#the song lyrics are pretty about that
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plaguethewaters · 3 months ago
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tommy my chommy,,,, + will wood
unedited under cut
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thedeafprophet · 9 months ago
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still thinking about it....the song really fits unfortunatly well and leaves me feelin somewhat guilty about doing this to Jamie adkfkfkg
Listening to Cherry Wine by Hozier and
"Oh but she loves Like sleep to the freezing"
really reminds me of the princess
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tomaturtles · 7 months ago
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IT'S KAWOSHIN DAY!!! As well as the last day of Kawoshin Week :') It's been such a blast, gonna miss it when it's over
Kawoshin Week Day 7: Cuddling/domestic fluff! + Sleepover and Spinoffs (again)! Based on the Campus Apocalypse sleepover chapter ☺️
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averlym · 1 year ago
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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visciozx · 7 months ago
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The Sinner and The Saint
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Lady Maria and Doll Piece I did last night, this one's actually a recreation of an old piece of the two, and now I'm just really sad that I didn't get to ACTUALLY make them identical :/
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whatimdoing-here · 2 years ago
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WARRIOR NUN | S2
They're JUST SO PRETTY, Your Honor.
Bonus - DOUBLE PRETTY
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badnewswhatsleft · 8 months ago
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TONIGHT LITTLE DARLIN'
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wren-kitchens · 11 days ago
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i'll grow the bones myself (then i’m alone again)
1962 words
okay, even mumbo can admit that he’s milking it now, but grian said they’re allowed to kill each other in between the wild cards now, and he is not missing an opportunity like that! besides, aside from gem and joel (who he has- solidly given up on killing by now) these guys are the team with the most dark greens. also, he spent far too long digging the stupid hole in slow motion, and he is not letting it go to waste. it is pretty boring, as far as traps go. he doesn’t have a great grasp on time, especially not since it all went haywire earlier, but mumbo is fairly certain he’s been sat waiting for someone to walk above the hole for at least two hours now. at least he can listen to their conversations, which have been.. kind of interesting? it's a bit like listening to someone else watching some kind of reality tv show, but you have very little context to what's going on and also you can’t see anything. honestly, it could be worse.
a fic in mumbo's pov that's really not about mumbo at all this is a continuation of this fic! the following happens pretty much immediately afterwards
what is up with me this week i'm on a roll omg im a writing powerhouse over here
okay, even mumbo can admit that he’s milking it now, but grian said they’re allowed to kill each other in between the wild cards now, and he is not missing an opportunity like that! besides, aside from gem and joel (who he has- solidly given up on killing by now) these guys are the team with the most dark greens. also, he spent far too long digging the stupid hole in slow motion, and he is not letting it go to waste.
it is pretty boring, as far as traps go. he doesn’t have a great grasp on time, especially not since it all went haywire earlier, but mumbo is fairly certain he’s been sat waiting for someone to walk above the hole for at least two hours now. at least he can listen to their conversations, which have been.. kind of interesting? it's a bit like listening to someone else watching some kind of reality tv show, but you have very little context to what's going on and also you can’t see anything. honestly, it could be worse.
"oh, pearl!" comes scott's voice all of a sudden, and mumbo (who definitely wasn't falling asleep) has to press his hand to his mouth to stop himself from yelping in surprise. "how'd- what's wrong?"
"i’m just going to bed." pearl says, distinctly dejected- which is honestly not something mumbo has ever heard from her before. it feels weird to be overhearing. 
there's a kind of scuffling from above, as if they were- fighting? that seems wrong. but pearl says, "get off-" and maybe they are actually fighting.
"I just- what is it?" scott says again, and there's something weird about his tone that mumbo doesn’t think he has enough context to understand. he almost laughs at the idea- he needs to go back and watch the earlier seasons. 
pearl scoffs (at least, mumbo's pretty sure that's what that noise was). "it doesn't matter- let me get past."
mumbo knows there's- some kind of history between these two, so maybe that's what's going on right now. not that he knows much about it—any time he asks about it, he only gets a clipped version of 'they were soulmates' and then something about them leaving one another. honestly, it depends entirely on who you ask if you want to know who left who; no one seems to be able to agree. he's been told a couple times that scott would be biased, and he knows better than to ask pearl.
