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p1utofairy · 2 months ago

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🕸 WHAT DOES YOUR PERSON WANT TO TELL YOU RIGHT NOW?

NOTE — for entertainment purposes only. take what resonates & leave what doesn't. y’all i can’t believe october is almost over already, like woah?! ugh this took me a couple days to finish but here’s a treat for you all <3 my lil boo bears. 🎃👻

PILE ONE.

heyyyy pile 1 i just wanna start by saying WHEWWW your person does not play about you! they have such high regard for you it’s honestly so cute. they see you as the full package. if not you, than who? is just how they feel. it’s honestly weighing on them so heavy that they’re not in connection with you right now in the 3D – they feel like something in their life is missing and they can’t quite put their finger on it but on a soul-level they know it’s you. their soul craves your warm touch, your genuine love and affection. nothing/no-one could ever come close to the way that you love them and vice versa.

you both are like two peas in a pod lol ‘birds of a feather’ by billie eilish just started playing in my head. your person has a very child-like/mercurial energy to them that they suppress, but it comes out whenever you’re in their presence. they can’t help but feel giddy inside, because your smile is just so sweet and cute. they want me to tell you that you heal a part of them that they never knew was wounded. you have a knack for picking up on people’s unspoken feelings/trauma/baggage that they carry heavy on their heart, and you make them feel seen and heard. that is one of the things that your person loves about you the most, pile 1. your compassion and empathy – you know what to say and how to say it. your person probably had to become independent at a really young age, and they’re telling me that it wasn’t easy but they look at life so much differently when it comes to you. you give them motivation and strength to confidently take on anything that life throws at them.

they’re used to putting on a mask and pretending like they have everything together when they really don’t, but this connection with you is really going to make them sit and reflect on their own inner child wounds and work through it. this connection with you will allow them to feel the joy and love that they never truly received in their childhood. they’ve spent a lot of their time moving from one meaningless connection to the next, searching for something that could fill the void but nothing has worked.

for some of you, your person could struggle with substance abuse or overindulging in things that aren’t good for them. it might not be so extreme but they could smoke a lot of weed or cigarettes. for others of you, your person might be on again/off again with a karmic ex but i see them leaving this all behind and getting their bad habits under control before they come into contact with you. it’s not even like they truly want to indulge in those things/situations, but something triggered them to the point of needing some type of escape. when they feel scared or hurt they feel like a child again, searching for some sort of a comfort and safe space. they’re not proud of it but they want me to tell you that they’re just really overwhelmed right now.

however, there’s quite literally nothing they wouldn’t do for you, pile 1. they always want to make you smile and laugh no matter what. right now they don’t feel like they’re in the right position to move towards you because there’s a few external influences that are halting y’alls connection right now, but trust me their spirit guides are working on it. this person might not have the greatest reputation but they’re actively trying to do better, especially for you. they’re tired of falling into the same situations and cycles with the same karmic people. your person wants me to tell you that they can’t wait to be with you and to finally hold you in their arms. they want you to know that you’ll always be safe with them and that they will always have your back no matter what. your wish is their command, pile 1. TOO CUTE. ahhhhh 11:11 on the clock wow.

other channeled messages:

leave you alone jeezy ft. ne-yo, needy by ariana grande, wifey material, you already know this person, there’s somebody in your inner circle you need to cut off, bianca and cameron from 10 things i hate about you, air sign venus, 11H placements.

PILE TWO.

pile 222 what’s up! my mind over matter pile, i dig it lol. you have no problem revoking your energy back from anyone or any situation that doesn’t serve you any good, and your person genuinely loves that about you so much. you know your worth, and even if it comes down to someone or something you truly value and care for, if it’s not in alignment with you, you’re out the door! i’m hearing ‘deuces’ by [redacted redacted] i’m moving on to somethin' better, better, better. no more tryna make it work. YEAH very much that.

your person does want me to tell you that you need to step out of your comfort zone and stop playing things so safe – let loose and have a little fun. i feel like you guard your heart and could possibly have some trust issues – it’s like your flight or fight kicks in when it comes to intimacy/romance. some of you that picked this pile might have capricorn placements? it’s like you’re a lover at heart but not everyone gets to see that side of you, especially people that pursue you romantically. you’re like AHT AHT hold it right there! now ‘motive’ by ariana grande ft. doja cat is coming to mind lol cause i see you tryin', subliminally tryin' to see if i’m gon' be the one that's in your arms. i admit it's exciting, parts of me kinda like it. but before i lead you on…baby, tell me, what's your motive? mhm that’s your vibe, pile 2. whereas your person is more action-based and just jumps right in and goes for it with no hesitation. whatever they feel/think, they act on.

there’s gonna be a bit of a push and pull energy between you two lol you might not know how to take your person at first. you might be like ummm….what is this? LMAOOO honestly this is amusing because both you and your person’s energies compliment each other so well but y’alls approach to love is completely different. you’re more of a “well why would i waste my time?” type of a person whereas they look at it like “if it works out it works out, if not…life goes on.” your person could have prominent aries and/or aquarius placements as well. 1:11 on the clock omg.

i think this person will check all the boxes that you want in a partner though. they may not seem that way in terms of their approach, but they will be a real devoted and dependable partner when it comes to you. currently there is a flighty energy about them, they seem to be a bit all over the place. for some of you, your person is dealing with a situationship/ex and trying to close out that cycle. also picking up a very specific message (for a very small group of y’all) that this person could already have a kid or have a kid on the way which was kind of unexpected and has created some sort of emotional turmoil for them. either way, whatever situation your person is currently facing, it’s ultimately pushing them to mature and take responsibility so that when they approach you they can really show you that they want the real deal and they’re not just playing games. they’re gonna come all the way correct lol they know you deserve the best and that’s exactly how they’re going to show up and out for you.

other channeled messages:

temperature by sean paul, i wanna be down by brandi, having deep conversations, stay ready by jhené aiko ft kendrick, no by meghan trainor, 10:10.

PILE THREE.

hiii pile 3! if you feel called to it, check out pile 2 as well there might be messages in there for you too. your person wants me to tell you that they feel a little bit restless right now lol like they’re from one thing to the next. they’ve been feeling really bored and stagnant and now they’re ready for something new. ooo ‘something new’ by zendaya ft [redacted redacted] is coming to mind don’t know your name, but i guess i really don't care. i probably should wait, but i wanna let you go there. right now your person is undergoing a big transformation, emotionally and spiritually. they’re shedding a lot of their past toxic behaviors and limited beliefs so that they can be more grounded and take responsibility for their own lives.

they’ve been through a lot this past year, but no more of the blame game, they’re taking ownership. i’m ngl you’re gonna have your person sprung lol they want me to tell you that they find you sexy af and you’re exactly the type of partner they want/dream of. you have a very commanding presence, whether you know that or not, and you’re gonna have them entranced like OMG wrapped around your finger.

for some of you, you might feel insecure about your body or wish you had less of this and more of that but guess what?! they’re gonna love you DOWN like they can’t believe someone as enticing as you actually exists. ‘down on me’ by jeremih ft 50 cent just started playing in my mind lol your person is so funny (and horny for you) BYE lmaooooo. they’re a very straightforward person, but they want you to know that they respect you so fucking much and they’d never dream of making you feel uncomfortable or objectified.

i’m also getting that you two could meet at a party/club of some kind and/or meet through mutual friends possibly. there’s gonna be sparks between you two right off the bat, but you might play hard to get in the beginning just for the fuck of it lol that’s just gonna make your person want you even more. ngl things might move fast between y’all hehe some of y’all might just hookup with your person off the rip cause they’re just soooo charming, pile 2. like even if you do hold out on them in the beginning, you’re gonna eventually fold cause the chemistry between y’all is HOT AF like i’m sweating. just randomly thought of mr and mrs smith, whew!

other channeled messages:

caught up by usher, wanna be by glorilla & megan thee stallion, cocky af by megan thee stallion, new car, don’t tell everything you know, shravana, touch my body by mariah carey, boyfriend by justin bieber, sex on the beach by partynextdoor, klaus & caroline from the vampire diaries, prominent mars, moon-mars synastry.

PILE FOUR.

pile 4, omg. i feel so warm and fuzzy like wow your person wants you to know that they don’t see anyone else but you. that don’t want to be with anyone else but you. they’re drawn to you like a moth to a flame. ‘closer’ by ne-yo immediately came to mind lol turn the lights off in this place and she shines just like a star. and i swear i know her face…i just don't know who you are. they find you so mesmerizing it’s honestly so adorable. your person is gonna go the extra mile to court you, pile 4. they feel like you deserve all the finer things in life and they will give that to you.

your person is proof that chivalry is not dead because WOW when i tell you that this person is so respectful, kind, generous and dependable…i truly mean it. they see you for what you are, a star. they want me to tell you that they’re going to be so devoted to you and they’re going to show you that there is so much more to life than just work work work work. you’re a busy bee, pile 4. you’re constantly working and pushing yourself to achieve your goals to the point that you sometimes forget to just relax and allow yourself to just be.

your person wants me to tell you that they’re coming into your life sooner than you think. 11:11 on the clock wow. they’re gonna bring so much joy and abundance into your life! you’re going to be so happy and at peace whenever you’re with them, it’s like they just make everything easier. your person loves how wise you are and how you never fold under pressure – that to them is sooo incredibly sexy.

they’re a go-getter as well, so you two together is truly gonna be a force to be reckoned with – it’s giving power couple. your person could have prominent 10H placements and you could have cancer/4h placements. i’m seeing so much yellow, wow. they really embody solar plexus energy and will help you to be more confident and unapologetic with the way you look and feel. you both elevate each other in so many ways it’s amazing, pile 4. i feel like they’re going to open you up to trying new things & you’re really going to feel liberated.

your person isn’t used to settling down and being in a committed relationship for long, but they want the whole 9 with you. they’re telling me that they will really work hard to make things right with you. they can admit that they’ve been selfish and have been putting themselves first in this connection, but they’re putting their best foot forward now to be the partner that you need them to be. they were being greedy and inconsiderate in the past, and they truly regret that but accountability is the first step for them and now they know how to move accordingly to come into this connection with a healthy mindset and genuine love.

they want me to tell you that you’re a diamond and they’re aware that you don’t go for just anything so they are not going to approach you with just anything lol they are getting their shit together so that they can give you everything plus more. you’ll see ;) your person is so amazing pile 4 i love this for you eeeekkk.

other channeled messages:

shawty is da sh*! by the dream & fabolous, diva by beyoncé, 420, dangerous woman by ariana grande, numb by rihanna ft. eminem, initials J N B or C, ex lingering, 4th house.

#pick a card #pac #pick a pile #pick a card reading #p1utofairy #pac reading #tarot reading

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misscammiedawn · 4 months ago

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Time Loops and Dissociation

CW: suicidal ideation, glitchy unreality, overt depictions of self-harm, parental abandonment

This essay contains full game spoilers for In Stars and Time.

You wake up to your alarm at the same time every day. The same view greets you from your window. Same sheets. Same outfits in your closet to get dressed in. Same choice of drinks in your kitchen to put in the same choice of cups. Same 24 hours but a different day. What better way to capture the existential horror of disconnecting from the world than to simply take away the words "but a different day" and make it the same 24 hours.

Time Loop fiction likes to capture the monotony of being caught in a rut. For some stories, like Groundhog Day, the rut could be that of not working on one’s self and accepting the eternal trappings of a never ending moment and not seeking change. For others, like Palm Springs, it is the conflict within a romantic relationship between one partner wishing to grow and find new experience while another wishes to remain in the safety of the known. Others still, like All You Need Is Kill, the conflict is a matter of maintaining one's optimism and drive in a hopeless fight against an antagonistic force that will crush their spirit upon the weight of eternity.

The constants in this genre are the forces of change and stagnation. Exit can be accomplished via self-improvement, it can be accomplished by having the bravery to risk leaving safety, it can be accomplished by killing every last time looping alien until you’re the only one left. But the allegories are always there. Tomorrow can only be attained by growing beyond Today. Change doesn’t happen in a day and as those stuck in a time loop know… a day can be an impossibly long time. And what does a person do during that impossibly long time? Repeating the same acts over and over again, where people become predictable and all the complexity of life has been stripped down until there’s nothing but cold empty and predictable monotony? You dissociate.

Dissociating is the experience of detaching from reality. Dissociation encompasses the feeling of daydreaming or being intensely focused, as well as the distressing experience of being disconnected from reality. In this state, consciousness, identity, memory, and perception are no longer naturally integrated. Dissociation often occurs as a result of stress or trauma, and it may be indicative of a dissociative disorder or other mental health condition.(*)

Every time loop story inevitably includes a segment where the pain of going around and around becomes simply too much to handle and the audience must witness the protagonist's mental health decline in real time. It is the moment in the story when they no longer feel able to connect with other humans, when they disconnect and just succumb to the weight of the eternity that they are trapped within. For most the idea of being stuck in a rut is a horrific thing. People are a social species. We seek connection and we seek change. We actively want to grow. But this is not true for everyone. Some are so scared and scarred by the world that they dare not ruin the safety that they have managed to find. Narrowing one's world down to avoid conflict and danger is a common feature in Complex Post Traumatic Stress Disorder, particularly in those with a tendency to freeze in the face of their emotional triggers.

The flight-freeze type avoids potential relationship-retraumatization with an obsessivecompulsive/dissociative “two-step.” Step one is working to complete exhaustion. Step two is collapsing into extreme “veging out”, and waiting until [their] energy reaccumulates enough to relaunch into step one. The price for this type of no-longer-necessary safety is a severely narrowed existence. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

And that is the heart of any time loop. Safety at the price of a narrow existence.

For this essay I want to talk about a piece of media that masterfully manages the time loop dilemma while managing to depict a remarkably strong representation of Complex Post Traumatic Stress Disorder. Today I want to talk about In Stars and Time. Because if I'm gonna highlight a time loop story for my essays on dissociative disorders then I'm going to do the one which has a "Press X to dissociate" mechanic.

In Stars and Time is an RPG Maker game in the stylings of Earthbound and Final Fantasy. The star of the play game is Siffrin (he/they), a silly little one who tells light-hearted puns and has their tongue stuck out in a :3 cat face smile.

As the thief type of the party he leads the group through dungeons to deactivate traps and find keys he can sometimes be bad at his job. They have managed to help the team get to the final dungeon and take on The King who has managed to freeze most of the nation of Vaugarde in time. Their adventuring friends are Mirabelle (she/her), the housemaiden; Isabeau (he/him), the fighter; Odile (she/her), the researcher; and Bonnie (they/them), the kid. Siffrin finds themselves trapped within a time loop. Reliving the same 2 day period as the party make their approach to The King and must defeat him to release Vaugarde from being eternally frozen in time. The game speaks frankly and kindly on many topics beyond mental health and trauma. Among the many rare and beautiful things it organically depicts it has an asexual and an aromantic discussing society's pressure to enter relationships and perform intimate acts, a trans masc discussing the destructive and yet necessary process of transitioning and two expats discussing how difficult it is to integrate their cultural roots (or lack thereof) with the values and expectations of the dominant culture of their new environment. Keep that last one in your back pocket for now. It'll be important for later. This is the last chance to check the game out unspoiled and so if anything I have said intrigues enough then please buy the game (Steam - Switch - Playstation 4 - Playstation 5 - GOG - Itch.io) and enjoy it. The game is about 20 hours at a casual pace (WR speedrun is 2.5 hours) and it has much in the way of hidden conversations and content that can help a person stick around and dig deep to find all the content in the game (but watch out). Go with my blessing and check DoesTheDogDie for content warnings if needed. For those who have played or want to read on into spoiler territory, then please forgive my long-windedness. I've too much time on my hands and have not cultivated the skills or talent to present this as a video for passive enjoyment. Let's begin. The game is split into 6 acts so in the interests of not bombarding with information. Shall we follow suit?

