#their relationship is so interesting and important to me

[accio-victuuri]

everyone and their mom is talking about xz’s kadian of 18:21 so let’s learn a bit about it. cause what’s more well known in the fandom is 18:23. 18:21 means yibo love you or yibo loves you. it’s an interesting choice of kadian, tho we know it’s for mid autumn festival and an occasion xz always posts on. there are clowning thoughts among cpfs that wyb could visit him on set ; and looks like he did, basing on the kadian. and it doesn’t help that xz studio reposted on 18:25 yibo loves me.

i’m referencing this cpn archaeology post.

during cql promotions, wyb posted on 18:21 and the scene is drunk lwj. everyone’s favorite. i don’t think i have to explain why that scene is important, especially the part about chickens. how they used that to get away with wwx and lwj’s relationship. zz also posted on that night but people think he failed to kadian 21:21 love you love you as an answer. wyb made up for it tho by commenting under his post on 21:21 and then zz posted a meme/emoticon “wwx sad”

this was cql promotions and it’s normal for them to comment on each other’s post but what made this special is that yibo didn’t have to. zz’s post was about not drawing on other’s property, wyb’s comment was saying to not imitate. like. why? and on 21:21. moreover, that sad WWX? why are you sad? wyb just agreed with what you said. cpfs interpret this as him being sad that he missed the 21:21 kadian — and then yibo had to go in and do it himself.

then in 8/14/2020 which is a day before xz joined the ace troops crew for shooting — wyb posted two photos. (p1) showing of his shoes = xiezi = xz = xiao zhan and the kadian 33 zanzan. (p2) is where 18:21 comes in, with a photo of something he loves. you can argue that he was using that as an intentional kadian for the content of his post ( sidenote: meaning yibo knows how to kadian ). but this and the 33 kadian on the same day is sus. we all know what was happening that year and interpretation is wyb is happy that zz is joining the crew and cheering him on.

i guess the reason why people are so excited is because we haven’t seen it in a while. the way it had some notable incidents before and was overshadowed by other kadians/cpns. so it’s nice to to see it again ^^

BONUS: the photo had 5 mooncakes and yes, it’s from different brands. 5 is his and yibo’s number which is the day of their birth. but this is interesting too:

galaxy brain cpn for everyone 🌌

that’s all. everything is fake. in this fandom, kadian is one of those that is either you believe it or don’t. i understand why a lot of people find it questionable but don’t take it too seriously, just enjoy the cpns 💕

[pix-writes]

Catalogues

Stanley Pines x F!Reader (one shot)

AO3

Tags: mild mentions of sex work, homelessness and implied sexual trauma, angst with comfort, fluff, smutty themes (stan gets a little of the TLC he deserves), newly established relationship, implied age gap (not specified but are both adults)

Rating: Mature | 18+ MDNI

Summary: based on the prompt on this post from lore on thisisnotawebsitedotcom by @razziematazz

Words: <1.6k

Shrugging with the heavy box in your arms to adjust your grip, you called out into the shack. “Hey! Stan! I’ve got a surprise!”

You couldn’t believe your luck when you had found this stack of old-looking comics at the big yard sale, Stan was going to be thrilled.

Now here you were, spreading the contents onto the living room floor. 

“So, did I do good or what?!”

“You did great, toots! How much did this cost?”

“Pff! That’s not important!” You grinned, watching as Stan flicked through one of the comics. “How old do you think they are, anyway?”

“Definitely vintage, some of ‘em are probably older than you!” He said with a wicked glint in his eye.

“Shut up!” You laughed, throwing a mock punch. “I’m not that young, you know.”

Stan caught up your wrist easily, motioning like he was about to bite off your fingers he chuckled at your squeal, before placing a kiss to your palm. “Yeah, yeah, whatever you say sweetheart.”

“Don’t know what’s gotten into you.” You muttered reaching into the box to pull out another pile, some of the glossy paper slipped through your hands, landing with a slap on the floor.

Stan snatched up a few just as you registered what you were looking at.

“Oh.” The heat rose to your face.

“"Now this is interesting! Who knew you were the type to buy a load of dirty ol’ mags, huh?”

“I didn’t know they were in there, the guy selling them likely didn’t either.” He was trying to be sly, but you could see he pocketed one of them and you reached to snatch one up. He stretched his arm up, so it was out of your grasp. “Hey! Stan! C’mon, that’s a double standard.”

“Hmm… I’m just gonna take a peek, maybe it’ll give me a few ideas.” He wiggled his eyebrows salaciously.

You both burst into laughter.

“I’m glad the kids aren’t here!”

You dove to reach the ones in your partner’s hand and this time he let you take it.

Sitting on the couch you both glanced at the forbidden material and giggled.

“Oh man, some of this stuff is older than me! And terribly niche!” You were so absorbed in looking at the men in the catalogue, hair and clothing looking so dated now, that you didn’t notice how quiet Stan had gotten. “I mean, hunky drifters, who even buys this stu-”

You had turned the page to an image that was familiar from photos you had seen before, though admittedly, he had more clothes on in those. Swallowing thickly as you realised that the eyes staring back out of the page at you were definitely those of your partner’s.

Stan remembers it clearly, though some of the details are hazy, he remembers the ad, the amount of short-change in his pocket and the duffel bag with the broken strap he kept over his shoulder. The nice lady at the desk had the gift of the gab and reeled off what they wanted, how he fit into it, how much money he could get. The place didn't look too classy, but it was warmer than it was outside.

"That's all part of it, darlin', it's supposed to be real, that's what our customers want!" She'd said with a wink and a squeeze of his arm, after he'd voiced some misgivings about taking off too much. He remembered the beady eyed photographer and his small crew directing him…

The place was a total meat market too, as he glanced around, he’d seen other people there to model all under dismissive eyes or hungry ones. The comments he’d gotten had made him shiver and he’d tried ever since to block them out of his mind. 

He'd only left with a fraction of what they'd promised, but it was better than nothing, even if his ears were burning.  

You couldn’t tear your eyes away for a few long moments. Stan was lying, no leaning, against the hood of a beaten-up looking car, rough jeans unzipped, cock in his grip red at the tip and dribbling precum. His face held a crooked, almost nonchalant smile - if that was a thing. Like he knew he looked good and he didn’t care who was watching. And yet… the camera had managed to pick up the faint blush over his cheeks. It sent a spark of heat straight down to your groin.

You practically dropped the magazine when you saw the second photo, the younger Stan was in the backseat of the car, legs spread, the camera took the shot from a low angle which meant there was little left to the imagination, since the only thing he was wearing was a loose, open hoodie…

“Oh my, Mr Mystery! I never knew you did this, how scandalous!” You said, trying to laugh to break the tension, though your mouth felt dry.

But Stan didn’t say anything, your smile dropped as he turned away.

"Stanley.” That gave him pause. You only said his full first name when you were being serious or affectionate. "Tell me what’s wrong…. Are you embarrassed?”

“No!”

“Then tell me. I’m sorry, I was just joking around, I didn’t mean to poke fun.”

