#the second their relationship was introduced at the end of season 1

[pirateshelly]

I genuinely think Louis and Armand's have one of the most complex relationship dynamics I have ever seen on a tv show, I don't understand why half the analysis of them I see around here seems determined to flatten that in one way or another

[psalmsofpsychosis]

Some Batman: Telltale thoughts

[this is a Batman Telltale critical post, ye be warned.]

So. There are perhaps no words in the english language to describe with how stupid i feel right now.

I started Telltale Batman because i thought that it's one of the more distinct unconventional Batman narratives that would let you have a more interesting, complex and nuanced relationship between Bruce and Joker— the game even lets you bring all of Bruce's sincere hypocrisy and sentimental selfishness to the surface and have him admit that yes, he can fight the rogues gallery because it takes a madman to know a madman; to love a madman. For a moment i geniunely thought that i can escape the everpresent shadow of DC hays code in the freakshow funhouse that is Batman comics, i thought Telltale had done something different.

But telltale's approach to The Enemy Within is so flaky and flimsy and timid at best— such noncommittal twist on themes of pain and grief. They take on a hefty plotline, "what does it take to actually fight through evil and be surrounded by it? How long does it take before your resolve and your selfhood cracks? When you lose the mask, which one did you truly lose— The ideal persona, the superhero, the crusader, or the person underneath, the casket that holds all your humanity and your heart and your hopes? How long can you stare onto the abyss before it stares onto you?" It's indeed a very Nietzsche approach to Batman— except that a good Nietzsche narrative takes a lot of intentional plot points and honesty of thought and of heart. And Telltale doesn't commit, not to Bruce's characterization, and not to any other character, and definitely not to Joker's journey in any variation of it. The existence of the Vigilante route is useless on every front; Joker is going to turn into a villain anyway, just with a different hello kitty eyeshadow palette and an extra bland consolation lollipop. No good choice Bruce makes on Joker's behalf affects anything whatsoever, and i particularly love the "community and friendship and sympathy do not help the mentally ill and all that ever works is punishment and shock therapy and confinement and loneliness" message the vigillante route puts on the table, charming charming status quo commandments from DC as always.

Telltale Batman could only be revolutionary if it had dared to break comic convention and let the vigillante route play out like Selina and Bruce's relationship always does; very grey morality, irrational, full of tension and trust, unstable, intriguing, inexcusable, irreversible, unavoidable and heartfelt, human. But we can't have nice things in batmanverse, so both Joker routes run on stuck gears and topple and fall into a predictable narrative hole that neither Bruce nor Joker can claim out of.

And on the predictable front? this story is too lukewarm to be a good time for me personally. When you get 84 Batman comics per minute every other Tuesday, all ending the same way no matter whatever the fickity happens inbetween, you have to pull no punches. This is my 53368532th Batman-with-tragic-batjokes-implications read of the week, say something new or forever hold your blue-balling silence, i dont care.

[fuckyeahisawthat]

Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.

In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.

When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.

And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.

It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.

Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see present-day Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!

Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.

Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.

And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.

Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.

And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.

And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.

And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.

I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.

I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.

But goddamn.

[eyecan02]

Alastor Analysis

Alastor's background regarding romance and sexuality goes all the way back to early drawings that depict Alastor crushing on Kay-cee.

The story then moves on from a crush on Kay-cee to a full on relationship with Mimzy.

It makes me wonder how Viv jumped from Alastor in a relationship to Alastor being ace. It feels like quite a wide leap. With Viv being the creator, I have nothing but respect for her but I feel like Alastor can still love/possibly do sexual acts while still keeping in character and looking out for #1.

I feel like while Alastor was alive, he leaned toward graysexual and this is why. I don't believe this man died a virgin. As we all know Alastor is from the 20s. He's in his late 30s/40s, meaning that it would've been uncommon for a man his age to still be unwed/unattached to someone. I'm sure he went on blind dates set up by his mom, and even occasionally slept with women in order to keep up appearances. He most likely did this in order to make his mother happy since any mother would've liked to have seen their child happily married.

And after Alastor became an overlord, the occasional sex probably didn't stop there, because Alastor is all about about keeping up appearances and deals. He definitely comes off as someone who would use sex as a means to and end. If a woman wanted to trade their soul in exchange for Alastor's protection and one night with him, I feel like Alastor wouldn't turn her down. It would be a decision that would end up leading to an increase in power for him. He just likely wouldn't kiss during the act.

Now finally onto Alastor's relationship with Charlie. From the beginning, we've all known that Alastor has his own agenda and reasons for involving himself with Charlie. He's a master of manipulation, knowing love is a powerful motivator (the way he manipulates Vaggie by making her feel bad about Charlie and the commercial) and also digging into Charlie's daddy issues.

It was clear that Alastor tried to play the boyfriend card to piss off Luci. It was only after Charlie introduced Vaggie that Alastor changed tactics and switched to the daddy card.

This means that Alastor would be willing to play any role to get what he wants from Charlie, whether the endgame is obtaining her soul or becoming her royal advisor or whatever. If Vaggie had been introduced in the pilot as a mere crush, Alastor would've caught onto the daddy issues quick and would've angled for a romantic role in Charlie's life since love and sex would be easy things for Alastor to manipulate (if my theory is right about him using sex as a means to an end).

I feel like this kind of materializes during the pilot with the way Alastor keeps pushing Vaggie out of the way, and how Vaggie seems jealous whenever Alastor impresses Charlie.

We don't know if this weird competition for Charlie's attention will persist between them as the series goes on considering that behavior was absent in season one. What's interesting is that the jealousy aspect switched from Vaggie to Alastor. The second Luci hugged Charlie, we're shown Alastor looking maliciously at Luci with his eye twitching in irritation.

What do we know about Alastor so far? He's an attention whore . He's used to being one of the strongest demon lords (at least from the pride ring) so suddenly not having attention, particularly Charlie's attention is making him act nuttier than usual.

Usually, it's hard for someone to be jealous without at least having some feelings toward the one they're feeling jealousy over. "Ah, an enjoyable collective to be around. I admit that one could get accustomed." This line is for the entire Hazbin gang, but also a real sign he cares for Charlie.

He can still have his own hidden agenda while caring about Charlie and being attracted to her. And he definitely is attracted to her. Calls her "charming and adorable". The constant touching.

Some might argue that that's just a part of Alastor's power play/dominance but he already knows that those types of moves don't intimidate Charlie. In fact, she never seems bothered at all when Alastor tries physically to get closer to her.

Also, the animators placing Alastor in Charlie's bed with both of them on a HEART pillow is insane. They know what they were doing. We see the way Alastor's hands possessively spider crawl up Charlie's shoulders and the way he grips her face.

And by the looks of it, Alastor seems to lust after Charlie's soul almost as much as his freedom. Viv has said that Alastor can't love anyone because he loves himself too much. Yet, she has also described Charlie as "Alastor's mirror".

The fact that they even made Charlie's color palette similar to Alastor's. Her hot pink jacket is almost a reddish color and they both wear bow ties. If Charlie is a reflection of Alastor then wouldn't that mean he does technically love himself by loving Charlie? He could be Charliesexual.

Not saying Viv will change her mind. She already chose her endgame. BUT what if Prime and Viv compromise and we get to have one sided Charlastor where Alastor admits to someone or even directly confesses his romantic love to Charlie herself (without actually trying to steal her from Vaggie)?

[foreverunraveling]

Is it just me, or does Young Royals really love to scare us, lull us into a false sense of security, and then pull the rug out from underneath us (in a way that's much worse than the original threat)?

For example, you see August clocking Wille leaving the movie before Simon in episode 2.

You (if you weren't too distracted by the scene itself) might have worried that he might show up when they were having their first kiss there. But he didn't. The show consciously created that tension and then relieved it as a foreshadowing of the much worse version of that to come later.

That tension is recreated at the end of episode 4 when August is shown outside a window at Forest Ridge.

There's a brief moment of relief--he's at Alex's window, not Wille's. While you know deep down where this has to be going, you still have a kernel of hope. And then even when he does make it to Wille's room, you can't tell it's a boy (let alone Simon) for five full seconds. Hope tries to stay alive. We all know how it ends, though--that tension snaps right back into our faces when August spots Wille and Simon moments later.

This happens on a different scale with Wille and Simon's planned weekend together in episode 3. When Wilhelm tells Simon that August will be staying at Forest Ridge, that introduces a tension of "will they get their weekend together?"

That tension of "will they get their weekend together" is relieved when Wille asks if he can come to Simon's in Bjarstad, only to AGAIN snap right back into our faces when a much bigger problem surfaces--Erik dies. So, they don't get their weekend anyways.

Hell, there's even a hint of this in episode 2 when August walks in on Wilhelm looking at Simon's Instagram before rowing practice. He doesn't actually see what Wille was doing, though--so it's okay--and he ends up taking a call from Erik.

In another way, this happens with Wilhelm and Felice's relationship from season 1 to season 2. She initially kisses him in episode 3, and we worry that he might just go with it. He doesn't, though. What a relief. In the next episode, though, once he's crown prince, Wilhelm is publicly flirting with Felice (despite her relationship with August) over how "cute" she looks in a video. But our worries about this fade with the release of the video and Felice's support into season 2...

Until they actually almost hook up in the third episode, that is.

And it's definitely not limited to Simon and Wille and their relationships. It comes up with Sara and August too. When he initially kisses her in episode 4 of season 1, you might worry that maybe Sara will respond in a less-than-healthy manner, or that she'll keep what happened to herself instead of telling Felice. Sara rebuffs him, though, and tells Felice about what happened in the stables later that episode.

Tension introduced and relieved, so we move on. But then in the final episode of season 1, Sara goes to August's room to confront him about the video. And she ends up kissing him. In season 2, they end up being in AN ENTIRE SECRET RELATIONSHIP that Sara keeps from Felice. The original fear that you might have had about August twisting his way into Sara's heart was well-founded, it seems.

There are also smaller examples. Like when you see Erik driving incredibly fast in episode 1, or when you see Wilhelm riding on the scooters with Simon, Rosh, and Ayub in episode 2, some people worried there might be some kind of accident. (He was going hands-free, for fuck's sake.)

Well, in both of those instances, everything turned out okay, while Erik's actual offscreen accident in episode 3 obviously did not.

The anxiety about Marcus catching Wilhelm and Simon kissing at the Valentine's party is momentarily alleviated when it looks like him and Simon are going inside, but then Marcus turns around and sees Wille (not to mention he sees Simon eyeing Wille throughout the entire song and during the applause).

Let's not even get started on the drugs. We thought that storyline was resolved, gone, done away with after Alexander was seemingly expelled during season 1.

But then he's back in season 2, and the question of whether anyone will tell Alex that Wilhelm was the one to pin the blame on him arises. It seems a minor issue--given that Alexander wasn't actually expelled, and he seems to like Wille, we don't necessarily expect it to matter all too much. In episode 6, though, the "drug thing" is back at the top of our list of problems. We thought that this had been dealt with! That we'd gotten past it!

But it's worse than before--there's a pill bottle with Simon's father's name on it, and August has it! August has a potential witness behind him (Alex) and is threatening to tell not just the school, but the cops!

Don't worry, though, the tension is relieved when Simon tells Wille he's not going to report August to the police... for approximately six seconds until we see that Sara is reporting August instead.

Anyways, following this pattern, you can draw some really interesting potential conclusions about season 3 based on some of the big tension reliefs that have occurred over the past two seasons. Not saying that any of these will happen, but I'm preparing myself for anything:

Wilhelm has some sort of drug OD—like Simon (and some of the audience, probably) worried on the night of the Society party. This is one I'm really hoping doesn't come up.

Wilhelm actually kills August—when Wilhelm puts that gun down, it's a massive relief for most of us (also the characters present). This would just be... wild. And would explain Omar's tweets about how crazy the season is, I guess.

Sara outs Stella's crush on Fredricka, like she was threatening to do when Felice was moving out of their room at the Manor House. Istg if she does this I might lose it.

Wilhelm's mother dies. This was definitely one idea on some people's minds when Wilhelm takes that call that turns out to be about Erik in episode 3.

Wilhelm actually abdicates. This is definitely a threat made in season 2 that was later assuaged. I'm pulling for Wilhelm taking the throne only to abolish the monarchy. That might be a bit too optimistic on my part, though.

ALTERNATIVELY, August gets the throne. They teased us with this when Wilhelm almost didn't give the speech. August was literally walking up to the podium when Wille leapt up to take his place and momentarily rescued us from the notion that August was going to be ascending the throne.

