#theme: equality

[bthump]

I truly do not understand if we are meant to consider Casca and Guts as a romantic option. There are moments that are written in a way implying it, while other times Guts' behavior is dogshit. Even with the choking scene, he starts wondering if he truly wanted to do that I'm just. in disbelief lol. Does he resent her? I could see him feeling 'burdened' but atp he wanted to save her for his own gain and has shown violent tendencies so many times. And then we see Casca tearfully smiling while thinking of Guts when she comes back, as if nothing bad was done to her. I wonder wtf Miura intended with all this. His inner violence always linked to Griffith being a monster, but I do not understand why Guts would want to use Casca to reach him that way, even if he still wants his attention and love.

I mean yeah, one of the big reasons I dislike Guts/Casca is that it's written as a fucked up nightmare trainwreck but arguably not framed that way, and that really puts me off. Miura was clearly aware of many of the negative aspects of their relationship and wrote that darkness deliberately - I mean the fact that Casca is scared of Guts and now can't even look at him is pretty pointed - buuut it's still written as if we're meant to sympathize with Guts and want him and Casca to get back together despite that. Their relationship is written as one of the emotional hooks that propels the story. Casca may be scared of him, ruining their reunion, but it reads like we're meant to be disappointed by that the way Guts is and hope he can regain her trust, rather than eg wanting Casca to leave him and do her own thing.

Anyway as for Guts' motivation wrt his shittiness towards her on a character level, yeah I think he resents her. Both the responsibility of taking care of her, distracting him from his revenge quest (which he has mixed feelings on, because he knows revenge is bad for him, but he also really wants to stick a sword in Griffith regardless), and the fact that she's "just a husk" of her former self. And probably post-Elfhelm, the fact that she can't look at him, making him feel guilty and aimless, like the fix Casca quest was all for nothing.

And the way he attacks her to feel closer to Griffith is pretty badly written imo, but in theory I think it works on a thematic level. His obsession with Griffith, even post-Eclipse, boils down to wanting to be his equal. After Promrose Hall he was determined to find his own dream to be Griffith's equal and best friend forever, and after the Eclipse he's still pursuing that dream of fighting stronger and stronger enemies (monsters) and becoming the best to be Griffith's equal (note the flashback to Griffith's Promrose speech during Guts' war declaration in chapter 91, plus this.)

And the inevitable end goal of that dream is becoming a monster himself.

So to me it makes sense that the idea of becoming a monster just like Griffith is framed as a temptation.

And it manifests in Guts assaulting Casca in a direct visual parallel to the Eclipse rape.

Raping Casca would make Guts a monster just like Femto, which is something Guts subconsciously wants, because it would be another step on the road to becoming his equal.

You can even take it a step further and make a case that Guts wanting to get together with Casca in the first place is rooted in his desire to be Griffith's equal.

(Which, now that I think about it, works with the fix Casca sidequest culminating in both Casca being unable to get back together with Guts AND Griffith being untouchable, sending Guts into a breakdown. Hmm...)

So yeah, I think those are all my thoughts on the subject. Thanks for the ask!

[fallofthecelestial]

Okay. Since we're going over all the takes on Mr. X at this point.. What if his powers really don't have a backside. What if (the state of) his normal life is the backside.

What if his normal life is akin to that of heroes where he has to pretend to be something he's not and follow rules that the people who control his life came up with to further their own goals. What if he can only be free of other people's beliefs and expectations when he's a hero.

What if in reality he truly is like everyone else. The other heroes. The ordinary people. All those who work themselves to the bone, who are tired and overworked and sick of all the exploitation...

What if when he's in the form of the number one hero.. when he becomes the most sought after product on the hero market..

Is when he gains the freedom to truly be himself

[cobaltfluff]

wait, who's getting married??

[fuumiku]

Demon AU (krkb)

+ bonus Kuro

Kurokabuuu!! If Kabru gets to be naked then so does Kuro, equality for all 🔥Not to break the mystique but in that intro comic Kuro isn't flexing he's just pushing Mickbell away bc he about to be in business mode gdbdg. Was weird trying to make Kuro look more demony, did not work very well except for making him buffer but hey...! A black dog demon yeah yeah yeah...!

I have accidentally recreated Howl's Moving Castle... NOW HEAR ME OUT- The base concept for my satyr Kabru AU (the initial idea was the sketch where he has no horns haha) now turned demon AU was materializing Kabru's fear of anything monster, particularly his insecurity as a kid of being an incubus('s child and that making him a monster), and helping him work through it so he can love himself and others and the world better, but everything started clicking only after thinking about Kuro's role in the setting more. He's this feared dude with a witchy reputation and a lil rhyme about how everyone should stay away from him for their own sake etc etc, but he's not a demon just a dog dude really. The setting in this AU is much like Dunmeshi, but all monsters are called "demons" instead and tied with this concept of demonic not just monstrous, there's special generalized fear in them being kinda fundamentally evil. But they're just beasts, and sometimes just demihuman races, like Kuro. Magic does exist though, and curses, and yeah just a folk kinda vibe!