Stan sighed, turning to look at you once again. “It’s not to do with you, baby. I… you know about my driftin’ days?” You nodded. “I needed some quick cash, I saw this ad, talked to a couple people who told me it was some modelling photoshoot. Hah, well, naively it sounded kind of classy to me then, but it turned out to be… not. But it was okay, I guess. Just didn’t think any of it would still be lying around.”

"What did you, um... Think about, when you...?" You couldn’t help but let the words tumble out of your mouth.

"I don't remember thinking much of anything… 'cept wanting money for a warm bed."

You looked as the man shrugged like it was nothing whilst you felt like your heart, once again, shattered into a million pieces for him. "Oh, honey..."

He cringed at your tone. You couldn't have that.

You took his hands into your warm ones, stroking your thumbs over them.  "Stanley. Look at me... Do you honestly think I'd judge you for this?"

He squirmed at your directness. “I... You... I dunno, you're so..."

"So?"

"So... Uhm... Fine! I thought you might, okay?”

You rolled your eyes. “I’m hardly a pinnacle of virtue, baby.”

“Yeah, but, you deserve better than me, ya know?” He smiled weakly.

“I don’t pity you and I’m certainly not going to judge you for surviving. Hell, I wouldn’t judge you if you’d done it for fun, either…In fact, I, uh…”

Stan registered the way you ducked your head, hands clasped together, like you had done on your first date. “You what?”

“Never mind.” You said, getting up to gather some of the magazines together. “L-let’s just-”  

"-Hey! Hands off the merchandise, toots." He swiped the damn magazine still open to the pages he featured in from underneath you.

“I’ve told you, now you’ve gotta tell me.” He crooked a finger underneath your chin, so you had to look up at him.

You bit your lip. "I found it, um, attractive."  

"Oh yeah?” He leaned in close, that same crooked smile forming, though you could see that the light of it reached his eyes this time. “How attractive?”

“Very.” Stan hummed in response waiting for you to continue. “I-I liked the way you looked, confident and also flustered. You looked good.”

“And what about now, does the real thing live up to it?”

Your hands had started to roam his body, pulling at his shirt, grabbing at his stomach, knowing he was self-conscious about it, despite your insistence that you loved it. You felt almost breathless and he hadn’t even touched you yet. “Let me show you.”

Finally, you were pushed back into the cushions as he kissed you. Feeling the heat of his body on top of yours as you deepened your next kiss. “Touch me.”

He pushed a hand up your shirt teasing and pinching your nipples with his hand. You whined.

“Stanley.”

“I know, doll, I know. So needy.” He rearranged your positions so he could properly grind against you, pulling off your sweater in the process. He moaned into your open mouthed kisses, tongue stroking over his own.

Just when you were starting to unbutton your pants, you heard as someone pulled up onto the gravel outside and a bunch of different voices.

“Shit!”

You don’t know how you managed to untangle yourselves, but soon you ware hastily gathering up the salacious material.

“Sixer's finished his trip with 'em early!”

Taking stairs two at a time, you managed to dump the box in a hidden spot in your room by the time you heard your names being called by Ford.

“Wait a second.” You took the copy of ‘hunky drifters’ out of Stan’s pocket and tucked it under the mattress. “For later.”

A blush creeped up his neck. "You'll be the death of me, doll."

[lychee-angelica]

random vedic astrology observations

i thought i may as well post some content that has been sitting in my drafts for over a year xx

౨ৎ libra ascendant 18+

these women are obviously very beautiful, but they are also highly alluring and mysterious. this can be attributed to venus ruling both their first house and eighth house. it is honestly difficult to ignore that these women are seductive and passionate individuals. i have personally observed that these women are highly attractive and naturally possess an evidently strong sexual appeal.

the above can also apply to women with first house lord in the eighth house or eighth house lord in the first house

౨ৎ venus in leo

within my time observing charts of various individuals and celebrities i have found an absurd amount of models with venus in leo. in all honesty this does not surprise me, considering leo is ruled by sun, the most visible, important and prominent celestial body. these women possess a beauty that was almost made for shining above the rest, their beauty is so apparent in the eyes of others. i often think of venus in leo women as embodying the beauty queen archetype.

౨ৎ aquarius ascendant

the identity of these women is heavily tied to something deeply intangible, given that saturn rules both their first and twelfth house. saturn's repressive nature propels these women far from egocentric ideals and toward the undoing of self. that being said, these women can seem very disconnected and even out of touch with reality.

౨ৎ mrigasira

these women can be naturally doe-eyed and have a sweet, bambi appearance. this is due to mrigasira symbolising a deer sniffing the ground, a specific yet beautiful depiction of the deer's face. honestly, even the men have large doe eyes. additionally, i often notice many of these women wear their hair in braids and look beautiful with their hair in this inherently protective style. i say this because the idea of braiding and weaving is deeply rooted in the symbolic nature of mrigasira. deers experience pressure to weave themselves into the heard in order to mitigate the threat of predation.

౨ৎ pisces ascendant

these women are naturally possess a loving curiosity on deeply occult and esoteric knowledge. this is due to venus ruling both their third and eighth house. acknowledging that this aspect of their chart is due to venus, their interest and fascination in mysterious information is something that naturally attracts them, painted with a tinge of romanticism and deep love.

౨ৎ rahu conjunct venus

honestly, women with this placement can get so lost in a world of beauty, indulgence, love and romantic relationships. they most likely have great karma in life that propels them toward learning all of the struggles that come with beauty and love. although how negative this seems, they are undeniably attractive and intensely magnetic women.

౨ৎ saturn conjunct venus

these women are the types who are able to truly let go of unrealistic expectations in love. they are able to love truly, through thick and thin, this placement tends to indicate a devotional and long term orientated lover. another note is that these women can struggle immensely with insecurity in relation to their beauty, it can be very helpful for them to remain devoted to their own beauty. despite the struggle this placement indicates over time their security with their beauty solidities and firms.

౨ৎ ardra, ashlesha, jyeshta and mula

these nakshatras are all considered to embody sharp or dreadful quality. despite the intense struggle these women face, there is a beautiful upside. they are incredibly hypnotising, mystical and deep women.

౨ৎ visakha nakshatra

these women can be have a very intensely ambitious and obsessive streak. particularly when a woman's venus, mars or seventh house lord sits within this nakshatra, they can be highly obsessive and fixated over their partners. despite how intense these women may love, they are very loyal and devoted

[hwnglx]

hm i tried my best to explain, he has a lot of different facets to him, so reading for him can get a little overwhelming.. hope it's still a nice read 🤍

jake's ideal type

based on tarot. i do not know these idols personally. energies are always changing. what i say is NOT straight fact. pls take it with a grain of salt!

shuffled songs: bored by billie eilish young and beautiful by lana del rey “will you still love me, when i got nothing but my aching soul?”

physical traits

natural and classic beauty. harmonious features. deep and intense eyes. color more on the darker side. (like dark eyes you can lose yourself in) fierce gaze. something strong about their features that makes them stand out, it just catches your eye. face that lights up once they smile. (looks colder in a resting position but transform once they break into a smile) keep hearing “부담스러워” meaning burdenful. in this context, used more in an “intimidating” manner. in korean this can be used for people who have intensity to their look, people you can't hold eye contact with for long. he doesn't have an extremely specific type, just needs to feel intrigued.

