#the story also brings up important questions like:
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nickrocketrodriguez · 19 hours ago
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How does storyboarding inform the writing process? Does it not inform the story at all, e.g. all the writing is done first. Does it only begin to inform the story later on, e.g. after the pilot episode, after the first few episodes, etc...
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Day 02 of Rocket Answers to celebrate the S3 premiere of Jurassic World: Chaos Theory!
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Another process question! Woo!
So, television animation on script-driven shows is truly such an awesomely collaborative process. The storyboarding team is so extremely important to how the writing develops during the course of a series like ours. We started writing the series a few months before anything on the production side began -- before designs, voice records, and, obviously, storyboarding. So, while we did have the voice and tone of the first series to look to, we were sort of writing blind -- which is par for the course when starting any new project.
But the reason I love our board artists and why storyboarding helped with the writing as we went along is that the board artists shape our understanding of the visual language of the show, along with the acting of the characters. Our cast was obviously incredible, bringing the scripts to life in a beautiful way, but they don't have the chance to showcase the characters' physicality, only hint towards it with their voices. That was the coolest thing to me about how the board artists helped with the writing. Sure, they come up with amazing shots like the T-rex explosion in "The End of the Beginning," but when I'm writing I'm focusing on character, and getting to see the board artists interpret and breathe life into these human beings was so helpful in telling us who these people are and how they interact with each other.
The board artists were also instrumental in helping us work through the action sequences. In "Down on the Ranch" I remember we didn't have a design yet for Sammy's ranch, so we had to sorta draw our own diagrams of what the set could look like. Down the line, when plans were more set in stone and we had a better idea of what places would look like, we were able to write towards that a little bit better (which meant less rewriting later on).
Also, the board artists on our show were heeeeeeella funny, so that made every episode that much more special.
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wigglesdtuff · 2 days ago
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Your post about interaction on tumblr really hit the nail in the head. I feel like the problem here is that there isn't really any opportunity for an actual conversation due to the nature of reblogs. I also feel like the ask function tends to be difficult to interact with because it kind of puts you in the spotlight, so a lot of people (including myself most of the time because i get shy lol) tend to send questions anonymously.
That being said, I love love love seeing people yap about their favorite characters! I obviously adore Robin, I think she's so cool and I cried like a loser over her in ennies lobby, but everybody gets weirdly attached to a certain character, and she never made it into being my favorite, so seeing someone who is as obsessed with her is so so cool because it has presented me with so many different and interesting perspectives on her character. Part of being a one piece fan is becoming so extremely attached to a character that they consume your entire being, which is why it's necessary to have a balance of people's favorite characters, so that we are able to have an in depth analysis of everyone haha
For me, what was originally most compelling about Robin was the fact that she was the first, and for a while the only, adult on a crew full of teenagers. If one piece has proved anything, it's that variety in age amongst the main cast is very important. It creates fun dynamics, and it makes for such better story telling. It also kills me that the first time Robin was shown unconditional love and kindness since she was eight years old was from a bunch of naive, ambitious weirdos who literally tried to fight an admiral for her. Which also brings me to one of my favorite scenes in one piece.
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LIKE SHUT UPPPP rereading the manga and coming across this post ennies lobby almost sent me into a coma I'm not even kidding. I think this is genuinely one of my favorite moments in the entire story, especially with context. Utjghrkoaj they love her so much, and she loves them so much it makes me sickk. Imagine being forced to face the past you tried so hard to forget only to be defrosted in a bathtub by a bunch of teens who fought one of the strongest people in the entire world for your honor. And it's genuinely amazing how much emotion is conveyed in this panel when there's not even a single word and Robin is just staring blankly at the ceiling. One piece really does have incredible emotional storytelling and I feel its character focused moments are incredible, especially when it comes to Robin.
I love Nico Robin, and I love talking about her and seeing people who love her too. She's so special and you're so awesome. Sometimes I have to pace around my apartment after seeing your art because it's so cool, the colors remind me of those pop rocks that you dip your lollipop into and it explodes in your mouth, it's so beautiful. This one in particular scratched a nice place in my brain.
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Hehe yessss. So pretty. This is so long but I got carried away. Have a good day!
I keep wanting to thoughtfully respond to this one, but I couldn't have explained that moment better myself. It's such a beautiful parallel to Nami waking up to the crew fretting over her while she's sick. Oda's character writing is just something else, and there's something for everybody! I think Robin has just latched onto my brain forever now.
Thank you so so so much for the kind words and especially about my art! That's such a fun description that I'll so super keep in mind. And :3 thank you that's one of my favorites I did this year so far!!
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lurkrnolongr · 1 month ago
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28 Days of Devotion
Day 23: What’s your favorite story about this guide?
My favorite story about Him would definitely be The Mask by Robert Chambers. While technically the King doesn’t actually make an appearance, all of the themes really highlight what I interpret as core parts of who He is. It’s a story of love and longing and dishonesty; it’s also a story that also involves a magic liquid that turns living things into stone!
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mamorigami · 10 months ago
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here to once again complain about ft and just the. existence of irene & being the mother of erza, which subsequently didn't matter at all after that arc ended. im scratching my head still at the prospect of giving erza an on-page mother, especially so late in the story with no build up outside the arc. idk if im making this up but i remember reading that it wasn't intentional at first, but irene ended up looking so much like erza that it was implemented in the story. i think thats dumb and stupid and boring and dumb!! fair warning that i barely acknowledge irene and erza's familial relation, any development is going be heavily canon-divergent & full of my own tweaks in regards to irene and her story..
#ooc.#ummm yeah and also irene sticking around in wendy was weird too its just ??? like why.#did anything even prove to be important about that outside of a “power upgrade” that couldve been accomplished another way#genuine question btw bc i dont even read 100yq and the last arcs of the main story are fuzzy#and this is coming from ME BTW??? I LOOOVE FAMILIAL ANGST & TENSION. opposing sides wouldve been SO delicious. but in the#end she ended up just??? confessing she's always loved her daughter and could never kill her--would rather DIE than do kill her#seemed so weird bc she was sooo cruel before the fight. literally 0 empathy in that noggin. and GOOD FOR HER!#idk that fight wouldve been better imo if it was these two ppl who felt so righteous & strong in their beliefs that they moved past being#related to each other. which erza did i think?? bc that person may have birthed her but she was never her mother or family.#that doesnt even work tho bc the only person who rlly Felt that familial connection was irene. they were literally strangers theres barely#a unique tension that it brings. it was just like any other fight..#erza had already found that family somewhere else. blood ties mean little to erza tbqh! and that holds strong with her past??#why couldnt irene match her freak.#also to have irene be THE creator of dragon slayer AND be a literaly dragon for 400(?) YEARS#AND THAT DOES NOTHING TO ERZA??? HELLOOOO#GIVE THAT BITCH HORNS OR SOMETHING GODDD#SO STUPIDSTUPIDSTUPID
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arolesbianism · 1 month ago
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Me sitting and watching any oni discussion waiting for an excuse to bring up a seed is planted all like 🤓👉👈
#rat rambles#oni posting#Ive been lurking in a discord sever if you couldn't tell#well I have been for a while but I rarely touch it since my poor heart cant take it#I try to only add my two cents when smth that actually relates to the lore comes up which as it turns out is almost never lol#there is a lore discussion channel to be clear its just never used to discuss the actual lore so thats where my agonies come from#alas. no one cares.#also holy moly the misconceptions are rampant. you can feel how little most ppl have read if any at all. sigh.#its fine but it is still sad to me. screams and cries. Ill never be able to talk abt the actual characters at this rate#Im going to need to make like a three hour common misconceptions debunking video at this rate#(lying but if I Do make a lore video eventually I will be putting a common misconceptions section at the end for my sanity)#again Im just hesitant to try making a lore video rn since there's kind of a plot going on thats not done yet in the recent dlcs#while technically the general timeline of gravitas itself is complete enough for a summary video especially in relation to in game stuff#this stuff relates more heavily to the rest of pre earth exploding societal stuff that I feel like is important to cover in a lore summary#if I was just talking the main story of oni I could summarize that pretty easy but if its going to be a comprehensive lore video I want it#to cover the actual lore and not just the general key notes of what matters to in game things#the real question is if I actually try to include every bit of mildly noteworthy information or not lol#Id love to ramble abt every named character and point out which dupes we have known donors for but most of them are quite disconnect from#everything else going on and even those who arent are kind of hard to bring up in relation to those events#aka the guys with their lil diaries and any artifact exclusive mentions#well ok this also includes like pei and mae and probably several other ppl Im forgetting#maybe I can give them a lightning round section where I go over duplicant donors that didnt get mentioned in story summary#but again I wanna wait until at least the next dlc before starting to draft this since again there's a plot going on rn#cause like if I just go for it now Ill be binding myself to a clunky update video where I go over the new stuff#and that will be fine by me once this current jackie family drama arc is over but for now I will twiddle my thumbs and wait
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o-wild-west-wind · 4 months ago
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While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).
At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).
Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).
As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?
It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.
And especially given the state of US politics right now…this is just all more relevant than ever.
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rafedarling · 4 months ago
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𝐚𝐭 𝐭𝐡𝐞 𝐣𝐢𝐦𝐦𝐲 𝐤𝐢𝐦𝐦𝐞𝐥 𝐥𝐢𝐯𝐞
request: open
pairing: drew starkey x actress!reader
summary: new parents and beloved hollywood couple drew and you take to the jimmy kimmel live stage to discuss your latest movie project together, which releases in may. between balancing new parenthood and demanding film schedules, you two finds yourself sharing a funny, heartfelt stories about life on set with their baby girl, emma starkey. a viral behind-the-scenes video brings laughter to the show, as you discuss how parenting has influenced your lives and careers. based on today drew interview on jimmy kimmel live interview.
warning(s): english is not my native language. fluff, humorous parenting moments, discussions of balancing work and family life.
au: like, reblog and feedback are much appreciated. taglist | tagging: @rubixgsworld @rafeyslamb @bisexualcvnt @tracymbcm @maybankslover @anamiad00msday @stuffyownswrld @httpsdrewstarkey @mileyraes @enjoymyloves @akobx @noobmazter69 @victwrvale @xoxohoneymoongirl @xoxosblogsblog @wearemadeofstardust0 @saviorcomplexrry @percysley @littlelamy
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gif: rafedarling
“Ladies and gentlemen, our next guests are not only Hollywood’s favorite power couple but also the stars of the highly anticipated romantic-action film Against All Odds, which hits theaters this May. And if that’s not enough, they’ve recently stepped into the chaotic world of parenthood with their baby girl, Emma. Please welcome Drew Starkey and Y/N!”
You can hear the audience roared with applause as Jimmy Kimmel welcomed his next guests.
You and Drew walked out hand in hand, smiling and waving to the audience. Drew’s free hand rested on your back as he guided you to the guest couch. The applause was deafening, with some cheers and whistles peppered in. You laughed as Jimmy gestured to quiet the audience.
“Wow,” Jimmy said, shaking his head.
“You guys have the crowd in a frenzy. I mean, Hollywood’s hottest couple and now officially parents? Congratulations!”
“Thank you,” you said, smiling at the crowd. “It’s been a crazy year.”
“Yeah,” Drew chimed in, “between the movie and the baby, I’m not even sure what sleep feels like anymore.”
The audience laughed, and Jimmy leaned forward.
“Okay, we have to start with the most important question: How’s parenthood treating you? You’ve got a baby girl, Emma. How’s life with a newborn?”
Drew chuckled and ran a hand through his hair.
“It’s… humbling, to say the least. Being a first-time parent is no joke. I don’t think I could survive it without this one,” he said, nodding toward you.
You playfully nudged him. “Oh, stop it. You’re doing great.”
Jimmy smiled. “Okay, Y/N, your turn. How’s life as a mom?”
“It’s amazing,” you said, your voice softening.
“I mean, it’s exhausting, but Emma’s such a sweet baby. Watching her grow and discover the world makes all the sleepless nights worth it.”
Jimmy raised an eyebrow. “Sleepless nights? Drew, are you pulling your weight with those 3 a.m. feedings and diaper changes?”
Drew grinned, holding up his hands defensively.
“Absolutely. I’ve mastered the art of the one-handed diaper change. My record is forty-three seconds.”
The audience erupted in laughter, and you rolled your eyes.
“He’s not lying. But let’s not forget the time you forgot to put the diaper on at all.”
The crowd gasped with laughter as Drew shook his head, groaning.
“Okay, in my defense, I was running on two hours of sleep. And the burp cloth worked just fine… temporarily.”
Jimmy laughed, slapping the desk. “You’re officially a dad now, Drew. Forgetting a diaper is like a rite of passage.”
Drew nodded solemnly. “It’s a learning curve.”
Jimmy turned his attention back to you. “Now, let’s talk about Against All Odds. The trailer has everyone excited. What can you tell us about the movie?”
You leaned forward slightly.
“It’s a romantic-action film about two rival spies played by Drew and me who are forced to work together on a mission to stop a global threat. Of course, things get complicated when they realize they have a shared past.”
“Ah, a little romance, a little action,” Jimmy said. “And a lot of explosions, I’m guessing?”
“Definitely,” Drew said.
“The stunts in this film are insane. We’ve got car chases, hand-to-hand combat, and this one sequence where Y/N literally jumps out of a helicopter.”
The audience gasped, and Jimmy’s jaw dropped.
“Wait, wait. You’re telling me Y/N did her own stunts?”
You shrugged with a smile. “Most of them, yeah. The helicopter scene was terrifying, but the adrenaline rush was worth it.”
Jimmy turned to Drew. “And how did you feel about your wife jumping out of a helicopter while pregnant?”
“Oh, that scene was filmed before we knew about Emma,” Drew said quickly.
“But I still worried about her constantly. Every time she’d do a stunt, I’d be off to the side like, ‘Are you sure you’re okay?’”
You laughed. “He was basically my personal cheerleader-slash-bodyguard.”
Jimmy shook his head, smiling. “And Y/N, how was filming while pregnant? Did the crew make accommodations for you?”
“They were amazing,” you said.
“They adjusted the schedule so that I could rest when I needed to, and they made sure I always had plenty of snacks on set.”
“Snacks were essential,” Drew added. “She had a bag of trail mix with her at all times.”
Jimmy laughed. “It sounds like the two of you had a lot going on behind the scenes. Speaking of which, I have to ask about the viral video. You know the one.”
You groaned, covering your face with your hands. Drew laughed, shaking his head.
“Oh no. You’re not really going to show it, are you?”
“Of course I am!” Jimmy said, grinning.
“For anyone who hasn’t seen it, this is a behind-the-scenes video of Drew and Y/N on set. Drew’s building a baby crib, and Y/N is… well, just watch.”
The screen infront and behind you lit up with the video. The audience howled as they watched Drew hammering away at a crib while you sat on a couch with a breast pump. The rhythmic “whirr, whirr” of the pump provided the perfect comedic soundtrack as Drew worked intently. At one point, you casually scrolled through your phone, looking completely unbothered.
When the video ended, the audience erupted into cheers and laughter. Jimmy was wiping tears from his eyes.
“So my question is… is this what you do on set?”
“Well,” Drew said, still chuckling, “Emma needed a crib, and we didn’t have one on set. So, naturally, I decided to build one during a break.”
“And I,” you added with a grin, “was taking care of my part of the parenting duties. Multitasking at its finest.”
Jimmy shook his head, laughing.
“You two are the epitome of modern parenthood. Drew, do you moonlight as a carpenter now?”
Drew smirked. “Not yet, but give me a few more months of parenting, and I’ll be building treehouses.”
The audience laughed again, and Jimmy leaned back in his chair.
“Okay, last question: How do you balance it all? Filming, parenting, being a couple; what’s the secret?”
You exchanged a glance with Drew before answering.
“Honestly, communication is everything. We make sure to check in with each other and divide responsibilities as evenly as possible.”
“And coffee,” Drew added. “Lots of coffee.”
Jimmy nodded sagely. “Coffee and communication. Words to live by.”
The interview wrapped up with more laughs, and even a clip from Against All Odds. As the applause filled the studio, you couldn’t help but feel grateful for the life you and Drew had built on and off the screen. together.
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onelastkiss4you · 2 months ago
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Dragon Age: The Veilguard Just Went From A Good RPG To One Of BioWare’s Most Important Games
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In light of BioWare scattering some of its most foundational veteran talent to the winds, Dragon Age: The Veilguard sure reads like something made by people who saw the writing on the wall. The RPG leaves off on a small cliffhanger that could launch players into a fifth game, but I’m skeptical that we’ll ever get it. The quickness with which publisher Electronic Arts gutted BioWare and masked it with talk of being more “agile” and “focused” shortly after it was revealed The Veilguard underperformed in the eyes of the power that be makes me wonder if BioWare was also unsure it would get to return to Thedas a fifth time. Looking back, I’m pretty convinced the team was working as if Rook’s adventure through the northern regions of this beloved fantasy world might be the last time anyone, BioWare or fan, stepped foot in it. But that may have only made me appreciate the game even more.
Yeah, I might be doomsaying, but there’s a lot of reasons to do so right now. The loss of talented people like lead writer Trick Weekes, who has been a staple in modern BioWare since the beginning of Mass Effect, or Mary Kirby who wrote characters like Varric, the biggest throughline through the Dragon Age series, doesn’t inspire confidence that EA understands the lifeblood of the studio it acquired in 2007. The Veilguard has been a divisive game for entirely legitimate reasons and the most bad-faith ones you can imagine on the internet in 2025, but my hope is that history will be kinder to it as time goes on. 
A Kotaku reader reached out to me after the news broke to ask if they should still play The Veilguard after everything that happened. My answer was that now we are probably in a better position to appreciate it for what it was: a (potentially) final word.
The Veilguard is just as much a send-off for a long-running story as it does a stepping stone for what (might) come. Its secret ending implies a new threat is lurking somewhere off in the distance but by and large, The Veilguard is about the end of an era. BioWare created an entire questline essentially writing Thedas’ history in stone, removing any ambiguity that gave life to over a decade of theory-crafting. As a long-time player, I’m glad The Veilguard solidifies the connective tissue between what sometimes felt like world of isolated cultures that lacked throughlines that made the world feel whole. But sitting your cast of weirdos down for a series of group therapy sessions unpacking the ramifications of some of the biggest lore dumps the studio has ever put to a Bluray disc isn’t the kind of narrative choice you make if you’re confident there’s still a future for the franchise. 
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Unanswered questions are the foundation of sequels, and The Veilguard has an almost anxious need to stamp those out. Perhaps BioWare learned a hard lesson by leaving Dragon Age: Inquisition on a cliffhanger and didn’t want to repeat the same restriction. But The Veilguard doesn’t just wrap up its own story, it concludes several major threads dating back to Origins and feels calculated and deliberate. If BioWare’s goal with The Veilguard was to bring almost everything to a definitive end, the thematic note it leaves this world on acts as a closing graf summing up a thesis the series hopes to convey.
Pushing away the bigotry that has followed The Veilguard like a starving rat digging through trash, one of the most common criticisms I heard directed against the game was that it lacked a certain thorny disposition that was prevalent in the first three games. Everyone in the titular party generally seems to like each other, there aren’t real ethical and philosophical conflicts between the group, and the spats that do arise are more akin to the arguments you probably get into with your best friends. It’s a new dynamic for the series. The Veilguard doesn’t feel like coworkers as The Inquisition did or the disparate group who barely tolerated each other we followed in Dragon Age II. They are a friend group who, despite coming from different backgrounds, factions, and places, are pretty much on the same page about what the world should be. They’re united by a common goal, sure, but at the core of each of their lived experiences is a desire for the world to be better.
This rose-colored view of leftism doesn’t work for everyone. At its worst, The Veilguard can be saccharine to the point of giving you a cavity, which is far from what people have come to expect from a series in which Fenris and Anders didn’t care if the other lived or died. It also bleeds into a perceived softening of the universe. Factions like the Antivan Crows have essentially become the Bat Family with no mention of the whole child slavery thing that was our first introduction to them back in Origins. The Lords of Fortune, a new pirate faction, goes to great lengths to make sure you know that they’re not like the other pirates who steal from other cultures, among other things. I joked to a friend once that The Veilguard is a game terrified of getting canceled, and as such a lot of the grit and grime has been washed off for something shiny and polished. 
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That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.
I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.
Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.
Essentially retconning the Antivan Crows to a family of superheroes is taking a hammer to the problem, whereas characters like Neve Gallus, a mage private eye with a duty-bound love for her city and its people, are the scalpel with which BioWare shifts its vision of how the world of Thedas can change. Taash explores their identity through the lens of Dragon Age’s longstanding Qunari culture, known for its rigidness in the face of an ever-changing world, and comes out the other end a new person, defined entirely by their own views and defying others. Harding finds out the truth behind how the dwarves were severed from magic and still remembers that she believes in the good in people. The heroes of The Veilguard have seen the corruption win out, and yet never stop believing that something greater is possible. It's not even an option in The Veilguard's eyes. The downtrodden will be protected, the oppressed will live proudly, and those who have been wronged will find new life.
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That belief is what makes The Veilguard a frustrating RPG, to some. It’s so unyielding in its belief that Thedas and everyone who inhabits it can be better that it doesn’t really entertain you complicating the narrative. Rook can come from plenty of different backgrounds, make decisions that will affect thousands of people, but they can never really be an evil bastard. If they did, it would fundamentally undermine one of the game’s most pivotal moments. In the eleventh hour, Dragon Age mainstay Varric Tethras is revealed to have died in the opening hour, and essentially leaves all his hopes and dreams on the shoulders of Rook. After our hero is banished to the Fade and forced to confront their regrets in a mission gone south, Varric’s spirit sends Rook on their way to save the day one last time. He does so with a hearty chuckle, saying he doesn’t need to wish you good luck because “you already have everything you need.” He is, of course, referring to the friends you have calling to you from beyond the Fade. 
Varric, the narrator of Dragon Age, uses his final word to declare a belief that things will be okay. This isn’t because Rook is the chosen one destined to save the world, but because they have found people who are unified by one thing: a need to fight for a better world. But that’s what makes it compelling as a possibly final Dragon Age game. Reaching the end of a universe’s arc and being wholly uninterested in leaving it desecrated by hubris or prejudice is a bold claim on BioWare’s part. It takes some authorship away from the player, but in return, it leaves the world of Thedas in a better place than we found it.
The Veilguard is an idealistic game, but it’s one that BioWare has earned the right to make. Dragon Age’s legacy has been one of constantly shifting identity, at least two counts of development hell, and a desire to gives players a sandbox to roleplay in. Perhaps, as Dragon Age likely comes to a close, it’s better to leave Dragon Age with a game as optimistic as the people who made it. I can’t think of a more appropriate finale than one that represents the world its creators hope to see, even as the world we live in now gives us every reason to fall to despair.
In my review for The Veilguard I signed off expressing hope for BioWare’s future that feels a bit naive in retrospect. Would a divisive but undeniably polished RPG that felt true to the studio’s history be enough when, after 10 years of development, rich suits were probably looking for a decisive cultural moment? That optimism was just about a video game. Having lived through the past 32 years, most of the optimism I’ve ever held feels naive to look back on. I think I’m losing hope that the world will get any better. But even if we haven’t reached The Veilguard’s idealized vision, I’ll take some comfort in knowing someone previously at BioWare still believes it’s possible. - ken shepard, shepardcdr.bsky.social
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lainiespicewrites · 10 months ago
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Professor Superman
A/N okay this one's a one-shot I've been working on. I'm kinda nervous because I've never written for Clark. Let me know what you think!!
Summary: Reader is a student of Clarks who gets an internship at the Daily Planet. Clark is proud but his feelings take a turn when he realizes Lois is taking her to Gotham for research. He wants to protect her at all costs.
Warnings: Cursing, attempted kidnapping, smut, oral (female receiving) praise kink, Sex P n V, Unprotected sex, Creampie.
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I stared blankly for a moment, at the door in front of me. My heart was racing as I tried to will my hand to move. I only had to ask a simple question. Yet, I can not bring myself to know on the door. If I didn’t do this. I would likely fail the assignment and the internship. But the man was so smart and intense. I was too intimidated by him. What if I could not speak and only caused myself to look like a fool? I’d surely lose the internship then. 
I took a deep breath looking down at the paper in my hand. I had to do this. This is important. I looked back at the closed office door in front of me. Tentatively, I reached up and tapped my knuckles lightly against the wood. 
“Come in,” A gentle male voice answered my knock. With a shaky breath, I forced a smile on my face and grabbed the handle opening the door. His eyes shifted from his computer as I took a step into his office. A warm smile spread across his face once he recognized me. 
“Sorry to bother you, Mr. Kent, I’ve finished my paper and I just wanted to ask if you could look over my revisions?” My voice came out quieter than I’d planned. I often had that problem when speaking to him.
“It’s no bother at all, I’ve been expecting you to drop by. Take a seat, I’d be happy to look it over.” He offered, gesturing to the chair in front of him. Professor Kent teaches a Journalism class at the university. He also works full-time for the Daily Planet paper. He’s incredibly intelligent. Each year he considers a few of his students for an internship with the newspaper. But only one of us could earn that position. I really want it. And currently, I’m one of his top candidates. 
I took a seat across from him trying to calm my nerves as I extended the paper out to him. He met my eyes. “You know, Journalism is more than just writing, and telling a captivating story. It’s about doing things that scare you, doing things that make you uncomfortable to chase down what you want to find.” He looked down at my shaky fingers as he slid the paper from my grip. 
“I understand that you’re nervous. But you have no reason to be. You continue to surprise me with just how far you’ll go with each assignment you turn in. If I were to make the final decision…” He paused looking up to make sure the door was closed, so no one would hear. “The internship would be yours,” he smiled. I blushed. 