Kabru because he's become supernatural knows how to speak Kuro's tongue now too, or maybe he's always known it idk... But Kabru sought Kuro out because he's The demon guy around, thought if anyone around would know how to do anything about his having become a monster it'd be him- Mickbell is there too ig like waaa this innocent-looking (def isn't) human loves this demon and lives with him, alone but peaceful as hermits in the woods? Wah wild. Wah we can still have love?? Wah we can fall in love together and live happy monster lives even if ostracized??! Wah wait I'm not even a monster it was just my own latent magical powers cursing myself because I worried and believed myself to be a demon so intensely for so long?!! Wah we can truly have it all...... Growth feels so nice. Except Mickbell, that grown ass man is not finding inner peace yet. Still he's chill here since he's a side char not a main one

It's how Kuro's confident in himself despite everything being stacked against him, it's how he still trusts and likes himself, it's how he just wants a simple happy life and pursues what he wants, it's how he takes things simply... Self-critical Kabru always neglecting himself over obsessing about the greater good could learn from him........ Kuro is the only one after his transformation that unconditionally welcomes him and shows him compassion and it's all so confusing to him, especially since at first Kabru wouldn't even offer that same humanization to Kuro, only risked it out of necessity for his own circumstances, but he gradually becomes able to see the humanity in him despite his appearance, mannerisms, way of life and ideals, until he sees the humanity in him and himself too despite their appearances, until he finds there's nothing wrong in this routine and life of theirs in this isolated magical little place, until........... Just about accepting all of those fuzzy inbetween ways to be that are unclean and hard to understand from the outside, and growing comfortable in them and loving himself and kuro and the life they've made together.......!!!!!! What if through humanizing you I humanized myself... What if through growing a understanding for each other wevalidated ourselves, love as self-love...

I love including Rin into things, for a more plotty story it'd be neat if she tried and followed Kabru... He up and disappeared and she's a capable mage and she doesn't know what his plan was because he never tells her anything so she goes out and pursues him- Could even be the main antagonist besides just idk self-hate and townspeople lol, like she thinks Kuro is keeping him prisoner or something and also because she kinda represents the same kinda social trauma Kabru has, where she's strict about conforming and being an irreproachable undeniable human so she kind of wants to drag him back to that state he was in of anxiety over acting and being human enough...... But of course in the ultimate confrontation when she has her staff pointed at Kuro and they talk, she's hurt by him not confiding in her and thinking of her as someone who wouldn't help, but she understands and stops and yay happy ending :> And if we want them to be in this Holm and Dia may be allies I feel 🤔Like maybe they help out Kabru when they see him, help him escape their human village at one point or something, Holm is quite nice and cares for spirits and Dia's fled her home too so they kinda get it in a way, it'd contrast Rin... This isn't about the Laios party lol. Rin & Mickbell shenanigans would lowkey be fun like maybe Mickbell tricks Rin into thinking Kabru IS there against his will so she can take him away and the status quo of Mickbell not having to share Kuro with anyone is preserved, or maybe they just shittalk and grumble together. Gbdgd this is a plotline about accepting change and these two are noooot happy about it

So yeah he hates being a monster that's the schtick!! Won't a cool dog man pleaseeee turn me human again. Surely he can do that right. So he goes to live with this feared coolass magicky guy and that guy's little guy at his weird home and through making connections and self-love the curse you actually unknowingly put on yourself gradually lessens and disappears, but you don't care anymore because that's the point 😌 Which is why I call it a Howl's Moving Castle recolor gdbd