Wilhelm and/or Simon and/or Sara get pulled from Hillerska. After the video, both Simon and Sara were potentially not going to return to the school. Simon was even late for the first day back, when he missed the choir performance. And Wille was almost physically removed from the school in episode 2 of season 2. Given the statement in the trailer about the school potentially shutting down... this one doesn't seem like too much of a long shot.

It's hard to say what any of this could mean for Simon/Wilhelm's relationship—I mean, in season 1, we had about six instances where we thought we'd get Simon and Wilhelm together and originally didn't (the first music room scene, the conversation after Erik's memorial, the second music room scene/drug situation, the video leak, Wilhelm LYING about the video leak).... the reasons kept getting worse and worse, until there's a release of tension when Wille says he won't deny the video—only for it to be far more crushing when he does deny it having promised otherwise. It seems like there's a new, bigger problem every time they turn around. So far, they've overcome all of the obstacles they've faced (honestly, I don't know how)... but I can't imagine that they're about to be facing an easy course based on that trailer.

Anyways, these are my meandering thoughts about some ways that we can try to guess at what we might have coming based on the show's patterns and its use of foreshadowing. Like I said, I'm just trying to mentally prepare myself for some of the wild-ass shit that might go down. So these are some crazy scenarios based on a few fake-outs that we've had so far. I'm still hoping that they don't take the smallest, most hopeful bits of seasons 1 and 2 and crush them in season 3....

[mellonieee]

Every single time Foop/Irep has ever interacted with and/or mentioned his parents

(OG FOP only because he hasn't talked about them once in A New Wish. That might change in season 2 if they decide to include the antifairies more. I love this family and their non-existent relationship ♥️)

I go into quite a bit of detail here so I'll put the rest under the cut!

1. Anti Poof (Season 7, episode 1)

This was the only episode his parents showed up on screen with him. But it's important to note how Anti Wanda and Anti Cosmo react to his existence in the first place. They're excited!

They both want this child! Anti Cosmo starts the episode bemoaning the fact that there isn't an anti-poof and that he wants equality for antifairies. (Poof/Peri has existed for an entire season at this point.)

I'm assuming it's just the case of antifairy pregnancy possibly being longer than fairy pregnancy and the fact Poof/Peri was made through a magic wish unlike Foop/Irep that they weren't born around the same time, but who knows how any of that even works. But regardless of that, his parents are both overjoyed when Foop/Irep is born--Anti Wanda's love for her son is out of the question, and Anti Cosmo only gets mad at his son once Foop/Irep goes out and ruins anti fairy world, not in any other instance does Anti Cosmo act mean to Foop/Irep, even when he gets zapped twice by him, AC merely reprimands Foop/Irep by telling him that he needs a nap.

Gotta love the ending where his parents get him a cake and want to break him out of jail. Baby's first jail time!

Irep/Foop's second appearance Playdate of Doom (Season 7, Episode 22) doesn't have any mention to his parents, sadly. And oddly enough, this goes both ways with his parents. Anti Cosmo and Anti Wanda appear in Balance of Flour (season 7, episode 29), which was their last and final on screen appearance in the original show, and they dont mention their son at all. It's noticably weird because Poof/Peri was there the entire time. Despite his parents disappearing off screen, the start of Anti Cosmo and Anti Wanda getting mentioned does start the next season after.

2. Love Triangle (season 8, episode 1)

(I'm going to just refer to Irep and Peri as their current names from now on instead of using both because it gets tedious.)

Irep's Kelly Clarkson lunchbox aside--in this scene he states that his Mother packed Anti Venom in his lunch as well as his chicken nuggets. I like to think this means Anti Wanda packs his school lunch regularly because that's cute.

These constant mentions of his parents from here on out are notable because it means that even though they don't show up, heck, they don't even show up in the episode Spellmentary School is introduced despite Cosmo and Wanda being there and that being the perfect opportunity to use Anti Cosmo and Anti Wanda, it's being implied and shown that Irep is still in the care and custody of his mother and father.

Despite showing up in season 9 by himself, Irep does not mention either of his parents again after the first episode of season 8, but it's still shown that he lives with his parents in their castle.

(image fromThe Terrible Twosome, Season 9, Episode 6)

3.Return of the L.O.S.E.R.S. (Season 10, Episode 7)

Irep starts mentioning his parents again starting in season 10. In this scene he states that he's in timeout for now because he put spiders in his father's food. If I wanted to get nitpicky about this, Love Triangle implies antifairies actually eat spiders and don't seem to mind.

Irep continues to mention his parents in a few season 10 episodes after this.

4. Blue Angel (season 10, episode 13)

Irep mentions that he took his rich father's credit card and used it to buy a bunch of cars to destroy the environment. I don't doubt Anti Cosmo has a ton of money considering he's the leader of the antifairies, but there's no way he actually gave Irep that card willingly lol. Outside of that the Chloe and Irep interaction in this was nice, the only part of the episode I really liked.

Irep continues to show up in season 10 after this episode and does not mention his parents in any other appearances outside of his last one. Which is episode 35...

5.Certifiable Super Sitter (season 10, episode 35)

Certifiable Super Sitter is that one episode with the Vicky chainsaw image that people keep ragging on because it breaks every established rule. Peri doesn't show up at all for this entire season until this episode. The in-universe reason is because he was at school the entire time, the writing reason being because of too many characters. Despite this, Irep shows up more often than his own counterpart.

Irep states the reason he came over is because "his parents left without leaving him a forwarding address again."

Again? What does he mean by again? He's literally been living in Anti-Cosmo's Castle the entire time. These screenshots are from the exact same season. And there has been nothing to imply that Anti Wanda and Anti Cosmo even moved out of the castle in the first place. The castle in literally still in Anti-Cosmo's name. Even after they stopped appearing, Irep's mentions of them implied that they all still lived in Anti-Cosmo's Castle. How else would Irep be getting his lunches packed by his mother, how else would Irep have gotten in trouble for putting spiders in his father's pasghetti?

Anti Wanda attached herself to her son as soon as he was born and called him "Sweetie." (Anti Poof) Anti Cosmo literally cried over not being able to have a godchild. (The Fairly Oddlympics) I don't think they would purposely do that.

If Irep never mentioned his parents outside of Anti Poof, then I guess that could be a way to explain their absence? But it just doesn't make sense. He kept bringing them up. His parents were in his life. Like I'd even take the explanation of 'Anti Cosmo and Anti Wanda had an offscreen 3 season side plot where they get hunted down' or something crazy like that. What happened???

[sunshine-theseus]

Meme Girls | Zecira Mušovic x Reader

Words: 2.7k Summary: doing a video with Zecira leads to a lot of unnecessary angst Warnings: angst, poor early a.m. writing request for - @wosofanfics note: y'all i'm sorry if this sucks. it has been proof read but i'm literally half asleep and it's 1:15am. i hope it's good.

“Welcome back to another episode of Meme Girls.” Laughter breaks out across the room as Zecira tries to introduce the video, tripping over her own tongue.

Aggie and I are sat on bean bags facing each other, Zecira between us. We were supposed to doing a football challenge with some of the other girls for someone’s YouTube channel but whoever was supposed to be joining the goalkeeper here had to pull out. That left us.

“To my- stop laughing! To my right side, Agnes Beever Jones!” I give a small cheer and clap as Aggie throws her hands up in the air, all of us laughing simultaneously. The camera man gives us a dirty look, a sign for us to hurry this up.

“And to my left,” I give her a wink when Zecira turns her head to look at me.

“Y/n, the hotshot, L/n!” I can hear some of the girls outside the door, cheering on as well as they pass by, some even whistling.

“Why does she get a cool nickname? That’s not fair.” Aggie complains, adjusting herself in her beanbag to look at me.

“I’m simply better.” A cheshire grin is thrown her way.

-

“When Emma tells you training is cancelled because of the rain.” The prompt is arguably quite easy but we both spend some time contemplating which photo suited it best. Aggie holds up a relatively old picture of Fran, clearly walking off the bus for a game, her thumbs are up, and earphones are in.

“Completely chill. A day to relax and have no worries, spend time with friends. Whatever you want.”

“Nah it’s time to celebrate. That call is rare and I’m appreciating every damn second.” I rather aggressively pull my photo from the stack of cards. A picture of me from last season after a UWCL game against Lyon, my shirt clutched in my hands as I knee slide into the corner after scoring the winning goal.

“Wow. You look really good there.” Zecira’s voice is pretty alluring as she compliments me, and I turn a fiery shade of red.

“This isn’t fair. Z is going to pick you because you’re in love or whatever.” The young striker whines.

“You and the fans with those stupid speculations. We’re just best friends.” I avoid looking at Z as I try to jokingly tell Aggie off, her eyes rolling at my denial. What I do miss is the light that dims in Zecira’s eyes as I say it.

“Whatever you say.”

We’re given a few more prompts before the media manager calls time. I end up winning 3-2, Aggie tossing a fit by throwing her cards at me. Her fake childishness is scolded by one of the onlookers, clearly too serious in comparison to us, but we only continue to laugh as we stand from the bean bags. I take hold of Zecira’s hand to help her up as well but pull too hard, the Swede falling forward as I rush to catch her. My hands slip under her shirt as I grab her hips and both of us blush a deep red as I try to apologise, trying to forget the feeling of her skin beneath my hands.

-

The next few days between Zecira and I are awkward. Between the tripping situation and the comments from Aggie, our relationship had been strained and neither of us wanted to bring it up, so we didn’t talk at all. The things fans had to say under the video didn’t help.

‘Zecira and Y/n are definitely dating right?’

‘Find someone who looks at you the way Z looks at Y/n’

‘New favourite friends to lovers.’

They were funny, sure, but untrue. At least that’s what I told myself whenever I looked at my best friend, dark hair tucked behind her ears while laughing at something Guro said, and I felt jealous. Or when I go to score a goal in training and she dives for the ball, her shirt riding up and the tight muscles of her abdomen flashing briefly, and I can feel my face heat up and my stomach tighten.

And eventually, due to popular demand, I’m back in another video, facing Sam in a ‘Meme Girls Championship’.

“Welcome to the Meme Girls Championship. Today we have the two winners of the previous games, Samantha Kerr and Y/n L/n. Are you ready?” Sam lets out a guttural scream and I simply nod, trying not to freak out about the tingle in my leg where Zecira and my legs touch.

“Here we go. When you make a tackle outside the penalty box, but the other team still get the penalty.” I flick through my cards, searching for the best one, but Sam is ready in no time.

She holds up a picture of Zecira and Ann-Katrin, standing side by side with sour looks on the faces. It’s good enough for a chuckle but I’m certain I can get a better one. I eventually land on a picture of Jessie. She’s dressed in an old training kit, hands covering her face, clearly disappointed in something.

Zecira takes a moment, looking back and forth between the two photos we’re holding up.

“Zecira. You’re in it.” Sam gives her a side eye, hinting at the fact she thinks she should win.

“Wifey Z. You know this is the better one.” The nickname had been a running joke between us for some time, so neither of us think much of it, despite the obvious fact we probably both wished it meant more.

“Mmmm, I have to go with Y/n’s.”

“No! These cards are unfair! I used that last time and you picked Jessie’s one of me breaking my shoulder!”

“Get wrecked Sammy.”

-

The comments under that video are unexpected. I don’t remember doing anything that would elicit any ‘couple’ comments, yet they were full of them.

‘I think Y/n just accidentally exposed their relationship at 1:17’

‘WIFEY? She knowwws. They’re definitely together, you don’t just call someone your wife.’

So apparently, I did imply we were a couple, but it was from a simple misunderstanding. The issue that comes with that is the inability to deny it. If you deny it, fans assume you’re hiding something, and obviously there was nothing to confirm, so we had to live with it.

Turns out it was hard to live with. Anytime either of us posted, those comments would pop up, asking us to confirm it. At games there were fans shouting it out. Even the girls began speculating whether we’d been secretly hiding a relationship for who knows how long. It was beginning to get tiring, especially when I have feelings for her.

