#the thing is when we create monsters

[imissthembutitwasntadisaster]

Always love how much folklore especially creature folklore emphasizes that there is a way for you to win. These are the steps to ensure the dead don't rise: take them out through a hole in the wall and give them iron shoes. Vampires cannot abide sunlight. If you hear a dog howl on a churchyard path turn around and get home as fast as you can. Iron and salt and the colour red. None of this doomed idea, the world is incomprehensible but if you're a bit clever you'll survive it just fine, there's always ways out.

[yellowocaballero]

hi! i've been reading some of your older fics and was wondering if there's any merit in watching buffy for the first time in the year 2024

This may not be obvious, but this is actually an extremely complicated and highly subjective question. I'll try to go on for too long.

As background: my mother loved Buffy and its spin-off Angel growing up. It was our Bible (besides the actual Bible). Not kidding, she was on the forums and fan groups and wrote fanfiction for it and everything (These days, she's really into kdramas and Asian dramas, and calls me about how the Thai seem like big fans of gay people). So I'm quite biased.

BTVS is both a product of its times and ahead of its times. It was a show about feminism and the struggle of living in this world as a woman, when very few shows were doing that. It was the first show to have a long-lasting lesbian couple, and the first show to depict a kiss between them. For better or for worse, it was one of the codifiers of broody vampire boyfriend. It was pretty unafraid to be experimental in a lot of what it did. It had incredibly complex and nuanced character work and growth that I still aspire to. Spike's arc is still matched in quality only by Avatar's Zuko. Angel's long term arc, from Buffy to his spin-off series, still makes him one of the most complex characters on TV. It had the most complex depiction of depression on TV at the time and I still think it's one of the best. I think the show had very high highs.

It also had very low lows. Some of the feminism is problematic in retrospect. The sapphic couple has a rather famous element that was severely problematic. There are, overall, some deeply atrocious arcs that I can appreciate objectively but not in practice. Xander: a whole-ass character aged awfully. On a meta level, the workplace conditions were bad (thanks, Whedon.) There are no people of color. The spoiler's sake I won't go into detail on this, but in general the good stuff was so influential and the bad stuff was just awful.

I think these days people tend to brush off the entire thing because it's Whedon. That is more than fair. But I'd also say that Whedon & Buffy is extremely similar to Brian Michael Bendis & Ultimate Spider-Man. Bendis was fantastic at writing sassy, bouncy, permanently stressed-out teens - issue was, he wrote entirely different serious adult characters the way he wrote these sassy teens. Same with Whedon: the annoyingly constant quips are perfect for Buffy, because that's who the characters are. They're awful in Marvel, because Steve Rogers is not Xander. Kinda similarly, Buffy was genuinely feminist for 90s TV - issue is, Whedon has not grown or developed his views, and now his works feel so sexist (oh my fucking god why did you treat Natasha like that). After a certain point it's egotistical: you're writing like that because you're Joss Whedon and it's how you write, not because it's what's best for the characters and story. But it was really important to me to get the character voices right, and it's freaking difficult to endlessly write dialogue that distinct, full of voice, witty, and clever.

I think BTVS & Angel TV's greatest influence on my writing is how intensely character-driven both of those shows were, and how intricate the characters were. What every character did was something they would do, if that made sense. Even the stuff I hated to watch, that made me uncomfortable, was the culmination of so much (usually). I think I also picked up the constant wit and humor lol. On a personal level, the conversations I would have with my mother where she broke down the character motivations and composition of the story was my first exposure to looking at storytelling from an analytical perspective and a framework of critical analysis, which was an approach I carried into the rest of the media I consumed and that was the primary reason I was able to become a decent writer. Thanks, Mom. Have fun with your kdramas.

TL:DR: There is merit, especially if you care about good character work. There are things about it that may make you want to drop it, which is extremely valid. Season 1 is rough but interesting, Season 2 and 5 are the best, Season 3 is pretty good, Season 4 and 7 skippable, and Season 6 is........epic highs, epic lows......

[itspileofgoodthings]

remember when you hit the brakes too soon! twenty stitches in a hospital room! when you started crying baby I did too! but when the sun came up I was looking at you!