Kabru is usually the voice of reason within kurokabu so it's really fun switching the roles in that way. If you're just stumbling into this and are sooo confused first of all congrats on getting so far second I can't overstate how unironic this is + if you want more explanation about the ship I made a brainstormy manifesto here <3 Like, did you know Kuro's name is actually Yodan? He was likely called Kuro by Mickbell due to the language barrier. In this AU it's because no one's interested in him as a person so people just give him an ominous title that means black. But Kabru learning his name and Kuro willingly giving away that information and Kabru feeling the weight of it because he really thinks this'd allow him to control him (he can't actually control bc he's not a demon! No one's a demon yay! Just weirdo humans who get otherized)......

~~~~~~~~~~~~

Other vers because I 1) really like it and 2) am very indecisive. I overthink every single slight color change I stg lol

Sigh....... Like bro what if we were both so so far away from home and we knew we can't really go back and we've made our peace with that but man I miss not having been ripped away from my homeland and we are both so so isolated in our own ways in our presents and with a small yet gigantic gesture of compassion and of seeing each other we can learn and grow together with secret study dates where I teach you how to communicate the same way you're teaching me your language, we are both reaching across to each other we are both finding in one another a presence and humanity that feels so rare anywhere else. A sliver of warmth a sliver of home but also a sliver of the new, and embracing that things are changing and that we've changed and wow the animality within humanity and the humanity within animality!!!!!!!!!!!!!!!!

Hey bro your humanity I am only now fully grasping and coming to terms with is so hot bro............ What if your beastly features ended up making me more comfortable in my own stinky human animal flawedness bro........ What if we could just be together reassured through each other that we're human enough no matter what and that's all we need to just be and wahhhhh aughhhhh

Kurokabu is Kuro needing to choose between Kuro and Yodan. Kurokabu is needing to feel comfortable in animality within humanity. What if we stopped repressing ourselves 🫶

[bingqiv]

it’s just the way that the doctor still tragically loves the master despite everything.

the master has destroyed their planet and violated their people in the worst way possible and yet they’re still intrinsically entwined for eternity.

the master is who he thinks about when there’s a chance he may die and the master is who he thinks about when he survives.

missy said “my heart is maintained by the doctor” and i do think that’s mutual. the doctor’s hearts are maintained by the master, they always have been and always will be.

[oxygen-stealer]

I be thinking real hard about audio adventures,,, they put drugs in these batman podcasts i swear to god

Some kinda suggestive sketches under the cut also

DO NOT COME FOR ME i forgot autumn had a canon design. Not that I would have followed it that closely. Anyway her and miss tuesday should kiss i said what i said

Freakish thing on the left is my jon <3

[possamble]

Do you have any headcanons or thoughts about Falin having a crush on Marcille pre-canon? Especially during her later years at the school/the years she was with Laios.

Just full on "awkward and slightly gnc teenage lesbian has a massive crush on the touchy-feely girly girl straight best friend" tropes everywhere. Even better bc it's the "best friend is also the popular girl while lesbian is the slightly ostracized quiet one" dynamic in school. Falin gets so so so good at not having a heart attack every time Marcille gets in her personal space. But she's so resigned to never saying anything bc why would a girl as blinding as Marcille ever like her back. She also doesn't make an effort to get over it either, she's just content to be trapped in that stable dynamic of silently being in love with Marcille while getting to enjoy CLEARLY being Marcille's favourite person. She gets so used to it that it's almost just background noise most of the time-- it would have to be, unless she wanted to be freaking out 24/7 bc Marcille is so goddamn affectionate.

Her feelings also definitely change throughout the time that they're in school together-- at first it was this "whooaaah pretty older girl" puppy crush that you can clearly see developing in the flashbacks we get (I think she doesn't even like... realize her fixation on Marcille is romantic at all until years after it starts, when she's 12-14 ish and all the other girls around her are talking about crushes). But then they get closer, over the years Marcille starts getting really attached and letting down her guard, and Falin gets to see the ridiculous side of her. She gets to calm her down from her tantrums when experiments don't work out, or help her clean up when something explodes in her face. I feel like the progression of her feelings from "schoolgirl infatuation" to "unrequited love" probably almost exactly corresponds to how slowly Marcille goes from trying to keep Falin at a polite but friendly distance (like she does with everyone else) to her facade completely eroding as she becomes her cheerful and ridiculous self again for the first time since her father died.

That's probably the saddest part: Falin knows that she's clearly Marcille's favourite person on the surface level, but she doesn't quite fully grasp the enormity of what that means to Marcille. She doesn't get that she's the person who made the world colorful again for Marcille, that she is the first person outside of Marcille's family to really and truly make her laugh. She just thinks she's the beloved but dinky little short-lived sidekick, one of many that Marcille has had and will have.