personality traits

so, jake likes his partners to have a powerful effect on him. what seems to intrigue him in a person, is “reverse charm” where they might look sweet and innocent, but are much more fierce and savage inside. or look intense and cold, but end up being very soft and sweet inside. someone with a captivating aura, who carries themselves with a sense of mystery. a person he looks at and makes him wonder, awakens his interest like.. “oh this person must have such a different side to them deep down.”

jake also likes it when his lovers can boldly challenge him and his beliefs. he wants someone witty who isn't afraid to talk back at him, change his perspectives. someone whose words and actions linger in his mind, make him re-think his own and in hindsight change and transform him for the better. he wants his relationships to turn him into the better version of himself and to provoke him to discover his best self.

another quality he seems to cherish in his romantic partners, is when they're patient, gentle and persevering. he wants someone with emotional intelligence and empathy for people, who looks after the ones they treasure with great care. he needs someone loyal who won't be discouraged quickly, and remains committed to him through every trial. he seems to be quite self aware, so he knows that he isn't exactly the easiest lover to deal with.. whether that's because of his busy schedule, or his more complicated nature. he wants a person with motives and interests selfless enough to be accepting towards his faults, forgiving towards his mistakes. he wants a resilient person who can encourage him to work on himself. honestly, he seems to like his s/o to have motherly energy. he wants someone who will nurture him, coddle him on some levels, but also give him the tough love he needs to grow.

jake wants a person who puts importance into keeping the relationship harmonious. he'd appreciate a person who can balance him out, in a way where they can complete him in the areas he lacks. for instance, someone much more stable and grounded than him. someone who can be more logical or objective and less impulsive when the situation asks for it. i keep hearing “정신 차려”, which means “come to your senses” or “pull yourself together”.

(note; this insight was interesting because i think he's this case of opposites attracting and benefitting from each other. he could grow a lot from being with someone like jay, who has a stellium in taurus, which is opposite jake's scorpio stellium. idk if they're close but despite unavoidable clashes due to being so so different, they have potential to balance each other out pretty well)

jake puts a lot of value into understanding each other on a level deeper than everyone else. he wants there to be effortless communication between the two, almost telepathic, where they know what the other means even without necessarily being vocal about it. the person who seems to know you so well; they complete your sentences, or know what you're thinking or feeling just by one glance at your expression.

he also seems to like his lovers having this duality in personality, where they can be both; cute, playful and kittenish (someone who flirts in this giggly and coy way), but capable of having meaningful and long conversations about deep and serious matters in life. he does seem to love duality a lot, whether that's appearance-wise or character-wise.

him as a boyfriend

+ jake is a boyfriend who loooves making you feel like it's only you and him in this world. he really values alone-time and deep intimacy, whether that's physical intimacy in the form of quality time, or emotional intimacy in the form of deep conversations. he enjoys zoning in on his partners and focusing the entirety of his attention on them.

sweet aspect; he himself can be very moody, but if you need him to be your source of comfort and shoulder to cry on, he can become that for you. he'll put effort into making sure he wins over your trust and you feel comfortable around him. he wants you to feel safe enough to not be afraid of showcasing your emotions, whether that's sadness, frustration, anger.. he likes to see it all. he does enjoy seeing his lover riled up about him lmao, since to him it shows they're passionate about the relationship. but there is this comforting and warm energy to him, where he's good at making you feel seen, and listened to.

he is the type of boyfriend who will want to stick by your side through all storms. he really values what his lovers have to say. let's say you got into an argument with him; once you've both calmed down, he might sit you down, softly take your hand and deeply gaze into your eyes while quietly listening to your side of the story. he'll want to understand your perspective and your heart.

he can be responsible as a lover. it almost feels like a task to him to fulfill his role as a boyfriend, to make you feel like you can rely on him. he wants to lead the relationship, and make you feel secure. it's very much an equal give and take, since he does seem to enjoy leaning on his partner for security at times as well. evidently, he seems to actually like a balanced relationship with no crazy power dynamics.

- hm, some heavy energy here i don't feel comfortable diving into deeply. but i can sense him realizing he has a habit of so strongly clinging to his lovers, due to abandonment issues. which can be quite common for scorpio placements.. he's scared of being left behind and replaced with someone “better”, due to him potentially not being good enough to stay with. there's some lingering fatigue and emotional baggage from the past he seems to struggle letting go of.

jake can put so much pressure on himself to satisfy his partner. he wants them to feel fulfilled and confident in the relationship and makes it his responsibility. it can weigh on him if he feels like his partner is starting to lose the spark, fall out of love with him, and especially lose their trust in him. he wants his lover to recognize how much he cares about the connection, but is self-aware enough to understand it's his own bad habits and impulsiveness that can stand in the way.

i can see him having bad habits like, having wandering eyes or being too charming and.. complementary towards women, where it can border on flirting. blurring the lines (like in his eyes it wasn't flirting but his partner sees it differently). though i can't see him straight up cheating, “superficial” things like that can still understandably rub partners the wrong way. it can easily cause discomfort, conflicts, miscommunication. this can lead to trust issues on both sides. he can just be a boyfriend who requires a lot of patience.

[nalyra-dreaming]

Did Anne purposefuly write Marius as an arrogant self-important mediocre asshole (my impression after reading TVL) or did she genuinely think she was writing a mysterious intelligent cool dude?

I know every character in VC has done horrible things, I'm not really talking about morals here. It's just that when looking at Louis, Lestat and Armand I go "what a freak. Love that for him", even when they are being insufferable. I look at Marius and just go "ugh". I'm wondering if he was intended to serve the purpose of a universally disliked character?

:))) I mean, I wouldn't say he is universally disliked? (I'm neutral - I find him a fascinating character but don't really like him, if that makes sense).

Iirc Anne saw in him something like a hero of the VC (I think there's a FB post on that somewhere) and she definitely liked him.^^

I mean... Marius... is Marius.

He's writing the later constitution of the vampires in latin - with Lestat. A language which (most of) the young ones don't speak *coughs*.

But, anyways, there's this slight... side-tone to (even) Lestat's narration there which always makes me cackle:

"I was spending part of every evening working with Marius on a constitution that he was writing in Latin, that reflected far too much of his Roman principles, and strange Hellenistic disdain for the material and the biological, and then I spent time talking with the young ones about how they must and could protect themselves from discovery, while working with all the relentless digital surveillance of the mortal world. The spiritual, the practical, the timeless challenges, the challenges of the moment."

The weird disdain and too much reflection on Roman principles. 💀

That's pretty much as far as any open criticism of Lestat (of Marius) goes in the books, but then it cannot be dismissed that Lestat never became the pupil that Marius wanted him to be - for reasons. Because I think Lestat was very much aware of Marius abandoning Armand to the Children of Satan... something he would have never done.

So, I... think her writing of Marius was very much intentional. And the way the other characters react to him (and his actions) as well.

Whether you like him (or not) depends on what you see in him I guess and what you're looking for in a (fictional!) character, too.

I'm quite sure the show won't shy away from showing alllll the facets of Marius... and it will be hugely interesting to see them implement the character relationships.