“Thank you, Professor Kent. That means a lot.” I relaxed a bit as he leaned forward in his chair and started to read through my article. This article is my final piece. And it’s what will be submitted to the Daily Planet as my entry for the internship. I bit my lip awkwardly, trying desperately not to stare at his face as he read. His fingers tapped on the table as he looked up from the desk. 
“Y/n, This is incredible.” He smiled. My cheeks flushed staring down at my hands in my lap. 
“You don’t have to say that,” I stuttered. 
“I don’t,” He agreed, “But it’s true. I’ve only been teaching on campus for about 5 years but I’ve never had a student as dedicated as you. I’m impressed. I think Ms. Lane will be too.” I nodded, giving him a shy smile. “Are you ready to turn this in?” He asked. I nodded letting out a deep breath.
“Yeah, yes. I think so.” I said. He let out a chuckle. 
“Don’t be nervous. It’s great. I’ll take this in, first thing tomorrow.”  He gave me a gentle smile. 
“Thank you, So much. Professor Kent. I appreciate all you help!” I said as I stood to leave his office. 
“Of course,” he paused. His eyes scanned me for a moment. But I was buzzing with too much nervous energy to notice the way they lingered. “And please call me Clark, I have a feeling we’ll be working together before long.” He winked. My heart pounded in my chest and I felt my cheeks heat up.
“Thank you…Clark.” I smiled. He gave me an approving nod before I turned and left his office. 
The next week was agony.  We had two more classes with Professor….Clark, each time I stayed behind to ask if he’d heard anything. And each time he would give me a sympathetic smile and tell me to “hang in there,” just a little while longer. I should hear soon. He assured me that I was a good writer and that I shouldn’t get discouraged. But I couldn’t help it. Now it was almost 5 pm on Friday, surely if they didn’t call soon I wouldn’t know anything until Monday. 
I paced my apartment phone in hand begging it to ring. But when I checked the time at 5:30 and still, nothing. I gave up. I let out a deep sigh, setting my phone down walking to the kitchen to pour a glass of wine. I set the glass on the counter and popped the cork. I filled the glass and almost dropped the bottle. My phone was ringing. I quickly set the bottle down and ran to the living room picking up the phone. I didn’t even check the number before I answered. 
“Hello?” I answered almost out of breath.
“Hello, is this Y/n?” a female voice asked. I nodded but then remembered I was on the phone and quickly found my voice. 
“Yes, Ma’am, it is,” I answered her. She didn’t miss a beat. 
“Great, This is Lois Lane, with the Daily Planet. I understand this is a bit late on a Friday evening but do you have time to meet with me at the office tonight?” my mind raced trying to find the right words.
“Sure, I can be there in 15 minutes. If that’s alright?” I asked her. We agreed on the time and after I thanked her, the call ended.
I very quickly realized I was not in the proper attire for this meeting. I was in running shorts and a hoodie. I tore through my closet trying to find a pair of dress pants that would work. I found a simple white cotton top to pair them with and some flats and ran out the door. I fixed my messy bun in the apartment building's front doors before starting to walk. The Daily Planet’s main office was only a few blocks away.  I got it to the building just in time and made my way inside. 
At the front desk, I introduced myself and was directed up to the 4th floor for my meeting with Lois. I stepped on the elevator and pushed the button for my floor.  I was starting to shake from the nerves. When the doors opened I was met with a familiar face. Standing at a desk a few feet away Clark was standing talking to a woman with auburn hair and kind eyes. They both looked up when the elevator sounded. 
“Y/n,” He smiled. “I’m glad you could make it.” I smiled at him and the woman stood and turned to greet me. 
“Miss Y/n, I’m Lois Lane. It’s nice to meet you.” she offered a kind smile. I shook her hand and she gestured for me to sit with her at her desk. “As you’re aware you and others from Mr. Kent's journalism course at the university have been under review for an internship with the Daily Planet. I would have just called but Clark insisted for you to come into the office.” She chuckled softly. 
I looked up at Clark nervously, he squeezed my shoulder reassuring me. “Y/n,” Lois continued. “The Daily Planet would like to officially offer you the internship starting next week.” I couldn’t help the smile that spread across my face. 
“Thank you, Ms. Lane, I accept that offer. When do I start?” I asked, eagerly. She chuckled softly. 
“I’ll send you an email with all of the details on Monday. You should be able to start with us on Tuesday.” I nodded.  
“Thank you again,” I said. She nodded, giving me a smile. 
“Of course. We’re excited to work with you,” she stood and started to gather her things. “I apologize, I’m not trying to rush you out of here. I’ve got a date this evening I don’t want to be late for. Clark, can you walk her out?” Clark nodded waving to Lois as she already started to head toward the elevator. 
“Of course, I can, sorry for keeping you Lo, have fun tonight.”He winked. Lois rolled her eyes at him.
“Forever the gentleman,” she laughed, “ I’ll see you next week,” she said as the elevator doors closed behind her. 
“I told you we’d be working together soon!” Clark chuckled. I turned to face him but I couldn’t find the words. Without thinking I wrapped my arms around his middle hugging him. He was a bit surprised at first but he returned the hug. 
“Thank you,” I said softly. Remembering myself I pulled away quickly, my face flushed and embarrassed. “I-I’m so sorry, that was incredibly unprofessional. I-” Clark cut off my rambling. 
“It’s alright. You earned this. And you’re going to do amazing things here, I’m sure.” He squeezed my shoulder encouragingly. “Let me walk you out.” I nodded and waited while he got his jacket off of his desk chair. We rode down in the elevator together and walked out through the main lobby. “Where’d you park?” He asked, offering to walk me to my car. 
“Oh, um, I walked actually, I live close by,” I told him. Clark looked out the front doors and watched as rain was coming down outside. He frowned. 
“Could I give you a ride? Call me old school but I certainly can’t let you walk home in this rain.” 
I hesitated for a second. He looked back out at the rain and back to me, his eyes full of sincerity. 
“Uh, I mean, it’s really not far,” I argued. It wasn’t that I didn’t want to. Just that my head was starting to get kindness and flirtation confused. I already embarrassed myself once with him today.
“It’s pouring rain, Y/n, it's no trouble I promise.” He countered. I gazed back outside. He was right, it had started to pour. I would be soaked just stepping out into it. Let alone walking all the way home. I looked back to Clark and nodded. 
“Okay,” I spoke softly. I watched as Clark pushed the door open and then opened up his umbrella. Of course, he was prepared. I look even more foolish now. 
“Come on,” He smiled. “There’s enough space for both of us under here.” He chuckled. He walked us out to his car and opened my door for me holding the umbrella while I got in so I wouldn’t get wet. 
It was quiet for a moment while he started the car. I had to remind myself again that just because a man is being nice doesn’t mean he’s interested. I looked over at him, his head turned back as he pulled out of the parking spot. I don’t know when I’d developed this little crush on him but it had to stop now. God, he was handsome though. His jaw was sharp, but his eyes were a soft but intense blue. His curls were dark and I found I desperately wanted to know what it felt like to drag my fingers through them. I shook my head. No, he’s my professor. He’s at least 15 years older than me. I shouldn’t be thinking about him like that. He surely didn’t see me that way. And we work together now. I have to be professional.
I pushed down my thoughts and focused, directing Clark to my apartment building. He paused abruptly when I pointed out the parking lot. He crooked an eyebrow his face completely surprised. 
“No, this is it? Really?” He asked.
“Uh… yeah” I answered hesitantly. Clark let out an awkward chuckle. 
“I’m sorry, It’s just funny. I live in the building too. I’m on the 5th floor.” He said. My brows raised completely shocked. 
“I’m on 3.” I stuttered. 
“I can’t believe we’ve never run into each other.” He laughed dumbfounded. We got out of the car. Clark met me with the umbrella. We took the elevator up together. 
“Have a great evening,” He started “I’ll see you next week,” He smiled. I blushed softly. 
“You too Clark,” I said as the elevator opened to my floor. 
“Oh and if you ever need a ride to work, Just let me know,” he winked. I giggled softly and waved as the doors closed. 
I’m royally fucked. 
I started with the Daily Planet the following Tuesday. I expected that they would have me refill copy machines or make coffee or file documents in the archives. I was shocked when I was given an assignment. It wasn’t in the field. It wasn’t going to be printed. But they told me if I wanted to eventually work for the planet then seeing how I handled personal assignments was key. It was due to Lois at the end of the week. Only 4 days to do research and write the article. I sat at my desk and poured over everything I could get my hands on. It felt a little lonely. My desk was farther away from the main writers and it was a bit smaller. But it would do. Clark and sometimes a few of the others would offer me to join them for lunch during the week but I usually skipped it. This was important. If I wanted to earn respect and make myself a place around here this had to be good. 
On Friday I was once again working at my desk, typing like mad trying to finish and edit my article. 
“You don’t have to work yourself so hard. You’ve already earned your spot you know?” Clark's voice said from somewhere next to me. 
“How many of your students have been hired on at the Planet after the internship Mr Kent?” I asked. He started to protest the question. Then he let out a deep sigh leaning against my desk. 
“Two,” He answered honestly. 
“I may have the internship, but I haven’t earned my place here.I have your respect but I have to earn it with the others,” I replied. He nodded, his eyes connecting with mine.
“Can you at least break for lunch?” He pleaded. 
“I’m going to eat at my desk. I’m almost finished. And this has to be done and on Lois’ desk by 2 pm. She leaves early today.” His eyes were sad but I knew he understood.  
I finished the article. I waited nervously at my desk waiting for Lois to call me over. 
“This is good,” she said when she finally did. “You have work to do,  I want to see how your research improves when you're out on the field. But for just starting, this is great.” She added. I nodded waiting for more. I knew she wasn’t finished. 
“Next week you’ll be coming with me, I’m doing expose research in Gotham, I want you to come to observe and take notes,” she stated. I nodded again. 
“I’ll be there, Thank…”
“Lois, Gotham’s dangerous you can’t take her with you.” Clark interrupted. Lois peered up at him over my shoulder. 
“Clark,” She sighed. “All due respect. You’ve taught her all you can in the classroom. But I’m her teacher now. And the best way to learn research is out in the field hands-on.” She retorted. 
“I’ll be with Lois, I’ll be okay,” I assured him. He wasn’t having it. 
“She won’t learn anything if she gets hurt. The crime rate in Gotham has skyrocketed it isn’t worth the risk. Does Perry know about this?” He asked. Lois scoffed. 
“As a matter of fact, he does. He’s already approved it.” she told him I don’t know what came over me. If I was angry that he was trying to stop me from going when this was my chance to earn my way in. Or if I was angry he thought I was weak. 
“And, I can take care of myself! I don’t need you hovering like I’m so fragile! You may have taught me but I got myself this far, Mr. Kent. We’ll be just fine.” I snapped. Clark stared dumbfounded. His mouth hung open, he was at a loss for words. Actually, everyone was staring. 
“Shows over,” Lois spoke loudly “You can all get back to work,”  she announced. I looked back at her apologetically. 
“Lois, I..” Clark started. She quickly cut him off. 
“Clark, I have to leave, I don’t have time for this. It’s settled she’s going,” She looked back at me, her eyes softer and sympathetic. “I’m out for the day, and you’ve finished your work, If you’d like to go now your welcome, I’ll see you Monday,”  she smiled. I nodded at her giving her a nervous smile. She turned then and walked out. 
“Y/N, please think about this. I don’t want you to get…”  He started. 
“I’m going to go, as well, Mr. Kent… I’ll see you next week.” I stood and walked to my desk grabbing my things. I walked past him to the elevator without another word.
Monday morning I was in the office early. Lois and I met at the office so she could debrief me before we left. She was interviewing with billionaire Bruce Wayne. He had connections all over Gotham, she wanted intel on any possible underground organized crime. I’ll admit it certainly was intense for my first time in the field. But it would be great practice. 
The city of Gotham was not nearly as wicked as Clark made it out to be. Mr. Wayne was amicable. He didn’t want to be there but he respected us so much as we respected him. The next few days we went back. We checked out some of the sources that Bruce had given. We got closer and closer to what she was looking for. Someone was definitely covering up organized crime in Gotham.  
Late Thursday night we were headed back to the car. It was almost 9:30 way past office hours at this point. But as Lois informed me. Good stories don’t live within the time clock. We were about to drive back and head home for the evening. We were only a few blocks away. I heard Lois scream from behind me. I turned back to look and felt myself being pulled backward. Someone had ahold of my arms dragging me off the sidewalk. 
“Let me go!” I demanded. Struggling in the stranger's grip. “Lois!” I called. 
“Shut up, what the hell are you bitches doing here?” a male voice asked. I heard Lois cry for help. I continued to struggle. 
“I’m not telling you anything. Let go of me. Someone HELP.” I screamed. Unable to break loose from the man’s hold. 
“Listen bitch! I told you to…Ungh”  The man grunted he fell back suddenly my arms slipping from his grip. I looked up my eyes going wide. Superman. He’d heard our screams. 
I watched as he took care of Lois’ attacker breaking her free. He spoke softly to her. His face looked almost…stern. She looked at him her eyes deeply apologetic. I couldn't hear what was being said. He patted her shoulder giving her a soft smile after she assured him she was okay. That I did here. 
“And you, are you okay?” He was on his feet now. He landed right in front of me. My eyes met his. They looked so familiar. I nodded. 
“You… saved me. I.. I don’t know how to thank you.” I stuttered. He smiled 
“It’s what I do. I’m just thankful I made it before you were hurt. Now please get home safe.” He added. I nodded still in shock. I felt Lois squeeze my shoulder and we walked back to the car. Superman hovered close watching to make sure we made it. Once we were inside he flew off. 
“Do you… know him?” I asked Lois suddenly. She paused looking at me. 
“We’ve met before. This job can be, dangerous at times. Can you handle that?” She asked. I thought for a moment. Could I? I couldn’t get myself out of this situation. But I didn’t back down either. Finally, I nodded. 
“Yes, I can,” I answered. 
“Good, now let's get home. We both could use some rest.” 
In the office the next day I was typing notes for Lois. I was back and forth at her desk all day. At one point I paused looking over at Clark. He looked exhausted. And stressed. He looked slightly disheveled. He was aggressively tapping at the keys on his keyboard. 
I approached him slowly. 
“Hey, are you alright, you look tired I can get you some coffee if you’d like,” I offered. He shook his head not looking away from his computer. 
“I’m fine Y/n, thank you.” he dismissed me. 
“Oh.. okay, if you need anything let me know,” I added before walking away. Normally I skipped lunch but I had time that day. I walked over to ask Clark to come with me. Again he dismissed me. I felt bad for the way I had treated him last week. I just wanted to make sure everything was okay between us. I stayed late that night typing up notes for Lois. When I shut down my computer, I noticed Clark was the only one still in the office. 
“Clark,” I spoke softly “It’s 5:30  do you need help?” I asked. He shut down his computer then.
“No, I’m just heading out now. Thank you for the offer.” He mumbled. I nodded. I turned and walked to the elevator. I rode down by myself to the first floor letting Clark cool off. If he didn’t want to talk I would give him his space. I walked out through the lobby pausing just inside the doors. Shit. It was raining again. I decided to walk this morning. It wasn’t supposed to rain. I heard the elevator ding and I groaned to myself seeing Clark exit. I gnawed at my lip anxiously, Praying the rain would suddenly let up.
“Hey,” I hear Clark's voice behind me. “Need a ride?” he asked nodding toward the door. 
“Uh… yeah, I walked this morning. Didn’t bring my umbrella. It wasn’t supposed to rain today.”  I answered awkwardly.  Clark opened the door opening his umbrella and just like the first time he took me home, we walked close sharing the protection from the rain. 
The ride home was quiet it was only a few blocks away. But when Clark pulled into the parking lot I could no longer take the silence. 
“Clark. What’s wrong?” I asked. He shook his head. “Don’t, don’t brush me off, what’s bothering you?” He got out of the car, slammed his door shut, and headed inside. I got out quickly running after him the rain immediately soaking me.  “Hey, I was talking to you!” I shouted. 
“Y/n STOP!” He turned around quickly the volume of his voice causing me to shrink back a little. “You wanna know what's bothering me? You. You, putting yourself in harm's way. You, trying so hard to prove yourself that you're being reckless. You almost got hurt because you had to make a point. You, because I can’t stop fucking thinking about you! And I’ve lost sleep all week worrying about your safety.” He stepped closer we were standing in the middle of the parking lot. “Because I couldn't bear the thought of someone even touching you.” my heart was racing his face was inches from mine. I could feel his breath on my face. “I don’t wanna see any bruises on this pretty face.” My breath hitched. 
“Clark,” I whispered. He grabbed my face crashing his lips to mine. I melted against him. The rain still fell hard around us. 
“Your so damn stubborn,” He mumbled between kisses. I wrapped my arms around his neck pulling him closer. 
“I’m sorry,” I said, breathless as I chased his lips for another kiss. He let out a breathy laugh. 
“Don’t be. You’re doing amazing. I knew you would be. Just be more careful.” I nodded. He took my hand pulling me inside. He pressed the elevator button frantically. I giggled. 
“Clark that’s not gonna make it get here any faster.” He chuckled. 
“Damn elevators.” Once inside he pushed the button for his floor and backed me up against the wall. His lips were back on mine, kissing me roughly. “Wanted this for so long.” He groaned. Kissing down my neck. The elevator doors opened. He took my hand again leading me to his apartment. 
He quickly unlocked the door and I followed him inside. I bit my lip waiting for him to make a move. I felt so shy all of a sudden. I wanted this but I was nervous. Clark lifted my chin so my eyes met his. 
“Stop me. If this isn’t what you want stop me, sweetheart. I don’t want to hurt you.” I shook my head. 
“I want you Clark,” I whispered. His lips were on mine again. Sweeter this time. More slow. He felt his hand move down my neck and over my chest softly squeezing my breast. I moaned leaning into the touch. “Clark please,” I whined. He stepped back peeling off his wet shirt. I did the same. We left a trail of wet clothes all the way to the bedroom. Clark laid me down on the bed crawling between my thighs. Kissing them softly. 
“So beautiful.” He groaned before swiping his tongue between my folds. I gasped. He circled my clit with his tongue and then back down dipping it inside me. His groan was feral. 
“Fuck.” I moaned. He worked his tongue in and out of me while I worked my hips against his face. I tangled my fingers in his curls holding him close. His nose rubbed against my clit has he fucked me with his tongue. “m’  gonna.”  I moaned as I came on his tongue. He lapped it all up before pulling away. 
“So good sweetheart.” He kissed up my body, kissing my lips and letting me taste myself. Finally he settled between legs pushing inside of me slowly. He let out a low moan. 
“ So big,” I whimpered. He brushed my hair out of my face kissing me softly. 
“Doing so good for me sweetheart. Almost all the way in. You can take it all baby.” He moaned. With one last push he was fully seated inside me. “You feel amazing baby. Taking me so well.” He cooed letting me adjust. 
“Clark please.” I whined. Begging him to move. He pulled out slowly, until just the tip was inside me and then plunged back in. I let out a loud moan. 
“Feel good sweetheart?” He asked. I nodded. 
“So good, Clark, Fuck, I moaned as he started to thrust into me at a steady pace. He grabbed my hand pinning it to the mattress. He picked up his pace. I felt the knot build in my stomach. 
“You’re getting close aren’t you baby?” he asked. I nodded. Letting out a strangled moan. 
“Please.” I begged. 
“So polite.” he groaned. He pressed his thumb to my clit as he fucked me rubbing in circles. I felt my toes curl and I came hard squeezing him as he fucked me through my orgasm. “Thats it sweetheart. Fuck. Gonna make me. Ungh.” He groaned cumming inside me. We were both breathless laying there for a moment. Clark pulled out slowly. And pulled me into him.
“You okay?” He smiled kissing my cheek. I nodded. 
“Mhmm” I mumbled dreamily. Clark got up and came back with a cloth to clean us both up. Then got back into bed holding me close. 
“Clark?” I asked softly. 
“Hmm?” he hummed. 
“Were you ever gonna tell me… or were you just gonna let me figure it out?” He raised an eyebrow. 
“What do you mean?” he asked. 
“Because no one else knows what happened in Gotham Superman,”  I smirked turning in his arms. 
“How did you…?” He asked. 
“I’ve had a crush on you for a while. I’d know your eyes anywhere.” I said blushing. 
“Hmm,” he chuckled. “You have a crush on me?” He asked. 
“Shut up,” I rolled my eyes.
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lemonlover1110 · 10 months ago
Text
𝐁𝐨𝐧𝐝𝐬 𝐨𝐟 𝐅𝐫𝐮𝐢𝐭𝐢𝐨𝐧
Sukuna
[Chapter 1] Offerings
Story Masterlist - Next Chapter →
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Pairing: Trueform!Sukuna x f!Reader
*Just want to preface that this is a historical AU but there will be some historical inaccuracies so if you see something odd, don't point it out. Also this is still a curse AU! if that isn't clear with four-armed Sukuna. Anyway I hope you enjoy!! Any general story warnings can be found in the masterlist!
Discord +18 - Twitter - Ko-Fi
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Sukuna is missing something, he’s not sure what it is but he knows that he’s bored. He’s bored of everything that once thrilled him, tired of the same routine. But no matter what he does, he feels empty. 
He’s done everything possible to soothe that boredom, which has come to the expense of many lives. It entertained him until it didn’t. Occasionally he does find joy in the horrors that he causes but it doesn’t feel like that’s enough anymore. There’s something that he’s missing, but he’s not quite sure what it is. 
He has everything a man could possibly want– Although he isn’t exactly a man so his wants and needs are obviously different. He isn’t going to be fulfilled by the foolish ideals of happiness that men have. He doesn’t have much of a guide though, therefore he’s lost in how to fix his problem. 
“Uraume.” Sukuna’s voice isn’t all that loud, yet Uraume nearly comes running to fulfill his request. The temple is uncomfortably quiet; everyone is ready to fulfill Sukuna’s every request, and their king does not raise his voice unless adrenaline rushes through him, or he’s upset. No one knows which is the worst of the two. 
“My king.” Uraume kneels down before him. He’s quiet, too embarrassed to even bring up this question. It’s unlike him. Uraume is truly the only person that he respects which is why asking the question is hard for him to actually say. He wouldn’t trust anyone else with it though.
“What do men usually do?” He asks, which is odd for Uraume to hear. Sukuna was a man too, once upon a time. But he doesn’t remember that stage of his life, and he’s sure he wasn’t happy either which is the reason why he’s the monster he is now.
“I’m not sure.” They sound reluctant. “If you could be more clear, I can search for an answer.”
“Get out.” He orders, and they bow again before exiting the room. He wants to be left alone to gather his thoughts. He has all the time in the world to figure himself out, but he wants even more time. He doesn’t want to be bothered now of all times at the very least.
“There’s a woman with an offering.” A servant tells him from the other side of the tatami doors, followed by a shrill cry that makes a smirk come to his lips. That’s his answer.
Sukuna wants a successor. 
“Take it to the servants, answer to her needs.” Sukuna answers, not really caring to listen to any requests. His mind is now preoccupied, detailing his next course of action. He needs to find the perfect woman to carry his heir, which he knows will be a hard task– Perhaps the hardest challenge that Sukuna has come by in all of his years of living.
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“Please eat, Haru.” You put the bowl beside the young boy’s mat. You’ve been slowly watching your brother’s health deteriorate, slowly watching his death near. Worst of all, you have been looking for a cure that seems impossible to find because it’s not something that’s affecting anyone important. 
It’s not a disease that’s affecting anybody else, really. It’s not infectious, you quickly found that out. You were glad about it at first, but then you realized that there’s no cure yet. Days pass by, and he gets worse. He refuses to eat anything, and when he does, he can’t keep it down for more than a few hours. His death is imminent.
“I did everything I could to get the right ingredients for your favorite food. Auntie made it extra special for you.” You make sure to tell him, but he can barely move. You kneel down beside him, grabbing his utensils and preparing a bite. “Just one bite, Haru.”
“I’m sleepy.” Is all he manages to mutter, and you feel a pull on your heartstrings. Your hand caresses his arm.
“Just one bite, okay? Then you can sleep all day.” You try your best to convince him. All he does is sleep, and no matter how many hours he sleeps, he wakes up tired. He prompts himself up, and you’re fighting back a smile– It’s barely any progress, if you can even call it that. “Open up.”
There’s a smile on your lips as you bring the food to his mouth, and he begins to chew. He takes the utensils from your hand, grabbing the bowl of food and putting it on his lap. You stand up and tell him, “I’ll get you some water.”
“He’s finally eating something.” You share with your aunt, making sure your voice is low since there isn’t all that much space. Her eyes go to him, and she really wants to say that it’s a sign of him getting better but it really doesn’t mean anything. Sometimes he eats everything that’s made for him, but he throws it back up. 
“I really wish this meant he was getting better… But we both know that he’ll get worse tomorrow.” She responds, and you want to curse her for even mentioning it but you know she’s right. You don’t like hearing it though, you’re helpless. There’s nothing more you can do for Haru, you’re just waiting for the day to come. 
“I really think he can get better.” Your eyes begin to feel with tears, knowing that you don’t even believe yourself. You’ve tried everything you possibly can, but you know that his time nears. You can’t just accept that fact though, he’s your baby brother, you can’t let him go. “Let me get his water.”
“I’ll get it… Think about what the medic said.” Your aunt reminds you of the visit from the physician. One that you’ve forgotten because you refuse to consider his one and only suggestion a possibility. The words flow back to your head,
“Your best bet is the deity up north. You have to bring him an offering, and if he deems it worthy enough, he will cure him.” “But if he thinks it’s beneath him, he’ll kill you.”
You don’t want to risk anything, but lately that seems like your only option. He’s not getting any better, even though you so badly want to say that he is. Throwing up everything he eats is not much improvement than not eating at all. You just have to figure out what is considered an offering worthy for the deity to save him, and to save yourself. 