Part of it is that, despite Marcille becoming such a clingy and affectionate best friend, I think her initial demeanour already did its damage. You see Falin being super adventurous and weird at first, bringing Marcille berries and other stuff, only to be rebuffed by Marcille exasperatedly saying she's working or looking kind of put off by it. And by the time you see her a little older, shes already quieter and better at masking -- and I'm not saying that that's entirely Marcille's fault (being the weird girl at an all girls academy for almost the entirety of her teenhood must have been brutal, my god) but she definitely learned that she's a potential nuisance to Marcille if she doesn't tone herself down. She learned that Marcille most likely sees her as a weird little kid following her around bc she has no other friends. And for the most part, she was never given any reason to unlearn any of that.

And that all very very smoothly transitions into Marcille being her "first love that was never meant to be anyway" when she leaves the academy. Chapter closed in her mind: she loved and pined from a distance and that was that. Every now and then she'll see another woman with Marcille's build or her shade of hair and be like ":( I miss her..." But then just kinda move on with her day. Same with when she's going through her own spellbook and finds a note that Marcille left her/correction that she made-- she'll smile fondly and reminisce about how much Marcille doted on her, and then move on.

Sometimes she thinks about contacting Marcille but convinces herself that it's too late (she spent too many months focusing on getting Laios healthy again and didn't mean to go no contact, but ah well). It's only when she has a practical reason to be reaching out that would also benefit Marcille ("Marcille is studying dungeons and we need a trustworthy mage to go with us to the dungeons") that she feels like she's allowed/that it wouldn't just be 100% a nuisance.

I almost think she didn't expect Marcille to reply at all, only to get a telegraph (or some in-universe equivalent of express mail, maybe magical pigeon carrier) that's like. EN ROUTE TO ISLAND. LETTER TO FOLLOW. and she freaks out like AAAA LAIOS SHE SAID YES WE HAVE TO CLEAN UP NOW.

I do think getting a response accidentally sparks a little hope in her, judging by the way she acts in the chp 57 flashback-- she's pouty that Marcille sees her as a kid, gets really worked up about being presentable, and then tries to play it cool when she actually meets Marcille (as if she didn't freak out and force Laios to shave while rambling a mile a minute about Marcille). She's an adult now, really and truly, and she's seen and survived things that her 18 yr old self would have never even imagined-- then all of a sudden, the person she was in love with since she was ten years old appears, and she's so desperate to be seen as mature and competent. She's trying soooo hard to impress Marcille with her newfound combat and dungeoneering experience...

Only to fall right back into their old dynamic. RIP. At least she gets the girl eventually, even if it takes dying twice and being the core catalyst behind an almost-apocalypse.

[cementcornfield]

More thoughts because i'm obviously not done with Today

but like...ja'marr's been talking about wanting to be more of a Leader after getting this contract. hell, i would argue he was displaying a lot of leadership last season and even the season before that when joe went down! he's been known to get the guys in the right position on the field, tell them what route joe needs them to run (without joe having to say a word to him! btw!) and encourage and help them after the play is done and they're sitting on the bench together!

and now today, with the different twitter videos of ja'marr actually leading the WR drills, cheering on the younger guys, and!!! the biggest thing, leading the huddle, which he's never done for the whole team before! (he's done it with just the WRs plenty, but this is EVERY GUY on the team looking at and listening to him!) and you can SEE how visibly just like...giddy he is throughout the whole thing?? excited?? nervous?? but he does GREAT. all the guys (not just joe, which i was primarily focused on before for obvious reasons!) all of them looking at him with such fondness and joy as he does it!

so yeah, he's been wanting to be a leader, but he's also been NERVOUS about it too. in previous interviews he's talked about how it doesn't come naturally to him. how he can be more reserved and mostly has just wanted to let his play do the talking. and i mean we all remember that Adorable moment when joe tricked him about the coin toss before the titans game?? when he told him last minute that zac wanted him to do the talking (and then grinned to himself for ten seconds while ja'marr freaked out about it before telling him he was just kidding <3) so yeah, we can infer that making this step is something that DOES scare him a bit!

but, again, he did it!! he did well leading the drills, he did well leading the huddle!! he was scared, but he did it anyway (and isn't that how we all grow??) and i dunno maybe....in keeping with the theme of doing things he Really Really Wants to do but has been scared or hesitant about before, he looked at joe (who was clearly doing some combination of sweetly congratulating him and teasing him at the same time), and just said "fuck it" and hopped on over there and lifted him straight up in a huge bear hug 🥹

[myinterestsvary-writes]

I still believe the overall story would improve if Eve was featured more as a co-protagonist and not another side character now that Mark and her are dating. It’d hammer home more just how right the two can be for each other. We’re over half-way through the season and her special episode barely has as much consequences on her journey that we get to delve in on and relate broadly to like we can with Mark’s (ofc Mark is THE protagonist so everything has to relate to him and affect him - just saying it obviously should too with Eve but on a lesser degree). We haven’t even gotten Eve’s introspection on her feelings for Mark over the years yet either

