#the three kingdom duology

[ash-and-books]

Rating: 4/5

Book Blurb: From New York Times and Indie bestselling author Joan He, comes Sound the Gong, the dazzling and sweeping conclusion to The Kingdom of Three duology.

All her life, Zephyr has tried to rise above her humble origins as a no-name orphan. Now she is a god in a warrior’s body, and never has she felt more powerless.

The warlordess Xin Ren holds the Westlands, but her position is tenuous. In the north, the empress remains a puppet under Miasma’s thumb. In the south, the alliance with Cicada is in pieces.

Fate has a winner in mind for the three kingdoms, but Zephyr has no intentions of respecting it. She will pay any price to see Ren succeed—and she will make her enemies pay, especially the enigmatic Crow. What she’ll do when she finds out the truth. . . Only the heavens know.

Featuring gorgeous map art by Anna Frohmann and black-and-white portraits by Tida Kietsungden, Sound the Gong is the second book in Joan He's riveting Kindgom of Three duology.

Review:

How much would you sacrifice to win? How far would you go to achieve success? Strategist/God Zephyr has now found herself jumping between bodies, trying to manipulate the war and her lordess for the outcome that she wants... but it all comes at a price and if she achieves it, it means her own demise. Can Zephyr win? Zephry will do anything to change fate, she will pay any price for Ren, her lordess, to win... even if it means sacrificing the one person she might have feelings for, even if it means dying and losing her body and soul.... but the war and humans are ever changing, and as a god with limited powers, she'll have to find a way to navigate every single decision to her benefit before it's too late. This was definitely an interesting ending to the duology, I loved the first book and enjoyed the back to back from the two strategist, but what this book was kind of missing was that magic, that kind of compelling back to back. However, this book was very heavy on the ever changing war environment and the decisions and political moves, which isn't a bad thing, it just felt like it was a shift from the fun of the first book. I did enjoy how determined Zephyr was to get what she wanted, she was determined to adjust to every decision and to manipulate every turn to her advantage. She was relentless in her quest to achieve her goals, and she still cared and loved those around her, sacrificing herself over and over for their happiness. The ending, especially with the way the Crow x Zephry relationship was going, had me begging for an extra epilogue, just to see them face each other, and to finally FINALLY admit their feelings for each other after they had both sacrificed each other for their own kingdoms. I think this series overall, is a really fun and unique read that is such a unique take on the Three Kingdoms story! Definitely check it out if you love strategy/war stories!

*Thanks Netgalley and Macmillan Children's Publishing Group | Roaring Brook Press for sending me an arc in exchange for an honest review*

[wylanslcve]

We as a fandom do not talk enough about how Jesper once bleached a swear word into his father's jurda field in all caps because he was bored.

[she-posts-nerdy-stuff]

More titles of Grishaverse essays I'm yet to write

Last time I did this I called it "essays I'll probably never write" and then ended up writing all of them lol, so stay tuned and let me know if there's any in particular you want to hear :)

The manipulation of corrupt governments and the abuse of Grisha in both Fjerda and Ravka as shown through the presentation of Nina Zenik and Matthias Helvar (this post has been in my drafts for a while and I kind of covered this in a long rant about Nina recently but I’d love to do it properly)

The importance of Fruszi in season 2 of Shadow and Bone; her presentation, her parallels with Zoya, her parallels with Inej (and the subsequent parallels created between the Darkling and Tante Heleen), her parallels with Genya, and the relevance of her character to the arc of the show. (I have a lot of thoughts about Fruszi and this one might end up being included in the minor character analysis series (if I ever get myself together and start it) even though that’s really going to be focusing on the six of crows books)

The importance of the Komedie Brute in Six of Crows and Crooked Kingdom as devices of both plot and character, particularly with the interpretation of Mr Crimson as an omen of death. (I know I technically already wrote this one, but I did it a long time ago as two separate posts and I’ve had a lot more thoughts about it since so I really want to combine them and rewrite it all as one)

My personal take on what the global landscape of the Grishaverse would look like if parem had become a global resource (I have thoughts - and a lot of them are about how much I hate the Kerch government)

The importance of denying certain important characters a name (eg Inej’s parents, and Matthias’ parents and sister) and why this is both heartbreaking and literary genius (firstly, you may have noticed I’ve given up on making my titles sound academic, and secondly I have started writing this one so yeah it may come soon if anyone would be interested)

[applecidersstuff]

Lately I’ve been thinking that Netflix didn’t actually cancel SaB, they just told everyone they did.

I think they could have done that so that fandom would “awake” and they would just get more money because of all the attention SaB gets.

If that is the case - they fucked up.

[cellamare]

joan he, you've won my heart with this duology. and the fact that there's a (intentionally not-quite-canon) bonus short story?? amazing. incredible. i have read everything you've written and will continue to do so forever.

[skepticalcatfrog]

They are literally in love. Change my mind.

[jessread-s]

Thanks to @fiercereadsya and NetGalley for providing me with an e-ARC in exchange for an honest review

✩🌬️🪷Review:

An explosive conclusion that won’t let you come up for air.

Picking up where “Strike the Zither” leaves off, “Sound the Gong” follows Zephyr, now a god in a warrior’s body, as she pays the ultimate price to see her lordess Xin Ren succeed in ruling over the three kingdoms.

This book takes a darker turn with more betrayal, more scheming, more politics, and more death. My heart was racing as Zephyr slowly unravels Crow’s master plan and discovers where his loyalty truly lies. With a deeper understanding of his motivations, I found myself looking back on every move he made in the previous book with fresh eyes and marveled over Joan He’s craft.

Zepyr is ruthless in her pursuit of taking fate into her own hands. She stays true to her character in not deviating from her mission of putting Ren on the throne, but her act of cutting down whoever is in her way toes the line of villainy and makes readers question whether the harm she inflicts is justified by her noble cause. As the author puts it, Zephyr isn’t a “shining hero” and I loved her all the more for that. I was rooting for her to the very last page.

As a ZephyrCrow fan, the ending of “Sound the Gong” shattered my heart, but it fits the story well. The bonus epilogue is what put me back together again (available on the author’s website - you won’t want to miss it) and left me feeling hopeful. Both endings are satisfying in their own ways and wrap-up the duology nicely.

Cross-posted to: Instagram | Amazon | Goodreads | StoryGraph

[justanotherfanaccount]

Pain Triangle (Pt. 3)

Kaz vs Wylan vs Nikolai (it's like a love triangle but less romantic and more traumatic)

Reminder that I originally made this post for a social media class I was taking... but I worked so hard on it I decided to post it anyways so... be kind please! This is just my opinion and all in good fun!

Okay… I KNOW y’all been waiting on this one! THE FINAL PART:

Kaz vs Nikolai

These two… wow. There’s so much to unpack here!

