kingdoms, the only woman you have ever wanted.
You can't bear to look at Cersei's reaction to this, in fact you can hardly remain at this feast for a moment longer. You abruptly rise from your seat, Ned looks up at you, puzzled.
“May I please be excused?” You asked formally for the rest of the table to hear and your brother hesitates before nodding curtly in response.
As you walked back to your chambers you can't help but invision what your life would have been like if your brother had taken the Iron throne instead of Robert Baratheon. If you had remained in King's Landing– if you had wedded Cersei instead.
Perhaps in a different life. 
You and Cersei would be married, and you'd rule together. In another reality Cersei would be your Queen and not Robert's. She would bear your children, your heirs. You would grow old together and live out your days by each other's side. In a different life, you would have remained faithful to Cersei, you would have given her everything she desired and in return, Cersei would offer you her heart. 
You would have been happy.
In another life. 
By the time you reached your room, the tears had stopped flowing, but the collar of your shirt remained drenched.
As you shut your door, you unclapsed your doublet, lifting it above your head, tossing it aimlessly across the room. 
Now only in your tunic and breeches, you feel the urge to weep some more, but you refuse to allow your tears to fall this time. 
You take a seat on the settee, head in your hands. The effects of the ale already wearing off, a headache rapidly setting in, you realized that you needed another drink.
You get up to fetch the flagon from the small table but as your door flings wide open, nearly hitting you in the process, you freeze where you stand.
A familiar golden haired beauty emerges through the doorway, and you allow yourself a deep breath. Clutching your chest slightly to calm yourself.
“Your Grace, the hour is late.” You state dismissively, starting across the room to fetch your goblet.
“If you have come to order my execution for my behaviour this afternoon, best get it over with.” You quip, the liquor in your system doing all of the talking for you.
You hear the door shut, without looking back you assume Cersei had taken her leave but you are perplexed when you turn to see her still standing by the door, watching you set down your goblet.
You walk across the room once more to take a seat on the settee, you remove your boots, setting them aside.
Cersei has remained silent for long enough that you nearly forgotten her presence entirely. Her next ask startles you.
“Look at me.” Her commanding tone leaves no room to argue, you glance at her. 
Her eyes were swollen, her cheeks flushed. It is clear to you that she has been crying as well.
You rise from your seat abruptly, approaching her. “Are you alright?” You ask, and again the Queen says nothing.
She merely stares at you, hopefulness at your concern and despair at the fact that you needed to ask.
**
She lunges forward, before you can fully comprehend it, her lips crash against your own, she kisses you deeply, pure anguish and want. It snatches the air right out of your lungs, but you have no desire to pull away.
Your tongue makes contact with her own and Cersei moans, pulling you impossibly closer by the nape of your neck.
Your body pressed up against hers as she leans against the wall. You were now both panting into the kiss, all aggression and desire. 
You had not been with Cersei like this in a decade, and yet there was a complete lack of uncertainty. It felt right, you were certain that you are meant to be with her like this, until the end of your days. 
However, there still exists voice deep within you, whether it is pride or reason, you cannot say for certain. but it urges you to pull away, so you do.
The Queen chases your lips eagerly, but you pull back even further. “Cersei, stop. What is this, what are you doing?” You ask, every moment you spent without your lips on hers felt like pure agony.
“I just need you– please–” Cersei replies with a desperation you have never heard before, and this was enough to break you. 
Any semblance of dignity vanishes into the very depths of yourself, all that's left is your deep and tortuous want for Cersei.
You kiss her again, rough and urgent, you are panting and groaning into each other's mouths. Cersei's hands immediately move to the hem of your breeches, she unlaces them in record time, slipping her hand inside.
You nearly lose it all when she wraps her fingers around the base of your cock, stroking it with such dexterity you fear your knees may give out.
“Gods–” You grunt, bucking your hips embarrassingly into her touch. 
You find the strength to remove her hand from your breeches. Soon enough you slip them off, your slacks pooling around your ankles before you kicked them to the side.
You swiftly remove your own tunic as Cersei's trembling hands struggle to undo the laces of her dress. 
Your patience wearing thin, you flip her around, indecently ripping the fabric open with one swift tug. 
“Y/n–” Cersei scolds in response to your eagerness, glancing back at you with dissaproval, but her dress easily slips off her shoulders after that, her smallclothes follow suit.
The Queen is still facing away from you as you part her hair away from her neck, trailing open mouthed kisses against her hot flesh, as you reached a certain familiar spot, your teeth grazed the skin, before biting down on it briefly. 
This earns a louder noise from Cersei, she is still trembling as she turns back around to face you, grabbing you firmly to pull you in for another sloppy kiss.
Lips still interlocked, the Queen walks you backwards onto the bed, Cersei doesn't waste another moment, straddling you as soon as you settled your rear on the edge of the bedding.
Your cock now stiff as a rod, poking at Cersei's entrance. The other woman begins moving her hips as you kissed, rubbing her cunt on the length of your shaft, coating it with her slick.
Your breath quickens, the sensation was maddening, you needed to be inside her now.
“Gods, I missed you.” You let it slip as your lips parted for a moment, but Cersei doesn't respond. 
The Queen's grip on the nape of your neck moves to your hair as she grasps a handful of it, tugging your head back slightly. Her other hand travels south, she grips the base of your cock once more, this time lining it up to her entrance. 
She begins lowering herself onto your length, Cersei moves quickly, with every inch that enters her, she lets out a gasp at the sensation. Soon you are sheathed inside of her to the hilt, and Cersei throws her head back, she releases an unrestrained moan, her hands now firmly on your shoulders.
She attemps to push you back against the bed, but you refuse to budge. Cersei relents, kissing you again as she moves her hips up and down the length of your cock. With every moan from Cersei you retaliate with a groan.
The feeling of her walls fluttering against your girth made you dizzy. The Queen felt so unbelievably good wrapped around your cock, you had forgotten just how intoxicating it was.
Now that you were experiencing it again, you never wanted it to end.
 Vulgar noises of your coupling filled the room as Cersei moved herself desperately against your lap, your cock hitting just the right spots within her. 
The Queen can feel her release already approaching, entirely overwhelmed by this she falls limp against you, but you manage to support her weight with minimal effort. Her hips still moving at a steady pace until it finally hits her, her orgasm washes over her like a wave. 
Cersei cries out in pleasure, partially muffled against your neck, she holds onto you for dear life as her peak overcomes all her other senses, relentless and unforgiving. You feel her cunt clenching painfully around your cock, her short shallow breaths against your neck, she is trembling helplessly, and you never want to let her go.
“Seven hells.” The Queen breathes out, finally lifting her head to look at you.
Cersei's eyes were nearly glazed over, her chest heaving violently, but you were far from done with her.
You capture her lips with your own again, earning a content moan. You remained sheathed inside of her as you flipped your positions, now Cersei laid on the bed, with you on top of her. The other woman's gasp in surprise is muffled by your own mouth against hers.
Once again she moans into your mouth as you began your thrusts, deep and slow, you aim to feel every inch of her. Cersei wraps her legs around your waist, pulling you in even deeper.
The Queen gasps as your mouth found the swell of her breasts, your tongue leaving a trail of saliva as you expertly moved from one nipple to the other. 
Your thrusts grow harsh and inconsistent as you felt your own climax building. Cersei's back arches, a deafening moan rips out of her. 
You roughly placed your hand against her stomach, pinning her down against the bed as you continued to rut into her. Cersei was mewling and panting like a whore now as you used her for your own pleasure, heightening her own in the process. 
The Queen finds just enough strength to pull you closer, her lips now against your ear.