I wanted nothing more to just go up and kiss her and tell her how much I like her, then the comments could be true, and I’d know that. Hopefully it’d also mean I’d get to hold her hand as we walk side by side and kiss her good morning every day. But I was certain she didn’t feel the same, so that was that.

~~~~~

It took a week after the video was posted for things to go back to normal within the team and between Zecira and I. Occasionally Millie or Jess would jokingly ask us ‘how the married life is’, or something along those lines, and we’d all just laugh.

It was a tradition between me and Z, that after a London derby, we’d pick a nice restaurant and go out for dinner. Both of us get dressed up and walk out of the stadium together, sign a few things and go. It started in 2021 and we hadn’t missed a dinner since. So obviously that’s what I prepared for when we had a derby coming up.

I had a new rusty orange, satin dress that I’d brought in preparation for the dinner. Hanging it on the rack in my cubby before I got changed into our warm-up kit always made me a little nervous, aware of the casual outfits that adorned everyone else’s wracks. I didn’t bother looking over at Zecira’s space, expecting her outfit to be hanging like it always was. Perhaps I should have.

-

The game was tough as always during a derby, and very physical. The likes of Katie McCabe and Caitlin Foord made it difficult to stay standing if the ball was at your feet and I knew I was likely to come out with bruises from the start. I must say I didn’t expect the black eye that began swelling after an elbow to the face from Lotte.

By half time I looked a wreck, and Emma was prepared to sub me off if they didn’t let up by 60 minutes. I’d lost count of the number of bruises that had begun developing on my legs and arms, even my torso was sure to be black and blue, and admittedly my eye was somewhat hard to see out of. I was also limping, a studs up tackle from Katie landing on the inside of my right ankle making the tissue rather tender.

“You’re going to look like that blueberry girl from Willy Wonka soon.” Zecira jokes as we make our way back out to the pitch.

“Heh yeah, dinner might be a little awkward for the other people around.” I get a smile back before she makes her way to the goal, and I head to the middle of the field to meet with Erin to do some short drills again.

-

The game ends in a tie. 2-2 across the board. I gathered more injuries as the game went on but nothing that wasn’t more than superficial, and I was buzzing to sign a few things and take some pictures with the fans before heading back and dressing up for dinner with my best friend.

Then I see them. Zecira is only a few people away from me at the barrier, talking to a guy. The conversation seems very interesting and sweet, nothing more than a footballer meeting a fan. Until they kiss. So, as her best friend, I make my way over. Why had she never mentioned him?

“Hey Z! Who’s this?”

“This is Tom. We’re dating, nothing official yet. He’s going to take me out for dinner tonight.” It’s hard to be upset when you see the smile that spread across her face. Her dimples were showing and there was a sparkle in her eye. But I wasn’t one to just let someone break a tradition after 2 and a half years.

“Tonight? What, after we go to dinner? You know, at the restaurant we’ve been waiting for a table at for months?”

“N- no I mean right after I get changed.”

“We always do tonight Z.” I start to seethe through my teeth.

“Well can’t you go like tomorrow or something?” I understand Tom was trying to help. I can only assume he wasn’t aware about the years long tradition between the girl he’s dating and her best friend. But I could imagine that if we were in a cartoon, steam would be coming out of my ears and my arm would be swinging, getting ready to knock him out in one hit.

“Uhhh, no. No we cannot. Because not only does it take months to get a table, we have to go tonight because it’s tradition. Routine. We’ve never missed a derby dinner once Zecira and like damn I’m going to let us start now. Not for some guy.”

“Common it’s just one. It’s not that big a deal. I’ll make up for it I promise.”

“Make up for it? There’s no making up this dinner. But have fun with Tom. I guess I’ll go get real dressed up, eat portions that are far too small and drink much too expensive wine by myself and be thrown looks all night. See you in training.” As I storm off, I catch glimpses of the remaining crowd that is yet to trickle out and realise perhaps I should have waited.

Now embarrassed as well as angry, I run down the tunnel in desperate search for an empty room. I eventually stumble into one and slam the door closed and lock it. The walls rattle and I hear something fall off one of them, but I find it hard to care as I search for the light switch.

Once I find it, it’s hard for me to hold back all the emotions that have been building up over some time. I rip my boots of and throw them at the door with all my might. I’m surprised the window doesn’t shatter.

“Stupid fucking feelings. Stupid fucking dinner. Stupid fucking Tom. Stupid fucking game.” The list goes on for some time as I cry, broken up every now and then by a scream.

Eventually I slump to the floor in the middle of the room and sob. My chest heaves and I struggle to breathe as I cry into the ground. The bruises and black eye are long forgotten as my lungs struggle to expand, and I begin to panic.

‘This cannot be fucking happening right now no no no.’ a panic attack is the last possible thing I need and I’m in a random room all alone. No one knows where I am. Everyone could have gone home by now.

My head is pounding. Or maybe it’s someone at the door. I’m not sure. I don’t have the energy to figure it out.

‘I hope someone finds me soon’ is probably the last thought I’m aware of having. But then someone’s arms wrap around me. Their perfume is familiar, but I can’t quite place it as they hook an arm beneath my knees and another behind my back. Most of my surroundings are lost, sight blurred and hearing fuzzy as I try to draw in more air, so I don’t know where I am until I feel a mattress beneath me.

I could identify the medical room beds in my sleep, and this was definitely one. After a few minutes of just resting there, my breathing started to slow and I came around. Newly aware of a hand gripping my own, I turn to the person beside me.

“Zecira? What are you doing here? You have dinner with what’s his face.”

“You’re more important. And, what you said on the field… you’re right. I was wrong in breaking tradition for some guy I’m not even really into. It’s- it’s just…” she trails off with a sigh.

“It’s just that, I needed something to take my mind off you.”

“Off me?”

“Yes. Look, after those videos we did on media day, and the one after, I couldn’t fathom the idea of me telling you how I feel and you rejecting me. I like you so much but I know you don’t like me back so I started going on dates. Tom was the only bearable one.”

“Wait wait wait wait. You think I don’t like you? Zecira, there aren’t enough words to express how much I like you. Seeing you with Tom, it, it made me mad about the dinner sure, but I was also jealous. I want to be the one kissing you and taking you on dates, holding your hand, celebrating a win.”

“What?”

“Kiss me you fool.” The angle is poor but despite it, we lean toward each other until our lips are connected.

It becomes quite a hungry kiss, but I pull away before it can get too heated, smiling at the girl in front of me.

“If we get ready and leave now, we could still make that reservation. Make it our first date?”

-

That’s how we end up hand in hand, waiting to be seated. The satin gown hugs me perfectly and compliments Zecira’s sage green dress.

“I’m really sorry for bursting up on you. Especially on the pitch.”

“I deserved it.”

“No you didn’t. Maybe you should’ve told me in advance but it didn’t warrant that reaction.”

“I should’ve spoken to you about what was going on.���

“Kiss me and we call it even?” her hair falls around our faces as she leans down to kiss me. It’s gentle and sweet and tastes like her vanilla lip gloss. Life feels good when you’re in love with your best friend.

[lurkingshan]

Japanese QL Corner

We are heading into a bit of a quieter period for QL corner, with two shows ending now and another next week. At least we still have a true banger airing to sustain us through the drought. Smells Like Green Spirit is also now airing in Japan but has not yet been picked up for international distribution (pray for it to get to us soon). These shows are available for weekly streaming on Gaga unless otherwise noted.

Happy of the End

CWs: Blood and gore, child abandonment, child molestation, childhood sexual slavery, death, family rejection, heavy scarring, human trafficking, rape, sexual coercion and exploitation, suicidal ideation, suicide mention

This week was relatively lighter compared to last week's very rough episodes, but still so laced with sadness even in its happy moments. Haoren mourned his mother, and finally admitted to himself, and to Chihiro, that she was never protecting him. The show dug deeper into how this bond between them is giving them both a reason to shake off their apathy about survival, though that is definitely touch and go for both of them. The way Haoren experienced a few moments of happiness and immediately jumped to the conclusion that he would like to die now because he'll never top this feeling was telling, as was Chihiro casually laying down in the street and not moving until Haoren dragged him away. They don't have any real hope for a better life, but they each seem more invested in the other's survival than their own, and that is giving them something to cling to. It was nice to see them have some moments of trust and connection between them, and for Haoren to finally feel safe enough to strip himself bare, physically and emotionally. I'm bracing for a rough final week, with Haoren's former enslaver coming after Chihiro in a bid to destroy the source of Haoren's new happiness. I don't really know what to hope for in terms of an ending for these characters; I just hope the show can leave us with the sense that their relationship mattered and gave them something they can each hold onto.

Love is Like a Poison

This episode had me screaming with laughter and delight. Haruto can read his Ryo-kun like a book, and Shiba can't seem to figure out which way is up. I don't even want to describe all the hilarious gags and sexy tension and extremely unsubtle metaphors in this episode; I don't want to ruin it for anyone. Go watch!

Chaser Game W 2

Of all the great JQL we've gotten in the last year, why this one got picked up for a second season I could not tell you. I was less than impressed with season 1, and I don't have high hopes this next go round will be any better. Especially after watching the first ep of this new season, in which they unceremoniously undid the ending of the last in a laughably silly way only to introduce a new, more annoying conflict. They could have made something of a story about Fuyu trying to work out a way to manage her family life to be with Itsuki, but they'd rather hand wave that away via gay penguins in favor of a new love triangle. Whatever, show. Here we go again, I guess! I’ll be watching this one mostly to support the ratings.

Tagging @bengiyo to do our last anime update for the next little while, as Twilight Out of Focus has officially ended its run and there is no new animated ql on the horizon.

[amuseoffyre]

Since insomnia is kicking my arse of late, I naturally tilted into the thoughts about the nature of the 3-act structure and why S2 of OFMD may have felt off and incomplete to a lot of people.

I am fully in agreement that we lost a lot of valuable time with only 8 episodes and a lot of it did feel rushed, but for the amount of story and set-up and growth and development they needed to fit into 4 hours of television, they did astonishing things.

DJenks has said from the very start that this is a story that has been planned out to take 3 seasons. It's literally a 3-act play and we are currently right in the middle of the worst part of that timeline according to every traditional 3-act structure.

Act one/season one is self-explanatory. Like New Hope in the Star Wars Trilogy or Fellowship of the Ring, this is the set-up. We're introduced to our protagonists and antagonists, the relationships are given a foundation.

The beginning is Stede's journey to becoming a real boy. The inciting incident, the one that actually pushes his change beyond "playing pirates" is meeting Ed. The second thoughts come together in episode 8/9 after his confrontations with Jack and Chauncey and episode 10 is the climax.

Act 2/season 2 is never going to be as smooth and simple as act 1/s1. A big part of the A2/S2 job is set up for A3/S3 and this is what we're seeing and why a lot of story threads seem to have been left dangling.

Again, to call back to Empire Strikes Back and The Two Towers, the structure is much the same: the original batch of people are divided and scattered, the big enemy from A1/S1 is looming, new allies make themselves known. In SW, this meant the introduction of Lando and Yoda as allies plus the hint of the Emperor lurking in the background. In LotR, we have the Rohirrim, Gondor and the Ents as allies and the expansion of Sauron's forces in Helm's Deep, Osgiliath and the winged wraiths.

There's a clear trajectory following the A2/S2 structure:

obstacle 1 - the crews separated and struggling

obstacle 2 - the end of episode 2 and the repercussions of his actions

twist - just when things start to settle, the Ned Low situation happen and Stede kills for the first time

obstacle 3 - Ed's struggle with his identity leading to him leaving

disaster - Ricky's assault on the Republic

crisis - do-or-die battle because they have no other choice

climax - the last 15 minutes of ep. 8 live here.

As with SW and LotR, there's an ending, but weighted with the knowledge of a story that is meant to continue. Each of those act 2 films end with the heroes still aware of the looming threat, some of them heading out on new missions, and some of them resting and healing. There's brief pause, brief respite, a moment to take a breath.

We have all the characters in place now and the battle-lines have been drawn. Luke still needs to confront Vader (I see you, impending Ed and Hornigold confrontation), Frodo still needs to destroy the ring, Aragorn still needs to lead the army against the Black Gate, the second Death Star is still hanging in the sky.

I'm so excited to see what S3 brings because we have so many arcs ready to go: Zheng's vengeance trip, the inevitable enforced out-of-retirement arc for Ed and Stede, Hornigold, Ricky trying to maintain his tenuous control of the republic given how many of his people were killed when the crew escaped, the pirate rebellion gathering forces.

Also how often do we get shows/films where the supporting cast are given this much storyline? We have a named/speaking-role cast of upwards of 15 central characters. That is a staggering amount of people to work with, when most shows would only focus on the leads and a couple of their friends. Six is the average for most TV shows, while comedies can inch higher because ensembles, but most ensembles don't get as much as our crew did.