Act 1 - The Stage

The curtain rises and the play begins. Act 1 makes up the first loop from Siffrin's perspective. If not for the time loops then this would be a very short adventure. Siffrin wakes up from a nap in a field as they will every single loop from now on. They are in the final town before the enemy stronghold, one final day to rest and gather their strength and resolve to save the country. The group's leader, Mirabelle, has decided to have a sleepover. One final day, one final dungeon, one final fight... and then it's all over. The world will finally be saved. It'll all be over... Siffrin spends the day speaking to their friends, making a wish on the local Favor Tree to spend time with an ally after the adventure and then it's on to the adventure. Isabeau has something he wants to tell Siffrin but decides it can wait until they have saved the world. Entering the house and moving through the first few rooms all seems to be going well. The party of friends beat their first few enemies and Siffrin is sent to check for traps in a corridor leading into the main areas of the house. He checks and checks and checks and doesn't find anything so...

The trap is activated by feeling safe.

For clarity I wish to say much of the analysis and discussion is our personal read of the plot. Before writing this essay we reached out to insertdisc5 to ask about how they approached depicting mental illness in the game and they responded that it was not a matter of research as she was worried about checking off boxes rather than depicting authentic experience. Which makes it all the more impressive that the game was able to depict so many aspects of Complex PTSD so seamlessly. From Walker's book the primary symptoms of CPTSD are:

Emotional Flashbacks Tyrannical Inner &/or Outer Critic Toxic Shame Self-Abandonment Social anxiety Abject feelings of loneliness and abandonment Fragile Self-esteem Attachment disorder Developmental Arrests Relationship difficulties Radical mood vacillations Dissociation via distracting activities or mental processes Hair-triggered fight/flight response Oversensitivity to stressful situations Suicidal Ideation

Over the course of the game Siffrin displays many, if not all of these. One of the core conflicts of the game is Siffrin's feelings of loneliness and abandonment as well as their inner critic and toxic shame.

Another common trait of those with C-PTSD not referenced in the above list is a sensitive startle reflex. It is mentioned in the same book at a later point, however:

A startle response is the sudden full body-flinching that survivors experience at loud noises or unanticipated physical contact. This is usually a somatic flashback to previous abuses.

I bring this all up now because Siffrin's first death. The cause of the first loop. HIS FIRST FAILURE. Was because he let his guard down. He felt safe for even a moment. This is not a reading or something which can be brought up for debate. On floor two of the house there is a book that explains the traps and speaks of the boulder that landed on Siffrin's head earlier:

Throughout the entire adventure Siffrin will have the toxic and universe validated belief that if they ever drop their guard, even for a single moment they may die. This belief will only get worse as they progress, unfortunately. For those with Complex PTSD they walk through life in a state of hyper-vigilance. Never quite feeling safe. Siffrin died the moment he let his guard down. [Dawn here. This is turning out to be the longest Media, Myself and I article by a wide margin. For the sake of not destroying everyone's timelines I'll put the rest of the game under a readmore. I would so very much love it if you did click on, though.]

Act 2 - The Performance

The curtain rises and the play begins. Again. Much of Act 2 is spent trying to get to The King and defeat him. Mistakes such as forgetting a key on an earlier floor or taking a wrong path will cause Siffrin to need to loop back. All the while inwardly berating themselves for their carelessness, knowing that in a world without the time loops they would have been trapped and unable to challenge The King at all. We are also introduced to Loop, a star who watches over Siffrin during his journey. Loop is in the time loop with Siffrin and can follow his progress, offer advice and comment on everything. Loop is a little disaffected and likes to play things silly and coy and can be a little mean at times. But they say they're here to help Siffrin. As the adventuring friends climb to the final boss we get to see Siffrin's rapport with the party. Siffrin likes to stay on the sidelines and listen in to other people having animated conversation. Everyone is nervous to touch him having universally come to an understanding that Siffrin does not like to be touched. They make fun of Siffrin's poor memory (another common trait of those with dissociative disorders that we will talk about more in time) and they treat one another warmly. However during a bit of banter in a snack break...

(source: ISAT Script Project) Note that Siffrin internalizes the comment "we're not friends." instantly. From this point of the game until a latter moment all times that Siffrin's monologue refers to his party the word "friends" is replaced with "allies". They are so sensitive to abandonment and rejection that the they simply accept Odile's words, not even aimed at Siffrin themselves and internalizes them deep enough that the HUD of the game itself changes to accommodate this belief. It was mentioned at the start that Siffrin is a silly traveler who enjoys puns and makes light of most situations. In battles the game uses a Rock, Paper, Scissors weapon triangle and all of Siffrin's attack names are puns. In the profile menu he sticks his tongue out. His battle image is a playfully confident smirk.

During the game we always have access to Siffrin's inner monologue and can tell how they interpret the world around them but they seldom ever voice their opinions. This allows us to see how often they are convincingly laughing on the outside while hurting on the inside. Siffrin, unable and unwilling to approach their shame and self-loathing and terrified of becoming a burden to their friends allies will deflect whenever he sense that they are hurting.

A person (or dissociative part) may avoid being aware of inner experiences such as feelings or thoughts that might evoke shame. Thus, he or she is not aware of the experience of shame, typically does not acknowledge the negative experience of self, engages in denial, and attempts to distract self and others away from the painful feeling. For example, a person who felt ashamed in therapy might start making jokes or flippantly comment that the session is boring or useless, or he or she might try to change the subject entirely or even switch to another part that has a different agenda. The experience becomes neutral or positive; shame may be disowned or denied, or overridden with joy or excitement in distracting activities (joking around, talking about something else). There is little to no awareness of shame or one’s shameful actions, faults, or characteristics. The motivation is to minimize the conscious experience of shame or to prove that one does not feel shame. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The other key thing we have come to learn about how others perceive Siffrin is their memory issues. Memory issues are a constant part of dissociative disorders with a lack of childhood memories being a key feature in Complex Dissociative Disorders such as Depersonalization/Derealization Disorder and Dissociative Identity Disorder. If I am being honest about my motivations for writing this essay, while playing it I keyed in on the lack of memories early and assumed it to be an allegory for such trauma. Even made a Tumblr post stating this. On the top floor of the house of change in a secret room and only during Act 2 there is a bit of dialogue where Siffrin speaks about their childhood.

This was the moment we knew we needed to write about this game. What is missing from the text above is that when Siffrin stammers on their words there is a time loop effect. The first one in the game that is activated by something other than a death or the natural end of the loop. Siffrin edits out this conversation so that not even he can remember it.

Amnesia goes far beyond normal forgetfulness. It involves serious memory problems that are not caused by illness or extreme fatigue, by alcohol or other mind-altering substances, or normal forgetting. Amnesia falls on a continuum. People with a dissociative disorder may recall some aspects of an event but not other essential parts of it. In some cases all memory for certain events is unavailable for conscious recall. Some people with a dissociative disorder describe their memory as being like “Swiss cheese holes,” “foggy,” or “full of black holes.” They may suspect that something happened, or may have even been told by others that something happened to them, but have no personal recollection of events and often feel afraid to think about them. People may have amnesia for longer periods of time during which normal life events took place, for example, a person may report being unable to remember anything from the fifth grade, or from ages 9–12. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Instinctive use of time travel to edit out parts of a conversation that a perspective character does not wish to accept or confront is a fantastic allegory for how dissociative symptoms manifest. When a person or dissociative part stumbles too close to a severe trauma trigger. To speak from personal experience it is a moment where in a conversation a question comes up and the answer feels wrong in your mouth. Like you just lied. But you know you didn't intend to lie... so of course you interrogate the piece of information and the wall of confusion that hits can make a person feel truly powerless. Like you're not even certain of what you are saying anymore and a mixture of shame and fear flood in and tell you to stop talking, stop lying, stop exaggerating, stop speaking, stop, stop, STOP. Poor Siffrin shouldn't have their memory made fun of. But... his friends allies don't know. Do they? How could they? Siffrin doesn't speak up and when he does it tends to be a showy performance of being light hearted and silly so no one can see how hurt he is. Because if he does try to be honest... well. You saw what happened when they tried to open up. Through hard work and persistence the allies loop enough times to gain the knowledge and strength to win against The King. The King's first attack will force the allies to see a vision of the future and without a special magic shield will kill them in a single strike. Siffrin stays determined and prepares his allies. Helps them become stronger. Helps them win. The world is saved. Everyone in Vaugarde is released from the time freezing spell... But something's wrong... Siffrin is given a chance to talk to everyone as they all happily speak about what they'll do now that the country is saved but no matter what happens. Isabeau attempts to confess the thing that he wished to tell Siffrin if they won but is interrupted before he can get the words out, much to Siffrin's annoyance. The world is safe. All is well. It shall return to normal soon enough... only thing to do is speak with the head housemaiden and accept the praise and thanks for all the hard effort in saving Vaugarde... Then world starts to fall apart and... The second act comes to an abrupt close.

Act 3 - Family and Culture

The curtain rises and the play begins continues. The loop begins with Siffrin back at the start, even though the day was saved. Simply killing The King must not be enough. There must be a reason that the loops are continuing, even after Vaugarde is saved. The only way to understand is to find out more about why The King is able to freeze the country in time and if it has anything to do with why Siffrin can loop back. Speaking with Loop, Siffrin recognizes that as long as there are ideas and leads to explore then giving up is not going to happen. Loop seems reluctant to encourage Siffrin to continue, in fact Loop seems doesn't appear surprised by the time loop continuing at all. Loop is an interesting character and deserves an article unto themselves. We should focus on Siffrin right now.

Their first order of business is to attempt the Golden End exit route. It worked for Bill Murray, why not in this situation? Simply work out a way to make everyone have a perfect loop. Saving the world isn't enough. Siffrin can solve everyone's problems. Here we learn that Bonnie, the kid, harbors a deep well of shame for allowing Siffrin to be blinded in an eye while protecting them earlier in the adventure, before the loops. Siffrin, true to their dissociative nature, did not even remember the event. Siffrin also spends quality time with the adults in the party. Always hoping Isabeau would be brave enough to confess this loop. On this journey up the house of change the team are closer and more caring. No one makes fun of Siffrin for bumping into the counter. Siffrin discovers that the other party members have noticed his breathing exercises. Very helpful for those with dissociative disorders, by the way. They ground the body and allow one to ease somatic symptoms by soothing the nervous system and preventing activated sensations worsening symptoms. As they get closer to The King the warm and familial banter continues with Odile using the word 'friend' out loud. A guarded Siffrin allows themselves to confront Odile on saying that they were not friends (something she did not even say this "Golden" loop) and through an awkward but kind conversation she confesses she, a Too Old For This lady cannot feel comfortable calling a group of people with a pre-teen "friends" but she can perhaps call them "Family" The menu updates. Siffrin's Allies are now Sif's Family Members. This remains true in all the menus no matter what happens in any loop. But in this moment, there is a golden ending. There is joy. Though Isabeau is unwilling to discuss his confession when Sif is feeling vulnerable. They need to have a Feely-Feels talk. Sif hates the idea of a Feely-Feels talk. Yet, even still... In this moment Sif is loved.

Many people with Complex PTSD have attachment wounds from their family of origin. The concept of a found family is common among survivors, particularly in those who choose to go Non-Contact with the family of origin. Others, like Sif, have lost their family to tragedy and simply have no roots to return to. The role of a chosen family is vital in the healing journey. Survivors can become aggressively attached to those who they view as chosen family and are often activated by the concept of another loss. The wounds of losing one family enough to have massive impact on how the survivor handles relationships going forward. It is why unstable relationships is listed as a symptom of CPTSD and why there is such a big overlap of CPTSD and BPD diagnosis.

There’s no way around the fact that on the journey to finding your chosen family, you will get hurt. People you thought would be there for you will abandon you, people will decide they no longer have the emotional capacity to hold space for you, and… people who made promises to be by your side will betray those promises. That’s not anyone’s fault. It’s just life. Not everyone belongs on our journeys, but… when you find the right people, don’t let go of them. Nurture the relationships, reciprocate the support, and above all, respect the myriad of ways that people can and will show up for you. - (The Role of ‘Chosen Family' in Trauma Recovery - Monika Sudakov)

Sif is desperately attached to the Family Members that they travel with. In many ways the only reason they can endure the time loops is to protect them. Any time there is a prompt which threatens these relationships Sif's monologue insists that they will not abandon the script that ensures their safety and happiness. Yet despite all this power of love and Family, the loops continue. Which is fine. Golden Ending was a long shot anyway. Clearly it has to be related to The King and it's power to stop time. It seems to know the mysterious art of Time Craft. Talking to The King will help. The answers are still attainable and now Sif has a Family. To get the information required to learn about Time Craft and The King one must interact with as many books and items in the house of change as possible. In doing so we learn more about Sif and their history. By this point in the story the concept of croissants has come up a number of times for the party. In the opening town Sif has the option of buying one from a bakery and gives an uncharacteristic scowl. When they are spotted in the house Sif tends to duck out of conversations, not caring to listen to people talk about the pastry he loathes so desperately. He jokes about it and obfuscates but Sif hates croissants. With a burning passion. There is literally a food that can kill him in the game (he is allergic to pineapple and can die on a banana plantain peel) but his ire always turns towards croissants. Croissants are an emotional trigger for Sif. They harbored such a deep hatred of croissants that when, in Act 4, he is pressured to tell everyone what he wished for at the start of the game he says that they wished for croissants to disappear forever. Sif's reactivated trauma is related to croissants. Up until now he had been living his life blissfully unaware of his dissociated experiences and yet a croissant cracked the amnesia barriers that kept him safe and now each time he sees them they cannot help but be reminded of "The Incident". By examining the Silver coin in their inventory a number of times one can see "The Incident", a moment that happened days before the plot began which informs Sif's entire emotional state throughout the game...

(source: ISAT Script Project) Note the time skip at the tail end of that sequence. Sif was thinking too heavily about the trauma again and skipped time to avoid thinking about it. Dissociative barriers. He literally cannot think about it. The universe won't let him. Sif's home isn't there anymore. In the canon of the game where reality can be rewritten on the whim of a wish, the country that Sif comes from was wiped off of the map and all knowledge and memory of it has been erased, even from those who lived there. Sif's trauma is that he lost his home. His family. Everything and everyone that he ever knew. Through traveling with his family members he has gained a slither of the emotion, comfort, connection and safety that he lost and in being reminded of all that he lost so close to the end of their journey he was reminded he can and will lose it all again and the thought is too terrifying to process. This is the core conflict in Sif's heart for the entire game. The more they interact with memories of the destruction of his homeland the more keenly aware he becomes of the fact that the quest will end and his family will go their separate ways and abandon him. They have no home to return to when this is all done. CPTSD is not currently recognized by the DSM-5. An official diagnostic description can only be found within the ICD-11. On the ICD-11 page for Complex-PTSD there is a specific segment for "Culture Related Features" that reads:

Cultural variation exists in the expression of symptoms of Complex Post-Traumatic Stress Disorder. For example, somatic or dissociative symptoms may be more prominent in certain groups attributable to cultural interpretations of the psychological, physiological, and spiritual etiology of these symptoms and of high levels of arousal.

Given the severe, prolonged, or recurrent nature of the traumatic events that precipitate Complex Post-Traumatic Stress Disorder, collective suffering and the destruction of social bonds, networks and communities may present as a focal concern or as important related features of the disorder.