"i’m your teammate, I should know what's going on." scott says, and it doesn’t quite sound like anything he’s heard a teammate say. even the southlanders after they fell apart- there was always some kind of.. fondness. "if you made us an enemy-"
"i’ve done nothing!" pearl says, indignant. "why is that your first thought? i’ve been on a walk-"
"pearl, don’t lie to me." scott says, almost exasperated, and mumbo thinks he should press grian harder for answers about double life. "you look like a kicked puppy."
pearl makes a noise of frustration, before there's a cry of surprise from scott and a thud on the ground- directly above mumbo's hole. ironically, he finds himself hesitating; he kind of wants to hear how this plays out. "how's that for a kicked puppy?"
"what are you doing?" scott exclaims, and mumbo notes that this is the first time he’s heard scott actually sound angry, rather than suppressed annoyance. "we're meant to be a team-"
"never stopped you, did it?" pearl says, and her voice makes it sound like she's trying not to cry. it- he’s not been playing these games for as long as everyone else has, but. is it normal to miss your ex-teammates? "never stopped me, either- i'm not sure why you're surprised, scott."
"is that what this is about?" scott says, and mumbo wonders if he's still on the floor. "you’re still upset about double life? I died so you could win-"
"that's all you do, isn’t it!" pearl half yells, voice close to breaking, and the silence that follows is deafening. "you kill yourself and make people watch- or you make them do it! and you call it a noble sacrifice- maybe I didn’t want to win, scott." her breathing is heavy, and- something occurs to mumbo. "maybe I just- maybe I just wanted someone who cared about me."
mumbo moves carefully over to the edge of the pit, checking his comm to see exactly where peal and scott are positioned, shovel at the ready. maybe he can get two birds with one stone here. or shovel, he supposes.
"where the hell is this coming from?" scott demands. "what happened?"
pearl takes a shaky breath. "I found someone who cares about me. and- and I threw it away to do justwhat you did to me."
if they could just stay still for a couple seconds-
"I- pearl, i died to save you- i’d do it again." scott is saying, and he’s finally standing still enough for mumbo to start digging. 
"are you even listening?" pearl demands, taking a step towards scott. mumbo really hopes he can pull this off before one of them moves too much. 
"i’m listening-" scott says, exasperated. "I don't think you know what you’re talking about."
pearl gives a sharp, humourless laugh. "fine- you want to die for me?"
mumbo breaks through the layer of grass, watching as the dirt around it begins to crumble- and he’s just managed to miss scott. of course he has! will he ever get a trap to-
"go and die!" pearl yells, and suddenly scott lurches backwards into the hole- into the pit-
smajor1995 was doomed to fall by pearlescentmoon
there's a ringing silence, broken only by pearl's gasp as she realises what she's just done. she drops to her knees and looks into the hole- and her eyes fall onto mumbo.
"hi." mumbo says awkwardly. "um. I think that one counts as yours."
pearl just stares at him for a long moment, and he’s suddenly worried he’s misjudged the whole situation. "out- out of all the traps that could have worked." she gives a weak smile. "how long have you been.. down here?"
"oh- several hours." mumbo says. "it- I wasn't expecting- y’know."
"all that?" pearl says, with enough of an amused (if still rattled) look in her eye that mumbo feels confident enough to nod. "yeah, I- neither was I." she hesitates. "do- I don't suppose I could hang out at your base for a little while? i’m not sure.. i’d like to stay here too long."
mumbo is nodding before his mouth catches up. "no- yeah, definitely. it- mounders for life, right?"
and at that, something lights up behind pearl's eyes as she grins. "absolutely."
the walk back to the terrifyingly precarious mess of bridges is not nearly as action packed as mumbo expected it to be. apparently someone had moved or broken a bed at pearl's base, or maybe scott had just slept elsewhere, because they didn’t encounter him at all on their way—not that either of them were complaining. 
it's- it's weirdly comforting, to fall into old jokes and familiar patterns. mumbo had forgotten how much he enjoyed hanging out with pearl, and the way they both seem to have the same kind of jittery nervousness that almost cancels each other's out. pearl seems to remember a moment mumbo had hoped she'd forgotten, and spends about five minutes complimenting his pit-making technique and how incredible his timing is, and mumbo is distinctly red in the face by the end of it all—much to pearl's amusement. and strangely- he doesn't seem to care. because pearl is happy. gosh.