I know a lot of people aren't happy about Izzy's death. I know I would have liked to see him a lot more, because he's such a grumpy old bitch and I love him and him affectionately roasting Ed and Stede would have made my entire month. But I'm also aware that narratively, as a figurehead of the old ways of piracy and "we were Blackbeard", it was a symbolic death as well - a sign of the death of the old ways of piracy and of Blackbeard as was.

(Also, they Obi-Wanned him. I'm not over that. Gave him the "if you strike me down I will become more powerful" speech. I'm just... guys, your star wars nerdery is showing XD)

So while it was flawed in places and pacing, given the scale of the story they're telling, the number of pieces and characters they had in play, and the arcs they have been setting up while also still keeping the humour, I am giving a standing ovation for a remarkable piece of work.

[cluelessrebel1988]

If I Ran The Zoo (or how I would plot out an Animorphs TV/streaming series if I had the time/ability/resources)

So this is something I've been kicking around in my head on-again, off-again for a couple years now, and I thought I'd put it out there, just for the lols (do people still say that?)

My thought process is for a 5 season arc, with each season being somewhere in the neighborhood of 13-15 episodes long, give or take. There would be a few changes with the order of things, and a few minor characters would play a bigger role. I'm not going to go episode by episode, but just sort of outline the big arcs for each season. I'm not in any way suggesting that this is the best way to do it, just that this is how I would do it.

Season 1

This season obviously would start the events of The Invasion and would primarily incorporate events/plot points from the first 10 books, including finding Ax in his crashed ship (though I would move that to either take place in the first episode, or in the second half of the two-part premiere), Tobais getting stuck in his hawk form (and getting an episode or two dedicated to him coming to terms with that), and introducing Erik and the Chee (Erik would be introduced as a friend of Marco's early in the season, with his identity as a Chee being revealed in the second half of the season).

The only major plot point from that run of the series I wouldn't put into play just yet is the reveal of Marco's mother as Visser One (although I would be very much establishing her through flashbacks, dreams, etc., so people will recognize her when Visser One does show up).

The main arc of the season would involve the Kandrona Ray and the events of The Stranger, with the team meeting the Ellimist and learning about the ray and its significance and plotting to take it down to try to end/expose the invasion. Erik and Ax tagteam providing info about the ray and its use, but it's the vision from the Ellimist that gives Rachel the final clue, again, as in the book, with that occuring at the end of the penultimate episode. The season finale is solely focused on devising and executing the plan to destroy the ray. The plan would succeed, which would prompt Visser One's return, revealing her host to be Marco's mother as the cliffhanger for the season.

Obviously, we would be exploring the kid's home lives more, with the relationship with their families and friends and the whole 'work-life balance' thing that comes with fighting a guerilla war against an alien invasion. Not to the point where they're having to fake illnesses to skip school every episode, but enough to show that it's putting a strain on their relationships. I would also explore Rachel's relationship with Melissa Chapman more and have Melissa be a bigger supporting character in the show. We'd also introduce Karen and Aftran in this season, revealing her to be a controller early on, but something that Cassie doesn't find out until the end of the season

Season 2

Season 2 would pick up a few weeks after season 1, as The Alien did with The Stranger. The kids learn that their hope that the invasion would reveal itself with the Kandrona ray destroyed were in vain and that Ax knew that. The premiere would largely follow the plot of that book, with the Animorphs attempting to integrate Ax into society and attempting to take the fight to Visser Three with the help of a Yeerk traitor, and Ax telling the others about the Law of Seerow's Kindness. Ax would get a lot of development this season, with the events of The Deception coming into play.

Tobias would help free the Hork-Bajir as in The Change and get his human form back as a morph, and the reveal that he is Elfangor's son would be included in this season as well (Obviously we're tapping into the Andalite Chronicles for flashbacks in at least one episode this season to help set that up).

Marco's main character arc would revolve around learning that his mother is Visser One, keeping it a secret, only to have the others find out later, thus incorporating The Predator and The Escape. Also Visser One is the big bad for the season, delving more into her conflict with Visser Three. The season would end with her supposed death following the Animorphs' thwarting of her plans

For Cassie, we cover the utilize adapted versions of The Departure and set up for The Sickness, with Karen/Aftran and Cassie perhaps getting trapped somewhere and forced to work together to get out of it, laying the groundwork for Aftran to be captured by Visser Three. The season finale would also center around the efforts to rescue Aftran.

Jake and Rachel will have arcs and roles to play in each of these stories as they each start to fall into their respective roles as leader and fighter, respectively. If they get their own arc, it would be around trying to save Tom specifically.

Additionally, Melissa is still around in her expanded role, but with a new friend: David, who would be introduced fairly early in the season in a recurring role (Melissa is also recurring at this point). She and David will have a B-plot where they become friends and are together when David finds the morphing cube, the discovery of which also occurs in the finale.

Season 3

Obviously, the primary source for the main arc of season 3 is the David Trilogy, with The Discovery in particular serving as the source for the season premiere. It plays out mostly the same, with the Animorphs learning that David and Melissa have the cube and plans to sell it online. They try to retrieve the cube before the two of them can attract the attention of the Yeerks, but ultimately fail, leading to the battle at David's house. They manage to get Melissa and David out of the house before they can be captured, and are forced to reveal themselves and tell them what's happening, essentially recruiting them into the Animorphs.

The events of the rest of the trilogy, with the threat to the UN summit or some similar event involving world leaders as a target that they have to keep the Yeerks from taking advantage of -- as well as with David and Melissa's reactions to being Animorphs -- would take up the majority of the plot this season. Obviously Melissa becoming an Animorph opens up some new potential for her arc, especially around her relationship with her dad and trying to come to terms with him being a controller (and the fact that Rachel has been keeping this a secret all along). She and David would have similar arcs around their parents being controllers, but while David ultimately turns against the Animorphs, Melissa does not (although David tries to convince her to). The season ends with the gang trapping David in a rat morph, as the books do.

One of Melissa's major character traits is her interest in technology, something she used to bond with her father over (working together to take things apart and then put them back together before be became a Controller to try to keep her safe) and I imagine her and Ax developing something of an awkward friendship as she tries to ask him about the morphing technology and other Andalite technology, with him being reluctant to share due to the Law of Seerow's Kindness. But, as he's grown closer with the Animorphs, he would eventually acquiesce and they would begin to bond. The two big relationships (Rachel and Tobias, and Cassie and Jake) also take major steps this season

The other major arc for the season involves other Andalites, incorporating The Arrival and The Other, with the reveal that other Andalites are on earth and some are there to help...or are they? The season would also end with Tobias getting captured by the Yeerks to begin the laying of the groundwork for the discovery that the Animorphs are not, in fact, Andalite bandits.

Season 4

The events of The Illusion and The Test would be adapted for the season premiere, including the introduction of the Yeerk resistance (led in this series by Karen/Aftran) and Tobias's capture and torture, with the main difference being that it is Tom (who has largely been a secondary or tertiary villain thus far) being the one who conducts the torture. During the interrogation, Tobias lets something slip that most of the controllers in the room don't pick up on, but Tom does, leading him to investigate and setting up for the finale, which would be largely and adaptation of The Diversion, with the race against time to save their families taking up the majority of the episode. Melissa is able to save her parents, her father proving to be an asset in the final season with his knowledge of how Yeerk technology works.

This season as a whole would focus on escalating the war between the Animorphs and the Yeerks. The stakes become higher, as are tensions following David's betrayal. Visser One returns, learning that Marco is one of the Animorphs and we incorporate the events of Visser, seeing the Animorphs rescue her.

Following Tobias's capture and torture, Rachel becomes more angry and vengeful, setting up for her arc over the final season (we've seen hints of her violent streak over the series up to this point, but it gets more intense this season).

Season 5

With their secret out, the Animorphs regroup in the Hork-Bajir valley and try to figure out their next move. The final arc of the series would play out largely how it does over the course of the final books, with the team recruiting more Animorphs to help them with their mission, and even trying to recruit government and military officials to aid in the fight. Tom gets the morphing cube, adding controllers with the ability to morph (other than the newly appointed Visser One) to the threat against the Animorphs. The final battle would be a multi-pronged attack, with the bombing of the Yeerk Pool being part of the final assault and not a separate battle.

Rachel gets aboard the blade ship and kills Tom before being killed herself. In an effort to make up for the harm he caused, Hedrick Chapman sacrifices himself to both ensure the Yeerk Pool bomb goes off and to save Melissa one final time (the pair of them were in charge of building/detonating it, along with Ax), and Jake orders the flushing of the Yeerk Pool on the the Pool ship, alienating Erek and the rest of the Chee going forward. All of this is in the penultimate episode.

The series finale follows the aftermath of the war in The Beginning, and, as the books did, the series would end with Jake, Tobias, and Marco (and probably Melissa) being recruited to help save Ax from an as-yet unknown threat.

And there you have it, my outline for how an Animorphs series could/should play out. As I said at the start, this is just my idea and others might have different thoughts about what order the arcs should go in and what significant changes (if any) would be made. Please be kind with any criticisms, and if you'd like to share your thoughts with me, my inbox is open. I also did a fancast for the series a few years ago if anyone's curious about who would play who

[ladyluscinia]

Ok, I think I might be exiting the "are you fucking kidding me?" period and ready to make a real argument, so lets talk about Three Act Structure!

Is OFMD S2 just the "Darkest Hour"?

A very common explanation I've been seeing for some of the... controversial... aspects of S2 is that it's meant to be that way. That the middle act is where the protagonists hit their lowest point. Where we get the big failure point. Where everything looks kind of shit.

S2 is supposedly just that point. It's The Empire Strikes Back. People have been making that comparison since before the first episodes even dropped, telling everyone to expect something that could be disappointing or unsatisfying - it's just a matter of needing to wait for S3 to pull it all together.

It's not a baseless framework to consider the show through - I'm pretty sure David Jenkins has mentioned it in interviews (or at least mentioned he planned for three acts / seasons) so it's certainly worth asking how he's doing at the 2/3rd mark.

So - quick summary of Three Act Structure:

Act 1 introduces our characters and world. It includes the inciting incident of the story and the first plot point, where a) the protagonist loses the ability to return to their normal life, and b) the story raises whatever dramatic question will drive the entire plot. Act 2 is rising action and usually most of the story. The protagonist tries to fix things and fucks them up worse, in the process learning new skills and character developing to overcome their flaws. Act 3 is the protagonist taking one more shot, but this time they are ready. We get the climax of the story, the dramatic question gets an answer, and then the story closes.

If you want examples, the Star Wars Original Trilogy is a very popular template. And, hell, he said it was a pirate story... the main Pirates of the Caribbean trilogy also does a solid job with their three acts.

Let's compare. (Spoiler: I'm not impressed 🤨)

---

First thing I need to establish... Wait. Two things. First is that Three Act Structure is flexible, so we can't really analyze success or failure by pulling up a list of necessary plot beats that should have been hit in X order. Second is that if you tell me you are writing a romance with a Three Act Structure - where "the relationship is the story" - the first thing I'm going to do is ask you how you are adapting it. Because while there's not necessarily anything preventing you from applying this to a character driven plot, most people are familiar with it as plot structure for externally driven conflict.

Unless there's a reason the status of the main relationship is intrinsically tied up in the current status of the war against the evil empire, a standard Three Act Structure is going to entail either an antagonistic force that absolutely wants your main couple apart being the main relationship obstacle OR the romance aspect being a subplot to the protagonist's narrative adventure. None of those sound like how the show has been described.

So how is OFMD adapting it?

---

Act 1

(Can't figure out how well Act 2 is doing if we don't start at setup.)

Right out the gate, OFMD breaks one of the main "rules" for a story where the Acts are delivered in three parts. Namely the one where the first Act is treated as an acceptable standalone story, with it's own satisfying yet open ended conclusion.

In Star Wars, A New Hope ends with the princess rescued, Luke finding the Force, Han finding his loyalty, and the Death Star destroyed. The Empire isn't defeated, the antagonists still live... the story is not over, but this one movie doesn't feel unfinished.