“I’ll be back, I have to figure something out.” You say, smiling back at your aunt and your little brother. They barely acknowledge you before you leave the house, which you’re thankful for. You just need a moment to gather your thoughts, decide what you’ll do next. 
You need to sort out your offering for the deity, an offering that will hopefully sort out all of your problems.
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“My king, there’s a woman with an offering.” It feels like the hundredth time that week in which Sukuna hears that sentence. Humans are greedy beings, and they all fucking need something. It’s unnecessary, purely materialistic– It’s a side of humanity that he appreciates though. How much a human is willing to sacrifice for wealth or the promise of good fortune. Sukuna can’t judge, he's the sole winner in the end.
“Let her in.” He says, and the tatami door slides open. A poor maiden with a pale yellow kimono, and a woven basket in hand. You walk in with your head down, following the strict instructions that were given to you. 
You’re trembling as you kneel down in front of the deity, bowing down to him. You remain bowing for however long he pleases, keeping your eyes shut because there’s tears building up. You have never been this terrified. Willingly putting yourself at death’s door is no easy feat.
“Rise.” He orders, and you straighten your upper body, remaining on your knees. You don’t dare look anywhere past his feet, keeping your eyes low and steady. You know that he’s staring you down, studying you. A smirk on his lips, thinking about how he’s found her. “What do you want?”
“My brother…” Your voice is shaky, and you try your best to compose yourself. You can’t start crying in the middle of it, you’ve gotten this far, he’ll surely kill you if you begin to sob at his feet. “He’s sick. The medic can’t cure him, and he told us you were our only choice.”
He’s not really listening. Something about a brother is all he grasped. He’s more into the way your lips move, and the tears of pure fear that well up in your eyes. He can tell that you really made an effort into your look today, even though you don’t look extravagant. Which for some reason he likes, he doesn’t want an arrogant woman in his chambers, he already has enough of them. He especially doesn’t want one of them carrying his heir.
What really draws him in is that certain look in your eyes. The clear innocence that’s written all over your face. You’re the perfect lily that he can’t wait to tear apart, petal by petal. That finalizes his decision.
“What do you have for me? Open the basket.” He orders, and you do as he says. Regret washes over you as you open it, immediately knowing that it’s not enough. You don’t know what came over you when you had the bright idea of picking it. You unfold the cloth with shaky hands, revealing the gift for him. He’s usually furious with these types of gifts, since they hold no value to him but he wants to hear your reasoning since he has other plans with you, “Why do you come to me with this?”
“Pomegranates aren’t native to the land, and they’re scarce this time of season. I found some while searching for an offering and thought it was a sign.” You explain, and he scoffs. A stupid reason, one that should get you killed. If he wanted fruit, he would send Uraume to get it for him. He guesses it’s creative though, especially when almost every person that walks through the temple is willing to sacrifice a life. But you don’t gain points for creativity, no one ever has.
“Pomegranates? What am I supposed to do with that?” He’s mocking you, and you swallow the lump in your throat. He’s right, what is he supposed to do with a pomegranate? He’s not like you, he’s not just going to eat it. You’re usually smart about this type of thing, but you guess desperation got the best of you this time around, and now you have to pay for the consequences. As to be expected, there’s no answer from you, and he orders, “Look up at me.”
Your eyes slowly move up his body to his face, and you’re in awe at the sight. A mix of emotions flow through your body. He really isn’t a human. You were terrified earlier, but now you’re simply astonished. You never really believed the tales that were told about him since you couldn’t wrap your head around the fact that a being like him could exist. But now he stands before you.
“Do you really think I’ll do anything with the fruit?” His voice sounds serious, but there’s a hint of a smile on his lips. You shake your head which irks him. “You have a voice don’t you? Use it.”
“No, my king. My apologies.” It’s strange, but you sound more confident as you look at him compared to before. It brings some sort of satisfaction to Sukuna since usually people that are allowed to look directly at him can barely communicate.  
“I’ll give you a chance to redeem yourself.” He’s thinking about how merciful he is– Which isn’t entirely a lie since Sukuna never gives a second chance. Except you have no idea how you can redeem yourself unless he dismisses you. Little do you know what he’s thinking for you. “I have a proposal for you.”
“A what…?” Your eyebrows perk up as curiosity takes over you. A proposal from a deity, it’ll surely be something that you have yet to hear. 
“Bear my child, and I’ll forgive you.” He says, and you almost fall back. Your ears must be deceiving you, there’s no way that the proposal that you just heard is real. Your eyes are wide open, and you hear him laugh. It must be a joke then. 
“Uraume!” Sukuna yells, wanting it to be clear that he doesn’t want to waste a single second. Not even a second later, and they’re in the room, waiting for their king’s command. “Take the maiden and prepare her for me tonight.”
“Wait– You’re serious?” You dare to ask. You haven’t even agreed, yet he’s getting you ready for tonight, to have a baby with him of all things. “You don’t even know my name, why would you want me to carry your baby?”
“What’s your name then?” He asks, clearly irritated by the question, and you have no choice but to answer. If you don’t, you’re screwed. “There we have it. Take her, Uraume.”
“Wait!” You shout, but Sukuna isn’t going to listen to more of it. Uraume guides you outside, a task that they usually do harsher. At any other time, they’d be dragging you outside but you’re not just anybody. 
You’re the woman that will carry King Sukuna’s heir.
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raven-at-the-writing-desk · 2 months ago
Note
Do you know who Yuu is canonically close to? Like who actually considers themselves to be friends or at least close with Yuu and willingly interacts with them. I'm sorry if this sounds rude because I know people have their own yuusonas and headcannons but I'm just curious.
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In order to respond to this question, I will primarily be referring to the main story. Voice lines are not going to be considered because a lot of them are primarily aimed at the player and serve as fanservice, which does not accurately reflect the character's relationship with them in the main story canon. Events and vignettes do indicate character relationships, but are not technically "canon" to the main story. However, I will bring up examples from these, as while these may not fit in a coherent main story timeline, the lore presented in them is still very sound. Yuu appears to be canonically close with the first years, although their closest allies among this group are Ace, Deuce, and Grim. The first years are seen partying at the end of Terror is Trending as a group, stake out Mickey Mouse + hang out at Lilia's farewell party in book 7 together, band together to help Ortho determine a club to join in his College Gear vignette, and help Ortho research the concept of "evolution" for Fairy Gala: What If. Yuu is obviously very close with Ace and Deuce, seeing as they share the same homeroom, eat lunch together, and have gone through many dangerous situations with one another (several OB battles being the main one). They think of each other when one of them isn't included, either! For example, in White Rabbit Fest, Deuce invited Ace to join them (but Ace couldn't due to basketball practice). So Deuce decides to buy him a souvenir instead! Ace extends an invitation to Deuce to join him for Playful Land. And do I even need to bring up the end of book 4 where those two bozos take a long and convoluted trip from the Queendom of Roses to Sage's Island DURING WINTER BREAK to check up on Yuu after receiving a SOS text from them??? Or their tearful reunion at the end of book 6??
Grim is also a very important friendship for Yuu. They are, of course, the first person Yuu meets upon their arrival in Twisted Wonderland, as well as one of their roommates. He's almost always with them, for better or for worse. Yuu is shown to be hurt when Grim attacks them at the end of book 5 and worries for his wellbeing. In fact, the very first time Yuu blatantly acts against Crowley's orders (to stay put) is to rescue Grim in book 6 after he was captured by Ferrymen.
I'd also like to add that the Ramshackle Ghosts are also pretty close with Yuu! They not only live together, but also cover for Yuu when they're unable to fulfill the chores Crowley asked them to do over winter break, play magift/spelldrive with Yuu, worry when Yuu goes away for extended periods of time, and make a Halloween costume for Yuu.
Some honorable/"up for debate" mentions go out to:
Crowley - Some fan works like to portray Crowley (or other staff) as a father figure to Yuu. However, Crowley does the bare minimum in canon to act like a parent and is often offloading work onto Yuu. He doesn't really show affection or go out of his way to spend time with them unless he wants something from Yuu.
"The nice guys" (Rook, Kalim, Silver, etc.) - They're nice to everyone, but not particularly close with Yuu specifically; it should be noted that Kalim, Lilia, and Silver all have called Yuu their "friend" in dialogue. Trey and Riddle - I think it could be said that Yuu is closer to Heartslabyul than the other dorms (partly because two of their closest friends are from this dorm), but I don't know if they're actually "friends"? Yes, Yuu does walk around with Riddle and Trey in book 5 to check out the culture fair. Yes, Trey did send sweets over with Adeuce at the start of their training camp. But I never actually see Riddle and Trey going out of their way to casually hang out with Yuu or anything like that. They seem very... "business professional" with Yuu to me. Malleus - I might catch some heat for saying this, but I don't believe Malleus and Yuu are as close as people think they are or want them to be. Do they talk consistently throughout the main story? Sure, but the exchanges are kind of short and usually don't amount to them sharing a lot. Does Malleus help Yuu out? Absolutely, especially in books 3 and 5. It doesn't mean they're necessarily close; every character gets moments where they pitch in. The nickname thing serves as a necessary filler because Malleus refuses to give his real name; it arguably is not a sign of intimacy (especially given that Grim came up with the name, not Yuu). I can see a point being made in Malleus sending a holiday card for Yuu in book 4 and Yuu returning the gesture with a VDC/SDC pass in book 5 (though this could also be viewed as transactional or tit for tat). Think about the main story timeline to put this all into perspective. It's been roughly 6 months since the start of the school year and Malleus and Yuu have only really had brief direct interactions like MAYBE 4 or 5 times total. Yuu doesn’t go over to speak with Malleus upon their return from S.T.Y.X. HQ in book 6; they’re focused solely on their reunion with Adeuce and Grim. They don't have other means of communication (like each others' phone numbers, which Adeuce do have, as seen in book 4) and they don't ever hang out outside of these mandated interactions. Yuu doesn't even learn their name properly until book 5, which is in FEBRUARY. And, unlike Yuu's friendships with Adeuce and Grim, Malleus's friendship relies a lot on self-projection. Whereas it's clear that the friendship between Yuu and the idiot trio is mutual, it feels very one-sided with Malleus. Like, Malleus seems more invested in it than Yuu is. He's the one thinking of them on holiday break; Yuu doesn’t think of him on holiday break. They think of Malleus only in like early book 7 when Ortho asks if they know any fae, and it’s for a personal reason too (helping them find a way home).
Yuu's closeness with Malleus is left vaguely defined so the player can insert whatever their own feelings about him are into the scenario. They speak with him in a casual tone, yet they never go out of their way to actually invite him to functions or ask questions to learn more about him. Yuu doesn’t even seem to be that torn up about going back home and never seeing Malleus again. This is not the case with Adeuce and Grim; Yuu has dialogue options which imply they would miss their company. Yuu feels so… detached from Malleus; he at best feels like an amicable (?) acquaintance, but not a friend.
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azrielbrainrot · 4 months ago
Text
Take Me Back To Eden
Pairing: Shadow King!Azriel x F!Reader
Kinktober 2024: Throne Sex
Description: You've dreamt of the day Azriel would come back home for so long that you find yourself at a loss now that it actually happened. Luckily, it all falls into place as soon as your eyes meet his.
Warnings: Smut, vaginal sex, throne sex, some fingering, some dirty talk, you know the usual
Word Count: 4,2k
Rating: 18+ MDNI
Notes: This was originally supposed to be a rhys story but there will be plenty more opportunities to write about throne sex with him. Also this ended up actually having some plot and extremely fluffy. Hope you enjoy!
Kinktober 2024 Masterlist
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The halls of this castle are intimately familiar to you, having walked them a thousand times over when your closest friend lived here with his family and a thousand more working here as a maid, keeping an eye on the palace and its new residents while Azriel and his allies found a way to take back his power and his rightful seat on the throne.
You've worked tirelessly for this moment, dreamed of it more times than you could ever count, but now that the walls were painted in the traitors' blood and his intoxicating scent permeates the halls once again, you found yourself at a loss, slowly making your way to the throne room to meet him, one foot in front of the other, letting your body guide you as your mind wandered.
Azriel has been by your side for as long as you can remember, even before you truly knew what him being the heir to the Shadow Throne truly meant. Your father was exceptional at his job, landing him not only the position of Head Healer of the kingdom but also the King's private healer. This meant he spent a lot of his time at the palace, becoming an important figure in the court.
Azriel's father was cruel, manipulative and nothing short of terrifying. As much as you resented your father, you could understand why he was too scared to go against his wishes, always following every order without question, even when that included bringing you to the palace to be the heir's friend whether you liked to or not.
When your father first told you of the King's decision to let you and Azriel be friends since you were about the same age and he thought you'd be a good influence on him, you had been scared out of your wits, crying your eyes out and begging him not to take you with him, all in vain of course. You had never met Azriel before and so you expected him to be just as heartless as his father and older brothers, no one you ever wanted to spend any time with let alone befriend.
The stories circulating the kingdom weren't kind to him either - people talked of the bastard's son with poorly concealed disdain, about how he had lived locked in a tower, barely taken care of for most of his life until against all odds the shadows chose him as successor instead of his full noble-blooded brothers; everyone seemed to think he wasn't worthy of the throne since he was the son of a maid and barely educated, completely neglected since birth, but alas the shadows had made their decision, and no one, not even the King, could go against their wishes.
Azriel was a shadow of the male he is now when you met him, too shy and traumatized to even look you in the eye or speak a word to you, sticking to the corners of the room, hiding himself as best as he could in the midst of his shadows. You were only nine when you met him, a year younger than him, and even then you couldn't imagine all the pain he had gone through, vowing to help him and stay by his side as you watched him cower away from the light, dressed in expensive clothing as if that would hide all the pain and suffering he had been subjected to.
Actually befriending him was harder than you initially thought. You spent countless days simply trying to get him to speak a word to you, almost wearing yourself out as you talked and talked, about anything and everything, trying to find something that would catch his attention and get him used to your presence. Gradually he started opening up more, answering your questions with a nod or shake of his head, and then a word or two, until bit by bit you started having full conversations, his voice rising in volume with time as well. His other lessons helped make him more confident in himself too as he found his place in the world.
Azriel told you about his mother and how much he missed her; about the treatment he endured in that cold tower and how sometimes he still wished he was there instead of next to his father; how his older brother's retaliated for not being chosen by burning his hands when he was only a child who didn't even know what it meant, how his hands still ached at the smell of fire and just the sight of the marred skin sent a stabbing pain through his heart, keeping them concealed with leather gloves most of the time. It was only years later that he let you see them and hold them in your own, the same night he told you he had been sneaking outside the palace, making other friends and traveling his kingdom as far as his wings allowed him, taking you with him for the first time.
The days you spent sneaking away with him and the new friends you made were some of the best of your life, the only ones where you had truly felt free, but sadly they wouldn't last. Shortly after Azriel came of age, his oldest brother killed his father and seized the throne, chasing Azriel and every sympathizer out of the palace and forcing him to go into hiding. You've barely seen him since then, only managing a few secret meetings over the years while he prepared to take back his crown.
Your father had been among the casualties and your family's sudden fall from grace landed you a job cleaning the palace where that hateful usurper now lived. Unwilling to resign yourself to serving the male who almost killed the only person you've ever loved, you started working as a spy, sending out encrypted letters about the movements within the palace and any important information you could get your hands on to hopefully help Azriel as much as you could.
Of course when he found out you were putting yourself in danger like that, he flew over to your house despite the search parties still raking through every corner of the kingdom. It had been the last time you spent more than a few hours with him and most of those had been spent fighting, but the memory brought a smile to your lips all the same. Even though you were screaming until your voices became hoarse, it was clear that it all stemmed from your love for each other and how worried both of you were at just the thought of the other being in danger. Azriel had also left your house with a chaste kiss to your lips, a line you had never crossed before, and a whispered promise of surviving and coming back for you, for his throne.
Taking the last turn to the throne room, you find yourself in the present, every other thought escaping your mind when you hear his voice muffled behind the door, heart swelling in your chest instantly. You only caught a glimpse of him when he first stormed the palace grounds earlier that night, unable to linger and watch as you needed to fulfill your role and help every innocent bystander escape through the back doors.
Judging by the blood and the few corpses still scattered throughout the halls, you missed a hard-won battle, but the lack of urgency in the sentry sent by Azriel to get you told you there weren't any severe injuries to worry about, among your friends at least. As excited as you had been for tonight, the thought that Azriel could get hurt kept you up for days.
The smell of smoke still lingered in the air and you found yourself twisting your hands together, wondering if the smell still brought him the same awful memories, wondering if you still knew him after all this time, if it would all be the same.
Raising a shaky hand to open the door, you find five pairs of eyes falling on you as soon as the room is revealed to you, hands reaching for their swords before noticing it was you and not any lingering soldiers, still on high alert from the fight. Their reaction makes you pause, startled momentarily before taking another step into the room when their serious faces turn into smiles.
It had been a long time since you've seen the neighboring kingdom's prince, - King, you correct yourself, - his general and his cousin. You've met them when you used to sneak out with Azriel, spent countless nights together causing harmless trouble as youths do. They had been with Azriel when you couldn't, helping him get to this point from the front lines while you stayed behind in the palace. Amren also stood by their side, the centuries old mage looked as unnerving and unruffled as ever, perhaps the best kind of ally Azriel could ask for.
Speaking of, your eyes quickly dart around the room, finding those beautiful hazel eyes at last, heart stalling in your chest when you find them already expecting yours. Azriel was sitting on the throne, on his throne, clad in black leathers as his shadows lazed around his body. His shoulders had gotten broader and his powerful wings were sitting up high behind him, unbelievably large, the blood of his enemies still staining his armor - the perfect image of a King.
A smile falls over his stupidly handsome face when his eyes meet yours, standing up to greet you immediately. This sets you in motion, your steps speeding up as your body carries you to him, barely acknowledging the rest of your friends as they excused themselves with knowing smiles, closing the door behind themselves just as you walked up the last steps to the throne, throwing your arms around Azriel's neck, a gleeful chuckle escaping him, catching you in his arms effortlessly, wings wrapping around you as well.
It was almost overwhelming being able to hold him in your arms after so long, feeling his warmth against your body, his scent assaulting your senses as you breathe him in, vowing to never let him leave you behind ever again. You're unsure how much time passes before he pulls away, gently prying your face from his neck so he can study your teary-eyed expression intently, one arm still wrapped around your waist as he takes you in.
Gods, you almost forgot how downright mesmerizing he was. From this close you could count his eyelashes and every green speck in his hazel eyes, if you moved just a breath closer, your nose would bump against his, another one and his lips would fall on yours. His hand craddled your cheek, his bare hand you noted, the rough, familiar texture sending a shiver down your spine as his fingers caressed your skin softly.
“We did it,” you breathe out, watching the smile on his face grow even wider, a breathtaking sight. He leans down, kissing your other cheek and murmuring the same words back at you against your skin, relief clinging to every word.
His body was still somewhat tense against yours, wings tightening behind him every so often as his breath came out in puffs, his lips peppering small kisses from your cheek up to your forehead and then down to your jaw, trying to reach every bit of skin while you tried to check him for injuries or any other sign of discomfort, remembering he had just come back from battle.
“Are you hurt anywhere?”
Azriel simply shakes his head against you in lieu of an answer, tucking himself deeper into the crook of your neck, breathing your scent in again, his hold on your body tightening as well.
“Is it too much to bear?”
When his brother took over he didn't only steal his father's shadows but also Azriel's. It had been strange to see him without those wisps of darkness clinging to his form, unnerving even, and you know that becoming accustomed to not having them by his side was the hardest trial for him to overcome. But now that his brother was dead and he finally sat on his throne, his shadows had returned to him at last, and the ones who were once his father's followed them.
“Could be worse,” he says, a shudder betraying his attempt at a leveled tone. “They like the scent of blood.”
A tremble runs through your treacherous body, the low timber of his voice as he spoke against your skin, lips brushing you with every word making it hard to keep your mind working properly. He hums at your body's reaction, tongue peaking out to lick over your pulse point, feeling your heart racing faster and faster under him.
“Azriel-”
“They like yours even more. Always did.”
The confession hangs in the air as he continues to lap up at your skin, his teeth coming out to play and mark you ever so softly, teasing your supple skin. It looked like he was barely restraining himself, trying his best to hold onto sanity while you trembled in his arms.
You knew having these many shadows suddenly singing to him had to be extremely overwhelming after so long stuck in silence, the power that came with them and now also rumbled under his skin even more so. He needed an outlet, and you both knew the blood he already spilled wasn't nearly enough.
“Let me help you.”
The groan that escaped him echoed around the room, pulling away from your neck with a harsh bite and finding your lips before you could even react, finally unleashing himself at your proposal. His shadows followed his lead as always, falling over your body as he did, twisting and turning as they roamed over you. A frenzy overtook you as well, your hands tangling in his hair, pulling him impossibly closer to you, needing to feel him under your skin, so deep he wouldn't be able to escape ever again.
The lights deemed even further around you, until only the moonlight filtered through his shadows, making it hard to see when you managed to pull away and take a breath, your eyes blinking as you tried to watch him in the dark. He had no such problem of course, unashamedly studying your face as you recovered, biting your bottom lip and licking at the drool gathered in the corners of your mouth, moaning at the way your scent deeped with arousal and mingled with his own.
The lines had always been blurred at best between the two of you, fear the only thing keeping them intact in the first place, but now you didn't have to worry for his or your safety anymore, about what his or your parents would think or do if they found a weakness in the other, now you could finally give in to each other without worries.
It had always been a poorly concealed secret how much you wanted each other anyway, and now that nothing was stopping you and he was finally in your arms, you could barely keep this craving down. You could only imagine what it felt like for him with the addition of the new untamed power running through his veins and the pesky shadows whispering in his ear.
Azriel starts walking backwards until he reaches his throne, bringing you along with him for the entire way as he catches your lips between his once again, sending your mind stumbling along with your feet. When he sits down, your body naturally follows to straddle his thighs, and you pull away with a gasp, his hard cock pressing where you need him most.
The maid's uniform you still wore was thrown over your head in a flurry of movements, revealing your unmarked and unobstructed body to his hungry gaze. Unable to stop himself, Azriel leaned closer, sucking a nipple into his mouth as his hands moved all over your body, caressing and grabbing every bit of skin and flesh he could, leaving you tugging at his leathers so you too could rid him of the bothersome clothes blocking your view, as good as you always thought he looked in them.
It's only with a whine of his name and a particularly harsh tug at his black, messy curls that he pulls himself away from you and helps you take the top part of his leathers off. You had been right about his shoulders getting broader, his entire body looked more muscular too. Of course the heir to the throne had been training since he was a child and Azriel had always been a large male, but after having to literally fight to survive, he was left with cleaner muscles, and quite a few scars you had never seen before scattered over his torso, making a mental note to ask him about them later.
He barely gave you any time to fully take him in, moving to unbutton his pants without pause, settling for pushing them down only enough to uncover his throbbing cock, your attention quickly falling on it. Your hand wraps itself around him in curiosity, a delicious shudder running through him as you tighten your hold around his cock, stroking him up and down slowly, reveling in every harsh breath and the pool of desire growing in his eyes.
“I need more, angel.”
Nodding, you agree with him. “Me too.” You needed all of him, needed him to fill you up until he was the only thing you could smell, taste and feel.
He rips your underwear off unceremoniously, inserting two of his fingers inside you as slowly as his frenzied state of mind allows him to, your own body ignoring the slight pang of pain at the sudden intrusion as your hips start rolling into his hand feverishly. You were beyond soaked, the sounds his fingers elicited as he fucked them into you downright sinful as they echoed around the room along with soft moans and gasps of his name.
Azriel seemed transfixed on the way your cunt swallowed his fingers greedily, the hazel in his eyes barely visible around his blown out pupils. Gods, if you didn't stop him you think you would end up cumming entirely too fast which is why as much as it pained you to, you grabbed onto his wrist and stopped his movements, breathing out a rushed “Need you now,” when he looked up at you in question.
You used your grip on his cock to guide him to your entrance, lifting yourself up on your knees as his hands fell over your hips, helping you along, shivering when the head pressed against your cunt. Pressing down on him with a whimper, you let your weight drag you down his length slowly, throwing your head back with a loud moan at the stretch, walls fluttering wildly around him as they struggled to accommodate the delicious intrusion until he finally bottoms out, your body shaking uncontrollably on top of him.
Your lips find his yet again, getting lost in his taste as you start moving against him, his hands grabbing onto your hips hard enough to bruise as he grinds you down on him, breathy whines and moans swallowed in a passionate kiss, only pulling away when you start speeding up, moving up and down his length as his hips start meeting your thrusts, your hands holding onto the arms of the throne for better leverage, the way he was stretching you out and hitting every earth shattering angle threatening to make you lose yourself.
There was no doubt in your mind that anyone that walked by this hall could hear you, but you truly couldn't bring yourself to care about them, or that the walls were still covered in blood, or anything else for that matter. You had waited too long for this, to kiss him like this, to hold him like this, to feel him like this.
“You have no idea how many times I've dreamed of this,” he manages between pants, only receiving a feverish moan in response from you, unforgivingly close to the edge as you were.
Hazel eyes darted around your body as he tried to take the maddening sight before him fully, taking note of the way you struggled to keep your eyes on him, mouth agape as the sweetest whines and gasps escaped unattended; the way your body moved with each roll of your hips, breasts bouncing as you did; and how perfectly you fit together, his cock disappearing inside you with every thrust.
His hands move down to your thighs, lifting your hips on his own now, your body simply following his lead, letting him take control as you moan out his name unabashedly. For a moment Azriel thinks his shadows, the crown and even the throne he was sitting on meant nothing if he didn't have you by his side, if he couldn't feel you like this again.
“Are you close, my love?”
