#the way she thinks is beautiful

[its-stayville-forever]

@astraystayyh

[pineapple-frenzy]

Book 2 au: sparring sessions and short hair katara

They like to have sparring sessions in order to keep their bending skills sharp. They allow themselves to go all out and not hold back at all cause they know if anyone got hurt, Katara could just heal them

But anyways, wouldn't it be kinda funny if Zuko accidentally burned Katara's hair tho? Aofkqldkkajfjd

The "I think we can save the hairloops" line is from @linnoya-writes thank you for that!! :>>

[anna-scribbles]

last one i promise(<—lie)

[demaparbat-hp]

Zuko's eyes watered against his will when the ghost of a woman he did not know smiled at him like he was her child.

Zuko decided right there and then that maybe, just maybe, this too was something he came to find.

Ghost-Mother takes a look into Zuko's soul in For the Spirits Chapter IX: A Rider Alone.

More than a stranded soul, Kya holds all the love of the Old Tribe and the means to calm a coming tempest. Zuko won't ever forget her.

(He won't be allowed to.)

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x01 - “Heavy is the Crown”

[archer973]

One of the things I realized when I watched Fury Road directly after Furiosa:

Furiosa doesn't treat Max like she treated Jack. She treats Max like Jack treated her.

There are so many parallels - the way they meet, their conflict with each other that quickly turns to partnership, their journey to The Green Place (and how it fails)...

But where before it was Jack reaching out to her, now it's Furiosa who is asking Max his name, teaching him the kill sequence for the rig, trusting him to have her back in a fight, giving him everything he needs to leave (even when she wants him to stay).

Furiosa doesn't see Jack in Max, she sees herself. Everything from the muzzle to the nightmares to the fact that he barely speaks is a direct parallel to what she was like when she met Jack, and Furiosa knows it. And so as someone reached out to her, she reaches out to him, this feral, half-mad Wastelander. She reaches out and offers him hope, just like Jack did to her when he came back for her on the Fury Road.

And together, they find some kind of redemption

[54625]

"Have you no more memories?"

I am made of memories.

"Speak, then."

[quinns-art-box]

this was my piece for the digital kaede zine, overture! it was a wonderful experience getting to be part of this project for a character i love so much 💖 @akamatsuzine

btw leftover sales are currently open :]

[ginpotts]

LOVE GAME IN EASTERN FANTASY 永夜星河 ✧ 2024 ✧ Episode 32

[lorephobic]

“the class commentary in saltburn was shit” WHAT CLASS COMMENTARY???? NOT EVERY MOVIE WITH RICH PEOPLE HAS TO OR SHOULD HAVE CLASS COMMENTARY. EMERALD FENNELL KNOWS VERY WELL THAT SHE IS NOT THE RIGHT DIRECTOR FOR A MOVIE ABOUT CLASS COMMENTARY WHICH IS WHY SHE DID NOT WRITE A MOVIE ABOUT CLASS COMMENTARY.

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[thefemalepope]

❝ I wish I was home, I wish I was back there with the things I've been knowing... ❞

Diana Ross as Dorothy Gale The Wiz ( 1978 ) dir. Sidney Lumet

[stardustedknuckles]

Listening to the Matron talk about the previous god of death cements for me the idea that Vax was always meant to have more time before she made good on their deal. She didn't mean for him to know the same eternal separation and grief she had taken upon herself - that she had chosen with eyes wide open. He was supposed to have time and happiness with Keyleth. Maybe even time beyond a natural lifespan, though that's probably pushing it a little. To the max of said lifespan at the very least. She didn't want for him - or for keyleth - what she had been through, but her hand was forced, and the only way to give him back in any capacity was to take away what should have been. His fate was to become her champion, yes, but there was time to live first. That fate was changed as a gift. It was all she could allow as the keeper of her domain and arguably, her mortality is what led her to give it at all.

Yes. She hears the sounds of grief and loss unending, unceasing. Death is less than nothing to her and the sum of who she is. She is synonymous to death in many ways, though she refers to herself as its steward and rightfully so.