When reading Six of Crows, Kaz Brekker and Nikolai Lantsov could not seem more different; that is until the next book in the ongoing series that is narrated by Nikolai himself, revealing attributes that had previously been hidden away. 

As we know, Kaz often refers to himself as the “Bastard of the Barrel,” due to growing up alone from an early age. Though it takes a while into Six of Crows to learn that Kaz originally grew up in a loving family home before life went to (pardon my language) shit. 

Nikolai’s story starts in an opposite form; introducing his supposed father and mother early on in the story, only to later share that his mother had an affair resulting in Nikolai’s birth. This is an interesting point to look at while comparing the two characters, and is only the start of Kaz almost “pretending” to be what Nikolai is trying to hide. (I know, crazy when you think about it)

Even in Rule of Wolves Kaz has a line to Nikolai pointing out their similarities of being ‘bastards’ and ‘demons’ even though we as an audience know Kaz isn’t a bastard at all, neither is he a demon. Nikolai, though, is both.

“A word of advice, from one bastard to another: Sometimes it’s best to let the demon have its day.”

Continuing on this trend, Kaz is known quite well in the barrel for the fact that he never removes his leather gloves. Due to this, rumors spiral, saying that his hands are covered in blood, scars, and even that he has claws like a demon. Though none of this is true, Kaz uses this to his advantage and does not correct anyone that might believe these stories. 

When Nikolai’s story starts in King of Scars it is described that Nikolai has also started to wear gloves in public. The rumors that spiral due to him, happen to be true… (RIGHT!? When you realize that Nikolai and Kaz are mirrors to each other it’s CRAZY there’s no going back!)

Nikolai had suffered much during the war and had developed demon-like claws that scarred his hands whenever they appeared. He used these gloves to try to hide the truth, just like Kaz used them to hide his imperfections as well. (boom, symbolism, gotta love leigh)

These characters, though coming from different backgrounds, eventually have many similarities due to the trauma they experience throughout their lives. As well as the way they handle other people. Nikolai can originally come off as being cocky and puts on a facade of who he is, but when needed is quite cunning, planning war strategy and is ambitious enough to create a whole new persona (Sturmhond) just so he can be a privateer.

Kaz, as we know, is VERY cunning. Some of my favorite moments in the Six of Crows duology are moments when Kaz takes me by surprise, coming up with a plan that is SO chaotic that it couldn’t possibly work… and it DOES!

Jumping further into the facade of Sturmhond and Dirtyhands, we can show more similarities between these two characters. Nikolai creates Sturmhond so he won’t be tied down to the image of being a prince. He is able to do slightly illegal things, and get away with a lot more because of it. On the other hand, Kaz creates his ‘Dirtyhands’ facade so that people are afraid of him. Rumors swirl about the terrible things he does, even if they aren’t true, and he lets them so that others know he is someone to worry about.

“When everyone knows you’re a monster, you needn’t waste time doing every monstrous thing.”

And this is where I will end it all, with the triangle

Wylan vs Kaz vs Nikolai

I’ve talked a lot about the similarities between each of them, but what about all of the above? What truly makes these three similar to each other?

All of them have lost family. Wylan with his mom. Kaz with his brother, and father. Nikolai with his brother, and his parents when he discovered how they had treated Ravkans.

All of them have a facade that they put on. Wylan pretending to be the “perfect merchant’s son.” Kaz with the gloves, and dirtyhands, and being the “bastard of the barrel.” Nikolai with Sturmhond, and his gloves, and pretending to be the perfect prince when a literal demon was trying to take over.

And also their cleverness, their ingenuity, and their curiosity. Throughout the books these three show just how clever they are in a multitude of ways. Wylan with his chemistry, and his music, and the ‘I was Wylan Van Eck, I told them everything’ which BLEW MY MIND the first time I read it. Kaz with his plans, ALL THE TIME I thought I knew what was going on and then Kaz would pull the rug out from under me with new ideas and craziness. Nikolai with his leadership, his plans to lead Ravka into a new age, his idea to use Sturmhond to the best of his ability.

Though there are similarities between these characters. The best part about them is that they are all their own characters! That’s what is so cool, no one would say they were copies of each other, but because this is fun, I like to see the stylings I can. I hope you enjoyed this, I know I did lol.

Part 1 || Part 2

[aceinabook]

Sound the Gong by Joan He

Character 5| Setting 5| Plot 5| Writing 5| Enjoyability 5

Rating: 5

Was it worth it?

Damn this line like is this whole series. Zephyr does some wild shit. It's unhinged, it's unlikeable. It's a ride.

I was worried I wouldn't like this sequel as much as the first book, STZ, but I was wrong. It was so good, banter between Crow and Zephyr is back!

Cloud being an badass and a jerk is back.

Ren having a breakdown and fucking up Zephyr's plans all good.

I loved every bit of this book and it was such a good read. I would get to the spot where I felt like stopping for the night, but the story was always so intriguing I read a little more. Joan He is amazing with what they do with fate and prophecies in this. The End defintely had pay off. So Delicious.

[aleksanderscult]

Hello, I started following your blog pretty recently and I agree with most of what you think. I felt so confused when I finished the books and came on tumblr to see everyone hailing malina as the perfect relationship and I was glad to know that I wasn't the only one who disliked him.

I wanted to ask you something, im not sure if I saw this on this blog, but someone said that zoya is an example of toxic feminism in YA fantasy. Which checked out to me, but it also felt that bardugo added misogyny, feminism and toxic feminism in the SaB series.

Misogyny since alina had to face sloot-shaming in every book (almost entirely by Malyen ugh 😒). I felt that she really tried and suceeded to be feminist with genya, since she actually stood up for herself and had many facets to her personality. She also wasn't an important character just because of her beauty or anything super superficial. Genya IS a strong female character, and she wasn't 'broken' by the king, despite the foul things he did.

But zoya.. my god, I really wanted to like her, but I just couldn't. She is mean and hot headed to the point where I really don't see any redeeming factors to her. I always liked 'mean girl character who isnt as shallow as she seems' in fantasy novels, but she didnt exactly have a redemption arc either. If the darkling had warned her about expanding the fold in the first book, she would have fought for him. I think she isnt a strong female character, but just a girl who is a bully and decided to help mc since the antagonist hurt her specifically. She doesnt even think of the other casualties of novokribirsk. I think the 'break nikolais heart, I'll comfort him and make a magnificent queen' part was a joke, but still....

Please excuse my yapping. I haven't read crooked kingdom and nikolais duology, so I don't know if the characters had any developement since then, so please ignore any innacuracies of this text pertaining to that. Do you have any thoughts on this?

(Do you allow emoji annons? If so, can I be 🎀 annon?)

(Of course I do! You can use any emoji you want and ribbons remind me of coquettish things 😍)

Genya in S&B was my favorite version of her. She was traumatised by the King's abuse, that's true. But she wasn't solely that.

