#the worst thing that can happen to a living being

[coco-loco-nut]

007 - part two

pairing: oscar x reader

summary: maybe a soulmate isn’t the worst thing to happen to you

masterlist part one part three requests open

——————

Oscar sent you a text that night. He was a little disappointed when it took you a couple days to reply, but that was quickly made up when you sent a time and location. The mystery around you is thrilling to him.

You wait in the corner of a cafe for Oscar, sipping a flat white. Your eyes immediately find him when he walks in, locked in on him. He quickly orders and makes his way to you. Oscar barely gets in a hello before you get down to business.

“I need you to know something before anything happens. I live a very dangerous life and I don’t plan on stepping away any time soon,” you leave certain things unsaid, like the very real chances of you dying. “It’s hard for the soulmates of those in my line of work. Suddenly the danger meter means more to them, and it can disrupt their lives,” you lean forward a little, subtly emphasizing how important it is.

“I’m a Formula One driver, I am familiar with the risk of dying. I know the risks associated with being your soulmate,” Oscar says and you bite back a remark about his job still being safer than yours. You need to try and be less standoffish.

“Right. Well, I can’t say that I know how to proceed with this. I’m a bit new to the whole thing,” you are a little embarrassed.

“I am too. We can handle it together,” Oscar smiles. He wants to reach across the table to hold your hand, but he doesn’t want to push it so he sips his coffee. “Tell me more about you, all I know is that you do a really dangerous job,” Oscar prompts you.

“Bold statement coming from someone who also has a really dangerous job. I really enjoy traveling, dislike paperwork. When I’m not working, I like reading or taking small trips. Um, I have a cat who is the light of my life,” you pause as Oscar lets out a laugh. “Tell me more about you, more than what your background check tells me,” Oscar sees the playful glimmer in your eye.

“Well, I’ve been getting into cricket and basketball. When I was a kid, I went through this phase where I thought I was a car,” Oscar admits.

“I would always sneak around as a kid, acting like a spy. I guess both of our childhood fantasies worked out,” you hide your bittersweet feelings. Oscar notices but doesn’t push it.

“So I guess you would be the Holly Shiftwell to my Lightning McQueen,” Oscar tries to bring up your mood but you give him confused look.

“But they were never romantic partners?” you say, a little confused with how happy Oscar looks. He’s just happy you have seen the movies and seem to like them enough.

“Semantics. What are you doing now that you aren’t chasing down criminals in the paddock?”

“You mean your soulmate? I’m being forced to take a break from missions right now. Apparently I’ve been hogging all the action and need to help in HQ for a few months,” your distaste for the orders is clear on your face.

“You can join me at a race. If you want to,”

“Really? I don’t want to be a distraction and I don’t know anything about Formula One,” you hesitate, not wanting to impose.

“I want you there. Who better to teach you the sport than me?” Oscar reassures you.

“Well, I guess I will have to take you up on it,” you take the little leap of faith. It’s not something you would normally do. But your soulmate is worth it… right?

You and Oscar agree to a race that is around a month later, giving you time to get to know each other and for him to teach you different aspects of the sport. The month still doesn’t seem to be enough as you arrive at your first race as his soulmate.

“Hey,” Oscar pulls you into a hug as you stand at his hotel room door. He presses a kiss to your forehead before taking your bag as you walk in.

“How was media?” you ask, making yourself comfortable on the bed beside him. It’s clear that he hastily straightened up the room when he got back from free practice.

“Boring, I was counting down the minutes until you got here,” he wraps his arms around you, holding you close as you hum in response. You relax into his warmth, taking in the familiar scent that you’ve found comfort in.

“I couldn’t wait to get out of the office too,” you admit a few moments later. You left a little early to catch a flight here for the weekend.

“Still stuck on paperwork? I must admit, it’s nice not having your danger meter spike,” Oscar murmurs, a little sleepy.

“What’s on your mind?” Oscar observes your distant look when you don’t immediately reply, having learned how to read you more.

“What would you say if I left my job?” you say quietly, almost a whisper. Oscar sits up, needing to properly look at you.

“I’d be a little confused because you love it, but ultimately it’s your choice,” Oscar says, silently asking you to elaborate.

“Well, as soon as someone finds out who I am my cover is blown, putting both of us at risk. It’s a lonely life, and when it was only Boots and me that was okay, but I don’t want to be alone anymore,” you admit, not expecting to feel emotional about it.

“I’ll support you either way, but I don’t want you to quit just for me. What would you do if you left?” he asks, feeling a little guilty.

“The longer I stay in action, the more dangerous my missions will be. Most of mine before didn’t interact with targets, but things will get more dangerous from here. It’s what I’ve worked for my whole life. As for what I would do if I left…” you pause for a second, letting Oscar absorb everything. “Well, your security is seriously lacking, and as your soulmate I think I should do something about that. I was also offered a higher up position that would take me out of action for good,”

“Having my own personal security guard who is also my soulmate? That could be dangerous,” somehow you don’t think Oscar means the kind of danger that would raise your meters.

“Oscar!” Your cheeks flush as you bite back a laugh, acting scandalized. “Alright, I’m going to shower before bed,” you slide out of his arms, looking back at him, knowing what he is about to suggest. “No, you can’t join,” you laugh as he pouts. You two aren’t there yet, but he is proud at how comfortable you are around him.