“Tell me you love me.” Cersei pleads, and this takes you entirely by surprise, you slow your movements but you don't stop.
“What?” You ask, shaky, breathless.
“Just say it.” The Queen repeats amidst another moan, she clenches around your cock and the sound that emits from you then is guttural, primal.
You oblige without asking further questions.
“I love you, Cersei” You speak, from the heart, damning the consequences.
With that, Cersei reaches her peak again, her nails digging into the flesh of your back as she comes. The feeling of her perfect cunt milking your cock, accompanied by her writhing body underneath you was enough to push you over the edge.
As you attempt to pull out, Cersei kept her legs firmly wrapped around your waist, holding you in place. You are not given the opportunity to question it as it was already too late, you moaned as you released your load deep inside her, painting her womb with your seed.
**
═══════════════════════════════════════════
Nearly a candlemark has passed since your coupling and neither you or Cersei have said more than a few words. 
Simply embracing each other under the sheets, she rests her head against your shoulder, tracing circles absentmindedly with her finger against your abdomen. 
This position was achingly familiar, almost as if no time had passed.
Cersei soon moves her hand further up, she traces her fingers across your bottom lip before running her thumb down the bridge of your nose. The sensation earns a chuckle out of you, you finally had to reach up to remove her hand, guiding it away from your face.
Cersei's stare betrays an intensity that makes your heart constrict painfully in your chest.
Still unspeaking, it was your turn to explore her body, but you don't get very far, your fingertips trace the faint bruising on her neck, the marks left by your own cruelty.
The Queen then shuts her eyes, she doesn't allow herself to look upon your guilt any longer. Wrapping her arm across your torso, nuzzling her face against your shoulder.
“I'm not letting you go– never again.” Cersei mutters, and the smile that tugs on your lips is one of relief and acceptance.
You don't supress the urge to plant a lingering kiss on her temple, one the Queen allows herself to melt into.
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syndrossi · 23 hours ago
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Au question
Who’s your favourite character ( favourite to write favourite to think about one you vibe with the most in) in each au? Their can have overlap if you you have multiple favourite
Regnal
Gotta be Baelon! He's so proud, and also so soft. He has a uniquely flowery kind of speech and inner voice that I enjoy writing, where he can be just a tad melodramatic, but in a sweet way? Like, I can weirdly see a lot of Rhaegar in him, even though Rhaegar gets all of the Aemon comparisons. I do really love to write Jaehaerys though, because he's so prideful (which I view as different to proud; Baelon tends to be proud of the people he loves, whereas Jaehaerys has pride in himself, what he has built, in his house). Like, if you think Daemon is prideful, he's nothing compared to Jaehaerys. We're talking a man who couldn't stand the stain on his family's honor (his pride) when Saera had her lovers scandal.
Reverberate
Daemon 100%. His joy at this second chance, and getting to enjoy every moment with his babies. His fear that something could happen to them. His protective fury when Volantis comes calling. His grappling with how he feels about Rhea in a world where he remembers what she did in his original timeline, while getting to know her as an actual person with fears and doubts and guilt here.
Restoration
Ooh, this is tough because it's so early on. My favorite POV to write so far, which may surprise people, was actually Bran's? It was my first time writing an actual eight-year-old's POV, and I really studied his early POVs in the books carefully, trying to capture his voice and inner thoughts and I was very pleased with how it turned out. His POV was the most "GRRM" I tried to be voice-wise, probably.
Ned making sense of things has maybe been the most fun to write. Big Jon is the hardest to write, because of the density/complexity of the emotions he's going through.
I know for a fact, however, that Cersei will be my absolute favorite to write. I AWAIT THE DAY.
And I love thinking about Daemon, and him wreaking absolute chaos on his eventual path to Essos and finding Dany. (Daemon basically adopting Dany on the spot will be a joy to write. Looks like his baby Rhaegar, definitely his somehow.)
Knight of Stars
Feels a bit early to be choosing someone here. Right now it's a toss-up between Arryk and Arthur. "Outsider" POVs are fun to write.
Aemon's Sons
Okay, fine, I've only written a tiny oneshot for this so far, but I'm gonna have a hard time picking between Aemon and Baelon (and looking forward to writing Alyssa and Jocelyn too!). Big sis Rhaenys too?? Too excited. Also more in-his-prime Jaehaerys to contend with, spicy.
The rest
I haven't written enough Reversal and Rescue is too tightly focused to really name a character for those!
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asongofstarkandtargaryen · 28 days ago
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What do you think Sansa ending will be like?
I was thinking she could do something artsy or creative.
That's a very interesting question!
First of all, let me say that I believe that Sansa will survive the series and have a happy ending.
With that being said, I don't mean a fairy tale like ending where she gets everything she ever wanted as a kid because a. Sansa has moved from her childhood dreams, when once she was dreaming to marry a handsome prince and become his queen one day, she now dreams of her home and what it represents (aka unconditional familial love, safety etc) and b. I doubt that Martin will give any character - even his most important ones - a fairy tale ending where they will get everything they even wanted.
I have many different predictions on where she could end up with, and since there are only speculations on my end I could totally be wrong.
Could she marry Harry the Heir ( if/once her marriage with Tyrion gets annulled) and become Lady of Eyrie? It fits her arc and her anti-parallels the previous Lady of Eyrie, who was also a Tully woman - remember all Stark kids are half Tully from their mama- and she in would be a Lady of an Important House like her Mother - with whom she shares some great parallels - once was. And not any castle, but the place her father spend many years . Thus a place that connects to both her Stark and Tully heritage. The only negative in this theory is that Harry currently seems an arse and I don't want her after everything she had to endure with an asshole. Maybe he's actually not that bad? Who knows we have two more books to find out, assuming that Harry survives them.
Another option would be for her to remain married to Tyrion. And I don't mean for them to suddenly have a great passionate romance but a mutual understanding that their union could benefit them both. They get to be the Lord and Lady of Castelry Rock and visit/or even stay at Kings Landing as I can imagine Tyrion will be heavily involved in politics and probably have a place in the small council of whoever gets to become the next ruler of Seven Kingdoms. I don't think that Tyrion would have a problem with his wife following her arty talents, and Sansa could continue hosting parties - like the one in Eyrie- and be an important influential Lady popular among the other nobles- especially if she is the wife of the Hand of the King/Queen/ whoever sits on the Iron Throne. That could even help elevate her husband popularity and in return Tyrion could offer her security and freedom to pursue her talents and hobbies. It's not the ideal fairy tale marriage but it's better than most arranged marriages in Westeros- her own parents started their union with even less and they managed to be happy together.
Or she could eventually marry a Northern Lord and live close to her childhood home and visit Bran and Rickon ( and anyone else reciting at Winterfell) more often than most ladies of her status visited their family.
Speaking of Winterfell, I personally believe - and as I said before since those are only speculations I could be totally wrong- that the younger Starks ( Sansa, Arya, Bran and Rickon) at the end of the series need to spend some futher time on their home before they consider moving out due to marrying. Because they are still very young and I believe that they would all benefit by being close to each other.
Sure not of them is an adult and therefore they can't act as the guardians of the younger ones - Maybe their older brother Jon who is adult could temporary do that?- but they can still help each other. Like for example, Sansa who learned how to act like the sort of Lady of Eyrie - while posing as Littlefinger's daughter - could help her brother, Bran, with the ladyship duties until he's old enough to pick a wife to fill that role. And more importantly than usefulness in managing to rule Winterfell, these kids are all traumatized and they deserve to spend some time to their home in order to heal. And to get to reconnect as a family - and least those who are still alive :/.