[rocketbirdie]

Thoughts on the new Monster Hunter trailer?

Equal parts thrilled and apprehensive!

I've always preferred a more cartoony and colorful MH that doesn't take itself too seriously. World wasn't my cup of tea for various reasons, such as the emphasis on realism, too much time sucked away by a disinteresting plot, and the disgustingly visceral sound design.

Wilds is very obviously World-like. As soon as I learned it's FULLY voice acted, I groaned in agony not gonna lie. I'll be perfectly fine with it being plot heavy as long as they make cutscenes skippable. Not sure yet how I feel about having a handler again. Would like to see Sunbreak's followers system return, but I'm not confident.

New locale looks beautiful!! Mohran hype maybe??? The new large monsters are curious. Amphibian monster! Zamtrios?? Please please please zamtrios please pleeease please. Great Sword moveset is funky. I like the gap-closing counter attack, but I also kind of miss the goofy simplicity of the old school hit-and-run playstyle.

Seikret is precious. I hope we get to customize their colors and deck them out in cute cringey outfits. Very surprised that you can sharpen/drink potions etc. while riding them, that was the thing about Rise's palamutes that I felt needed to be nerfed. I DO like that Seikret can carry one other weapon for you to switch out between. Hopefully that means you can't freely change equipment at the main camp like in Rise. I like having to prepare more carefully for hunts!

[fandom-with-no-hope]

Not to be that guy or anything, but after having a long discussion about Trigun with my wife, I may or may not have given her ideas for a fanfic and I am afraid of what I may have created

[tanadrin]

So one of the things that can apparently contribute to kidney issues in cats is if they eat too much dry food and don't drink enough water; cats are adapted to get a lot of their water from their food since they're originally desert animals, and might not get enough water if they don't eat wet food. Unfortunately, Dozy won't eat wet food no matter what; she categorically refuses to touch the stuff. So a few months ago, we were looking for ways to get Dozy more fluids, and my wife noticed at the pet store a cat drink--basically meat broth with some floaty bits in--that was low-protein and meant for cats with kidney issues. So we figured, worth a try, right?

Great news: she loved it. Super tasty apparently. Great success. Along with the kidney-sensitive treats we found, it was a nice way to supplement her diet. Unforseen long-term consequence though: she loved it so much she began demanding it throughout the day. Like, would come up to us and meow, and meow, and meow, and not stop, until we got up, went to the kitchen, and got her some cat drink.

And by doing so on demand, we have unfortunately created a monster: no matter what we are doing at home, Dozy knows that if she sits next to you and meows, 1) you know what she wants, and 2) you know that she will not stop until you get it for her now. And when you do get it, she gets extremely excited. She will bum rush the kitchen door as you enter. She will run around your feet as you open the can. She will let out the creakiest, crunchiest, most nails-on-the-chalkboard meow you've ever heard if she thinks you're not going fast enough.

I do not begrudge her this. It is gratifying to care for a creature whose most ardent desires are so simple that it is this easy to fulfill them. But I am a little sad, because I know in my heart that I have never loved any comestible as much as she loves this cat drink. She has a pleasure of a purity and intensity that I will never know.

[the creacher in question]

[kiraman]

tags by @bedknees

"It's impossible for a piece of media to have a perfect, thematically flawless ending."

Arcane:

[mikkeneko]

That post about Marcille and Laios' relationship actually got me thinking about Chilchuck and Laios' relationship. Which is harder to see in some ways because it mostly consists of positive absences.

At first, viewers might be inclined to wonder why Chilchuck sticks with the party. He says it's because he took payment up front, but he could give back part of the deposit and leave. Two other party members left; Laios explicitly gave Marcille and Chilchuck a choice as to whether they would stay or go, and they both chose to stay.

We know why Marcille chose to stay; she wants to save Falin and she considers the other party members her friends. Why did Chilchuck stay?

Chilchuck actually respects Laios a lot -- food and monster weirdness aside -- and that mostly comes I think through the positive absences from above. The things that Laios does not do.

