#their history is very interesting

[thegoblinwitch]

Shunsen Katsukawa, Futamigaura, 1804, woodblock print, 24.7 x 35.1 cm. 

[burr-ell]

What I love about Spy x Family's recent chapters concerning Martha and Henry—two secondary characters with little direct connection to the plot as we've known it—is that Endo's taking the opportunity to once again hammer home what the story's actual stakes are. The idea of potential conflict between Ostania and Westalis isn't just window dressing for a wacky wholesome badass family gimmick—the previous wars are real events that various characters lived through, and all of them are in some way affected by it and have good reasons to want to avoid another one. This is primarily an action-adventure/slice-of-life manga with a lot of sendups to spy movies and pop culture of the 60s, but I think those things hold much more weight with the thematic underpinning of the horrors of war and the ruin it leaves behind.

[frostedmagnolias]

Dress

1910-1915

silk netting, silk velvet, glass beads, rhinestones

unknown maker

Newfields

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

[weabooii]

Ganzan Daishi | Ward Against Evil

[philsmeatylegss]

Daily reminder that in 1980, only 36% of eligible voters between ages 18-20 and 43% of eligible voters between ages 21-24 voted. In 1984, 37% for 18-20 and 44% for 21-24.

Meanwhile, in 1980, 65% of eligible voters aged 65+ voted. In 1984, 68% voted.

Republicans have a history of relying on young voters to not vote. They purposefully make young people feel discouraged; like no matter what, it won’t make a difference.

I don’t care if your state tends to always vote with one party. Get out and vote.

Especially in swing states, every single vote matters. Every. Single. Vote.

Mail in your vote. Go during your lunch break. Plan to take the day off. Your vote matters. In fact, it matters so much that people will purposefully try to sabotage you voting.

Here’s a guide on how to register to vote and how to check if you are registered. Plan ahead. Make sure you know how to mail in your vote or where voting booths will be.

Republicans have been so flippant towards Gen Z because of our historical hesitance to vote.

We have the power to make things at least somewhat okay.

I have seen so many people from Gen z saying voting for Kamala is hopeless because she’s a woman of color, citing past elections as proof.

That discouragement is purposeful. It’s been used for decades. And it’s been working.

This website is relatively young. Especially with a lot of older Gen z, including me, where this is their first or second election that they are eligible for.

Don’t listen to those saying voting is pointless. That there is no way Kamala will win so who cares? It’s absolutely okay to be frustrated and or wary, but don’t let that keep you from taking action.

Young voters are the key. Start planning on your vote now. Take it seriously. Your voice matters. Your vote matters.

[daguerreotyping]

Real photo postcard of a strongman redefining "power bottom," c. 1910

[adiradirim]

Sephardic Jews from Thessaloniki in their traditional costumes, in the city’s old cemetery, before the war // a contemporary photo that shows where the destroyed cemetery once was, which is now Greece's largest university, built partially on top of and with land and materials (particularly tombstones) stolen from the razed site.

Thessaloniki or Salonika, once referred to as “the Jerusalem of the Balkans” due to its Ladino-speaking Jewish majority, saw roughly 96% of its Jewish population murdered during the Holocaust. This mass destruction extended to the city's Jewish cemetery, which had been the country's largest, established in the 15th century and housing hundreds of thousands of Jewish graves until its razing by city authorities who had long desired to repurpose the land and resented the inconvenience of Jewish presence. Despite its large-scale destruction during German occupation in 1942, which was initiated and carried out primarily by Thessaloniki authorities with Nazi consent and arrangement, some parts of the cemetery survived intact as late as 1947. Many tombstones were subsequently appropriated and used by city authorities and the Greek Orthodox Church. After the war, people were still carrying away Jewish gravestones each day and regularly looting the cemetery in search of valuables. The city's officials, led by their mayor, completed the cemetery's destruction and sold the tombstones to contractors for use as building materials in various projects; as such many were and are still found in various walls, roads, structures, and churches around the city. A 1992 commemorative book pictures Greek schoolgirls playing Hamlet with skulls and other bones they found in the cemetery.