In Winterfell, I believe that Sansa could also purse her artistic talents because I can't imagine Bran, who is not only the sweetest kid according to his family but also very observant and empathetic, stopping his sister from doing something that gives her pleasure.
And I wasn't supposed to write so much but I was carried away bc I like speculating about characters I've interested at.
( And if you noticed the lack of mentioning Sandor as Sansa's possible endgame isn't because I don't believe that Martin has given them romantic undertones. It's because I unfortunately don't see him surviving the end of the books - again my personal prediction, feel free to disagree- so anything that happens between them I believe it won't be at the epilogue of the series).
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windriverdelta · 6 months ago
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On Stannis Baratheon's eventual fate in the ASOIAF books
So, we know that Stannis Baratheon is going to burn his daughter alive in the books like in Game of Thrones, since Martin has confirmed that this is one of his "moments" for GoT. That naturally raises the question of what will happen to Stannis afterwards.
TL;DR, I find Stannis becoming a Night's Watch member - and probably Lord Commander - by the end of ASOIAF the most likely outcome.
In the show, Stannis lost the subsequent battle with the Boltons and was then killed by Brienne. While the same battle ("Battle of Ice") is also happening in the books shortly after the Theon TWOW chapter, we can actually rule out this scenario rather easily for the books. One, Shireen is hundreds of miles away in Castle Black, and there is no way that she could get to Stannis in time to get burned. Two, Stannis is likely going to win the battle and seize Winterfell afterwards, for both plot and theme reasons. Three, in the Davos ASOS chapters we see that Stannis is prepared to burn an innocent child alive ... to save a million from the dark. A.K.A from the Others, not for a battle. And Melisandre wanted to wake a dragon from stone with said sacrifice, but there is no stone dragon available anywhere except maybe in Winterfell. Fourth, Brienne is nowhere near close enough to Stannis and the only appearance of Stannis in her POV is this:
They are not his sons. Stannis told it true, that day he met with Renly. Joffrey and Tommen were never Robert's sons. 
This isn't the comment she'd make if she still cared deeply about avenging Renly - especially when contrasted to this:
Timeon was still trying to fight as she pulled her blade from him, its fullers running red with blood. He clawed at his belt and came up with a dagger, so Brienne cut his hand off. That one was for Jaime. 
Fifth, Stannis being Azor Ahai is one of the lies Daenerys has to slay. Him falling against the Boltons would break that prophecy.
In fact, I am going to go out on a limb and say that any scenario that has Stannis dying before the invasion of the Others is ruled out for the above reasons. That probably guarantees his survival into ADoS, since it's likely that the climax of the Other invasion and Daenerys' arrival happen there.
That leaves a few scenarios. The one where he is killed by Daenerys is seemingly unpopular, probably for good reason: There isn't much of a concrete reason for her to do so - especially since in the books, the conflict and eventual destruction of King's Landing likely precedes Daenerys' arrival in the North - and when you look closely you notice that the "blue-eyed king" (=Stannis) isn't actually the subject of the slayer of lies prophecy, while the "cloth dragon" (=Aegon) and "stone beast" (=Euron?) are. A hint that this encounter will be less lethal.
A very popular theory is that Stannis becomes the new Night's King. Probably unjustifiably so, though:
The similitude between the two isn't that great. Melisandre as we see in her POV chapter isn't actually an Evil Seducer, while the woman with the Night's King seems to fit the description of the Others more. Human sacrifice wasn't the Night's King's foremost sin, either. Finally, lots of people other than the Night's King resided or set foot in the Nightfort, there is no evidence that it has a cursing effect akin to the Harrenhal curse, and Stannis hasn't actually visited it yet.
Going by Old Nan's tale of the Night's King, it seems like he was seduced by the power to betray humanity to the Others. While Stannis contemplates sacrificing one person for humanity. In other words, the exact opposite motivations. In this context, @turtle-paced's analysis of the Night's King here as book!Euron should be read.
Oh yeah, and the Euron Greyjoy we see in TWOW The Forsaken preview chapter is a far better candidate for "new Night's King" than Stannis (or Jon Snow, or Bran)
The second-to-last theory is that Stannis simply dies, presumably in battle against the Others, after the attempt to awake a dragon with thr Shireen sacrifice fails. Given that the "slayer of lies" prophecy and the discussions between Melisandre, Maester Aemon and Jon Snow imply that Stannis isn't Azor Ahai, I think it's safe to assume that the sacrifice will indeed fail. That said, while once again @turtle-paced wrote an argument I once again can't find about how this outcome would be in character, I don't recall any specific foreshadowing.
The last theory also presumes that the sacrifice will fail, but that Stannis will join the Night's Watch in atonement at the end. And that, well, has some foreshadowing: In Jon XI ASOS:
They found Stannis Baratheon standing aloneat the edge of the Wall, brooding over the field where he had won his battle, and the great green forest beyond. He was dressed in the same black breeches, tunic, and boots that a brother of theNight's Watch might wear. Only his cloak set him apart; a heavy golden cloak trimmed in black fur, and pinned with a brooch in the shape of a flaming heart
Jon VIII ADWD, in particular considering the fact that the Shireen sacrifice will consist of burning her alive as per the other sacrifices Melisandre and Stannis have carried out:
Jon's temper flashed. "They have followed worse. The Old Bear left a few cautionary notes about certain of the men, for his successor. We have a cook at the Shadow Tower who was fond of raping septas. He burned a seven-pointed star into his flesh for every one he claimed. His left arm is stars from wrist to elbow, and stars mark his calves as well. At Eastwatch we have a man who set his father's house afire and barred the door. His entire family burned to death, allnine. Whatever Satin may have done in Oldtown, he is our brother now, and he will be my squire."
And given that Stannis takes advice from a King's Landing smuggler and will win the battle of Winterfell with pirate tactics ("wrecking" with false lighthouses; Davos I ADWD), Davos II ACoK:
"Salladhor Saan thinks only of gold!" Stannis exploded. "His head is full of dreams of the treasure he fancies lies under the Red Keep, so let us hear no more of Salladhor Saan. The day I need military counsel from a Lysene brigand is the day I put off my crown and take the black." The king made a fist. "Are you here to serve me, smuggler? Or to vex me with arguments?"
Moreover, it's noted in-story that Jon Snow is the 998th Lord Commander of the Night's Watch, and after his assassination we'll probably see the election of a 999th afterwards - probably one of the mutineers. That leaves slot 1000 for after the series, since the Wall will almost certainly fall, and it calls for a big name. And the dutiful, skilled-in-military-matters, not very sociable Stannis Baratheon would probably fit right in the Night's Watch.
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esther-dot · 1 year ago
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Even if we assume that Rhaegar married Lyanna, does their marriage would be considered valid? In the show Gilly and Sam got to know about marriage through the some records. Is it possible in books too? What do you think?
Well, I can’t say that any of D&D’s decisions made sense in hindsight, and I don’t know how any evidence would be presented and sufficient enough to convince Westeros as a whole that Jon was Rhaegar’s “legitimate” child, but all that aside, this is the all-important book quote:
"Likely they were too shy to come out," Ned jested. He could feel the chill coming up the stairs, a cold breath from deep within the earth. "Kings are a rare sight in the north." Robert snorted. "More likely they were hiding under the snow. Snow, Ned!" The king put one hand on the wall to steady himself as they descended. (AGOT, Eddard I)
That’s compelling evidence that Martin intended Jon to be a Targaryen heir (“true born" in some capacity) from the beginning of the story. Sure, Robb and Bran become kings, we'll have several kings springing up in the North, but the "hiding under the snow. Snow, Ned" is (imo) unarguably a reference to Ned hiding Jon's identity by claiming him as his bastard (Snow). And the idea conveyed is that Ned is hiding a king. (@sherlokiness has several posts about additional wordplay around this, specifically the Jon and Joffrey, bastard and prince stuff).