[bthump]

Wait why is it that in the famous “bthump” page the panels are put together in a way that gives the illusion that guts and griffith are facing each other when griffith’s heart goes bthump. We know guts is fighting zodd at that moment he cant be having a staring contest with griffith he has his back to him anyway. I feel like if u show that page out of context to anyone they’ll assume the two are looking at each other. Or am i going crazy? I mean i usually wouldn’t read too much into such a thing but i feel like miura actively uses paneling to convey certain messages throughout the story. He still could’ve just had a silly moment there idk

Because Guts is what's making his heart go bthump!

I have a post about the paneling specifically here, actually, but I'll get into it again because I feel like that explanation could be more detailed lol.

So basically they're positioned like that, Guts on one side of the panel, Griffith on the other, as a parallel and contrast to the final panel immediately before that page:

Griffith is on the left, fetus is on the right. Fetus is Griffith's theory, or hope. I came here to test my heart and make sure I don't have feelings, and oops looks like I just failed that test while watching Guts fight a stronger opponent, notably similar circumstances to the first time I ever saw him. Hmm gotta be that fetus, surely these feelings aren't real.

This is a conclusive counterpoint to Griffith's argument, stemming from reality rather than Griffith's thoughts. It's the final page of the chapter so it has greater weight than Griffith's fetus theory. It's composed similarly, Griffith on the left and the other possible source of feelings on the right - but Guts right there, and the fetus is only Griffith's thoughts, so Guts has more weight in that sense too.

And that final "......... bthump" is the perfect capstone, because it's essentially saying that Guts is causing that heartbeat. The final word of this chapter is Griffith's heart beating when faced with Guts.

The panel is composed like this despite not reflecting how Griffith is viewing Guts in reality, imo to hammer home the point that Guts specifically is the source of feelings. It's not the excitement of the fight, it's not Zodd, it's not even concern for Guts' life necessarily, it's just Guts, and the raw intensity Guts exhibits in the middle of a fight, the same thing that drew Griffith to him when they first met. This panel especially emphasizes their gazes - Griffith is gazing at Guts, but Guts isn't gazing at Griffith - but this could also suggest that Griffith would like Guts to be looking at him like that, with that same intensity.

It also parallels the two of them, the way they each get one half of a face. In the context of Griffith's singularity as The Absolute, and Guts' own tempation towards becoming a monster that becomes especially pronounced during fights, and the constant emphasis on power dynamics and the two of them wanting to be equals throughout the story, this arguably suggests the potential for the two of them to still be equals in ways that actually matter, despite Griffith being a god now. Guts humanizes Griffith here by making his heart beat, Griffith monsterizes Guts by enraging him.

And to be perfectly honest, I don't think it's a coincidence that Guts looks particularly good in this panel either lol. Guts here is essentially what Griffith is imagining he looks like as he faces Zodd. And it's something Miura does regularly imo. Characters become more attractive when they're the objects of certain gazes. I have a long post about Griffith from Guts' perspective here, but Guts also gets this treatment from Griffith's perspective during the rescue. There are probably heterosexual examples too, but I don't recall them offhand because that's not what I'm reading Berserk for. That second one is arguably half heterosexual anyway lol.

So yeah, basically imo the reason is: to emphasize Guts as the cause of Griffith's feelings, to parallel them, and to add some homoeroticism.

Thanks for asking!

[dykedvonte]

there’s something i really adore about curly being revealed to being this beautiful blond man after we see him post crash like what happens to him is so awful and dehumanizing like he really loses everything but especially as a viewer/player watching this game i love the commentary it’s silently making and this uncomfortable feeling in my chest that i have to wrestle with. love it when stuff makes me feel

I think it’s so poignant that Jimmy never hallucinates or sees Curly as his pre-crash self. He only speaks to Curly about and in terms of his own thoughts and projections and rarely lets him have his own inner personal thoughts. Even before the crash it is like this. He is the perfect captain to him and to an extent the rest of the crew even if he is more actualized around the others.

So much of how Curly is dehumanized by Jimmy and the rest is representative of how the Pony Express and capitalism strips workers of their identity, into objects of service. Once he can’t do anything who or what he was is no longer important, worthless, a burden. He is both the dandy dish in HFIM, the idea of going up being before the crash, while the ball is after the crash, his forced decent downwards.

There is an argument he is dehumanized to less than an even object with how his ID card lacks a name and face in Jimmy’s hallucination. Even Anya gets her name, and identify. He is just an empty spot, a role to fill to a lot of them, which is think is why so many fans have a hard time pin pointing who Curly was before the crash and what he stood for.

So much of what we saw of Curly was a man on duty, a man serving under his job and starting to find conflict with that. We don’t really get to see Curly acting for himself and it think it tells about the way he has been molded along with the way he was trying to reshape himself outside of P.E before it was too late.

