#the story is pretty fun

[puppyeared]

filipina miku!! my mom helped me with her outfit ^_^

[chloesimaginationthings]

Do you guys fuck with the FNAF books?…

[lilybug-02]

The Hollow Knight. (That's Them :0)

Bug Fact: The Ironclad Beetle can withstand 39,000 times its own body weight (the equivalent of a Human resisting the crush of 25 blue whales).

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Masterpost

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[faragonart]

We interrupt this program to bring you...

Echo

[dailyink]

9/1/24

The past stores our memories, the present carries our actions, but the future...oh, the future could hold anything.

[jeeaark]

Anymore goofy bloopers from failed rolls from either play through? Such as getting killed by Astarion when he first drinks your blood?

Unfortunately (or fortunately for me), Durge practically killed it with his skill checks. But I did have blooper moments because I made the murder lizard a wild magic sorcerer.

Lots of imp summons. Always sicked shovel on them.

Felt bad for killing Wyll's cambion summon.

[nanstar200]

HI‼️‼️

MORE FNAF/SPAMTON!!! LOVE U GUYS 🫶🫶

[sodapopbuoy]

narumi - Wishing Star

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[captain-space-kin]

My take on the regional Sora’s trend! She’s an alien now >:3

I had no idea what to do for this initially, but then it hit me, I could just shove her into my OC story. If I have the motivation I might shove everyone else into it too! I roughed out some ideas for the main cast while working on this.

A (sort of) brief lore explanation and tag list under the cut o7 (also tumblr killed the quality so click for a better view etc etc)

A lot of this still a work in progress since I’ve been changing this species lore a lot recently, but! Starsino’s are a semi-aquatic vaguely amphibious + reptilian race, whose society at large bears a striking resemblance to Imperium (hence why I chose it for Sora). Their eyesight is not great, and as a whole the species used to have a sixth sense that would them navigate in difficult to see areas like underwater (similar to a platypus!). At some point the ✨Space Fae✨ (not an 100% accurate description but it’d take too long to explain their lore afshhdf) came down and gifted them the ability of True Sight. Which expanded their sixth sense to allow them access to telepathic/telekinetic abilities. Eventually the ✨Space Fae✨ got bored and left but also took the True Sight with them, which inadvertently cut off their species ability to access this sixth sense at all, which caused their entire society to collapse. Not everyone lost their “sight” but the majority of people did. Some people are still born with the sixth sense and even True Sight, they’re called Seers and True Seers respectively.

Nowadays there are two major factions of Starsino’s society, The Dictatorship, and The Cult. Both are trying to restore everyone’s access to the True Sight they’re just going about it a different way. There’s a lot more to it them this but it can basically be boiled down to a Science Vs. Magic thing.

Sora being born with True Sight (which is where her tech manipulation stuff comes in), is taken from her family as a baby and given to the Science People to experiment on. Eventually she escapes and makes it out of Starsino controlled space. Where she meets Arin! Who is just some human guy who managed to get off of Earth somehow, idk I haven’t really worked that all out.

Anyway! Gonna try to not let this be an all consuming project like my AU’s usually are, but it is oh so tempting

Tag list -

@Inspectorghoul @fading-through-existence @juniperjellyfish @carmelo-san @lightningchicken

@crying-over-cartoons @officercooks @mywasasi @ashclouds366 @basicallyjaywalker 

@finn-m-corvex @garmaballs

[karmathenightowl]

The one and only Shlabethany, along with the other npcs that appear in the Passion's Cove arc!

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[picaroroboto]

Dawntrail, more than any other expac I think, requires a bit of "buy-in": You don't nessacerily have to love Wuk Lamat if she's not your cup of tea, she is a fairly simple character after all, but if you can't accept that Dawntrail is her story and at least pretend to like and be invested in her, you probably aren't going to get anything out of Dawntrail. Similarly, if you don't accept the implied character development of the "canon WoL" choosing to seek adventure for it's own sake after Endwalker, you won't be able to enjoy the fun adventure story elements DT is banking on if you're still tied down by baggage from EW.

I think that's a large part of the reason DT seems to have drawn out a disproportionate amount of haters, because if you're in stubborn opposition to these changes from the start you're going to get even more salty as you go along and be completely unable to enjoy DT for what it is.

[egophiliac]

I have a question about the jp server pickups, since I really want knight Sebek, but I’m trying to save gems for bloom malleus + the 3rd tsum event that’s gonna show up sooner or later. Iirc, after knight Sebek, the next story update’s pickup had all of the previous story cards (ie cerberus Ortho, general Lilia, and knight Sebek). Is this true, and if it is, did it include a token system like the dorm pickups where you can just do 100 pulls and then buy the specific card you want directly? Because if that is how it works, then I can wait until then and be sure I won’t have to go to 200 for him.

we did indeed get a second chance at those three when 7-7 came out! I'm pretty sure there was not a token system -- though admittedly I don't 100% remember, sorry! 🙇 I took a quick search through some past posts/videos from people who tend to include the gacha and news stuff, but I didn't see any mention of it, so I'm inclined to think there really wasn't one. :( they were all separate pickups with their own pull counts rather than a combined one, if that info helps at all.

speaking as a strict f2p who hoards keys/gems like the lovechild of a dragon and a magpie, given the choice between saving for a story card and a birthday card, I'd go for story -- it does require a lot of patience, but there are way more opportunities to get past birthday cards, both from the anniversary events and the rerun pickups! tsums is a bit harder to say anything on because Eng doesn't follow the same event schedule, but it's a longish event and those pickups let you have a free 10-roll, so I think they're also a bit easier to save up for.

(ALSO speaking of free rolls, starting with the fifth round of birthdays -- the kutsurogi my room ones -- the birthday boy/union jacket/bloom cards have had a separate pickup that you can get two free 10-pulls at by doing missions! I got a bloom Jade from it a couple weeks ago. :D meanwhile general Lilia is the only story card I've ever managed to pull, so...I'm probably kinda biased. whoops.)

[faunandfloraas]

The Nobleman or 양반 (yangban): The smiling face represents the bluff and composure that an aristocrat is often known to have. The chin is a separate piece from the top of the mask, and the actors can lean forward and back to make the mask smile or frown as needed.

This monk who abandons his doctrines, or 취발이 (chwibari): Chwibari was originally a monk, but he had no intention of joining the monastic order, so he came down to the world and wanders. Represented with a forehead full of wrinkles and spots.

The widow or, 부네 (Punae/bune): represented to be a widow, or a kisaeng ( a woman who sang, danced, or played an instrument to provide entertainment for company at a drinking party), or a mistress of the Yangban. She has a very small mouth, round cheeks and forehead- giving a general look of happiness good-humor.