[yanderenightmare]

heya! do you have any more writing tips for writing on tumblr? like, any tips to get as much attention as you, kinda

Oh yes.

♡ Post in different lengths!

Or, more precisely, don’t only post long full-fics with multiple chapters.

I know it sounds weird, but the more effort you put into something doesn’t actually guarantee more payoff. Why would anyone read your hour-long fic if they have no previous experience with your writing that gives you credibility? In other words, how can they know spending an hour reading your writing is worth it?

More people are likely to grab a bite-sized appetizer than they are to sit down for a full five-course meal.

But! The more people like those bite-sized appetizers, the more likely they are to want to sit down for that full five-course meal, you know?

Think of those bite-sized appetizers as taste tests—kind of like commercials that bring more people in to give your actual meals a try.

Also, writing in different lengths is good for you! Only writing hour-long stuff makes you burn out quickly, which brings me to my next tip:

♡ Post often!

If you can, try posting something every day. Of course, you can’t post full hour-long fics every day, which is where writing smaller things such as drabbles, headcanons, and tiny prompts come in. Think of them as flings you have in between your long-term relationships. They’re fun little things good for your health!

But anyway, here’s a tip for when you do have those long-term relationships—as in, when you want to write full-fics or longer posts in general:

♡ Start with a hook! 

My attention should be seized by the first paragraph, if not the very first sentence I read. This is so important.

I’m a very picky reader sometimes—so if that first line doesn’t interest me, I’ll be fast to scroll to find something more enticing. And you can be sure a lot of readers are the same.

Under are some examples of my own start-liners.

Something foreboding:

There’s something very off about your roommate… something eerie that makes you keep your distance.

The plot:

Thinking about the big and burly behemoth Omega finally finding himself the cutest little Alpha to breed with…

Something catchy:

Give a brat an inch, and they'll take a mile. 

Something snappy:

You’re his favorite whore…

Dialogue:

“Feels like you’re luring me into some trap.”

A prompt:

Yanderes who keep you higher than a kite…

In medias res:

You lay on your belly on the bed.

Anyway, they don’t have to be groundbreaking—just anything that will spike interest in the reader.

♡ Write for different characters! And try writing inserts!

Inserts are when you don’t name any specific character in the story but either give options for what characters your audience can imagine or leave it completely up to them. This works best if you have a nice starter-line that tells you what kind of character this is without naming them.

Examples:

Bruiser boyfriend

Ex-military Yandere

Benevolently sexist boyfriend

Creep Step-bro

You can go further and identity the reader as well:

Big, brawny, chubby-muscled Boss and his perfectly bite-sized assistant

In other words, people like to know what they’re about to read before they start.

Otherwise and lastly:

♡ Something logistic you can have in mind is making your writing accessible. 

Say I like one of your posts, and I click your profile to check you and your other posts out, but all I see when I scroll through your blog is endless reblogs and one-off comments about this and that. My second instinct is to check out your Masterlist. If you don’t have one, my mission is fraught, and I’ll be out of there quickly. If you do have one, but it’s messy, then my patience will wane, and again, I’ll be out post-haste. 

The bottomline is to have a neat pinned post that makes it easy to navigate your blog, with all your relevant stuff easily accessible. Check out mine for reference. But the most important is for it to include your rules, how to request, and your masterlists.

Then, of course, this is obvious, but:

♡ Things take time

I’ve been running @yanderenightmare since 2020. Back then, it took me half a year to get my first 1000 followers. And most of my posts would only get about 500 or so likes. And, that’s another thing—if I was doing it for the likes and follows I probably wouldn’t still be here, so make sure you enjoy what you’re writing and stuff. If you have that conviction, then the rest is just a nice bonus.

[mikuni14]

Te On1y One - Ep 9

There was another series that was recently aired, and many viewers - myself included - complained that the series underwent a strange change halfway through, that it lost focus on what it was about, that nothing important happened in the series to the story and the couple for whom we were watching it. We were accused by fans of this series of a lot of weird things, including not appreciating the slow burn and things in the plot that have nothing to do with the romance.

No, it was really not that lol, as The On1y One proves. Because this is a series that has a real slow burn (episode 9 and they are still not together! and it's perfectly FINE!), and that randomly throws in an entire episode about a sports day at school with like, one or two scenes of the ML together, and yet we all just love it.

I just love this series. I like everything about it, starting from the plot, from the main couple, to sticking to the concept, style and maintaining the continuity of the vibe from the beginning, without drastic, incomprehensible changes. I watched this whole episode about kids having fun, about the mysterious relationship between the teachers and about just few scenes of ML with real enthusiasm and interest. Because even the few scenes with the main characters are filmed in such a way that they are MEANINGFUL. Because of which, even if there are few of them, as a viewer I still feel pampered 😊

......

I love all these details like looking at the bracelet before jumping, staring unblinkingly at naked Tian colleagues, cuddling Tian's neck, the vibe of "things left unsaid", glances, pouts… How Tian just folded when Sheng used a respectable phrase lol (like JaeYoung from Semantic Error hearing "hyung" 😆) And of course the invariable fact that for Tian, Sheng is absolutely a top priority. Oh no, Sheng is injured? For Tian everything else ceases to exist. 'Fuck the competition, I'm taking you out of here, I'll take care of you'. This is.. this is the height of romanticism, this, his total focus on him and his well-being, when the whole world fades away somewhere in the background.

.....

The teachers at this school are really crazy interesting, it reminds me a bit of Gokusen lol. The principal dancing to the song about him stripping was really funny 😆. And the chaos in the relationships of these three is sooo engaging 🍿

They also showed Jia Hao's struggles really well. Of course I'm not excusing him for what he did. I mean showing the reality of people who try so hard to fit in, to be the best, and how they feel when someone comes along who seems to achieve it effortlessly.

This was such a fun, sweet, funny and charming episode. I had such a good time watching it 💖

That was so romantic and hot.

I'm perfectly normal about them.

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[howlsofbloodhounds]

I think the only headcanon I like and remember consistently is Killer having attachment issues in the way

When any relationship gets too real, he does his best to push the other one away. Actively doing things he knows the other one won't like so they'll leave him, because he doesn't deserve any kind of good-ish relationships. He thinks they'd do better in life without him. Uhh I think it's just a case of self-hatred, if I know my emotions right(which I don't)

Yes i agree. Although I think the reasons behind this isn’t as straight forward as it seems. Very important to keep in mind that Killer has a dissociative disorder—this will affect his attachments. Such as in his Stages.

For Stage 2, i genuinely think he is not interested in emotional connections, or at least is convinced he is. He views them as a threat to his independence and emotional detachment, and views himself as not capable of having them.

He prefers to live his fantasies out in his mind where it’s safer and less risk—where he has control. The second anything comes too real, and he starts filling engulfed, he will detach himself and start actively self sabotage to make them leave. This is to protect himself, and only himself.

There isn’t exactly a sense of “I don’t deserve this/you,” exactly. The most I can see this mindset cropping up is in his relationship with Color. For everyone else it’s more like, “I don’t need you. I don’t need anyone.” (Which is rich, considering his entire codependency shit with Nightmare. Silly little un-self aware bastard he is.