For migrant communities, especially refugees or asylum seekers, Complex Post-Traumatic Stress Disorder may be exacerbated by acculturative stressors and the social environment in the host country. - (ICD-11 for Mortality and Morbidity Statistics)

We do not learn much of Sif's culture of origin but we know that they were in tune with The Universe, that they had spiritual aspects that allowed them to use Wish Craft and follow when fate leads. Act 3 is an info gathering quest on The King's motivations and we discover that King and Sif both hail from the same country and have lost all their social bonds, networks and communities and cannot even recreate the specifics of their culture. It has literally been erased. No culprit is ever named for this atrocity but from Act 3 onwards Sif mourns this lack of roots and via the power of the magic that prevents anyone from remembering the country they cannot mention this tragedy to anyone. Though Odile is able to infer it. Odile is also an immigrant to Vaugarde, her mother was from Vaugarde and her father from Ka Bue. Her mother abandoned her and Odile's quest in Vaugarde is to find parts of her history within the foreign land and fill in the parts of her soul that she feels are incomplete from the lack of her mother's presence and history in her life. In Act 3 the two bond over it as part of Odile's "friendquest", in Act 4 and beyond Sif's inner monologue seethes with bitterness and envy for Odile having connections. The initial connection of them both being foreigners in an accepting land caves to the pain of loss that consumes Siffrin whole.

(source: ISAT Script Project) What's worse is that some of the things that the family members joke at Sif about for being too forgetful to know the words "Kiln" "Pottery Wheel" or "Stuffed Animal" (though they do remember on some loops) become less about silly forgetful Sif letting incidental information slide out of their dissociative mind. It becomes making fun of a person speaking a second language and not having complete mastery over it. By Act 5 Sif has no patience for the playful jabs because they happen every single loop and they hurt. Minimizing is a lot harder in a time loop. Every small moment of tiny pain repeats again and again. Every time Sif bumps their hip on a counter the party laugh at him. Well... except for the time he screamed at them for it... or the time he collapsed into a defeated pile on the floor on the verge of tears. Heaven help me if bumping into a counter hasn't been the last straw to break my facade when the weight is too much to carry. Poor Sif... As Sif learns more about Time Craft and the country that both he and The King come from, Sif starts to gain an understanding of The King's motivations. After losing one country he couldn't bear to risk losing another home. Vaugarde was so kind to him and took him in and he wants it to remain perfect and safe forever. Frozen in time like a photograph. Now that Sif has come to recognize how important his Family Members are to him, they understand. To have people you love and consider Family is so important and the idea of losing that is simply unspeakable. It is a fate worse than the time loops. By now Sif has done the Golden Ending a time or two...

He understands why The King would do this. The final loop of Act 3 allows Sif to attempt to convince The King not to fight. The pair have attempted to bond over their roots, they have tried to force The Universe to allow them to speak the name of their nation (but it refused to be said) and now Sif wants to try and use understanding. The King agrees. He stops the fight. Asks Sif to come to his side and... Then he freezes the Family Members in time. He understands now that Sif is using Wish Craft to fight him and he cannot win on traditional terms so he decides to carve it into Sif's memory, a reminder of what happens if he continues defying The King's will. He picks up poor little pre-teen BonBon... and FORCES SIFFRIN TO WATCH AS HE CRU-

Act 4 - Shame Spiral

The curtain rises. The play begins continues. And Sif is not okay. They witnessed the game break the well established rule that the kid was not able to be hurt. Even in runs where you lose to The King Bonnie always gets away. The Family will always go out of their way to ensure The Kid survives. It's happened so many times by now one doesn't even think to question it... And the player had to watch. There is no avoiding that event. Sif will lower their guard to speak with The King and offer compassion and trust to someone they thought of as a kindred spirit and no sooner had they laid down their arms for a moment they were punished for it. Brutally. It's the rock again. Feel safe, even for a moment, and it comes crashing down to crush with full weight... only this time it's not the Sif taking the hit. Sif can take all the hits in the world. It was BONNIE. Someone else was crushed because Sif trusted. From this moment on Sif's intrusive thoughts become louder and meaner. Look above at the conversation with Odile about her roots and notice the changes between Act 3's inner monologue and Act 4's. By this point in the story Sif is losing track of how many loops they have gone through. Unless you keep your Memory of Self equipped you will find that any time you loop forwards or backwards the loop counter will jump up by leaps. Sif is so numb to the cycle by now that they're just dissociating through iterations of the time loop. Other times he 'blacks out' bits of time include sleeping at the clocktower. We learn that he never ever sleeps at the tower. He just blacks out and comes to at the house ready for the next run. All Sif can remember is what the player sees. But stuff does happen besides that which we see. It's not just the amount of time that Sif has been in the loops that is causing this degradation of mental health, though. It's the continuous activation taking a toll. When a person is continiously hyperaroused they become disaffected, chronically dissociated and begin experiencing somatic symptoms. Headache, stomach ache, exhaustion with no ability to sleep, hunger without ability to eat. At this point of the story Sif is constantly hungry and is not sleeping at all. The primary cause for this is the attachment trauma being continuously triggered. Where in early acts it was a matter of worry over losing his new family while being reminded constantly of losing his old one, now he is reminded of allowing his family to die because of his actions. The shame spiral claims him and his emotions become wild, even if he is not able to express them outwardly. This level of emotional sensitivity is a primary symptom of Borderline Personality Disorder. The similarities between CPTSD and BPD are enough that much of the discussion around the potential for including CPTSD in the next revision of the DSM centers around whether it should replace or be combined with BPD. The Foundation for CPTSD writes on the topic:

At one-time, complex post-traumatic stress disorder was proposed as an alternate form of borderline personality disorder because of the shared link to severe childhood trauma. The jury is still out to recognize CPTSD as a diagnosis in the DSM, but it is believed that the symptoms and causes of BPD and CPTSD overlap substantially, but it is not warranted to replace one diagnosis with the other or conceptualize CPTSD as a subtype of BPD. Borderline personality disorder and complex post-traumatic stress disorder are commonly found together, with between 25% and 60% of people living with BPD also having CPTSD. Complex post-traumatic stress disorder is listed in the 11th edition of the International Classification of Diseases (ICD-11), and this has spurred research differentiating the two disorders. Evidence suggests that CPTSD and BPD may represent a continuum of the stress response, and both seem to have a component of dissociation involved. The most significant difference between the two diagnoses is when they form. CPTSD typically forms in early childhood, while BPD forms during early adolescence. Having both CPTSD and BPD makes life difficult, to say the least. - (CPTSD Foundation)

BPD is a personality disorder categorized by attachment wounds. Part of the diagnostic criteria includes "Frantic efforts to avoid abandonment, whether it is accurate or not, by family and friends" It is safe to say Sif feels this way about their family. They lost their entire home, their history, their family of origin. They cannot conceive of losing the family that they have gained. The concept is simply too painful for them to consider and so emotional and dissociative barriers force away anything which could potentially bring the topic of losing them to mind. Heaven knows we can understand the impulse... But since being directly responsible for failing the promise they made to protect Bonnie this is no longer a matter of fear of the unknown, it is shame in having failed to keep a promise to protect. This shame grows and cripples Sif's emotional regulation, leaving them prone to volatile outbursts of their repressed rage. Either forcing it inwards on the self or outwards on others.

When you feel chronic shame, you believe that no amount of punishment or corrective actions would be sufficient, and you are unable to forgive yourself or have any empathy for the terrible suffering shame brings to you. It is as though chronically ashamed people have received a life sentence of shame with no hope of parole, even when they are unsure of exactly why they are bad. In fact, some people will say there is no particular reason they are bad and unworthy: The mere fact that they exist and take up space on the earth is shameful enough. They believe they are not worthy of living and do not deserve anything good. In such cases, shame is an emotion of hiding: The last thing an ashamed person wants is to be open, vulnerable, and seen by others. Thus, it is an emotion that often is not addressed sufficiently in therapy, even though it is a major impediment to healing. - (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

Act 4 is about learning the origins of the Wish Craft that rewrites the universe and allows for Sif to use Time Craft. We learn that any time they are upset they will instinctively rewrite history to prevent the things that they fear from coming to pass. This includes moments when their anger gets away from them and they lash out at their family. Some optional scenes include forcing Isabeau into a kiss or screaming at Odile when she knows too much and tries to help Siffrin. Any time these outbursts happen time rewinds and only Siffrin is left with the knowledge that they happen, deepening the growing well of shame. All the while Sif feels more hollow in the interactions he has with his Family. In forcing them to be their best selves via the "Friendquest" events every loop he starts feeling like he is manipulating them. Where he felt loved the first few times he now accuses himself of forcing them to love him.

To the degree that our caretakers attack or abandon us for showing vulnerability, to that degree do we later avoid the authentic self-expression that is fundamental to intimacy. The outer critic forms to remind us that everyone else is surely as dangerous as our original caretakers. Subliminal memories of being scorned for seeking our parents’ support then short-circuit our inclinations to share our troubles and ask for help. Even worse, retaliation fantasies can plague us for hours and days on the occasions when we do show our vulnerabilities. I once experienced this after being very honest and vulnerable in a job interview with a committee of eight. Over the next three insomnia-plagued nights, my outer critic ran non-stop films featuring my interviewers’ contempt about everything I had said, and disgust about all that I had left out. Even after they subsequently and enthusiastically hired me, the outer critic plagued me with “imposter syndrome” fantasies of eventually being exposed as incompetent in the new job. - (Complex PTSD: From Surviving to Thriving - Pete Walker)

It doesn't matter. Sif tries everything. Learns all the things that they can learn. Explores all the hidden areas of the house of change. Nothing matters. It's hopeless.

And with each loop The King's attack shows Sif a vision of the future. What do they see? Endless looping or... does Sif see the future beyond the loops? After the party return to their various homes? Act 4 ends with The Head Housemaiden, the only one who could have potentially held answers telling Sif outright that there was no escape... Before the loop begins anew.

Act 5 - Curtains

[Hello there. It's me, Dawn. I'm pausing the essay and dropping the cute little play structure to reiterate the Content Warnings from the start of the post. During Act 5 there are options to commit self-harm that a player may stumble across unintentionally. During previous acts one has to work exceptionally hard and against the game and characters within it to unlock a means of self-harm and it is unambiguously seen as a bad thing. In Act 5 there are no external forces to comment on Siffrin's actions.] The curtain rises. No point in wasting time. Get the actors. Make them strong. Beat the king. Do it right this time. Unfortunately our star has lost all of the mental fortitude they had. They were so strong for so long but there is only so much a person can take before they let the anger win. It is all too common for people with significant trauma to harbor resentment and anger in their soul. It sometimes remains repressed under layers of emotion numbing dissociation, it sometimes turns inwards into self-destructive acts and viewpoints and it sometimes turns outwards into explosive acts of physical or emotional violence. But it's there... lurking within the injustice of all the pain a person has felt.

When you have experienced a trauma, anger often becomes the central emotion that you feel. Angry thoughts about revenge may consume you. According to Enright and Fitzgibbons (2000), your anger is more destructive if you focus it on another person or people; it is intense, even in the short term; it leads to a learned pattern of annoyance, irritation, or frustration with others who are not the source of your anger; it is extremely passive; it is extremely hostile; or it is developmentally appropriate for someone much younger than your actual age (e.g., you act like a two-year-old and have a temper tantrum). - (The PTSD Workbook Mary Beth Williams)

and so... with the 5th act of our play about to begin, the star wakes in a familiar meadow for what may be the hundredth time... and they simply cannot take it anymore.

The actor on stage has reached Rock Bottom and likely unlocked the skill Rock Bottom to go with it, though they are beyond the silly puns now. Rock, Paper, Scissors, Breathe or Heal. Just get to The King. Just kill it. One. Last. Time. The GIF above starts with the line "YOU WANT YOUR FAMILY BACK!!! NOT THE FICTIONAL CHARACTERS THAT HAVE TAKEN THEIR PLACE!!!" Up until now we have only spoken about dissociation in terms of zoning out or blocking out memory. I now want to talk about Derealization and Depersonalization. DPDR has been a subject of other Media, Myself and I essays, most notably our discussion on Night in the Woods. To be brief about it for this essay Depersonalization is a detatchment from one's sense of self and Derealization is a detatchment from reality. Our star has become so disillusioned with the endless looping that they no longer view their surroundings as real. The people in their life are just actors in a play that they are directing. Everyone says their lines. Even the star must say their lines. But there's still some stage direction. Some purpose that our hero must fulfill. They know that there is a chance if they can just kill the king without Mirabelle landing the final shot. Then. Maybe... In their disaffected state and unable to convincingly perform their lines in the play, our star manages to upset everyone else on stage causing them to doubt if it would be safe and productive to continue traveling with such a horrible disgusting unreliable stupid person. This causes the final act to be a solo performance. One final walk through the house without friends allies family actors to help. At the clocktower the other actors talk about our star and are uncertain if they can trust them any longer. Our star reacts by rejecting them entirely and going it alone. There is a concept in BPD called Splitting in which a person devalues or exaggerates the value of an individual in their compromised emotional state. It can cost a person relationships if they act out of these temporary emotions. At the start of Act 5 the actor manages to scream at the kid for getting in danger, calls the fighter a coward and mocks the researcher for her mother abandoning her. The individual, so desperate to shield their wounded heart, pushes the people they love away because their proximity is too close to their open wounds and they push away to maintain space. This is particularly true in those who struggle to create healthy emotional boundaries. This game is such a god damned call out at times. As the actor climbs the house everything is broken. The universe itself is trying to maintain the reality of two wishes that it needs to make a reality. "Save Vaugarde" and the one the main character wished for in Act 1. Do you remember what it was? The Universe cannot allow Siffrin to remain with their Family Members if they run off alone and reject them. The Universe simply cannot accomodate such a reality. Everything is falling apart. What proceeds is the ISAT equivalent of a Genocide Run in Undertale. Everything is broken and wrong. Rooms are breaking the collision boundaries of a video game, textures are cut wrong, doors lead to the wrong location, time is looping without rhyme or reason. And the menu is blunt. You cannot change your equipment, now stuck with Memory of Emptiness with the description (Nothing comes to mind, hahahahaha!) Some rooms contain hallucinations that make our star feel more abandoned and empty and mournful of their situation. In rooms where they would normally receive a modicum of physical comfort brushing against the other actors there is nothing now.

(Aaaaaaah…) (You rub your arms once, twice, thrice.) (Your throat tightens) (You feel like you're floating in your own body.) (If only someone would touch you to make sure you're real! Someone, anyone!)

This is an example of extreme depersonalization. Also the garden has a table with 4 healthy plants and 1 dying plant to the side. Our star notices it and it acts as a visual indicator of the barriers between the director and their actors. Some of the other rooms on the Act 5 climb depict overt self-harm...

It can be understood as a substitute action for more adaptive coping that attempts to deal with a variety of overwhelming problems, many involving too much feeling (for example, loneliness, abandonment, panic, inner conflicts, traumatic memories) or too little feeling (numbness, depersonalization, emptiness, feeling dead). Self-harm is thus often related to the need for regulation skills, that is, finding ways to modulate and tolerate unbearable inner experiences, such as painful emotions, or traumatic memories (Gratz & Walsh, 2009; Miller, 1994). Some people harm themselves in secret and carefully hide the inflicted wounds from others. Other people harm their bodies in places that are visible to people around them. (Coping With Trauma Related Dissociation - Suzette Boon, Kathy Steele, Onno van der Hart)

The shame only increases upon doing these optional (but distressingly unprovoked) actions. Honestly, if I had one criticism of the game and its depiction of mental health it is that there is no way to know that looking at the cupboard with the eye patch conversation would cause a self-destructive action. As someone with extreme sensitivity to depictions of suicide and self-harm I felt that having no agency or warning over that (I had no reason to assume this would happen. Any other form of self-harm requires selecting a menu option. This one jumps out at a player unexpected) was... unfair. It is noted in monologue that breathing exercises no longer work by this point of the narrative and due to not being at the clocktower our star is proceeding with no food and no sleep. Their already bottomed out mental and emotional state is in sore need of external intervention. Something the actor both desires and rejects in equal measure. Upon finding and fighting The King our hero is frozen in time and locked in a dream. Placed face to face with their worst fears and worries of how their actors Family would perceive them.