Laios doesn't deliberately expose Chilchuck to danger or regard him as expendable. When Chilchuck starts to get enthralled by the sirens' song, Laios immediately snaps him out of it. Contrast that to Chilchuck relating that other adventuring parties will sometimes bring half-foots along just to sacrifice them or use them as bait!

Laios doesn't insist that Chilchuck put himself in danger by getting into combat. Even in situations where they're in danger and could really use more combatants, he only ever asks Chilchuck to take on non-combat tasks such as creating distractions.

Laios doesn't get in the way when Chilchuck is working and follows his directives of what to do around traps. He respects Chilchuck's work so much that he will even hand over his sword without hesitation, even when doing such a thing causes it to be damaged!

Laios doesn't press Chilchuck to divulge private information. When Chilchuck says he doesn't mix his professional and private lives, Laios respects that and doesn't push.

All the other party members infringe on these boundaries in some way. Izutsumi tries to egg Chilchuck into combat; Marcille pries into his home life; Senshi deliberately provokes him when he's trying to work. Not Laios. Once Chilchuck sets a boundary, Laios does his best to always respect it. (And I think Laios appreciates having clearly defined Rules For Chilchuck.)

Laios is a good party leader and he takes care of his team. Maybe this is my age showing, but when you find yourself in a good work situation with a good boss, you stay in that job.

[chongoblog]

Things That Happen In Gravity Falls Without Context

It's implied that rich people control their children with a bell

A single episode is shockingly reminiscent of both Five Night's at Freddy's and Doki Doki Literature Club. This episode came out 3 years before DDLC and one month after FNAF

Mabel kisses Strong Bad

There are two clones of the main character that are still alive and living in the woods

Larry King confirms that llamas are nature's greatest warriors

An old couple is killed by rap music

One of the scariest monsters in the show is eaten alive and loves every second of it

Neil Cicierega wrote a song for it that was unfortunately never used (yes, seriously)

Everyone in the town is a tad strange, except, ironically, Cecil from Welcome to Night Vale

Boy bands are kept as pets

A character proves she is pure of heart by performing a drug bust on gnomes (this does not work)

Zombies are defeated by Ke$ha

The most discourse-generating part of the show is a 12 year old giving a time traveler a snowglobe

And old man almost fucks a spider

When someone tells you they don't have a tattoo, believe them.

Fucking up a science fair will inevitably lead to your brother being stuck in another dimension

If you stick your head in a portal, you speak in code for a little bit before you turn into a hillbilly

Get your son to pay attention to you by creating a mech beast

We are all blanchin', unless we find a cool gun.

By the end of the show, the mayor's last name is "Cutebiker"

The president gives Dipper a negative 12 dollar bill

Bill Cipher

[bonefall]

Voted for Bumble bc of course but also if you think Alex would not pspsps Bumble you are wrong. If they could communicate they would go to therapy together /s

If then could communicate they would go to therapy together

/GEN

Kyle/Green Lantern resurrects her but then he becomes convinced that she's not the same person she was before the incident, OR SOMETHING SOMETHING Black Lanterns aren't ACTUALLY bad they're just misunderstood Grim Reaper types, in either case Alex ends up breaking it off with Kyle because they've become very different people.

And then Bumble's there

And then they go to therapy or Alex adopts Bumble, and then uhhh Bumble's like one of the superpets. Like Krypto the Superdog. Free premise go forth and play with it if ur a DC fan

[ivoryratdoggerythethird]

LMAO PLEASE i need to see a flashback of teen soukoku on a mission where dazai is trying to think of a plan and without a word he just falls to the ground and starts rolling

and chuuya is just staring in horror and exasperation like "oh my fuck i broke him"

chuuya tying him up and spinning him like in stormbringer is the Safe(?) and Controlled method for this, like he gets into the habit of carrying a whole length of rope with him all the time and years later higuchi has a heart attack when they gotta immobilize a target and chuuya just whips out whole ass bondage from thin air

okay how can I make Dazai rolling around on the ground about the spinning on the pole scene in stormbringer? maybe Chuuya accidentally conditioned Dazai to spin around when a situation is stressful

[iniziare]

Tag drop: Kafka

[redbuddi]