Although with Nightmare he doesn’t really have to worry about giving a shit about Nightmares emotions genuinely unless they impact him—he just does what he’s told or what he has to, and in return he gets purpose and direction.)

This is his schizoid and antisocial tendencies. Which i headcanon killer to have traits of in Stage 2. I think Stage 2 would have a dismissive avoidant attachment style.

In Stage 1, it’s much like you said—feeling undeserving—but also feeling deeply afraid of being engulfed, controlled, rejected, or abandoned or hurt again—although he deeply craves emotional connection and validation and safety.

For me, personally, Stage 1 is either anxious preoccupied attachment style, or fearful avoidant.

I’m not quite certain about how it’d manifest in Stages 3 and 4—mostly because killer doesn’t really attach much in these states. These two have bigger things to worry about than getting attached—and possibly don’t even conceive things like relationships.

Which, yeah, these are dissociative adaptations meant to keep killer alive or avoid suffering in ways that may be outdated to his current situation. Based on certain interpretations, Stage 3 is more likely to be entirely focused on the immediate moment and himself—nothing and no one else. Stage 4 is entirely unlikely to be focused on itself at all.

This would likely change and develop when Killer manages to form genuine connections and escape the dangerous abusive environment he is in— such as with Color, and then perhaps eventually with the rest of the Epic Sanses and the Chromatic Crew. And of course, the Stages are all still the same person— so there will be ripple effects.

[felmonth]

Has tom or any of his friends killed someone in cold blood 😈

[sorry I just really like cold murder cases.....and love your art style]

Haha, thank you!! it makes me laugh when you guys ask random questions like this xD

But no, Tom is designed to be a pumpkin pie, a character that despite the bad things in his life is someone good, although that would be so if I knew how to write character stories , I have yet to fix Tom's problem with his brother hshdjks XD

Although there are alternate universes in which it probably is and I suspect they are:

Information that nobody asked for but I want to tell because it occurred to me recently:

I was thinking Mob Tom was an undercover reporter who went in to investigate where he shouldn't and meets Wally, becoming punishment part of Wally's family although it still doesn't stop him from wanting to get away from there, he gets information out of Howdy as they become friends and....I have for the moment from Mob.

And Reboot Tom I want to put into practice the platonic relationships more in depth, Tom and Wally in this Au are friends but I have in mind that Wally being in love with Y/N leaves aside his friends so I want to try to make a comic where I can make people understand that a friend is also important and that you don't have to abandon him just like that just for having a partner (where I work is something recurrent in people so I find it interesting to write it).

And well Tom is 'bad' in collaborating with Monday as they both throw comments towards Y/N but with things happening, in the end Tom becomes friends with Y/N apologizing to everything and Wally obviously because I don't want Tom to be bad because of "jealousy".

[bayofwolves]

eyedress — jealous is such a david animorphs song. word for word

[oxygenisachoice]

☀️

[starry-bi-sky]

I saw a post a few months ago (and damn was it really months? In PLURAL?) that was a cracky dpxdc au where the LOS were making Damian clones but the clones kept getting snatched by ghost portals and dropped into Danny’s lap and Danny just goes “ok ig this is my life now” and takes care of each one until he has his own mini army of Damian Clones.

And I remembered it a few days ago, and now I've been thinking about it again. Because I love clone aus (see: clone danny au, the 'danny is thomas wayne' au) because it itches the part of my mind that loves exploring personhood and the exploration of identity and what it means to be clone.

(What do you do when nothing about you is unique? When your face, your eyes, your hands, your hair, your voice, all the way down to your heart, all belong to someone else?)

(When it comes to nature vs nurture what of you came from your environment and your experiences, and what of you was already programmed into you from the DNA that made you?)

(What do you do to make it unique? What do you do to make you unique?)

And if I could remember who made that post I'd @ them right now because it was their original post that inspired this, but I'm just thinking of if the au only had One Singular Damian clone that fell into Danny's life.

(a read more because im apparently incapable of making posts that are less than 1k words...)

One Damian who knew he was a clone and knew that he was to either bring the original back to base or kill him to take his place, who was being trained the same way but kept getting compared to his original over and over again. Like an older sibling who you can never match up to. Who is still a child who craves adult affection and validation and praise, and can't get it because nothing about him is original.

One Damian who, at six years old, in a twist of fate is sucked through a swirling portal and lands in Amity Park, directly on top of, in front of, or in line of sight of one Daniel Fenton, half-ghost extraordinaire and local hero.

What happens next?

Well, for one, Danny recognizes him immediately. He would recognize the face of Damian Wayne anywhere because his best friend was ranting about him all week about Damian Wayne's environmental stuff he does.

And for two, he would recognize that the Damian Wayne in front of him was not Damian Wayne. Because Damian Wayne was a teenager. And the Damian Wayne in front of him is a child. Six years old.

Getting this not-Damian but also-Damian to go along with Danny is not, not an easy task. The tiny Damian is aggressive, regal, and at this point in time, six years old, barely understanding english. He also has a sword.

It takes all day and a google translator to get this Tiny Damian to finally agree to go home with Danny. It's a miracle. Seriously. A tried and true miracle. And its also only when Danny has to fight a ghost does he finally agree, saying something in arabic that Danny doesn't understand.

Danny flies them both home, carrying Tiny Damian like a koala. The ensuing conversation in his room is not any better. It is tiring, long, and exhausting. Tiny Damian is six years old, and every single thing he says when Danny asks where he came from is met with a poorly translated "that's classified".

Danny keeps an eye on the news. There are no reports of Damian Wayne going missing, in fact he's been rather public. Bruce Wayne is not one to lie about his children going missing, and Damian's secretive behavior and young age draws Danny to one conclusion: Damian is a clone.

He doesn't know why Damian Wayne is being cloned. Frankly he doesn't really wanna know, because whatever organization that did it doesn't seem too pure-of-heart if tiny-Damian's immediate attempt of murder when they first met is of any indication. But he's too busy taking care of his city, that he doesn't have time to deal with whatever shady business Tiny-Damian was produced from.

In the end though, he decides that this Tiny-Damian is not going back to whatever place he came from. Tiny Damian disagrees. It is a long, nebulous problem of Damian trying to run away, Danny catching him, and Danny pulling him back home.

In that time, Danny downloads a language app and starts learning Arabic so that they can talk to each other properly. Damian slowly, slowly, starts picking up English.

In that time, Danny also has to inform his friends and his sister about Damian. Tiny Damian is not a fan of this. That is another argument they have. Tiny Damian does not like Sam or Tucker for a long, long while. He only really "listens" to Danny, citing something in arabic that Danny still cannot understand, but has a repeated use of the word "lieazir". It's the only word that Danny can catch in a sentence immediately, because its what little Damian calls Danny.

Tiny Damian, in that front, is very interested in Danny's powers and in his parents work. He finds tubberware of ectoplasm in the fridge once while they're down in the kitchen and calls it something with the word lieazir in it. The other word is something that Danny later learns means water in arabic.

It makes him feel even more uneasy of whatever place little Damian came from.