Oscar leaves early in the morning for free practice, promising to meet you at the gates when you arrive for qualifying. You happily take the extra time to sleep.

Qualifying is your test run. You get a feel for the team and race environment while keeping a low profile. Arriving for the race is a different thing.

“Ready?” Oscar asks as he parks at the circuit. He looks so cozy in his hoodie, and to be fair, you woke him up half an hour before having to leave.

“Yeah, let’s go,” you nervously smile. You are never nervous, but this is different. You are dressed fashionably, but nothing that makes you stand out too much. Your dark sunglasses help hide some of your features as you walk in on Oscars arm. You both look happy as you walk in, and the media notices.

“Oscar!” Logan calls him over, you recognize the American from your initial background check.

“Hey. This is my soulmate, Y/n. Y/n, this is my best friend, Logan,” Oscar introduces both of you.

“Hi, it’s nice to actually meet you,” you hug Logan, taking him by surprise.

“Aww, you talk about me?” Logan coos at Oscar.

“You came up in her background check on me,” Oscar says causing Logan to let go of your hug.

“Weird, but I like it. We are going to be great friends, Leiter and Bond,” Logan rolls with it. He remembers the first time Oscar mentioned you and that’s enough for him.

“You are a sexier James Bond, license to kill and all,” Oscar chimes in, trying to flirt and joke at the same time.

“Oh baby, no. That is nothing like what we do,” you accidentally slip up, and Logan’s eyes widen.

“I thought you were joking. I will keep this to myself though. That’s so cool. Can we watch those movies together?” Logan quickly says, not wanting you to worry. Your initial coolness that Oscar described to him over the past month makes more sense to him now.

“We should get going, I don’t want Zak and Andrea to get mad,” Oscar says, leading both of you away.

“This is the McLaren motorhome, you are welcome to sit in the drivers lounge or in my room while I am in the meeting. Afterwards, I can introduce you to Charles and his girlfriend,” Oscar offers as you look around.

“They should have better security here,” you tut, looking at all the different ways you could easily get in.

“Don’t worry, other teams aren’t coming in and stealing our secrets,” Oscar kisses the side of your head as he leads you upstairs to his drivers room.

“I could always do some recon,” you slyly smile, anything to help him win.

“That’s okay, I don’t need that to win. I have you motivating me,” he smiles, one which falters as a man with brown curly hair comes barreling towards you.

“OSCAR! Is this her? Hi, I’m Lando,” the man, Lando, says, extending his hand.

“Y/n,” you coolly reply, defenses going up as he pulls you into a hug once you take his hand. Oscar can tell you are uncomfortable, Lando springing himself on you.

“Let me help her get settled and I will be down,” Oscar says, cueing Lando to go to the meeting without him. “You are going to look Lando up, aren’t you?” he asks with an amused smile once you are in the safety of his room.

“Yeah, get ready for all his dirty laundry to be aired,” you lightly laugh.

“I look forward to it. I need more blackmail on him. I’ll see you soon, this meeting won’t take long,” Oscar promises, leaving you alone. You spend the half hour he is away looking up his teammate and some other drivers.

“Did I do something wrong?” Lando asks Oscar on their way back to the drivers rooms.

“No, she just wasn’t expecting you. Y/n is pretty guarded around new people, it stems from her job. She will warm up to you,” Oscar replies, not wanting his teammate and soulmate to hate each other.

“Does she work for the government or something?” Lando jokes, a little too accurate.

“Or something, don’t worry about it,” Oscar says, excited to see you again. You wait at the door for Oscar.

“For a professional driver, you have a lot of traffic violations,” you tell Lando, who notices the amused glimmer in your eye and relaxes. Whatever you did during the meeting seems to have worked.

“I have the need for speed,” Lando smiles, happy that you’ve warmed up a little. “Wait, how did you-“

“Don’t worry about it, we will see you later,” Oscar cuts him off, taking you to Ferrari.

“So, Charles is your fake adoptive dad? He has a fairly clean record, I couldn’t find much on him,” you comb over what you learned in your mind.

“Oh, Max is going to love you. You both have cats and you could prep him for whoever he is meeting with,” Oscar laughs, glad that you are taking the time to know his coworkers even if it isn’t the traditional route.

“Max Verstappen? I don’t usually do hits, but I will take out his father for free if he wants,” the way you say it so casually causes Oscar to almost choke.

“I will let him know,” he says, a little unsure how one replies to that.

You are quick to befriend Charles and Alexandra, the latter offers for you to join her while watching the race. You politely decline, but promise to join another race. Oscar takes you around to some other drivers, including Max, before introducing you to more people at McLaren.

You settle into the garage as the race starts, nervous as you watch Oscar on a small screen. You are aware of cameras that are pointed at you, but you ignore them. They don’t know you, all they can do is speculate.

The race is going smoothly until lap 37. Oscar is fighting for position when you fell the sickening twinge of the meter on your arm increasing. Your eyes are glued to the screen as you listen to the team radio, feeling a pit in your stomach.

Carlos and Oscar made contact which at minimum punctured Oscar’s tires. You hear his frustration, but you are just glad that’s all it was.