One of your hands falls to hold onto his, needing to ground yourself, needing to feel him on every inch of your skin, needing to know this was real. Struggling to even breathe as he repeatedly hits every pleasure spot inside you, leaving you on the brink of madness.
“So close, Az.”
“Let go for me. Show me how sweet reality can be,” he murmurs breathlessly, obviously dangerously close himself. “Need you to give me everything, need to feel you falling apart on my cock.”
And fall apart you did, a gasp escaping your lips as an overwhelming amount of pleasure takes you under, drowning you completely under the waves as the world stands still, your body falling forward and shaking against him. Azriel keeps fucking into you, taking this new position as an opportunity to thrust into you even harder, chasing his own orgasm at the same time he prolongs yours.
You reach a hand out to caress the talon of his wing at the last minute, reminded of how sensitive they were, being immediately rewarded with a delicious whine of your name as he lets go, fucking his cum deep inside you with jerky motions until you were both spent, chests rising and falling against each other as you caught your breaths, meeting halfway in a kiss, his shadows covering your bodies once again.
Pulling away proves to be a monumental task, his lips chasing yours every time you try, having to push against his chest as you straighten your spine, trying to ignore his half hard cock still tucked inside you as he leans back against his throne, letting out a chuckle when he tries to pull you back to him and you send him a poor attempt at a glare, the smile plastered on your face and the fucked out look in your eyes making it less than believable.
“Do you feel better now?”
“I feel perfect,” he sighs dreamily, gazing up at you adoringly as his thumbs draw circles over your heated skin.
“So…” You trail off, not quite knowing what to say in this situation. After dreaming of not only having him back but also making him yours so many times, you couldn't find the right words now that it actually happened. “You're back.”
“I'm back, my love,” he confirms, cupping your cheek once again and rising up to leave a chaste kiss on your lips, the new pet name sending goosebumps traveling across your skin, your heart so full it felt like it would explode out of your ribcage.
“I had a speech ready, you know?”
“A speech?”
“I had every intention of talking to you before this happened, but words won't ever be enough to describe how much I love you.”
His words paired with the look in his eyes were making you beyond giddy, wrapping your arms around his neck as he kissed you once more, drunk on your taste, unable to ever get enough.
“Say it again.”
Azriel lets out a delighted chuckle, pulling away so he can watch your face, taking you in before indulging you as he stares deep into your eyes.
“I love you. I've loved you for as long as I can remember,” he starts, voice soft as he did, “If I hadn't met you I wouldn't have been able to survive my father's cruelty, and if I didn't know you were waiting for me here, I wouldn't have been able to find the strength to come back and take back the throne. I owe you my life.” Tears gather in both of your eyes as he leans his forehead on yours, continuing, “The years I spent away from you were the hardest I've had to endure, and now that I finally have you back by my side, I won't ever let go. I don't want to spend even another second away from you.”
“I love you too,” you breathe, your heart so full it felt like you couldn't contain all your love for him inside.
Azriel kisses you again, tears now streaming down your faces as you cling to each other. He was right, words could never be enough to describe this moment, let alone the love you shared, but you were willing to whisper them as many times as you could until there was no breath left in your lungs.
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loving-barnes · 1 year ago
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LOGAN HOWLETT - BROKEN & MENDED
A/N: A new one-shot that I tried to write. It's okay, I guess. So here you go. Also, the title sucks, but... whatever.
Pairing: Logan Howlett x mutant female reader
Featuring: Avengers, Ex!Bucky Barnes x female reader
Warning: angst, fluff, implied smut?
Please, do not read if you are under 18. This story has sexual scenes.
Words: 3400+
Important note: I know Wolverine is like 160cm but… I forgot about tha that so, he’s a tall MF. (They kinda fucked that up in some of the movies, so whatever.) So Hugh Jackman!Wolverine
FULL MASTERLIST | LOGAN HOWLETT MASTERLIST
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LOGAN HOWLETT - BROKEN & MENDED
It felt like a dagger went through her heart. Her eyes watched her boyfriend and her best friend kissing in the kitchen. They didn’t know Y/N was there. It seemed that they didn’t care someone would be able to see them. She watched it all with her two eyes. The two people she trusted the most in the entire world broke her heart. How long was this happening? Why was this happening?
The vomit threatened to escape her throat. She was sick to her stomach from the betrayal. Shaking her head, Y/N silently walked away from the scene, heading back to the room she shared with Bucky. 
When her eyes landed on the messy bed, she shared with him daily, her stomach flipped. She felt nauseous like never before. How often did he bring Natasha to bed while she was away on a mission? Her feet dragged her to the bathroom, where she ended up vomiting into the toilet. 
Y/N stayed on the bathroom floor for another hour, thinking about her next steps. There was no point in crying over spilt milk. Bucky had decided to find peace in other girl’s arms. He had decided to break Y/N’s heart. 
Sighing, she slowly got up, washed her face and rinsed her mouth. And then it hit her. How many people knew about this affair? Of course, Steve knew. He had to. He was Bucky’s best friend. Hell, even Sam had to know something. 
She fished out a phone from her jeans and texted Tony. He, of all people, would be able to understand her. Once he agreed to see her, she washed her mouth one more time and left for the lab. As expected, Tony was tinkering on one of his suits. There was a big cup of cold coffee on the table that he didn’t drink.
“What’s up, Y/L/N,” Tony asked when he noticed Y/N in the lab. He immediately noticed her body language. Something was off. “What’s going on?” 
She sat in an office chair, eyes scanning all the tools scattered around the place. “I need you to do something for me - no questions asked.” 
His eyes captured hers, frowning. “Oh no, you can’t pull that card on me. What’s going on? What happened?” 
No wonder Y/N wanted a ‘no questions asked’. A few months ago, Tony called Y/N to get him from a club. He was drunk, covered in vomit and upset about something. Y/N didn’t question it. She drove him to the tower, got him to bed, and they never spoke about it again. 
Y/N took a deep breath, her lips quivering. She wanted to scream, cry and throw a tantrum like a child. Her heart was breaking some more. “I’m resigning.”
“What?!” Tony jumped on his feet. That statement woke him up. “What do you mean, Y/N? Does Barnes know about that? Are you two planning something? Are you pregnant?” 
She shook her head. Damn, that last question got her even more. When did she start to feel the want to have kids with him? “He doesn’t know anything. I need you to accept my resignation and let me silently leave as soon as possible,” she said. “Please.”
Tony wasn’t a fool. He could see the pain in her eyes, how her lips trembled and how she tried to hold it together. Tony was able to put two and two together. Something happened between them - it was over. “Shit,” he shook his head in disbelief. “Holy shit.” 
“Please, Tony,” she raised a hand into the air. “I have to do this. If he can’t come clean, I can leave without a word. Two can play this game.” 
“But,” he closed the distance and put his hands on the woman’s shoulders. “You can’t leave the Avengers. You are like the little sister I never had. I can kick Barnes’s ass again if you’d like. Say the word and I will detach that damn arm from him.” 
Y/N chuckled. It was hard to hold it together and not cry in front of Tony. “We can stay in touch, Stark. Please, don’t make me stay. My heart is broken, shattered into a million pieces. I won’t be able to look them in the eyes-”
“Them?” he interrupted her. “Who’s the woman?” 
A tear finally escaped Y/N’s eye. “Natasha,” she whispered. 
Tony’s fists clenched. He wanted to curse out loud and throw something into a wall. “I’m sorry,” was all he said to her. “I’m sorry things went to shit like this. Holy fuck, Natasha and Barnes? What the fuck?” 
As the dam broke, Tony caught her in his tight embrace and let Y/N cry it out. He wouldn’t do it for anyone but her. As Tony said, Y/N was like his little sister whom he needed to protect. He pushed her away a little to look into her eyes. The pain in them was breaking Tony’s heart.
“Is there anything you need to take?” he asked. “Any photos or personal belongings?”
Y/N thought about it. All the photos she had were with Bucky, Natasha or the team. She didn’t have any family outside the Avengers. Everything she owned had been provided for her. 
“No,” she said. 
Tony sighed, nodding. “Alright.” He reached into the back pocket of his jeans and took out a wallet. He gave her a black card. “Take it.”
“What? Tony, no, I can’t,” she shook her head. 
“Shut up, Y/N,” he frowned at her. “Take the damn card. I have twenty more. Get yourself a hotel, buy new clothes or a car - whatever the fuck you want. Text me from a new number once you settled down. I want to stay in contact with you even when you are on the other side of the world.” 
“Oh, Tony.” 
“I’ll let you know how the pandemonium went once they realise you are gone,” he chuckled at that thought. “Are you sure about this, Y/N?” he had to ask.
“I don’t owe Bucky anything - not even a stupid explanation. He decided to cheat behind my back with my best friend. God knows how long this has been going on for. I wouldn’t be surprised if Steve and Sam knew about this. I don’t trust any of them anymore, Tony. I was hurt many times before. This is a new level of pain I’ve never felt before. I thought he was it, you know? And look how it ended.” 
“I want to say I understand. However, I don’t,” said Tony. “I’ll miss you, kid.” 
. . .
Bucky had a phone pressed to his ear. He was walking around the lounge room like a lion in a cage. He cursed under his nose and redialed Y/N’s number. Steve, Sam and Tony walked into the lounge room, chatting. “Has anyone seen Y/N?” Bucky asked them. “I can’t get hold of her.” 
“Have you checked your room?” Sam asked and sat on the couch. He put his feet up on the coffee table. “Or she’s with Natasha.” 
“I’ve asked Nat. She hasn’t seen her the whole day,” said Bucky, frowning. He tried to call her again. “She’s not responding to texts. Where the hell is she? Did she go on a solo mission?” 
“I don’t know anything about it,” Steve shrugged.
Tony crossed arms over his chest. “She left,” he announced. 
All eyes turned to him. “What?” Steve asked. “What do you mean by that? Did Fury give her a solo mission?” 
“She left,” Tony repeated sternly. Bucky approached the man, confused. “Barnes, come on, let’s not play this game. You think the woman wouldn’t notice?” 
“What the fuck are you talking about, Stark?” Bucky spat. “Fuck, Stark, talk. Where the hell is Y/N?”
“Y/N found out about you and Natasha.” Tony’s fists clenched. He wanted to punch Barnes into his face. “How the fuck could you do that to her, Barnes? You didn’t have the balls to tell her the truth, to talk to her. And now, because you betrayed her, she left the tower - the team.” 
Steve turned to Bucky, shocked by that revelation. “You and Natasha?” he gasped. “When?” 
“Don’t tell me you didn’t know, Rogers,” Tony scoffed.
“Shit,” Sam commented. “What the fuck, dude?”
Bucky didn’t know what to say first. “When she’ll be back?” 
Tony had to laugh. “You think she’s coming back? Come on, Barnes. You broke her heart. You cheated on her with her best friend. She’s never coming back. She left because of you. Also,” he turned to the Captain and the Falcon. “She thinks you two know about the affair.” 
Sam jumped up on his feet, visibly pissed. “Whoa,” he glared at Barnes. “I don’t know anything about Barnes fucking Romanoff. What the fuck, Bucky? How could you do that to the best woman you could have ever had?” 
“Sam, it’s not that simple-”
“The fuck it is,” Sam yelled at him. “I can’t believe you did that,” he said. “I’m so angry at you.”
“Sam. I… It’s…”
“Go fuck yourself, Barnes,” he punched Bucky into his shoulder and left the lounge room. 
Bucky sighed, defeated. When he looked up at Steve, he could see the disappointment in his eyes. 
Tony had to chuckle. “This is what happens when you think with your dick and not with your head and heart. This is your own doing.”  
. . .
A FEW YEARS LATER
It was a big day. Tony Stark threw a massive engagement party for him and Pepper. He finally had the guts to ask the woman of his dreams to marry her. 
He invited over a hundred people. He wanted to celebrate his beautiful fianceé, their love and happiness. Or in other words, another reason why to throw a party. Also, this was the perfect opportunity to see Y/N again. 
It was almost two years since she left the team. No one knew anything about her except Tony and Pepper. They kept in touch with her the whole time. The couple knew about her new life, new role and more importantly new love. And now, they invited her to celebrate their engagement. Her new man was also invited.
It was supposed to be a big dinner with music and drinks. Everyone was there - the whole Avengers team, some SHIELD agents and even politicians who had a good relationship with the happy couple. And yet, Tony waited for his favourite person to arrive. 
He was standing by the bar, nursing a drink. Tony’s eyes wandered around the place, trying to glimpse Y/N in the crowd. The dinner was about to start, and she still wasn’t there. A hand appeared on his shoulder, striking it lovingly. “Don’t worry. She’ll be here soon,” Pepper said to his ear. “She promised to come.”
He was ready to comment on it when his eyes noticed Y/N walk through the entrance, all dressed up and with a smile plastered over her face. A tall, muscular man stood behind her, helping her with her coat. Tony smiled, glad that Y/N had arrived with her new boyfriend. Tony liked that guy a lot. Same humour, both liked the taste of whisky and they dated amazing women. 
“See, she’s here,” said Pepper with a smile. She raised a hand, waving to the couple. 
“Are you sure about this?” Y/N heard her boyfriend’s voice close to her ear. “You don’t have to do anythin’ that makes you uncomfortable, baby.” 
She turned to him, fixing his black suit. The way Logan was staring at her made her knees weak. His eyes were hungry, she was sure of it. When he saw the dress on her, he had to hold himself back. “I know, Lo’. I’m happy you’ve decided to come with me and be my plus one. Tony likes you a lot, to be honest,” she giggled. “Also, I’m done with my past and am focused on my present, with you.” 
He wrapped an arm around her waist and pulled her closer. He pressed a kiss to her temple. “Come on, Y/N. Your friends are waiting. Nervous?” 
“A little bit,” she had to admit. 
Logan held her hand proudly. He tried to intimidate people with his glare. Y/N was surprised when she found him dressed in a fancy suit. Yes, it was all black - like he wanted. But damn, he looked sexy. 
Together, they walked to Tony and Pepper, greeting them. Y/N hugged them both, while Logan shook hands with Tony and nodded towards Pepper. 
“Congratulations, you two,” Y/N said with a smile. “You are finally doing it. I’m so proud of you, Tony. You are growing up,” she teased him. 
“How are you holding up?” Pepper asked gently. “How are the kids?” her eyes moved to Logan. 
“It’s not easy to teach young mutants,” Logan replied. “They can be a handful, ya know? But they love Y/N.” 
Y/N wrapped an arm around Logan’s waist, smiling. “They like all of us. All of them are grateful to have a place to live and feel safe. And, to answer your question, I’m doing good. Am I nervous? Yes. Am I happy? Also yes.” 
“I can’t believe you became a teacher in a mutant school,” Tony shook his head in disbelief. “Is it cool that you two are together?” he pointed between the couple. “Isn’t there any strict policy that you cannot date an old man?” he joked. 
Logan glared at him. “Hilarious, Stark.” 
“Come on, Wolverine. I am just messing around. But seriously, no policy?” 
Y/N rolled her eyes. “No, nothing like that. Thank god.”
“Last time, it bit you in the ass,” Tony glared at Y/N. 
She sighed. “I know, but why make these policies? I know in the end it can hurt the team, but… “ she shook her head, not finishing. 
“Out of curiosity, what would you do if you weren’t allowed to date?” Pepper asked. 
Logan and Y/N looked at each other. There was a brief silence. “I’d take her to Canada,” he said after some thinking. “We’d buy ourselves a place, somewhere in the mountains.” He could see how her eyes lit up when he mentioned living far away. “Unfortunately, we had decided to stay and teach young mutants. Who knows what will bring us the future.” 
Y/N wanted to press a kiss to his lips. But she knew Logan wasn’t fond of PDA. Her mouth opened to tell him how much she loved him. 
“Y/N?” 
Y/N took a deep breath through her nose. Slowly, she turned to the voice, finding Steve standing behind the couple, surprised to see her. “Hi,” she said cheerfully. 
“Wow, you look amazing. I’m glad to see you again,” he nodded, smiling. His eyes moved to the man beside her. Steve observed him - he was tall muscular and a bit scary. He stretched his arm. “I’m Steve Rogers,” he introduced himself. 
Logan grabbed his hand, shaking it. “Logan,” he said firmly.
When their hands disconnected, both men turned their eyes on Y/N. “I see you are doing well,” Steve said to Y/N. “It’s been… what, two years?” 
“Something like that,” she shrugged. Her eyes moved to Logan. “I’ll quickly go to the bathroom before dinner. I’ll be right back.” Instantly, Logan leaned in and he pressed a kiss to her cheek. Y/N couldn’t believe her boyfriend was affectionate in public. They would leave the PDA behind closed doors. It was sweet.
Y/N walked through the crowd of people, heading to the ladies' room. No one paid her any attention. She registered some celebrities and politicians. Everyone was here for Tonny and Pepper. Y/N opened the door, walked in with a gentle smile and was met with Natasha. The smile was instantly gone. The woman was staring at her reflection in the mirror, fixing her make-up when her eyes landed on Y/N.
Y/N’s eyes widened. Her breath got stuck. As much as she told herself she was ready for this, she wasn’t. “Hi,” she said neutrally and quickly locked herself inside a toilet room. 
She heard the entrance door open and closed a few times. Y/N hoped Natasha left. Unfortunately, after she was done and left the toilet, Natasha was leaning against the counter, waiting. 
“Hi,” Natasha greeted her, whispering. Her eyes followed Y/N’s every moment. “H-how have you been?” 
Y/N sighed. She started to wash her hands. “Do we have to talk?” she asked emotionless. 
“Yes, we do. I haven’t seen you in two years. I missed you,” said Natasha. 
“You are kidding, right?” Y/N glared at her through the mirror. “How can you say this after what happened? How can you stand there and say those words when you had a thing with my then-boyfriend?” She turned off the water and wiped her hands with paper towels. “I promised myself I would enjoy this evening, celebrate Tony’s engagement and then leave. I guess things never turn out how we want.” 
After she was done, Y/N left the bathroom. She was visibly upset. All she wanted was to hide in Logan’s arms, have a meal and leave. How could she believe she’d be able to come here? Why was she still this hurt when she had a wonderful man by her side? Did she…? No. The only thing left was the hurt. Her heart belonged to Logan now. She loved him more than she ever loved anyone. 
“Y/N,” Natasha followed her out. “Please, let’s talk. You need to listen to me.” 
“I don’t have to do shit, Romanoff.” Fate wasn’t kind to Y/N. When she walked outside, she was met with the one person she hoped to avoid the most. “You’ve got to be shitting me,” she cursed. 
Bucky stood before her in a tux. His hair was short, face shaved and smooth. Those blue eyes were wide open as he stared at his ex-girlfriend all dressed up. “Oh my god,” he gasped. “Y/N, you are here.” 
“Obviously,” she sighed. “I am Tony’s good friend,” she said. She wanted to walk away from the. Unfortunately, he gently grabbed her by her forearm, stopping her. “Let me go, Barnes.” 
“Please, we need to talk. Only for a minute.” 
Y/N yanked her arm out of his grip. “There is nothing to talk about. I don’t want to talk to any of you,” her eyes went from him to Natasha and back. 
“Yes, there is,” he frowned. “You left without a word.” 
She frowned at him. “So? You slept with my best friend behind my back. You cheated on me and didn’t have the balls to be honest with me.” Y/N fixed her dress and straightened her back. “I found you two making out in the damn kitchen. So, no, there is nothing to talk about. I came here to celebrate Tony and Pepper.” 
Natasha sighed, upset about it all. Bucky shook his head. “You left, Y/N. For fuck’s sake you left without a word,” he raised his voice. 
“That’s all you care about?” she asked. “Barnes, you broke my heart. Do you think I’d stay here after what happened? Do you think I’d be happy to see you two together? Wake up. Both of you.” Y/N turned to Natasha, to see her upset face. 
A hand appeared on her shoulder, stroking it gently. Y/N released a deep breath she didn’t know she was holding and calmed down. She smelled Logan’s cologne he used for tonight. “You okay, baby?” he asked, eyes shooting daggers at the supersoldier and the spy. 
Y/N strengthened her back. “Logan, meet James Barnes and Natasha Romanoff,” she introduced them. She didn’t need to define who they were and what they did to her. Logan already knew. “They don’t seem to understand that I don’t want to talk to them.” 
Logan chuckled. “He seems like a guy who doesn’t understand a lot of things,” his eyes darkened. He was not fond of the man standing before him. 
“Excuse me?” Bucky frowned. 
“Oh, get a life, bub,” Logan scoffed. “The lady said she doesn’t want to talk to ya. So I suggest you leave her the fuck alone.” 
With that, Logan grabbed her hand and walked with her away from the pair. He pulled her hand to his lips, kissing its top. “You okay, sweetheart?” 
She nodded. “You know what? Let’s have some food, you know, do a little damage and then leave. I want to be alone with you tonight, sir. We have a hotel room that Tony provided us,” she winked at him. 
“That dress needs to go as soon as possible,” Logan purred to her ear. “One hour and then we are gone, princess.” 
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jailforwriter · 26 days ago
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Let's delve into...
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Look, I know you don't like to fail. I KNOW. Neither do I. But do you know who will—and should—fail a lot? YES, your characters! Failure does all the nifty things writing teachers promise us will keep the story interesting: raise the stakes, bring emotions to a boil, and keep things from stagnating and/or getting predictable. Triumphs have their place, and should be present (unless you enjoy metaphorically kicking your readers in the shins, which, hey, more power to you!) but your characters can't always win. That's boring, and unfortunately, boring is the biggest noncriminal sin in entertainment. The good news is that, when your character does win, their previous failure is going to make it all the more satisfying. Doesn't that make you want to nail that failure for maximum improvability? (Hey I HEARD YOU rolling your eyes just now. Rhetorical questions are NOT cringe. Rude.)
So, what do I mean by a "good failure"?
Basically, when they mess up naturally, because of their own choices, in a way that reflects their flaws. "But wait," I hear you say, "does that exclude the possibility of an external circumstance making for a good catalysts for failure?" Nope! There are no hard and fast rules in writing, and shit does, indeed, just happen sometimes. Happen poignantly, even. But your character can't be entirely blameless in every scenario because then things get *taps on chalkboard* BORING. Seriously, consequences are so cool, I promise.
Okay then, why do I want a good failure?
Emotional resonance: do you remember that time you studied hard and still failed the test? Betcha that felt real bad. Yeah, it's that, but magnified by however many people died (or were sad about it! The stakes don't always need to be cataclysmic).
Catalyst for organic growth: do you remember how failing that test made you decide never to pull an all-nighter cramming again? Perhaps even reassess your relationship with God, your identity, and your place in the universe? Yep. And it felt earned, too. Huh.
Narrative depth: how mad were your parents about that test? And how much did it suck getting your Nintendo taken away because of it? That was compelling, realistic tension, baby! It put you right on the—unfun, but necessary—path to making that eventual success feel meaningful. Yay.
Relatability: you know, I felt kinda bad writing all that stuff about how failing that test wrecked you. Because I have empathy, certainly, but also because I've been there too! Mistakes are human, and few things are more effective at humanizing someone than making them an honorary cringefail loser. (This holds especially true if they're usually the god king of being hot and correct, btw.)
Fine, so how do I go about writing that?
Foreshadowing: why, yes, everything DOES always come back to foreshadowing. Good catch! See, foreshadowing marks the difference between a failure being contrived and awkward, and landing because it was tragically inevitable. The character has been making bad decisions that will come back to bite them all book, and the time for gleaning lessons from the teeth marks on their ass is now.
Make the failure specific and personal: sure, failing a test is a universal experience, but failing the most important test ever conceived in the history of mankind and if you fail your mom will hate you and your girlfriend will leave you and you'll go bald isn't. Make 'em feel it where it hurts!
Consequences: internal or external, they better be tailormade to catalyze change. Be it damaged interpersonal relationships or crippling self-doubt, they better not walk away from their mess-up willing to do it again. (NOTE: exceptions may apply in negative character arcs, but even then, the next time they make that mistake, it shouldn't be the exact same one again. It should be so, so much worse.)
Redemption: following on from the last point—make it a turning point! Show me how things are fifty kinds of broken now and how your character plans on rebuilding the mess using the tools they just got from chucking the toolbox full-tilt at their lives.
Examples be upon ye:
Simba in The Lion King: hopefully we can all agree that thinking you caused your father's death is a valid reason to crash out. However, the important thing here is that the crash-out was not eternal. It allowed for an emotional development cooldown period, and when it did end, empowered Simba to make his triumphant return all the more triumphant. Do you think smacking his geriatric uncle off a mountain would've been half as hot if his emotional arc and subsequent redemption had been underbaked? No. Literally. C'mon, lock in.
Zuko in Avatar: The Last Airbender: ahh yes, the king of redemption arcs, which kinda also makes him the king of cringefailing (both externally and internally! Very illustrative, thank you, Zuko). But I bet you don't just remember his struggle with capturing Aang. In fact, I'd bet quite a few buckaroos what you most remember is his struggle with honor. Could it be because you're grateful for what each setback did to help him find his? What about how they taught him that true honor was internally cultivated rather than externally conferred? And the fact that he chose to help the person whom he'd vowed to destroy in order to get it, for which he used the tools he painstakingly won throughout his arc? Hmm. Perchance. See what I mean? It just feels right when things come full circle, and boy is a good failure shaped like zero!
Ultimately, I hope you found something useful here and that, the next time you're down in the trenches of narrative predictability and character stagnation, you consider pissing in their metaphorical coffees. Thank you!
Happy writing!
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deesseshesca · 3 months ago
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PAC :How will your partner treat u during pregnancy ? (18+)
Foreigner ... Foreigner ...