I always finding intriguing how people almost prefer to draw post crash Curly, to draw his suffering and continue, to an extent, him being the scapegoat, faceless and facing repercussions other characters and entities should. Being a figure to vent frustration to because he can’t fight back, we don’t know what he would say or how he would feel or what he would’ve done. We don’t really know that when he had skin either…

[canisalbus]

hey! do you consider yourself a furry? if so, do you enjoy being in the community? if not, what label do you use, and why? (been wanting to ask this for a while:))

Sure, I don't mind being called a furry. My art certainly qualifies as furry art and my characters are furry characters. But I've never been that connected or active in the furry fandom in general. There's a lot of core experiences that I'm missing: I don't have a fursona, I don't own a fursuit and I've never been to a furry con. My online circles are very furry-centric but I don't think any of my irl friends consider themselves furries, despite our shared tastes and interests.

[the-sol-eater]

I'm not gonna lie, it doesn't really make a lot of sense to me when people say that Eden being the culprit doesn't make sense from a narrative/story perspective, or that they "don't see her killing someone" I mean to-each-their-own obviously, but like, at the same time...the entire theme of this chapter is that not everything is as it seems. Your preconceived notions of the people around you based on the parts of themself they present to you are bound to be contradicted by an action they take, or a side of themselves that's kept hidden away. This theme was set up in the first episode of Chapter 2 with J's secret, which I elaborate more on in this post, where she is revealed to have a completely different identity that nobody in the cast was aware of, and that identity of hers is met with spectacle and admiration when J's life is really nothing to admire. Another thing that sets up this narrative is also just the secrets motive in general. From a meta standpoint, I think the secrets motive is meant to challenge us the audience and the preconceived notions we have about these characters, what we believe they are capable of doing to others, to themselves, and in general who they are as people. I remember back when the episodes were still being released seeing paragraphs of defenses in comment sections in regards to David, how he wasn't a manipulator because of this that and the third, how he was only trying to help and that he couldn't had been malicious in his intention. And I can attest to that, because I was one of those people lmao. And as we know now, David did end up being the one with the manipulator secret and showing a much more ugly side of himself that many didn't take kindly to, because it contradicted what we knew about who he was, or more accurately, what we wanted to believe he was. And I use David as an example here, because this pattern can be seen with multiple characters throughout the chapter. Arei, who up until this point had been portrayed as nothing more than a mean, merciless bully, had her past and true-feelings spilled out on full display, leading to her allowing herself the chance to become a better person. This is almost the exact opposite of what happened to Nico, who was portrayed as a timid, defenseless individual constantly catching the brunt of Ace's assault, only to show that they are a much more nefarious person than you would first assume, more than willing to tie a wire around Ace's neck if pushed to their boiling point. And the funny thing about these two examples is that even after these sides of their characters were revealed to us, people still allowed their established notions of the characters to overrule it. People theorized that Arei was lying, or just putting on another manipulative show again. People theorized that actually Nico was just trying to take the wire off of Ace's neck, that Ace actually killed himself and was just pinning it on Nico, or that Hu was somehow responsible and that she was manipulating Nico into doing it, or was just straight-up the one who tried to kill Ace. And there's nothing wrong with any of these theories in the moment, even though I'd say with present information that all of them have been de-confirmed. The reason I'm mentioning them is that it goes to show that if you have a certain view of a character that you have become attached to, and something comes along and contradicts that view, your brain searches for ways to justify the previous view you had. Even in the case of Arei and Nico where, to be fair, the previous perspective wasn't entirely wrong, people still feel strange when they see something that contradicts it.

All of this brings us to David, who as I mentioned previously, was continuously defended in the weeks before CH2-11 dropped because people didn't want to believe he was as manipulative as a lot of the fandom made him out to be. And then CH2-11 actually dropped, and possibly the most unsavory side of David was revealed to us in full display. And despite the fact that the legitimacy of how much of David's true colors is being shown is still a big question mark to this day, and the fact that this side of himself gets approximately seventeen minutes of screen-time, a lot of people were incredibly quick, and I mean quick, to immediately dismiss it as bad writing. Instead of actually thinking for a moment about why this writing decision would be made, they wrote off David as a one-dimensional bad guy to the point of even calling him a cartoon villain. It's hard to believe now considering how much effort the community has put into the past year to dissect every aspect of this blueberry-haired motherfucker, but there were people who were genuinely pissed when CH2-11 dropped. "Hey, this is all well and good but uh...I thought