#the show okay

[pcktknife]

thinking about how I wasted months of my life watching spop when I could've done anything else

[tuttle-did-it]

David Tennant for Prime Minister, please.

edit- Since this is getting so much attention, edited to include descriptions of screenshots.

This woman has lost her fucking mind.

Jo, are you okay?

[christadeguchi]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[seenthisepisode]

no offence but the reason tumblr is “dying” is, well, yes, of course the cursed like/reblog ratio and the change in user behaviour (because of people being used to how instagram and tiktok work) BUT also the lack of weekly shows. i say it with my whole chest, they don't produce captivating and engaging stupid weekly tv shows anymore because streaming killed that so you have spikes of activity here when Something happens in general fandom or up to three days after a new season of whatever drops and then it's a wasteland. this is obviously an old woman yelling at a cloud missing supernatural and the vampire diaries and pretty little liars and all these other shows type of post but honestly give me back weekly tv shows where i have something to watch for 40 minutes almost every day of the week after work so then i can read and reblog it on tumblr give it back for the sake of my sanity

[hoshizoralone]

reflection

[mo-mode]

Grover: Oh, you like war? Me too! My favorite part is *commits psychological warfare*

[hoofpeet]

Doing a full pivot in 2025 into dedicating this blog to Between the Lions fanart

[what-am-i-doing-in-this-fandom]

Suddenly, bell bottoms aren't so bad

Bonus sketch, because I had to vv

"Stop checking out my assistant, Stanley."

[elexuscal]

Danny Phantom, The Show:

geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!

Danny Phantom, the Fandom, After 19 Years of Fermentation:

a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!

[p1nkshield]

Prompt idea: Danny has been attending Wayne family dinners for weeks now and he truly doesn’t know how he got this far

Danny has been without a home or a means to get food for a while because of either identity reveal gone bad or Dan timeline shenanigans. Either way he needs to eat. As a last ditch attempt Danny tries to attend/infiltrate a Wayne family dinner. He’s seen the Wayne kids around Gotham and he’s sure that he could look and act the part enough to get in the door and out with some bread rolls at least.

Was it his best idea? No.

But he sure as sugar ain’t firing on all cylinders rn.

And Bruce already has a gaggle of blue eyed, black haired children.

What’s one more?

Batfam of course notices immediately when a whole new kid shows up, grabs some miscellaneous pieces of food and then prattles off some excuse about “not being that hungry.” (Clearly a bald faced lie) And that they were “Going to the library to study for finals, bye Dad!”

1. No one skips out on family dinners. Even Jason was here.

2. Alfred sets the table for everyone ahead of time and the kid had no place to sit.

3. Nobody in this house studies anything beyond case files.

4. Nobody in this house calls Bruce Dad.

Danny thinks he is suffering from success. No matter where he is in Gotham someone picks him up and insists he’ll be late for family dinner which is unacceptable.

Alfred just wants to feed the boy.

The batkids are amused by his efforts to look as though he’s been here all along.

Bruce is drafting adoption papers as we speak.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[bwooom]

READ MY WEBCOMIC

STOP MAKING ME LOOK AT SCREENCAPS FROM THAT VELMA SHOW !!! I WANT TO PRETEND IT DOES NOT EXIST AND YOU ARE MAKING IT SO DIFFICULT

[thepioden]

if you ever go to an art gallery and you see a painting and you think "that sucks. I could do that." maybe you can! I think a lot of people could do like. Matisse. Mondrian. Rothko. From a technical standpoint at least. Not everyone but a good number of people. But please consider: Artists™ aren't special people. They're just people. Just regular folks with something to say and a trained skill who showed that skill to the right people.

So instead of being like "that sucks! that's dumb! I could do that. It shouldn't be in a gallery." instead try, "I could do that. I should be in a gallery." and then do it and go and show your art to people.

[eternallovers65]

Ngl if I had a child with Poseidon, the God of the Seas, and had to pay swimming lessons for my son because he was scared of water, I'd be cursing Poseidon forever like you don't show up, don't pay child support and now you can't even help your actual ocean spawn to swin????

[scre6m]

DEV PATEL Monkey Man (2024) dir. Dev Patel

[skitskatdacat63]

Mark smiling after Oscar said he had to "hang on for dear life."