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PILE 1 
Ace of wands
3 swords (reverse) 
First he is going to be hella proud. Like it boots his ego when he knows you are walking around carrying his offspring. Anybody that’s laying their eyes on you knows you are pregnant and y’all must be pregnant by them because everyone knows you and him go together real bad. No question required. Plus he is so giddy about eventually having the proof of your love walking around. I am hearing : ‘’ Yeah … I did that. Remember when I told you I was going to marry her and give her babies’’. Not in a cocky way but a more loving and boastful way. Maybe you were always the type of person to never settle, that would run at the thought of committing to one man, you would just throw up at the thought of opening up to a penis… Now what do we have here: a wedding ring and a waddling mother. Y’all may be in your maneater era don’t worry babe … enjoy. Mother era is waiting to be unlocked. Plus they are extra horny for you. They want you whenever and however. If you guys have a BDSM or quite experimental relationship, good for you. You will wake up often with a tongue between your legs. Which to some point will actually annoy you because y’all may suffer from morning sickness. I see you standing hair in a perfect bun (important to mention because in all my vision your hair is tight up. Maye because you usually have your hair down … who knows) and you are complaining about all your pregnancy symptoms, especially the heat. I am channeling a summer pregnancy for a lot of y’all , whether it be your first or your last. He just out here staring at you like a vampire in need of blood because all he's thinking about is taking you to pound town. Warning to all my future plus size mama, is going to be even harder for you. Your man is going to be IN LOVE with that ass. Everytime he sees you walk away, he grows a little harder. ( I am serious, let's hold hands for all our plus size baddies … Amen). Also his heart is overflowing with love. I actually see him going crazy every time he sees a cute outfit. I am hearing : ‘’ Babe look at this … Omg soo cute. No look at this is fucking cuter … No baby baby look … it’s say - I HEART DADDY’’. You just stand there behind with a tight smile blaming your mom brain fog because you know to always skip the kids section. Now the 15 minutes run has become 30 minutes and your feet hurt already. A lot of rituals will be created and you better not take his place. He loves rubbing oil on your stomach and after making sure you are sleeping … he always makes sure to remind the baby to allow you to rest. Whatever you need he’s on it. You speak once and it’s done. You can’t handle meat during pregnancy … ok the whole house is now vegetarian. You can’t sleep … ok he is dealing with the morning shift of the household. You hate when people approach you and public … ok activated mean muggin husband. You want, you got it babes. 
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PILE 2 
5 swords (reverse) 
Hierophant (reverse)
This news is going to bring you guys together. I don’t think there would be distance between y'all. But stress is winning in this relationship. You guys are both thriving in your profession and ego is getting the best of y’all. Like you both think that the other is not doing enough romantically and that you respectively are doing too much. Nothing extravagant nor toxic but the honeymoon is not honey no more. Still a lot of love but the focus is not it no more but more who is right. 
They are going to love seeing you work while being pregnant. Is important for you to go to work not because it is necessary just in your bones to work. So you want to do it until your body tells you to stop. They are going to support you to the best of their ability. They will prepare your outfit the night before, add belly cream in your bag, make sure to pack a healthy and big lunch for you and the baby, will try to always drop you off and pick you up from work. Lowkey giving house husband don’t be a fool he still very much a bossbabe himself because I can only picture him in suits. Y’all are definitely a power couple. Anyway he loves your dedication so he does everything he can to ensure the baby's protection and help achieve your goal. What’s wrong with y’all partner … they out here having the nastiest thoughts for all of you. First they are going to try to control their needs. I do think when y’all usually go at it … it gets pretty animalistic and they fucking love it. But they are trying to keep a distance between their thoughts and action but y’all are going to be needy and are going to ask for it. Not your men trying to keep it together while you are teasing him and you don’t give a fuck about it. I see y'all eating maybe at dinner with your friend and you ask ‘’ Are you going to fuck me tonight ?’’ Somebody is choking but your husband is unfazed.
 ‘’ I put my stiletto heels on today, you know how much they hurt my feet.
Babe I told you not to wear those’’, he adds while feeding you. ( By the way … y’all have a cute pouting face
But babeeee’’
The reality is he was actually scared to hurt the baby. He needs got darker and you’ve been needier and that’s a scary mix in his opinion. 
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PILE 3 
Ace of swords (reverse)
9 wands (reverse)
Y’all are not in a committed relationship when this bundle of enjoy arrives in your life. 
Is going to be a life changing experience. Like theirs is clearly before the baby and after the baby in his life timeline. I think he was always serious about his feelings for you but was too scared to end up hurt that he would push you away subtly. Funny enough I would be the first to call bullshit, I ain't never been scared to do that … y’all know that. STAY is not giving bullshit. Is giving a broken boy. He is scared you are going to walk away in his life or that he is going to lose his mind 2 just like the people that were supposed to raise him but end up abusing him. He keeps you away to protect you and you know it. Something about y’all relationship, y’all are not together but everyone knows it is just to 2 of y’all. He doesn't talk to no other, he doesn't look at other girls, I don’t even think he interacts with any other girl but you. You are the only one he craves, wand, need and desire but he is too scared to break you. So you accept the no name relationship so he can slowly come to term with the fact that you are not going anywhere. Then a miracle knocks on the door. I can clearly see their mouths wide open when they are listening the baby's heart. Like they just have a life epiphany. You are laying on your back like a stick observing nervously their reaction because you want to keep it. They may walk in extremely nervous and a bit dismissive but the sec that they heard that baby … they are coming out the most confident man. They change forever. They used to be apathetic about life and now they are all about living each day like it is their last. They will do extra shifts at work to give you the dream experience. Babymoon, baecation, push present, being a SAHM, everything is given. They don’t play about their baby's health, they are coming at every baby appointment, they are asking all the damm questions. They also don’t want drama around you. You know when you are pregnant everybody becomes an adviser which can be quite annoying because fuck off this is my baby. I am hearing: ‘’ I don’t want to breastfeed but your mama- ‘’Fuck what my mama said. Do whatever you want (name)”. I can clearly hear them going on and on about how all they care is to make sure they 2 babies are always fulfilled.
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caligvlasaqvarivm · 1 month ago
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Original Sin: The Failure of the Dancestors
Establishing an Eden-like paradise from which there is some departure through sin is sort of the boilerplate basis for religious lore. [...] The failed players from peaceful Alternia made a classic "deal with the devil" move by causing the scratch after being given a choice by the mother of all monsters. (Echidna. Hey, she's a big snake!) By doing so they brought Scratch into their universe, and therefore all the things you'd expect that comes with summoning the devil.
Andrew Hussie, Formspring, Aug. 12, 2011.
Warnings for: Mostly? I'm going to be really mean to the dancestors, so if you aren't here for a thorough (and I mean thorough) dancestor takedown, please do not read this. Ableism, questionable consent and outright non-consent, horrific interpersonal relationships, and Cronus ahead.
Overview
I hesitated to write this because I know there will be some really controversial interpretations in here. Many of the circumstances I bring up as failures on the Dancestors' part are interpreted by the fandom as positive things. A common one I've run into before is Latula x Mituna, where I maintain it's bad, but the fandom often sees them as cute. I'll also be condemning things like Horuss's plurality, or Cronus's kinning, not because I have any beef towards this stuff IRL, but because they're framed as failings on the characters' part within the context of the comic, and I'm analyzing the characters within the context of the comic. I'm not asking anyone to agree with me, but I am asking that you approach this essay with an open mind, and not send death threats over a silly webcomic from the early 2010's. I would not be asking for this if it hadn't already happened, which was embarrassing for all of us TBH.
The Dancestors, as made clear from the Hussie quote, are the story's original sin - the initial failure point from which all the comic's problems stem. Their role in the story is antagonistic - with very little exception, the Dancestors are not meant to be sympathetic, and/or their flaws outweigh their sympathetic qualities. Every single one of them succumbed to some major failure (some their own fault, some brought on by others on the team), and practically only Porrim showed any improvement after death.
There's another really important thematic shadow hanging over them: if Homestuck is a coming-of-age, then the Dancestors represent a prior generation that reached physical maturity, but failed to grow up.
[The dancestors' choices] resulted not only turning Alternia into a planet full of violent murderers, but it only technically granted them what they wanted with a huge caveat, as is the case with such ill-advised bargains. The players were strong enough to win, but made a terminal universe, were barred from entry, hunted by a demon, and then started killing each other.
They're an older generation defined by how entitled and immature they are, who invited terrible forces into society and allowed the perpetuation of cruelty to continue after them. In other words, theyre boomers. It's important to note that they literally had the choice, before their Scratch, to prevent the birth of LE by simply choosing to let their species die with them - but they made the selfish choice of what was, functionally, having kids:
The heroes could either accept their defeat along with the extinction of their race, and put no others at risk. Or, [Echidna] could show them a path to a second chance, to a reality in which the chosen heroes of their race would be strong enough to succeed with ease, and claim the reward.
For more on Homestuck's coming-of-age, anti-fascist, and feminist themes, please see my essay on the Alpha Timeline. Note that I have an updated opinion: the ending was, in fact, bad on purpose, because it was a continuation of the theme of narration needing to be refuted - "who's telling the story, and why are we listening to them?" You can read more about that here. Sorry to have to link two long essays at the beginning of a really long essay, but these are the backing arguments to many of the claims I'm about to make.
I also want to refute a common fandom belief. A take I commonly see is "the dancestors are one-dimensional assholes as a snub to the fandom" - this is not true, at least to any extent moreso than the Alternian trolls.
Yes, the dancestors are riffs of Common Fandom Types of Guy, especially Types of Guy on Tumblr while the comic was being written. However, the beta trolls/kids are ALSO Internet Types of Guy - the reason the trolls are named "trolls" is because part of their original conception was that they each represented a common type of forum troll. The dancestors aren't making fun of the audience any more than the Alternian trolls are, since Hussie got his start on fora.
Moreover, they aren't actually one-dimensional, or at least not in a way meant to be a snub to people. In fact, I find the entire attitude people have that they're somehow owed the dancestors being "good" or "likable" weird. The dancestors, as I said before, are antagonistic - if not at times outright villainous. They're the story's cautionary tale, a look at what happens when a session fails and the kids in it don't grow up.
On the whole, they simply don't need a bigger role in the story than just existing, as their past actions are what spurred the plot into action, and their narrative utility now is as a window into those. Moreover, if you read between the lines and analyze them a little beyond the surface, there's actually a lot going on, which I hope to uncover in this essay.
On the Topic of Kid-Kissing
It needs to be addressed now and needs to be addressed early. The dancestors are physically 19, and the beta/alpha kids are 16 at the oldest and 13 at the youngest. Lots of the dancestors are uncomfortably okay with pursuing romantic relationships or performing romantic acts with these actual children. Cronus gets the most flak for it, but the list includes:
Cronus, who asks Eridan on a date,
Meenah, who has a "manic obsession" with Karkat, and later dates Vriska,
Meulin, who eagerly offers to ship Meenah with Karkat in red, and gets really excited about shipping the children in general, calling them her "gay babies",
Aranea, who's willing to smooch Jake in a sexy way as part of healing his brain because she thinks he's attracted to her.
Now, as gross as this all is, I do think it serves a narrative purpose. One can debate whether that narrative purpose was worth its inclusion at all, but I'm personally going to bypass this discussion since this damn essay is long enough. At least I'll clarify what I believe the narrative purpose is:
It was an extant trope at the time of the comic's writing (which has thankfully fallen out of favor) that an adult character would date a highschooler in order to show how immature, and not suited for adulthood, the adult was. One of the most famous examples of this is Scott Pilgrim's relationship with a high schooler in Scott Pilgrim, something other characters call him out on constantly.
Given that basically none of these dancestor/child relationships are intended to be read as comfortable, pleasant, or even good (I'll get more into this later), I fully believe that this is the reason for their inclusion in the story: a demonstration of the dancestors' immaturity and failure to grow up, such to the point that they see actual children as viable dating partners.
Finally, while most of the dancestors have very limited screentime, one thing we DO have is all their classpects. I'll be using my definitions, which you can find here. Please note that, while that essay does not have any textual evidence (as it was already 10k words long without any), I'm willing to back up every claim in there with textual evidence upon request.
The TL;DR is that class is correlated with character arc and starting circumstances, while aspect is correlated with base personality traits, and what qualities would make the character a successful (and unsuccessful) hero of said aspect.
I firmly believe that, given what's in the comic, it's entirely possible to deduce what each class and aspect actually do, so being provided with every Dancestor's classpect means that we have a very powerful vector by which we can understand how their tragedy unfurled.
So please join me as we turn over this big rock and take a peek at all the skeletons living in the dancestors' closets. There are a lot of them, and they are rancid, but the complex ways they interlock are endlessly fascinating, and I hope you walk away from this with some new insight, or at least a new perspective.
Establishing a Baseline
First and foremost, let's factually review the events leading up to the dancestors' Scratch, organized in the way that makes the most sense to me. Many of these events don't have any set timelines, and aren't even described in relation to each other, but by going over them in general, we can get a big picture overview of the tragedies, and it helps to make sense of the interlocking nature of their failure.
Pre-Game
The dancestors grow up in a version of troll society as designed by Feferi Peixes, where the main difference between the two is that "culling" means "coddling excessively" rather than killing. Therefore, casteism still exists, but usually does not have as life-threatening effects. Characters who would've been culled on Alternia are likewise targets for culling on Beforus - this is most relevant to Mituna and Kankri.
Meenah finds the idea of becoming the next empress so distasteful that she flees to the pink moon, where she finds and transcribes the code for SGRUB and bothers her friends into playing it with her, in large part because it promises an escape from her responsibilities.
Cronus believes he's a chosen one destined to defeat an evil wizard, who tried to kill him when he was a wiggler. The story is one part Harry Potter and Voldemort, and one part Definitely About Lord English.
Kurloz and Meulin are probably dating in red, and Kurloz and Mituna are probably dating in pale.
Latula suffers an injury that leaves her unable to smell, something she remains insecure about for the rest of her existence. Communing with her lusus à la Terezi teaches her "new ways to smell".
Damara and Rufioh are dating in red.
Kankri was likely culled on sight, while Mituna was destined for one of the highest/"cushiest'" degrees of culling possible, echoing Karkat's and Sollux's relationships with culling.
Porrim is being trained for the breeding caverns as a jade-blood, and is not happy about it. It's likely that jades are the caste with the least privileges and freedoms, given the culling system (yes, I know culling is still a form of oppression, but it's still a cushy position to be in, compared to jades being forced to work breeding duties by birth).
During the Game
All of this happens over the course of six years.
Mituna spends the whole game attempting to warn his team to stop being such assholes or else something really bad is going to happen to them, using the prophetic insight he has as a Doom player.
Meenah starts cruelly bullying Damara, under the supposed motivation of "trying to galvanize the team into action".
Porrim outright ignores frog breeding, opting instead to go on a bra-burning rampage across her session.
Meulin is shipping her friends. Due to her Mage powers and predilections, not only do these ships come true, but they're really unhealthy and toxic as a rule.
Horuss begins an affair with Rufioh.
Kankri argues with himself nonstop, rendering most memos pointless.
Kurloz has a terrible nightmare and accidentally deafens Meulin, an act he finds so shameful that he stitches his own mouth shut. The two break up, but are still "very close friends"/in a situationship.
Someone talks Cronus out of his wizard beliefs, likely Kankri, and Cronus completely loses faith in magic, as well as a sense of identity. This is really bad, given what Hope does.
Meenah finds out about Rufioh and Horuss's affair and uses it as bullying fodder.
Damara snaps, kills Meenah, renders Rufioh a quadruplegic, and begins to perform acts of "timeline sabotage," which are even more impactful given her Witch class. It's heavily implied that Damara is the cause of the dancestors not performing their own ectobiology, the glitch that rendered their game unwinnable and serves as a "calling card" for LE.
Mituna tries to divert a terrible tragedy, something "only Kurloz was witness to". Said tragedy is implied to be Kurloz's Prince meltdown, and Mituna fails, rendering him brain damaged to the extent that he can no longer think or speak coherently. The team does NOT heal him or even reference TRYING to heal him, as it's implied they're more comfortable with him like this than they were with him telling them they were all doomed assholes.
Kurloz fully commits to his doomsday clown religion and begins using Meulin and Mituna as hynopuppets/conduits to bring about the end. It's likely that they rope Damara into their religion at this time.
Latula and Mituna start dating in red. For various reasons I'll get into later, this relationship seems to have started AFTER Mituna's injury.
Meenah bakes a cake. Isn't that nice.
It's never made very clear how long it took for all of this to go down, but the way it's framed is that everything major happened fairly early on, before the Reckoning, and they spent the rest of their session faffing around. While the beta kids have a nonstandard-ly short session, the beta trolls have what seems to be a more standard timeframe of about 612 hours, or several weeks. Again... SIX YEARS elapse. The dancestors reach the age of physical adulthood within the game.
Finally, seeing no way out, Aranea goes to Echidna for her quills in order to initiate the Scratch. The Choice that she's given is to immediately stymie the harm the dancestors' actions will bring (LE) by letting their species die with them, or to try again by passing the buck onto the next generation of heroes. The pick is obvious.
Damara, who's been uncooperative since she snapped, chooses to help out with the Scratch, muttering that everyone will "get what they deserve".
Meenah uses a tumor-like bomb to kill them all just before the Scratch goes off, in the window where god tier immortality pauses before bringing them back. This allows them to exist in the afterlife with memories fully intact. It's not fully clear how many of them achieved god tier before dying.
Afterlife
Meenah stays in her castle, echoing the way she fled responsibility to the pink moon, for the millenia that her friends have been mingling in the afterlife. Her descent from her castle after LE starts popping bubbles is the first time she's interacted with her team since she died.
Porrim is the ONLY dancestor that shows improvement or reflection, coming to view her frog breeding duties as something she probably should have paid more attention to, and toning down her feminism to thoughtful, reasonable critiques. This still doesn't excuse her total bystander nature while everything else was happening, which continues into the afterlife, but it's nice to see that she's doing better, since that's so rare in this team.
Kurloz starts readying for Lord English's birth, building labyrinths in the afterlife and using Meulin and Mituna as mind-controlled helpers (and possibly Damara as well).
Meulin and Horuss start dating in pale after Horuss is inspired by the meowrails. Despite Horuss's internal anguish and anger, he's been told by Meulin to cover it up with forced positivity no matter what.
Cronus is kinning a 1950's human greaser, an act which he himself admits is probably just a cry for attention, and a greater symptom of his struggles with personal identity in the wake of losing interest in magic and wizardry.
Rufioh wants to break up with Horuss, but doesn't have the backbone to to get pushy with these requests. Horuss has difficulty hearing what he doesn't want to hear, so Rufioh winds up wilting and agreeing to continue dating him every time he tries breaking up with him.
Aranea... does all that, spurred on by a desire to be important.
Meenah decides to encourage Vriska to shirk responsibility, running off with her and starting a romantic relationship with her.
Woof, that's a lot! So, now that we've established an overview of what went wrong, something I should probably note:
It's not JUST that Damara caused the timeline glitch that retroactively summoned LE, or JUST that Meenah bullied her. When I say that the dancestors' failure is multivalent and interlocking, I mean it - especially once you get into the implications of their classpects. Cronus being a Bard of Hope - Hope being the aspect of making fake things real - losing faith in his own destiny of defeating an evil wizard likely had some karmic contribution to the first half of that destiny - the existence of the evil wizard in the first place - coming true. So on and so on. So the rest of this essay will be a deeper look into each individual dancestor, and the contributions they made towards the ultimate blowout.
Porrim Maryam: The Ultimate Bystander
Porrim's drama is the least connected to the various conflicts suffered by everyone else, though it's one of the most consequential.
The Maid of Space was of course our all-important Space player and Stoker of the Forge, 8ut as you know, we never made much progress on the frog 8reeding front, or really any aspect of the game 8efore the reckoning. [...] She challenged these roles wherever they existed in 8eforan society, as well as where she found them woven into our session, in kingdoms, class assignments, consort culture and the like.
While she is pretty much the only dancestor that reflected on her failures - having come to a realization after her game's Reckoning that she probably should've paid attention to frog breeding - the fact remains that she totally ignored this duty in favor of going on a feminist rampage.
I do actually believe there is merit to her viewpoint, something Hussie appears to agree with:
HUSSIE: Porrim is better at social justice than Kankri because she isn't a boring asshole. [...] Porrim wants there to be equality for ladies. Not everybody cares about that though, which makes it hard for people like Porrim. That's the way it is in the real world. CHALLENGES.
Note that while Hussie is a deeply unreliable narrator (he describes his own self-insert as "oafish" and "buffoonish" in the book commentary, and his narration being biased and full of holes is a very deliberate choice), there is still meaning to be gleaned from his words, especially once you identify what biases he's performing. In this case, I think he's being genuine, as Homestuck has a deeply feminist and anti-patriarchy message overall, which I touch on in my essay about the Alpha Timeline.
However, Porrim's failure is that, as correctly as she identified sexism as being an issue, she became tunnel-visioned on it to the point that she failed to do anything useful at all. Frog breeding, AKA creating a new universe, is practically the entire point of SGRUB, and though her energies could've been focused on creating a new world free of sexism, she prioritized nitpicking it in session constructs.
Her other big failure is that of being a total bystander. In her conversations with Latula and Meenah, Porrim doesn't make any references at all to the bullying Meenah perpetrated, and otherwise seems surprised at the Redglare/Mindfang situation. She's also known as promiscuous, willing to sleep around with nearly anyone, tacitly approving of her teams' actions. Much of her feminist rhetoric is undercut by the fact that she has no comment to make on the way Meenah - the team's rich fuchsia - was primarily targetting a rustblood immigrant. It's implied her constant bickering with Kankri was in part due to her complete lack of intersectionality (with the other, more major part being Kankri's misogyny, but we'll get to that).
Interestingly enough, these three failures - poor prioritization, tunnel vision, and bystanderism - are failures of Space. There are two ways for an aspect (which is associated with base personality) to fail - the first is a toxic overabundance of the aspect's natural worst traits, and the second is a dearth of its positive qualities, to the point of resembling its counterpart. Space is associated with cycles and interconnectivity, patience and passivity. Its players are distractible and frivolous, but kind and permissive. However, it's easy for Space players to become so distracted that they lose sight of the bigger picture - we see this in Porrim's poor prioritization, and the tunnel vision she incurs in pursuit. It's also easy for them to become so passive that bad actors take advantage, and this, too, is present in Porrim's complete failure to grasp her team's cruelties.
Maids, meanwhile, are victims of oppression, and start the game under some form of control. Jane's been bombarded with hypnotic subliminals her entire life, and is ultimately directly controlled hy the Condesce; Aradia is killed so as to be Doc Scratch's servant via the Handmaid, and Hussie even outright calls her a slave in his book commentary. Porrim is not an exception to this:
On 8eforus, well 8efore her drinker a8ilities had awakened, she grew up in the caste almost solely devoted to tending to the mother gru8, hatching the young and proliferating the 8rood. The jade 8loods were also an almost exclusively female caste, and she 8egan to resent the roles she was hatched into, designated for 8oth her class and gender.
Ultimately, Maids can't shake off their oppressors alone, and outside intervention is needed to rid them of their shackles. Nobody on Porrim's team seemed to give a shit about what she had to say, however, nor did they attempt to relieve her of frog breeding or attempt to alleviate her workload - leaving her ultimately shackled to frog breeding, which, aside from the final frog (usually implied to be long in the Space player's past), did not HAVE to be conducted by her. In fact, Echidna being Aranea's denizen, when she's normally associated with the frog-breeding Space player, further implies that it didn't necessarily need to be up to Porrim - perhaps the team could've come together to take up frog breeding, splitting the duties equally, freeing Porrim from oppression.
But that didn't happen, and thus, our Maid of Space is disconnected from everything but the breeding duties that bound her so.
Kankri Vantas: The Hemocaste's Number One Fan
Kankri is a casteist, ableist, slut-shaming misogynistic bootlicker.
I'm going to go a bit lighter on the citations, because he uses a hundred words where ten will do, but if you actually bother to read his diatribes, he's all-in on perpetuating oppression. Here's a quick rundown of some of the awful shit he's said:
He tells Mituna that Mituna is bad representation for disabled people, and basically tells him to his face that he wishes everything about him was different, likely as displaced jealousy that Mituna is dating Latula. This shows that his rhetoric is actually just a mask, a tool he uses to disguise his actual intentions.
He complains about how burgundies have to "check their privilege" because they don't know how good they have it compared to off-spectrums, showing that he resents it when others attempt to address their oppression.
He tells Porrim that he thinks misogyny isn't real, and then slut shames her by insinuating that she's even willing to go for the Mayor. Once more, a display of how he resents when others challenge his points, or try to take away attention from his causes.
He calls Horuss and Cronus's beliefs fake even as he's defending their right to believe in them, revealing that it's not about justice for him, but about whatever puts him in a position of power over the situation, as the quote-unquote "spiritual leader".
Kankri was very likely culled on sight for his mutant blood color, mirroring how Karkat would've been. He clearly has complicated feelings about this, as he reacts very poorly to Porrim's mothering, but it's also the source of his deep-seated casteism, and the favor he shows towards the two sea dwellers on the team. While it IS a form of oppression, those culled on Beforus ARE provided extremely comfortable lifestyles, and Kankri would've been subjected to an intense amount of pampering, being a mutant.
In other words, he's been taught his whole life that he's a very special little boy, and he both feels entitled to the emotional energies of others, and gets upset when he isn't the center of attention. In contrast to Porrim, who had valid points but prioritized poorly, for Kankri, "social justice" is just a smokescreen he uses as he verbally browbeats his team into falling into line. Any valid points he makes are twisted to suit his personal agenda of being the loudest voice in the room, and he hides behind them so nobody can properly challenge his position. The actual oppression he did face, and a genuine desire buried deep down to make the world a better place (which I do believe exists), are ultimately undercut by his willingness to play victim in order to sate his own desire for attention and control.