But I think what sets her apart is that she never grows numb to it. That mask is to hide the fact that all of it still affects her. It's to hide all of it - her loneliness, yes, but also that she feels every death. She hears every cry, every curse, every regret. She stands before every soul individually and does what she must, and she wears the mask so that she can do so without giving anything of her mortal feelings away. The dead do not need to know that she cares, that she understands. Death is not about her. It is about who is standing in front of her waiting to be ushered into the beyond. She is the great reuniter, forever separated from the one she loves.

So yes. I believe that Vax was always meant to have more time, right up until time was the only thing left to barter. His fate was to die after a long and happy life, to go peacefully and take up the mantle at her side when he was done on Exandria.

But that had to change to save the fate of the world, and nobody in this realm or any other knows better the loss and the grief that came about from cutting that time short. Vax wasn't meant to understand it either. She wanted better for him and, by extension, keyleth.

[crustyfloor]

SUA LORE (I'm going to die one of these days fuck)

When Sua was younger, among all the sisters she had grown up with, she had one older sister, but seemingly, unlike their other sisters, that woman didn't treat Sua with hostility, in fact, she looked like she doted on Sua and looked out for her.

Translation (Creds to: @/greenbean1467 on yt in the comments section):

1/2 ?: You should take care of your hair. (Woah, careful) ?: So immature… 2/2 ?: Alright, it can’t be helped. Sua has to be punished! Tickle tickle! [ At that time, you were my only person, and for that reason, you also made me afraid. ]

"You were my only person, and for that reason, you also made me afraid" Is just...All her life, Sua had been an isolated individual, by choice, and because she had been shunned by her family, avoided due to her cold nature, and during those times she's only had two people to who she could really show herself too, this woman and Mizi, this woman being the only person Sua had in her life I can only imagine how afraid Sua was of losing her sister, and just how much her sister terrified her at times.

1/2 SUA: Mhm, so mother said, it’ll be time to leave after ten more nights. And mother seems happy, and I too… SUA: And that pink-haired kid could be there too, so… ?: Didn’t I tell you it’s uncouth to wiggle your toes like that? 2/2 SUA: Oh… I won’t then. ?: Ugh, so cute! ?: But you know, big sis is worried. ?: Worried that our immature little Sua could just up and die in that hellish place.

This woman and Sua look to be close; they are affectionate, and Sua almost seems to look up to this woman as if a sister figure, but the detail here I'm interested in is how worried this woman is about Sua and her remarks about Sua, she cares about Sua. Still, it shows that she looks down on Sua to some degree, whether this be in a teasing tone or not, I'm unsure. But there's an obvious obsessive fixation on Sua's innocence. And even in this relationship, cruelty was reinforced as a means to an end.

1/2 ?: You’re already so stupid, what if you just up and die in that place? ?: You poor thing, Sua. [They say that corpses fall from the sky in that place. When a weak kid like Sua just up and dies, They burn those kids in a hot, hot fire, And then they open the sky lid to sprinkle them over the living kids Like snow raining down. ] 2/3 ?: Even if it's not, I'm not smart, but I've gone so far ?: Pick--If you die. What should I do? ?: It's so cute Sua.

Growing up under the same guardian, Nigeh, who valued quality and beauty in her pets, it becomes obvious why Sua's sister was criticizing her appearance. She'd grown up hearing the same criticisms from the harsh and cold Nigeh who didn't care for their pets beyond their value, and what all they could bring to the plate, I could imagine just what kinds of things Nigeh would say to a pet human with "abnormalities".

Sua, however, was the perfect pet human, she was pretty, obedient, and acted obediently for Nigeh as a manicured doll to meet their expectations. She was attached to Nigeh like a daughter to a mother, looking to their validation to feel as if she was more valuable than she truly was even though the love wasn't reciprocated. For these reasons, she was treated differently from her other sisters, of course, there would be a level of envy and projection from Sua's sister.

Sua's sister is shown to be anxious about Sua, she seems to have been attached to her in the way a hurt child needs a security blanket to rest at night, Sua is so childish, naive, and stupid, it is reassuring to her sister to have someone to care for, as if there was still hope in this world, so without Sua, her sister's worries wouldn't be soothed, her sister was so scared that she even threatened Sua with fear, expressing how frightening and horrific this environment would be (Like, "Pick, if you die" I read it as "If I lose you, what should I do?)