(Here's a meta about that version of her that I once did)

She was very brave, vengeful, intelligent, politically aware, had a sense of humor and was kind. There were different aspects to her personality and wasn't solely "the victim" as many fans of the Grishaverse like to portray her. But in Nikolai's duology Bardugo either forgot how to write complex situations within a court or just doesn't know how to (or it doesn't suit her 🙃).

She threw all the blame to the Darkling (as if he was entirely at fault for her sexually abuse), forgot that Grisha were serfs meant to please and serve the royal family (hence why the Darkling gave her to the Queen) and also forgot how it was the Queen who withdrew her protection and allowed her husband to abuse her. Also, a slight amnesia to how Genya herself decided to stay and take revenge. Essentially, the character became Leigh's mouthpiece to remind the reader that the Darkling is a heartless motherfucker that is undeserving of redemption. How banal.

Now about Zoya. Zoya is the typical female character that we encounter in media nowadays. A girlboss that kicks ass, is rude, has no sensitivity and threatens everyone. Again, cliché. But Leigh broke her own in-universe laws when she gave Zoya the protagonist's role.

Meaning:

The narrative with Alina as a protagonist: "You can't have feelings for your enemy!! You can't be independent! You need to depend on your toxic, childhood friend and...what is this? Power?? You took three amplifiers?? WELL SAY GOODBYE TO YOUR POWERS THAT KEEP YOU HEALTHY AND STRONG!!"

The narrative with Zoya as a protagonist: "Take the amplifiers, take the power to turn into a dragon, let's also have a Saint in your head giving you advice and guess?!? You just got promoted into a Queen and soon enough you will marry the love of your life!! Kudos!!"

That's basically what happened.

It would be an amazing end if only:

- Otkazat'sya didn't hate the Grisha's guts.

- Zoya had the qualities of a leader and a Queen instead of being handed the throne on a silver plate from an illegitimate son who failed in his job.

- The author didn't break her own rules just to prove and show how "awesome" her protagonists are.

- The same author didn't copy paste the storyline of Daenerys Targaryen into Zoya's (somehow she needed to appear cool and sympathetic)

- Half of the fandom didn't hate the primary protagonists now than they ever did before.

So basically Leigh infuriated the fandom even more about Alina's fate when she gave Zoya everything.

And about your question if the characters had any development in the later books after the trilogy. I've got some bad news, my friend. 🥲

[richincolor]

I love speculative fiction, so I thought it would be fun to highlight three speculative fiction books that came out this year to add to your TBR pile:

A Tempest of Tea (Blood and Tea #1) by Hafsah Faizal Farrar, Straus and Giroux

On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by dark, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it—and she can’t do the job alone. Calling on some of the city’s most skilled outcasts, Arthie hatches a plan to infiltrate the dark and glittering vampire society known as the Athereum. But not everyone in her ragtag crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. From the New York Times–bestselling author of We Hunt the Flame comes the first book in a hotly-anticipated fantasy duology teeming with romance, revenge, and an orphan girl willing to do whatever it takes to save her self-made kingdom. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

Relit: 16 Latinx Remixes of Classic Stories edited by Sandra Proudman Inkyard Press

These sixteen stories by award-winning and bestselling YA authors center a Latinx point of view in an empowering anthology that reimagines classics through fantasy, science fiction, and with a dash of magic, for fans of A PHOENIX FIRST MUST BURN and RECLAIM THE STARS In classic stories remixed, Latinx characters take center stage Pride and Prejudice is launched into outer space, Frankenstein is plunged into the depths of the ocean, and The Great Gatsby floats to an island off the coast of Costa Rica. A shape-shifter gives up her life to save the boy she loves from an evil bruja. La Ciguapa covets a little mermaid’s heart of gold. Two star-crossed teens fall in love while the planet burns around them. Whether characters fall in love, battle foes, or grow through grief, each story will empower readers to see themselves as the heroes of the stories that make our world.

The Last Bloodcarver by Vanessa Le Roaring Brook Press

Nhika is a bloodcarver. A cold-hearted, ruthless being who can alter human biology with just a touch. In the industrial city of Theumas, she is seen not as a healer, but a monster that kills for pleasure. When Nhika is caught using her bloodcarving abilities during a sham medical appointment, she's captured by underground thugs and sold to an aristocratic family to heal the last witness of their father’s murder. But as Nhika delves deeper into their investigation amidst the glitz of Theumas’ wealthiest district, she begins to notice parallels between this job and her own dark past. And when she meets an alluring yet entitled physician's aide, Ven Kochin, she’s forced to question the true intent behind this murder. In a society that outcasts her, Kochin seems drawn to her...though he takes every chance he gets to push her out of his opulent world. When Nhika discovers that Kochin is not who he claims to be, and that there is an evil dwelling in Theumas that runs much deeper than the murder of one man, she must decide where her heart, and her allegiance, truly lie. And - if she's willing to become the dreaded bloodcarver Theumas fears to save herself and the ones she's vowed to protect.

[nellasbookplanet]

Book recs: great, unique and creative worldbuilding in fantasy books

A note: this is very much a subjective list. I typically do not care much for historical medieval-esque settings (though seeing as I'm a big critical role fan, obviously there are exceptions), but rather prefer settings that mix up historical and modern, fantastical and scientific, and make up entirely new things and societal structures not based on our world.

Other book rec posts:

Really cool sci-fi worldbuilding

Mermaid books

Dark sapphic romances

Vampire books

Without further ado, let’s go!

The Unspoken name by A.K. Larkwood

Honestly there's so much going on in this one worldbuilding-wise that it's kind of hard to explain. Portals, flying ships, orcs, elves, creepy snake gods, cults, immortal evil mages who traumatize teens as their hobby. It's also very queer!

A Master of Djinn by P. Djèli Clark

Set in an alternate 1910's steampunk Cairo, where djinn and other creatures (among other things, creepy steampunk angels) live alongside humans. We get to follow an investigator as she races to catch a criminal using a powerful object to control djinn and stir unrest. Fantastically creative and fresh, and also features a buddy cop dynamic between two female leads as well as a sapphic romance.

Sunshine by Robin McKinley

Urban fantasy on a level of its own, where dangerous magic exists alongside humans. It keeps you guessing and much is left unexplained; if you want clear answers and explanations to everything you might be disappointed, but if you want a world that feels mysterious and dangerous and lived in you'll probably like it. It follows a baker who, after getting kidnapped by vampires, gets embroiled in a dangerous struggle.

Radiant (Towers Trilogy) by Karina Sumner-Smith

A strange mix of fantasy, sci-fi and post apocalyptic, Radiant follows a girl without magic in a world where magic is currency. Those with much of it live in magically floating towers, while everyone else scrambles to survive in the ruins of an old city left devastated from an unknown cataclysm. The setting is creepy and mysterious and leaves me itching as I want to dig for more. Also there are ghosts.