(source: ISAT Script Project)

After the screen stops being blurry and the player wipes the wet spots off of their Nintendo Switch. The fear of being perceived. The fear of being seen as manipulative. Being seen as insincere. Being seen as lazy or too afraid to change. Callous. Aimless. Manipulative. So many survivors have these negative scripts and inner critics. Caught in their cycles. Their own little loops. But there's still hope. Family. The chance to be vulnerable. The game concludes with Sif's Family saving him from The King. But even though The King's spell is broken and the people of Vaugarde are unfrozen the sky has a giant red crack in it. Sif's wish is still tearing the world apart. Realizing that when the quest is over everyone will go home Sif has their temper tantrum, becoming the final boss in which every move is a choice to either lash out at the party or lash out at themselves. A boss mechanic version of the final embers of a violent extinction burst. That is to say a person who does not have control over their ability to maintain a sustained behavior will lash out and attempt to assert control in order to prevent losing the conditioned routine.

An extinction burst is characterized by a temporary increase in the frequency, intensity, or duration of behavior being extinguished through operant conditioning. This phenomenon occurs when the reinforcement for a previously learned behavior is removed, leading to an initial escalation of the behavior before it decreases and eventually ceases. While not all instances of extinction involve such bursts, they are observed in some cases, particularly during the treatment of problematic behaviors. Extinction bursts can complicate the treatment of behavioral disorders, as they may temporarily increase undesired behaviors like aggression or self-injury, making it challenging to assess the effectiveness of interventions. (*)

In this case Sif is lashing out because he has no way of preventing his Family from going back to their lives. It's a destructive and unhealthy mechanism. The fight ends with everyone refusing to let Sif run away or hide anymore. He is forced to admit that his wish was to stay with everyone. That he didn't want the family to go away. He opens himself up to the vulnerability of being seen of being understood and yes, even potentially rejected. The Family agree to travel together at least long enough to get Bonnie back to their sister. But there are no guarantees what happens beyond there. There is love. There is acceptance. There is honesty. There are no more time loops. Maybe now, finally... there can be change. Growth. Tomorrow.

In time loop fiction everything eventually loses meaning. There are no permanent consequences, no external pressures, nothing inherent to strive for, no meaning but what the protagonist(s) give themselves. The option to just accept things and remain is always there as Andy Samberg's character in Palm Springs does. The option to never stop trying to escape is there for those like Keiji in All You Need Is Kill.

The brilliance of In Stars and Time is that there are two wishes that are influencing the universe. The wish of the people to save Vaugarde from being frozen in time and Siffrin's wish to remain with his family. Change and Stagnation. That's what it always comes down to in these time loop stories and the conflict in this game is that those two forces are playing against one another. The only outcome was to give up on one or the other. As we'll learn in Act 6 there is no reality where Siffrin gets to stay with all 4 party members. They will have to separate at some point. Accepting change is accepting that things can and will and do end and life will go on and you have to be okay with it. Many of our essays have focused on representation that includes a healing journey from Ange Ushiromiya accepting the circumstances of her tragic past to Elliot Alderson's 4 season long representation of trauma therapy for dissociative clients. I think the thing I love about In Stars and Time is that it's the long and arduous process of a chronically traumatized individual asking for help. It's the first step on the healing journey. Acceptance. Siffrin spent the entire game in denial and rejection, making jokes and pushing things aside. Our long and hard journey was just getting to the point where they were able to recognize and admit it. And I really hope that Sif and their family members will be okay. I wished on my leaf for Sif to see Ka Bue with Odile. I hope they get to go. But as insertdisc5 says when asking any questions about what happens next "it's your turn" -

Stars that was a long one. Thank you for sticking with me if you read the whole thing. We like to write these essays as a matter of helping our study on dissociation (we, ourselves, are a DID patient and reading and comprehending this material is essential to our recovery and treatment) and providing a little insight to bits of media that are positive examples of what we go through. If you enjoyed always feel free to leave an ask or leave some silly tags. I never care if I get a flop post as writing is its own reward but the encouragement is good for my ego <3

Special thanks to @insertdisc5 for answering when I reached out for comment on the writing of this essay. The reply was helpful and encouraged us to take our time and write this with extra care. (In Stars and Time can be found on Steam, Itch, GOG, Nintendo Store and Playstation Store. The Prologue Game can be found on Steam and the Start Again comic on insertdisc5’s website) Media, Myself and I is a series of Tumblr Essays for positive depictions of dissociative disorders. Other essays include: A History of Murder Alters Discworld and Plurality Incidental, intentional and accidental representation Gender, Dissociation and Clinical Stigma in The Third Person Recontextualized Memories in Umineko Derealization in Night in the Woods and Metal Gear Solid The Dangers of Hypnotic Personality Play in Penlight System Origins in The Incredible Hulk Relationships with Systems in The Incredible Hulk The Healing Journey in Mr. Robot

...wait... what happened to Act 6?

I did say Loop deserved their own essay, didn't I?

#dawn posting #say the line siffrin #media myself and I #watch me post my trauma in public #cptsd #bpd #let's do the time loop again #in stars and time #siffrin #odile #isabeau #bonnie #mirabelle #isat #isat spoilers #time loop

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floorpancakes · 2 years ago

Text

abt 🤨 > i support gay ppl causing drama to get what they want sometimes and I think there are pure ways to do that, or it doesn't have to be pure because what is truly pure to begin with, but also it doesn't necessarily mean it's bad cause writers often selectively choose what good selfishness and bad selfishness is

it's usually easy to recognise but smth feels kinda... arbitrary? like, well, X did the big sacrifice so Y must be wrong for trying to get in the way of that for the sake of another and or their romantic feelings

it's also kinda like....idk as someone who's gotten way more into the 'let ppl b happy' thing but also loves a bunch of tragic series it feels distinctly optional I guess??? like , you can have it one way or the other and neither way is necessarily wrong? idk where I'm going w this I'm just kinda rambling

#plus writing au fic ideas really got me thinkjng about it more #and im the type of person to compare and contrast lots of the shows im into #i guess its cause irl itd be a bit more complicated but in fiction the concept of the greater good and sacrifice is so ....complicated #but also like #madoka less so altho definitely in the first half of rebellion but #in holic theres a MASSIVE RUNNING THEME about self sacrifice as equivocated to a sort of hero's self harm #its a lot more muddy and selfishness is painted as more ambiguous if its used to save and help others and your own mental and physical #but yeah its really got something interesting to say on that and thats why i love it so much honestly #but it does feel kinda funny that for all the characters arcs they draw the line at their growth and learning in one moment of trauma #like it WORKS but it DOESNT #it works in the sense that everyones brains go haywire in a case of trauma #but it doesnt work in terms of really hammering that meaning of the story in some senses #i guess partly its HOW they tell that ending that makes it feel a bit more hurtful #the tragedy gives way to a sort of status quo #idk its probably an achievement that theyre so like polarising about it but #it doesnt feel entirely polarised on purpose #and the egg ended up feeling kinda like a stab in the gut but not a perfectly executed one?#idk its hard to articulate even tho i LOVE articulating and talking about stuff over and over #but yeah i guess what im saying is it feels a lil bit weird that they mandatory assign shizuka as having some messy shit to get rid of when #at this point it doesjt matter how messy it is or if it even if its pretty damn legitimate #let him at least take a stab at fate yaknow

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roturo · 1 year ago

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CRY FOR ME -dick grayson x f!reader

① NEW REQUEST FROM ANONYMOUS!: sex pollen, old lovers meet again.

→ summary: He loves you, he really does, but he left you. Months wondering why he did that had you crying for him, never ending the never-ending cycle of the abandoned by Dick Grayson wasn't in your to-do list. It's time to hit him with a smile, rather than a goodbye that would leave him wondering.

→ warnings: SMUT, angst, sex pollen, mating press, breeding kink, marking, fingering & oral (f receiving), mutlipes orgasms, overstimulation, mention of weight loss (but it's never specified how much or the weight of the reader exactly, neither a body type), hero into villain!reader, med student!reader, mentions of kory and dick being together but never in a relationship, reader is friends with harley quinn, reader was part of the og titans.

A/N: I'm really proud of this one, might even do pt2 if it gets support. -Words: 3.4k

TUMBLR IS BASED ON A REBLOG SYSTEM. PLEASE REBLOG MY WORK. THANK YOU. ENJOY. SMUT BELOW THE CUT.

¨And you know what I hate most of all that shit he put me through?, He-¨

¨Can you please stop talking about Dick Y/N? It's been MONTHS, damn it! almost a year! You're driving me nuts! I'm not even Dick's ex, or friend and I already hate him as much as you do. So let's move on.¨

¨You don't understand, I was a good girlfriend! Shit! I even became a hero for him! Now look where we are.¨

Harley laughs at your remark of how the tables have turned.

Both of you were sitting at the top of a building eating some ice-cream, which Harley insisted on steal from a random kid on the street, after robbing some random store she liked a collar from, you were now looking at how police officers where trying to look for a culpable of this crime.

It's been 11 months and 5 days since Dick broke up with you. You couldn't AND still don't understand why he did it, both of you were fine one day and the next one he decided, 'oh how could I destroy the woman of my dreams heart?, I know how! What if I tell her I don't need her anymore in my life and she's useless! then some months later fuck some fire princess and act like i'm a new person with this new suit and name! oh! also, re-do the titans! when my ex helped me do the og ones, helped when the fell apart but she's useless anyways!'

To say you weren't deep down for him, would be a lie. You don't know how he could keep laughing everyday knowing how his little trauma ass dumped you like trash. Well, if you're being honest he doesn't have a small ass, but that doesn't matter.

¨Aw, I want more ice-cream¨ Coming back to earth after some deep thoughts, Harley grabbed you by the wrists in order to change up and start looking some restaurant for dinner.

After changing clothes and Harley talking about how obsessed she´s with the Joker, you couldn't quite blame her, both of you were finally walking on the street, laughing at some random inside joke both of you had.

¨Huh.¨ Your phone started ringing and you could swear if it wasn't cold enough to freeze you up, the call was. ¨Who is it?¨ Harley asked, sneaking through your shoulder.

¨OH! Donna?, the cute girl you talked about?¨

¨Shhh, let me attend this call... Hello? Donna?¨

¨Y/N, um- hello! How are you? It's been what? one year since we don't talk?¨ ¨I'm... fine. How about you?¨

You were quite confused for this call, on the outside you're calm, but inside, you're freaking out.

¨I'm good, it's nice to hear you're doing fine!¨ ¨Thank you Donna, but I know you just don't call to ask how i'm doing, what's wrong?¨ ¨Oh well, you quite know me well Y/N, i'm sorry it seemed that way, but you're like the only person I know who could help us with some medical issues, you know? So I wanted to ask you if you could come and help us to deal with Conner, and maybe stay some days...? i'll explain you who he is and all of that later.¨ ¨Donna, you know i'm not longer on the me-¨

Harley pinched you in the arm, trying to talk but you were faster. ¨Ow Harley! Stop it!¨ You told your best friend in a whisper so Donna couldn't hear the both of you, also covering the microphone of your phone, for... extra precautions.

¨You don't understand! This is an awesome opportunity! You're going undercover in the titans tower! Imagine how crazy Jack (Jocker) would be! Say yes!¨

Thinking it for a few seconds, she was right, you could get some important information from them, it was indeed, an awesome plan.

¨Who knows, you might also see bird-boy again!¨ She said raising her eyebrows in a teasing way making you roll your eyes.

¨Y/N? Are you still there?¨

¨Yes, when do you need me to be there?¨

¨Erm... now if it's possible¨

You were now unpacking your suitcase, Donna told you to pack for at least a month, isn't that incredible?

You haven't come across any of the other titans, beside, Donna, Dawn, Gar, Rachel, Jason and Rose... Quite interesting team.

You didn't introduced well to the kids since you were in a hurry to enter your temporary room and not ran into someone else...

While you were unpacking your old tools Wayne gave you while you were their medical support 'hero' maybe also because you were a med student, you still helped with fights, bruises and hits.

You found the 'special' bandages you had for Dick, since the 'normal ones weren't soft enough for his bruises' a small smile appeared on your face at those old memories.

Now unpacking your clothes, you found three special lingerie underwear with a note from Harley:

'Just in case you have some fun ;)

xx Harley~'

The note made you roll your eyes but you couldn't deny it brighten your mood, throwing away the not and putting aside the 'Harley present', you continued unpacking your clothes, you brought in a separate case for your suit, just in case.

¨Y/N! Can you come here?¨

¨Coming!¨ maybe you could order the clothes other time.

When you entered the living room, the kids were no longer there, except Jason.

They started explaining you what happened between Deathstroke and what they know about Conner, you were paying attention to know what you're dealing with, you haven't even realize Dick came in sight until Dawn mentioned it.

But Dick didn't came alone, he was next fire princess which you couldn't care less to investigate her name when you found out about Dick meeting her.

¨Oh Dick! We brought Y/N so she could help us with Conner, since we don't have anyone else who knows about this weird medical stuff.¨ They know what happened between you two, and they still decided to ask for your help knowing he's going to be here.

You stood up from the sofa, eyes locking with his, you couldn't longer see the coldness in his eyes, but there wasn't warm either, you couldn't quite decipher what he's feeling.

¨Kory¨ She gave you her hand at which you responded with your name and doing the same. You locked eyes with her for a brief moment, a small smirk appeared in your face but disappeared once the greeting finished.

¨Y/N.¨ You locked eyes with him, a tension only the two of you could feel. You were different, much prettier, you lose some weight too, blame it on the break-up depression, but you were shining.

¨Grayson.¨ Hearing you say his last name instead of his name he could feel a small part of him getting shattered inside him, you changed.

After checking on Conner and taking some notes, it was finally night time, you were eating some cereal, knowing more about Gar and Rachel, Kory, Dawn, Donna and Robin were dressed up with their suits.

¨We have some issues to deal tonight with another troublemaker, nothing serious though, just a one night problem.¨ Dick announced while getting ready to go out.

¨Y/N, you should come! Maybe warm out a little like the old times." Dawn invited you, how nice of her, only if she knew you were also a troublemaker.

¨No thank you, i'm only here for medical support.¨ You gave her a small smile and said your goonights.

Some knocking in your door woke you up, it only passes one hour since you went asleep and they're already annoying you, first day!

¨Y/N? Are you awake?¨ You heard Dawn saying though the door.

¨Mmh¨ You replied.

¨We need you, it's Dick.¨

Even more annoying.

You walked next Dawn through the halls until you finally came into Dick´s room. Inside they were Donna and Kory, clearly concerned about his well being.

His behavior seemed, weird, there wasn’t any bruises or cuts, not even blood. He was just twisting in pain on his bed. You stepped closer to him, and got your hand on top of his forehead at which he only whined, that scared you, since it sounded more like a moan than a whine. He was hot, sweating and moving a lot.

You had your suspicions what this could be, but you needed to confirm it, this can't be real.

¨Can you please... tell me with which villain you fought with?¨

¨Ivy¨ Donna said.

Shit.

¨I need to make a call¨ you quickly said running out of the room.