Kankri himself didn't contribute as directly to the team's failure, but he was, overall, a binding force of stasis - perpetuating societal prejudices, fixing them in place. It should be no surprise that the two who find Kankri the most tolerable - Horuss and Cronus - are the two biggest casteists on the team.
Blood is about bonds - familial, platonic, romantic, and societal. It governs oaths, promises, compatability, and all interpersonal relationships. Its players, in contrast to Breath's free-spirited youthfulness, tend to be neurotic and controlling. At their best, they're mature, empathetic, and responsible, and indeed Karkat is one of the most level-headed and generally correct members of his team when he's not flying off the handle, but at toxic overabundance, they become iron-fisted dictators, "my way or the highway" types - to the point of shirking their innate sense of empathy and natural compulsion to be helpful to others.
Seers, meanwhile, struggle with blindness - either by hubris and ego, or else by shame-induced self-infliction. Rose's ego prevented her from bonding with her mother, and her need to be the smartest person in the room let Doc Scratch manipulate her; she later copes with her grief by drinking herself stupid, opposite Light's association with knowledge and insight. Terezi boldly painted herself into a corner where the only option left was killing Vriska, and coped with the guilt by throwing herself into a toxic relationship with Gamzee, a Gamzee victory that triumphed over Mind's sense of justice and karma.
Kankri is so moved by ego - his selfish desires for a society that works best for him personally, and his confidence that he knows better than the rest of his team - that he's blind to how harmful his rhetoric is. He damages their ability to move forward by chaining them in place, an ultimate failure of Blood.
Moreover, he's also inflicted a "blindness" upon himself - due to his staunch celibacy, he doesn't seem to notice that he has clear red feelings for Latula and pale feelings for Cronus - and this is to disastrous effect. The motivator behind his cruelty to Mituna appears to be jealousy, and he interrupts a conversation Cronus is having with Meenah, where she's about to make him reflect on choices that are harming him, just in time to prevent Cronus from reaching his epiphany. In fact, it's implied that Kankri is the one who talked Cronus out of his wizard faith in the first place, which we'll get into later (this is the most direct contribution Kankri made to the dancestor's failure).
As such, our Seer of Blood is sightless, and through blindness both based in ego and self-inflicted, he can't see the damage he's dealing.
Cronus Ampora: Hopeless - And That's Everyone's Problem Now
Cronus is a nasty casteist fuckboy who's greatly disliked by his team, and also everyone else, for good reason. He's mostly irrelevant to everyone and failed to do anything of worth. The problem is, he's a Bard of Hope, and thus, was one of the greatest contributors to the creation of LE.
Cronus as we see him is easy to explain. He's fundamentally a directionless, shitty rich kid, who's never had real problems before, and thus, never had the kinds of formative experiences that would've built him a personal identity. In an effort to find something to give his directionless (after)life some meaning, he's decided that he's humankin, specifically a 1950's greaser. He's also trying to get laid for similar reasons. What else is there to do when you don't feel like you have a real personality, and thus, don't really know how to open up to others or connect on a deeper level, but still crave an intimate relationship of some sort?
The thing is, Cronus wasn't always this way, and in fact, started out his game quite different:
[H]e once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. Though when pressed for the name of the man, he would not say it, claiming it was too dangerous to even enunciate. Part of his self-aggrandizing mythos was that this magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. The attack supposedly left him with his distinctive scar, which he was not reluctant to point out when trying to hit on me.
Now, while this is definitely Harry Potter, it's also worded so as to resemble Lord English, and this is not a coincidence. You see, Hope is a power that makes fake things real.
Believing in things reduces their fakeness attribute. It's the force that shapes your reality, used to snatch personal meaning from the jaws of a cynical and nihilistic environment. Could this be why Hope is framed as the most fundamentally powerful aspect?
Ultimately, it didn't matter if Cronus's stupid wizard faith (and it is framed as a faith, a religious belief - put a pin in this) was real or not. In fact, the more credible journey for a Hope player would be if his personal mythos were fake - because Hope would've made it real.
However...
8ut at some point he 8ecame disillusioned with magic. [...] Perhaps someone talked him out of his 8eliefs. May8e a friend close to him. Or, if one is to 8elieve his fantasy held any water, perhaps someone who was in league with the evil magician.
As all Bards do, he suffered a crisis of faith, and he was never able to recover. Now, the identity of the person who talked him out of his religion is never made explicit, but I'm firmly convinced it was Kankri. First of all, who else on the team would qualify as a "friend close to him"? While "someone in league with the evil magician" might refer to Kurloz, Meulin, or Damara, Cronus seems wholly unrelated to the latter two, never mentioning them once, and while he's "scared" by Kurloz, it's not enough to not hit on him.
However, "in league with the evil magician" can also be interpreted metaphorically - someone who represents the same values as Lord English does, especially those of misogyny, fascism, and oppression. Which, again, points to Kankri. In fact, the main interaction Cronus has with Kankri illustrates the harm Kankri is doing to him: right as Cronus is about to have a personal epiphany that his humankin schtick is doing him more harm than good, Kankri jumps in to guilt-trip him until he continues with the act.
CRONUS: to be honest, she might be right. sometimes i think i might only be saying im a human to get attention. maybe i should givwe it up. KANKRI: I'd 6e extremely disapp9inted t9 hear that, if it were true. That w9uld 6e such a slap in the face t9 all th9se wh9 kn9w themselves t9 6e an alien while trapped in the pedestrian 69dy 9f their 9wn race. It w9uld 6e unspeaka6ly invalidating 9f their struggles and massively triggering t9 their em9ti9ns.  #TW #invalidated struggles #triggered em9ti9ns KANKRI: 6ut f9rtunately, I kn9w y9u w9uld never st99p as l9w as that. Y9u understanda6ly have d9u6ts a69ut y9ur feelings and pr96a6ly d9wnplay them as a defense mechanism, since s9 few are prepared t9 rec9gnize the legitimacy 9f y9ur plight. 6ut I am, and I just wanted y9u t9 kn9w that I'm here f9r y9u, and am prepared t9 lecture t9 y9u extensively, I mean, listen t9 y9u extensively, a69ut y9ur ultra-imp9rtant pr96lem.
Fucking Kankri! He doesn't even believe in Cronus's act himself (calling it a "fantasy versi9n 9f [him]self"), but Cronus's conversation with Meenah is pale-coded, with Cronus being the only person on the team able to make Meenah have doubts about how awesome the Condesce (and by extension, her own worst qualities) are, with her able to pierce through Cronus's bullshit and make him rethink his choices. But Kankri has a palecrush on Cronus, so he cannot abide by Cronus having a pale interaction with anyone else.
KANKRI: Listen, I was d9ing y9u a fav9r. Y9u d9n't need t9 6e dating any9ne wh9 can't appreciate y9u f9r wh9 y9u really are[.]
But his interruption of Cronus's character development, and also his breaking of Cronus's faith, aren't just disastrous for Cronus's ability to self-actualize - remember, Cronus is a Bard of Hope.
UU: while the more passive bard coUld be seen as "one who allows x to be destroyed, or invites destrUction throUgh x," as if by the will of the aspect. TT: I'm obviously no expert, but that sounds like a pretty odd thing for a Bard to do. UU: maybe! it's a qUirky class. UU: somewhat like a wildcard role for a hero. very Unpredictable. UU: they are typically known for their spontaneoUs and dramatic story-altering inflUence on the fate of a party. UU: some of the more remarkable tales involve sUch parties, where the bard is single handedly responsible for their spectacUlar downfall or improbable victory. or both!
Bards act as a conduit by which their Aspect dramatically alters fate, for better or for worse, and Hope is a power that makes fake things real. Cronus had a Bard crisis of faith, never recovered, and, in his failure to do so, began to exhibit his aspect at its nadir - where Hope players should be idealists, dreaming up better futures with a naive and shameless sincerity, Cronus has become self-conscious, frustrated with himself and magic, and utterly materialistic, seeking only immediate physical gratification. Hope, at its worst, picks out such bleak possibilities to invest its incredible, reality-altering power into, that it actually serves to close possibilities and ruin everything - mirroring Rage's ability to tear down false truths.
It is, therefore, incredibly likely that the direct manifestation of his Bard of Hope abilities is the materialization of the first half of Cronus's faith - the existence of the evil wizard - and not the second - that he would become a wizard to defeat him. This is one of the single greatest karmic contributions to LE's improbable existence. Perhaps this is the source of Kurloz's pivotal nightmare, which would've sprung out of nowhere, given LE doesn't exist until after the Scratch? We can only speculate, but this seems to me the most likely source of Lord English worship within the dancestors - Hope made him real.
And so, our Bard of Hope is faithless, and by extension, hopeless - in such a way that he breathes active calamity into existence.
Mituna Captor: Tried to Warn Them, but Nobody Wanted to Listen
I'm going to preface this section with a small list of what we will NOT be discussing, not because the conversations aren't important to have, but because they are not relevant to his essay. First of all, I will not be litigating the issue of whether or not Mituna's portrayal of TBIs/neurodivergence/etc. is problematic. I will also not be discussing the greater conversation surrounding those with such conditions to consent romantically or sexually. These are important topics to talk about, but they're just not in the scope of this essay (it's long enough as it is!).
As a break from form, I'm going to discuss his classpect first. This is because the implications of his classpect provide vital context for how we are meant to interpret and understand Mituna's arc.
Doom is the aspect presiding death, sleep, the future, and endings. It sits opposite Life, as Life's equal-and-opposite, which helps shed some light on Doom-specific qualities, as we have little exploration into Doom itself. Most notably, our three Life players are stubborn optimists, and our two Doom players are mutable pessimists. Sollux is literally introduced by changing his mind about being introduced, before changing his mind a second time, while Cronus notes that Mituna has a long-running schtick of being wildly offensive, and then pathetically contrite. Mituna is stated to have visions of the future even without being one of the two future-sighted classes (Mage and Seer), making some degree of prophetic insight a part of Doom.
I'm also firmly convinced that it's Doom, and not being a Captor, that makes both Sollux and Mituna dual-dreamers. Most non-Seer/non-Mage players' main interaction with prophecy will be the clouds of Skaia or the whispers of the Horrorterrors while they're asleep, and being a dual-dreamer gives Doom access to both, as well as an extra "death" to spare - which Sollux makes great use of, as he arrives to his session dead. Moreover, being a dual dreamer allowed Sollux to be "half-dead" in the afterlife, granting him the special ability to leave - and navigate - the dream bubbles. This influence over the realm of the dead is notable, so please put a pin in it.
Heirs, meanwhile, bear a character arc of defecting from decadence. They're born into positions of wealth and comfort relative to their societies - John enjoys an upper-middle class lifestyle, with a supportive and loving father, and Equius enjoys being high enough nobility not to worry about culling, but low enough not to bear any pressing responsibilities, and has a supportive and loving lusus. Mituna, similarly, was born to a supportive and caring bicyclopsdad (as opposed to Sollux's, who was a big terrible idiot), with an eventual fate of being culled for his powerful psionic brain.
Before anyone protests that culling on Beforus is still a form of oppression - it's "a position of wealth and comfort relative to their society." Ultimately, being a stuffy capitalist isn't exactly a great destiny, and being a noble on Alternia still means being subject to a horrific system of murdering and being murdered. In a similar vein, Mituna's inheritance is a wolf in sheep's clothing. In fact, this exact wolf-in-sheep's-clothing nature of inheritance factors into the Heir's arc.
Heirs are on a ticking clock. Their aspects are powerful, but they struggle to control them. After all, they're a passive class:
He is the Heir of Breath after all. It's a passive class, and he's a passive guy. An heir, literally speaking, is one who inherits stuff.
And passive classes work best when they're allowing their aspect to be used for others:
UU: the +/- distinction can mean many things, bUt coUld be qUite roUghly sUmmed Up in this way: active classes exploit their aspect to benefit themselves, while passive classes allow their aspect to benefit others.
We see this with John, who gains the incredible power to retcon the story, unsticking it from the alpha timeline, but doesn't know how to effect useful change without guidance from others. Even Equius's first chronological expression of Void is his mere presence providing a shield for Vriska from Doc Scratch's omniscience.
But because of their privileged upbringings, it's difficult for them to know how to help others, or even that they should. John is goofy and friendly, but doesn't seem to notice that Dave is being constantly abused, and doesn't question the horrific violence of troll culture when Vriska tells him about it (something which Hussie chastises him for in the book commentary), while Equius's blind spots are even more glaring, given his casteism and complete obliviousness regarding his own fetishes.
Thus, like wealthy inheritors in real life, an Heir that fails to interrogate the systemic injustices of the system they were born into becomes swallowed up by their inheritance, another brick in the wall, rendering their aspect out of reach. John's retcon powers, before he gains control over them, nearly take him out of the story entirely (Breath and its associations with freedom and independence), while Equius succumbs to his fetish for submission and allows Gamzee to strangle him to death (Void and its associations with vice and sexual pleasure - Hussie notes on multiple fronts that Equius could've escaped at any point just by flexing his neck muscles, but chose not to because horny).
While we don't have very much information about Mituna before his injury, the dancestors' failure is a foregone conclusion; therefore, we can conclude that Mituna's current state is a reflection of his failure as an Heir, and subsequently being "swallowing up" by Doom. Mituna's injury is, within the context of the story, therefore a bad thing that happened to him, and thus, it reflects poorly on every other player who not only didn't heal him, but never mentions ever trying to.
It's here that I want to point out something odd about the dancestors as a group. Isn't it strange that they retained many of their injuries even into death?
Injuries don't need to carry into the afterlife - here Tavros is with his legs fully intact. Even if you assume that characters who consider their injury to be part of their identity, like Terezi and her blindness, therefore get to keep their body in that state after death, Latula clearly has insecurities about her sense of smell, Meulin was so disheartened by her deafness that she broke up with Kurloz over it, and there's no way that Mituna is happy about the fact that he can hardly string together a coherent thought anymore.
But remember, Heirs are experts at leveraging their aspects on others' behalf, and Doom has influence and sway over death and the dead. And so, on that note, let's actually begin analyzing Mituna himself.
The primary description we have of Mituna before his injury is this:
The Heir of Doom was once a powerful psionic. He was gifted with vision twofold, and had strong prophetic insights wherever a 8leak future was concerned. He had much to say when it came to warning us a8out the path of doom and destruction we were all headed for, 8ut no one took him very seriously. 8ut one day he lost all those a8ilities when he 8adly overexerted himself. It's hard to get any specifics from him, 8ut indications are that he applied every last 8it of energy he had toward some great act of heroism, saving us all from some looming threat. Not only did his exertion permanently 8urn out his psychic a8ilities, 8ut it left him somewhat... er. Incoherent.
Doom players tend to stagnate and stay in place. Their mutability, ironically, means they have a tendency to go nowhere. However, their pessimism can cause them to become fixated on these nowheres - to become so certain of an unhappy ending that they can become energized by the notion, steamrolling over others, which can resemble Life's stubborn optimism. It seems this may have been what happened with Mituna - though it appears to be far and away aggravated by his injury, there's an implication when he's talking with Meenah and Cronus that he was already prone to being wildly offensive and aggressive even before it:
CRONUS: your vwhole bifurcated demeanor is such an act. half the time you are noxious and incomprehensible, and the other half you are mild and contrite? sure, "PAL." CRONUS: as if im not SO on to you. you only pretend to say youre sorry to get girls to like you more. sure seems like pyropes a sucker for the ruse. like im not familiar vwith THOSE tactics. vwho do you think vwrote the book on that??
MITUNA: 817H1CH WH4Y D0N7 Y0U 5H00V3 M0Y R4D 1NJURJY P4N3L 1N7H0 URR N457H7Y 53XXXU4L3 PR1V457 P4R7H 0RF P3R3RF3R3R4NC3 MEENAH: thank fuck you were never a major playa at least from my personal vantage over the course a this ridicu huge narrative  #way minor character yo MEENAH: probably woulda offed my shellf even schooner if i had to hear you talk much  #really too bad since you got the bestest fishiest name of anyone #38( MITUNA: ..,.,..,,...,..,.,. MITUNA: 50RRY
What's worse, remember how I said earlier that it's implied that all the major problems occurred before their reckoning (which was likely on a timeframe of weeks or months), and then they spent six years faffing around in their session besides? This means that Mituna was left injured for six years, and not a single time does anyone mention even attempting to heal him. Even if you subscribe to the idea that their Life player's class precluded her from healing people (and it doesn't; the Helmsman's lifespan is explicitly extended by the Condesce's powers), Aranea's powerset is explicitly geared toward healing injuries of the mind:
ARANEA: I can see every fault and fissure in your mind. My vision 8-fold sheds light on every injury you have ever suffered, whether emotional or physical. ARANEA: I can repair it all for you, Jake. JAKE: (Oh no...) ARANEA: I can heal your mind. JAKE: (Oh n-n-n-) ARANEA: I can heal your soul. JAKE: N-n-n-n-n-n-n-nooooOOOOOOOOOOOOOOOOO!
... So why doesn't she? Why doesn't anyone? Well, the implication is... that he was annoying! He was the only member of the team who was trying to tell them to stop being such assholes, or else they would be hurtling themselves face-first into a catastrophe, and this was such a bummer and so unpleasant to hear (likely not helped by his aggressive and offensive way of wording things) that his team actually prefers him injured. At least this way, he isn't constantly calling them out for the horrible shit that they do to each other on a regular basis. Doom players are commiserators, not a healers, and their power lies in their ability to empathize and relate, opposite Life's tendency to charge forward, not caring who they trample on the way. Mituna was never able to tap into these powers of empathy enough to get people to listen to him, and he paid for this with his injury - the version of him his teammates prefer, because now they can take advantage of him.
Cronus does so most obviously, with his unwanted advances that Mituna sits there and takes because he can't reason well enough to escape of his own volition, but I posit - and will stand by this claim - that Latula and Kurloz, his two romantic partners, are taking advantage of him, too. Kurloz is implied to be directly puppeting him the way he puppets Meulin, the source of the "rumor" Cronus heard that Mituna is "lucid" when he's around Kurloz - in fact, it's implied that Mituna's injury was directly caused by Kurloz, as part of his Prince meltdown, something we'll get into more when we discuss Kurloz. I believe this is why several of the dancestors retain major injuries into the afterlife - in a dark reflection of how an Heir is supposed to operate, Kurloz is using Mituna as a conduit to exert influence over the afterlife, rendering Doom and death an oppressive force rather than peaceful resting place. I think there's a reason that Meenah questions the fact that some people have stayed injured when talking to Mituna. It should be his area of expertise, after all!
Now, while we are sidestepping the greater discussion overall of the consent of those with TBIs, I want to state that Mituna specifically, post-injury, cannot be considered fully consenting.
Cronus says the quiet part out loud:
CRONUS: i really feel like youre one of the only people i can open up to about my feelings. i guess it really does help to confide in someone vwho basically lacks the ability to repeat vwhat you say vwith any clarity or coherence, or evwen understand vwhat you said in the first place.
And unfortunately, this is pretty true: Mituna is impaired to the point where he:
Can't answer yes or no to whether he's god tier, because he doesn't know/can't remember/doesn't fully seem to understand the question.
Can't seem to understand that Meenah's asking him to strip because she's trying to check if he has god tier wings, instead enthusiastically assuming that she's asking to have sex with him.
Forgets how to take his own shirt off.
Doesn't understand that Cronus is touching him as a prelude to sexual intentions, just that he doesn't like it.
As is often the case with TBIs, he does have glimpses of clarity, but - whether this portrayal is offensive or not - the clear indication to me is that, within the context of the comic, we should come away with the understanding that Mituna can barely register what's going on, can barely understand what others are trying to communicate to him, and can barely voice what few thoughts he is able to string together. And I think it would also be one thing if he was simply born this way, but again, this is the result of an injury that is portrayed as a terrible thing that happened to him, and his injured state is not a reflection of who he was, and what decisions he would've made, before it happened.
[EDIT (March 02): This keeps being a contentious opinion that overshadows the entire rest of Mituna's section of the essay, so let me clarify.
The through-line of Mituna's entire character is that people are taking advantage of him. Whether or not he is, in fact, fully capable of consent (and this is dubious since it's dubious whether or not he's even fully capable of understanding what's going on around him - please note again that I am NOT saying people with TBIs/neurodivergence IN GENERAL can't consent, I am saying that IN MITUNA'S SPECIFIC CASE it's DUBIOUS), people are still using whatever impairment he has to take advantage of him.
I am also going to state again that whether or not it is depicted well, the comic has also chosen to portray Mituna's injury as one of genuine cognitive impairment. Sollux feeds his lusus mind honey in order to "[help] him not be such a complete idiot all the time. Merely most of the time, instead." The clear implication of Mituna begging for mind honey from his lusus is that it helps him think clearer and more lucidly, because his injury has left him cognitively impaired. Not only that, but this is a healable injury, given that Aranea stresses so strongly that she's capable of literally healing minds (not to mention alternate methods of healing available, such as Life powers or killing/god tiering him). There's a reason that Kurloz is capable of using Mituna as a hypnopuppet after the injury, but doesn't ever have seemed to before.
Because his condition is cognitive impairment that could be considered temporary, and because every single person pursuing him romantically is taking advantage of him, and because the team as a whole appears to have left him deliberately unhealed so that they can take advantage of him, and that's the POINT OF THE CHARACTER - to illustrate how shitty his team is by showing how many of them are willing to take advantage of him - I personally find it more thematically coherent if he cannot, in fact, be considered fully consenting, or at the very least for it to be intentionally uncomfortable that so many people in his team have romantic interest in him only now that he's cognitively impaired, because he's easier to take advantage of like this. It completely tracks with how many of them are also perfectly content to pursue literal children romantically.
Feel free to disagree on this specific issue, but please don't let that disagreement overshadow the greater point that I'm making, which is that Mituna is being taken advantage of. Whether or not he's capable of consent, his party is exploiting his injury-induced impairments - which could have been healed - for their own comfort and benefit. That's the point I'm trying to make here.]
And thus the Heir of Doom has inherited Doom in the worst way, becoming Doom as a force of oppression, bereft of empathy, understanding, or peace.
Latula Pyrope: Insecure Poser, Derelict Duty
Latula is a rad gamer girl... not! This is an act, and she even admits that it's an act.
PORRIM: I just think yo+u sho+uld be yo+urself mo+re o+ften. We already kno+w yo+u are stro+ng and go+o+d at games and all that. Yo+u have no+thing to+ pro+ve. LATULA: y34h. your3 prob4bly r1ght. LATULA: 1ts k1nd of str3ssful som3t1m3s, k33p1ng 1t up! som3t1m3s 1 forg3t to put z33s on th3 3nd of words, 4nd 1 r34lly str3ss out 4bout 1t.  #sp3c14lly wh3n 1m off my m3ds
So what's Latula's actual deal? Well, we get a really good glimpse of it here:
LATULA: for most of th3 t1m3 w3 kn3w 34ch oth3r, 1 w4s 4ll l1k3, WHY SHOULD TH3R3 B3 TWO B4D4SS, 1N-YOUR-F4C3 GRLZ 1N TH3 GROUP??? LATULA: sort of ov3rk1ll, r1ght? MEENAH: mehhh  #u searious? LATULA: 1 w4s k1nd of v13w1ng you 4s 4 comp3t1tor, 1n l1k3 4 two grl RAD-OFF. 1 w4s w1nn1ng 1n my m1nd, of cours3. but s33, 1 h4d 1t 4ll wrong!!!! MEENAH: did you LATULA: Y3AH! s33, 1m th3 t34mz R4D GRL, wh3r34s YOUR3 th3 t34mz B4D GRL!!!! 1t 4ll m4k3s p3rf3ct s3ns3! do3snt th4t m4k3 SO MUCH S3NS3??? MEENAH: that MEENAH: is the stupidest glubbin thing to require any sorta rationalization i ever heard  #p lame tules LATULA: s33 p4ych3ck? 1 kn3w 1 could count on you to b3 just1f14bly cyn1c4l 4bout my n3urot1c bullsh1t. you RUL3!!!
Latula is another character we get little direct development of, so I'll head into classpect analysis early, as she's much easier to understand once we have the context of Knights and Mind players.
Mind governs logic, rationality, justice, karma, behaviors, and consequences. The justice and karma associations are explained as a Mindy Thing by Latula herself:
PORRIM: Did yo+u no+t kno+w that?  #Mindfang gave yo+u five #Then left yo+u hanging LATULA: n3v3r r34lly thought 4bout 1t. but now th4t you m3nt1on 1t, th4t outcom3 m4k3s 4ll sorts of s3ns3 to m3. PORRIM: It do+es? Ho+w? LATULA: just do3s, b4b3z. PORRIM: I do+n't really understand karma. LATULA: th4ts c4us3 your3 not 4 m1nd pl4y3r.
Mind players tend to be cunning and manipulative. As the aspect presiding over the "effect" of cause-and-effect, they're finely attuned to the various webs of actions and consequences, but not so much to the inner workings of emotions and identity, which are Heart's domain, Mind's equal-and-opposite. As such, Mind players have a tendency to deemphasize their own emotions, substituting systems of karma, justice, societal attitudes, etc. to make decisions instead. We see this in Terezi's primary character struggle, the way she painted herself into a corner where the only viable outcome was killing Vriska, which happened because she consistently prioritized what Vriska karmically deserved over her own desire to maintain their friendship. In the worst case, their own identity and sense of self can become so confused that they seek out unhealthy relationships with others, in an attempt to supplement their poor sense of personal identity with some sort of external validation - you can see this in Terezi's toxic relationship with Gamzee, or, indeed, with Latula's relationship with Mituna (more on this later).