this post was about Eden? Why are you bringing up all these other characters?" Well I'm glad you asked, voice that I made up in my head to transition cleanly to my next point. The thing that all three of these characters, Arei Nico and David have in common, is that they all serve to challenge what we know about these characters and introduce a side of them that goes against our current knowledge, and it's up to us as an audience to either accept this as part of who they are as a person, or deny it in favor of the narrative we've grown comfortable with. And I really do think that is an intentional part of the story being told within Chapter 2, especially when characters like Hu also exemplify these tendencies in how she defends David and tries to see the good within him, deflecting away from the uncomfortable truth that he is not all he presents himself to be. All that glitters is not gold, not everyone is as they appear to be. Which brings us, finally, to Eden Tobisa. And how a lot of the arguments against the theory that she is the one who killed Arei greatly confuse me, and why I think a lot of it falls along this line of thinking.

I see quite a few people implying that the idea of Eden being the CH2 culprit is inherently, as a concept, bad writing, how it doesn't fit with her character, and other things along those lines. It's actually very similar arguments that I saw used to deny the idea that David was manipulative. But I do not see this to be the case. In fact, I think out of everyone currently alive in the cast, Eden being the culprit is what would fit the best with the narrative and story that has been established. This chapter, as I've mentioned previously, has challenged our perspectives of these characters and what we know about them, emphasizing that what we see of them might not be the full-picture of who they are as people. So quite frankly, why wouldn't the culprit be the most positive, seemingly hopeful girl in the entire killing game cracking under it's pressure and resorting to murder? An aspect of Eden's character that I think goes overlooked quite often is that, though she is not by any means naive and her optimism is genuine, her positivity can definitely seep into toxic positivity on more than one occasion. Specifically when applying it towards herself.

(x) Teruko: You seem quite chipper this morning, even though you were distraught last night. Eden: ...Yeah, I know. I'm really sorry about yesterday. Eden: I was in a new, scary situation, and I let myself get too upset. But that was a mistake, I'm not going to let myself be weak like that anymore. Eden: I'll do my best to encourage everyone from now on!

(x) Levi: I suppose I could say the same for you, can't I? Today you're just as cheerful as you've ever been. Eden: I'm glad you think so. I'm wearing my brave face, see? Eden: Everyone is probably going to be sad for a while. For their sake, and for mine, I'll put on a happy smile!

(x) Eden: [Sniff] Whit: There, there. Pat pat. Do you want to sit down somewhere else? Eden: ....... Eden: I'm fine! I just... needed a second to deal with it. Eden: I'm super ready to investigate! I'll do whatever I can to help find Arei's killer.

I want you to pay attention to the third scene I linked especially, because I think it re-contextualizes the other two scenes mentioned. I hope this does not need to be spoonfed, but just to be clear: I am not at all saying that Eden's positivity is fake or fabricated, I think her optimism is a very real aspect of her. That being said, despite her believing that the best way to make it through this killing game is to express grief and rely on others and how she does acknowledge the severity of the situation on multiple occasions, she has never really allowed herself to grieve her current situation. She refers to her very reasonable response to the death game as a weakness, and she outright admits to Levi that she is putting on a brave face for herself and the others. And in the third clip, it's not even being hidden from the audience anymore, especially with how the line is voiced. It's like Eden's VA was specifically instructed to sound as if she were forcing a smile. What this all means, to me anyway, is that there is a lot of stress, fear, and sadness bubbling under Eden's skin that she's purposefully keeping hidden, for herself but especially for the others. That doesn't mean she is good at it, mind you, as Eden at the end of the day is still someone who's feelings are practically sewn into her sleeve, but she is trying. And it's clear it is having an impact on her. Couple that with the fact that Eden very clearly wants to escape really fucking badly, if her constant attempts to find a solution to end the killing game are anything to go by. Especially in Chapter 2. (credit to @/venus-is-thinking for pointing this out in their post)

(x) Eden: So uh... I've been spending a lot of time investigating around, looking for a potential exit

(x) Veronika: You know, Eden once thought of an interesting plan to end the killing game. Based on everything we know, it could theoretically work.

(x) Hu: Eden and I have a continuous alibi from 7 PM to 10 PM. It has become a bit of a tradition for the two of us to clean up after dinner together Hu: And after we were done, we talked for quite some time, brainstorming ways to deal with the motive.