“[T]he ‘rape’ of the cemetery escalated, marble flooded the market, and its price plummeted. Jewish tombstones were stacked up in mason’s yards and, with the permission of the director of antiquities of Macedonia and overseen by the metropolitan bishop and the municipality, used to pave roads, line latrines, and extend the sea walls; to construct pathways, patios, and walls in private and public spaces though out the city, in suburbs such as Panorama and Ampelokipi, and more than sixty kilometers away in beach towns in Halkidiki, where they decorated playgrounds, bars, and restaurants in hotels; to build a swimming pool – with Hebrew-letter inscription visible; to repair the St. Demetrius Church and other buildings...” Devin Naar, Jewish Salonica: Between the Ottoman Empire and Modern Greece

Most of the efforts to return found tombstones throughout the city are led by Jews, particularly Jacky Benmayor, the curator of the Jewish Museum and last Ladino speaker in Greece, who has personally recovered hundreds of tombstones including his own family's. Surviving Greek Jews never received compensation for the confiscation of the land under the destroyed cemetery, upon which now partially rests Greece's largest university, Aristotle University, which also used Jewish gravestones as building material for its long-coveted expansion finally made possible by the dispossession and annihilation of the city's Jews. In 2014, 72 years after the cemetery's destruction and appropriation, a small memorial was established on campus grounds to acknowledge the Jewish cemetery the school is built on and with; the ceremony just 10 years ago involved the first-ever acknowledgement of the atrocities and apology from a Thessaloniki mayor. The memorial has been vandalised multiple times since its establishment.

[axquiva]

The Holy Trinity

[commsroom]

cutter was born in the 20s, and he'd become "arthur keller" by the early 70s, so obviously pryce's story at the beginning of brave new world can't be taken literally - that's not even an old man, much less "older than anyone she had ever met." it's also inarguable she was an adult already working on her... ideas for the human body when cutter sought her out; "i want you to make a doll for me" and "i found people who had some very bold ideas about how to... tune up the human body [...] i funded their work, and provided them with a willing test subject" are pretty definitely referring to the same events. so, it's fairy tale language, but the question is: why? why frame it this way?

one part of it is the "fountain of youth" in connection to immortality, strength, and health. the implication isn't literally that cutter is very old and pryce is very young; it's that she represents this power, and that he wants her to bestow it upon him: "then you and i will fix the world. i will be young and you will be whole." cutter and pryce choose to look eternally 28, while referring to and conducting themselves as if they're very old: it's not just vanity, it's part of their self-mythology. simultaneously young and old, having overcome the natural order.

that mythology of "overcoming" natural limitations is especially significant for pryce: characterizing herself as a "little girl" within her own story is both self-victimizing and self-aggrandizing. pryce does not see herself as disabled so much as temporarily inconvenienced; even the usual limitations of the human body are something she hopes to transcend. "instead of being wretched or afraid, the little girl decided to be clever." she was put at a disadvantage, but overcame it all by herself because she was smarter and better than other people. by extension, anyone who can't do what she did just isn't good enough, even as she's closing doors behind her and making it harder for others like her. and at the same time: it's an underdog story that requires her to have been an underdog. she hasn't been in a very, very long time, but the power she holds over others remains justified in her self-perception by this image of a sick little girl who was hurt by the world. there's an implication of inherent worthiness, and even a sort of expected assumed innocence in characterizing it that way. the first thing people notice about pryce is her eyes, and... sure, maybe it's the technology, but if cutter can catch bullets without any visible signs, it seems likely to me that, like her age, this is at least in part an aesthetic choice. it intimidates people. she's turned this point of hurt and vulnerability into a power play, and remains attached to it.

and that's the other part of the mythologizing that's going on: presumably, pryce was not the only person who worked on all of this. cutter funded others. but the story retroactively simplifies it, in a childish fairy tale way, and paints an image of them as exceptional, uniquely capable and so uniquely deserving, people.