"so- I have to ask," mumbo says, a little tentative to disrupt the warm nostalgia that has surrounded the two of them. "what.. was it that I overheard?"
"ah." pearl's smile looks a lot sadder all of a sudden, and mumbo immediately regrets saying anything. "yeah. it wasn't.. really about scott. or- I don’t know, maybe it's all about him. everything has to be." she scoffs to herself. "chain of events kind of thing." pearl half mutters.
"you said- you said something about him dying?" mumbo asks cautiously. "and- now is.. probably the best time to mention- no one has really explained what happened in double life between you two?" something in pearl's expression shifts, and mumbo scrambles to add, "and i’m- i’m happy to stay in the dark, if you want me to!"
pearl smiles again, shaking her head a little. "I- no, it's alright, I just. everyone's still a little nervous to bring it up." she grins, glancing away. "they knew how much I was hurt by it."
as they pass through birch trees, pearl explains with more detail than mumbo thought he would ever get: how she seemed to have broken a rule she was never told was in place, the way her mind seem to shatter from that one single moment onwards, how she's not sure it's quite stuck together again. she explains tilly, and the powdered snow, and how even martyn didn't seem to like her even though they'd done the same thing, and the aching injustice everything was tainted by.
and she talks about those final moments. she talks about how she watched the person she adored and despised blow himself to bits in front of her face, how she felt the shattering of her ribs before she went along with him, how he had to have that last line- that last word, even though she won. it was still about him. and winning itself, pearl explains in a low voice, was the worst thing she'd ever had the misfortune of experiencing. mumbo offers his hand, and she takes it, and it doesn't feel so big.
"I think- I think people don’t want to upset me." pearl says, and it takes a moment for mumbo to even remember how this conversation had started. "but I also think.. they feel guilty, that they didn't do anything more."
"do you blame them?" mumbo asks, all restraint forgotten.
pearl shakes her head, smiling sadly. "I used to." she wipes her eyes. "and then I did it to someone else." pearl looks past mumbo, and he follows her gaze to see gem's barn in the distance, and he understands. "it's easy to pretend you were noble, when you’re scared."
"i’d- i’d disagree that's the same." mumbo says. "similar, but not the same."
"yeah." pearl says, still distant. "she said that too. not- not quite as gently." she grins a little. 
mumbo hesitates. "earlier.. you said something about finding someone who cares about you. do you. care about her too?"
there's a pause as pearl seems to consider- though it doesn’t seem to be the answer she's considering, but the wording. "I wasn't sure. for a while." she settles on. "and then I realised how much i’d hurt her, and then- how much I hated that. so- yeah. I care about her."
mumbo nods, understanding just a little too well. "thanks. for- for explaining, I mean. it.. seemed like it was hard."
pearl gives a scoff of a laugh, and some of the tension dissipates. "yeah, no kidding. I don't suppose you have any baggage we can talk about to lighten the mood?" she teases, and mumbo laughs.
"nothing particularly poignant." he grins. "i’m glad my trap worked. how's that for- for life altering moments?" mumbo offers, laughing at himself.
pearl is grinning along, and at least she seems happier now. "I mean, i’m pretty glad it worked too." she looks over her shoulder at the top of the base poking out of the birch leaves.
"you had fantastic timing, after all."