Knights, meanwhile, struggle with great insecurity. Often provided a significant role by the forces of fate and prophecy, they suffer deeply from imposter syndrome and/or self-loathing, and to help them cope with these feelings, they effect a facade that distances them from their aspect. Karkat, whose aspect presides over bonds and relationships, insists he's a big bad leader who doesn't give a shit about other people, and this breakdown of Blood's bonds culminated in Murderstuck. Dave, whose aspect presides over minutiae, goal-orientedness, and struggle, pretends to be a disaffected cool guy. In the worst case, their insecurity can become so intense that they invest completely into their facades, laying down their weapons and refusing the call entirely. Dave, at the belly of his whale, declares that he won't fight LE, as he "doesn't even think he did anything directly bad to them" - despite Dave literally being haunted by LE for his entire childhood under the guise of Lil' Cal, a detail he'd normally notice, given how often he secretly pays attention (which is a Timey Thing).
Latula struggles greatly with her own personal identity, her anxiety surrounding not having anything unique or standout about her in her friend group. To cope with this, she projects a facade that practically screams its "personality" from the rooftops - she's a dumb but radical "gamer girl". In doing so, she distances herself from her actual aspect - gone are Mind's cunning and intellect, which even Porrim calls her out on:
PORRIM: Yo+u can pretend to+ misunderstand all yo+u want, but we've talked abo+ut this befo+re and I kno+w yo+u're smarter abo+ut this than yo+u let o+n.
But, crucially, it also distances her from Mind's ties with karma and justice. Latula states that, not only does she dislike Aranea, but she can also absolutely understand the chains of karma and destiny that would've led to Mindfang and Redglare having such a contentious relationship that it led to them killing each other.
What else is Latula aware of, that she's completely chosen to ignore, out of desperate fear that it wouldn't suit her image, would make her seem less "r4d"?
Well... let's talk about Mituna. As we've already covered in his section, his ability to consent to this relationship is dubious, and the fact that it's dubious at all is already not a great sign. But I also want to bring up a couple other things. Did you know that, throughout all of Mituna's dialogue - including when he's enthusiastically trying to strip to have sex with Meenah - he doesn't mention dating Latula even one time?
Other characters will bring it up, but Mituna himself doesn't say anything about it. And, again, given that he's enthusiastically ready to get nasty with Meenah... one wonders if he's even lucid enough to know that he and Latula are dating.
MEENAH: look take off your rad shirt deal and lemme see if you got wings MITUNA: 3H3HH3H7H37H37H3 YY35 MITUNA: 7H0NGH7 Y0DU N3V3R 45K MITUNA: 817HCH 4C4M3 4R0UN57 70 MY W1L135 MU7H4FUCK5!  #W1L135 #MUH #FUX MITUNA: W417 H3LUP  #!!!!!!!!!! MITUNA: H3LP H0W D01 74K3 0FF MY CL07H37H 4G41N?  #8( MEENAH: yeah keep your shirt on you made that exchange beyond awful
Hey, maybe he does. He does get sad when Cronus tells him that Latula's only dating him out of pity. But still, the fact that it's in question at all - and also the fact that he's totally up for cheating with Meenah - are bad signs!
But even putting that to the side for a second... what does Latula even see in him? He's constantly saying slurs, he's down to cheat at the first opportunity, he's questionably capable of stringing a coherent thought together... well, good news! It comes up in conversation.
MEENAH: mother glubber MEENAH: seriously didnt think T)(ATD last LATULA: 1dk, th3r3z w4y mor3 to h1m th4n. w3ll, 4ll th3 t3rr1bl3 4nd stup1d sh1t h3 s4ys 4ll th3 t1m3. LATULA: 4nd 1ts 4lw4yz f3lt l1k3 h3 n33ds m3 1f th4t m4k3s s3ns3, 3v3n 4ft3r dy1ng. so th3r3z th4t!!!!
So, let's actually break down what she's saying here.
She feels the need to insult him while she's trying to come up with something nice to say.
She can't actually name anything specific that she likes about him...
Except that he's dependent on her. She likes him because he can't reliably function away from her. Woof.
But I also want to turn your attention to the phrase "way more to him". What does she mean by this, exactly? Does she mean some of the traits he had before his injury? If so, how come it never comes up that Latula wanted to heal him, or tried to heal him? In fact, Aranea - who, again, has a powerset specifically suited for healing minds - comes up in conversation between Porrim and Latula, and Latula doesn't mention ANYTHING about Mituna. She's even on friendly terms with Aranea.
PORRIM: Like, as far as I kno+w, yo+u and Aranea always go+t alo+ng. Didn't yo+u?  #Radglare #Kindfang LATULA: 3h 1 gu3ss. n3v3r sp3nt much t1m3 th1nk1ng 4bout s3rk3t, tbh. LATULA: 4lw4ys thought sh3 w4s 4 s3lf 4bsorb3d snooz3, 1f you r34lly w4nt to know.  #zzzz #not 3v3n th3 r4d k1nd of z33s
The only other possible indication that they might secretly have a good relationship is that she threatens that if Damara touches Mituna, she'll kill Damara. Now, we'll have to save a lot of this for the Damara part of the essay, but I'll note here that Damara is perfectly pleasant and kind to people she doesn't have any personal beef with, with the example being the human kids. However, since the bulk of her team were complicit bystanders (and even Meenah's friends) in her horrific bullying, she obviously has great anger at all of them. However... if there's any exception to the bystander disease that plagued her team, it would've been Mituna, the only one trying to warn them they were headed for a terrible, bleak ending. Wouldn't he, out of everyone on the team, be someone Damara is fond of?
So, there are several options here... but they ALL make Latula look bad to varying degrees.
Damara really IS a threat to Mituna.
This still makes Latula a bystander in Damara's abuse, and a terrible hypocrite, as Kankri says one of the things he likes about her is her egalitarian, non-casteist demeanor, but she totally let a fuchsia bullying a burgundy slide, but I suppose it's the option that makes her look the least bad otherwise. Again, it seems unlikely, given the way Damara operates, but it's technically possible.
Damara is on friendly terms with Mituna, but Latula doesn't know this, and thinks she's protecting him.
This means she's still a bystander, as described above, but ALSO seems unlikely given we know Latula has Mind insight into webs of karma, and is a lot smarter than she lets on, which brings us to:
Damara is on friendly terms with Mituna, and Latula is keeping them apart deliberately.
Unfortunately, it's possible... she's dating Mituna at all, meaning she's already taking advantage of him. Ultimately, we can't say for sure what's going on there, but I don't think it's as fully innocent as it seems, especially when so much of the rest of her and Mituna's relationship is cast in such a worrying light.
Knights are tasked with leadership positions, and their failures to live up to them result in the breakdowns of their teams. Karkat's failure to manage his team's interpersonal relationships blew up into Murderstuck, Dave's refusal to keep working towards their goals means the bad guys win, and Latula's refusal to engage with the lattices of karma within her team, or deal directly with her own insecurities, means that none of these injustices ever get addressed. Even though Latula isn't a casteists, casteists are allowed to continue on being castests; even though Latula has insecurities about her own disability, those who take advantage of disabilities proliferate; even though Latula commands great respect and admiration from her team, she never comes down with the hammer - and passively allowing evil to exist is the same as picking evil's side.
And so our Knight of Mind is too busy pretending to be something she's not, cutting off her intellect, cunning and acumen, rendering justice a non-entity.
Aranea Serket: Enabled Too Close to the Sun
Aranea's another one of those characters that doesn't really directly seem to contribute to the team's problems as much, and ironically, because we have so much more of her available to peruse, there's a lot less that I need to say. It's pretty obvious what happened - she was always secretly pretty selfish and cruel, and ended up desiring the spotlight so hard that she went power-mad, challenged the Condy, and GAME OVER'd herself.
As a result, I'm instead going to do a classpect read on her, so we can better understand what she contributed to her team before her death. Which was mostly nothing good!
Light is, fittingly, one of the most well-explored aspects in the story. Governing the realm of knowledge, fortune, and vision, its players are erudite, learned, and guiding stars. Light players tend to love the spotlight, to be important, to be acknowledged - this is the crux of both Vriska's and Aranea's respective arcs, but Rose also has a flair for the dramatic, and writes her long-winded Gamespot guide as a form of one-upsmanship to the other extant guides. This desire for external validation, however, means that they're always playing to an imaginary crowd, and they don't deal very well with having that attention taken away from them. Light players are volatile and complicated, attention hogs and drama queens, and they deal poorly with embarrassment, shame, and failure.
But we already know about Light. Light players won't shut up about Light. Let's talk about something a bit more enigmatic: Sylphs.
Aranea presents Sylphs as healers and nurturers, but she's hardly an unbiased source. In fact, bias happens to be a common thread linking Sylphs, and their active counterpart, Witches, together. The struggle at the core of being a Sylph is that Sylphs are enablers.
"Enabler" is the single most consistent word Hussie uses to describe Kanaya, and I don't think it's just her Space aspect at play. Even Kanaya herself discusses how one of her major personal problems is a fascination, an attraction, with "dangerous" people. We see this exact tendency mirrored in Aranea, who has a fascination with her team's resident Thief, too.
In fact, one of the most notable things about Aranea's little expositional blurbs is the way she downplays the cruelty of her teammates, especially Meenah. Meenah's bullying was horrific, constant, and had major undertones of racism/casteism, and here's how Aranea describes it:
ARANEA: So you did your 8est to rile up the crew any way you could. Appealing to peoples insecurities, 8uried hostilities, 8rewing rivalries... needling anyone you could into confrontation with others. Your theory was that increasing everyone's state of aggression would make them 8etter equipped to play the game. And you were sort of right a8out that! 8ut the Alternians would prove it. Not our group, sadly. ARANEA: The poor girl who took the 8runt of your 8ullying tactics was Damara Megido. You talked up her matesprit's 8etrayal making her feel even more dreadful, while pushing him further into the arms of her rival, until she simply snapped. She attacked him, paralyzing him from the neck down. You finally got the aggressive confrontation you were looking for. Unfortunately, you unleashed something even you weren't prepared for, and you had to deal with her yourself. After a long 8loody duel, she killed you. And you would have stayed dead if not for me! ARANEA: You never listened to me. You just kept needling and fussing and meddling until eventually you paid the price, and I had to 8ail you out.
Let's notice where Aranea chooses to put the focus: not on the cruelty of the bully's actions, not on the horrific pain and suffering that Damara must've endured, but on how ARANEA had to save poor Meenah.
In fact, this shocking callousness is a constant fixture of Aranea's exposition. It mirrors Kanaya at her worst, as they both pick and choose their favorites in the team to lavish with kindness and attention, and treat others like objects of ridicule - Kanaya mocks Eridan to his face, and Aranea:
Mocks Latula's inability to smell.
ARANEA: She was truly an inspiration, and proved 8eyond a shadow of a dou8t that any handicap can 8e overcome, and doesn't have to stop you from 8eing as rad as you can truly 8e. MEENAH: wuuut MEENAH: serket are you whistlin through my blowhole with his idiotic shit ARANEA: Yes, that last part was a joke. Lighten up, Peixes!
Mocks Cronus's wizard faith (his one redeeming quality).
ARANEA: Whatever the case, it was pro8a8ly for the 8est, since pretty much everyone who had half a think pan thought it was all a 8unch of ridiculous nonsense. MEENAH: serket why do you got to hate on other peoples religions MEENAH: dont you kno they just as much a load of crackpotty bunk as all your spiritual bullfuck ARANEA: 8ut I........ ARANEA: Yes, I guess I was out of line. ARANEA: Sorry, I was just trying to riff with you little on a mutually disliked acquaintance. Is that really so 8ad? Why do you have to take every opportunity to knock my personal 8eliefs? ARANEA: You can really 8e so mean sometimes.
And says this incredibly out-of-pocket thing:
And says this incredibly out-of-pocket thing: ARANEA: It was almost a little eerie how happily she complied with our plan. What did Rufioh say she said? Something a8out how we would all finally get what we deserved... ARANEA: Which at the time, I thought sounded chilling. 8ut there's really two ways of looking at it. One is how the Scratch re8ooted our world into a state of pure chaos, culminating in the annihilation of our universe. 8ut on the other hand, we all got the chance to live out our wildest fantasies as adults on Alternia! ARANEA: At least you and I sure did. And I wouldn't dou8t she feels the same way.
Yeah, it sure was Damara's wildest fantasy to be abused by Doc Scratch to the point of making actual suicide attempts to escape him... and Kankri's wildest fantasy to be troll crucified, and all his friends' wildest fantasies to be hunted down for their association with him and turned into slaves, exiles, or worse... or Porrim's wildest fantasy to be raped by Mindfang.
But apparently that's part of Aranea's wildest fantasies, huh?
We also see from the Terezi situation - where Aranea first frames her abilities as "healing" and "nurturing," and makes an offer to heal Terezi's eyes as an attempt to help her "heal" from her emotional wounds - that Aranea has no idea what healing is at all. Rather, she helps people avoid (Void) what they're hurting from, what they should confront, grapple with, and accept, in order to truly move on. Knowing that Void is associated with sexual pleasure and vice, and that an Aspect often resembles its counterpart when its player is at their worst, what does this say about Actual Rapist Marquise Spinneret Mindfang, or the Jake-kissing Aranea?
Light players have an innate sense of the spotlight, and an understanding that, for it to shine on one person, it must necessarily be taken from another. Aranea enabled the two Thieves in her (after)life until they chummed up so much that they didn't give a shit about her anymore, at which point she decided to enable the one bastard she could count on - herself. And in attempting to hog that spotlight all by herself, she cosigned the entire timeline to obscurity.
And so our Sylph of Light leaves a legacy of cruelty, toxicity, suffering, pain, and oblivion, her light a poison, not a salve.
Kurloz Makara: Gave Up On "Better"
I do want to go through some Kurloz stuff before I launch into the classpect things, most notably that he's really utterly vile by the time we see him. Before his Prince meltdown, which we'll get to, perhaps there was something redeeming about him, but by the time we get to see him in the comic, he's lost any respectable qualities.
Kurloz is an adherent of the same religion as Gamzee, although, somehow, he carries even less hope than Gamzee does. Let's note the basic tenents of their faith:
You belong to a RATHER OBSCURE CULT, which foretells of a BAND OF ROWDY AND CAPRICIOUS MINSTRELS which will rise one day on a MYTHICAL PARADISE PLANET that does not exist yet.
Now, exploring this faith, and the way its interpretation changes throughout the comic, could be an essay of its own, but what's important to note here is that Kurloz will never see its fruition. He's dead, and neither has the ability to revive himself, nor the desire to do so. Thus, it follows that his personal interpretation of their faith must be darker than Gamzee's - Kurloz has so utterly given up on himself and his team that being cosigned to utter oblivion, destined to double-die by their godhead's rainbow breath, seems like a totally great outcome that Kurloz both wants and is working toward. The paradise planet doesn't actually matter to him - the act of betraying his friends, and getting everyone killed (and double-killed), seems reward enough.
KURLOZ: WE SHALL NOW BUST OPEN THESE BITCHIN ELIXIR FORTIES KURLOZ: AND POUR SOME SWEET SWILL OUT FOR THE SOULS WHO SOON WONT BE NO MORE  #:o)
To that end, he's willing to lie to his teammates, and use the two people closest to him - Mituna and Meulin - as literal slaves, furthering LE's goals and pushing for LE's existence, making him one of the most direct forces acting against the dancestors.
But, as I said earlier, he didn't start out this way - so how did he get to this point of utter clowny despair? Well, let's take a look at what it means to be a Prince of Rage.
Princes have a fairly simple arc to discuss, though actually dealing with a Prince is arduous and difficult. Princes are, in a very masculine way, driven by an anxious forward momentum, by feelings of duty, by a masculine need to appear strong and take on burdens. Dirk is the most anxious of his team about their fate to sit around and wait, and Eridan's entire character has been shaped by the duty he had to keep Feferi's lusus placated.
However, these driving forces tend to make Princes controlling, aggressive, volatile, and nasty, and it's difficult to even be near one, let alone help them deal with their emotional problems. Thus are princes on a marching path to self-destruction, overtaxing their engines, burning themselves out. And given that one's "self" is tied inextricably to their aspect, this means that they take their aspect with them.
Thus are Princes on a ticking timer, and left untreated, they'll suffer a spectacular meltdown, which removes from play themselves, their aspect, and whoever is unlucky enough to be in the same room. We see it with Murderstuck, where Eridan goes on a Hope-crushing murder spree, and we see it when Dirk's trickster tirade utterly shatters Jake's self-confidence and self-worth.
But before that meltdown occurs, Princes suffer from an overburdening of their aspect - Eridan is a hipster (Hope and conviction), and burdened by several layers of political beliefs and societally-imposed duties. Dirk is solipsistic (Heart and the self), and is burdened by self-loathing, amplified by all his splinters and Hal staring back at him.
Kurloz's aspect is Rage, one of the most enigmatic, but I'll do my best here. Hope is, after all, fairly well-defined - a transformative force that imposes a new reality onto the old. Rage, its equal and opposite, is similarly a force that defines reality - but it does so by striking things from the record (something both Gamzee and Kurloz are noted to do, the former removing references to himself from recountings of his team's story, the latter creating intricate labyrinths within the bubbles to hide their clowny conspiracy with). Rage encompasses anger, but also the emotions of fear and shame - transformative energies that are the core of great acts of revolution, but also volatile, and prone to great destructiveness. Rage players "tear down false truths" - meaning, they define reality by closing possibilities, crafting meaning from the past by the power of interpretation. Hope is fanfiction, and Rage is literary criticism. Hope pens in something new, and Rage strikes out what it deems unacceptible.
Kurloz, before his turn, is characterized primarily through a single major incident - having a dream so terrifying that he screamed loud enough to deafen his matesprit, and feeling so ashamed of himself (shame being a Rage-associated emotion) that he sewed his own mouth shut in penitance. Given the way Princes are overtaxed by their aspect, it's likely that this isn't the only great shame he was bearing.
He and Damara appear to be on secretly decent terms - she is, after all, a Lord English believer, and who else would she have gotten that religious leaning from? Moreover, Kurloz and Mituna were close, if not actively dating, and Mituna was the one member of the team who seemed to give a shit that they were hurtling themselves towards oblivion.
This means that Kurloz, in all likelihood, was actually on Damara's side, and aware that his team was being shitheads - but he never said anything, later because of his vow of silence, but earlier, because it was himself he was most ashamed of. It's unclear what the inciting incident of his final meltdown was, but given the far-reaching consequences when a Prince does have their meltdown, this is likely the "disaster" that Mituna was attempting to stop - a situation that echoes how Feferi, Eridan's ex-moirail, turning on him to kill him was what finally pushed Eridan over the edge into full-blown murder. Kurloz is likely both the disaster Mituna was trying to avert and the source of Mituna's injury; subsequently, his team was dealing with a post-meltdown Prince and the destruction of Rage.
As I mentioned before, Rage is a revolutionary force, a force of upheaval and change. It's likely that the Mituna injury happened fairly late in the game, concurrent to or shortly following Damara's rampage, because the lack of Rage is starkly present in the six years following the Reckoning, where the dancestors did fuckall. But there's one other place where the dancestors' lack of Rage is present: ever notice how they don't have a single blackrom?
We'll get more into that when we talk about Meulin, but for now, I'll just say that this is directly Kurloz's fault. No blackroms, no conflicts, no change... Kurloz's meltdown was allowed to happen with no one the wiser. Rage, at its nadir, begins to resemble Hope - it gains a steadfast, religious conviction to the belief that nothing matters and everything must be torn down. We see this in Kurloz, whose spiritual belief is, functionally, that all that he and everyone else deserves is utter oblivion.
And so our Prince of Rage can no longer be swayed, a force of religious inertia, directing all beings headlong into oblivion.
Meulin Leijon: Healthy Relationship? IDK Her
Meulin Leijon's ships are all rancid. Unfortunately, they also all come true. This makes Meulin one of the most direct and overwhelming contributors to the dancestors' extant emotional problems, and why every single one of their established romances is a dumpster fire (and, conversely, why none of the healthy ships hinted at - pale Latula/Porrim, for example - are never established).
But to explain that, we have to back up and explain how Mages work. But I'm a bit tired of typing, so I'll just let Terezi and Sollux explain it instead:
TA: 2o yeah. TA: we wiill all diie but mo2t e2peciially me, end of 2tory. GC: BUT GC: DONT T4K3 TH1S TH3 WRONG W4Y BUT HOW C4N YOU B3 TOT4LLY SUR3 4BOUT 4LL TH4T? GC: HOW DO YOU KNOW SOM3 OF TH3 R34L V1S1ONS YOUR3 H4V1NG 4R3NT G3TT1NG K1ND OF T4NGL3D UP W1TH UHHH GC: SORT OF TH3 W4Y YOU 4R3 4BOUT YOURS3LF TA: what do you mean. GC: HOW YOU G3T MOP3Y 4ND YOUR3 4LW4YS TH3 V1CT1M OF SOM3TH1NG 4ND HOW SOM3T1M3S YOU TH1NK YOU SUCK WH3N YOU R34LLY DONT GC: M4YB3 TH4T 1S CLOUD1NG YOUR V1S1ON?
Mages are the active counterpart to Seers, as they're both classes concerned with glimpsing the future. Sollux is most obviously a prophet, gifted with vision twofold and Doom's natural prophetic insight, and at first this doesn't seem to suit Meulin... until you realize that matchmaking is commonly considered a form of divination, and "matchmaker" is Meulin's signature profession.
However, unlike a Seer, who's privy to all the myriad branching paths the future can take, Mages seem to know which of these futures will definitely happen for sure. This seems to be contradictory - how can multiple branching paths and set-in-stone futures coexist, when the comic - and Hussie - explicitly tend to frame even the Alpha Timeline as a result of player choices, and not predestination?
But it makes sense if you turn it around - it's not that Mages are privy to a set-in-stone future... it's that the Mage powerset allows the Mage to set a future in stone. They aren't PREDICTING the future, they're PREDETERMINING it.
This is an incredibly powerful ability, and to balance it out, Mages start out sad, and this sadness and pessimism colors their visions and causes the futures they pick out to be shitty. Terezi directly calls out Sollux's chosen future for being a reflection of his self-loathing and victimization, but wait, isn't Meulin super cheerful?
No. Actually, she's fucking miserable.
HORUSS: 8=D < She's taught me to get in touch with my anger. Through a moderately discernible series of enthusiastic mimes, she has made it clear that it is much healthier to crush all negative emotions beneath a stampede of positivity, and to always be cheerful and upbeat no matter what, even if projecting that facade is at times physically painful. #Such as #All times.
Vriska also later makes mention of how Meulin seems to have a "fascin8tingly dark history", further driving home the point that Meulin's hyperactive, friendly demeanor is a front for some really deep sadness on her part.
Heart is the aspect of the soul and the self. Its players are preoccupied with identity, and naturally talented at sussing out motivations, emotions, intentions, and desires. Nepeta's ships are usually wrong, but she clocks romantic interest correctly - she's able to pick up on Gamzee's palecrush toward Karkat, and Tavros's something-something towards Dave. Dirk, too, has an arc defined by romantic interest, feelings that ultimately don't pan out.
Moreover, Heart players are very vulnerable and sincere, and can't really help it. Divesting Dirk from Hal (whom I'm personally convinced is both his own separate entity and not even a Heart player), Dirk is incredibly straightforward. His idea of manipulating Jane is to directly tell her he's manipulating her. Nepeta's sincerity probably doesn't even need to be said.
But the flipside of this sensitivity towards the emotions of others is that Heart players are often doormats. They tend to prioritize the desires of others - Nepeta being bent to Equius's whims, and Dirk's neediness towards Jake manifesting as some embarrasing "forget how I feel, tell me what YOU want" texts. Their vulnerability also makes them easily hurt, and they tend to retreat into themselves out of fear of pain - Dirk outright states that his aloof demeanor hides the feelings his team has been trampling, while Nepeta expresses that she's afraid to engage too much with others because she's scared they'll mock her for being silly and stupid.
Thus, Meulin's situationship with Kurloz is cast into a much more uncomfortable light - and it was already pretty damn uncomfortable. Being deafened clearly hurt her emotionally, to the point she formally broke up with him, but he is still basically dating her, practically holding her hostage between her natural doormat tendencies and the actual mind control he's using on her. Her relationship with Horuss isn't much better, given the breathtakingly awful way he speaks about her:
HORUSS: 8=D < E%actly. Whoof would have thought? If you a%ed me before we all died whether I would consider romantically pairing with a r*d*culous midb100d, let alone Ms. Leijon of all people, I'd probably have died regardless, due to laughter-induced asphy%iation.
Yikes. Yikes all around. Welcome to yikes town.
Thus, Meulin is miserable, and has never been within ten miles of a healthy relationship - is it any surprise, then, that the ships she sets up for all her friends are similarly ill-fated? Let's not forget, the one ship she's actively seen making is Meenah and Karkat - an adult and an actual child.
MEULIN: (=^-ω-^=) < NOW, BEFORE I WORK MY MAGIC, WE SHOULD GET ONE THING CLEAR. IS YOUR YEARNING RED OR BLACK? MEULIN: (=TωT=) < I AM ONLY ASKING TO BE ABSOLUTELY CERTAIN, BUT METHINKS THERE IS BARELY ANY DOUBT ABOUT IT. SOMMMEONE IS WAXING SCARLET FOR A LOUD, YOUNGER KANKRI, HMMMMMMMMM?
And it's after this that Meenah develops an "increasingly manic obsession" with Karkat.
You got a CLAWSICKLE! You absolutely love this due to its nautical nature. Also, hoarding items such as this will nicely complement your increasingly manic obsession with Karkat.
This is the secret behind Meulin's abilities as a "miracle worker when it comes to match making". As a Mage of Heart, she's directly picking out futures in which certain characters develop feelings for others - and, as a result, every single existing romance within the dancestors is highly suspect.