Three Parts Dead (Craft Sequence) by Max Gladstone

This is one of those books where you just kind of have to let go and go along as it throws you all over the place. I started reading it expecting an urban fantasy, but it is much more and wholly unique. It features a world where gods and magic are deeply enmeshed with society at large, and a base of much of its technology and progress. It doesn't quite feel historical, but also not modern, but rather like you took a fantastical world and let it develop naturally into its own contemporary era.

Strange the Dreamer (Strange the Dreamer duology) by Laini Taylor

One of my favorite things is when the mysteries of the world and how it works become part of the plot, with characters trying to figure out their own world. Strange the Dreamer is beautiful and complex and will hurt your heart. Personally I didn't care much for the central romance, but the wonderful characters, themes, mysteries and world make up for it.

The Dawnhounds by Sascha Stronach

Like Three Parts Dead, The Dawnhounds is a book where you just kind of have to let the story and the world wash over you. It skirts the line of scifi and fantasy, with a futuristic world of environmentally friendly mushroom houses and deadly fungi bio weapons next to literally god-given superpowers and near-immortality. It's really cool and unlike anything else I've ever read. Bonus: it’s also sapphic!

The Hundred Thousand Kingdoms (Inheritance Trilogy) by N.K. Jemisin

Another example of a world that feels wholly like its own organically developed thing, with societal structures developed around the magical aspects and a presence of gods and demi-gods, many of whom walk the streets and will smite you if you piss them off.

Dead Witch Walking (The Hollows series) by Kim Harrison

Okay, here we have an actual urban fantasy. While I got a bit worn out by the many, many love interests throughout the series, the worldbuilding is simply phenomenal and relies heavily on a well-developed alternate history. Basically, magical beings such as vampires, werewolves, elves, fairies, witches, etc, used to exist secretly alongside us, but when humanity delved into genetic research instead of the space race during the cold war, an engineered virus ended up wiping a good chunk of us out and the magical beings stepped in to stop us from going extinct. Now in the modern day, we co-exist but tensions remain. Our main character is a witch who, alongside her roommates (a vampire and a fairy) solve mysteries and crime and end up unveiling secrets about their world centuries in the making.

Elatsoe by Darcie Little Badger

Another urban fantasy, this one aimed at young adults and featuring indigenous mythology alongside creatures such as vampires and ghosts. We follow a young apache girl with the ability to raise ghosts as she works to solve the murder of her cousin.

Red Sister (Book of the Ancestor trilogy) by Mark Lawrence

Honestly, most of what I've read by Mark Lawrence so far could be featured on this list (special shoutout to his Broken Empire trilogy!). We follow a young girl training to become an assassin in a slowly dying world, where ice is overtaking the land and only a small band along its middle is habitable, kept alive by a mirror in the sky sharpening the dying sun's light. Question is, how long will this machine last, and what even is it? Very dark but very good.

The Fifth Season (The Broken Earth trilogy) by N.K. Jemisin

Listen, N.K. Jemisin gets to have two books on this list, okay, she is very good at what she does. In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter.

The Spear Cuts Through Water by Simon Jimenez

AKA the book the killed me. Two boys travel throughout their land with the body of a god as her horrible, horrible children try to hunt them down. It's hard to explain more than that, but trust me when I say the narrative voice and literary techniques are incredibly unique in how they blend past and present, reality and story, lead and bystander. Truly an experience. Bonus: gay romance!

Wild Seed by Octavia Butler

Master of slightly fucked up romance, Octavia Butler knocks it out of the park in this story featuring two immortals struggling throughout the centuries. What do you do when there is only one other person remotely like you, and you simultaneously can't stand them and can't live without them? Apparently, you turn yourself into a dolphin for a while.

Birth of the Fire Bringer by Meredith Ann Pierce

Cards on the table, it has been a great many years since I actually read this, and just as many years spent meaning to read the sequels (I have a lot of stuff on my tbr okay, don’t judge me), but I do remember it making a great impact on me back in the day. Our main character is a unicorn! Fighting wyverns and gryphons! How cool is that!

Bonus AKA I haven’t read these yet but they seem really cool

The Surviving Sky by Kritika H. Rao

From Goodreads: This Hindu philosophy-inspired debut science fantasy follows a husband and wife racing to save their living city—and their troubled marriage—high above a jungle world besieged by cataclysmic storms.

High above a jungle-planet float the last refuges of humanity—plant-made civilizations held together by tradition, technology, and arcane science. In these living cities, architects are revered above anyone else. If not for their ability to psychically manipulate the architecture, the cities would plunge into the devastating earthrage storms below.

Clean Sweep by Ilona Andrews

Urban fantasy but the vampires are aliens? Sign me the fuck up

The Gaslight Dogs by Karin Lowachee

From Goodreads: At the edge of the known world, an ancient nomadic tribe faces a new enemy-an Empire fueled by technology and war.

[wylanslcve]

THE SPIN-OFF??????????????? WAS GOING TO GIVE US WYTTHIAS??????????????? AND NETFLIX JUST DECIDED TO SCRAP IT???????????????

[she-posts-nerdy-stuff]

Hi!! this is a kinda random question, but I was just thinking about it. So we know that the Druskelle (and presumably most of Fjerda) are bigoted, racist, etc.. Does that stem from their culture and like the wars and stuff or is that part of their religion? I guess hypothetically could Matthias/Maya/your other Fjerdan ocs have corrected their prejudices and still believed in Djel or do the two beliefs contradict? Just wondering what your take is :)

Hi, thanks for the ask!

I absolutely adore religion in the Grishaverse and a while ago I wrote quite a long analysis on Matthias and Inej's relationship with their respective religions, mostly focusing on Djel since I feel I know more about Fjerdan religion than Ravkan having read the soc duology a lot more times than the other books, and I talked quite a bit about some of these things so I'll link that here in case anyone is interested and below I'll put a couple of quotes from that more specifically pertaining to what you've said here. Essentially, I believe that the Drüskelle order is a cult and represents a warped version of Fjerdan religion and that Matthias' journey of self-discovery and of learning to find the version of Djel that he believes in and that aligns with who he wants to be is one of the most beautifully written character arcs I have ever read.

Some quotes from my previous analysis:

"Theoretically, the Drüskelle are raised (forced) to believe the same basic principles of the religion that most of the religious people in the country are [...] However, what’s taken completely further is that the Drüskelle are told that the only way to be truly respected by their god is to take decisive action against Grisha people for their power, because it’s “demonic” and a warping of Djel’s gifts. Now first of all, none of the religious teachings we learn about as the reader even remotely suggest this, which suggest that it’s a baseless prejudice for which religion has been used as an excuse for so long that it’s become culturally ingrained and believed."