¨Surprise, surprise!¨ Harley said in her taunting tone. ¨Oh my god Harley, I can't believe you.¨ ¨Well, you know a girl needs to help her best friend, so... I called another friend and voilà!¨ ¨What am I supposed to do? I don't have the fucking cure for sex pollen Harley! I owe you one, can't believe Ivy did this for me.¨ ¨You just said it, sex. C´mon Y/N!, it's your moment to play with him! He had you like a sad girl, why don't turn her into a mad girl? Make him cry for you. Break his heart like he did with you.

You ended the call, and just in time, Kory came. ¨Y/N, we need you Dick keeps talking about you and rambling about some stupid things.¨ You could sense a strange behavior from her, like if she just discovered something big.

Watching Dick twisting in pain and saying your name in just some black briefs felt good. You can't lie to yourself Harley was right.

¨It's sex pollen¨ You admitted.

¨And what's the cure? Do you have it? That's why you made the call?¨ Donna asked.

¨No, the only cure for it it's well... sex. The pollen might last for at-least 3 days or even a week, symptoms are well... extremely high sex-drive, dehydration, high temperatures, and... I think that's all.¨

Donna chuckled at what happened to Dick, ¨Let's go girls, let's leave this to Kory.¨ Dawn just laughed at a very shocked and blushed Kory, ¨Don't be like that Donna, Kory and Dick haven't confirmed anything yet.¨ You felt your jaw clenching, but decided to act calm, and when all of you were almost leaving, you were stopped.

¨No. I want her.¨ Dick said, pointing towards you. All of you stayed quiet at the sudden confession. You were shocked to say at least, blood rushing to your cheeks, you were about to leave that damn room until you remembered what Harley said.

Cry for me.

Donna grabbed your shoulder, looking at you. ¨You don't have to do this if you're uncomfortable.¨

¨No. It's okay, i'm in.¨

After mentally preparing yourself, bringing some water bottles into the room, they left you alone with him.

You sat next to him on his bed, memories came back flying around the both of you.

¨Look, I know that-¨ He completely cut you off when he started kissing you, making you lay down on the bed, you left a small moan when he broke the kiss for a moment.¨Oh my god, you don't know how much I wanted to kiss you again.¨

Did he missed you? Every question that came to your mind was easily erased when he started kissing and sucking your neck while unbuckling your jeans and taking them down with your underwear, he pulled apart to admire the bruises he left, he grabbed your panties and threw them to his nightstand.

He started kissing your thighs, making small pauses on each to make sure he's marking you as his again. Every time he went higher until he gave a small peck on your clit. ¨I can't wait to taste you sweetheart.¨ There it is... the nickname.

He got your legs over his shoulders and gave a testing long lick on your pussy, teasing your hole. At which he started sucking your clit once he heard the high pitched moan you did when he teases your hole.

His started spelling his name with his tongue on your pussy at which it only made you hornier, suddenly he inserted his index finger inside you. Dick sped up, fingers now flicking in and out of you at light speed, nose pressed into your clit, and before you knew it you were cumming, shuddering on his mouth, crying out his name. Quickly he took all the remaining clothes from you and him, now both of you completely naked for each-other.

He was rock hard. No, scratch that, his cock looked like it was made of fucking ruby. Red and painful and already half-soaked with pre-cum.

He pressed your legs impossibly closer to your torso, moving down to meet your eyes, until you were folded in half beneath him, legs on his shoulders, putting you into a—

Oh.

This was going to be a long night.

He fell on his forearms, and you wondered how much more you could take- He laced his fingers on top of your head, thumbs on your forehead, holding you still. He mumbled out another gonna make you feel s’ good before pounding you in earnest, practically bouncing you both on his mattress. His balls smacked against your ass, and the feeling was so damn satisfying that he just had to go harder. You would sport matching bruises tomorrow, his hips on your ass. You pushed out moans in time with his unforgiving pace, a metronome playing the beat to which his sanity danced away from him.

“More?” He sounded fucking pathetic, like he was asking himself that, his voice octaves higher than it usually was, but he didn’t care. “More, you little slut? That what you want? You want more?”

“I’ll give you more,” he babbled, “More, baby, give you more give you everythin’ gonna fuck you so hard you won’t walk for weeks.”

He’s not too worried about hurting you—you’re already so wet—more that he’s afraid he’ll cum the second he starts moving again. Out of his previous partners, he doesn’t think any of them have felt this good around him.

“Please-” a strand of incomprehensible begs and pleads leaves his mouth when he starts thrusting into you again.

¨Shit- how are you even tighter huh? You've been keeping this tight pussy just for me?¨ He's a whiny mess, small kisses every time he cans, praises here and there.

“Mmm yes please yes please yesyesyesss—” was all you could manage. He laughed at you, breathless, and you wondered how he could keep up this pace and still rattle off incredibly filthy little comments, looking right in your eyes.

“You’d like that? Yeah? Gon’ look so pretty, little baby, so pretty full of my child, yeah? All round and glowing and heavy with me. All of ’em will look at you and see me, all me, see that I did that. You want that? You want that you want that—”

He leans forward to coo praise into your ear, gently nipping at your earlobe. Goosebumps raise along your exposed flesh. The sound of skin slapping on skin echoes through the stairwell. Sometime during this his teeth find the soft muscle of your neck, leaving a crescent shape mark that’ll certainly bruise in the morning.

You're pretty sure everyone on this tower have heard the both of you fucking like rabbits by now, but knowing this was going to follow him his whole life, with the memories of him fucking you every way possible just so you could leave him, it's all you need to don't care about that.

The first time he cums, he doesn’t even realize he has. He shudders. It felt good—a bit too good—but nothing out of the ordinary. It makes him do a double take. His cock doesn’t even go soft. Drips of cum run down your thighs, pooling on the bed-sheets beneath you.

His thumb traces circles around your clit, moving in erratic, uneven motions. Dick leans back down for another kiss. You can taste yourself on him, though it’s not entirely unpleasant. Your arms wrap around his neck, holding him to your chest. The two of you can only fuck and cum until you’re too exhausted to continue. You’ve never felt so full. The thought of using protection crossed your mind once—and only for a moment—the pollen leaving you too desperate to care.

Second day and he wouldn't give you a break to nap for a minute.

His body curved and bowed, hips pressed hard against you, arms below your body and hands gripping your shoulders. “Mmm fuck baby,” Dick muttered into your mouth, your moans coming out of you almost breathless. “Yeah, yeahyeahyeah milk me fucking milk my cock gonna cum in you fuck a baby, my baby into you and you’re gonna fucking take it take it nnngh —”

He buried his face into your neck, teeth latching on to skin, biting down to draw blood, a choked groan as he came, really came, his balls squeezing painfully, a deep ache in his gut, indescribable tingles all along his cock, his spine, down to the soles of his feet.

Third day, and you started getting him where you wanted it.

“Sensitive,” you hissed, “Sensitive, Dick, you insatiable—”

“Insatiable is right,” he said to you, eyes wide, still looking like you just told him the Earth was flat. He towered over you, kneeling now, and with horror and a bit of something else you felt how hard he still was.

¨I missed you so much, the biggest mistake of my life was leaving you.¨

Fourth day he started getting sensitive but that didn't stopped him, and he was a little more languid, strokes slow and smooth, his thighs shaking just a bit as exhaustion started to settle in. His cum was spreading in a pool on the sheets now, and you couldn’t bring yourselves to be even a little disgusted. He loved it. He loved so much how it felt that tears dropped from his eyes every-time he felt that electric shock come to him when he was about to come. He was crying for you.

Last day. Fifth day. Barely even thrusting anymore, just a slow grind of his hips, the friction and the pressure and the raw sensation squeezing out what could have been an orgasm if only both of you were awake enough to feel it.

When you both woke up the next day, he was staring at you, straddling your hair, and that's when you knew it.

¨Good morning sweetheart.¨

You just answered with a small ¨hey¨

¨I never through of seeing you laying next to me again, it felt like home. I'm sorry I did that to you, you don't know how much I regret it, please, give me a second chance.¨

Bingo.

Without saying a word, you grabbed some shirt of his, long enough to cover yourself and went back to your room, stumbling and shaking someway you made it. You changed yourself, taking a minute to observe how he marked you, it was time.

You went back to his room, already changed, you gave him a smile and sat on the bed with him, with no emotion behind your eyes, it was your time.

¨You were ready to leave me for her.¨ Confusion, first stage he made you go through.

¨I was doing fine, really, but then you walked again into my life again and fucked me up.¨ Sadness and lies. Second stage.

¨You think this will make me stay?¨ You signaled the both of you. ¨You think with just some stupid sex to heal you is enough of an apology?¨ A laugh escaped your mouth. ¨You thought this was real?¨

¨You know for a fucking fact this wasn't supposed to happen.¨ You got your hand on top of his, faking a caring smile looking at him.

¨When friends of yours make jokes about how you always leave them, you think it's funny, but it's not. That hurts a lot, actually.¨

You got up from the bed and stepped closer to the door, you paused for a second and turned around to see a hurt Dick naked on the bed with just some blanket covering him.

¨And Dick... Of course I still love you, if it wasn't for me, I would go crying and throwing myself into your arms again.¨

¨You still can.¨ He tried.

¨No.¨ You chuckled. ¨I won't let myself get hurt again. Our love isn't worth the fight. Goodbye Dick Grayson.¨

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writers-potion · 9 months ago

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No character is going to live unscathed.

We writers seem to be an expert at getting our darlings bashed up, beaten and abused (sometimes to the point of insanity). That' great, and let's make sure we are doing it right.

Cuts and Scrapes

The area will immediately begin to swell up.

Blood rushes to accelerate the healing process, and that makes the skin around the wound look red and swollen, and it will feel warm (though not hot).

Most wounds wouldn't bleed too much, unless it's a head injury.

Try to give indications of how severe the wound is.

How wide is the injury? How far does it stretch across the character's body? Can bone be seen? Is blood seeping into their clothes or pooling underneath them?

Is it a clean slice, or is it torn open? Have parts of the flesh been pulled away?

How much does the wound frighten the injured character?

Bruises

When the injury is first sustained, it will look swollen and red.

Over time, the bruise will darken to a shade of blue, purple, or black.

After that, it will gradually turn yellow or green. Then it will turn brown and eventually fade away.

The word choice matters!

Describing a bruise as a "contusion" creates a violent connotation, while "blemish" doesn't sound so harsh.

Describing bruises as "discolored" or "shadows" comes with a more melancholy connotation.

How They Feel

An injury from blunt trauma, such as a bruise, is going to feel dull, and like it's throbbing.

It will feel stiff and firm from the swelling, and it may sting if touched.

As the bruise ages, it may feel tender and sore, but only when pressure is applied or the area is moved.

A wound from a sharp object, however, is likely to feel hot, tingly, or numb.

The pain may be delayed, but after the initial rush of adrenaline wears off, the pain from this type of injury will be fairly constant.

Scrapes tend to feel hot and itchy, and the scab from a nasty scrape can cover a wide area. It will also get itchier as it heals, motivating the character to pick at it and delay healing.

Healing Duration

The time it takes an injury to heal is going to depend on the severity of the injury.

As a general rule, however:

Bruises take about 2 weeks Scrapes take about 1 week

Minor cuts take about 2 weeks

Surgical incisions and sutured wounds take about 4-6 weeks

A bad wound that doesn't get stitches could take up to 3 months

If you like my blog, buy me a coffee! ☕

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pippin-katz · 5 months ago

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In Defense Of Edwin

Something that has bothered me is that there's a significant amount of people who talk about Edwin being unaware of Charles' pain as if he's oblivious, or like he did something wrong; that is simply unfair to Edwin.

Charles is happy, friendly, and wonderful. That is his personality. That is not all forced.

People are quick to jump on the line that Charles has been hiding his pain from Edwin, but a line people are ignoring from that argument is: "He's probably been hiding it from himself!"

His behavior indicates that he doesn't talk or think about trauma or negativity unless it's relevant to the situation. I doubt Charles even realized how bad his trauma was until the Devlin Murders. His pain was so repressed that he wasn't "feeling" it anymore.

Charles’ Triggers

While I'm not going to say that Charles did not hide his pain from Edwin at all, I am going to point out that this may have been the first time, in a very long time or ever, that they encountered something this close to home for him.

The only real reason Charles discusses his trauma now is because the Devlin House triggers him, genuinely in a psychological way. It's not just the "crazy dad" that gets to him. There are so many details that fit Charles personally. That whole situation is too fucking much for him.

The song Owner Of A Lonely Heart playing in the background; a song that he says he liked enough to get the cassette tape but that it was smashed by his father.

The controlling and restrictive behaviors of the father on his daughters. The eldest daughter writing about walking on eggshells and looking forward to graduation.

The way that the father kills them; he doesn't shoot them, or poison them, or whatever, he butchers them. His attacks are physically direct. He swings an axe, so his movement is the root of the violence. If it had been a gun, it would've been his finger on the trigger, but the bullets hitting them. Charles was abused by his father through the means of a belt, which is physically direct.

The loop, having to watch it over, and over, and over again with no break, no relief, and not being able to do anything, no matter how many times he sees it happen. Charles' abuse seemed to be regular and constant, no matter what he did. It always ended the same way.

All of that is then exacerbated by the Night Nurse forcing him to reexperience his trauma the very next day. That's a lot of specific details and events that lead to his complete breakdown.

Charles hasn't been consciously choosing to hide all of that pain from Edwin. It had been buried to the point where even he couldn't see it anymore, but the Devlin House uprooted it from his subconscious.

Charles’ Parents

Now, he does hide his habit of checking on his parents from Edwin, but that's not fully about his abuse. Charles misses his family, his life, being alive.

It's worth noting that he only shows Crystal his parents because he's trying to connect with her about not being able to go home. He didn't bring that up on a whim. It was relevant to help Crystal feel understood. She's not special; if someone completely different from her did the exact same thing, Charles would've shown them too.

Now, let's talk about him not telling Edwin. Charles may not have a full comprehension of Edwin's experiences, but he knows he's different from "normal" people. Hiding his parents from him is likely just as much about not wanting to hurt Edwin as it is protecting himself.

Edwin does not show any type of longing for his life. Everything he knew about the world from his time is gone or been changed beyond recognition. He doesn't have a family to miss, not that he was close to them in the first place; even if he did have an emotional connection to them, they've been long dead.

And Edwin seems unbothered, but there’s no way for Charles to know that for certain. Watching his parents weekly would remind Edwin constantly that he does not have anyone. He’s worried about being insensitive; he feels like he would be unintentionally taunting Edwin and rubbing salt into the wound.

Edwin has been dead for over 100 years and spent 70 of those years being torn apart by a demon in Hell; how could he even remember physical sensations other than pain and exhaustion? How could he remember the taste of food while running through Gluttony, watching its inhabitants vomit profusely? He never saw the appeal of romance or sex prior to his death, and then he witnesses the bloody masses of people in Lust; how could he be anything other than repulsed?

Charles tells him that pain is not a contest, but he almost without a doubt compares his own experiences to Edwin's. It's something people with low self-esteem do more than others. He feels guilty, like he’s selfish for being upset; Edwin has it so much worse.

How does being abused by his dad compare to being dragged to Hell? He got hit with a belt; Edwin was ripped apart. Who is he to whine about his life to a boy who has died more times than days Charles has existed?

He may not have had the specific details before, but the knowledge of it being Hell was enough. When you don't put your own needs on your priority list, that's one of the first "justifications" your brain comes up with. They already have enough on their plate, and you don't need to talk about it. You're totally fine! So yes, hiding his parents from Edwin makes sense from his perspective.

But his abuse? Charles doesn't even realize how much pain he's in; how could Edwin have realized?

My point is that Charles wasn't actively choosing to hide all of his pain from Edwin for thirty years, so to blame Edwin for not noticing is like blaming a blind person for picking up a red ball instead of a blue one. He couldn't have noticed; there was nothing for him to notice. Charles wasn't wearing a full mask.