Similarly, Curse of the Black Pearl gives Jack his ship back, Elizabeth and Will get together, and Norrington has the English Navy let them all off the hook and give Jack and the pirates one day's head start.

OFMD's final beat of S1 being Kraken Arc starting is not that, even if Stede returning to sea is still a pretty hopeful note. Now... I don't necessarily think this was a bad call. At least, not if the story is the relationship. It's easy to close on a happy ending and then fuck it up next movie if the conflict is external and coming for them. Not so much if you're driving the story with your protagonists' flaws, in part because it should be really obvious at the end of setup that your main characters need development and can't run off together right now. I actually like that they were risk-takers and let S1 look at the situation clearly vs doing a fragile happy end, because it takes into account the difference between a character-driven and plot-driven narrative.

I think OFMD's Act 1 actually ends at maybe the Act of Grace? Well, there through the kiss on the beach, counting as our "first plot point" before everything goes wrong, basically.

At that point, they have setup the story and characters. We've been introduced to Edward and Stede's current issues. Signing the Act of Grace does make the intertwined arcs between them real - it's no longer a situation that either one of them could just walk away from like it was in 1x07 - and we narrow in on the (alleged) driving question of the show:

It's not about "Will Stede become a great pirate?" or "Will we develop a better kind of piracy for the crew?" - the show is the relationship and the big question is "What is Stede and Edward's happy ending?"

Act 1 ends on their first solution, being together and making each other happy and admitting it's more than just friendship. Act 2 starts, appropriately, by saying both of them are currently too flawed for that to go anywhere but crashing and burning.

Now... looking back, what does Act 1 do well vs poorly?

I think it's really strong on giving us the foundation for BlackBonnet's characters and flaws. We aren't surprised Stede goes home or Edward goes Kraken (or at least... we weren't supposed to be surprised. There are still a lot of holdouts blaming Izzy for interrupting Edward's "healing" despite how at this point in the story it doesn't make sense for Edward to have the skills to heal... but I digress). The relationship question is compelling at the end of S1, the cliffhanger hooks, and the fandom explosion of fics did not come from nowhere - the audience was invested.

I also think Act 1 does a great job of settling us in the universe. We understand the rules it abides by, from how gay pirates are just a fact of life to how there's no important organs on the left side of the body. Stede has a muppety force field. Rowboats have homing devices, and port is always as close as you want it to be. Scurvy is a joke. The overblown violence of pirate life is mostly a joke, but we are going to take the violence of childhood trauma seriously.

Lucius's fake-out death, while technically part of Act 2, works well because Act 1 did a good job of priming everyone to go "obviously this show wouldn't kill a crew member for shock value, and we're 100% supposed to suspend disbelief about how he could have survived getting flung into the sea in the middle of the night." And we do. And we get rewarded for it.

Regarding antagonists - a big focus of any setup - the show is deliberately weak. The one with the most screentime is Izzy, and he's purposefully ineffective at separating our main couple. Every antagonist is keyed to a particular character, and they function mostly to inform us of that character's flaws and development requirements. The Badmintons tell us about Stede's repression and feelings of inadequacy, and Izzy tells us about Edward's directionless discontent and tendency to avoid his problems. Effectively - the show is taking the stance this will be a character driven narrative where Stede and Edward's flaws are the source of problems and development the solution. No person or empire (or social homophobia) is separating them...

...which leads me to something not present - there nothing really about the struggle of piracy against the Empire. Looking at Curse of the Black Pearl... we see piracy is in danger. The Black Pearl itself is described as the last great pirate threat the British Navy needs to conquer. Hangings are omnipresent - Jack is sentenced to die by one almost as soon as he's introduced to the story, when his only act so far had been to wander around and save Elizabeth from drowning. OFMD tries to invoke this kind of struggle in 2x08, but there's no foundation. Our Navy antagonists are Stede's childhood bullies, and so focused on Stede the crew isn't even in danger when they get caught. The Republic of Pirates is getting jokes about being gentrified, not besieged.

Even the capture of Blackbeard by the Navy is treated as a feather in Wellington's cap but not a huge symbolic blow against piracy... because we just do not have that grand struggle woven into Act 1. You only know the "Golden Age of Piracy" is ending if you google it, or have watched a bunch of pirate shows.

Overall, a solid Act 1, well adapted to the kind of story they've said they were looking to tell - a romance in the (silly-fied) age of piracy, instead of a pirate adventure with a romantic subplot.

---

Now, Sidebar - Where is the story going?

The thing about the dramatic question - in OFMD's case: "What is Stede and Edward's happy ending?" - is that a) there's normally more than one question bundled up in that one + sideplots, and b) while you aren't supposed to have the answer yet, you can usually guess what needs to happen to give you the answer.

Back to our examples... Luke's driving question is "Will the Empire be defeated?" Simple. Straightforward. Also: "Will Luke become a Jedi?" The eventual climax of our story from there is pretty obvious... the story is over when Luke wins the war for the Rebellion in a Jedi way. That's the goal that they are working toward.

Pirates of the Caribbean is a bit more complicated. We're juggling more characters and have a less defined heroic journey, but there are driving questions like "Is Jack Sparrow a good man?" and "Is Will Turner a pirate / what does that mean?" and even "Will the British Navy defeat piracy?" They get basic answers in Curse of the Black Pearl, and far more defined ones in At World's End. Still, this is another plot-driven narrative. They've laid the foundations for the Pirates vs Empire struggle, and when that final battle turns into the trilogy climax then you know what's happening.

OFMD is not doing a plot-driven narrative. To judge how they are doing at their goals, we have to ask what they think a happy ending entails in a character sense.

Clearly it's not the classic romantic sideplot, where the climax is the first kiss / acknowledgement of feelings. They've teased a wedding in Word of God comments a lot, so that's probably our better endpoint. Specifically, though, a wedding where both of our protagonists aren't ready to flee from the altar (big ask) and where they've both grown enough that their flaws / mutual tendencies to run away from life problems won't tank the relationship.

In Stede's case it's still massive feelings of inadequacy and being too repressed to talk about his problems. Also he ran away from his family to chase a lifelong dream of being a pirate - "Is Stede going to find fulfillment in being a pirate captain, or will the real answer be love?" Edward meanwhile expresses a desire to quit piracy and retire Blackbeard, but we also find out he's struggling with massive self-loathing and guilt from killing his father - "Is retiring what Edward wants to do, or is he just running away?"

If they are going to get to a satisfying wedding beat at the climax of their story, what character beats do we need to hit in advance?

Off the top of my head - both characters need to self-realize their flaws (a pretty necessary demand of anyone who runs away from problems). They are set up to balance each other well, but also to miscommunicate easily. They have to tell each other about or verbally acknowledge that self-realization so it can be resolved. Stede has to decide how much being a pirate means to him. Edward has to decide if he's retiring and what he wants to do. They both need to show something to do with getting past their childhood traumas given all the flashbacks. Through all this, they also need to hit the normal romance beats that convince the audience they are romantically attracted to each other and like... want to get married.

Oh, and this is more of a genre-specific sideplot, but once they demonstrate a behavior that hurts the people who work for them, they need to then demonstrate later how it won't happen again. Proof of growth, which is kind of important in a comedy where a lot of the humor is based in them being massively self-centered assholes. Stede doesn't earn his acceptance in the community until he kicks Calico Jack off the ship, making up for causing the situation with Nigel in the first episode. A workplace comedy can get a lot of material from the boss as the worker's antagonist, but if you want the bosses to stay sympathetic you have got to throw them some opportunities to earn it.

All that sounds like a lot, but like - the relationship is the story, right? If we spend so much time on establishing flaws big enough to drive a story, we also have to spend time on fixing them. Which is where the turning point hits.

---

Act 2: How it Starts

This is where the full story reality-checks your protagonist. Glad you saved your boyfriend and embraced new love in Act 1, but his repressed guilt means he's about to completely ghost you, and your own abandonment issues and self-loathing are about to make his dick move into everyone else's problem.

Again, it's a non-conventional choice OFMD has this start at the very end of S1 rather than with a sudden dark turn in the S2 premiere, but it's still pretty clearly that point in the Three Act Structure.

In Star Wars, The Empire Strikes Back opens with a timeskip to our Rebellion getting absolutely crushed and hiding on a miserable frozen planet. The Empire finds them as the plot is kicking off and they have to desperately flee. They get separated. Han and Leia try to go to an ally for help and end up in Vader's clutches. It's a sharp turn from the victorious note that A New Hope ended on.

Pirates of the Caribbean's Act 2 starts dark. Dead Man's Chest opens with our happy couple Will and Elizabeth getting arrested on their wedding day for the "happy end" escape of the last movie. Jack has not been having success since reclaiming his ship, and we'll soon find out he's being hunted by dark forces. As for the general state of piracy, we get a horrifying prison where pirates are being eaten alive by crows, and a new Lord Beckett making the dying state of piracy even more textual. "Jack Sparrow is a dying breed... The world is shrinking."

The key here is making a point that our heroes aren't ready. This is the struggles part - things they try? Fail. The odds do not look to be in their favor.

Now, OFMD apparently decided to go all-in on flaw exploration, especially with Edward. The first 3 episodes of S2 are brutally efficient in outlining Edward's backslide. In S1 you could see he had issues with guilt and feeling like a bad person. S2 devolves that into a destructive, suicidal spiral where Edward forces his crew into three months of consecutive raids, repeats his shocking act of cruelty with Izzy's toe offscreen (more than once!), escalates it with his leg, and finally they state directly that Edward hates himself for killing his dad so much that he fears he's fundamentally unlovable and better off dead.

Stede's struggles are subtler, but most definitely still there. He's deliberately turning a blind eye to tales of Edward's rampage, half from simply being too self-centered to care about the harms Edward causes others, and half from being unable to face or fathom that he had the ability to hurt Edward that much. Upon reunion he wants to put the whole thing behind them, not addressing why he left in the first place. Very "love magically fixes everything" of him, except Stede is no golden merman.

Interestingly, here, BlackBonnet's relationship dysfunction has very clearly been having a negative impact on the surrounding characters we care about. Make sense, since it's the driving force of the story, but that also adds a lot more relationships we need to make right. Like... Edward is the villain to his crew. The show focuses on their trauma and poisoned relationships with him. And then draws our attention even more to Stede taking his side to overrule their objections to him.

For a story where the conflict and required resolutions are primarily character based, and the setup had already given the main couple a good amount to work with, dedicating a lot of S2 to adding more ground to cover was... a choice. Potentially very compelling on the character end, certainly challenging on the writing end... but not a complete break with the structure.

Bold, but not damning.

---

Act 2: How it Ends

Now it is true that Act 2 tends to end on a loss. Luke is defeated by Vader and loses his hand, and Han has been sent away in carbonite. Jack Sparrow for all his efforts cannot escape his fate, and he and the Pearl are dragged to the locker.

But the loss is not the point. The loss is incidental to the point.

Act 2 is about struggles and failure, but it's also about lessons learned. There's a change that occurs, and our cast - defeated but not broken - enters the final act with the essential skills, motivation, knowledge, etc. that they lacked in the beginning.

Luke Skywalker could not have defeated the Empire in Return of the Jedi until he'd learned the truth about his father and resisted the Dark Side in The Empire Strikes Back. (Ok, confession, I'm using Star Wars as an example because literally everyone is doing so, but frankly it's a better example of formulaic Three Act Structure repeating within each movie because on a trilogy level - relevant to this comparison - it is a super basic hero's journey in a very recognized outfit and as such the Act 2 relevance is also... super basic "the hero tries to fight the antagonist too early" beat where he learns humility. Not really a lot going on. So, for the better example...)

Dead Man's Chest has a downer ending with the closing moment of the survivors regaining hope and a plan against an enemy now on the verge of total victory - a classic Act 2. But in that first loss against Davy Jones we get Will's personal motivation and oath to stab the heart, Jack finally overcoming not knowing what he wanted and returning to save them from the Kraken (being a good man), Elizabeth betraying Jack (being a pirate), Barbossa's return, and Norrington's choice to bargain for his prior life back. The mission to retrieve Jack from the World's End is the final movie's plot, but things are already on track to turn the tables back around as we enter the finale.

Now, relevant sidenote - one major difference between Three Act Structure within a single work vs across three parts is that Act 2 continues into Part 3, and only tips over into Act 3 about midway through. This is because obviously your final movie or season cannot just be the climax. That's why both movie examples start with a rescue mission. They have to still be missing something so they can get the plot of their third part accelerating while they go get whatever that something is.