“Check the front wing too,” you hear him say after confirming he’s okay. He makes it back to the garage safely due to the incident being close to pit lane, but they retire his car due to other damage. Oscar seems too calm to you as he exits the car. Even you would show more emotion in that scenario.

Oscar’s eyes meet yours and before you know it, you are on your feet walking to him. He wraps you in a hug and you gently rub his back. You hold each other for a minute, taking a moment ground each other.

“You okay?” you practically yell over the noise and he just nods, guiding you out of the garage.

“That’s not the win I wanted to give you,” Oscar sighs as you walk back to his room after he gets weighed.

“I hope I’m not bad luck,”

“Never. You are good luck, that should’ve been worse than it was,” Oscar reassures you. A small part of him is happy to be spending time with you.

“I’m sorry your race ended like that, you were driving so well,” you frown, as Oscar squeezes your hand.

“Nothing I can do now, next race is a new opportunity. I have to go do media, do you want to watch the rest in McLaren?” Oscar asks, wanting to know where to find you later.

“I’ll go to Ferrari and watch with Alexandra,” you decide, needing to have friends around here. Oscar nods, leading you to your new friend. He kisses you goodbye before you walk in.

“Hey, are you okay? Those are scary, no matter how minor,” Alexandra greets you when she notices you.

“Yeah. Osc is fine, I’m just upset for him,” you shrug. You’ve seen your partners in danger on missions, but this is a whole different ballgame.

“Grab a seat, want a coffee?” she asks, making sure you are comfortable.

“No, but maybe you can teach me better than Oscar,” you watch her face light up as she immediately dives into sharing her knowledge, explaining everything to you as it happens.

“Come and meet some of the others. Oscar will be pulled into meetings,” Alexandra says, pulling you away from Ferrari.

“Shouldn’t you be with Charles? He must be looking for you,”

“He can wait,” Alexandra waves your concern off as you galavant around the paddock.

Your great experience with the WAGs further conflicted you if you wanted to stay or leave your job. And it all came to a head when you were brought in on an emergency mission once you returned from your weekend away.

This might be your most dangerous recon mission yet. Your part is simple on paper, get in, copy the digital files, get out. It wasn’t simple in execution.

You just skimmed the files, getting crucial information that will stop the operation. Now for the hard part - getting out and getting away.

You slip out of the room, when you hear footsteps getting closer and closer. Just like the stereotype, you slide around a corner and hold your breath, praying they don’t turn your way. They are so close you can feel their body heat beside you. You focus on remaining calm, but this is the most on edge you’ve ever been. You close your eyes as you feel your stomach drop.

This is it. You can see Oscar’s face as he opens his driver room door, two agents standing outside. The agents are solemn as they deliver the news - you were captured and killed on a mission. Every word, every moment is played perfectly in your mind. And your cat, Oscar will have to take care of Boots, a constant reminder of you.

Oscar sits in his post FP2 meeting when it happens, feeling the sickening feeling of your danger meter telling him you were in danger. After it being normal for the past few days, his stomach drops at how high it is.

“I need five,” Oscar runs out like he’s about to puke. You promised in your hastily written letter that you’d try to be safe, but all you really said that you had to leave, couldn’t take your phone, and it was an emergency. He naively thought that you wouldn’t be in the field, that you were just needed on the sidelines. He wasn’t completely wrong, you helped from the side for everything but your part in the operation.

“Oscar? Hey, are you okay?” Lando asks, walking into the room where Oscar disappeared to.

“I- I don’t know,” Oscar looks at his arm, silently pleading for the meter to go down. Lando sees it and just sits beside Oscar.

“Wanna talk about it?” Lando says after a few seconds of silence.

“She left a few days ago with only a note and her cell phone behind. Got an emergency call while I was out. Poor Boots, he must miss his mom. And I know she’s not abandoning me, but I think I finally know how my mom feels about my career,” Oscar says after a minute.

“I assume she’s in the military, or like, a detective to be in danger, and that’s pretty badass of her. I know she came off as cold initially to a lot of us, except when she’s with you and some of the girls, but I can tell that she really likes you. And she seems like she holds her own,” Lando starts listing everything he likes about you from the couple interactions you had during the race day. It helps distract Oscar, calming him little by little.

You step around the corner as soon as the voices fade and come face to face with a security guard. You quickly land a few punches, knocking him out. In the moment you are grateful for your disguise and the cameras that are currently disabled thanks to your team. As you quickly exit the building, you notice another guard tailing you. You quickly get into your getaway car, turning it on and pressing the throttle. It lurches under you, making a hasty exit as they chase you.

Glances in the rear view mirror tell you that you aren’t out of the woods yet. You send a small prayer that Oscar’s talent will be enough as you speed down the street. The car just isn’t fast enough, you are being hunted and the hunter keeps creeping closer and closer. Once again you hope your luck hasn’t run out as you will the car to go just a little faster.

Lando stays seated beside Oscar, trying not to stare at the meter on his teammates arm. He watches the tears run down Oscar’s face as the meter creeps higher, higher, then drops.

[dakotadraws06]

Ep 1 of over analyzing Mordecai’s character/Talking about things I missed in my original read through of the comic.

I wanna talk about Mordecai desperation in the Gracie interrogation because I noticed a small detail about the speech bubbles that no one else (that I’ve seen) has said before.