The second Charles shows any indication that something is wrong, Edwin does notice!

Edwin may have trouble with people, but he's not oblivious, and he knows Charles. If he's ever been upset like this before, he would've noticed. He notices Charles' change in behavior after Crystal joined in only a day, and he doesn't deny it when Edwin calls him out.

Edwin also follows up on asking if he needs to talk about his father. Charles brushes him off, but Crystal and Niko show up before Edwin has a chance to press a little more, which I think he would've. I don't think Charles would've opened up, but it would've shown that Edwin is aware that all is not well. He is aware, but on top of being in the dark about it, he's got his own shit he's working out and cases to solve. His attention is divided.

I think it's important to remember this fact that has been driving me mental for months now:

Charles and Edwin’s dynamic during the show is a completely different dynamic than the one they've had for the past thirty years.

The introduction of Crystal, going to Port Townsend, meeting Niko, Monty, fighting Esther, the Cat King, etc. etc. etc. Everything about their relationship gets shaken up from the start of the show. They're both acting differently in all sorts of ways, and some they even acknowledge to each other.

What we saw of them in Port Townsend is not what Charles and Edwin were during those thirty years. It's unfair to pass judgement on something we don't actually know about.

I guess what I'm saying is that I'm getting really tired of fics/posts making a commentary about Edwin not noticing being something he has failed at. Does Edwin feel guilty for not realizing it sooner? Absolutely, but please, at least acknowledge that it wasn't his fault if you're sticking to canon. If you want to twist some shit into it to make it more complicated, make it more angsty, go right ahead! I'm absolutely not stopping you!

But canonically, at least I feel after studying these characters under a microscope, Edwin could not have known sooner.

(ko-fi)

#dead boy detectives #thoughts: dead boy detectives #charles rowland #jayden revri #edwin payne #george rexstrew #payneland

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cherry-leclerc · 4 months ago

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don’t lock the door ☆ cs55

genre: fluff, humor, smut, angst, thriller/suspense, mentions of depression, mentions of suicide, mentions of homicide, erotic literature, tragedy

word count: 9k

An oleander is beautiful—yet deadly. You’re beautiful—yet deadly. But Carlos has always been gentle, and has always known how to take care of things he loves. And even if he doesn’t, he’s willing to learn, just for you. But you can’t outrun secrets. Not when they have everything to do with the only thing he adores—you.

nsfw warning under the cut!

18+... fingering, riding, car sex

STOP AND READ:

The story you are about to read is not meant to be admired or looked up to. Regularly, the types of fics that I like to present to all of you are light, humorous, and sweet. While I feel that this story does have occasional glimpses of that, it also deals with heavy topics such as; suicide, depression, and homicide. At the end of the day, I care about all my readers, so if any of you feel like this is not something for you then you are always welcomed to head over to my masterlist for much lighter reads. You all know me by now, so you must know that sometimes I like to mix a story of traditional love with a dash of real life struggles, such as trauma and guilt, in this case. With that, I hope you enjoy word for word.

cherry here!...did you miss me????

Tension is normally one’s enemy. It’s fairly simple, you try your best to avoid what makes your skin crawl. Isn’t that how the story goes?

Not quite.

There’s tension, yes, but it's only because you’re the opposite sex. Nothing beyond that. It could also be because you’re both introduced to each other as a pair of miserable singles. Lewis is the person you share in common.

She’s a close friend, he proclaims as you two shake hands. The touch is sticky, just like hot glue— and for a minute—it feels like a knife cuts this invisible strain in half. He lets himself salivate over your lioness stare; dark, sharp, amorous. You lean towards him just the same; dominant, mature, suggestive.

I’ve seen you race.

He hums, still attached to your desirable touch. Yeah? Why haven’t I seen you then?

Fingers press sternly against his warm skin, as if to provoke him more than he already feels himself falling into. It should be alarming the way his mind slips into a frenzy because of it, but likes it. The rush.

Maybe because I wasn’t rooting for you.

There. Right then, he disconnects. I was hoping that wouldn’t be the case.

You grin. Well, now you know.

“You know what? Mingle—”

“Who says mingle?” you and Carlos question at the same time, judgemental eyes staring coldly.

Lewis blushes. “I-I-Is that not a thing anymore?” Silence. “Fuck, I really am getting old...”

The night consists of mimosas, because according to you, it reminds you of your late-mother. “She liked something fruity, but also fun enough to make her head spin. It was entertaining to watch.”

“How so?”

“She’d ramble on and on. Slurred about her dreams.” A sad smile. “That’s the only reason why I ever found out she wanted to become an author. She was fifty—five decades too old—but she said she wanted one last adventure before retiring. It didn’t even matter if she made it onto the New York Times Best Seller list.”

The way your eyes even out, round and almost doughy, makes him trip for a second because this is not the same girl he shook hands with nearly three hours ago. No, this version of you was almost childlike, but he supposes that's how everyone who loses a parent becomes.

It comes out shy—closed off—your laugh. As if you just caught yourself being too vulnerable. That was always the worst. “Look at me making you my therapist. I have got to stop doing that.”

His mouth opens lamely, ghostly scoff sitting upon his lips. And if it were to be released, it wouldn’t hurt your feelings. It was a weird thing to note. “I like hearing you talk.”

A beat. “We’ve only just met.”

Carlos grins, crinkles tracing the corner of his eyes like some beauty. “Then let's meet some more.”

The opportunity is there, the kind you’ve been looking for. With a sheepish smile, you nod. “I should warn you though, I’m a bit of a mess.”

Finally, the scoff escapes. And like envisioned, you laugh at the sound.

“Consider me warned.”

He fucked you that same night in the back of his car. It was late, so dark that you barely even had the chance to register the fact that you squirted all over his vintage Ferrari.

“It’s fine, don’t worry about it,” he pants as he snaps his hips up again, fast motion making you head loll bad. You wonder what he means, but as soon as his long fingers circle your swollen bud, you’re just as good as gone.

He asked you out an hour later, when he dropped you off right in front of your apartment. You happily accepted, unable to hide your excitement.

Your smile falters. “Give me a reason as to why I should say yes.”

“Um, well, you sort of already said…yes?”

The confusion that settles onto his handsome features makes you glow with satisfaction. “I could always change my mind. Pretend this night never even happened.”

Panic rushes harshly against his shoulders. He doesn’t even know why he cares so much, but he does.

Vulnerability is a bitch.

“Huh,” he hums, relaxing against his seat, head hitting the expensive cushion. And you can see it. The challenge. He clicks his tongue, bored all of a sudden. “Listen, I want you, but I certainly don’t need you.”

You realize right there and then—you met your match.

You realize right there and then—you two share the same green pride.

You realize right there and then—

“It was nice getting to know you.”

The only reason you’re even friends with someone like Lewis is because your mother married rich.

Filthy fucking rich.

Then, somehow, married richer by her third and last marriage. The man was twisted, but you never knew just how much. Not for a very long time.

He dabbled in stocks, or some boring shit like that, and later invested in some other crap. Somewhere along the line, you met the Brit.

The same Brit who now hisses at you through the phone.

“God damn it, what happened? Weren’t you two getting along?”

You sigh, rubbing your feet together as you admire the way the navy blue paint covers your pedicured nails. Stormy clouds match your mood as you shake the bottle of pills that lay on top of your desk.

“He’s too vain.”

He groans. “You my dear, dear friend, are looking into a mirror then, I suppose.”

A sharp gasp. “Are you insinuating I’m the same?”

“If the shoe fits…”

“May I remind you that you sit and stare at yourself for God knows how long before any race? Newflash, dickhead, you’re going to sweat, look like shit, and one out of ten times, you’re going to win.”

“I see I triggered something.” He sighs heavily. The sound tells you he’s not really upset or anything, but more so worried. Ever since she died, you’ve been that way.

Snappy. Defensive.

“Hey, I’m sorry—”

“Don’t be. I know you.”

And although he can’t see, you still smile fondly. Rattling the bottle of antidepressants, you inch up higher and higher onto your chair until you face your own reflection. Shattered glass stares back at you as you feverishly look down.

“Do you still have an extra pass to this weekend's race?”

There had to be something wrong with you. Everyone could tell, and quite frankly, you could agree. Would you admit to it out loud? No, now that’s something different. Or maybe you’re just odd. That would also make sense. Whatever it was, it would explain as to why everyone around you screams with excitement as the fast cars fly by. You, on the other hand, simply stare with straight lips and empty eyes.

While all clap cheerfully when Lewis finishes on the third step, you cross your arms. While everyone runs out of the Mercedes garage to declare front row, you drag your feet slowly to the last.

While Carlos makes eye contact as he lifts his trophy—notably bigger than the Brits—you yawn.

You’re not impressed.

She’s not impressed, the Spaniard remembers thinking to himself as he smiles wider towards the stacks of cameras that turn him temporarily blind. He selfishly thinks you’re here for him, but he knows that's straight bullshit. Truth be told, it didn’t seem like you were here to support your friend either.

“It’s been so long,” Lewis huffs in disbelief as you stare across with vacant eyes. To him, you’re simply jetlagged. “Can you believe it?”

An exhale. “You did good.” Extending your legs outward, you admire the black tiles that shine back brighter than if it were to be white. “Drinks. On me.”

The Brit laughs. “Deal.”

Somewhere close by, they play jazz.

“Pretty,” you softly speak as you connect your lips to the glass. The live band sways back and forth, only adding to the charm you seem to like. And you like it a lot. “Dance with me.”

Lewis snickers. “I love you to death, but I’m gonna have to go with no.”

You frown. “Come on. I never ask you for anything.”

“You were born with a golden spoon and have used retinol since you were ten, you’re not allowed to ask for anything when you’ve already had everything.”

“Yeah…well not this.” You’re secretly envious of every lady in the room. The way they beam with sincere smiles at their husbands. Boyfriends? Flings? Affairs? Who cares honestly, you were jealous nonetheless.

The Mercedes driver watches as your fingers lazily tap against your lap, as if signaling you’re free. Guilt slithers down his neck as he sighs in defeat. “Fi–”

“Nice seeing you two here.”

Lewis wants to cry with utter thankfulness as Carlos inches closer with a lousy grin. “Hey! Oh God—hey.” You blink. “Wh-what are you doing here? Not that I’m complaining, of course, because I’m not.”

The Spanirad shrugs. “I won. Wanted to celebrate, I suppose.” Brown eyes flicker towards you like thunder and suddenly you feel naked under his gaze. You swallow. “You look nice.”

And there it is again—tension.

He cocks his head to the side, almost as if waiting for a compliment of your own. Instead, he finds himself being ignored. Crossing your legs, you lift the empty glass up as the bartender hurries for a refill.

Finally, Lewis speaks up. “I think I’m gonna hit the hay—”

“Who says hay?” you and the brunette spit out with snarkiness. You bite back a smile while he releases a chuckle.

The Brit stands up, chugging the rest of his drink as he waves you two off. “I’m not that old,” he shouts as he turns the corner and disappears.

Carlos takes the time to catch up on your appearance. Last time he saw you, you had longer hair, now it appears you’ve had a trim. He likes it. You were slightly tanner, but now appear a shade lighter. It could just be because it’s winter. It's nice seeing other versions of you.

“So, how have you be—”

“Why are you still here?”

He freezes. It takes him a while to find the strength to open his mouth.

“We never finished our conversation.”

He didn’t fuck you that night, no, he took you dancing. And maybe that’s why it worked this time around. Instead of taking the time to learn all the different types of moans you have, he took the time to learn all about your upbringing.

I learned how to bike when I turned six. Had severe trust issues for a year, so I tried again when I was seven.

That must be where your scars are from, he thinks to himself, but he finds them endearing.

I like long hair, I find it beautiful, but as soon as it’s starting to grow out I think it looks too weird on me.

That must be why your hair is shorter than he remembers, but he loves it. Has the urge to run his fingers through.

My favorite movie is How Harry Met Sally, but quite frankly, I don't find Harry attractive at all, so I never really understood why Sally settled down with him after so long.

And you’re honest. Brutally honest. And he finds that attractive.

“How about you, Mr. Singapore?”

I learned how to kart before I learned how to bike, actually. I, too, have scars on my hands from small crashes.

You blush as you hide yours beneath your coat.

I have two sisters, so I mainly learned how to dance because of them. I hated it at the time, but now I’m quite grateful.

Is it possible to swoon harder?

And I don’t have a favorite film, necessarily, but I’ve watched How Harry Met Sally, and I would agree. Sally was too good looking for him.

You have to laugh. “Is that so?”

He smiles. “The name Harry sounds so…” He winks cooly before running a hand through his locks. You giggle. “He looks more like a Bob.”

“Oh my God! Could you imagine? How Bob Met Sally?” You pause. “Wait, that actually doesn’t sound half bad…”

He chews on his bottom lip slowly, nodding in agreement. Silence engulfs you two as you stare at each other with round eyes. He’s the first to crack a loopy grin and you quickly follow with a sheepish one. Then, it vanishes and he’s left looking like he swallowed a frog.

“Listen, about last time…”

“Long forgotten.”

He halts, almost surprised by your response. “No, no, there’s no need to pretend, I was a—”

“Jerk?”

The Spaniard rolls his eyes. “Great, so you haven’t forgotten.”

You shrug. “I’m a girl. We remember everything.”

“Got it,” he declares. “Ask me again.”

Now it’s your turn to freeze. “What?”

“Ask me why you should say yes to a date with me.”

“You don’t have to do this, we’re good—”

“I know we are, but I still want you to ask.”

You lick your lip anxiously before relaxing your stiff shoulders. He tilts his head as if urging you and you nod. “Why should I say yes to you?”

Satisfaction settles. “Because you like a good challenge.” He leans closer. “And isn't that what this is?”

Carlos Sainz Jr. was made for you.

“Leave me alone,” you scream, veins throbbing, as you rush past him, heading towards the guest room. You’re glad his parents aren’t home at the moment because Lord knows the embarrassment you would feel.

“No. Not until you talk to me.” As simple as that. Your eyes twitch as you turn back, then bring your hands up to your hips. He adores it when you do that, though he probably shouldn’t right now.

“You want to talk?” You let out an unhinged scoff. “Oh, would you look at that, he wants to talk! Now he wants to talk. Well guess what, fuckhead—I don’t.”

With that, you march out into the balcony. His eyes follow the way you light up a cigarette. The way you drink the last drops of champagne that linger in the bottle gifted to you by his mother.

She was kind. She was beautiful. She didn’t deserve someone being this mean to her son.

You barely recognize him because of how blurry your vision is, but his scent does it. Musky. Woody. Calm.

He hands you the familiar pill, then a glass of water. He rushes the champagne away, then takes the cigarette and squashes it against the cold floor. He doesn’t so much call you out for being a lunatic, for upsetting his dogs with all your yelling, or for pushing him. No, he doesn’t do any of that. And you have never been more in love with him than now.

“I know I can be a bit much sometimes…” A sniffle. “I swear I try to catch onto it so you don’t have to deal with any of this, but—”

“You don’t mean it.” He tangles his fingers through your hair as you sob. And it’s soft despite spending the entire day near the ocean. It feels silky. He’s obsessed. “I know you.”

You were made for Carlos Sainz Jr.

“How do I look?”

“Like an angel.” He swears he turns bright red when you blow him a kiss. “Your name must’ve been Bonita in another life because look at you…” A hand flies up to clutch onto his heart as he makes a face. “Though, I must say, you do know how to make me look bad.”

You giggle. “Oh? This old thing? I thrifted it. Nice, eh?”

He groans. “Very, but you’re supposed to be rooting for Spain.” A gag. “Not Italy.”

You frown. “That's all I had. Plus, you’re basically Italian given your working status.”