But if you wait until the 3rd movie / season to get the development going at all - you're fucked.

Jack's decision in the climax of At World's End to make Elizabeth into the Pirate King goes back to the development we saw in the Pearl vs Kraken fight in Dead Man's Chest. So does Elizabeth's leadership arc. Will's whole arc about becoming Captain of the Dutchman gets built upon in the third movie, but it starts in the second. Not just as an idle thought - he's actively pursuing it. Already consciously weighing saving his father vs getting back to Elizabeth as soon as he makes the oath. Everyone is moving forward in Act 2. Their remaining development might stumble for drama, or they might be a bit reluctant, but I know that they know better than to let it stick, because they already faced their true crisis points.

I'm not sure we can say the same about OFMD.

S2 does a good job of adding problems, yeah, but there's not really any movement on fixing them. Our main couple stagnates in some ways, and regresses in others.

Stede opened Act 2 by running away in the middle of the night back to his wife without telling Edward anything. We know he did it because of feeling guilty and his core childhood trauma of his dad calling him a weak and inadequate failure. Now in S1 he actually speedruns a realization of his shitty behavior with Mary, but what about S2? Well...

He continues to not talk to Edward about... pretty much anything. My guy practiced love confessions galore but Edward only finds out about going back to his wife via Anne, and it gets brushed aside with a love confession. He seems to think Edward wants him to be a dashing pirate, or maybe he just thinks he should be a dashing pirate. Idk, it doesn't get examined. Regarding his captaincy, they give him an episode plot about Izzy teaching him to respect the crew's beliefs, but this is sideplot to a larger arc of him completely overruling their traumas and concerns (and shushing their objections) to keep his boyfriend on the ship so. That.

Stede kills a man for reasons related to his issues, shoves that down inside and has sex with Edward instead of acknowledging any bad feelings. At least this time Edward was there and knows it happened? Neither Chauncey's death nor his dad have been mentioned to anyone. He gets a day of piracy fame that goes to his head, gets dumped, and ends on a complete beat down by Zheng where he learns... idk. Being a boor is bad? He's still wildly callous to her in the finale, and spends the whole time seeking validation of his pirate skills. He reunites with Edward, kisses, and quotes Han Solo.

Where S1 ended on a great fuckery, his S2 naval uniform plan after they regroup is ill defined except to call it a suicide mission - and we don't get to see what it would have been because it devolves into a very straightforward fight and flee. And gets Izzy killed. Quick cut funeral (no acknowledgement of his S2 bonding with Izzy), quick cut to wedding (foreshadowing), quick cut to... innkeeper retirement? Unclear when or even if BlackBonnet discussed Stede's whole driving dream to be a pirate and live a life at sea, but I guess that got a big priority downgrade. Despite the fact he was literally looking to Zheng for pirate-based compliments in the post-funeral scene.

I guess he's borderline-delusionally dogged in his pursuit of love now - so unlikely to bolt again - but he's also got at least a decade of experience mentally checking out in a state of repression when he's unhappy. And he's stopped being as supportive and caring toward the crew in that dogged pursuit, while arguably demonstrating a loss in leadership skills, so, um, good thing someone else is in charge?

And if Stede is a mess, Edward's arc is so much worse.

As established, they devote the Kraken to making Edward worse. He literally wants to kill himself and destroy everyone around him in the process because Stede left, and this is fixed by... Stede coming back. That's it. The crew tries to murder him and then exiles him from the ship (and Izzy takes the lead on both, indicating exactly how isolated Edward has become), but it's resolved in half a day by Stede just forcing them to put up with his boyfriend again. Like they think he murdered Buttons and still have to move him back in???

The show consistently depicts Kraken Era as a transgression against the crew, but they also avoid showing Edward acting with genuine contrition. He admits he historically doesn't apologize for anything, and then mostly still doesn't. It's a joke that he's approaching probation as a performance (CEO apology), and then the only person he genuinely talks to is Fang - the one guy cool with him - and the only person who gets a basic "sorry" is Izzy - the guy he really needs to be talking to. Edward's primary trauma is guilt, but apparently he only feels it abstractly after all that? He's only concerned with fixing things with Stede, despite Stede being about the only person around who hurt him instead of the reverse.

Speaking of primary traumas, Edward hating himself doesn't really go anywhere after the beat of self-realization. Apparently Stede still loving him is enough of a bandaid to end the suicide chasing, but he doesn't like. Acknowledge that. Edward is maybe sorta trying to go slow so he doesn't hang all his self-worth on Stede again (you can speculate), but they a) absolutely fail to go slow, and b) he doesn't make any attempt to develop himself or another support structure. Just basically... "let's be friends a bit before hooking back up." And then we get the whiplash that is Blackbeard and/or retirement.

Kraken Era is Blackbeard but way worse, like no one who has known Blackbeard has ever seen him. In the Gravy Basket Edward claims he might like being an innkeeper, before destroying his own fantasy by having the spectre of Hornigold confront him over killing his dad. The BlackBonnet to Anne & Mary parallel says running away to China / retiring makes you want to kill each other - burn it all down and go back to piracy. Stede rightfully points out prior retirement plans were whims. Edward gets sick of the penance sack after a day and puts his leathers back on to go try "poison into positivity". But also claims to be an innkeeper (look - two whole mentions!) when trying not to send children to be pirates after teaching them important knife skills.

Killing Ned Low is a serious, bad thing that prompts ill-advised sex and then going hardcore into retirement mode - leathers overboard, talk about mermaid fantasy, get retirement blessings from Izzy, end up dumping Stede for a fishing job instead of talking about how he's enjoying piracy. The fishing job, however, is also a bad thing and a stupid decision because Edward is a lazy freeloader fantasizing about being a better person. We have an uncomfortable, extended scene of "Pop-Pop" weirdly echoing his abusive dad and then sending Edward to go do what he's good at - disassociate, brutally murder two guys, fish up the leathers, rise as the Kraken from the sea. He continues with comically efficient murder but also he's reading Stede's love letters and seeking to reunite with him so... wait, is this a good thing? Post makeout / mass slaughter he's trading compliments on his kills with Zheng so. Yeah. Looks like it. Murder is fine.

Wait, no, skip ahead and Izzy is dying and Edward suddenly cares a whole lot as Izzy makes his death scene about freeing Edward from Blackbeard. Now being a pirate was "encouraging the darkness" because Izzy - a guy who had little to no influence over Edward's behavior - just couldn't let Blackbeard go. Murder is bad again, and he is freed. Minus the little detail that the murder he explicitly hates himself over was not related to Blackbeard or piracy whatsoever, so presumably haunts "just Ed" still. Anyway he's retiring to run an inn with Stede now, as the "loving family" Izzy comforted him with in his dying moments sails away from the couple that can best be described as the antagonists of their S2 arc. Also Edward implicitly wants to get married. It's been 3 days since making out was "too fast". He's still wearing the leathers.

So most of the way through Act 2 and Edward's barely on speaking terms with anyone but Stede, who he has once again hung his entire life on really fast? Crushing guilt leads to self-hatred leads to mass murder and suicide, but only if he's upset so just avoid that. He's still regularly idealizing Stede as a non-fucked up golden mermaid person (that maybe he personally ruined a bit) because he barely knows the guy. His only progress on his future is "pirate" crossed out / rewritten / crossed out again a few times, "fisherman" crossed out, and "innkeeper ?"

Just.

Where is the forward movement?

It's not just that the inn will undoubtedly fall apart - it's that the inn will fall apart for the near-exact same reasons that China was going to at the beginning of Act 2, and I can't point to anything they've learned in the time since that will help them. I guess Stede realized he loved Edward enough to chase after him, but that was in S1! They should be further than this by now. You can't cram another crisis backslide, all the Act 2 development, and the full Act 3 climax into one season. Certainly not without it feeling like the characters magically fix themselves.

If they just fail and keep blindly stumbling into the same issues because they don't change their behavior, then Act 2 doesn't work. You're just repeating the turning point between Act 1 & Act 2 on a loop.

---

Where Did They Fuck Up?

Actually... lets start on what they did right.

The one consistent aspect of S2 that I praised and still think was done well in a vacuum (despite being mostly left out of the finale) was the crew's union-building arc.

With only 8 episodes and more to do in them than S1, side characters were going to get pinched even if the main plot was absolutely flawless. That was unavoidable. With budget cuts / scheduling issues, we regularly have crew members simply vanish offscreen outside of one scene, meaning cohesive arcs for your faves was not likely. Not to say they couldn't have done better - my benefit of the doubt for the TealOranges breakup and Oluwande x Zheng dried up about when I realized he was literally just her Stede stand-in for the parallel - but something like Jim's revenge plot from S1 was realistically not on the table without, like, turning half the crew into seagulls to afford it.

The union building works around this constraint really well. They turn "the crew" into the side arc, and then weave Izzy's beats in so that they aren't just about Izzy. The breakup boat crew working together to comfort each other and protect him turns them into a unit, and Stede's crew taking it upon themselves to address the trauma vibes while the captains aren't in the way solidifies it across all our side characters. The crew goes to war with Stede's cursed coat and wins, they Calypso their boss to throw a party, and they capitalize on a chance to make bank with an efficiency Stede could only dream of.

We don't get specific arcs, but Frenchie, Jim, and Oluwande are defaulted to as leaders in just about every situation, and Roach is constantly shown sharing his inventions with different characters. Individuals can dip in and out without feeling like the sideplots stutter. Any sense of community in S2 is coming from this arc - even if there are cracks at the points where it joins to other storylines (Stede and Edward, Zheng, etc.)

So why does it work? Well, because it's a workplace comedy, and you can tell they are familiar with working on those. They know where the beats are. They know where to find the humor. They know how to build off of S1 because they made sure the bones were already there - an eclectic group of individuals that start as just coworkers, but bond over time in the face of their struggle against an inept boss who they grow to care for and support while maintaining an increasingly friendly antagonism because, you know, inept boss.

OFMD does its best work in S2 when it's being true to its original concept... and its worst work when it seemingly loses confidence in its own premise.

"The show is the relationship," right? It's a romance set in a workplace comedy. The setup of Act 1 was all about creating a character-driven narrative. So given that... where the hell are we getting the dying of piracy and a war against the English Navy?

That's not a character-driven romcom backdrop, it's an action-adventure plot from Pirates of the Caribbean or Black Sails. It's plot-driven, creating an antagonistic force that results in your characters' problems. Once the story is about the fight against the Empire, the dramatic question becomes the same as those adventure stories - "Will the British Navy defeat piracy, and will our protagonists come out the other side of the battle?"

Forget the wedding. The wedding is no longer the climax of the story, its back to the happy ending flash our romantic subplot gets after winning this fight.

Except, of course, trying to pivot your story to a contradictory dramatic question near the end of Act 2 can be nothing short of a disaster, because either you were writing the wrong story until now, or you've completely lost the plot of the real one. I shouldn't even be trying to figure out if they are doing this, because it should be so obvious that they wouldn't.

And yet.

What do the Zheng and Ricky plots add to the story if not this? Neither of these characters have anything emotionally to contribute to Stede and Edward - they truly are plot elements. It's a hard break from the S1 antagonist model, but it also takes up a lot of valuable screentime. This was considered important, but still Zheng's personality and motivation only gets explored so far as it's an Edward-Stede-Izzy parallel with Oluwande and Auntie, and they only need the parallel for Izzy's genre-jumping death scene. Which follows a thematically out-of-left-field speech about how piracy is about belonging to something good (workable) and how Ricky could never destroy their spirits (um...?). And then David Jenkins is pointing to it and saying things about "the symbolic death of piracy" and speculating S3 might be about the crew getting "payback"??? An idea floated by Zheng right before our temporary retirement, btw.

Fuck, the final episode of S2 didn't have time for our main couple to talk to each other because it was so busy dealing with the mass explosion of Zheng's fleet and Ricky's victory gloat. We get lethal violence associated with traumatic flashbacks until they need to cut down enemy mooks like it's nothing, at which point we get jokes with Zheng. The Republic of Pirates is destroyed outright, and it feels like they only did it because they got insecure about their "pirate story" not having the right kind of stakes. Don't even get me started on killing a major character because "Piracy’s a dangerous occupation, and some characters should die," as if suspending disbelief on this aspect makes the story somehow lesser, instead of just being a fairly standard genre convention in comedy. Nobody complains about Kermit the Frog having an improbably good survival record.