Look at the way Mordecai’s second bubble is written. The way the letters seem more spaced out and the text is slightly off. I’m not sure if it’s a completely different font or it’s the same font, just changed.

“That’s how you live through tonight.” You can almost hear (and visually see) the grit in his teeth as he stares down at Gracie. His desperation. His NEED for answers being in his grasp and if he doesn’t get them now, he may never again. It happens again in another panel.

“A Name, Please.” Gracie isn’t reading the room correctly, Mordecai knows if the twins catch him, they will most likely both be dead (or at least Gracie will be). He NEEDS a name, same grit and desperation. The way Gracie spits out Drago’s name quickly because he realizes how serious this is just by Mordecai’s tone. Mordecai wants a name so in the worst case scenario Gracie is killed, he has the information he needs. But also, he’s desperate for answers to Atlas’s death. At the point of these scenes, it’s been a year and some time since Atlas died. I can imagine Mordecai is running out of steam, loose end after loose end, road block after road block, it’s exhausting both mentally and physically. He is RISKING HIS LIFE for this information, Gracie says so in this conversation. But we get to see that exhausted side of him too.

LOOK AT THOSE EYES. His posture, the hand his hand rests in his fur, his eyebrows furrowed. He. is. tired. It’s no wonder why he is asking help from Gracie cause he’s been doing this alone for the better part of a year and some change.

I’m so confident that he is thinking about all the possible outcomes and consequences that will come from even getting a PINCH of trust out to Gracie, which is why he doesn’t go along with his plan. But Mordecai sort of switches up on him.

“Gimme a name, anything you want, I’ll let my informant know I KNOW it was Marigold who killed Atlas May, then I’ll disappear like the dead.” (Not the exact words, a vague memory of it)

“Give me the name of your lawyer and I’ll make sure you stay alive tonight.”

Gracie is putting his life in Mordecai’s hands because I’m sure Gracie can see he’s desperate and knows if he gives him a bullshit answer, Gracie would most likely die by Mordecai’s hands.

Mordecai is exhausted. Mordecai is desperate for a good lead and some answers. And Tracy has done a FANTASTIC job at showing it through this entire interrogation.

[scribblestatic]

So, like, if you've read SVSSS far enough, you know about the Bingmei vs Bingge part. And there's all sorts of stories with Bingge (basically a PIDW Binghe, not SVSSS Binghe) finding his own shizun in various ways.

Well, what about if he manages to summon a Shen Yuan, but his soul is in Shen Jiu's body? Which, like, wouldn't really be a problem, except he's already been torturing Shen Jiu for a good while now and he's down an eye and all of his limbs are mostly stubs at this point. Thankfully he still has his tongue and penis, which, after so often demanding Shen Jiu be castrated, he's pretty jazzed that didn't happen.

Shen Yuan, being the absolute freak he is, probably wouldn't mind too much. After all, he'd read this part of the story and cheered it on. Just cause he's now experiencing it himself, doesn't mean the revenge was any less cathartic.

Though, well, the dreams he has about what Shen Jiu went through does dampen his enjoyment of his suffering (so many lives lost that he can do nothing about, so much torment that just cycled on because no one thought to seek help, because the world was built so firmly on cruelty)...

And perhaps he'd woken up sobbing at times, crying his apologies to Binghe as though he was the one who had done all those terrible things to him, but he didn't, but those dreams were so vivid and felt so real

The girls at the Warm Red Pavilion, were they okay? Shen Jiu never had sex with them, only kept company to avoid the boys when he couldn't sleep and trained them in the four arts and gathered information from them, gods, he'd misunderstood Shen Jiu and thought him a remorseless villain and enemy to women

Liu Qingge, fuck--

At least now he can help Binghe actually enjoy his life and perhaps stop the cycle of abuse from continuing. Besides, cool motive, Shen Jiu, still child torment. And though the results were quite drastic, it was the dog-eat-dog world of xianxia China, and life was generally unfair. No reason to make Binghe's life needlessly unfair on top of everything.

But yeah! Now that he's in Shen Jiu's body, he and Luo Binghe get to talk, and Binghe, for the first time in his life, experiences regret for his actions, because now his lovely new kind shizun can't card his fingers through his hair or twist little braids into it. Moreover, Shen Yuan somewhat mourns over the fact Binghe's hair is straightened--he loved reading about his bouncy curls.

So now, imagining that, after time, Shen Yuan becomes a more prominent figure in the empire, especially post-marriage. He has a lovely eyepatch and wears soft red, black, and gold clothes, heavy on the red and gold. This nearly limbless man helps Luo Binghe do his taxes and works out various tips on using beasts to the benefit of the empire and remembering small notes about other races that allows the Demon Emperor to be both magnanimous and fierce in whomever's eyes he meets.

Others can't decide if Shen Qingqiu's mind was utterly broken, if he was cursed to act against his own will, or if he was possessed by some strange spirit. Regardless, the realms have never been in such peace before now.

Moreover, Luo Binghe has started changing.

While he can never regain the height lost to a childhood full of suffering and a lack of nutrients, he can change in other ways. He actually eats healthier because Shen Yuan insists on having him eat as well. He steadily stops straightening his hair, letting his curls return until they're like clouds. His muscles grow in firmer and his chest broadens.