It takes weeks for little Damian to finally give up on escaping, and then a few weeks more for him to almost entirely lose his spunk. Danny isn't sure what started it. It was as if he'd been flipped with an off-switch.

(Damian had been so confident that the League would go looking for him after his disappearance. He was wrong, and he is crushed. He is still a child, alone, in a country very big and very busy, where nobody understands what he's saying. He feels powerless, helpless.)

(The lazarus boy who calls himself Danyal is nice to him in a way the league has never been, and he's making an effort to learn Damian's language. But he leaves for hours at a time and Damian doesn't have much else to do but wait in this house for him to come back.)

(He tried leaving, many many times, but he doesn't understand the street signs, the roads, the people. He doesn't know where he is, and he feels scared in a way that he's not felt in the League. Danny finds him every single time, hours later when Damian is lost somewhere in Amity Park)

(And he never yells at him. Never. The first time this happens, Damian puffs himself up and prepares himself for this strange lazarus boy to yell at him. Damian feels like he's tripped on the last step of the stairs when Danyal doesn't yell at him.)

(He can tell he's frustrated by the tone of his voice, but when Danyal lays eyes on him he just looks relieved. He gets scolded on the flight home, but Damian doesn't understand any of it other than Danyal just sounds worried. Not angry. He gets a proper scolding once they get back, with Danyal typing into the google translator and playing it for Damian to hear.)

(This happens every single time until Damian finally agrees to stop running away.)

It's with Jazz's help that Danny finally realizes that Damian was depressed. It's with her help again that Danny tries helping with it. It's like trying to get a stray cat to trust him. And with everything else they've done, it takes a long time.

And it is so, so worth it when it all works out.

Tiny Damian doesn't really like Sam, or Tucker, but he likes Danny. And he finally starts calling him his name. His full name, but his name nonetheless. Danny doesn't bother correcting him. He's not looking a gift horse in the mouth. And it's endearing hearing Damian call him Danyal.

Damian in this time, also begins to take more initiative into learning English. And they teach each other words they know. Danny buys flash cards and writes the english alphabet on them, and then finds a book on arabic to teach himself and Damian. Sam and Tucker and Jazz start learning as well.

And then when Danny knows enough arabic and Damian knows enough english, and Damian trusts Danny, Damian tells him he's a clone. It's a quiet moment, late at night when Danny takes Damian up to the ops center to look at what stars they could see through the light pollution.

It'd be very easy for Danny to tell him, "I know. I could tell from the start.". He doesn't, it's not the time nor the place, and Danny's matured enough to know when to open his mouth and when to keep it shut. He lets Damian, almost seven now, tell him that he's a clone of Damian Wayne. Lets him tell him why he was made, what his purpose was.

(Danny will need a minute later to process the fact that Damian Wayne originally came from some kind of... assassin league with an obsession with immortality. But he's focused on Damian.)

In the end, he puts an arm around Damian Wayne's clone and pulls him into his side. Thanks him for trusting him, it must've been hard to tell him, that he's brave for being able to. And if he wants to, they can find a way to get into contact with the Waynes and let Wayne know about him.

Damian hides his face in Danny's ribs and holds him tight, and tells him he doesn't want to. Danny leaves it at that.

Perhaps it would be more morally ethical to alert Damian Wayne that there was a clone of him running around, that his... uh, grandfather was making clones of him. Hell, Danny would have liked it. But little Damian has asked him not to say anything, and little Damian needs someone to rely on; someone he can trust.

And in the end, its not that hard of a decision to make. Danny knows little Damian more than he knows Damian Wayne, and while Danny likes to think he's a good person, he knows he's not a great one. Nor a perfect one. He cares more about someone he knows than someone he doesn't.

If Sam tries to argue with him about it, then Danny will just double down. If Damian doesn't want to tell Wayne about his existence, then it's not their place to say otherwise.

There's a lot more to talk about over Damian's cloning, like what he wants to do moving forward. But that's a long conversation not meant to be one taken late at night. Little Damian is falling asleep at his side, seemingly much more relaxed than he did before, and Danny wasn't gonna ruin that.

And later he's right, it is a long conversation, and a slow one. Talking with Jazz about it helps him figure out what to do moving forward, and their best bet is to let Damian figure out what he wants to do. So he sits Damian down at the dinner table the next morning and tells him before breakfast that he doesn't need to be Damian Wayne.

He doesn't need to learn all the same things Damian Wayne did. He doesn't need to do anything that Damian Wayne does. And little Damian is seven, and he's smart, but Danny still has to word it in a way that's not too complex for him to realize.

And in the end, what he says essentially boils down to "You are not Damian Wayne, you are just you. Don't be anyone else but you." and it'll take more time to drill that into his mind when all he's ever heard and learned from is that he was a copy of Damian Wayne, and he must act like Damian Wayne. But it'll happen.

It's a hard task when Danny's the only person Damian really trusts and he can't be by his side all the time, but he starts to warm up to the rest of Danny's family. The Fenton parents know of him, it's hard to keep a six year old child a secret for as long as Danny did without eventually having to come clean about it. His parents, much to Danny's relief, are very welcoming to Damian.

Damian figures out what he likes. Slowly. He's six years old, almost seven, and nobody expects of him to figure out who he is immediately. No child knows who they are right off the bat. So like any child he begins to explore. His english is better but still rough, and he struggles to read said language, but the Fenton family are happy to help even if Damian learns words that no normal seven year old does. (Many of them scientific.)

Damian realizes he likes stars, even if said interest is influenced by the association to Danny. Danny is all too delighted to tell him all about them, and in the process takes him flying out somewhere where the light pollution doesn't reach and showing him where constellations are.

Damian is six-almost-seven, so he doesn't find all of them, but Danny helps him figure out the easier ones. He tells him the scientific facts behind them, and then tells him about the mythos of the constellations. Later on they make their own constellations and make up stories about what they are.

(Damian adores Danny out of anyone else in the Fenton Family. The name Danyal turns to Dany. If anyone asks, Daniel Fenton is Damian's big brother.)

(He still refers to Jazz as Jazmine, and Danny's parents as Mrs. and Mr. Fenton.)

He realizes that, like his original, he loves animals, and he becomes vegetarian too. Sam is smug and Tucker is disappointed, but Damian doesn't super care about their opinions. ...he's getting better at liking them, even if he thinks Manson is a bit snobby and Foley is too much at times.

Its inevitable that the conversation of school comes into play. Damian can't stay home all day and he needs proper schooling. So after a long talk with Damian, they agree to send him to elementary school.

...And before they can do that the Fenton Family goes through with legally adopting Damian into the family as Damian Fenton. It takes convincing to get the administration to enroll him into the first grade without a proper schooling background.

(On his adoption form, Damian asks to change his birthday to the day he met Danny. Perhaps its not the most responsible thing to agree to, but Danny wants Damian to find himself. And its not like they know when his actual birthday was.)

And despite where he learned it from, Damian quite likes sparring. And he quite likes sparring with Danny in particular. Danny makes it fun, something that was foreign in his old league training, and Danny never hurts him. It's a lot like roughhousing.

Danny tells Damian how he got his powers, and how his parents don't know. Damian wakes up late at night to Danny sneaking out of the room (their house is not big enough to give Damian an individual room, and Danny agreed to share his) to go fight ghosts.