Did someone tell them that the heroes have to lose a battle near the end of Act 2, so they scrambled to give them one?

Just... compare the wholly plot-driven struggle in 2x08 to Stede and Edward's character-focused storylines in 1x10 and tell me how 2x08 is providing anything nearly as valuable to the story. Because I can't fucking find it.

At best they wasted a bunch of time on a poorly integrated adventure plot as, like, Zheng's backstory or something, and just fucked it up horribly by trying to "step up" the kind of plot they did for Jim. In which case the whole thing will be awkwardly dropped but damage is done. Otherwise, they actually thought they could just casually add a subplot like this because they've done something wildly stupid like think "pirate" is a genre on the same level as "workplace comedy" and can just trample in-universe coherency while you draw on other media to shore up their unsupported beats.

Bringing us to the most infuriating bit...

---

"...end the second season in a kinder spot."

If this was the goal, the entire season was written to work actively against it in way that is baffling and incompetent.

The really ironic thing is that the reason that the Act 2 part typically gets a downer ending is because of the evil empire that OFMD did not have to deal with until they pointlessly added it. A plot-driven story has an antagonistic force - a villain - that the heroes need to defeat. Something external working against them. The story ends when they beat the thing, and it's not much of a climax if they do most of the defeating before you get there. Ergo, they have to be outmatched up to the climax. Ergo, the second part cannot end on them feeling pretty comfortable and confident going into the third.

The same rules do not apply in the same way to a character-driven arc.

We already established Edward and Stede declaring their love is not the end of the story. Nor, necessarily, is both of them confidently entering a relationship. Even once they've developed a bunch they will have to show that development by running into the kinds of problems that would have broken them up before and resolving them better.

David Jenkins keeps talking about this idea that S2 is getting a hopeful open ending and S3 will get into potential problems, and like... I don't see any reason why they couldn't have done that successfully. They didn't, but they could've.

If S2 grew them enough as characters and then had them agree to try again in the last minute of the finale, they absolutely could have had a kind and hopeful ending where you were confident they could do it. And then a potential S3 can show that. It's a bit rockier than they were counting on, but they have learned enough lessons to not break up. And then the overall plot can build to proposal (start of Act 3) and wedding (the romantic climax). It doesn't have to be a blow out fight to be emotionally cathartic.

(Hell, the main rockier bit that they overcome in the S3 Act 2 portions could be marriage baggage. I'm sure they both have some. It would work.)

In the same way focusing on our character's long term flaws and character-driven conflict makes an Act 1 "happy ending" more difficult, I suspect it makes an Act 2 "happy ending" easier.

Instead they wrote an Act 2 that failed to convincingly start development and got confused on its direction, and then presented a rushed finale ending in a copy of the predictable disaster from S1 as though it's a good thing. They yanked the story at least temporarily into an awkward place where a romcom is trying to sell me on a bunch of serious drama / adventure beats that it has not put the work into, and inviting comparisons to better versions of those same beats in other, more suited media that make it look worse. The need to portray everyone as reaching happy closure overrules sitting with a major character death and using it for any narrative significance, while still letting it overshadow those happy endings because a romcom just sloppily killed a major character with a wound they've literally looked into the camera and said was harmless.

If I'm being entirely honest, Dead Man's Chest ends effectively at Jack Sparrow's funeral and then cuts to the British Navy obtaining a weapon of mass destruction, and it still feels kinder and more hopeful just because I leave with more faith the characters are actively capable of and working toward solving their problems.

OFMD S2, in contrast, has half-convinced me our main couple would live in a mutually obsessed, miscommunication-ridden horror story until they die.

---

Additional Reading

Normally I link stuff like this in the post, but that requires more excitement than I'm feeling right now. Here's my alternative:

Where I thought they were going with Edward - really outlines the mountain of character development they still have unaddressed

Where I thought they were going with Izzy - touches on a lot of themes that might be dead in the water & also context that's still probably relevant to why Izzy got a lot of focus in S2

My scattershot 2x08 reactions

An ask where I sketched out the bones of this argument, and another where I was mostly venting about the fandom response

This one, this other one, and this last one (read the link in op's post too) about genre shifts and failure to pull them off

The trauma goes in the box but it never opens back up - the whole point of Act 2 is that they needed to start opening shit like that - and also they focus so much on needed character growth and so little on following through

They can't even carry through on character growth that we got last season???

Why Izzy's death feels like Bury Your Gays ran smack into shitty writing

EDIT: Oh and this post is REALLY good for outlining the lack of change in way less words than I did

[kaledya]

Hello, Hello !

So I will use this message to answers all your questions and talk about more 'important' writing from the fanfic, like that, all is in the same area !

(Also before thank you for your kind words for my healing, I'm feeling almost normal !🌸)

So first, I read you others responses and saw that you haven't really ideas for the rest of your SSAU and you see it more of a concept and I respect it, its normal. SSAU have a different ending in his first season than the main show, so to be a bit lost in how you want to direct the story, when you are not used to write, can be overwhelming. Don't worry, I've got you !

• So, what are my plans after the Overlords Meeting ARC ?

So technically, I was waiting for you to make more storyboards, you know, because that was the plan to write what you are imagining but as I said, its okay if you don't, we will talk about it and found something.

For the plans we already established in another message this order of things :

  - Overlords Meeting ARC   - Vox VS Alastor   - Valentino and Angel problem ARC   - Constantine arrives at the hotel

Season 2

- Serenity, Lucifer arrives too. - Charlie goes to Heaven - Ruthlessness by Azrael.

That is the base I keep.

So in my mind, what I'm preparing (without spoiler but still comprehensible)

- Episode 5 : Overlords Meetings ARC (more lore with the gangs) + flashback + Vox VS Alastor confrontation but not a real fight with powers. Just a song battle. Serenity and Alastor interaction.

- Episode 6 : ACTION. Secondary plot focus, Lolicia phase 2 showcase and emotional triggers + Lolicia and Alastor past flashback +   (Combat songs!)

The emotional triggers link to :

  - Episode 7 : Angel and Val + New OC entering (link to secondary plot) + unlocking more past for Lolicia. Husk conforting Angel (new song)

For Angel and Val, you already made some doodles and drawing about how it would happened with Charlie poison tail, (showcasing for the first time the Royal Autority ability - teasing more and more Constantine arrival) and Val suffering for some time as a punition.

- BETWEEN episode 7 and last episode,

[Second Interlude with short stories maybe with others characters ?]

details (no orders) : we have the activities for the japanese summer festival preparations, RadioSnare organisation (explaining how to gain influence probably), Pentious getting more confortable with the group as there is a new guest arriving (new OC of episode 7), inviting the Overlords one by one for the festival (songs), the Vees (Vox and Velvette) to deal with, Lolicia is changing because of the event in episode 6.

Now, do you have little arcs/exemple/archetypes of sceneries or interactions you would like to see in season 1 ? Something you wished happened in the main show fo exemple ? I could include it here ! Some Huskerdust, Chaggie (relationship things are okay of course)

Lolicia changing/breaking (time to be a writer and make my readers cry) :   - explaining about the showcase of power in episode 6   - her power is offensive (what will see in episode 6) and defensive (purple cords)   - offensive power (big rewrite song of the Underworld by epic the musical)

  [remember that Lolicia as a power that doesn't use souls and still slaps and Alastor wants to know why]

Constantine related things :   - Constantine arrives because something worrying happened close to the hotel and he wants to protect Charlie and see her 'progress'.   - Epic meeting between Constantine and Lolicia   - Constantine see something in Lolicia and wants to decipher it (that is why he will be more "relax" with her than others guests at the hotel, introducing his ways of interaction in season 2)  

  - Last Episode, Then at the last episode of the season, the japanese summer festival made by everyone with the Overlords invited (yukatas, fireworks, and realising that the people of the hotel are finally having something close to a friendship.) Developing trust is the main thing of this season.

Before the end of season 1 :   - Lolicia reason of death unlock

Because in the main show Season 1 : we know  HOW characters died (bullet in the head, alcool poisoning, drug/coma, probably abuse...) Season 2 : we learn WHY characters died we will probably have the past of Pentious and why is he redeemed, what happened in his life, perhaps Alastor's mother and past serial killer crimes, the mafia family of Angel ect.

And I will use the same pattern in my ff. HOW in first season and WHY in the second season. I hope it make sense !

[We need the coronation of Constantine somewhere in season 2 or 3 like in your short because it was amazing !!]

So yes, that is my plan, and remember, if you want to say/add anything, you can. We are both gods here as you said (no idea is stupid and can only be worked on) 🌸

• So Lucifer position in AA/SSAU ?

I'm based on what you said about him. He is more prideful and more serious (still depressed). I think, as we talk about, the bad blood between him and Charlie will be more difficult to cure. But he is a fallen angel, that guy is power, more than Constantine who is his son and already impressive. But Lucifer let his son deal with matter of the kingdom and live a bit on his own.

(I heard what you said about wanting Constantine to be more angelic, blonde and human and surprising Demons when they met him because its a contrast. And I like it a lot ! I'm excited to see how you will change the design!)

For Lucifer, I think a chill part of him and an important aura must be around him like Azrael and Abaddon that we already saw. Perhaps the corruption is around him and not inside him so he looks like a dark archangel ?  Shattering away and reconstructing always. A never ending circle of breaking and healing ?

Of course tell me what you think about it ! Because its a little bit different of your idea of Lucifer !

Like it could be the other way around, when he is "normal" Luci look dark, not mean, just what I said before and when he is "mad" or ready to fight there is something more holy/unholy impressive in his face/body ?

I don't know if it make sense. We can keep his obsession with ducks. He is also occupied with his humans followers/cultists.

Perhaps, because his idea of Hell didn't appeared as he wanted, (the circus thing), perhaps he is planning to create a new part in Hell ? A new ring ? And this project took all his attention (hyperfixation) and he will have interesting conversations with Abaddon (and others Archangels) leading to why this Hell is not based on military legions ect ? Just ideas !

• Where is Lilith in AA/SSAU ?

Good question! Again, I was waiting for your ideas but now let's talk about it.

Lilith is already a powerful character, a queen, someone who reigns on her husband heart without even being here. And in SSAU, creator of the Ars Goetia, mistress of the night and bird-like appearance, right?

But technically, what is she really ? A human trapped in eternity, corrupted by Abaddon insides.

We need weakness and things she can't have to make her relatable. Perhaps while searching for something she can't have, she met Roo (that we already saw we know she is clever and cruel) get trapped in a sunny cage (bird symbolism and day/night) and Roo found the possibility to do a metamorphosis of the queen herself and her plan to destroy the Morningstar Family (with Alastor focusing on Charlie).

Eve is the host of Roo so perhaps her own anger/fear about the fate of her own family (Adam, Cain, Abel, Seth and the unamed daughters) give power to Roo to indulge in chaos/destruction. And Roo is just a concept of corruption and not even realising that the host she despise and treat as a child (Eve) is actually the one that make her exist ?

She took Lilith down, something link to her plan and for that she also need that Alastor do something ? Tell me what you think !

So yes, Lilith is trapped.

Actually I think Constantine would try to do something to find his mother. Perhaps send a detective (an OC we could create?) (And we like Sherlock type of dynamics) to search for Lilith ? Could link the Hellaverse part more easily with the story (with your OCs) : the seven deadly sins and their children, Ars Goetia, the brothel with the succubuses, even Verdelet !

• What Abaddon thinks of the others true archangels ?

So my Abaddon is an special angel and a place/hell, so yes he is a bit different from the true archangels, his brothers and sisters. He loves them all overall but he doesn't have plenty of quality time. He is not in Heaven even if he can go freely there.

To have a metaphor, I don't know if you saw the Ghibli movie "Castle in the Sky" ? There is a robot soldier who is the guardian of the floating island Laputa. And he is alone because the other robots are just asleep or dead. And he takes care of little foxes who kind of lives on him and trees. He cares for them.

Abaddon is like this robot and the little foxes are his brothers and sisters. That is how he thinks of them.

- Azrael, they are very close and work together from times to times.

- Michael, they don't talk too much, Abaddon sees Michael like something mixt between a heros and a gladiator. In term of strategy planning, they actually get along quite well.

- Uriel, is actually his favorite sibling but he can't talk to her face-to-face cause she is the Sun of God and he is the Abyss, so their power hurt eachother. So they write to themselves  letters each month.

- Gabriel, they would probably do shopping together and talk of wild subjects. It would be like listening to 2 ADHD people conversing with each other.