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roughbuddy · 2 months ago
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best friends ex-friends till the next better off as lovers and not the other way around. racing to through the city windows down in the back yellow chicken calls. YOOOOHHHOOOHOOOOWHOOOHOOWWWWOOOAAAHHHHYOOOAAWOAAHH
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vulpinesaint · 2 months ago
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Eddie Brock + Kissing Death by MOTHICA
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yuseirra · 5 months ago
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致命的な欠落をくれたね 身勝手な巨星、狂わされた生
お願い、声を聞かせて、声を聞かせて 絡まって歪んでしまった傷さえ くれたのはあなただけ、あなただけ お願い、僕を見ていて、僕を見ていて
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menlove · 4 months ago
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Do you know where paul said 'this one' is about john? I can't find anything
yeye it's the audio interview in this post
Interviewer: Let me ask you about one of your new songs, ‘This One’. About a marriage? Paul: A relationship, yeah. Interviewer: And about not expressing emotions and feelings.  Paul: You get those moments where you always think; “I’m saving it up. I’ll tell him one day.” And you know what happens. A lot of people, John for instance, getting back to that subject. He died. Um.. I was lucky. The last few we- months that he was alive we’d managed to get our relationship back on track. We were talking, having real good conversations. Real, nice and friendly. George, actually, didn’t get get his relationship right. I think they were arguing ‘till the end, which I’m sure is a source of great sadness to him. And I’m sure in the feeling of this song that George was always planning to tell John he loved him, but time ran out. That’s what the song’s about. Like, there could never be a better moment than this one. Y’ know now. Take this moment to say… “I love you”
let's unpack.
first of all "a... relationship, yeah" is vague as shit & he can easily spin that around to say it's platonic if this ever came up again. but at the same time, it's interesting that he says "yeah" to that, confirming that the relationship in question (which he's about to say is his and john's) is similar to a marriage. and then this whoooole chunk
'I'm saving it up. I'll tell him one day." And you know what happens. a lot of people, John for instance (..)
(bold mine) so first of all, his VERY FIRST explanation of this song is saying it's something he wants to tell to a nebulous "him" one day. even if we're discounting john, noneeee of the lyrics in this song are very platonic, so at the very LEAST it's definitely confirmation of paul being queer. because he wants to tell "him" everything in this song. but then literally the very next sentence he's saying the "him" in question is, for instance, john. he's not necessarily saying the song is ONLY about john, as he also goes on to say the song might ring true for george about john, but he's saying his situation with john is the sort of situation he wrote this song about.
and a lot of people have used this quote to say he's shoving off his feelings for john onto george which is like. PARTIALLY true, i think he was trying to shift the focus off of him saying it was about john onto making it about george as well, but if you actually listen/read what he's saying that's not it at all.
"And I’m sure in the feeling of this song that George was always planning to tell John he loved him, but time ran out. That’s what the song’s about."
(bold mine) but he says "in the feeling of this song" so he's just saying that he thinks george can probably relate to the feeling of the song and relate it to his feelings for john as well. which is just. him again saying it's about john lmao he's just shoving george under the gay bus with him rip
and then:
"That’s what the song’s about. Like, there could never be a better moment than this one. Y’ know now. Take this moment to say… 'I love you'."
and that's about the gist of the song, really. and how many times has paul since john died talked about regretting not saying he loves him? i mean, the entirety of "here today" is about that. so taking that into account, and the amount of times he's admitted he never told him he loved him, his little bit up there about him and john making up and him being lucky for that doesn't negate the meaning of the song being regret at not telling "him" that he loved "him"
sorry, this got long. but i just see this quote around a lot w some interesting readings (& some blatant misinterpretation as well but what can ya do) so ! yeah it's pretty Unequivocally about john, or at the very least about a ""him"". which is insanely telling for a blatantly romantic song. when i tell you that this man is out to everyone but the public..........
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synthshenanigans · 8 months ago
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dream(outro from calamity) is so freakin pretty like that instrumental especially is just like augh
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ancientbygone · 9 months ago
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and everything that's here is rising in tone and saturation it's an aching, it's a violence, it's a longing to erase the separation
a companion piece to Cicadas, of sorts. closeups under the cut:
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r0semultiverse · 2 months ago
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BUNGOU STRAY DOGS 119 SPOILERS WITHOUT CONTEXT
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seaofreverie · 3 months ago
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A (very random) observation
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