I think we as a society need to be reminded how good the original Powerpuff Girls was. Here's some of my favorite things about it:

the fight scenes had a level of punchiness and impact that was rare for cartoons of the nineties, and fight scenes that were way better than what one would expect from a comedy

The character writing is so good that a large portion of the show's most iconic episodes consist of just showing how the girls' personalities react to different scenarios, for example in one episode the girls take turns recapping a fight that had just happened, and the tone and art style of the flashback changes depending on whose telling the story

One of the recurring extras is a talking dog that goes about it's day like a normal human

Each girl has mostly the same powers with one special ability that sets them apart. Blossom has ice breath. Bubbles can speak to squirrels and is also fluent in Spanish. Buttercup can curl her tongue.

while the majority of the show is lighthearted comedy sometimes it'll just decide to be nightmareworld for an episode and i think thats pretty cool

The show utilizes a blend of classic upa linework and sixties art deco shapism to create a visual style that is utterly timeless. If the majority of the show wasn't cell animated you would not be able to guess when it came out

The main villain's speaking patterns were directly inspired by The Super Dictionary. AKA, the same book that brought us this:

You can tell.

In the season one finale, the girls fight a giant monster using a mech suit. During the fight, there is a sequence that is literally just 20 uninterrupted seconds of an absurd amount of missiles coming out of every possible orifice of the robot. And then they miss.

There was an anime adaptation made in the 2000's and its actually pretty good, like it does take a lot of creative liberties but its clear that the people making it understood the spirit of the original show and were just adapting it to reflect japanese pop culture in the same way the og show reflected american pop culture.

The show had an insanely kickass soundtrack consisting of early techno so clean it's kind of shocking that it was made in the late nineties and not the early 2010's pre-dubstep era

satan is there and he serves cunt

[dunmesh]

this panel from the world guide of falin being surrounded by other girls while laios is all alone kills me because. that's it. that's the key difference in their journeys.

as laios states himself, he left the village in order to create a home for him and falin elsewhere. a home that won't collapse due to others' hatred and fears like their old home did, a home where they are loved and accepted unconditionally. but as he soon found out, even before earning money, or having walls surrounding him and a roof above his head- what he so earnestly desired was to meet other people who will accept him for who he is as well. instead, he kept being tormented by those around him, shunned and sneered at. his loneliness quickly became all-consuming until he truly had nothing left except for the monsters in the pages of his book, but even that became a target of mockery and destroyed. that's why ever since the day he left the village, he never felt that he truly made the right choice. so he kept running away: unable to resist and unable to accpet.

and an ocean away from him there was his sister, who never managed to fully fit in herself. but unlike him, she met a person who became a home to her and learned what a true friendship was for the first time in her life. and laios clearly realizes that too when he finally sees falin and marcille together, he can tell his sister obtained the greatest treasure there is on her own- the exact thing he never managed to find anywhere himself, thus coming back empty-handed to the sister he left the village for.

but when you read this part of the manga, laios's focus is on falin's loneliness, not his own. he talks about how it hurts thinking about all those moments she had to spend alone because he wasn't there for her, so it almost sounds like he's the one who couldn't bear her suffering and therefore decided to not let her go again. but we do get a glimpse of their first meeting after that almost-decade long separation in the manga, and then we see more of that in the world guide and daydream hour- and it becomes abundantly clear that it was falin who was trying to protect and save him from this pit of loneliness and depression he was in.

so instead of just doing his best to atone for leaving her behind in the village and making sure she is never lonely again, it might also be that laios was desperately clinging to the one person in the world he felt that accepted and loved him unconditionally. those words he used to describe his motivation to stay by falin's side are the exact words she would've used as well; she couldn't bear leaving him behind in this state. in a sense, they were each other's shackles.

but then she did. she died for him and their friends, and ironically enough, it was by leaving him alone like this that he was finally able to stand on his own and put his full trust in others. to have the courage to reveal who he is and give others the opportunity to accept him after such a long time of hiding. it was a long journey, but his hiding finally came to an end when he faced the others after shedding his monster form. and i love that the person who was falin's "home" all those years away from laios, marcille, became just as meaningful to him during their time separated from falin- the first one to find him and show him that he isn't alone anymore. just as he did for her.

so at the end of the story when falin talks about all the places she would like to go, it's not just that she wants to pursue her own dreams- but that she actually feels free to do so and go anywhere she desires. and one of the main reasons for that is that her brother finally found new people he wants to be with; his own home.