"Matthias even shows particular pride that he was personally told the secret of the second glass bridge by Jarl Brum himself"

"And this is the thing, ok, because by claiming that Djel will show the boys the path and then telling them himself (!!!!!!!!) Brum is claiming far more power than a servant of Djel and or Fjerda. No, now he turns himself into a messenger of Djel, a prophet if you will, just to reaaaalllly double down on that religious trauma he’s giving these kids. He is putting himself into the Messiah-like position; he’s saying that Djel sent him to them to tell them that they must kidnap and kill people to earn his love."

"in his own practice Matthias would appear to see Djel as a benevolent god"

"presented himself as a Messiah-like figure and effectively forced these young boys to believe that betraying him is akin to betraying Djel"

Okay I'm restraining myself from adding more to that list because I'm just sitting here reading through the original analysis going "ooo add that" "and that" "that too" and I'll just end up copy and pasting the whole thing if I carry on like this, so if you'd like to read more I should've linked it at the top :)

I'm gonna talk a bit about Djel and relationship with religion in terms of my Fjerdan OCs here, if anyone is interested but hasn't read the fic you don't have to have done to follow the religion info but it's worth knowing that it's set almost entirely in Ketterdam and takes place nearly 10 years after Crooked Kingdom :)

For my Fjerdan OCs religion is very much on my mind whenever I'm writing them, and I find it a very interesting thing to consider. So, I have three Fjerdan OCs in Daughter of the Rain and Snow: Maya, a Tidemaker and our titular character, Celina, a deceased (pre-events of the fic) otkazat'sya whose body was burned and who therefore cannot reach Djel, and Fiona, a Heartrender who lost her relationship with religion a long time ago and has no interest in taking it up again. I'm going to start with Fiona because I haven't really explored her relationship with Djel very much since she has had less scenes than the others thus far, but I tend to have quite fleshed out backstories for my side characters even if they don't make it into the story lol

Fiona is 22 during the events of the fic and has been working with Inej and the crew of the Wraith for almost four years. She made her way to Ketterdam at 17 after her family discovered she was Grisha and threw her out. In a desperate attempt to flee Fjerda - and notably not knowing any Kerch language - she signed an indenture contract with a Kerch merchant who offered her safe passage to the country. She did not know what she was signing, and her contract was written in Kerch, but she just wanted to get out of Fjerda as quickly as possible and this seemed like her only option. She was freed and ended up working with Inej when she was 18. Fiona had battled with her relationship with Djel for a long time after discovering she was Grisha and keeping it secret, but when her parents learnt the truth and started abusing her and eventually turned her out with nowhere to go and no protection to be found she adopted atheism completely, akin to the way Kaz and Wylan found their atheism. -

“Saints speed,” she said to Inej, who echoed the words she knew were said for her benefit alone.

Fiona had given up on Djel, the god she was raised with, and had no interest in taking up another. (Chapter 8) (I feel so weird quoting my own writing)

Religion is very much at the forefront of everything I write considering Maya and Celina, particularly since Celina only appears as a character in Maya's POV chapters (she exists more as a concept to Kaz, Inej, and Aimee, who connect her to things she represents to each of them but whom they never knew as a real person). Maya battling her relationship with Djel is very much in the forefront of the story and one of my favourite chapters is when she goes back to the tree she cut down in anger and prays for it; the chapter is essentially a long monologue of Maya talking to Djel and voicing every side of her argument out loud. I won't list everything here but I'll add this quote from the chapter:

“I’ve tried it every way,” she whispered, failing to fight the sobs that were growing in her throat, “I ignored it, I tried not to use it, I used it for others, I used it for myself, I used it for You. And I have somehow failed You every time. Maybe I deserve to burn now, but they say you are born Grisha. Did You really look at me and always know I would deserve to burn? From the very moment I was born? Perhaps this is all I am in Your grand tapestry of destiny; a game for You to play, a doll that You can take apart and stitch together at wrong angles. I am a broken toy that can be discarded and burnt whilst the world moves on as though I were never here. I made the wrong choices, but I thought they were the only ones left. You could have let me stay at home. You could have let her live - let both of them live. And I never would have done anything like this. I’m so sorry…” her voice broke and she felt the tears flooding over her cheeks as she collapsed over the ruined tree trunk and cried into its empty flesh, “I’m so sorry,” (Chapter 66 on tumblr, chapter 67 on AO3)

And the chapter ultimately ends with Maya asking Djel to teach her how to deserve forgiveness from Inej and the other characters for everything she'd done, or to at least teach her how to forgive Him.

I think one of the most important aspects of religion in terms of this and in terms of Maya and Celina's relationship with each other is that even though Celina knows Maya is a Tidemaker neither of them ever talk about it and Maya reached a point where she was actively afraid to bring it up because she didn't know how Celina felt about Grisha and she didn't want to jeopardise not only what is the only relationship she has with anyone right now but arguably what is the first relationship she's ever had that wouldn't be considered abusive (her relationship with her father is kinda up in the air, I know, but considering that he sold her I don't think it's a spoiler to say I hate that man's guts even though y'all have a little bit more to learn about him yet) since realistically Celina was the only person she had a real conversation with for three years and the only other people she spoke to in that time would be clients, Yennefer, and occasionally other girls at the Tulip Mill. Maya even saw Yennefer's death more as vengeance for Celina than she did for herself, saying that Yen's death was for Celina and Kaz's death would be for her before she finds out that Kaz was partially responsible for Celina's death in the worldview that she holds - and as Kaz considers himself no less responsible for her death than Rollins was for Jordie's. I don't know if I'm explaining it quite right but the fear that Maya developed surrounding other people's perspective on Grisha power preventing her from being able to share her feelings with Celina I found a really heart-wrenching detail to write and I was definitely hoping to present the idea that even if religiously the ideas don't contradict - considering that we see Celina adapt her belief in Djel to say that anything that she does at the Tulip Mill will be forgiven because she has no choice over it - culturally speaking it's still such a complex and difficult thing to move past that Maya isn't even sure she can ever express it to the only person she trusts, and I also hoped to touch on this idea with the flashbacks to the Ravkan boy at the Grisha workshop with Maya who didn't trust her because she was Fjerdan even though she was Grisha and had literally fled Drüskelle and her home country

Anyway I hope this made sense, it's starting to feel very rambly and random, and I hope that it was interesting to read. Thanks so much for teh ask and for your interest in the fic! <33

[lilareviewsbooks]

Short SFF Books!

I know getting into SFF can be difficult because of the sheer size of series and books in the genres. So here’s a couple of speculative fiction picks that don’t require that much time to read :)

I’ve also made a part two for this, so check that out if you’d like some more short SFF!

