#the witch;open

[mythvoiced]

OPEN STARTER | Boo Yihwa

"New idea: you fuck off or I'll kill you. I hate the way you smell."

[bothpalms]

he's got the whole world

in his hands

[snowangeldotmp3]

btw i feel like this shouldn't have to be said but the reason that agatha hates rio is because agatha didn't get to say goodbye to nicky. rio couldn't offer her any more time. and, in rio's mind, nicky going peacefully in his sleep (and even telling him to turn around and kiss agatha goodbye!!) is the one grace rio feels she can give agatha. nicky doesn't suffer. he doesn't fight. he just...goes. he goes on a walk with his mother and kisses his mama goodbye. but agatha doesn't get to say goodbye!!! she doesn't get those final moments with him!! she wakes up and he's already gone.

[arcane-gold]

reposting bc pinterest got a hold of this one

REPOSTOBER no. 2

[hearttleap]

Roommates ~

[dungeons-and-drawing]

Suvi from Worlds Beyond Number! I’m bummed they’re swapping series for a bit because I love The Wizard, the Witch, and the Wild One so much… But on the other hand Aabria DMing is always hot.

[shopwitchvamp]

🃏 The Fool Preorders are live now! 🃏

★ Open with unlimited invetory from 9/9 - 9/16 ★ Comfy joggers with BIG pockets! ★ Returning guest artist @vetiverfox ★ Joggers in SM-5X, Tank Tops in XS-4X

Any help spreading the word while there's still time is hugely appreciated!! Thanks for your support!

🖤witchvamp.com🖤

[buffyscmmers]

PERIOD DRAMA APPRECIATION 2024

Day 5 - Favourite Aesthetic - Historical Gothic: The Witch (2015)

[piiejwice]

I LOVED THE RETURN OF THE PUMPKIN RABBIT, martin improved so much in animation, script, EVERYTHING... So I had to draw my fav murder couple of course!

twitter / ig / sticker shop

[dorinoke]

kiss my scars

[mocahstar]

^ art commissions are open! ^

[mythvoiced]

open starter | boo yihwa

You have no idea how much burning flesh actually smells. And the hair. Burning hair has a scent about itself that scorches even the strongest nose's nostrils. Or maybe neither of these things is that bad and the human brain is simply wired to harbour a distaste for everything that is reminiscing of human death.

It's true.

Sickly sweet, humans who spend a lot of time with death never quite manage to figure out how to describe its inherent smell. Not the one associated with the emptying of bladder and bowels, not the one associated with the cause of death - scorched, burning flesh - but the smell of corpse, the smell of death itself.

Yihwa abhors death.

Her own.

She doesn't mind in this case.

Her hands are red where she's come too close to the flames, unmarred skin alerting her of the uncomfortable heat she'd almost caressed. There's sweat gathering where her hair pools on her nape, but she doesn't seem to mind that either.

She's stopped staring at the pyre, anyway.

The glare in her widened eyes resembles the hellfire behind her, licking up into the sky blanketing in dark the air above the usually tranquil mountain.

"What?" she turns to face the target of her disdain head-on, seems to barely recognize who she's talking to, gaze half-distant. "What would you rather have me do... bury the body? Infect the mountain with it?"

[always-a-king-or-queen]

The ache will go away, eventually. 

That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent. 

They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea. 

But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night. 

When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered. 

For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.

At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face. 

It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be. 

She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure. 

They seemed so lost. 

Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.” 

Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust. 

Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning. 

Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were. 

More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult. 

Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods. 

More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day. 

Finally he, too, went into the wardrobe room. 

He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word. 

Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan. 

“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.  

Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces. 

Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.  

But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.

She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall. 

When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing. 

And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.

[chrisfroot]

I’m not a b-

cornelia x irma

/// Inspired by:

she likes a boy — Nxdia

[crowiin]

NO LONGER ACCEPTING REQUESTS as it is past the 28th!!

thank you to everyone who donated, and I’ll complete the requests that are currently pending but will not be taking any more.

hi! to help encourage donations, i’m offering drawings to anyone who donates or sends an e-sim to gaza. here is a tutorial on how on the gaza e-sims website and here is another one on tumblr. check the notes of this post for discount codes if you’re into that. i will be doing this until the 28th of february!

alternatively, you can donate to any one of these instead:

Pious Projects (twitter)

Help Gaza Children (proof of impact)

Care for Gaza (twitter)

Medical Aid for Palestinians (twitter)

Help Ahmed and his family evacuate (his account)

Help Mohamed and his family get medical help and evacuate (post)

Palestine Children's Relief Fund (twitter)

Anera (twitter)

Help a family of 13 evacuate

Urgent support for medical professionals

OR donate to any other legitimate fundraiser!

i am only accepting donations made from 10th feb onwards! send me a screenshot of your receipt with timestamps through DMs or email me at crow1cap@gmail.com (but cover your personal details), along with the character you would like. sending one or two reference images is also highly encouraged!

there’s no lower limit to donations that i’ll draw for! a dollar or two is still money, and every little bit helps. that said, I won’t be spending over 5 hours on any one drawing so that i don’t burn out. im going to try and do as many of these as i can, but if i am uncomfortable with your request i will refuse it (but that almost certainly won’t happen tho)

[skialdi]

🪄💖✨

The cutest commission done for @forevertableflip 💖