It's upsetting. Damian knows that Danny gets injured in those fights, even if Danny never comes home until after those injuries have been fixed up. He wants to help, and he voices it, and Danny shoots him down.

It becomes an argument, something that has happened less and less over the months.

Damian is experienced.

Damian is a child.

Damian knows how to fight.

Damian is mortal and fragile. He is a tiny, squishy human boy and the people Danny fights are ghosts who are near-indestructible. Who are intimately acquainted with death but also do not remember that humans are capable of it. Especially when they're fighting.

Damian says that Batman's rogues are capable of the same thing, that he lets his Robins help him fight.

And Danny says he is not Batman and he will not allow Damian to fight ghosts with him. Those ghosts will kill him and it will hurt. Dying hurts in a way that is terrifying and unimaginable and he will not risk Damian experiencing it. Not even Sam and Tucker help him in his fights most of the time, they are not able to. Not in the way Danny can.

Damian doesn't talk to him all day the following morning, but Danny does not budge on his decision. Damian tries to follow him out the next night, and Danny catches him and takes him back. Over, and over, and over again.

Until finally he gets intercepted by Skulker while taking Damian back home and is forced to fight him in front of Damian. (If it had been his choice, he would not have let Damian see it at all.)

It's not pretty. Skulker has new weapons, weapons that hurt, a lot. Danny is stuck between trying to take him down and trying to protect Damian from Skulker's attacks at him and from all the debris being created from the fight. It's with Damian's quick thinking and fast feet that finally helps Danny take Skulker out. But Danny is badly injured in the aftermath.

He doesn't have time to take Damian home and get medical attention. So he takes Damian with him to wherever he has his supplies stashed. He doesn't call Sam or Tucker or Jazz, and has to stitch himself up alone, with Damian watching.

Damian is quiet the entire time, he feels awful. Danny's not mad at him -- well, he is. But not because he had to protect him. He's just tired, and a little disappointed in him. Damian doesn't sneak out again. But he still feels helpless.

Danny tells him that that is why he doesn't want Damian to help him. Ghosts, his ghosts, are hard to fight. They are powerful, and his 'rogues' are mean. They will not care that Damian is a mortal child, if he picks a fight with them, they will fight back. And Damian is not immune to certain ghost powers like Danny is.

Damian is silent. He wants to help. But Danny is right: he is a squishy, mortal, living child. There is not much he can do to help Danny. Not without any gear to do it. Not without any powers to do it. He wants to help. He cannot.

Damian, almost-seven-years old, begins to cry. It is the last thing Danny was expecting, and for a moment he is at a loss of what to do.

Damian reaches for him -- in the Fenton family, physical affection is expected. Damian is getting used to it, but Danny is the only one he likes touching him -- and then stops, cringing away like he only just remembered that Danny was hurt.

He only cries harder.

Danny meets him halfway and pulls him into his arms, situating Damian between his knees from where he's sitting. Through his tears, Damian says he wants to help. He wants to help. He doesn't want Danny to get hurt anymore. He doesn't want Danny to fight ghosts alone anymore. He's scared that Danny will stop coming back.

Danny doesn't have anything to say to reassure him. Can't say anything to reassure him. It'll all just be lies. He's not going to stop fighting ghosts, he can't. He's not going to stop getting hurt, he can't. He's not going to bring Damian with him, he can't. He'd never be able to live with himself.

"I'll always come back." He says though, because that is something he can promise. Whether dead or alive, he'll come back.

When the tears finally stop, Damian doesn't say anything again. He sniffles, and presses his ear to Danny's chest, listening to the steady, slow heartbeat. If he puts his ear to his sternum and strains his ear, Damian would almost hear the low hum of Danny's ghost core, like a small dwarf sun.

"If you die, I'll drag you to the Lazarus pools myself." Damian mumbles eventually, his voice sleep-full. It's spoken in arabic, and Danny only understands half of it.

He laughs quietly, and smoothes his hand over Damian's hair. He hasn't had a haircut since he arrived, it's gotten long and there are curls beginning to form. "Okay."

Damian falls asleep shortly after, and with much consideration to his own injuries and Damian's sleeping form, Danny flies them back home.

It's hard to say, but not much changes in routine afterwards. Damian hovers close to Danny, more than usual. Danny still goes out at night, he still stitches himself up before going back, he still goes back home where Damian is waiting worriedly for him. Damian doesn't like falling asleep without knowing Danny is there.

Now the hard question is: when does little Damian finally meet the Waynes for the first time? There's plenty of ways to go about it, both easy and hard. Perhaps we go this way:

The Fenton family are visiting Maddie's sister in Arkansas. And Damian is dragging Danny around through the surrounding forest. It's his first time being in a forest this large since he moved in with the Fentons. Safe to say he is delighted by all of the nature, and he's dragging Danny along with him.

Danny likes the peace and quiet it gives him, he's found that he enjoys the rural area more than he likes the city. He's happy to let Damian point out every plant he recognizes, even if some of it is in arabic.

They walk around all day until Damian gets tired, and then at night when the sky is clear Danny and him go look at the stars. It's peaceful at first.

On the third day of their visit, Damian drags Danny out far from the house. It's slightly worrying, but Danny can always fly them back if it gets too late.

It's in the woods that Danny and Damian stray much too far from Alicia's house, and from there in the early evening that they run into Batman and Red Robin, both of them in rough 'just got out of a fight' shape.

Safe to say, it was the last thing any of them expected to run into. Damian and Danny had stopped at a small crik to rest, and the two vigilantes came through the tree line on the other side.

It was... quite the staring contest.

Damian, now seven years old at this point, forgot to mention that the Waynes were vigilantes when he told Danny he was a clone. But he was told that Batman was his original's father.

Before anyone can say anything, little Damian wraps his arms tight around Danny's middle and stares Batman and Red Robin down. His sharp edges have softened around the Fentons. But he makes no exceptions to anyone else outside of Danny's immediate social circle.

Danny's arm automatically goes around Damian's shoulders, and he looks between both Red and Batman uneasily. If they were here then it meant that there was something unsafe nearby. Danny did not fight the living, and he wasn't going to put Damian in the crosshairs of anything that does.

"Should... should we leave?" He asks, brows knotted together with a frown. He stands. "Is there something going on nearby?"

Batman suddenly grunts, and looks at him. "It's been handled." He says, and his voice is gruffer than Danny imagined it. Lower. Danny is not all that comfortable with that answer.

"Do you guys live nearby?" Red Robin asks, and Danny can't help but notice that he keeps looking at Damian. Warily. In fact, so is Batman.

He pushes Damian behind him slightly, and Damian's grip tightens on him. "Not... exactly." He says, his eyes narrowing slightly. "My family's visiting my Aunt and my brother wanted to explore since it's his first time out of the city, I guess we wandered too far away if we're running into you."

There's no visible indication of whether or not both Bats reacted to him calling Damian his brother. But he can all but feel little Damian preen at the title, it makes Danny's mouth twitch into a smile as his hand finds Damian's hair.

"Would we be able to go back with you?" Red Robin asks, startling both Danny and seemingly Batman, who looks at him instantly.