Also, as he and his kind shizun speak further, even though he explores the worst parts of himself and uncovers those dirty, evil deeds and the ways they truly hurt him, Xin Mo doesn't get the chance to latch onto them anymore. As painful as discussing those things are...releasing them is exceptionally freeing. So, a sense of inner strength and ease he never had before starts to settle in his body, and his qi, usually constantly battling, stabilizes more than before, his heart demons no longer so adamant or strong.

As a side-effect of both parts, he was already handsome, but now, he's even more so. A wise, secure man no longer so strongly gripped by hatred, lust, or greed. Someone unforgivable to many, but becoming okay with forgiving himself.

Indeed, what a man!

Which is kinda a shame for Luo Binghe's many wives, because he's been heavily trimming down on his harem. Political marriages are substituted for other exchanges, fervent troublemakers are sent back to their homes (the ones who dared to attack his A'Yuan are never heard from again, strangely), and wives who simply ask for divorce are granted them, receiving a hefty gift for at least being loyal whilst married.

So, previously, a harem once numbering into the hundreds falls to the tens, and the remaining ones are either ambivalent or antsy.

Then, as though to answer everyone's burgeoning questions, he names Shen Yuan his empress during a meeting and proclaims that they will make preparations for his crowning ceremony.

I feel like that'd really set off what remained of Cian Qiong Mountain Sect.

Hmm... I think I'll talk more about this later.

---

Part 1: here Part 2 Part 3

[heyclickadee]

Okay, but what if Rex is hanging out in the desert with Gregor and Wolffe because he wins?

I know the fandom collectively decided that something awful must have happened and that the defeat forced into depressed retirement, but what if that’s not what happened? When Ezra tries pressing him into getting involved, his attitude isn’t, “It wasn’t worth it last time. You can’t fight this.” It’s, “I fought my war; this is my life now.” Wolffe is paranoid as hell and terrified of the Empire at first, sure, but Rex and Gregor aren’t; their attitude towards fighting off the ties is almost casual, like the idea of losing isn’t even an option. And when Kallus does make a direct threat and declares that he’s going to attack, Rex’s response isn’t, “Well, guess we should roll over, things went so badly last time,” it’s, “BRING IT, MOTHERFUCKERS!”

The thing about something bad happening and that being the thing that forced Rex to retire with his tail between his legs is that bad things have already happened. Order 66 happened. Rex lost his entire company and his way of life over the course of a few hours. He lost almost all of his men again in season three of TBB. And he’s still fighting. I’ve seen people speculate that maybe losing Echo is the thing that breaks his spirits, but—first, there’s nothing saying that Echo has to die, Echo can and should live to a ripe old age and I’m not pre-burying a character who I think should live; second, if the worst happened, losing Echo would just make Rex fight harder. Just like he has every time he’s lost so far. His goal, the war he’s currently fighting, is freeing the clones. I don’t see Rex—or Echo, for that matter—quitting until he succeeds. He’d die first. Since he’s definitely don’t dead by the time Rebels rolls around…maybe he did succeed, as much as he possibly could. The clones can’t overthrow the empire, but maybe they can break free of the power Palpatine has had over them for most of their lives. That’d be a real victory.

Rex seems pretty relaxed out there in his RV. He and the boys seem like they’re having fun just chilling and slinging for jupas. I’m hoping retirement out there is something he chose, rather than something he was forced into by failure and fear, just like rejoining the fight and helping the rebellion with the ghost crew was something he chose. There’s no reason it can’t be.

[once-in-a-blood-moon]

possessive solomon but with an mc who's 1000% in love with him would be hilarious ngl. half of his behavior is caused by how he thinks mc doesn't love him, so when mc asks why they would ever want to leave him when he's so amazing he just has like. a lovesick little breakdown at the realization that his crush likes him back. yay <3

but then his possessive behavior doubles because now anytime someone flirts with you, he has to stop himself from walking over and kissing you before teleporting them to the deepest pits of the devildom. but he can't do that. his life is so hard </3

Omg, hi, Amb!! 💜 Hope you are well! You have served me yet again, hehe...

-

But yes! Solomon who's possessive because he's went so long without love he believed he didn't need it. He got by without it just fine, no need to get hurt unnecessarily. But then the moment he has it, he questions how he ever lived without it.

Solomon flip flops between discreetly inquiring about MC's feelings towards him with his signature smirk to keep his aloofness about him - "ah, a beautiful candle, as well as my favorite scent. But of course you knew that, didn't you, my clever apprentice?" And directly asking with his tail tucked between his legs and a softness reserved only for them - "please, MC, tell me how I make you feel..."

Each time though, he finds himself fearing for the worst and hoping for the best. Yet, he's never been let down by their kind responses.

"Of course I knew. How could I not know the favorites of the one I care most about?" "Honestly, Solomon? You make me feel like I am your whole world. I hope I make you feel half as what you make me feel."

If only they knew...

However, the world is not enough to Solomon. He'd make them the center of his universe, and do it gladly. It's all he can give as thanks for loving him, flaws and all. He's thankful he's found someone that seems to love him perfectly.

-

There are days when Solomon doesn't get the reassurance he needs, so he copes on his own. The coping, however, turns into spiraling as he watches them from afar, who happens to be laughing over something dumb Mammon just said.

"I could make them laugh...and I'd appreciate their smile more than that greedy oaf."