As the series goes on, we get additional king references for Jon, and people have argued that it's KitN foreshadowing, and maybe, maybe that's what happens, but this passage, way back in AGOT, indicates that it is Jon's bastardy (hiding under the snow) that secrets the king. Not that he will eventually be chosen as one, but that he is one by virtue of his birth.
I don’t much care either way. I’ve pointed out that Jon being a bastard and going up against a true born is a fun progression of his bastard issues as is finding out he’s a trueborn and hating it/rejecting it because of what Rhaegar and Aerys did to the Starks. Either way, it’s juicy! There are things to explore. So, I’d just remind people, this spec isn’t about any specific bloggers hopes, or relying on GoT, it exists because of Martin’s words. And even if we find it offensive or think it goes against the later worldbuilding, there are lines in the book that indicate it’s potentially what Martin was planning way back when.
Now, I don't know why on Earth D&D bothered to write tangible proof of Jon's legitimacy in s7 when they totally neglected to do anything politically in s8 that would require that? Maybe keeping their options open if they needed to prolong the series? But I find it difficult to believe there will be a specific document that would be universally recognized as evidence of his legitimacy because Rhaegar was already married and had an heir. So, even if Martin wrote in a marriage for the sake of playing with the secret prince / heir to a dynasty idea for the reader’s sake, that doesn’t mean happy acceptance in-world. I’ve said the same about Robb’s will, it matters more what the Northern Lords say, how they weigh their competing interests and the threats they’re facing, rather than the specific words Robb wrote. Also, we have Aegon and Dany, so even if R/L were married and there was proof, after two other Targs pop up and war over the throne, I can't see people being moved by that? I would think they'd be sick of Targs no matter how sure people were about Jon’s identity.
Although, I could see the Northerners believing Jon is Rhaegar's son because a) they all already know Rhaegar kidnapped Lyanna and b) it doesn't really make sense for Ned to have fathered a bastard, so once Bran breaks it to Jon and/or Howland confirms it, I think they'll accept it because it would feel possible? Feel true? And obviously, we would know it’s true. So if this is about the Northen tangle, we don't need much. Actually, I just realized some people might spread it to try to undermine Jon/the Starks. 👀
I often just see these things as having a lot of potential paths and not knowing which direction is more appealing to Martin. He likes "the human heart in conflict with itself" so Jon being offered his dearest wish (being a legitimate son of Ned Stark) only for that to be absolute hell because he's falling in love with the man's daughter, well, that might be fun for him to write. But then comes R+L=J, and if he wants to be with Sansa, Jon needs that information to come out. If he's rejected Winterfell when Stannis offered it, rejected Winterfell even though Robb wanted him to take it, if he then can press his (Targ) legitimacy without displacing a beloved family member and in doing so, it might allow him to be with Sansa? That’s an angle. Or if he is KitN, he’d be highly motivated to keep that a secret for the sake of stability in the North, regardless of his feelings….I really can’t say. And I don’t remember anything in Sam’s chapters that made me think he’d find a diary, although the fact that Jon is forcing him to do something he doesn’t want to do makes the idea that he finds something and runs, potentially screwing Jon over kinda interesting. Actually, it’s always been a favored idea that he plays a hand in Jon rising to another position of power because of his part in getting Jon to be Lord Commander, so there is that! I guess I need to reread AFFC the whole series with a list of my new questions. 😅
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rise-my-angel · 2 months ago
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imagining little eddards first time trick or treating omg
: (
The first time he's still a baby, but Jons younger siblings all want little Eddard to come with them. So they put him in a costume, Jon volunteers to be the one to come along so that you don't have to deal with all of that so soon. To fit the night, Jon has on a simple dark costume of his own while he holds little Eddard who of course is in one of those adorable pumpkin costumes for babies. He's nervous around strangers at first but the really nice ladies who answer the door and speak to him in a bright voice always manage to pull a little smile out of the baby. He's obviously too young for candy, but they always let him pick one from the bowl for each of the other Stark kids. He's asleep in Jons arms by the time they all get home.
When he's a toddler, he's finally old enough to walk on his own. He still toddles, but he can stand on two feet and talk.. He's extremely nervous then. You and Jon both go with him because he doesn't want to go with his aunts and uncles without you, so you and Jon find costumes to all match so little Eddard feels comfortable.
He refuses to go up to the first few houses. He clutches your leg, shaking his head when you and Jon gently ask if he wants to go up and he looks like hes about to cry. Everything is overwhelming and the decorations and costumes are scary.
Finally, Rickon comes over after a few houses and shows him some of the candy he'd be safe to try and explains that he's out there with all of them so you're all safe. And that at the door isn't scary monsters like whose running around, but nice people looking for good kids to give treats too and hes one of them.
He tries just going up with the Stark siblings at first, but eventually he keeps looking back at you and Jon with that same look as you both realize he's still too scared to do it without you both.
Rickon tells Bran, Arya, and Sansa (who every year says shes too old to go and then always ends up going), that they should go ahead and have fun without worrying. Rickon stays with you, Jon and Little Eddard as you four slowly make your way just down the street. Rickon helps little Eddard with the talking, and with you and Jon right there he's also a little less scared.
He only lasts until the end of the main street by the time he wants to go home. His head resting in your hair and shoulder holding onto you while looking over at Jon as if hes scared until Jon kisses the top of his head. You both tell Rickon to go ahead and catch up with the others as you bring little Eddard home.
He's not even interested in the candy. Ned asks him if he had fun, and he nods a little unsure. Looking back at Jon before coming up to Ned and whispering to him alone that it was too scary and he wanted to come home. Ned laughs, telling him that theres no shame in that and that his father is so proud of him.
By the time the others get home, little Eddard is asleep laying across your and Jons lap. Jon indicating to them to the dining room table with four piles of candy with names Jon wrote. Little Eddard didn't want to keep it all and Jon helped him sort it into four piles for them instead.
He likes the winter holidays better, they're more fun and bright and they aren't scary.
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catofadifferentcolor · 1 year ago
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Terrible Fic Idea #82: The Chronicles of Narnia, but make it ASOIAF
@kyuremking recently asked me how I would go about combining Game of Thrones with The Chronicles of Narnia - and admittedly I was a bit baffled at first. Narnia has never been one of my go-to fandoms - I never liked how CS Lewis handled Susan, as if growing up was a crime worthy of exclusion from paradise, and the religious imagery feels quite heavy-handed considering the century in which they were published.
But I thought. And I mused. And I turned the idea over in my mind. And this is what I came up with: What if the Stark siblings fell into an Old Gods-analog of Narnia?
Just imagine it:
One day while exploring beneath the catacombs, young Arya Stark falls into Narnia. It is not quite the Narnia we know, with most of the heavy Christian symbolism of the books being replaced by the beliefs and mythology of the Old Gods.
As the religion of the Old Gods is not overly expanded upon in canon, let's imagine it here as something of a cross between shintoism and folk orthodoxy - polytheist and heavily animist with a notion of "pollution vs purity" and an un-codified moral code, but with localized cults of anthropomorphized saints which over the centuries have picked up certain aspects of certain of the New Gods. The details don't really matter so long as the two most important of these saints, which have taken on aspects of the Smith and the Mother, can be used to replicate the Narnian idea of son of Adam and daughter of Eve.