“No, amor, they pay me to like Italy. It’s a cover up, think about it.”

You huff, popping your hip outward. “Still. I like it, so I’m wearing it while cheering for the opposite team.”

“Always over complicating things.” He laughs. “Can’t say I’m surprised, you’re a complicated person.”

A deadpan expression. “Suck your own dick.”

“Oi, relax.”

Spinning to face the mirror, you fix your jersey one last time before skipping out the door, tube socks sliding as you go. The Spaniard lets out a dreamy sigh.

Were you flawless? Not at all.

Were you put together? Not without a prescription.

But he loved figuring it all out with you. And that’s called love.

You’re in the middle of a rampage, during dinner. While everyone stares at you puzzled, he simply laughs at your cartoon expressions.

“I mean, I offered!” A pout. “I clearly stated I could get the cap signed for her and she gave me the nastiest, ugliest, dirty-looking glare! I for sure thought her face was permanently damaged.” You relax against the chair, your shaky hand finding its way to your water bottle. “Like sorry for riding your favorite driver…”

Charles laughs nervously. “I don’t think that was a necessary thing to include…”

You shrug, raising your brows over to your boyfriend who struggles to breathe.

The conversation flows easily, like most nights you're all together, but this time there’s a minor bump. You’ve been good about it; avoiding the question for so long. Over the course of time, you’ve managed to be so mendacious, that truly no one knew the truth. Not even Carlos.

“I hope it’s not overstepping, but how did your mum pass?”

He means no harm, Lando, but you just wish so badly that you could believe that. While Carlos and Lewis were the closest thing you have to a family nowadays, even they knew not to ask. You never laid the rules out loud, but they could tell it was an unwanted topic to have on your behalf, no matter how curious they got.

All of a sudden, your mood deteriorates. The look in Lando’s eyes makes sure to strike off as an apology, but you’re so busy looking down onto your lap that you don’t even pinpoint the meaning. The table grows awkward as time ticks by.

No one has the power to change the subject, save you the same way doctors tried to save your mother—because they, too—wonder.

You gulp, feeling small, but far too seen at the same time. It was confusing. “She, um…her last husband…” Everyone feels bad, like you’re some limping puppy, zigzagging down an empty highway, but remain quiet. Then, you look up, stone cold but the tip of your rosy nose and blotchy face is enough reassurance that you still have a beating heart.

“Husband number three strangled her to death.”

You say it like you don’t care. Like it hasn’t affected you at all, and that makes Carlos blink twice as fast as everyone else in the table. A droplet makes its way down your cheek as you let out a light laugh.

“I guess he thought he was some Superior God who had a say in cutting her time short.”

They all freeze.

“I am so sorry for asking—”

“I didn’t need to respond.” You smile lamely. “It’s fine, Lando.”

But it’s not, not even close. They ripped the confession out of your throat, at least that’s what it felt like. No one stepped up, no one said anything.

Your eyes flicker to the only man who makes your heart speed.

He reaches for your hand and you grip it hard.

No one said anything.

Not. Even. Carlos.

You’ve always excelled at holding a grudge. It came fairly simple.

But as you stare at him through the screen, for the first time—and only the first time—you struggle. Maybe it’s his puppy eyes that betray you, or his gentleness anytime he steps near you, you don’t really know.

And you don’t want to.

“I was thinking mariscos.”

Hair flies past your eyes as you squint. He looks particularly handsome today, wearing a linen shirt that drapes over him like some silver armor. Long waves brush against his temples as he returns the squint, slightly smiling at your lips.

“Sounds good to me.”

Soft music roams the isolated restaurant that almost seemed to belong to just you two, and that helps you relax. You could tell it helps him too.

“The car felt good today.”

“Yeah?”

He nods, biting onto a piece of shrimp. “Felt like I was flying.”

You let out a whistle. There’s a comfortable silence that lingers for a while before you raise a brow up to the open sky. “Hey,” you start as his orbs flicker up with all the attention in the world. “Do you believe in angels?”

A moment. “I’d say so, yes. Yes, I do.”

Hum. “You sound freakishly sure.” You inch forward with teasing eyes. “Why?”

“Easy.” Chocolate orbs swirl with adoration. “There’s you.”

“I don’t count.”

He frowns. “And why not?”

“Because you love me, of course you’d say that only to be nice.”

“I say so because I know so.”

“Love is blind, love is blind,” you chant, sipping on his open can.

A second ticks by. “Why do you ask?”

And like the first night he met you, your eyes merge into doe eyes. “Because I do.” A sheepish grin. “And sorry to disappoint, but it’s not you.”

“What’s his name?” he jokes.

But you’re not even listening. “My mom was pure. She was a good person, Carlos.” A beat. “She’s my forever angel.”

His heart physically hurts at your glossy eyes, immediately reaching for your hands. “You must really miss her…”

A wet laugh. “Is there a word stronger than ‘really’? If there is, then that would be one way to say it.”

And he has to apologize, even if it’s seven days too late.

“I’m sorry for not stepping in that night. I-I-I should have said something and you should have said nothing.” Thick brows knit in together. “You don’t know how shitty I felt, but—”

“You wanted to know as well.”

The way his features freeze is enough confirmation. And you can't be mad. Not even a little. Not even a lot.

“That doesn’t make you a bad person, Carlos. I should have been more open and honest with you first.” A gust of hot air slaps you across the face. “I tend to shut out people like you because…I don’t know.”

“Vulnerability is a bitch?”

You laugh. “That’s one way to say it.” Orbs scan his beauty with no shame before falling back. “You still have plenty of questions, don’t you?”

“O-of course not.”

Another laugh. “It’s okay. You caught me in a good mood. Go on.”

He’s awkward at first, but slowly eases with the sound of your breathing. “Why hasn’t he been arrested?”

“Because he’s a multi-billionaire.”

He gulps and you blink. “Why haven’t you sued?”

“Because I’m not a multi-billionaire.”

“So…he did a cover up with a wad of cash?”

“Mhm. No one dared ask whose hand shaped bruise was imprinted in her neck.”

He’s caught off guard by your bluntness, but he knows he needs this because he knows it will keep him up the same ways it’s kept him up since that god forbidden dinner.

“This was the cause of your…” He doesn’t even want to finish his sentence.

“Depression…yeah. Losing someone you love will do that to ya.”

But he wants to ask—he wants to ask more because he knows there has to be more. He’s lost people he loves too—and he loved them very much—and he never got this way. In a flash, he feels guilty for comparing his healing process to yours but quickly looks down onto his lap.

And the hot summer rain is enough warning for him not to question you any further.

The Spaniard shares a grateful smile. “Thank you for trusting me. To take care of you, and all t-that,” he stutters, blushing.

“I love you, Carlos.” A beat. “I’ve always trusted you. The only person I don’t trust is myself.”

“Be quiet,” she hisses, urgently signaling you closer. “And make sure to shut the door.”

Confused, you hesitantly push until you hear a click. Inching closer to your mom, you slowly become more and more lost as you eye the scattered papers all over your step-dads office table. “What is all this?”

Color drains from her normally youthful face. Even the brightest shade of red can’t help add life. “Proof of embezzlement.”

“What?”

She slides stacks of black folders towards you and you quickly flip through, to which you don’t understand a single thing. “He’s stealing money, that’s what. We’re not talking thousands, we’re talking millions,” she whispers frantically before growing green. “Oh God, I think I’m going to be sick.”

“Okay, okay, hold on, you’re okay.” Rushing to be next to her, you clumsily tie her hair up into a messy ponytail before fanning her with the white sheets. You wince, quickly placing them back down. “How did you even come across this?”

Just as fast as a lighting bolt, she spins the chair. “I’m starting my book—” She gags, “I was supposed to start today, but I came in here looking for his typewriter. You know, the one with the tiny cherubs?” Across the office, you spot it, the tiny angels delicately painted onto the infamous typewriter. You nod. “Well, I started to search for some paper and instead found all of this…”

Even you grow dizzy as you eye the infinite zero’s that jump out against all types of sums. That’s not even enough to spend in ten lifetimes. It was no wonder he just recently made it onto The Forbes list. Her eyes—honest as ever—make you panic as you twirl your thumbs. “Wait…you’re not thinking of confronting him about it, are you?”

“I have to.” Pause. “Right?”

No. You don’t want her to. Not in any scenario. It’s taken you both so long to reach the life you deserve, and now that you were finally here it’s about to be ripped away from you? Your lack of words makes her glare.

“I don’t know why I’m asking you, I have to! It’s the right thing to do.”

Adrenaline. “Mom, just think about it—”

“I did not raise you to be avaricious,” she spits out, fire practically fuming out of her. You flinch. “I’m going to talk to him.”

“Y-you’re right.” There goes all your money down the drain. “I’m with you no matter what.”

Knock knock.

Like mother-daughter, you both freeze as your eyes flicker to the sound.

“Angelica, are you in there?”

You never liked the name Angelica. Not on anyone else that wasn’t your Angelica.

Running over to open, she finds herself face-to-face to Lucifer himself as he cocks his head in humor. “Locking me out of my own office now?” He enters. “Fun.” Dark eyes roam the messy area. “Fun.”

Her eyes plead with you in a language only you both knew, but never did you mean to obey. You wanted to stay with her—something told you to stay with her.

“Honey, give us some privacy, yeah?”

“U-uh…” He winks like that was the go-ahead. Like that was the last permission you needed to agree. And maybe it was.

Deep down it’s almost like you knew he had sinister intentions. Deep down it’s almost like you knew he was capable of committing those sinister intentions.

Deep down.

It’s like you don’t even care.

You smile, tight lipped. “Whatever you need.”

You heard the argument that night, you heard the threats. You heard her pleads, you heard her chokes. You could only imagine what was going on inside, but you were your mothers daughter. You could imagine quite a lot.

She could’ve been an author—with his resources she might just have hit the New York Times Best Seller list. She could have been a grandmother one day—surely your kids would have lived a luxurious life.

She could have been obedient. Why wasn’t she obedient? Was it so hard to brush it all under the rug?

He was sweating, just as much as a pig. Or maybe he’s glowing, he is smiling after all. Here and there he apologizes in a lousy manner, but you didn’t care. All you cared about was—

“How much money am I gonna get to keep?”

He’s intrigued. “How much do you want?”

“Enough to not have to worry.” You can still see it; cramped rooms, tin canned meals on paper plates. You could never go back.

An eye roll. “You’re just like her…” A beat. “Fucking greedy.” You can feel the blood rush to your cheeks. You’re embarrassed—-of course you were—who is he to judge? He sighs. “No.”

“What do you mean no?”

“It means I’m not transferring you anything. I want you out of this house no later than Sunday.”

Plump lips open, then snap shut, teeth gritting. “I’ll tell everyone that you’re a murderer. You’ll lose it all, w-watch.”

He’s not phased. Not even in the slightest. “And who’s going to believe you? Tell me, really, because I’d like to know.”

Fuck him for having everything. Fuck him for having everything. Fuck him for having everything.

And fuck yourself for having nothing at all—again.

Months swept by, the death was ruled a suicide, and antidepressant became your loyal friend. There was no one else, and sometimes you feared there would always be no one else.

Then—by some miracle—there was Carlos.

He was handsome. He was shy. He was sweet. He was kind.

He was rich.

You played hard to get, but so did he. You played the long haul, but so did he. You were a fantastic liar, but he was an ever better believer.

And it all clicked.

Just the way it was supposed to.

You’ve been accustomed to a certain lifestyle for years now, but somehow you’re always surprised about the sudden boost you’ve switched to ever since you’ve met him.

Chanel heels turned into red bottoms. Last season dresses turned into those that were not yet released. You loved everything about it.

“You look so beautiful, cariño,” he groans against your lips, desperate for more. His large hands play with the silky fabric, fighting to slide it up against your hips. You shudder. “I mean…come on.”

“Hey, hey—that’s sweet and all—” You push yourself closer to his toned body, immediately feeling his erection. You nearly whimper. “But why don’t you fuck me instead?” A kiss. “You missed me, no?”

And instead—he whimpers. “How dare you even ask?”

With that, he picks you up with ease, pinning you against the wall. You’re dizzy, because unbeknownst to him, he’s casted a spell on you. Never did you think you could fall in love, much less, have someone reciprocate.

Tender fingers make their way to your clit as you lunge forward, biting down onto his shoulder. It should amaze you how he holds you up with one arm, but you’re not. If anything, you leak more and more by every passing second.

His dirty pants make you fold as you clench around him. The way they curl, the way they pulse, all of it was your kryptonite.

“Shit, shit, shit,” you squeal, keeping your eyes trapped shut, feeling the familiar knot forming. He grins, pecking your sweaty forehead, digits speeding up. Berry lips form an O as you moan louder with every push.”I-I’m c-c-close—oh God.”

“Shh. It’s okay, let go for me, yeah? I’m right here with you.”

Gritting your teeth harder, you moan like some pornstar as you finish all around him. Almost like some rule, he desperately sucks his fingers clean. The Spaniard hums like he’s living his biggest dream of all before opening his round eyes.

“So sweet.”

You blush. “Yours tastes like shit.”

He laughs. “And yet you beg for me to finish all over your face, isn’t that so?”

Nearly choking at his bluntness, you fight back a smile as you play with his floppy locks. They’ve grown so much from the last time you saw him, so this was certainly eye candy to you. He sighs, relaxing as you continue to twirl thick strands around your fingers.

Soft legs still drape over his waist, hands still lay around your waist, and even breathing connects you both. Carlos feels like he’s nearly dozing off, but his hand remains firm, preferring to take a bullet than to let you fall.

You like to think that you like his lashes the best. But then there’s his eyes. And his nose. And his heart. And his lips. And his hands. And his sculpture body. And his jokes. And his laugh. And his freckles. So you never could choose, not truly.

Inching closer to his ear, you smirk slowly. “Wanna fuck my mouth?”

His eyes snap open, jaw clenching. “You’re such a tease.”

A shrug. “Want to or not?” You bite your lip, legs letting go of his hips as you slide down. “Because this offer ends in five…” He raises a skeptical brow. “Four…” You motion him closer to which he steadily follows. “Three…” He laughs. “Two, one!”

Sprinting up the stairs in a flash, you giggle as he chases after you. The sound of his steps make your heart beat faster as you jump onto your shared bed. Rushing past the corner, he cocks his head to the side as he clicks his tongue. Stepping into the room carefully, he swung the door closed before locking it. You frown.

“Reassures me that no one will walk in.”

“No one will walk in,” you whisper as your stomach drops. “There’s no need t-to—”

“No, yeah, you’re right,” he agrees, taking in your breathless state. “But I prefer it this way. Just you.” A closer stride. “And me.”

Palms are sweaty. Blood slithers down your throat and thighs. And yet your freeze. You feel hot and cold, all at once. You don’t like the feeling, any of it, but you try to ignore the inner monologue.

“You look stunning,” he states, finally reaching you. “You always do.”

Your speeding heart lessens. “T-thank you.”

A beat. “You’re not nervous—are you?”

Hastily, you shake your head. “N-no! Of course not!”

Thick brows knit together. “Because you normally aren’t.” His smile fades. “W-we don’t have to do anything tonight if you don’t want to, you know that right?”

Physically, you’re cringing. Mentally, you’re spiraling. The act itself makes the Spaniard withdraw, taking a steady step back and shaking his head. Panic rises fast as you crawl closer to him, reaching the end of the bed.

“I just have a lot on my mind, but I want this.” A beat. “I want you.”

It’s as if you’re a blank sheet of paper, blinking up at Carlos with such innocence. So much so, it makes his heart stop. He looks for reassurance, which you give him, and he looks for it again, which you give again without hesitance.