But what's also suspect is the lack of certain romances, namely the blackroms. What's going on there? Well, as Meulin herself says:
MEULIN: ~(=^‥^)ノ < GENERALLY I STICK TO THE RED MATCHUPS WHILE HE ADVISES ON BLACK. HE'S 33RILY TALENTED AT PICKING BLACKROM PAIRS! PROBABLY EVEN BETTER THAN ME...
Like how he's exerting control over the state of their death by using Mituna as a puppet, Kurloz is exerting control over their relationships via Meulin, killing their rage - their ability to effect change and grow - at the source.
And so our Mage of Heart has had hers trampled over so many times that she's unable to conceive of a future where lovers are supportive and kind, not destructive and cruel.
Horuss Zahhak: Albatross with the Gravitational Pull of a Black Hole
Finally, we're getting to the biggest Mess of all: the Damara situation. Horuss is our starting point here, as he's the eye of the storm - while he's the least directly culpable for Damara's rampage, he's the inciting incident, as Pages often are.
Horuss's flaws are glaringly obvious - he's a virulent casteist, he's an affair partner, he feels no guilt for the harm he caused Damara, he's really only looking to satisfy his own sexual desires, and he's too bullheaded to listen when people tell him things he doesn't want to hear.
He actually spends quite a bit of time talking about his aspect, and the journey he took to "understand" it. That saves me some time.
HORUSS: 8=D < My path was similarly governed by my aspect. For the longest time, I felt as if I was a blank sheet of paper. Like I had to make myself out of nothing. HORUSS: 8=D < And so I began to listen closely to the void within myself and corral the various personal attributes I herd calling to me. [...] HORUSS: 8=D < And in following sweeps I would keep turning my mechanically augmented, acute equine ear back to the abyss within, and continue to discover more about myself. I would learn that I was more complicated than I ever imagined. [...] HORUSS: 8=D < The second is how if you are faced with any crisis of identity whatsoever, it's really important to do your best to manufacture esoteric features of your personality and believe in them very STRONGLY and tell people about those things as frequently as possible.
Again, we aren't going to get into the plurality of real life people, this isn't the essay for that. In the context of the comic, because the failure of the dancestors is a foregone conclusion, and because Horuss is especially vile and clearly not aspirational, what he is describing is, in fact, an abject failure of Void, and a failing of his character.
To get into it, let's break down what a Page of Void is, and what arc they're "supposed" to undertake.
Pages are defined by their limitless potential.
TT: Pages have a lot of untapped potential. TT: That's practically all there is to the class, actually. TT: But when they eventually find it, look out.
AA: y0u picked a t0ugh class tavr0s! AA: n0ne 0f the really useful c0mbat abilities c0me int0 play until y0u reach a very high level AA: but i supp0se it will be rewarding when y0u get there
They're magikarps - very strong at high levels, very weak at low ones. So weak, in fact, that they're defined by a lack of their aspect when they initially start the game. Tavros, the Page of Breath - Breath governing freedom and independence - is wheelchair-bound and under Vriska's thumb. Jake, the Page of Hope - Hope dealing in conviction and belief - is constantly called "wishy-washy," and has absolutely zero standards when it comes to his taste in media (contrast Eridan, who's functioning with too much Hope as per his Prince class, who's a hipster that castigates Kanaya for liking Troll Twilight).
And Void is simplicity - its two other heroes, much more representative of the aspect, embody this well. They are what they are, they like what they like. Roxy loves wizards and, as mom, loves her daughter; Equius loves horses and archery and being STRONG. Void is also associated with sexual pleasure, vice, and taboo, with Roxy's "sauciness" being something characters often comment on and her alcoholism being so foundational to her character, while you can't talk about Equius without talking about his BDSM fetish.
In fact, we can see this interplay between Void's simplicity against Light's penchant for complexity in the introduction of Rose's mother. Rose has concocted in her mind a grand, elaborate narrative where her and her mother are locked in a deady contest of one-upsmanship, that her mother's various gifts and wizards are part of some sort of ironic or passive-aggressive mind game. The truth is, Momlonde just loves wizards and dotes on her daughter. No mind games whatsoever.
So when Horuss talks about how "complicated" he's decided he is, this is a Page's penchant for regression, for aspect deficit. Horuss refuses to be honest with himself, to deal with his actual emotions of frustration, anger, and emptiness, and instead turns to complication to try to explain them. He complexifies everything he gets involved with - his affair with Rufioh is clearly a symptom of some fetish he has for dating down the hemospectrum, but he refuses to admit to it, instead claiming at first that it was simply a "fleeting dalliance" or "exploration," and then claiming it to be true love.
The one Void trait he does seem to have in excess, however, is its tendency to get so caught up in its own personal pleasures and desires that it becomes pushy to others, drowning them out, resembling Light's spotlight hogging. Equius did this to Nepeta, and Roxy would attempt it with Dirk sometimes, aggressively flirting with him despite his homosexuality. Horuss simply talks over Rufioh, not listening to a thing he says.
Also, another point to how interwoven everyone's issues are, Kankri shows up to enable Horuss and tell him to keep being complicated. Also, Kankri doesn't comment AT ALL on Horuss's constant use of slurs and casteist language. So thanks again Kankri. For nothing.
The problem with Pages is that their failures aren't contained to themselves - their weakness becomes like a black hole, an albatross about the party's neck, and they're often right at the center of major catastrophes - maybe not the direct cause, but often an inciting incident. Tavros was ultimately at the center of the Team Charge debacle, and the Jakestakes tore apart his entire team.
HORUSS: 8=D < It was only to be a very private, fleeting dalliance with a BUOY, but the whole thing became so quickly scandalized.  #A spur of the moment affair, really. HORUSS: 8=D < And soon others were whisked into it such as you and the vengeful rust b100d, and... well, imagine my embarrassment. Trust me, the last thing I wanted was for royalty such as yourself to know I was pursuing forbidden b100d. To be caught with my hoof in the chocolate jar, so to nicker.
And so our Page of Void, by dint of the complicated web he's woven about himself, has ensnared others in his orbit of total irrelevance and inability to move forward.
Rufioh Nitram: Desperately Escaping Responsibility
Let me speak for everyone when I say, "Rufioh, you cheating piece of shit!!!!!!!!!!!!!!!"
Rufioh, too, has his failures on brazen display. He's weak-willed and spineless, has been trying and failing to break up with Horuss for eons, and cheated on his girlfriend, but has the nerve to ask her for romantic advice.
However, what I want to really focus down on is that the specific flavor of his spinelessness is a refusal to take responsibility. He constantly claims that he "doesn't know" why Damara got more and more upset at him:
RUFIOH: and for some reason... st1ll don't know why... damara just started go1ng a l1ttle more nuts every day... gett1ng more and more jealous when she knew we were hang1ng out...
But clearly this isn't true, because he tells her to get over it.
RUFIOH: d*mn... so cold, g1rl. why can't you let the past go?
He also constantly calls her "crazy" and "jealous," framing the story as though she's the one who went totally nuts, and washing his hands of his involvement.
Remember how I mentioned that Blood tends to be overly responsible? All the way up there, when I was talking about Kankri. Well, meet Blood's counterpart. Breath is, at its best, a force of freedom and liberation - look no further than the Summoner, Rufioh's Alternian counterpart. But at its worst, it tends to be callous and immature, youthful but irresponsible. Rufioh does everything he can to avoid having to take responsibility, whether that's wilting from breaking up with Horuss, avoiding culpability for hurting his feelings, or downplaying what he did to Damara.
This youthfulness is the source of their charm, and all three Breath players share it - John loves his dumb cheesy movies well into his teens, Tavros loves Pupa Pan and Fiduspawn, and Rufioh loves kiddie anime. It's not harmful in and of itself that they like childish things, but it often goes hand-in-hand with a refusal to grow up.
Ironically, they can become so avoidant of responsibility that they wind up trapped, like Tavros was with Vriska, or Rufioh is with Horuss. If you never acknowledge that there is a problem, you can never begin to fix it. But where does being a Rogue come in?
Well, Rogues are natural-born rebels. Nepeta is the only Alternian troll to outright say that the hemocaste is stupid and casteism shouldn't exist:
AC: :33 < and i dont know anything about classes or bases or blood color, it doesn't matter! AC: :33 < what does gr33n blood even mean! it doesnt mean anything to me and it shouldnt mean anything to anyone else!
And Roxy is the most motivated in her friend group to stick it to the Batterwitch. The problem is, while they have unrest and rebellion deep in their souls, they're often at a loss as to how to address it, make it more than just a thought. This leads to them rebelling for the sake of rebelling, breaking taboos and defying commands. Nepeta refusing to listen to Equius telling her to hide and stay put directly leads to her death, and even Roxy nearly blew Jane up with a fake SBURB application in a misguided attempt to defy the Condesce.
And Rufioh? Well, Rufioh cheated. Hard as he could. For a long, long time. Started before he entered the session. Spent the whole time gaslighting Damara and calling her crazy and jealous. After all, if he actually came out and said that he wasn't happy with her and wanted out of the relationship, she'd be upset with him, and he'd have to be responsible for that. Can't have that!
And so our Rogue of Breath has been trapped in bondage, having gone willingly in chains, because the alternative - freedom and responsibility - were too difficult for him.
Damara Megido: Babe I'm So Sorry, You Didn't Deserve That
So I'm going to address a pretty common fandom take, by first divulging some personal information. I'm Chinese diaspora; my parents were both immigrants. Obviously, I can't speak for every Chinese person, and especially not every Asian, but at least from my perspective, Damara isn't racist. She's just actual representation.
Yes, Damara plays into several stereotypes, most notably the oversexed Asian schoolgirl - but that's part of the greater point that the comic is trying to make. Hussie has a long habit of putting the reader in the shoes of the characters who are wrong in a situation - for example, having the reader mock Eridan together with Rose, Kanaya, Jade, and Gamzee, or indeed, having the reader sympathize with Meenah Peixes, and hear the story from the point of view of Meenahs' biggest enabler.
Damara's google-translate quirk makes her text difficult to understand, to the point a lot of people won't even bother figuring out what she's saying, and her design makes her seem like a flat stereotype, because this is how her team sees her. And as I have extensively covered in this essay thus far, Damara's team were unbelievable assholes for doing so.
Let's look at her situation objectively for a second, and you'll see what I mean. Damara grew up with the Lost Weeaboos - she was already there when Rufioh ran into her, after he joined up after his wings came in. Yeah, Damara was the original Lost Weeaboo, not him. She was an immigrant from East Beforus, and couldn't speak English, and was seemingly only included in the friend group so long as Rufioh was translating for her - something he doesn't do when he deems it would cause problems (for him).
RUFIOH: 1f people knew some of the sh*t you sa1d... how you say crazy sh*t l1ke you want to serve h1m... f***! RUFIOH: 1t wouldn't be cool... people would fl1p... RUFIOH: h*ll, d1dn't you hear meenah was try1ng to ra1se an army to k1ll h1m? RUFIOH: 1f she could hear some of the th1ngs you told me... sh*t... 1 can't ever let her f1nd out... RUFIOH: 1f she knew, you'd both start f1ght1ng aga1n...  #}:(
Not to mention, she's a burgundy, the bottom of the hemocaste, and implied to be pretty poor, too, given... she was living in the woods with the Lost Weeaboos.
Before the game even starts, Horuss starts visiting Rufioh in the woods, something that starts as an emotional affair, but quickly becomes more than that. Damara catches on pretty quickly, becoming more and more jealous and angry with him as the affair continues, but Rufioh gaslights her and lies to her about it until Meenah discovers the affair and blows it out into the open. Damara breaks up with Rufioh, but Meenah continues to use the affair to mock and degrade her.
ARANEA: The poor girl who took the 8runt of your 8ullying tactics was Damara Megido. You talked up her matesprit's 8etrayal making her feel even more dreadful, while pushing him further into the arms of her rival, until she simply snapped.
Can you even fucking imagine? Damara has nobody else to turn to. Not only are half the people on the team Meenah's friends, not only is Meenah the rich and powerful fuchsia-blooded heiress, while Damara's a poor, immigrant rustblood, but no one on the team besides her ex - who is running around slandering her for being "crazy" and "jealous" - can even be assed to learn her language. She can't defend herself, and even if she tried, nobody would listen. To them, Damara's just a flat stereotype - the meek and docile Asian waifu who speaks engrish and puts chopsticks in her hair.
This is like... actually just what a lot of poor immigrants, not even necessarily Asian ones, have to go through. Damara's struggles are incredibly relevant, and her reaction is very realistic, too. She snaps and decides that she hates everyone and outright wishes for their demise and double-demise. In this context, her hypersexual language is a form of reclaiming power - nobody cared about what she had to say, so now she doesn't care what they have to listen to. It's one of the only petty vengeances left to her, and notably, she doesn't do it towards people she doesn't have beef with - the human kids - and the fact that Rufioh can speak her language at all is why she's still willing to go so far as to call him a friend, even after all the horrible shit he did to her.
RUFIOH: um... you can keep a secret, r1ght? DAMARA: はい、もちろん。私はあなたの友達です。[Yes, of course. I am your friend.]
And death hasn't made anything let up for her. She tells Meenah to go double-fuck herself, and Meenah assumes that they're totally cool now, even though Meenah didn't even so much as say "sorry".
DAMARA: あなたのデュアルフォークを取る。二回自分自身をファック。 [Take your dual fork. Fuck yourself twice.] [...] DAMARA: 私は何も後悔はありません。[I do not regret anything.] MEENAH: apology accepted
Sorry for getting heated, but what happened to Damara - and the fact that the fandom often sides with her bullies in calling her a flat stereotype - is very near and dear to me. The Damara situation casts a pall across the entire rest of the dancestors. Despite how cruel the circumstances were, how objectively unjust they were, how obviously Meenah was the aggressor and Damara was a victim, how clearly delineated good and evil were in her situation, and how big of a problem this became, nobody intervened, nobody tried to stop it, nobody stood up for her. Every single member of the team is an irredeemable asshole by this simple fact alone, except maybe Mituna, and even then, that's a maybe and nothing more. All of them are complicit in abuse, complicit in oppression, and complicit in bullying - if not worse.
Witches are creatures of emotion. They grow up as "outsiders" to society, and as such, are very easy to sway - as they lack societal senses of right and wrong, good or evil, they tend to rely on their own emotions to navigate the world instead. This also means it's very easy to flatter the Witch into believing in something cruel. Feferi loves casteism because being a princess is awesome, and she loves feeling like she's better than other people. Jade constantly allows shitty boys to trample all over her, and the trolls consider her most culpable for Bec Noir's creation because she blindly follows the prophecies of her beloved future-telling clouds, taking direct action to doom them all.
Damara's still friends with Rufioh because he bothers to speak her language at all, even though he does nothing but gaslight her, badmouth her, and use her to his own convenience. She follows the teachings of Lord English because her feelings have been hurt to the point where oblivion sounds like a great idea.
Time is about persistence, goal-orientedness, details, and minutiae. However, its players can often become so tunnel-visioned, so frustrated, that they become destructive forces of anger and rage. In the worst case, this destructive frustration causes them to become overwhelmed with a sense of futility, something that superficially resembles Space's big-picture thinking, or its tendency for passivity. Time has ties to entropy and death, and unfortunately, Damara has come to embody that for her team.
But, most crucially, Witches cause change.
The dancestors' session is victim to a glitch that ultimately renders it unwinnable - they didn't perform their own ectobiology. Such glitches are described as the "calling cards" of Lord English, his way of reserving a universe to destroy. But, as discussed above, LE did not actually exist until the dancestors brought him into their session by scratching it.
It's stated that, after her initial rampage, Damara began performing acts of "timeline sa8otage" up and down their timeline. I believe that it's during this time that she wound up causing the ectobiology glitch - retroactively rendering their system unwinnable, forcing them into the Scratch. After all, Damara knew what would result from the Scratch - Kurloz had inducted her into his religion by that point, and she was heard muttering that the Scratch would deliver them all "what they deserve".
And so, our Witch of Time was tempted by the forces of evil, and ultimately led them down the path of destruction, closing down all options until they had no choice but to Scratch, and - of course - though the dancestors had one last chance to back out, choose the selfless option, and let no more harm come of their actions - they picked the selfish option, and passed their problems onto the next generation.
Meenah Peixes: Ultra-Bitch
Meenah is her team's leader, and she represents the worst aspects of her team - the casual cruelty, the lack of responsibility, the kid-kissing, the failure to grow up. In a way, there's no leader more fitting.
The greatest thing she contributed to her team was her ruthless bullying, which didn't do anything but make everyone feel worse about themselves. Of this bullying, Meenah's favorite target was Damara, but we already covered all that in Damara's section. I want to talk about some of Meenah's other failings here, because I think the comic did such a good job of unreliably narrating her escapades that even many in the fandom seem to think she's a much better person than she is.
In truth, Meenah is a toxic friend, a bad influence, and her "cool"ness serves as a smokescreen to cover the depravity and cruelty of her actions. She is consistently running away from responsibility, consistently taking advantage of weaker-willed individuals, consistently constructing a narrative around herself where her actions were justified and anyone who disagrees with her is just a lame loser. In reality, she's just a rich bitch mean girl. A bog-standard bully. Someone who thinks literal children are pursuable romantic targets. You can't lose sight of this.
MEENAH: i dont verbally torture my cray schemes like all the serket girls MEENAH: and that works ok for me MEENAH: guess i made some mistakes but who really gives a flip [...] MEENAH: i just MEENAH: did shit MEENAH: and the shit i did MEENAH: meant only the things the shit accomplished MEENAH: and if that shit accomplished a dumb thing that sucked MEENAH: then i guess thats what you call a mistake and oh fuckin well
Sure, Meenah. Your deliberate, constant, unrelenting bullying, the active choices you made over, and over, and over again, are completely excusable by just saying "they were some mistakes" and "oh well".
Meenah ran away from responsibility four times over the course of her story: the first time was running off to the moon because she didn't want to be heiress; the second was blowing up her home planet rather than dealing with succession; the third was cooping herself up in her moon palace until a bigger threat presented itself, and the fourth was encouraging Vriska to give up on struggling against Lord English and run away with her and the LE-killing treasure. Not only that, but she tries to convince Karkat to jump off the meteor with her to fight LE - something that's framed in that conversation as a literal act of suicide, as LE is still, as far as Karkat and Meenah know, invincible, immortal, and unbeatable.
Speaking of her conversation with Karkat, let's zoom out for a second and take it in objectively. I think many are tricked by Karkat's softness and vulnerability here into thinking that the conversation they have together is cute or wholesome, but that isn't the case. First of all, let's remember that Meulin has just implied that Meenah's got some romantic feelings for what is - again - an actual child (I think he's literally 14 here). So. Yeah. And then second, let's remember what Karkat's arc is.
Karkat is a mutant, and has lived his life alternately in fear that he'll be killed if anyone ever finds out, and filled with self-loathing, since he knows it means he'll never be accepted by society. Moreover, he's aware of the prophecy that he's supposed to be Troll Jesus's second coming, and he's deeply insecure about it.
MY BLOOD IS NOT FIT TO FLOW THROUGH A SEWER, AND MY SIGN IS A PICTOGRAPHIC SYMBOL THAT LOOSELY TRANSLATES AS "PLEASE HIKE THESE PANTS UP TO THIS GUY'S ARMPITS, CHAIN HIM TO A FLOGGING JUT, AND MAKE A FUCKING EXAMPLE OUT OF THIS SORRY SACK OF SHIT." WHEN I LOOK IN A MIRROR, MY REFLECTION SLOWLY SHAKES HIS HEAD WHILE I WET MYSELF IN SHAME.
The fact that he knows that his ancestor is the Signless puts his initial desire to join the Threshecutioners in a very sad light. As he tells Meenah, he harbored fantasies that he would fight so well that they'd let him join, in spite of his blood color, even knowing objectively that they'd probably just kill him on sight.
KARKAT: THEY WERE LIKE THE DEADLIEST SQUAD OF INTERSTELLAR FIGHTERS UNDER THE COMMAND OF THE EMPRESS. THEY HELPED CONQUER MORE PLANETS THAN ANY OTHER IMPERIAL FORCE. BUT IT WOULD HAVE BEEN IMPOSSIBLE FOR ME TO MAKE THE CUT, BECAUSE OF MY BLOOD. SO I USED TO THINK OF ALL THESE ELABORATE SCENARIOS TO HIDE MY BLOOD COLOR. OR IN THE MORE RIDICULOUS FANTASIES, MAYBE I COULD EVEN PROVE MY WORTH AS A SOLDIER? LIKE JUST BE SO AWESOME WITH A SICKLE, THEY WOULD JUST HAVE TO MAKE AN EXCEPTION. MAYBE EVEN BE LIKE A FOLK HERO AND RISE THROUGH THE RANKS TO BECOME THE LEADER. HAHA.
He desires, so so so deeply, to be accepted. He hates himself - this is the first thing revealed to us in his introduction.
Your name is KARKAT VANTAS. As was previously mentioned, it is your WRIGGLING DAY, which is barely even worth mentioning. It is an anniversary, if anything, to lament the faults of your existence, of which there are assuredly plenty.
As a result, he's equated societal acceptance with self-worth - tricked himself into believing that if he can gain the approval of society, the approval of the Condesce, then he'll finally be able to feel less like a worthless, kill-on-sight miscreant.
This is the lens we must look through his conversations with Meenah through. These are not soft, tender exchanges where Meenah helps Karkat deal with his emotional issues. This is the young adult version of the Condesce trying to tempt a literal child into suicide, leveraging his desire to be accepted by her in order to stroke her own ego. When he says Alternia was great, that's a bad thing. Alternia sucked, and it sucked to him specifically, but he wants to be accepted by it so badly that he's willing to act like it was awesome. When he says he respects the Condesce, that's terrible. She's an evil monster who directly caused all his and his friend's problems, a monstrous, genocidal dictator who revels in bloodshed and misery. And when he says:
KARKAT: OH, BUT ON ONE CONDITION. AS THE NEW EMPRESS, YOU HAVE TO APPOINT ME AS GRAND THRESHECUTIONER OF YOUR ARMY. DO WE HAVE A DEAL? MEENAH: oh yes yes you got it yessss
This is sad, actually. This is just really sad. Karkat wants to be accepted so, so badly that he's willing to jump off the meteor on a suicide mission. He wants it so bad that he's willing to lie down and let the forces of fascism, oppression, cruelty, and evil win, just for a crumb of validation.
And, yeah, it's romantic to Meenah. Just to be clear with everyone.
MEENAH: i was standin around in shoutkats place when it all dream switched on me outta nowhere [...] MEENAH: and i think MEENAH: we might be goin on a date later?
Hey, remember how she's 19 and he's fourteen fucking years old?
So, yeah, later on, when she starts having little giggly fits with Vriska, rolling around in the fields with her? When she starts grooming Vriska to dress like her, get tattoos with her nautical themes? Yes, I'm going to use the word "grooming". That's what it is.
Vriska is a vulnerable child. She was raised by an abusive, demanding, narcissistic spider, and all her friends just abandoned her because of her resultant nasty personality. And remember how I pointed out that Meenah likes to run away from responsibility?
VRISKA: What if we just........ VRISKA: Gave up on the mission? MEENAH: gave up VRISKA: Yeah. VRISKA: What do you think. MEENAH: um MEENAH: sure VRISKA: Sure? VRISKA: You don't think that would 8e a wussy move? MEENAH: well yeah MEENAH: it would be MEENAH: if a couple of cowards did it MEENAH: but that aint us MEENAH: so we cool to do whatev VRISKA: That's a very good point. MEENAH: nofin wrong with stickin a fork in a shit idea that just makes you miserable MEENAH: hell the best choice i ever made involved givin up MEENAH: one day i said MEENAH: fuck da throne MEENAH: ran off to the moon MEENAH: thats how this whole crazy mess kicked off MEENAH: and if i didnt do that MEENAH: i wouldnt of met you 38) VRISKA: VRISKA: ::::)
I hope this conversation hits a little different.
[EDIT (March 02): I also wanted to add that, in order to make the above conversation even more obviously a case of an adult taking advantage of a vulnerable minor? Directly preceeding the snippet I included in the essay, Vriska outright admits that she no longer trusts her own judgement. So Meenah heard that, and decided to make a move.
Yikes. Yikes all around. Welcome to yikes town.]
Thieves are, as the name suggests, selfish and greedy - they harbor some deep emotional hole that they attempt to fill with "wealth". For Vriska, it was narrative importance, and for Meenah, it was forward motion, as that's what Life's all about. However, they do so at the expense of others, not realizing that harming their own group relations harms their own ability to self-actualize and attain true happiness. The one time something nice happened on Meenah's team, it was when Meenah wasn't taking, taking, taking, but when she baked a cake for everyone.
But Meenah wasn't content with that.
And so, our Thief of Life defeated her own agenda in an effort to move forward, her mistakes culminating in the doom of herself and all her friends, as her misguided grasping toward forward motion ultimately led to the ugly side of a tumor-bomb.
Final Thoughts
I know I've been really negative towards the dancestors for this entire essay. And I do think they deserve it. However, please don't confuse that with me saying I think they were "bad characters," or that I dislike their inclusion in the comic.
On the contrary, I think they're all very, very good characters. Their utilization in the narrative is excellent, and they perform their narrative function incredibly well. I think Hussie's a fantastic writer, and I find the dancestors fascinating - if you couldn't tell from the massive essay.
But they are shitty people - and that's the point. The role they serve to the kids is as evil mentors, bad influences, dark reflections. Maybe they were redeemable before they ruined everything, but they passed the point of no return. At every juncture, they chose the selfish option, the cruel option, the easy option, and in some ways subtle, some ways overt, they encourage their kids to do the same.
But - crucially - the ones to come after them can choose differently. And I believe in the version of Homestuck where they do.
Thanks for reading.
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