This Is How You Lose The Time War, by Amal El-Mohtar & Max Gladstone

209 pages

sapphic rep

standalone

This one is a classic when it comes to short sci-fis (thank you, Bigolas Dickolas), and that’s definitely for a reason! This Is How You Lose The Time War is a story in an incredibly unique format that will, to be honest, probably emotionally devastate you in some way or another. 

Time War follows Red and Blue, two agents working for opposite sides of, you know it, a time war. Their job is to travel through time to change the odds for their respective “agencies”. But, of course, they can’t resist leaving each other messages along in the way - in the most unique manners possible.

This queer novella will take your breath away. It will lead you through multiple timelines, split into two perspectives, Red and Blue, with a beautiful, lyrical writing style, which will make you so invested in our two main characters. The author duo treats us to these fantastical, vivid settings, which are sparkling with potencial and leave you wanting to dive deeper.

Silver In The Wood, by Emily Tesh

112 pages

achillean rep

duology

This is part of the Greenhollow Duology, but can absolutely be read as a standalone. It’s also one of my all time favorites! Silver In The Wood follows Tobias, a groundskeeper who lives deep in the woods. When Henry Silver moves into the house Tobias watches, things change - there’s something in the woods, and Tobias might just have to introduce Henry to it. 

It’s been a while since I read this, but I haven’t forgotten about it. I’m always thinking about this book. The vibes are simply immaculate, and so cozy. It will literally make you feel like you’re in the woods. The character work is excellent, and focuses on older protagonists, which is always a treat. The romance is well-constructed and the second book is completely optional, taking place almost as a side-quest for the main couple. 

I wish there were so many more of these, but unfortunately there are only two. But damn, are they great! Highly recommend, Silver In The Wood and its sequel, Drowned Country!

The Singing Hills Cycle, by Nghi Vo

100 to 128 pages 

non-binary and sapphic rep

series

The Singing Hills Cycle is a good one to recommend, because it’s very low-commitment. You can pick whichever one of the three books (there’s soon to be a fourth!!) draws your interest, you can start with that one, and then go from there. The series follows Chih, a wandering cleric, from the Wandering Hills Abbey, which is preoccupied with keeping records of the history of this China-inspired kingdom. Chih goes around the territory with his talking bird Almost Brilliant, collecting stories.

This series is beautiful! Every book contains in it a beautiful exploration of folklore, and bite-sized story that will always warm your heart. Chih is a wonderful character around which to revolve this story, and their commitment to keeping records and history flows off the page - which is hella important, let’s record our history, folks! The side characters that show up on a book-by-book basis are always the best, and their dialogue is always the best part.

I highly recommend listening to the audiobook - I did so for the last installment,  Into The Riverlands, and it was amazing! Just a 2 hour listen, if that sells ya!

The Murderbot Diaries, starting with All Systems Red, by Martha Wells

144 to 256 pages

queer rep of all kinds! yay!

series

The Murderbot Diaries is for those of us looking for a bigger committment. The series currently has 7 books, one of which is a full-length novel. However, you can read the first book as a standalone and decide if you’d like to continue on following Murderbot’s adventures! Most of the books are 150 - 200 pages long, and so are a pretty quick read!

This is perfect if you enjoy a snarky narration style and a compelling protagonist who’s trying to figure out how they fit into the world. Murderbot, our main character and narrator, is a SecUnit, that is, a security android, that must accompany a scientific expedition to a distant planet, to keep the explorers safe. But Murderbot has hacked its security mode, and enjoys watching TV shows and chilling by itself. But when the mission starts to go wrong, it might need to perk up and start - oh, no! - interacting with the humans.

Although I haven’t read the whole series yet, - I’m waiting for the mood to come over me, okay! - I have the first three books under my belt, and I’m so excited to continue. Murderbot has this spark and this snark which is just so entertaining to read, and so this book will have you laughing and rooting for it as it tries to figure out how to fit in in human society. Such a compelling character, and I’m happy there’s a lot of content out there for me to consume.

The Emperor’s Soul, by Brandon Sanderson

192 pages

no gay rep :(

standalone

The Emperor’s Soul is a part of Mr. Sanderson’s Elantris universe, but can be read as a standalone without knowing anything else about this world. It’s a bit of a different rec - Mr. Sanderson’s writing style is - and I mean this in the politest way possible - dry as fuck, and definitely not for everyone. But there’s something here I think is worth your time.

The magic system here is so unique and so fascinating. The Emperor’s Soul follows Shai, a Forger, who can copy objects flawlessly by re-writing their history. But, suddenly, she’s enlisted to do the impossible - Forge the Emperor.

I would give this one a try, even if it’s not like all the others one I recommended. It’s a good read, and Mr. Sanderson is, like it or not, a classic fantasy writer that’s a must-read for most fantasy fans. And, for me, this and then Mistborn were perfect stepping in points for his fiction.

I have so many of these, guys. Like, literally, so many. So, let me know if you want more of these - I’ll write up another post! And if you’d more specific recs, feel free to drop an ask :) 

Also, check out my SFF books with queer-normal worlds list, if you’re looking for more gay stuff!

[theaddictedwatcher]

Hello everyone!

Here again to introduce you to another fantasy show. This series, made for Netflix, is for now composed of two seasons. First broadcast in 2021, the story is an adaptation from the literary world created by Leigh Bardugo. Today, the show I will introduce you to is Shadow and Bone !

And now, to begin with as always, a little summary : The kingdom of Ravka has been cursed for millennia. Its fate now rests on the shoulders of an orphan, Alina Starkov, who works as a cartographer in Ravka's First Army. When her childhood friend, Malyen ‘Mal’ Oretsev, an orphan like her, is enlisted to take part in a boat crossing the Shadow Fold, a dangerous, dark and evil fog that cuts Ravka in two, Alina manages to go with him. In the middle of the Fold, as the crew is decimated by evil flying creatures, the terrified young cartographer begins to project beams of light that drive them away and allow the boat to emerge from the Fold. Word of her feat soon spreads and Alina discovers herself to be the Sun Summoner, a Saint steeped in beliefs dating back thousands of years and the only one capable of destroying the Fold to reunite Ravka. In this world, the Grishas, people with various magical talents, form the Second Army of Ravka under the command of General Aleksander Kirigan. Alina is taken by Kirigan to the royal castle at Os Alta to be trained and to meet the king. Meanwhile, in Ketterdam, a team led by Kaz Brekker, the Crows, have been offered a very large sum of money to capture the Summoner of Light. To complete their mission, Kaz, assisted by Jesper Fahey and Inej Ghafa, must find a way to cross the Fold… Who can Alina trust? Will she be able to rid Ravka of the Fold? Will she be able to escape the Crows? Who is Kirigan really? And a little technical description : - Created by : Eric Heisserer - Music by : Joseph Trapanese - Main cast : Jessie Mei Li, Archie Renaux, Freddie Carter, Amita Suman, Kit Young, Zoë Wanamaker, Ben Barnes, Daisy Head, Danielle Galligan, Callahan Skogman.