Arya falls into Narnia. Bran tentatively believes her, but the rest of her siblings think she's telling tales. This leads to some back and forth before Jon and Sansa are separately tasked to pull Bran and Arya out of the catacombs - and end up falling into Narnia after them.
Jon, Sansa, Bran, and Arya free Narnia from an endless winter at the hands of the Corpse Queen, who was trapped there by the Children of the Forest, which weakened the Others enough that the Last Hero was able win the Battle for the Dawn. They then rule Narina as Kings and Queens for forty years, eventually falling back into Winterfell while hunting the White Stag.
The exact details of the Narnia interlude are unimportant, as our story picks up literally the minute they find themselves all in a heap back in the catacombs, child-sized once more.
The rest of their family immediately notices the difference, but has no idea what to make of it. All of a sudden the four middle Stark children seem to have overcome all of their differences. They're not just acting like miniature adults, they're acting like proper lords and ladies - used to commanding and their orders being followed.
The difference is starkest with Arya - who seems have mellowed in the course of a day to warrior queen out of legend - and Sansa - who is no longer dreamy but dangerous in the way all Queens of Winter have always been. But it's there with Jon - who seems surer, steadier, and more comfortable in his own skin even as he looks at Ned with betrayal in his eyes - and Bran - who has gone from wanting to be a storybook knight to being the gallant knight he's always wanted to be.
Additionally, all four seem unspeakably close these days and can often be found whispering together - and slowly going silent when anyone else draws near. They're in and out of each other's chambers to the point where it's honestly strange to find one of them alone.
There's no time to ponder these changes, as the royal party is on their way North.
Ned will regret not paying closer attention for the rest of his life.
For while in Narnia, the Stark children learned two things: 1) That Jon is the son of Rhaegar Targaryen and his second wife, Lyanna Stark. Though it's never outright stated, it's heavily implied that while Lyanna's abduction was willing, her imprisonment in a tower was not, and by the end of it hated her husband more than anyone. Jon will never, ever be sure where his conception fell on the spectrum; and 2) that the Long Night is coming. It may be in their generation, it may be in the next, but Westeros must be strong to ensure the Dawn will come. Everything they've learned about Robert Baratheon suggests that he will not - cannot - be the king Westeros needs. And so Jon, Arya, Bran, and Sansa plot, and scheme in preparation for Jon to take the throne himself.
They're prepared to play the long game - but don't have to after Bran spies Jamie and Cersei in the First Keep. He arranges for the pair to be discovered in a way that is utterly undeniable. The twins are tried, found guilty, and beheaded in short order. Cersei's children are declared bastards - and, after Joffrey draws a sword in protest of this, Joffrey is slain as well. Myrcella and Tommen are remanded to Ned's care until they are old enough to join the Faith, enter the Citadel, or take the Black.
And then Robert does what he does best: drinks and whores, seemingly uncaring that his rule is hanging by a thread.
And so Jon acts - or rather, Jon and Sansa go to Ned so that he can act. They sit him down, explain that they know Jon is the rightful Targaryen heir, and state that if Ned does not declare for Jon now, he is dooming Westeros to a bloody civil war. It is best to act decisively now rather than wait for Robert's vices to kill him.
This conversation takes the better part of the night, but eventually Ned is convinced. When morning comes, Ned orders his guards put the few royal guards not already under watch (the majority Lannister men-at-arms having been imprisoned for rioting after Jamie and Cersei's deaths) and takes Robert hostage.
Jon is named King Jaehaerys III.
A great host marches south to King's Landing, picking up the lords of the Riverlands while fighting off Lannister forces, and takes King's Landing quickly, despite Renly's spirited defense of the city. Forces are sent to mop up Stannis at Dragonstone in echo of the Rebellion and in short order Jon is King of Westeros in truth.
What follows is a montage of Jon doing is best to strengthen the kingdom, put down rebellions, and make Westeros ready for the Long Night.
Bran marries Shireen Baratheon, who is named Lady Paramount of the Stormlands in her own right. Their marriage is one of surprising affection - and one which seems determined to restore House Baratheon to its greatest number through their own efforts. Bran is known as The Noble Wolf, and earns a reputation equal to that of the Dragonknight or Duncan the Tall.
Arya marries Robin Arryn, but it's doubtful they ever consummate the marriage. When he dies two years later, she claims the Vale by right of widowhood, and has already been doing such a good job ruling in his stead that few protest when there are no viable alternatives. No one ever quite knows who fathers her heir, but by that point the Long Night is in full swing and few take issue with it.
Robb marries Margery Tyrell, the closest the Tyrells can get to the crown. It's a successful marriage, if not one of deep affection, and ensures the North is well-fed when the Long Night comes.
Jon marries Sansa, with whom he'd had a relationship in Narnia and who he'd been dancing around after their return to adolescence. They often wonder about the children they left behind in Narnia, which causes some angst when they start having children in Westeros, but are undeniably the happiest royal couple in 200 years.
There are other efforts beyond marriage in the background, including 1) a long sequence during which Theon Greyjoy is installed as Lord Paramount of the Iron Islands after his father rebels. He proves to be remarkably loyal to the crown, marries Lyra Mormont, and turns the Ironborn from pirates into a royal navy in one generation; 2) Rickon is sent to foster in Dorne, which he takes to in a way no one could have predicted. He ends up staying in Dorne for most his life and becomes known as The Desert Wolf - a wilder, fiercer knight than his brother Bran. He never marries, but fathers a bevy of bastards to rival Oberyn Martell - at least half of them with Oberyn's daughter Loreza; and 3) Tywin being in open rebellion for years before Tyrion, in a desperate attempt to ensure a Lannister stays Lord of the Rock after they're assuredly defeated by the combined strength of the rest of Westeros, kills his father, takes his place, and swears his fidelity - just in time for the Long Night to descend.
With their preplanning, the Long Night is not half as bad as it was in canon - but it's still war. Sansa rules in King's Landing while Jon, Arya, and Bran lead the fighting to the north.
The situation goes poorly at first, with royal forces able to hold The Others off long enough for the Free Folk to to safety - but it's still a retreat, with each loss to the living strengthening the dead. The situation is starting to seem desperate by the time the Others reach the Wall.
In the darkest moment of the Battle of the Wall, the dragon Cannibal arrives at Castle Black to aid Jon, while two of his kin go to help Arya and Bran at the Shadow Tower and Eastwatch-by-the Sea. (These dragons being ice dragon cousins of the Targaryen fire dragons of the east, and thus drawn to the Stark bloodline when they bother to take riders at all.) Together they are the three heads of the dragon...
...and they start pushing the Others back. Within two years, they have won and the Night King is destroyed.
Jon goes on to rule for several more decades, beloved and capable in a way that no Targaryen ruler before him has ever been. (His few detractors are quick to point out he's more Stark than Targaryen, but Jon takes that as a compliment.) His queen, Sansa, seems less a consort and more a co-ruler, and is possibly more beloved than her husband. Their rule is one of peace and growing prosperity throughout the Seven Kingdoms and takes up an almost Arthurian place in the later history and mythology of Westeros.
They never speak of their experiences in Narnia to anyone - save Jon and Sansa's eldest son, Robb and Margery's eldest daughter, Arya's heir, and one of Bran and Shireen's middle children, who fall into Narnia themselves while exploring the Red Keep, who help the rightful king retake his throne...