He has to shake his head to clear his thoughts from being too harsh. He knows he has nothing to worry about, and he knows they wouldn't want him thinking such things. But it's hard to get out of his head when he's alone, without them for comfort. He just has to trust that their love is true. Though there's no doubt in MC, just doubt in himself.

For now, he holds back from storming over there, kissing them silly to make his feelings known, and sending Mammon straight to the study of Lucifer to deal with as he sees fit. Solomon stays pining from afar, re-memorizing the features he already knows by heart until he can take his rightful place next to them.

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[ryuzakemo128]

Grim Reaper Part Seven

Pairing: Poly 141 x female reader / Female reader/ You x Her mental health x König

Content Warning: Bloodshed, fight between a man and a woman, tech talk, injuries, future implications of murder on the horizon. Use of your nickname for König.

Words: 2628

Masterlist - Prequel - Part One - Part Two - Part Three - Part Four - Part Five - Part Six - Part Seven

Supernatural AU - Poem

Credit for Dividers: @cafekitsune + @strangergraphics

Summary: “Who says I was going down to their level? When that level I go to is clearly lower?”

Just because you can, it doesn’t always mean you should.

Sometimes it better to walk away.

Letting things lie.

Leaving them in the shadow of what could have happened if you wanted to act upon your urge to be rid of them.

Your fingers trail along the mask. An incredible gift in your eyes. The sleek material cool beneath your fingers, the curves forming over your face.

As if the material itself bonded together with your face, the digital HUD flickering to life with a gentle hum, casting a soft glow in the otherwise pitch-black room.

Simon took a tentative step towards you. He looked at it, he said, "It's a beauty," he whispered with a hint of envy.

"Lightweight, customisable, and undetectable by most standard security systems, protects my face from dust, debris, and potentially harmful airborne particles." you described part of it.

Other functions of your mask were less visible but equally important. It had a built-in respirator allowed you to breathe without revealing your position through foggy breath in cold environments or leaving a trail in smoke-filled rooms.

The mask's indented 'teeth' served as a silent venting system for the excess heat your body produced during intense combat. It was a marvel of modern warfare technology, and it complemented your lethal skill set like a second skin.

You don’t know when the chatter around started to grate on your ears and eat away at your nerves. Part of you thinks it was because of a certain part of you being denied sustenance. Thrill of a fight itching to be satiated.

Itching. Aching. Burning in the bottom of your stomach like a meal denied.

“We are all doomed. We are not special. None of us are special. We live on a tiny rock floating amongst other tiny space rocks. To imply we are special is to deny the truth. You are not special, just as I am not special.”

You were tired of the excuses. You were tired of them. “You are mediocre at best and tolerable at worst. I don’t care about you or anyone else here. Your existence is finite.”

“You are mediocre at everything I have seen you do.” You repeated with a narrowed glare. “Everything you are. It could and would be forgotten as long as your superiors benefit from it.”

“You don’t get to keep something someone else owns. Not ever. I don’t need a ‘saviour’ stop implying that I need one.” You murmured, your voice as fierce as a cat's growl. Your hold on his throat base stayed firm, as relentless as desert sands.

Despite your injury, you retaliated fiercely when threatened sufficiently. The cut deep enough to insert at least three fingers. You were always considered difficult to your peers. You didn't care about their opinion as much as they believed.

Imagine talking about someone’s trauma and labelling them as the ‘difficult one’ pathetic morons can’t consider the fact trauma changes people.

If they knew how trauma worked, they wouldn’t be flapping their pathetic mouths so much.

They need to learn to shut the fuck up.

Projecting their morals onto others like they’re the only people in the world.

Shut the fuck up. Most of you are more likely to have the privilege to never go through it.

Stupid pathetic moronic children who can only think of themselves first.

I see Simon receive the same treatment by women who label him the ‘difficult one’. It makes me want to smack the shit out of all of them.

Assault of any kind should not be tolerated. They need to shut the fuck up before I make them shut up.

I am tired of them. I am sick of their justifications of labels on people.

Shut the fuck up, I hate you all.

Trauma isn’t something you belittle. Yet you seem to have fun in doing just that. I hope you die and reach a depth of hell most won’t be able to reach.

It is what you deserve. It is what I want you to have. Now more than ever.

You think you snapped when it happened. Not that you aimed for a psychological snap any time, sooner or later. Yet the whispers and murmurs grated on your nerved like nails on a chalkboard. Call me pathetic and I will give you death.

I will give you a death even your so called god will not look away.

Your enemies cannot reach you. Sleep well, the clock ticks on.

The stars do not know you, prepare, they’ll whisper you your fate.

They look at you and wonder how you are even alive. Fear mixed with disgust. You feel it. You see it. They keep you because otherwise you would have been a darker shell of yourself.

He pushed you far enough to get here. Yet it caused you to laugh. To giggle. The blood gushing from your nose, a bit from your mouth, you laugh. You laugh because you know it’s all a game to them. A game of fear and power. And in that moment, you had all the power. You knew because the stars had already whispered to you, and they had never lied.

"An itty bitty knife? Are you fucking serious?" you taunted him.

The man snarled back a response, "This isn't a game, bitch," as he raised the knife, ready to strike fear into your heart.

“Are you scared? Are you going to run crying to your superiors, little bitch?” you taunted relentlessly. “Gonna cry now?”