[snapscube]

Can you please elaborate on the original FFXIV getting blown up?

yeah so, in summary, when FF14 was first released it was helmed by an entirely different team of producers who were very much not interested in learning from developments in the MMO genre up to that point and kinda created a mess of a game. it wasn’t really due to one thing in particular that the game failed though, the entire production was highly mismanaged. people knew in beta that it was going to be a mess but they pushed it out anyway and it was a major flop critically and a big hit to square’s reputation. the producers were then removed from the project and another producer named Naoki Yoshida who had a lot of experience working on the Dragon Quest MMO was brought on to replace them and hopefully improve the state of the game.

when realizing just how fucked FF14 1.0 was at the time, yoshida gave square a bit of a hail mary option and was like “we can improve this game, but it will never be great in this form. let me continue making updates to the game… while also in the background secretly rebuild the entire game almost from scratch”. fucking miraculously square was like “yeah sure” and actually gave that idea the greenlight, with a 2-year window to release.

so that became the plan. improve the game in incremental amounts for players currently sticking with it, and then wipe the whole slate clean and release a FF14 2.0 that was a fundamentally remade experience, actually taking more design inspiration from other successful MMOs and other final fantasy games. they didn’t just decide to wipe the original game on a meta level though, they actually worked the destruction of FF14 1.0 into the plot of both games. and so, famously, the day that the servers for 1.0 were shut down was a day where IN GAME players fought a horde of deadly monsters spawning around the world until inevitably a giant moon crashed into the world and took the servers offline for good. and then when you play 2.0, they frequently reference this calamity in the early MSQ and players who stuck with 1.0 until the end actually got their entire character transferred over with a special tattoo, opening cutscenes, and special dialogue throughout the MSQ that connects them to the game that was deleted.

there’s a 3-part noclip documentary that goes into more detail, it is FASCINATING stuff.

[tempo-takoyaki]

From an anonymous freeform prompt for SVSSS Action, may I present to you... Delicious in the Abyss! A SVSSS x DunMeshi AU!

More info about the different characters (with some sketches) under the "read more" :

In Delicious in the Abyss, we follow various groups of adventurers as they explore the "abyss" a mysterious place filled with various fauna and monsters. No matter their race or age, most of them have the same goal: becoming the master of the abyss... However, some have a very different idea of how one should explore the abyss. Take for example a certain group led by an elf named Shen Yuan who desires one thing only... eat as many different monsters as possible!

Shen Yuan's party :

Shen Yuan: Elf, 87 y/o, Mage. His wish is to eat and study as many monsters as possible. He started exploring the abyss about twenty years ago, but had to stop abruptly after taking in Luo Binghe. On the surface, his studies seem to merely be for the sake of curiosity... But are they?

Luo Binghe: Tiefling, 63 y/o, Tank (and cook). Thrown into the abyss at the age of 38 (since tieflings are a long-lived race, it means he was about 14), he got stuck in the lowest levels for few years before Shen Yuan saved him. He regards him as his savior (and one true love) and would do anything for him... even if it means cooking the monsters (he hates it, he hates it so much).

Shang Qinghua: Gnome, 87 y/o, Healer. Shen Yuan's oldest friend and the author of many infamous books. He stopped writing them about twenty years ago though, after he started to explore the abyss with Shen Yuan. He seems to be looking for something in the abyss, or rather: someone.

Liu Qingge: Tallman, 26 y/o, Swordsman. One of Shen Yuan's friends. He used to be part of the Cang Qiong guild but left it after a disagreement with one of his colleagues. Now he works for Shen Yuan with his younger sister, Liu Mingyan. "Uh? My goal? Get stronger. Mh."

Liu Mingyan: Tallman, 24 y/o, Swordswoman. Liu Qingge's younger sister, she accompanies him on each of his missions. She got an offer to work with Cang Qion mountain once but refused it once she learned her brother had left the guild. She's quiet but efficient, however, Shang Qinghua suspects that she might stick around for other reasons...