As I said above, the series is a Netflix adaptation of two of Leigh Bardugo's literary sagas: the Grisha trilogy and the Six of Crows literary duology. Having read the books a few years ago and the author herself having been involved in the project, my expectations were pretty high. So I'm going to tell you what I thought of the resulting product.

I'm going to start by talking briefly about the production team because, in my opinion, this gives a pretty good idea of the quality of the construction of the atmosphere of this universe. Between Eric Heisserer (A Nightmare on Elm Street, Final Destination 5, Bird Box), Shawn Levy (Stranger Things, Deadpool and Wolverine), Dan Cohen (Stranger Things, The Adam Project) and Dan Levine (Arrival, Freedom Writers), the producers of Shadow and Bone are used to fantasy and fantastic productions that require particular attention to special effects and atmosphere. That's why the team they've built around them (costumes, sets, music and visual effects) has been meticulously chosen, and I'll be coming back to the work of each of them later.

To give you as brief an idea as possible of the characters and their respective stories, I'll start by giving you a little background on the universe in which the series takes place. The chronology of the two merged sagas was certainly the point that made me the most sceptical. The Grisha trilogy doesn't take place at the same time as the Six of Crows duology and, although some of the characters can be found in both sagas, I couldn't quite see how they were going to merge. So I'm going to tell you a little bit about the three different stories that run parallel in season 1, with slight spoilers about the first episode. I'll only be concentrating on season 1 so as not to give too much away, so there are characters and stories I'll be deliberately omitting, although I'd love to talk about them…

THE UNIVERSE

The Shadow and Bone series plunges us into a fantasy universe in which the different populations of the six nations of Ravka, Fjerda, Shu Han, Kerch, Novyi Zem and Wandering Isle adapt elements of the language, culture and traditions of the countries of our world, drawn from different periods. Each of these populations is partly made up of people with magical abilities. These people, called Grishas by the common people, can be categorized into three different sections depending on their abilities:

Corporialkis are Grishas who have the ability to alter the physical state of a living being, either to heal them (Healers) or incapacitate them (Heartrenders).

Materlialkis are Grishas who have the ability to transform materials such as iron.

Etherealkis are Grishas who have the ability to manipulate the elements.

THE PREMICE

The nation of Ravka is divided in two, from east to west, by the Shadow Fold (also known as the Unsea), a region plunged into darkness and filled with beasts created centuries ago by a Grisha known as the Black Heretic. Ravka is also at war with Fjerda, which is seeking its independence from the king of Ravka. General Kirigan -played by Ben Barnes- leads Ravka's Second Army in these conflicts, which threaten the lives not only of the people of Ravka but of the whole world. To ensure the survival of his people, he searches in vain for the Summoner of Light, who, according to legend, is the only one who can destroy the Shadow Fold.

When the series begins, we meet the various protagonists:

* ARC GRISHA

Alina Starkov -played by Jessie Mei Li- is a young woman, half Shu, who grew up in an orphanage with her best friend Malyen "Mal" Oretsev -played by Archie Renaux. In the first episode, we discover that she is a cartographer in Ravka's army and that Mal has been enlisted as a tracker. But when, during an expedition, she reveals herself to be the Sun Summoner -an Etherealki with the rare power to summon light-, her destiny eludes her. Mal does everything in his power to protect her, but General Kirigan takes her to the Little Palace. He wants her to learn about her power there, but also to give hope to the Ravkan people that the Fold can be destroyed. We discover in the first episode that he is an Etherealki capable of summoning darkness, which is why he has been nicknamed "The Darkling". It's a very rare ability, like that of the Sun Summoner, which is why he is admired and feared by many. At the Little Palace, Alina meets Genya Safin - played by Daisy Head -a Healer known for her great beauty. Genya, initially sent to train her in the customs of the Little Palace, becomes Alina's confidante. During her stay at the Little Palace, Alina also meets Baghra Morosova -played by Zoë Wanamaker. She is introduced as one of Alina's instructors at the Little Palace, the Second Army's training facility. She is strict in her teaching of Alina's mastery of light summoning.

* ARC CROWS

Kaz "Dirtyhands" Brekker -played by Freddy Carter- is an experienced thief with a reputation for completing any mission if the price is right. He is the de facto leader of the Crows and has a personal vendetta against Pekka Rollins. Severely haptophobic -a rare phobia involving the fear of touching or being touched, an acute exaggeration of normal protective tendencies in personal space- and suffering from osteonecrosis in his right leg which causes him to limp, he has to use a cane with a pommel shaped like a crow's skull to help him get around and sometimes in combat as a weapon. Together with Inej Ghafa known as "The Wraith" -played by Amita Suman- and Jesper Fahey, a Baelish-Zemini sharpshooter -played by Kit Young- Kaz embarks on a new mission for a mysterious sponsor: they must find, kidnap and bring back to Ketterdam the Sun Summoner. If their mission is successful, Kaz will have the means to take revenge on Pekka and save those closest to him.

* ARC NINA / MATTHIAS

While Nina Zenik -played by Danielle Galligan- was on Wandering Isle on a mission for the Second Army with Zoya Nazyalensky, she found herself trapped in a Fjerdan drüskelle camp amongst whom was Matthias Helvar -played by Callahan Skogman. As Fjerdans consider Grishas to be evil, Nina was taken prisoner, interrogated and tortured. The ship on which she was held prisoner was caught in a storm and destroyed. Matthias survived the shipwreck thanks to Nina's powers which kept their bodies warm long enough to reach the shore, and so they survived together for three weeks in the wilds of Fjerda.

CASTING

It took me a couple of episodes to realise that I shouldn't see season 1 of Shadow and Bone as an adaptation of the first Six of Crows novel but rather as a mission carried out by Jesper, Kaz and Inej before the first Six of Crows book. While this may be uninteresting for readers of the novels, I find the idea of allowing us to learn more about the characters we love before the adventures in which we discover them quite interesting. It includes us even more in the evolution of the characters, and allows readers to discover a new adventure. And I'm thinking that, if I hadn't read the books, this isn't a detail I would have dwelt on. I actually loved discovering the characters I love so much in this adventure, before they were them, before they all met each other too.

I particularly enjoyed that they developed the meeting between Nina and Matthias in season 1, which makes sense as their meeting happens long before the adventures of Six of Crows. To me, it is far more interesting to have it as a story spun throughout a season than as a 5 minute flashback told by a character in a later season. It was always with the greatest relish that I relearned to love their meeting and I must salute once again the quality of the casting, particularly for these two characters who for me have the most beautiful chemistry this first season.