In this way, Sua seems to parallel mirror woman because Sua had this same dependency on Mizi, again, in the way a hurt, lonely, scared child needs a security blanket to rest at night, Sua wanted Mizi to remain naive and stupid, willingly kept her in the dark so that Sua could feel a sense of peace and security through her, her sister was the same way with Sua, she wanted to keep Sua from the hell she would be subjected to very, very soon, but in the end, telling Sua ugly truths, about the snow, and all, had to have been fueled by bitter feelings, to rid Sua of that type of innocence, could have been any kind of love, perhaps in a twisted way she wanted to protect Sua.

She obviously had to have been mentally unstable (understandably) to say these kinds of things to a child, no less, the way she stares at Sua like she's desperate and broken, really, it's not loving, it's just desperate and cruel. Really, the fact that Alien stage can bring a person to this kind of insanity is a horrifying concept. Still, I believe she was trying to teach a lesson to Sua at this time in her life when she was growing up, making attachments and being susceptible to impressions, it was purposely harsh to frighten her, to project her fears onto Sua, and those words from her sister stuck with Sua for the rest of her life.

From that day on, all Sua could think about was death, all she could do was worry and worry until she met Mizi again.

Meeting Mizi, in all her optimism and bright smiles, was like a healing balm on Sua's wounds, or in other words, her "Cure" .

1/2 SUA: Big sister, your words then made me, as young as I was, all the more afraid. I imagined “just up and dying” so many times, even more than before… 2/2 SUA: But if I meet you again, I want to tell you this. That you were wrong. The one to be pitied was probably you.

1/2 SUA: If this is hell… 2/2 MIZI: Found you! You're that snow doll!

Interestingly enough, Mizi calling Sua a "snow doll" may be a foreshadowing of Sua's death, as now it's semi-confirmed that dead children are cremated and sprinkled down onto the Anakt children's faces, but they only think it's snow. (THAT IS JUST FUCKING SICK. someone kill me)

And a parallel to the MIZISUA video, their first meeting. (The nickname is just--telling of how Sua is perceived, as a little dressed-up doll.)

(And that fact just gives this piece a wholeeee darker meaning. of course. It somewhat disproves the theory that the dead are instead fed to the Wagyein, but I don't know which is worse. Then again Sua's sister could've been going off on a psychotic rant, so I'm not taking it too seriously. It's a weird coincidence though)

1/2 SUA: Where else could you find such a paradise so wonderful? 2/2 SUA: So you're wrong.

(Some nuance may be lost in translation. I died)

So this comic, like Ivan's comic after ROUND 6, Cure, Heavenly Garden, was Sua's reminiscing during her final moments, and her only thoughts were the words of her sister, her face, haunting as it was, and Mizi, her universe.

Sua's sister pitied her for her inevitable fate, she had known the life of being a pet-human, used, abused, and hurt, she feared death and still had her instincts intact. Knowing Sua would go through the same cycle and then meet a terrible fate on that hellish stage...tasted bitter. It was frightening, but it was one small liberty for Sua to make it something of her own.

But for Sua, it was far from hell. Sua's sister references Anakt garden and Alien stage as a whole as hell because it's a one-way ticket to your demise, there is no true life once you're in, that's why it's so frightening, but being found by Mizi in that garden--Mizi was wonderful, Mizi made Sua feel like a child, to feel warm in her bright, gentle light, feeling the tranquility of feeling freed and loved in the comfort of Mizi's gentle song, Sua didn't want to be pitied, she didn't even regret making it this far, she didn't care about death as long as she wasn't without Mizi, Because to be able to be with her, and sing with her...everything was all worth it to meet Mizi. For Sua, there is no fate more miserable than living a life without Mizi and dying that way. Living a life of loneliness and anxiety was pitiful.

Side note, the title of this comic, Heavenly Garden, maybe a religious reference and, more specifically, a reference to the Garden of Eden. The themes here that connect to "Return to the Great Anakt", all children, in ashes and all will eventually return to the great Anakt, it gives me the idea that after Sua's death, her "Heaven", was returning to Anakt Garden and returning to her paradise, Mizi.

[simsdoll]

𐙚 ‧₊˚ ⋅

[swordmaid]

brienne but she's wearing 1949 cocteau's beauty and the beast inspired fit!!! this is the inspo pic i used if ur curious.

gonna be posting more of this redesign thing (and also jaime's ver) some time in the future but i just wanted to share this one <3