Cang Qiong Guild:

Yue Qingyuan: Tallman, 48 y/o, Tank. The leader of Cang Qiong, he's a respected individual amongst adventurers. However, he seems leniant on the vices of his vice-leader: Shen Qingqiu.

Shen Qingqiu: Tallman, 40 y/o, Swordman. Vice-leader of Cang Qiong. He's the reason Cang Qiong is exclusively made of tallmen, as he has a strong distate for any other races, especially elves. The only exception to this rule is his adopted daughter: Ning Yingying, a dwarf. He's the one who abandoned Luo Binghe into the abyss after discovering his true nature.

Mu Qingfang: Tallman, 29 y/o, Healer. The group's medic.

Qi Qingqi: Tallman, 31 y/o, Swordswoman. She wanted to create a branch specifically for women in Cang Qiong Guild's but because of Shen Qingqiu's veto on recruiting other races she couldn't make it work.

Ming Fan: Tallman, 19 y/o, Mage. A cowardly young adventurer. He has a crush on Ning Yingying.

Ning Yingying: Dwarf, 51 y/o, Tank. Despite being older than him, she's Shen Qingqiu's adopted daughter whom he took in when she was merely 30 y/o. She likes her father a lot, however she can't forgive him for what he has done to Luo Binghe. (She'll leave Cang Qiong to join Shen Yuan's part at some point).

(Side note, Cang Qiong is still specialized in cultivation, hence why most of them look so young)

The Tieflings hideout:

Tieflings are a race that I made up for this AU specifically, inspired by D&D. They're inhabitant of the dungeon, tall and sturdy, with pointy ears akin to elves, horns of various shapes and tails. They can also use magic like elves, tallmen or gnomes, however their magic rely on its own set of rules.

Mobei-Jun: Tiefling, 92 y/o, King of the Northern tribe. Leader of one of the numerous tiefling tribes hidden in the abyss, he met Shang Qinghua twenty years ago in the abyss and has made him swear his loyalty to him since then. He has sensed change in the abyss since Luo Binghe's arrival, and decided to trust Shen Yuan's party to solve this issue... With the compensation of Shang Qinghua.

Sha Hualing: Half-ogre half-halfoot, 15 y/o, Princess of the Eastern tribe. Adopted daughter of the king of the eastern tribe, she's a bastard born from the forbidden union between an ogre and a half-foot and was abandoned into the abyss at birth. Of short stature, with a short life spawn, she makes up for it with her keen senses and her strength. She later on joins Shen Yuan's party.

The first Tieflings:

Tianlang-Jun: Tiefling, ??? y/o, Master of the Abyss. The master of the abyss, his powers are beyond anything imaginable. He claims to have eaten what has given him those powers and since then has known hunger beyond what any mortal could endure. He has once fell in love with a tallman woman by the name of Su Xiyan, but she has left the abyss years ago, and he doesn't know what her whereabouts are... The only thing he knows is that she's the only one capable of satisfying this hunger that eats him from the inside.

Zhuzhi-Lang: Beastman (snake), ??? y/o, Guardian of the abyss. Tasked by the Abyss' Master to protect its inhabitants, he'll kill anyone who gets in his ways indiscriminately at the exception of Shen Yuan, who saved him years ago when exploring the abyss for the first time. He only obeys the Abyss' Master orders, and because of that, has forced the Tieflings deeper and deeper into the abyss regardless of how they felt about it. As a chimera, he's more snake than the tiefling his soul has been mixed with.

Other groups:

Huan Hua's guild (the governor's guild): The one guild financed by the governor of the state in which the abyss is located. Its members are from various races. Despite the guild stating they're open to anyone, only those from a wealthy background can become a part of it.

Zhao Hua's guild: Specialized in magic. They have rounds to reanimate unlucky adventurers in the abyss.

Tian Yi's guild: Specialized in training new adventurers.

And that's it for now! What awaits them in the abyss? Many adventures and delicious cooking, that is, if Luo Binghe can handle it.

"Freed from the abyss at long last... Forced to cook the monsters with seasoning this time. I've been cursed there's no other way to explain it... Damn it, it's good though, I really am a great cook."