Bonuses include: 1) The relationship between Robb and Jon never quite getting back to where it was before the Narnia interlude. As a result, Robb and Theon become even closer - which may have a strong role in Theon's efforts to turn the Iron Islands away from raiding. Dealer's choice if this relationship is bromance or romance; 2) A revival of the Old Gods and their religion following in the wake of the Targaryen Restoration. They win many converts everywhere the Stark family gains a foothold and godswoods are restored throughout the Seven Kingdoms; 3) A projection of Westerosi power into the lands beyond the Wall. At first this is nominal, but as parts of Beyond The Wall start to build villages and keeps similar to those in the North, things begin to change. Within 100 years most of the area capable of being settled this way is under control of their own Lord Paramount descended from a marriage between Robb and Theon's lines. The lands further north continue their pre-War lifestyles, but are nominally part of Westeros as well; and 4) Daenerys lives a happy life with Drogo in Essos. She watches with pleasure as her son Rhaego forms the largest land empire the world of ice and fire has ever seen - and lives just long enough to see that empire collapse after his death as his heirs scrabble for power. One of her great-grandsons, however, does end up on the throne of Yi Ti. His dynasty will eventually rise to be Westeros' great eastern rivals.
And that is surprisingly more than I thought'd I'd have. @kyuremking, IDK if this is quite what you were looking for, but it's the best I could come up with. As always, feel free to adopt this bun, just link back if you do anything with it.
More Terrible Fic Ideas
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atopvisenyashill · 8 months ago
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[just black list the tag #rani liveblogs got if u don’t want to see me bitch]
changes from book to show i noticed
what do you think it says thematically that they change the execution ned is carrying out from gared to will. do you think it was just cheaper to hire one guy to be both the “point of view” for our intro to the others and to also be the person executed.
i KNOW what it says thematically that they end this open with a scary shocking gared gets beheaded by the white walker scene and completely cut waymar royce’s “dance with me then” last stand and it’s nothing very good.
i don’t know that i like that they gave the “what about you” “i’m not a stark” exchange to bran and jon instead of ned and jon. i feel like it hits more when it’s jon denying his own starkness to ned’s face and bran sitting there realizing what a big thing jon has done here. but maybe i’m being picky here.
i do love this jaime & cersei scene. establishes the incest early, that they aren’t the ones who killed jon arryn, and also nikolaj’s danish accent comes through sooooo bad but i like it let him do it and give no explanation it’s sexy.
the tyrion change sure is. very typical of d&d.
i understand why it’s easier to just have jon snow outside and if they had a stronger jon snow i think i’d find this change less annoying but jon snow getting drunk at the party and crying is like 80% of the reason i love him so much. whomst among us.
these people are cowards prudes and fake perverts for changing this to fully clothed cuddling from those horn dogs .25 seconds after they came. i don’t give a shit about those three dehydrated twenty year olds in the shaving scene, also jon snow is my son i do Not want to fuck him stop trying to make me want to fuck him and give me sweaty and naked sean bean and michelle fairley having political pillow talk dammit.
making that change from catelyn wanting ned to go and ned not wanting to into catelyn fighting with luwin for ned to stay and ned not saying anything. perfect combo of “man is always right” + “completely erasing cat’s canon personality” + “misunderstanding ned’s core trait of grief due to long term depression & ptsd as ned is an honorable fool” nonsense. also let sean bean be naked?? michelle is not even like old???
i do understand why george was annoyed at the wedding night change, he’s writing something much more subtle than this, buti do think that’s a sign that they are not writing as subtle as him in regard to like. literally everything but especially dany and especially her relationships.
general comments and bitching
the archery scene is so fucking good tho. the way bran just LAUNCHES himself over that barrel to go slap arya silly but he can’t catch her she’s gone she’s in the wind and jon rickon and robb are hooting and hollering. really great.
do you know how many people i know who thought that jon snow and catelyn were fuckin bc of the glare they added there. akskdkd.
i wish they’d differentiated between jeyne poole and beth cassel in this scene with some dialogue and arya hears the training outside eventually drown out their voices instead of complete silence. those girls were not just like, the Main socialization that arya & sansa get, they’re both important to the northern plot with jeyne poole being like foundational to both of their stories. but obviously we know where that one goes.
i always think of that “when he looks at MEEEEEE and i look at HIIIIIIM” post during the direwolf puppy scene
“but he’s coming right now! down our road!”
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i really like that arya is so mean to bran because he’s In Her Spot bc she’s next oldest so SHE goes next and HE goes next to the baby.
the way mark addy does that out of breath huffy “CAAAAAAAAAAAT” and hugs her is so funny to me i love every acting decision that man ever made.
honestly they really set emilia up by having most of her scenes be with harry lloyd when she can barely match kit harington and the daarios.
kit harington is always so much worse in this season than i ever remember. but that’s okay because lena headey, mark addy, and sean bean are also sooooo much better than i remember every single time.
the feast scene is also very good. the lil deranged moment between cersei catelyn and sansa. cat’s single nod to robb and him putting on the big brother and perfect heir face immediately. jaime so clearly wanting to fuck ned and ned cannot be more turned off by how desperate jaime is. amazing.
i remember reading an article about how this white opinion writer was like was that dothraki wedding racist. can you be racist against fictional people. you definitely can right?? anyways viserys looking really worried that murder is gonna fuck up his deal before laughing is so funny.
also the suddenness of “the things i do for love” is real good. i always gasp with bran when it happens, the way they time it is really good.
god i hope i don’t spend this much time bitching for every single episode. akskdjd. this is one of the good seasons.
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gsabt · 24 days ago
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AGOT; Bran I
Prologue ↔ Catelyn I
Preface
I was thinking about including a chapter summary in the post but also didn't want to fluff the post because I'd always meant for these to be relatively small, input would be lovely! (Also if it wasn’t obvious Big G is George. In the clerb we all fam.)
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Chapter Summary
Ah Bran, the sweet summer child is he not? From my memory, I typically tended to enjoy his chapters in AGOT, ACOK on the other hand was a coin toss but mostly because I only recently interacted with the material through audiobook as I work around machinery so my attention wanes. I would also rather spend my breaks sleeping than reading. I'm going to make it a habit to read before bed however because my screen time is wild.
Anyhow, Eddard graying at 35 feels normal for the time period ASOIAF is set and I'm only commenting on it because I'm still younger than Ned and already graying... I'm just a jealous hater with premature graying. I love how Bran gives the reader insight on the softer side of Ned. He is a boy who loves his father and Ned is a father who loves his children.
He had a grim cast to his grey eyes this day, and he seemed not at all the man who would sit before the fire in the evening and talk softly of the age of heroes and the children of the forest.
Thanks for the tears Big G. I think it’s fairly obvious that it’s Gared being executed here and you know what, this man got the easy way out. He was saved from so much bullshit, you will be missed king!!
When it comes to the Valyrian sword, Ice, I’ve always wondered what GRRM meant by spell-forged. ASOIAF obviously has magical elements so it could literally mean spells/incantations especially since during ASOS when Ice is eventually melted down and forged into two swords and Danys dragons are well grown into the world which IIRC people remark that magic has returned to the world. This is also supported by the fact that in ACOK, the pyromancers produce wildfire much faster and question if dragons roam the world again. But I digress, it’s still boggling just how large Ice is on its own, realistically that sword would stand taller than me by a good chunk, it deeply bothered me how in the show the blades weren’t dark similar to how they were described to be in the books.
Also that unnecessarily long ass title for King Robert just to execute someone. I know my AuDHD ass would’ve triggered someone. I wouldn’t survive a day in ASOIAF, at best I’d be that guy playing the horn in Shrek 2 when Fiona’s parents letter is being delivered.
You could also infer that at this point on Theon really won’t get a-head in life (shoot me for that). Robb and Jon just guys being dudes (which i adore). I can also tell why I loved Jon as a teenager he was literally my TYPE. Stoic twinkerbells for the win.