"Red Robin." He growls out, and Red Robin throws Batman a look of annoyance.

"We are lost, B. They jammed the comms and our trackers back there and it hasn't come back on yet, his aunt may have the signal we need to let the others know where we are."

They end up walking back with Danny and Damian. It's silent, and awkward, and Danny has Damian walking on his opposite side so he's not near the vigilantes. Red Robin is fiddling with a phone but still can't get a signal.

Batman is silently brooding.

Red eventually gives up and shoves the phone into a pocket on his belt, then turns to make conversation with Danny. "I never thanked you for letting us walk with you. Thanks, by the way."

Danny blinks at him, and smiles awkwardly. "No problem, man," he says, "I'm uh, Danny." He glances down at Damian, who looks up at him with big green eyes, and Damian nods quietly.

He looks back at Red Robin, and says, "This is my little brother, Damian." And Damian peers over his side and glares at Red Robin -- and Batman, who looks over when Danny says his name.

"He looks like Damian Wayne," Red Robin notes, head tilting like he's inspecting him.

Danny huffs dryly, "We get that a lot."

Red Robin smiles at him, its a tilted thing. It makes Danny uneasy. "Where did you say you were from?"

"I didn't," Danny says bluntly, and he really doesn't want to tell them where he's from. Not when Red Robin was acting strange, but they're vigilantes and notorious for their detective skills. If he's suspicious, they'll look into him. "But I'm from Amity Park."

Damian in that moment, peers around Danny again and scowls at Red Robin. Full on scowls at him, as if it were the first months when he met Danny. "You're being nosy." He sneers, his hand squeezing Danny's.

"Damian," Danny hisses, suppressing a smile. Damian jumps like he's been startled, and looks up at him with big green eyes. "He's just being curious."

(He lets his smile slip through briefly, just to let Damian know he's not that upset. A tension leaves his little brother's shoulders.)

"But he is." Damian continues, a whine leaking into his voice. Danny jabs him in the ribs with his fingers, and Damian jumps, swatting away his hand with a squeak.

"Would you rather have us walk in dead silence, Dames?" He goes for Damian's ribs again, a grin stretching across his face as Damian jumps back again and swats his hand. "Hm? Hm? We could just walk in awkward silence for the entire trip back, I know you just love awkward silence, little brother."

(It's funny, saying little brother always sounds so uncomfortable when he reads it in books and watches it on tv. But Jazz always makes it sound so natural when she does it, and Danny finds that he sounds the same too.)

Damian continues to bat away his hands, but it's not enough to prevent him from squealing with laughter when Danny gets a good hold on him and starts tickling him. Danny's grin only gets bigger, and he swoops Damian up with his arm and holds him like a football.

"Is that it? Huh? Me, you, and two vigilantes walking back to Aunt Alicia's cabin in complete, utter silence." He says, "You won't get to hear any of my amazing jokes."

Damian's wriggling, trying to pound on Danny's ribs, he's giggling uncontrollably. It's the best sound Danny's ever heard. "Your jokes are awful! Laeazir! Put me down!" He cries, grinning from ear to ear.

(From the side, both Red Robin and Batman tense up.)

Danny chuckles, and through a short series of flips, has Damian sitting on his shoulders. "I will not. You're sitting up in air jail for insulting my hilarious jokes."

Damian tugs on his hair in revenge, harrumphing at him but making no move to get down. Danny squeezes his ankles playfully, and looks back to Batman and Red Robin.

Both vigilantes look at him like he's grown a second head.

....Red Robin looks at him like he's grown a second head. Batman just stares, and then looks away. Danny tilts his head at them, his smile waning. "You guys look like you've seen a ghost or something."

(Damian tugs on his hair again. A silent boo at him.)

Red Robin jerks, "Oh, sorry." He says, not sounding all that sorry. "It's just... I've lost count to how many times I've saved Damian Wayne from the occasional kidnapping and he's always been very... serious. It's just weird seeing a kid that looks like him be... not serious."

From his shoulders he feels Damian hide his smile in his hair, that's another thing they can put on their "Things That Damian Does That Damian Wayne Does Not" list. It started as a joke, but it's been surprisingly helpful for when Damian is questioning himself.

However, Danny is not a fan of the comparison, and he smiles widely, perhaps a tad passive-aggressive. "It's a good thing that my Damian isn't Damian Wayne then." He says, giving him the slight stink eye.

Red Robin picks up on it quickly, and nods.

The rest of the way is spent in idle conversation. It's oddly casual, even if most of the conversation is Danny talking about himself. It's annoying, but he unfortunately understands the reason. Secret identities and all that.

Damian interjects a few times, some parts to talk to Danny, and other parts to throw shade at Batman and Red Robin. Mostly Red Robin, who seems begrudgingly used to it.

("I'm surprised you haven't asked me much about myself." Red Robin says at one point into the conversation. Over his shoulder Batman glares at Red Robin. "A lot of civilians do when they're able."

Danny stares at him. "You're a vigilante." He says, frowning, "Isn't it superhero 101 that you don't ask superheroes for their secret identity?"

"You'd be surprised."

"Huh. Well, no. I'm not gonna ask you about yourself. I quite like talking all about me.")

When they finally reach the cabin, it's late into the night and Danny has moved Damian from his shoulders to his front in a koala-like carry. Damian's fast asleep with his head on Danny's shoulder.

His family was also frantically searching for him, and Jazz sees him first. She immediately turns behind her and yells "I FOUND HIM!". And then sprints over to him, his parents thundering not too far behind.

Both vigilantes are subsequently ignored as Jazz dotes over him and Danny, and soon enough so is his mom and dad. They're all talking all at once, asking him where he was, they were worried sick, did he know how late it was.

He shushes all of them, loudly. And whispers that Damian is sleeping. His family then immediately quiet themselves, and go back to yelling at him in a more appropriate manner.

"Me and Damian walked too far by accident." Danny finally says when he can get a word in, and then he jabs his thumb in Red Robin and Batman's direction. "We also found two superheroes who need assistance."

The speed of which his family all snap their heads over to the direction he's pointing is almost comical. As is all of their expressions of shock.

His mother is the first to regain her senses, and she sighs at him. She sighs! "Only you, Danny." She says, and Jazz snorts into her arm.

[tomatoart]

it ate my soul and left my body

[origami-butterfly]

Hate it when j&h adaptations give Jekyll a female love interest, like bitch, he HAS a love interest who is introduced on the first page, and his name is MR UTTERSON THE LAWYER.

[pepperpixel]

SAID HE LIKES CRAZY GIRLS,

BUT HE HATES WHEN I ACT CRAZY,

IT TAKES TWO TO TOXIC!

FINALLY!!! Finished these pics of jinx I’ve been working on!!!!! HOLY SHIT, these took so long…. But finally… they’re done… pls enjoy this art of my beautiful princess w a disorder. Featuring alternate colors for the big pic and also a closeup! Cuz I rlly like how both the lines and coloring on her face turned out… like the pink gradients w her eye… her deer in headlights expression,, like uve just startled a raccoon digging thru ur trashcan and r two seconds away from getting mauled.. m proud of it!