“Come on, Carlitos…” you slowly whisper, batting your eyes. “I know you’ve missed my mouth.”

If you weren’t so breathtaking, if you weren’t so seductive, if you weren’t so goddamn tempting then surely turning you down wouldn’t be an issue. By alas, you’re here—and even better—you’re all his.

“Eres un sueño.” It seems like an eternity passes by before he finally steps close to you once again, getting rid of whatever distance you ever had. Like it was never meant to be there to begin with. “Can I kiss you first?”

It’s sweet that he feels the need to build up to fucking you sore, but sweet nonetheless. That’s one thing you love about him—and there’s a lot to choose from—his respect towards you. Smiling warmly, you extend your arm, inviting him like an angel before he smashes his lips against you like the devil.

The contrast. It’s just what you needed.

“God, I fucking love you.”

“I—” His lips press harsher as he continues marking his territory. All of it was making your head spin like a rollercoaster. “I love you too,” you manage to spit out as he makes his way down. You blush. “I-I-I sort of wanted to…”

He blinks. “Sort of what?”

“Well, you know…” You point towards his hardened cock.

And he actually snickers. “Cat got your tongue today or what, bella?”

A groan. “You’re so fucking annoying—”

“No, no, no,” he cuts in with a whistle. “By all means, go ahead.”

Desperate hands crazily reach out towards his belt in a nanosecond. You should be ashamed how hopeless you are, but you don’t find enough strength to care. Not when he was looking down at you with hungry eyes.

“Tan linda,” he whispered underneath his breath. As if you weren’t meant to hear him. As if he can’t quite believe it’s you he gets to keep. This must all be a dream to him, he thinks.

Just as you’re about to pull his jeans down, large hands get ahold of your wrists. Confused, you look up at him, head tilted and messy hair falling over your shoulder. He grins wickedly.

“Just one more kiss.”

You scoff, rolling your eyes. “Are you kidding me—”

But his soft lips move with such urgency that you don’t even have time to bitch and moan. Not that you’re trying. You can feel it; the hunger, the lust. The way you run your fingers through his hair, or how he squeezes your ass. In a matter of seconds, the room grows steamy, hot breaths expanding with every peck. It’s as if Carlos was too afraid of being ripped away from you even for a second, scared your lips might change and he wouldn’t know a thing about it.

Not knowing you might be his biggest fear.

It happens without a warning, his grip. You feel it slide slowly up your ribs—you remember thinking how much you like it, how much it tickles. Then it reaches your chest, to which his eager hands squeeze your tits, pathetically moaning into your mouth. You can’t help but giggle, but still not separating. And then…

It reaches your neck.

As soon as he squeezes, your eyesight begins to blur, but he doesn’t notice. Your chest begins to rise and fall at an alarming rate, but he doesn’t notice. And you’re terrified.

But he doesn’t notice.

“Carlos,” you whimper, but he takes it as a good sign, mouth moving with ease. “Carlos, honey…”

“Yeah, baby?” His voice is deep. “You like that?” Large palm squeezes harder. “Bet you do.”

“Okay, stop!” you scream, arms flying like some madman. “Let go of me!”

Panicked, he releases you in a hurry, jumping off of your trembling body. Color drains his face as realization hits him, but it's too late. You’re sobbing hard, shoulders bouncing up and down. The way you crawl back with fear makes his heart break as he shakes his head, running a hand against his jaw.

“Fuck.” More cries. “Fuck, fuck, fuck—I am so sorry, baby…” Desperate eyes stare back at you as you hide your face against your shaky hands. “I’m so fucking stupid. I should have known, I should have known.” Inching closer proves to be a mistake when you leap off the bed, throwing a mountain of pillows like daggers.

“Stop it,” you demand. “Stay. Right. There.”

He flinches. “Are you afraid of me?”

The laugh that erupts from your throat is unlike the others he’s heard. It’s almost maniacal. It makes his skin grow with goosebumps. “Is that even a question?” Dark mascara runs down your cheeks as you breathe heavily. “You just tried to kill me.”

“No,” he pronounces. “No, you know that that’s not true. I-I-I thought you’d like it!” The glare you flicker is enough for him to wince, pinching the tip of his nose. “I should have known better, okay? Please, just…calm down.”

All your sniffles come to an end as you freeze. “Are you calling me crazy?”

“I didn’t say that.”

“Oh my God.” Pushing your hair back, you release a chuckle. “You actually think I’m crazy.”

“I don’t think you’re crazy, stop putting words into my mouth.”

A scoff. “Okay, wow.”

He doesn’t have a clue as to how he continues to dig himself into a hole—and yet—here he is. Digging his own grave. Exhaling hard, he licks his lips before looking straight into your glossy eyes. “I love you,” he starts, but you remain as still as a statue. “And I want us to work through this. I want to be able to talk to you, yeah?” A beat. “I’m sorry about…what I did, I should have never done it knowing you’re…traumatized.”

He’s almost scared to see your reaction, but it never comes. Instead, you blink hastily, as if you’re mortified.

You should’ve known. You should have figured that karma would catch up to you sooner or later.

I mean, all sins must be paid for, right?

As soon as he starts closing the gap, you’re thumping heart picks right back up. “I just want to talk—”

“No.”

Despite his hurt, he continues his march towards you. “I just want to be near you, please—”

“I said no!”

It happens almost in the blink of an eye, the sound of glass shattering. He sort of thinks he must’ve imagined it, your hand flying to punch the mirror right besides you, but the gentle blood that oozes out of your hand makes his heart stop. Suddenly, all the scars you have make sense. So much makes sense.

“Just…stay there, Carlos,” you say, voice trembling, small hand holding out a piece of sharp glass towards him like some wannabe knife. You bite your bottom lip. “Just—there.”

“Cariño…”

“Stop it with that,” you plead, teardrops slipping. “Stop calling me that.”

Somewhere in the shard, he catches his reflection. Half-scared, half-brokenhearted. He doesn’t even know how you two got to this point.

He gulps. “Okay. I’ll stop, I’ll stop, but please put that down.” You shake your head fast, splotchy cheeks flushing furthermore. Carlos sighs desperately. “Come on—you’re bleeding.”

“I’m used to it by now.”

Tension resurfaces once again between you both as you stare at each other, awaiting for the next challenge. Playing the silent game for a second, curious to see who breaks next.

“Why did you lock the door?”

He almost laughs. “We always shut the door—”

You raise the blade up higher as you begin to lose patience. Deep down, you know you’re not capable of harming him, but how could you ever let your guard down once again when he tried to strangle you to death?

History almost repeats itself, and you’ll be damned if you ever let it happen.

“You said it, we shut it but we never lock it.” A soft cry. “What were you planning on doing to me, Carlos?”

It’s like a knife to the heart, you’re sudden distrust. The brunette finds himself struggling to breath as he blinks like a lost deer.

“You know that I would never hurt you. Not on purpose, at least…”

You let out a wet snarl, shaking your head. “I don’t believe you.”

A flinch. “All of this was a mistake and I adore you.”

“You don’t, though,” you protest, the shaky vision intensifying. “If not you wouldn’t have tried to mur—”

“For the last time, I’m not your step-father!” It’s as if he’s finally reached his breaking point, just now. His body is tired. His mind is tired. Everything is just tired of trying. Carlos shrugs lamely. “If you don’t want to believe me…so be it.”

The pain that rains out of him should be enough for you to know that he’s telling the complete truth. He’s a good guy, with pure intentions. He’s not here to get even with you on your mothers behalf. None of what you’re imagining is true.

But you just can’t seem to understand.

“I don’t believe your lies, alright?” you spit out with deep breaths. You drop the blade, finally. “Open the door.”

With his head hung low, he complies, feet dragging with every step. And finally, with a hand on the knob, he turns to give you one last glance. He can tell you’re holding in your breath and he doesn’t know why it bothers him so much. Why it make him feel so much like a monster…

Click. The wooden door swings open as he pushes it gently.

“Now leave.”

A wave of nausea strikes with your words. “Amor—“

“Stop. Don’t even look at me.” Tension. “I don’t want to see you ever again—not even by accident.”

And that was the last stab that ended it all.

Every now and then, he wonders how you are. Hopefully better.

He hears your name mentioned once in a blue moon, but instinctively blocks it out, too disturbed at the thought of what occurred between you two.

What did occur between you two?

He could take a guess and say that you’re internally fucked. Straight and simple.

But it’s still annoying. The way he wishes to forget you with every passing birthday wish.

At first, it was because he missed you. He just wanted to forget you because he missed you—yes.

Later, it was because the memory of the cramped room suffocated him. The sound of glass breaking was stronger than the sound of his car crashing. And somehow the latter seemed better.

He just wanted to forget that day—yes.

Staring off into space has been his thing for a long time, often getting called out on it. Now, he finds himself with his eyes closed, too scared that someone might notice his feelings and feel the need to ask if he’s okay.

He hasn't been. Not since you.

“Grape or watermelon?”

Popping and eye open, he catches a glance of Lewis before rolling over. “I’m good.”

It’s tough, this silent war between both his friends. The break up simply made this…tough. Especially when no one really knows what happened.

Setting the electrolytes down, the Brit claims a spot next to the brunette. Groaning at the unwanted company, Carlos switches to sit upright. Brown eyes glare strongly before Lewis laughs it off.

“How you doin’, bud?”

Great, no yeah, just severely depressed thanks to your so-called friend. Would you mind asking her where she gets her antidepressants from for me? I mean, I would, but last time we saw each other she, uh, I don’t know, tried to stab me? And you know what’s the most fucked up shit? It’s the fact that I still love her just the same.

I just wanted to help.

He forces a shy smile. “Fine.”

A pity grimace. “I can tell she misses you, you know?”

Carlos hates how excited the thought of you alone—dreamily sighing for his return—gets him to sit up straighter, suddenly interested. It’s foolish, really.

“She would never admit it, but I can tell because I know—”

“Her?” The Spaniard lets out a mocking scoff. “Trust me, you don’t. Not entirely.”

That shuts Lewis right up as he sits there, staring blankly. A dark brow furrows. “Listen, I don’t know what happened between you two—not that I need to know—but she’s a good person. And so are you. So…don’t be afraid of reaching out.”

He flickers his brown eyes accusingly. “Why should I? Did she put you up to this?”

“She didn’t—“

But the fact is, the hesitation gives him away. Anger arises as the Spaniard rolls his eyes. “I knew it, God, I knew it!” A second. “I know her.”

The Brit drowns with nervousness as he waves his hands in despair. “She just wants you to apologize!”

A singular laugh. “Apologize for what?” He pauses, squinting at his friend. “She didn’t tell you why we broke up, did she?”

“No.”

“Then you don’t really know who’s fault it was, do you?”

Lewis looks down onto his lap. “No. Not really.”

“Great, then let me be the one to tell you that it was both of ours. I’m no saint but neither is she.”

An award silence lingers as the Spaniards voice echoes the room. Lewis nods. “Understood. I got it, okay?”

He sighs an irregular sigh. “I-I’m sorry. I shouldn’t have—”

“Don’t worry about it, man.” A sheepish grin. “It’s not my place to fix anything about your guys’ relationship, I get it.”

Carlos’ face switches to bright red as he nods his head once. “T-thanks.”

The Brit, ever happily, stands up firmly before patting his back. “I’m always here if you need to talk.”

“Gracias.” Lewis is just a few steps away when he clears his throat before he can even stop himself from asking. “How’s she doing?”

It came across almost softer than a mumble, and one might have missed it if not alert, but not Lewis.

Spinning to face the almost manchild with round eyes, he smiles as bright as the sun, and that makes his stomach turn. Because he knows. He knows you’re doing—

“Really well.”

Fluffy hair falls down as he tilts his head, clicking his tongue. “That’s good.” Sure. He returns the same smile with a twitch. “That’s really good.”

Lewis has known you two for a long time now. He’s unwillingly memorized your ticks. How the right side of your face slightly twitches before every lie, or how the left side of his does the same before every lie. Much like right now.

The Brit contemplates for a minute, then two, then opens his mouth in the most hesitant manner.

“She’s moving to Germany.” Carlos freezes. “Only for a few months. Maybe a year, who knows. But…you should read her book.”

He unfreezes. “Her what?”

A faint smile. Eyes crinkled. “It’s a tough read, but I believe it was necessary. You know, to finally talk about it.”

He never quite believed you would open up this way, and yet here he was, in an unknown bookstore, spacing out. Your name jumps out like some shooting star, too difficult to ignore.

Without a doubt, you’d get a lawsuit from your step-father. Of course—you were only dragging the last name of what seemed to be the world's richest man.

For what it’s worth, Carlos is proud. This must mean you’re open to moving on. To get the necessary help you so desperately need. From start to finish, the pages are enticing. You go into gruesome depth, something you never seemed to have a problem in doing. From the mention of how her eyes remained open with no sign of life, only terror, to the fact that you got your many scars from punching the door, trying to get in on time. How he bribed his way against the laws.

Everything seemed to be coming out.

So then why, as he sits in his driver's room, staring at your picture in the back of the book, does he feel like doesn’t believe it?

Not even a generous half.

Angelica lived up to the first five letters of her name.

She was there for you in the moments you needed her the most. She braided your hair for playdates, she tied your shoe laces even when you were too embarrassed to ask, and she worked her way up, making sure you had it all.

Undeniably, she was one hell of a woman. Then again, she had more within her—pulled some trigger you never thought she’d pull.

You were going to lose it all, why couldn’t she foresee that? That conversation was going to rip your inheritance straight from your tight grip; the one that ensured your future vacations. How could she ever betray you? Her own daughter?

You were acquisitive. You were possessive. You were partially responsible for her death.

But call it naiveness, you really thought it’d work.

No one will truly know the way your soul left your body when you heard you wouldn’t get a single dollar. Not even a fucking cent. You had to find some other way to stay secure.

But Carlos was out to get you, you just know he was. You don’t have a clue as to how he found out about the truth, about what happened inside that stupid mansion, but he knew it all. And you had to get out of there.

Only it led you back to square one. With no purpose. With no money. Fuck men and their actions, seriously, too all hell with them.

However, you were your mothers daughter at the end of the day.

You could be a writer. An even better one that she could've ever been. If you wanted to, you could do it.

And that is exactly what you did.

You typed, and typed, and typed until your fingers would cramp up. The multi-billionaire was a leviathan and everyone would see that no matter what.

You, on the other hand, were an innocent bystander. Too weak to intervene, to fight back. Too young. Yeah. That was what happened that night.

But you also had your own perspective. One your mom could never match.

While she married for the illusion of love, you would’ve married for money with no shame. Carlos just happened to be the luckiest of strikes because you got both.

While she always was at the front of the room without having to try, you were always in the back with a bitter smile. Why did she get to have two dimples? All eyes would have surely been on you if you had at least one.

And while she never cared about reaching the New York Times Best Seller list—you did.

She would have jumped with joy just by selling ten copies, but not you. You always wanted more—craved more. Label it as ambition.

More copies sold means more money. A trust fund means more money. Playing the victim against your step-father means even more money. So yeah…

You did care about that stupid list.

Tilting your head back against your seat, you flinch at the taste of the pill, too familiar for your liking, but the wine helps. It always does nowadays.

Buzz.

Picking up with a level of indifference was all fake—you had been yearning this call for what seemed like your whole life.

“Hey.” His voice is almost raw. Like he could use a couple cough drops. “I-I-I read your book. It was incredible.”

And for the first time in a while, you smile. “Thank you, that means a lot, Carlos.”

You can hear the static against the line, indicating once again that you’re on opposite sides of the world and not together. You can almost bet that it will always stay that way.

The Spaniard coughs awkwardly into your ear.

“Oh, and also, congrats on making it onto the New York Times Best Seller.”

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