Theon Greyjoy said, “There’s not been a direwolf sighted south of the Wall in two hundred years.”
“I see one now,” Jon replied.
Jon being an ass but I excuse everything Jon does. 100 points to House Snow. It always bothered me how they refer to Rickon as a baby despite his being 3 but I understand why he would be called that in ASOIAF world since infant/child mortality is so high, just something I nitpick at all the time throughout the books tbh.
Jon petitioning to keep the direwolf pups was always such a heart moment and a great introduction to his character, especially through the eyes of Bran, his little brother who regards him well. Near the end of the chapter, Jon gets his own pup of course. I was always under the impression (after learning about R+L) that Ghost was the earliest sign that Jon was a Targ. Of course it’s not book canon (yet perhaps) but it is canon in the show also known as the dumpster fire of Dave and Dan. Someone needs to hold me and Big G away from them. I digress.
I know there is a theory that Bloodraven had Jon Snow find Ghost and I think it could be plausible. Could. I’m not inclined to think one way or the other entirely since none of the other characters made comment or validated what Jon had heard, Bran clearly didn’t hear anything aside from the sounds of ambience but I also assume that Jon had acquired the attention of the others as the text says:
They watched him dismount where the direwolf lay dead in the snow, watched him kneel.
But again, I was never fully inclined to think more one way than the other when it came to this little theory. It’s nice food for thought. And if it’s true, stay away from the children, Bloodraven. I’m watching you…
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jonsnowunemploymentera · 1 year ago
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I’ve been rereading AGOT and this is how I’d summarize Jon Snow’s entire arc chapter by chapter
Jon l - Local teen bastard has a big realization that he has no social status while attending a royal party. He bursts into tears and goes to sulk in a corner.
[Interlude] Arya I - Local elementary schooler has an awakening about the unfairness of feudalism. She joins her aforementioned teen brother as they sulk in a corner.
[Interlude] Bran II - Elementary-age boy worried that his moody teen brother is sulking in corners far too much. He then has a terrible accident, which is a precursor to him sulking in corners as well.
Jon II - Local moody teen realizes that one should not make rash, life altering decisions while drunk. Now realizing that he has signed up for his local JROTC, which is a lifelong commitment to a frozen penal colony, he sulks around multiple corners as he says goodbye to several family members.
[Interlude] Tyrion II - Florida man makes fun of moody teenage military recruit who has just now realized that he has fallen victim to untruthful feudalist military propaganda. He laughs as the teen proceeds to sulk in a (fiery) corner.
Jon III - A local moody teen is forced to check his privilegeᵀᴹ after behaving in an appalling manner towards his fellow army recruits. Lonely, depressed, and homesick, he proceeds to sulk in a corner for a few days, but manages to make a few friends nonetheless.
[Interlude] Tyrion III - Perpetually drunk and annoying know-it-all Florida man strikes an unlikely friendship with a moody teen who has a tendency to sulk in corners due to issues making friends.
Jon IV - Local moody teen makes a new friend during JROTC training. Said friend is bullied for his exceptionally large frame, which makes for a rather poor soldier, but the moody teen stands up for him in front of the entire army base. The bullying eventually stops due to his efforts. Later, the two boys go to sulk in a corner, bonding over their shared sense of insecurity and rejection.
Jon V - Local moody teen finds out that his new bff is flunking JROTC. He proceeds to sulk in a forest, but still thinks of a solution to save said friend. Spoiler: he is successful and his friend graduates just fine.
Jon VI - Local moody teen graduates JROTC, but as a junior officer which is not at all what he wanted. He very angrily sulks out in the open, throwing a massive fit while he’s at it, until it is pointed out to him (much to his embarrassment) that this post will directly put him in the line of command.
Jon VII - Local moody teen learns that his beloved father has been imprisoned on grounds of treason. Incensed, he attacks a senior officer who makes fun of the situation. He is placed on house arrest by the army commander, which gives him plenty of time to sulk in a corner. However, his sulking is cut short when zombies attack the army base and he has to save the commander.
Jon VIII - For his bravery while fighting a zombie, local moody teen is gifted a special magic sword. He sulks about it because it should’ve been his father’s sword he’s getting. He is also conflicted because while he has already said his vows and bound himself to the penal colony, he still wants to go aid his family which is now on the brink of war after his father’s execution. Unable to do much else, he has no other choice but to go around sulking in several corners.
Jon IX - Local moody teen makes the foolish decision to dip out of army school to join his family that has gone off to war. He broodily decides to help his brother enact revenge for his father’s murder. However, he is unable to get very far because his friends catch up to him (with the help of his equally moody pet wolf) and is ultimately convinced to go back. Once he returns, the army commander gives him a good talking to and tells him that it’s time to grow up go on a real mission. This local teen has been looking forward to this the entire time, but he wants to go aid his family. He is forced to make a heartbreaking decision. Ultimately choosing duty over love, he has no choice but to make his way towards the north and sulk in whatever corners he will come across beyond the wall.
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zoklaanogar · 4 months ago
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I mean I HAVE to ask about Jon's thoughts and feelings on every single Stark. :D
PLEASE send me character development questions.I love to get insightful about my character and to ramble on them. Ask me about their habits, thoughts, relationships! Go as deep and complex as you like! And send as many as you like so loads.
Eddard Stark ──── jon's lord father, for whom he has the utmost respect. though he is his bastard son, lord stark raised jon alongside his trueborn children, granting him the education he would have lacked had he been left with his mother (whoever she may be). for that, jon is incredibly grateful, and considers himself extremely lucky. he loves his lord father as any son would, but he cannot deny his resentment over the secrecy regarding the identity of his mother. jon has always longed to have a mother in his life, akin to his trueborn siblings, or, at the very least, know her name, which lord stark continues to keep from him, eventually taking the secret to his grave. jon will always love his father, but he does resent him for that.
Catelyn Stark ──── a tricky one, truly. her disgust towards jon's presence is no secret, especially to jon. he does understand her position, as her husband bringing home his bastard son to raise alongside his trueborn children is evidence and reminder of his infidelity. however, jon has always been respectful toward lady stark, as she is his lord father's wife and the mother of jon's half-siblings.
Robb Stark ──── jon's (barely) older brother, his best-friend, the man he wishes to be. jon has the utmost respect for his brother, and would gladly follow him into battle (and he nearly did, forsaking his night's watch vows!). the immense pride he feels when his brother is named king in the north is immeasurable; however, he does harbor some jealousy toward robb, as he is the trueborn son of their lord father, and the oldest to boot, he inherits winterfell and the titles held by his father upon eddard's death. jon has always wished it were him set to inherit winterfell, to inherit the titles of lord of winterfell and warden of the north. it is a jealousy he is extremely shameful over.
Sansa Stark ──── another tricky one. sansa had always kept her distance from jon, referring to him as her half-brother rather than her brother, as robb and arya did. it has always been clear to jon that sansa modeled her view of him after that of her lady mother's, and while it does hurt, jon doesn't hold her at fault. he knows his place as a bastard, but, as he does all of his siblings, he does love her.
Arya Stark ──── the sibling he is closest to after robb. jon adores arya, and never discourages her more tomboy-esque behavior. he gifts her needle, for crying out loud. she has never judged him, nor has she ever treated him as someone beneath her. he loves her immensely.
Bran Stark ──── it's safe to say jon adores his little brother. he is terrified for bran after the fall he takes, forced to leave with their uncle benjen before he can find out bran's fate. he always acted as the protective older brother to bran, always looking out for his safety whenever he scaled high places. jon holds guilt over bran's fall, as he was not there to look out for him while he was climbing.