i think there's something interesting to consider here about pryce in contrast to hera: that pryce is a woman who self-justifies her cruelty via a mythologized girlhood, while hera is a woman who was never a girl, who was never considered innocent or even allowed the same recognition of the ways she's been a victim. pryce resents humanity and all it represents, resents her body and its limitations, feels that being human has only caused her suffering, but still clearly believes that she has more of a claim to humanity than hera does by nature of her biology and upbringing. pryce's "bootstraps" attitude re: disability and her own self-victimization are the crucial things here, but i think that is also particularly interesting if you read hera as a trans woman.

(incidentally, this is part of why i have a particular love for hera designs where she's just a regular woman, more angular, and maybe even older looking - a natural 30-something in contrast to an unnaturally maintained 28 - than pryce. they're both women who have chosen how they want to look, and it highlights something.)

[marlshroom]

i have been contemplating the circumstances of dimples death which lead me down a rabbit hole of catholicism in Japanese history, here is the result...

[ID: two illustrations of dimple/ekubo from mob psycho 100. in the first image, there is a half-body sketch of a human, pre-death dimple. he is wearing a dark navy robe and has black, slightly curly hair. next to him is a block of text: "pre-death ekubo. 42 at death. -part of a sect of catholicism[in japan] in the 1600s, hidden from the shogun due to the persecution of said sect -to keep their practices secret, priesthood was hereditary. dimple was to be a priest after his father. he died before he could. - the negative emotions leading up to his crucifixion was so strong that he turned into a spirit in the afterlife" in the second image, there is pre-death ekubo and spirit ekubo floating above him, in a color palette of red, black and gold. human ekubo is facing the viewer, his face covered in shadows. his hands are together and he is holding a rosery. behind human ekubo's head is a gold-leaf circle. END ID]

[wrishwrosh]

The most common word in the mouths of American soldiers has been the vulgar expression for sexual intercourse. This word does duty as an adjective, adverb, verb, noun, and in any other form it can possibly be used, however inappropriate and ridiculous in application. Many soldiers seem hardly able to utter a sentence without using it at least once. Apparently they derive a vague satisfaction by invoking the word itself, habitual and thoughtless as its employment becomes.

j glenn gray, the warriors: reflections on men in battle (1959)

Some scholars have argued that during and after World War I and World War II, people began to swear more than they had in the past. The particular horrors of those wars—the constant threat of death by poison gas and machine guns, trench warfare, incendiary bombing—led to feelings of rage and helplessness that needed an outlet in frequent swearing. […] Swearing in the armed forces was so ubiquitous that fuck really wasn’t such a bad word.

melissa mohr, holy shit: a brief history of swearing (2013)

[Obscene expressions] are applied to situations and experiences of crucial importance to the person but which are apparently devoid of sexual connotation. They are merely expressive of the conception of virility, masculinity, and freedom from social restraint of an exclusively male world.

frederick elkin, “the soldier’s language” (1946)

Some of the licensed obscenities of soldiers may be grounded in a folk belief about the advisability of turning away any compliment with a deprecatory remark that might serve to ward away the evil eye. “Fuck you,” “go fuck yourself,” “get fucked,” “fuck off,” and “fucking” used as an adjectival modifier were derogatory usages that were voluminously used by some soldiers to deride or devalue anything of a serious nature that was said by anyone.

les cleveland, “soldiers’ songs: the folklore of the powerless” (1984)

[stagefoureddiediaz]

Ohhhhhh!!

The Shannon saying to Eddie at the lake she thought he was someone else and Buck confusing who he has feelings for and ending up dating Tommy parallel!!!

[poterimagici]

The History Boys (2006) Derry Girls (2018-2022)

[canisalbus]

I just wanna say that your gay dogs have singlehandedly rekindled my obsession with the Renaissance, help

.

[robotsandramblings]

Hunter & Omega: Firsts & Lasts

~ first hello ~ last goodbye ~ first & last appearance together

**[on-screen / in-show]