A beast circling its wounded prey, every nip, every bite and every taunt. You became more beast than human when your anger wound-up tighter than a coiled snake. Posed and poised to strike. His eyes widened with fear, his breaths shallow, and his smugness replaced with a desperate plea for mercy.

Simon intervened, trapping you inside a headlock, the guy silently murmured and thanked for his timely intervention. He got off lightly in your opinion. Though getting stabbed by a butterfly knife put a damper on things.

"You're the one who should be scared." Simon's voice was cold and firm as he held you back, his grip tight but not painful. "You're better than this. Don't let them bring you down to their level."

“Who says I was going down to their level? When that level I go to is clearly lower?” you growled like a feral creature, clawing at Simon’s arms as he held you firmly in his grasp. His eyes, a mix of concern and irritation, searched yours for any hint of sanity left in the rage-filled maelstrom.

“We need him alive for intel," Simon reminded you, his tone still unyielding. You knew he was right, but the desire to rip the man’s throat out was a hunger that demanded satiation.

“Tell him that. The fucker stabbed me not you.” You jerked your chin towards the man cowering on the floor, trying to push Simon away, but his grip was like steel bars.

You knew he was right, but the adrenaline and anger pumping through your veins made it hard to think rationally.

You felt the warmth of the blood trickling down from your nose, mixing with the saliva on your teeth. It tasted metallic, a flavor you had become unfortunately accustomed to.

“Calm down,” Simon whispered in your ear, his grip on your arms tightening. “Remember who you are. Remember why we're here. And we'll get the stab wound looked at, I promise.”

“I'm not calming down for his sake.” You reminded him.

“No,” Simon's voice was low and controlled, “You're calming down for ours. We need you focused.”

You let out a breath, trying to regulate your breathing, which Simon knew was a sign that you were listening to him. You nodded slightly, allowing him to loosen his grip.

The room fell silent, except for the distant sound of gunfire outside the abandoned warehouse. The man on the floor was trembling, his eyes darting between you and the knife clutched in his hand.

Soap walked in moments after the whole debacle, his eyes scanning the scene before his gaze settled on the trembling man. “Well, well, look what we have here. A little stabbing party and I missed the invite,” he quipped, a smirk playing on his lips. He knelt down, pulling the knife from the man’s shaking hand with ease. “Looks like you’ve had enough fun for one night.”

You were about to leave the rest to Simon and Soap when Soap dragged you out instead, muttering things about not letting the bloodlust get to you. “I could have walked outside you know?” you muttered to him.

“You're a liability like this,” he shot back.

“Like what? Stabbed?” you countered.

Soap's smirk grew wider, “Exactly. Now, let’s get that wound patched up before you go full on Wolverine on us.”

“The animal or the mutant?” you snorted. “My life would be easier if it was the mutant. He heals instantly. Don't roll your eyes at me. I read so many X-Men comics growing up.”

Soap chuckled despite the gravity of the situation, his Scottish accent thick with sarcasm. “Ah, so you’re telling me you wish for the gift of healing rather than the rage of the beast?” He led you to a makeshift medical station set up in the corner of the warehouse, the harsh lighting revealing the stark contrast of the crimson blood against your pale skin.

“I mean that would just come with the healing right? With how Wolverine is, I wouldn’t mind the rage as much. The claws would be a bonus.” you quipped.

Soap shook his head, his amusement clear despite the seriousness of the situation. He took a deep breath, his eyes focused on the wound, “Well, we’ve got bandages, not adamantium, but it’ll have to do for now.”

Simon glared at the comment made from a bystander calling you cute when you are clearly not. You had wanted to be called it when you weren’t bloodied with another person’s blood on your uniform and your knuckles.

Once you were isolated, Price looked at you from the sidelines, his expression unreadable. As you let your aggression out on a punching bag. The smacking of gloves against leather in the background as they continued to speak about the fight between you and a guy who happened to be taunting Simon.

It grated on you enough to lash out. Ending in bloodshed. Despite these fights being rare, they are bloody enough for people to remember them. You felt the weight of Price’s gaze, his silent disapproval heavy in the air. He couldn't be upset with you entirely as you don't escalate them as much as people would love to believe.

“You okay?” he finally spoke, his tone flat.

“If you're angry with me just say so.” you told Price.

Price took a drag of his cigar, his eyes never leaving yours, “I'm not angry with you.” He said, “I'm just concerned. This isn't the first time you've lost it like that.”

“And it's not the first time they escalated it either. But you don't see that part because by the time you're here. They're on the ground and I'm already stabbed.” you reminded him. “Lecture them before you lecture me.”

Price's eyes narrowed slightly, but he didn’t argue. Instead, he took a step closer, his voice dropping to a serious whisper, “Look, I know you've been through a lot, but we need you sharp. We can't afford any more… incidents like this. Do you understand?”

“How about you tell them to keep their hands to themself?” you countered.

Price sighed, his gaze flickering to the side, “It’s not that simple.”

“Yes it is. Its called keep your hands to yourself. Don't touch someone without their consent.” you reminded him.

Price knew you had a point, but the situation was more complicated than that. He stepped closer, his hand reaching out to gently touch your shoulder. “I’ll handle it. But you need to control your temper. We're in a war zone, not a playground. If we don’t keep our heads on straight, we're all going to end up dead. Or worse, captured.”