Eden has been more obsessed than anyone else over the prospect of ending, dealing with, or escaping the death game. (just as a side note cause it goes outside the scope of this post, this is also why it doesn't make sense when I see people say that Eden doesn't have a motive to kill, because...she does? Fuck if anything she is probably the person who currently wants to escape this death game the most. I understand if that doesn't sound like a satisfying motive to you, but she does have a motive.) Also couple all of this with the constant arguing of the rest of the cast, and her literally witnessing Nico try to kill Ace in front of her eyes, all the while she is trying to put on a positive smile for everyone else and herself. I really do not see why it is so unbelievable that she would break and try to commit murder. And really, I do think it's primarily because of how the fandom as a whole views Eden, which is why I spent a large majority of this post talking about the themes of Chapter 2 and how they interact with how the audience sees the characters. Another theme that has been explored in this chapter is the idea of a Good Person. Specifically, what makes someone a good person, and the desire to become one. And how is this theme introduced into the chapter?

(x) Levi: Perhaps I messed up yesterday. But I want to move on. I want to keep trying to be a 'good person,' like you, Eden.

Through the existence of Eden. With every other character in the DRDT cast, there is at least one attribute about them or action they take, that would reasonably warrant them being disliked, or seen as not the best person. Even other characters serve a similar role in the narrative, like Whit and Hu, have things about them that could result in this opinion. Like Whit's insensitivity and uncaring behavior towards the dead, and Hu using other people to make herself feel useful. But Eden is viewed, both within the story and outside it, as an undeniable good person. There's a reason why you basically never see a genuine Eden hater in a wild because...well, what is there to dislike her for? She's kind, she's caring, she's helpful, and she tries her best for everyone around her. In the midst of a story where the characters are constantly being pushed to the brink and fucking up, Eden has done literally nothing wrong. She has been a victim of circumstance or other people victimizing her. And the one time she is antagonized in the story it's by a character who, up until a few minutes after, we have basically only seen as a mean bully. Eden has done nothing wrong. Eden is the picture-perfect presentation of a good person. But I think by the end of Chapter, as a climax to both of the themes that permeate it's narrative

That will no longer be the truth.

[sandu7174]

Promote freedom of choice and don't judge ❤️

🤍 Reblogs are appreciated! 🤍

[sarcasticmirage]

there's been a bit of rgu and fma comparison, so here's my dissertation on why they should kiss

[flyingwargle]

bokuaka fanfic recommendations!

i am uncharacteristically nervous about posting this haha i read a lot of fanfic and always enjoy looking at other people's recommendations, so i thought, why not share some of my favorites?

all these recs are sfw!

oneshots!

banana bread by leuralo_1 gen. 2.1k words. bokuto pov. bokuto and his roommates have too many bananas and akaashi takes the train overnight to make banana bread with it. that's it, that's the fic. it's so cute, i'm begging you to read it.

spending all, spending all my time (loving you) by hyeyu gen. 3.4k words. bokuto pov. akaashi is a dimension traveler and gets nailed in the head by bokuto's serve, so he stays until he fixes his dimension travel device. one of my first bokuaka fics that i read, very cute and the pining is palpable.

in the same room, at the same time by quel_nightmare teen. 21.5k. alternating pov. marriage proposal fic! i read this all in one sitting and my heart was ready to burst by the end. very cute, i won't spoil anything other than that <3

astronomy in reverse (it was me who was discovered) by flumes teen. 22.1k. akaashi pov. a non-linear narrative about akaashi pining over bokuto from high school to the future. very poetic and lyrical, with the boys discovering their feelings for each other in the end. i also read this all in one sitting.

longfics!

background check by ghostystarr gen. 2 chapters, 8k words. msby4 changes bokuto's lockscreen picture for fun since he doesn't lock his phone, but the game changes when he changes it to a picture of akaashi. a very fun and cute fic with the msby4 gang helping their bro out.

truth is such a violent force by inaminute teen. 8 chapters, 41k. it starts with akaashi's 1st year at fukurodani and explores his dysfunctional family, growing relationship with bokuto, and deals with homophobia. i love the fukurodani boys in this, and how supportive they are of one another. there's also a sequel that is just as heart-wrenching as this one! (both have happy endings, don't worry)

flightless owl by volleydorkscentral teen. 31 chapters, 57.6k words. bokuto gravely injures his leg and has to sit the rest of his third year out. this fic focuses on his recovery, his relationship with akaashi developing, and overcoming the pain of his injury. has a happy ending, as well!

the way you look at me by mocaw teen. 36 chapters, 79.2k words. bokuto sees train guy every night on his commute after practice until he decides to take the first step and introduce himself. this fic is the reason why i ship bokuaka. it's slowburn, deals with anxiety and ptsd, developing relationships, and is just beautifully written (i am also extremely biased because this shaped my undergrad years). please read it, i'm begging you.

the death of our hands by bershlate teen. 25 chapters, 109k words. this longfic explores akaashi's ocd, his dysfunctional family, and an amazing oc older brother, along with his relationship with bokuto. i read this recently and finished it in a few days because of how gripping the story is <3

i'll let you shatter me with your pain by kuromantic teen. 23 chapters, 160.4k words. akaashi is an empath and when he brushes against bokuto, he gets the biggest shock of emotions of his life. this fic is very heavy, dealing with abuse, malnutrition, trauma, and homophobia. it has a happy ending, and our boys do get together <3

i'll reblog this from time to time to add more recs as i keep reading! of course, feel free to check out my own bokuaka fics >:3 i might post more?? for other pairings and general recs?? and for genshin too since i have a lot there haha okay enjoy bye!