Rickon Stark ──── the youngest of the stark children; just another one jon absolutely adores. he loved playing with little rickon and watching him stumble about with the grace of a child his age. he's saddened that he is not given the opportunity to watch him grow.
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nighttimenarcotics · 11 months ago
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Aight so, I just started season 7 of game of thrones and I’ve noticed an interesting pattern
!!spoilers ahead!!
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The Starks direwolves names are foreshadowing, and what happens to them reflects the current events in the series
Let me explain;
Lady was the first wolf to die in season one, and it represents the fall of the stark house, see tensions rise and because of unfair circumstances Lady is killed, the following season details the fall of the Stark house, with Ned Starks death. Lady dies because Aryas wolf, Nymeria (meaning warrior queen, we’ll get back to that soon) runs away, on its own this name has no meaning but considering Aryas arch with the Manyfaced God, the his could represent a quite literal loss of identity, I have a feeling now that’s she’s found herself shell be able to find Nymeria again sometime in season 7
The next instance of this is when this happens is with Greywind, Robb Starks wolf. It can be tied to the fate of him and Theon Greyjoy, after Greyjoy betrays him he is left stranded without the forces of the Iron Islands, leading to his death at the Red Wedding. The dismemberment of the dire wolf can also be tied to the unfortunate circumstances that befall Theon after the fact and as a result of the betrayal
Next to die is summer. This one is pretty self explanatory, summer is Bran Starks wolf, and when she dies winter comes, but this can also represent the fact that a Stark, a child of the North and in turn winter itself is also coming home to winterfell
In the case of Ghost, Jon Starks wolf, we see a more literal representation of his fate. He fights white walkers, obviously, but also eventually dies himself before being brought back, making him a ghost walking amongst the living again
Shaggydog is where this pattern kind of breaks but there’s still something to be said about how this happens. Shaggydog is brutally slaughtered by Ramsay Bolton, so is Rikon stark, Shaggydogs owner. They are both taken into captivity and given no chance of survival before being murdered, there could also be ties to how Ramsay also perishes, killed by his own dogs
anyways I googled this afterwards and it turns out I’m right soooooooo, suck on that Game of Thrones , easiest show to predict ever 🖕🏼🖕🏼
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buttercuparry · 2 years ago
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I just saw someone say they find the tiff over Lyanna between Arya and Sansa girlies hilarious because to them the most obvious candidate who almost becomes the representation of an altar, after Lyanna is Robb. Which to be true is fair in so much as that Robb becomes almost this mythic figure: the brother king, who is strong enough to present Joffrey's head on a plate, whose campaigns are a source of pride. He becomes a beautiful memory of a boy with snow melting in his hair. He becomes to his men the hero straight from the ages of Kings of Winter, fighting with a direwolf by his side, defeating Jaime Lannister, and being honourable to young maidens. All of this is well and true with how Lyanna is presented in the patriachal notion as THE beauty, as the maiden of dreams for some and source of woe for others. Gone but ever present. So I agree in part but I think OP in trying to be clever missed the point that there is one very prominent figure in this story through whom we can go beyond the myth of Lyanna and to the real person. Robb, the hero was never so mighty. He was a boy who once while talking to Bran almost sounded like he wished that he had more time left to his boyhood. He wasn't the beast(TM), he was in fact weary of the crown and couldn't fathom why anyone would want to be a king.
Similarly Lyanna wasn't ever going to be the ideal wife who could somehow magically inspire in Robert such marital happiness that he would have never strayed to another bed. She would have never been the obedient wife from Robert's daydreams. And we know this not only because of Ned's reminiscence of Lyanna's very practical observations, not only because of the quote " you saw her beauty, but not the iron underneath", but also because we have someone in this current storyline who is almost as practical in certain aspects of life as Lyanna had been in other.
When Jon continues to think of his mother, imagining her as a highborn lady with a pretty face, we are to have the wonderful thought that Jon would eventually know that he had been looking into the face which is so similar to that of his mother's for a long time. And there would be the bonus of this other person loving him so so so much.
Lyanna is a past. A past that looms over many and yet she is humanized when we see someone's angry tears over a dead butcher's boy. When this person is called as wilful and wolf blooded as her aunt. When Ned who himself is lost in one particular moment of haunting can look at a little girl and say she reminds him of his own long dead sister. I think either OP wasn't there when this person was completely dismissed in favour of the conventionally beautiful sister- the reason being only that conventionally beautiful women are worth fighting over ( the war being reduced to this) or they have deliberately forgotten it. Even if we are to be skin deep- then even so we must say that Bran's vision almost stupefied him because for a moment he mistook a child!Lyanna to be a particular sister of his. I know in recent times there's an accusation that we plunder Lyanna's story to give its unique elements to our fave ( and maybe we are guilty of that in some respects), but it is honestly laughable if someone's conviction of getting her brother's men out of Harrenhal doesn't add a richness to her aunt's "That is my father's men you are kicking." Lyanna is long gone. The story we have now is not the one of her generation. It's of those who came after her. But even so these little instances we get to sketch out her character is in fact enriched by her niece. The niece who in text is said to be the most like her. To then dismiss the niece again, albeit in a different way is just adding another layer to the circular pattern of the so called "tiff". But I guess the character dismissed is so insignificant to the fandom in the grand scheme of things that it would sooner brand her in the very unoriginal category of "murder baby" and be done with her by relegating to her a martial role, than examine the finer detailing of her storyline. Even those so called sympathizers can only stomach her to a particular extent. Beyond that any vivacious discussion related to her/ her relationships with other faves are termed as an exercise in stealing from these other characters and giving them to her; ironically the thing we are accused of is the very thing that we, Arya girlies, had been legitimately fighting against throughout the years.
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"The Prince That Was Promised" Theory (TPTWP):
I have read the ASOIAF books after watching the show & my personal belief is that Jon will turn out to be TPTWP. I think a lot of people have decided it is obvious & boring because people have been analysing it for more than 20 years now. Also the show spoilt a lot of the characters, their arcs & hence the story. 
My main reason for Jon being TPTWP is because of GRRM's disdain for prophecy & those who go to any length to fulfill it. 
Jon being a contender is obvious to us as the audience because we get to see the story as a whole. But in-universe Jon is nothing special to anyone except his Stark family. He himself has no delusions about being a saviour & tries to do his best to fight against the Others as a member of the NW. 
The Targs tried to make TPTWP happen after a prophecy from the woodswitch & have only managed to doom their own family. Even Rhaegar who had the brilliant idea of conceiving a child with a Stark didn't intend for it being TPTWP. According to him, his son with Elia, Aegon, was TPTWP & Jon was supposed to be Visenya. So destiny went the extra mile to kick his ass by not only killing him, but also killing Aegon & then his child with Lyanna being a boy. Even if Rhaegar had lived & raised Jon as his child, he would never send him to NW if he had believed him to be TPTWP. 
On the contrary, destiny itself placed Jon where he could actively fight against the threat of Others. I think people really don't understand that the Starks do see serving in the NW as an honour. Ned allowed Benjen who was his only brother at the end of the war to join the NW when the Stark had only him & Robb as true Starks remaining. Yes the NW has fallen too much from its glorious days but the Starks do not see it as a penal colony. Even Jon whose initial assumptions about the glory of NW are harshly shattered eventually finds his purpose in the NW. 
I don't know if the Targaryens & their dragons are going to play any significant role in the long night. They may or they may not. But the Starks - Bran & Jon are going to definitely play the most significant roles. Jon is not going to make any sort of play for the iron throne. He is the most Stark out of all the Stark kids. Except for finally knowing the truth of his parentage, I don't think Jon will suddenly turn into a Targaryen. 
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