#them; what movie are you seeing?

[ectogeranium]

Z and I's Coraline inspired looks for the 3D re-release!

[wynandcore]

Saw the sonic 3 trailer are you telling me the movie based on Sonic Adventure 2 is Not anti-military??? No anti-authority theming here?? Nothing?? The game where a kid gets gunned down? Where Shadow’s grief and hate for humanity is BECAUSE of the military?? Where Sonic runs from the cops and is consistently annoyed at their existence?

[basslinegrave]

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[movie-robotnik-positivity]

Ever think about how much GUN must hate Tom Wachowski? He commited multiple crimes, he's housing aliens. He tied a high ranking commander to a chair. And they can't do anything about it.

They want to arrest him so badly but since he's the dad of the three most powerful creatures in the universe they literally can't touch him.

[inwhichiramble]

Idk if this is just me, but does it seem like the Hunger Games movies left out most of the stuff about food in general?

Maybe I just noticed this because in my first read I was worried that all of them were cannibals, but like… in the movies it seems like they were never actually that hungry. Like, we know that Katniss and Gale have to hunt, and that Peeta gave Katniss the bread, but a lot of the details about just how hungry they were to get to those choices were just… gone. And when they’re in the Capitol on the Victory Tour, they mention the vomit-inducer but it was more of an offhand thing. What got me especially though is that in Mockingjay Pt. 2, their time with Tigris appears to be much shorter, but also… she doesn’t feed them! And from what I remember that was fairly significant in the books, especially considering the position they were in.

In the books, hunger was the driving force of the vast majority of decisions they made. Katniss literally spent a good chunk of her first games desperately searching for water—Haymitch rewarded their performances with food—Katniss described every single thing she eats and primarily characterizes new places based on their food (the Capitol and District 13 especially). TBOSAS supports this even further when you see how even people in the Capitol were starving in the aftermath of the war—that’s why sponsors were added to the game!

I just—the whole series is literally about starvation and what it means to be human, but the movies just focused on love and war.

[bertoyana]

charles and erik with each other: oh dear, oh dear. gorgeous 🥺👐 charles and erik with the villain of the week/the x-men: K1LL YOURSELF 🔥🔥🔥

X-Men: First Class (2011) | X-Men Apocalypse (2016)

[lorephobic]

“the class commentary in saltburn was shit” WHAT CLASS COMMENTARY???? NOT EVERY MOVIE WITH RICH PEOPLE HAS TO OR SHOULD HAVE CLASS COMMENTARY. EMERALD FENNELL KNOWS VERY WELL THAT SHE IS NOT THE RIGHT DIRECTOR FOR A MOVIE ABOUT CLASS COMMENTARY WHICH IS WHY SHE DID NOT WRITE A MOVIE ABOUT CLASS COMMENTARY.

[fiddlededeejester]

so poolverine, right? i feel like their relationship really shows the duality of man. violence? yeah. softness? also yeah. animalistic tendencies? yep. domestic life? absolutely. yk what i mean?

[tariah23]

oooooo white people in my replies really saying ‘I can excuse racism but I draw the line at homophobia’

Not surprised since this is the site that only talks about racism and thinks it’s a big deal when they see it demonstrated in the cartoons and comics they like *coughs* dungeonmeshi *coughs* (for example at least. I haven’t seen THIS many white ppl talk as in depth about racism on here as much as these fandom nerds, man. I stg. Like “Ohhhh, so you all DO acknowledge that racism is real? Just not in real life even if you could feel it slapping you in the face at high speed. Gotcha.” It’s crazy.

Tumblr is like, 90% white and is extremely centered around them. That’s why you barely see stuff that’s important to black and brown people ever trending here or being talked about. It has to be something incredibly huge to the point where even white people can’t ignore it like they usually do, to talk about it here.

They only talked about George Floyd here because the topic of his death became world news. Even people in other countries were talking about it. Before him, it was probably Ferguson and Trayvon Martin… most of them are still trying their best to ignore the genocides because it’s a “touchy subject.” What do you expect from white people who live in their own bubbles of comfort and refuse to pop it with a needle??? They find comfort in their privilege and faux ignorance (they love playing stupid to avoid conversations about important things outside of fandoms like, are these mfs born with half a brain dedicated to fandom or what.) That’s literally all these mfs make a big deal out of, especially on this annoying ass platform. The ao3 mfs will go to war for the site that allows racist ff and cp like it’s no big deal. I wonder how many people here even donated to the site while actively scrolling past dono posts from folks who really do need help. They act like they’re doing a civil service by defending this site that makes over the amount of it’s intended dono goal in minutes.

Then you already know as soon as you even bring up racism in the stuff they like, they start ganging up and harassing black bloggers especially, calling them TERFs and the whole nine. Anything to make that person look bad for being concerned about the racism that they have such an intense aversion to. God, it’s absolutely exhausting knowing that these people would have no problem choosing a cartoon character over your entire existence if they COULD. Isn’t that fucking sad, man?

[mamawasatesttube]

welcome, dc fans. planning to post something in the kon-el tag? i have a challenge for you: you must state three facts about kon-el, without mentioning either tim drake or lex luthor. (for bonus points, you can't mention young justice in general, either.) if you can't, the saw trap goes off, so choose wisely. your time starts... now.

[puppyeared]

you are umasou

[turtleblogatlast]

[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]

I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.

The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.

The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.

What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.

And it is fatal, we see as much in the movie.

Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.

And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.

To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.

Leo learned that gambling with his life as the betting chip is always the best move to make in the end.

And to make matters worse…this thinking is what works.

These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!

Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)

But still, he’s grown to accept the gamble of his life as a viable answer to their problems.

Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.

[i-dreamed-i-had-a-son]

There is a brutal contrast in how Megatron and Optimus's stories end. Optimus nobly surrenders his spark, along with the Matrix of Leadership, having been sent off by his dear and trusted friends after giving them a fond farewell. He has accomplished his life's greatest goal; now he is able to rest. He dies willingly, at peace, bringing hope and giving life to the next generation by restoring the Allspark.

Megatron had already been killed, and was told that he can never join that very Allspark. Having been enslaved, and only released because of Optimus's actions, he is now reanimated, inhabiting his own corpse. His only remaining ally, who has constantly betrayed him, does not understand him. He flies off, alone, having lost all his forces and failed in his mission, and realizing that his life's greatest purpose was misguided. He is left, we can only assume, to live a hellish and hopeless life--a shell, consumed by the past.

And he did not tell Optimus goodbye. He knows that Optimus will leave him behind, will obtain the heaven he can never enter. He gives him the parting gift of his repentance, to acknowledge this. But in his refusal to say farewell, there is an echo of his own wretched endurance. He does not get to rest. Megatron will remain, eternally alone--eternally waiting for a reunion that will never come.

[walrus150915]

I feel like a lot of people in the fandom tend to forget this, so I'm just here to give a kind, thoughtful reminder :]

Ambrosius Goldenloin in the movie is an East Asian man (Korean-coded), his skin is tan, his eyes are monolid and his nose is big

He's voiced by Eugene Lee Yang - a Korean-American actor who also has Chinese and Japanese heritage. Eugene Lee Yang looks like this:

During the production, when Ambrosius was decided to be East Asian, artists looked up queer East Asian-American men, and based Ambrosius off of them. Ambrosius is literally drawn to look like Eugene Lee Yang

Please draw him as such, thank you