I must also applaud the casting of Jesper and Inej. I hadn't imagined Jesper to be exactly the same physically (in truth, I saw him with his hair shaved like in the illustrations), but Kit Young won me over from the first minutes he appeared on screen. His carefree energy, empathy, humour and ego immediately struck a chord with me and restored the image of Jesper I had in my memory from reading the books. As for Inej, Amita Suman is perfect in the role. Perfect casting. Whether in her appearance, her posture, her uprightness or her facial expressions, her performance gave me the impression of seeing the character straight out of the book come to life before my very eyes. It was magic.

I was a little less enthralled by Kaz in season 1. Mind you, Freddy Carter is very good, but for me there was an essential element missing from Kaz's story that we didn't get until season 2, and, for me, that's what makes all the difference in the way I feel about the character between the two seasons. But he's still Kaz, with all his faults and a few qualities too, and Freddy Carter brought this complex character to life perfectly.

As far as the Grisha novels are concerned, this first season follows the first book of the series rather well, although there have inevitably been a few adaptations, particularly in terms of the characters present. Yet, it's nothing too different from the events of the first book of the saga. The various performances by the actors and actresses fill out the characters rather well and the range of emotions portrayed is interesting but, and this is a personal opinion, some of the chemistry is unfortunately not there and that's a shame because it's a crucial part of the story…

I'd still like to make a special mention of three characters who, although they barely appeared in season 1, are developed in season 2 and whose actors deserve to be praised for their performances. I won't go into detail about the characters, but I'd like to thank Suzanne Smith for casting Jack Wolfe, Patrick Gibson and Sujaya Dasgupta in the major roles they play. They perfectly complemented the expected chemistry with the first-season characters and I was delighted to discover them in these roles.

REPRESENTATIONS

I'd also like to say a few words about the respect for different representations, whether racial -respecting the different characteristics of each nation, Novyi Zem and Shu-Han in particular- but also the representations of the LGBT+ community with different homosexual relationships. Of course, these aspects were already present in the novels but, given the current international climate, I think it's important that, during production, these aspects were not smoothed over or exaggerated. Whatever our origins, sexual orientation or gender identity, we're all the same, we're all human, and that's what should come first. To be honest, this is one of the subjects I enjoyed most when reading the novels: tolerance and acceptance. Beyond anything that might set us apart from one another, instead of pitting us against one another, let's stand together, let's be united.

SETTINGS

I'd now like to talk a little about the filming locations. The main shooting location for the first season was in and around Budapest and Keszthely in Hungary. Various locations were used to symbolise Ravka, such as the Ethnographic Museum, which served as the throne room of the Grand Palace, Buda Castle for the exterior of the Royal Archives, the exterior of the same castle and in particular its medieval roundel as Grisha's training grounds and Os Alta's gates, the old Stock Exchange for the interior of the Royal Archives and finally the main square for the Novokribirsk city set.

Outside Budapest, the exterior and interior of the Festetics Palace were used to create the Little Palace, and the Winter Festival was held in its concert hall. There's also the Amadé-Bajzáth-Pappenheim mansion that gave birth to the Keramzin orphanage, the town of Szentendre gave birth to that of Ryevost, and the royal palace of Gödöllő for the stable and chapel. A flashback scene was filmed in the ruined Széchényi-Wenckheim manor house in Békéscsaba.

Other shootings took place in Vancouver such as the scenes taking place in Ketterdam that were entirely built in the studio.

SPECIAL EFFECTS

Speaking of studio-built sets, I'd like to focus on the series' special effects. Under the artistic direction of Attila Digi Kövári, Francesc Masso and Zoltán Sárdi, the series' special effects were meticulously created. Whether it's the rendering of the Grishas' spells -particularly those of the Etherealki, which are the most visual- or the creation of the Shadow Fold using a green background, the care that has gone into these effects is extremely meticulous. I'm not saying that at certain rare moments you can't see the use of the green screen, because that would be a lie, but on the whole I'm quite impressed by the visual rendering that has been given to this magical universe.

COSTUMES

Before my last stop, I'd like to talk a little about the artistic direction of the costumes. Supervised by Wendy Partridge, the costumes I'm going to talk about can be divided into three categories.

First of all, the first costumes we see are those of the soldiers of the First Army. They have influences reminiscent of the dress worn by Russian soldiers during the first half of the 20th century.

This Russian influence is reinforced later in the season when we attend the festivities at the Little Palace. The outfits of the Ravkane royalty and the Grishas soldiers present remind me of the visuals in Leo Tolstoy's War and Peace -particularly the adaptation made into a mini-series in 2016.

The second aspect that the costumes inspire in me would be a more Western influence with the costumes in Ketterdam. Kaz's in particular, with his greatcoat, hat and walking stick, reminds me a lot of Peaky Blinders with Cillian Murphy.

Finally, and this is something I've already mentioned, I appreciate that the various cultural influences brought by each nation are visible. I'm thinking in particular of Inej's outfits, which, as a Suli, have South Asian influences in them, or the outfits of the Shu people - mainly visible in season 2- which are more reminiscent of traditional Asian outfits. It's important in costume to show the diversity of the world -whether real or imagined- but above all to do so in a way that respects the cultures from which we draw our inspiration.

MUSIC

Last stop before the end of this very long article: the series' soundtrack. I really enjoyed the work on the soundtrack created by Joseph Trapanese -who is behind the soundtracks for The Greatest Showman, Quantico and The Witcher amongst others- and in particular the different themes written for the characters over the two seasons of Shadow and Bone. The diversity of the instruments used also reflects the multicultural nature of this rich universe and contributes to a varied representation in the same way as the work on the costumes, the different languages and the casting of the actors themselves. In an interview with AwardsDaily.com, Joseph Trapanese explained that the music for season 1 was composed over 11 months during the pandemic and how he conducted an orchestra through meetings on Zoom. He also explained that Russian and Slavic influences were incorporated as a basis for his compositions, as Leigh Bardugo -the author of the novels- had cited Sergei Prokofiev and folk music as examples of inspiration when she was writing. Joseph Trapanese cited other musical traditions such as gamelan- the traditional ensemble music of the Javanese, Sundanese and Balinese peoples of Indonesia consisting mainly of percussion instruments, being inspirations for certain pieces.

CONCLUSION

And that's it, I think I've gone on long enough with this review of Shadow and Bone. I hope you've enjoyed it and that I've managed to make you want to get involved in this adventure, despite its cancellation by Netflix before season 3 due to "the writers' strikes in 2023" as Netflix explained.

Personally, I had high expectations having read the books, and I have to admit that never before has a series adaptation of a work I've read won me over so much. Whether you've read the books or not, if this type of adventure appeals to you, I can only warmly advise you to go for it! And if you want to, why not read the novels!

In the meantime, I hope you have a wonderful week, enjoy your viewings and see you soon!

Eli