Like the god Hades, you will never been seen as anything other than a monster of your own creation. Maintaining a balance most will never see. Passive. Altruistic. A creature made by whims and wants of others. A creature made and remade repeatedly.

A story retold to fit the whims and wants of those they want to appeal to. Hades went from passive to a main villain because of the lack of media literacy to think clearly. Whittling down his wife to a lost lamb in distress. When she is in fact his queen with strengths of her own.

A falsehood created by those who would rather see their version of a tale prevail than to see a man be gentle with his wife. Better to dehumanise the king of the underworld than to think otherwise.

They don’t seem to understand. Evil has no shading. Darkness does not equate to evil, and living in the shade of blissful ignorance will not save you.

Just as fire causes destruction. It also has a hand in creating life.

Neither side is good. Neither is side is bad. Both sides would have been considered good and great given the angle someone would take. Both sides can be considered a great evil. No matter what happens from this point forward. You will always be referred to as the name you are given. No matter how tainted you feel about yourself.

They will still refer to you by this name. Now, today and tomorrow.

As Elysium and Tartarus are both heaven and hell. It is both. It will always be both.

Choosing to believe one version of a tale over the other reeks of bias.

Much like Hades. You don’t have to go to them. People will come to their own end when they come to you. A fruitless endeavour to ever hope they could live to see tomorrow if they were your target. They are good as dead.

You are the least evil amongst them. It also didn’t mean you are harmless like a pup as much some might think.

“They will all come to me eventually. Regardless of how they feel on the matter.” You muttered. Mostly to yourself than to Simon.

Simon decided to interject, his deep British accent breaking through your deep meditated rhythm. The punches against the bag hard enough to shake through a concrete wall. Strong enough to go through a wall made of wood. You wore specialised earphones to block out background noise.

Now all there is left of you there are memories. It’s been a month since your kidnapping, entering into a second month now. They turned to your private thoughts of your journal in the hope they would find you sometime soon. Hoping König would not kill you out of boredom of you.

People fear death and fawn over theatrics.

People hate you because you represent the end of life.

Death. Grim Reaper.

Retellings will tell them you took them. Kidnapped them.

Even though your intentions were revealed to them and them alone.

Behind closed doors.

Twisting your words against your memory.

Even when your intentions were not what they will assume.

They mix up benevolent with kindness. You will show them, won’t you Mäuschen?

You will show them what it means to evoke the name of death upon their lips, right Maus?

The walls of your old bedroom, no longer the same as they once were. Not like you cared now. It was a moment of another time. Inside a lifetime, you thought you had all to yourself. Fleeting, as they were, finite. You were glad they were gone. As you were about to something so heinous. Even your mother would have disowned you.

No. She isn’t here anymore. She can not save you. No one outside this room can save you apart from yourself.

Rely on your instincts.

“What’s the matter, lamb? Are you scared?” You cooed into his ear. A plan forming in the back of your mind. If this was the game, he set up. He should be prepared for you to win it.

Fair is fair after all.

What is his will become yours.

What is yours will never be his again.

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[evansbby]

my opinion on the Blake lively situation

[noodles-in-the-sink]

WHO CAST THIS WICKED CURSE UPON ME

IT’S ALL OVER MY PINTEREST FEED

I CAN’T SCROLL TWO POSTS DOWN WITHOUT SEEING HELL ON EARTH

[angelstrawbabie420]

whole house clean 👍 i feel like this

[joelletwo]

[The Final sugi dying kitten betrayal -> utsuro-gin fight -> sakura boat imagination -> completely tonally consistent with these ginpachi-sensei closer]

now listen. u know i would rather die than post five nearly-uninterrupted minutes of a fight scene. so take that into consideration.

[bunnihearted]

🌙☁️🌌

[weareuniqueandimportant]

EMPATHY GLAMORIZATION IS NOT ABOUT EMPATHY BUT SUPERIORITY TORWARDS APATHETIC PEOPLE BIGOTRY TORWARDS THEM TYPICAL BIGOT EVIL. SIMPLE AS THAT. IF YOU SEE THEM AS LEFTIST YOU'RE NO LEFTIST YOURSELF. HORRIBLE. THAT IS IMPOSSIBLE TO HAVE ONLY EMPATHY AND BAD TO THINK EVERYTHING YOU DO IS SUCH ESPECIALLY WHEN THEY'RE CLEARLY BEING APATHETIC IF ANYTHING WHEN THEY DO THIS...

COMES TO SHOW BIGOTRY TORWARDS CRAZY AND DISABLED PEOPLE ASWELL AS PARAPHILIA PEOPLE ISN'T TAKEN AT ALL THE SAME AS SEXISM RACISM AND QUEERPHOBIA... OR PERHAPS... LIKELY... THEY ARE ALL THE BIGOTED THINGS EVIL AND TAKE NONE THAT SERIOUSLY... BELITTLING DOWN THEIR PAIN AND DAMAGE...

[butnotbubblegum]

using the tags to vent my current emotional state into the void bc ig story feels like a bad plan for this, don’t read them if you’re having a bad day, they’ll probably not help in the slightest.

[shaykai]

I need them to kiss (after several extensive talks djdjdjjd)