- Raphael, his duty is to tell to Abaddon what the hell is happening in the world, the big changes in humanity ect ect. So they see eachother each year for report. Abaddon mostly don't listen and just scultp his brother face because he thinks his face is very feminine and pretty. Raphael took it as an insult each time but still take the bust sculpture his brother carved for him back to his domain in Heaven.

- Jophiel, is like an annoying little sister. She is curious of her brother and wants to know him better. She chit-chat a lot and its overwhelming him. So Abaddon listen but not necessarily answer. He makes her dolls to make her understand he still cares.

- Lucifer, Abaddon knows Lucifer very well because he lives inside him, in Hell. He knows that Lucifer is depressed and doing his own thing. Most of the time he calls him Mael Still (for Samael). They are actually kind of alike in their personality, both inventors and they have a lot of interests in common. But for Lucifer its difficult to see his brother and just forget that he is imprisoned in him (and if Abaddon would have been in his side in the rebellion against Heaven, perhaps he would have win ?) That is what he thinks. So yes, they have things to work with to their relationship to be better!

I will answer Lolicia faq in another message because this is already too long ! 😭 Ahah but I'm curious to see what you think and ideas, its very interesting to talk about all of this !

Thanks to read it all and I hope I did answer well (because I can definitely loose myself)🌸

First of all, thank you for your understanding.

And seriously, you don't have to follow the plans I made or infos ı take etc, I prefer you to be free. I seriously think you are a creative person!

And yes, generating new ideas etc. by talking is a really good plan! Thank you

---

(up to episode 7) I think the way you set up the episodes and events is really excellent Character development is happening slowly, events don't feel rushed It is very nice that we can delve into the history of Lolicia rather than just presenting it to us.

And yes, Angel's salvation is Charlie killing Valentino.Angel seriously deserves freedom after so many years

And it is very nice to mention the past of Alastor and Lolicia again, the threads come together as if weaving a carpet.

I can't wait to meet the new OC who will come in Valentino's arc, I'm already curious what kind of character they are

As I said until this part, I think everything is great.You've really made a very logical arrangement and it doesn't feel like it's a replacement for anything.

--

(Intermediate chapters after 7)

There is nothing I want to happen. Frankly, you have already written the events that should happen, there is nothing I can add🛐. Allowing breathing after story arcs. And it's really smart of you to think of sections that allow us to see the consequences of those important arcs.

And your choices are really great because these arcs both strengthen the story and introduce the characters better.And I think that stories always need sections where the reader can breathe.And that's exactly what you're giving them.

Regarding the relationships (huskerdust, Chaggie), I think these relationships can be improved by including them in arcs without a separate arc.

------

LOLICIA'S CHANGING/BREAKING????!!!!

Wait WHAT?? What will you do to her NOOOOO!!

As a writer, I know it's fun to make OCs suffer, but since I'm a reader right now, I don't want to see lolicia suffer.(⁠ ⁠≧⁠Д⁠≦⁠)

And what will happen in Ep6??? I know we will see the past and there will be a combat song but what will happen that will affect lolicia so much!!?!!

Rewrite of Underworld????? What will happen? For God's sake and I have always wondered where Lolicia's powers come from, I can't wait to find out.But I think I will be sad rather than happy when I learn this information?What kind of tragic story is behind their powers?

----

Constantine's reason for coming really made sense.Also, it makes sense why he is more interested in Lolicia. I'm seriously looking forward to the events after Constantine's arrival.

AND yes that encounter my god I seriously can't wait to see the dynamic and dialogue of these two!

---

Japanese festival? It's seriously a great idea to end the season, we see the character development of the characters clearly and before moving on to the next season.And I think it's a really enjoyable arc to read.

--

The HOW and WHY dynamic is really very logical, it creates expectation and curiosity on the part of the reader, and it allows the character stories to be told in a more orderly and logical way.It was truly a great choice!

--

I'm really glad you liked my short, but it was something I made for fun for that song.I don't know how it will be transferred into the story because in order for Constantine to be crowned king, Lucifer must either stop being king or die💀

---

Seriously, it was great to read your plan and I think you came up with a great plan, I don't have anything to add because it's already perfect!!

As a god, I take off my hat to you who are a god too 🎩

And thank you for your thoughts on the ideas, it really relieved me to hear that because I'm not very confident in my own ideas.But I still want to say that if something I said is not compatible with your story, you do not have to use it.And please feel free to tell me that I think criticism will improve me!

---

Definitely, Lucifer is a little more proud and serious than in the series, he is an energetic guy, but he is a really tired man, someone who was left alone after the loss of his wife and his estrangement with his daughter.While one side of him constantly wants to make things right with Charlie, the other proud side is too stubborn to admit his mistake.

And yes, the situation with Charlie is too serious to be fixed with a song and a hug. They haven't seen each other properly for 7 years and the last time they had a serious fight they never met again.Their bond isn't broken, but it needs repairing, and it's not something that can't be fixed with a long conversation and a willingness to listen to Lucifer on Charlie.They just need some daddy and daughter time, time will tell the rest.

((Lucifer's relationship with Constantine is very different from his relationship with Charlie. Since Constantine was raised as a king, he and Lucifer had a love for each other when Con was young , but they are not close now.And although Lucifer knows he can make things right with Charlie, he knows he can't(or don't know how) do that with Constantine.

Lucifer and Constantine have a relationship similar to Shifu and Tai lung, although it is not a form of hatred.

(Con still loves his father, but there isn't much intimacy between them, and after Lucifer's fight with Charlie, Constantine also had an argument with him about his attitude towards Charlie. V And since then they have seen each other much less. The last time they met was after Con arrived at the hotel and told Lucifer to go and meet Charlie.)

Lucifer's desire to make Constantine strong was for his own good, and little Con was someone who would do anything to make his father proud.But the way Lilith and Lucifer raised Constantine kind of killed the child in him.

""Kill the boy and let the man be born, Jon Snow"))

-

Long story short, Lucifer is currently alone in his palace, so it can be considered normal for him to be depressed.

---

THANK YOU!!! I can't say that I've changed him so much. In a way, he now wears his hair braided and open.And as an extra, I added an outfit with more dominant white+gold colors! + Golden scales make up under his eyes!

Here is The New ref sheet!

--

A circle that constantly breaks and then heals again as a reflection of the black archangel corruption of Lucifer is a really interesting idea.In a way, it summarizes The hell, a place that hosts new lives after death and die again, again and again until eternity.A death circle that can never be broken, created from Lucifer's mistake.

As an extra, this idea reminded me of Oroboros (I'm not sure if I spelled the name correctly.I think it was a snake eating its tail that described the endless cycle.

And I really like the idea of Lucifer being corrupted. There's still a fire burning brightly inside him, but it's slowly starting to fade away because there's no one around to feed the fire.

And Lucifer's idea of trying to create a new ring because hell is not what he wants is also very interesting. Maybe even if he cannot do this in reality, but in his palace he can create miniature architects like a LEGO.(Not exactly LEGO but you get the idea) He still has a love for ducks (maybe it's Lilith's memory,Or it has a special place in his heart because it is something he created.)

On the one hand, he is trying to create the utopia at home that he has never had but wants to have.After all, Lucifer was a dreamer Or who knows, this hobby was a distraction he used to escape his missing wife or problems with his children.

I really liked all your ideas, they all fit with Lucifer's character.

----+

Yes, Lilith is such a person in the story, and maybe Lucifer and Lilith may know about Roo's existence much earlier and try to prepare for this danger, but when will there be treat coming that they cannot see?

Regarding getting caught, Lilith may have finally found or encountered Roo, and after a conversation between them and a battle, Lilith may have lost.After all, Roo is evil and has become even stronger with the evil born over the past 10,000 years.

And Lilith is fighting with Eve here, maybe Lilith might feel guilty for what Eve went through, after all, Eve was once her younger sister. And this caused her to show a moment of weakness in battle.

I think of Roo as a kind of god. (Similar to those in Greek mythology) Roo only dies when she is forgotten or what she represents disappears.This is in a way impossible because what Lucifer did created evil and now evil has taken deep roots in the world.So I see Roo as a really difficult enemy to defeat.A kind of embodiment of evil

As for Eve's character, Eve is an intelligent woman, but she is filled with a lot of anger after being thrown out of Eden.The 'gift' that Lucifer gave her took a lot out of her, not only from her, but also caused a lot of damage to her loved ones.Their sons killed each other, all women in the next generation were cursed with the pain and risk of death brought by giving birth. Thousands of women suffered and.Eve was declared the scapegoat for all this pain

(I even thought of such a scene, but I don't know if it would fit the story.

---

Luci: Eve, I can understand the hate, but can you please just listen to me for a second-

Eve: HAH! Do you understand my anger?YOU CAN'T UNDERSTAND MY ANGER.

IMAGINE LUCIFER CHARLIE AND CONSTANTINE KILLING EACH OTHER, AND YOU CAN'T DO ANYTHING ABOUT THAT. ALL YOU DO IS HOLD YOUR CHILD IN THE BLOOD.AND WATCHING THE FEAR IN YOUR OTHER CHILD' EYES AND THE CHILD TO RUN AWAY BEFORE YOU CAN SAY ANYTHING.Because he think that I hate him after what he did. Thousands of women and children suffered for that damn apple, Lucifer. While you were sitting in your palace and spending time with the family you built, I stood by these things.I have seen crimes that make me disgusted with humanity You're the one cursed for your so-called mistake but all you do is watch from your palace and I feel every sin.You can't understand me, Lucifer. (In this scene, between Eve and Roo's personalities, Eve is much more dominant.)

----

So, she wanted to change things, take revenge, and Roo, realizing this, decided to use her.

In a way, the combination affects Roo eve's personality, and eve affects her , but on the other hand, they're separate existence and under that accumulated anger, eve is still a good person at heart, I guess she just needs a light.

(I think I can give Darth Vader as an example. In the end, no matter how corrupt he was, Luke was able to save Anakin again)

So, in a way, Roo is a corruption as you say.This is something that could happen to anyone. Eve's current state is corrupt. Eve still has her memories, she is still someone who cares about her children, but she is far from her old self.

For example, when we meet Roo/Eve Cain, it happens when Eve shows him the compassion of a mother.

For example, in Swap Au, Michael becomes corrupt after what he went through, and this is evident in terms of both personality and appearance.

And yes, it makes sense to take Lilith out of the picture in terms of Roo's plan. Because if Lilith was still there, she wouldn't let Charlie and Lucifer's relationship get worse.

And Constantine is also very affected by the loss of his mother. Lilith was the person who brought him and Lucifer together and made them spend time together. Also, Lilith was Constantine's role model and the only person who understood him, and after that loss, Constantine was left alone.

Lucifer lost the love of his life and his best friend and confidant, and was left alone in that huge palace with his past regrets.

So Eve Roo's plan worked really well. The Morningstar family is not whole right now.

And yes, then we have alastor. Roo is probably the main reason why Alastor came to the hotel. Probably to get closer to Charlie. But Alastor probably has plans to get rid of his chains.

---

And yes, Constantine is looking for his mother. Actually, I recently thought of an idea about this concept.Because a new OC and plan was needed for such a job!!

(If you think the idea is incompatible with the story, please tell me!)

After Lilith's loss, Constantine tries to search for his mother himself, but can find almost no clue. Whether Lilith left by her own decision or He does not know whether she is captured by a higher being than himself. ( Roo's existence is not known for certain, Lilith and Lucifer have not told him this yet.)

So after his own searches, Con knows that for such a search he needs to get information down to the smallest alleys, he needs to know even the smallest crumbs, but no matter how powerful he is, he know can't do this.

Not at the same time in all 7 rings, especially after his father left Royal duties and he was just starting to rule the kingdom.He tries to take time to look for his mother, but when he has just ascended the throne. He needs to show the demons how he will rule hell and also show his authority.

That's why he needs to go to someone who can provide information from every corner of hell and control even the whispers in the most alley.And the most suitable option for this task is the Clan of Whispers itself.A network of knowledge spread throughout the 7 rings of hell and a clan known for the accuracy of that knowledge and the trustworty of the clan.

That's why Constantine goes to meet Misfortune 7 months after his mother's disappearance.

(I'm thinking of writing their conversation here, but I'll summarize it for now)

No matter how much the Constsntine sees the Overlords as despicable Serenity is an exception, unlike the other lord, she is a lord who has become stronger with her silver tongue, intelligence and tactics, and has managed to spread her power to all the rings..While normally Overlords are limited to the pride ring, Serenity is someone who has access to all rings thanks to the hellhounds.

That's why Constantine already had a curiosity and interest in her.

Anyway, Constantine is meeting with Serenity. In the Serenity said that even if Lilith left by her own choice or was held back by someone greater than her,She says that in such a situation, finding a clue about Lilith may be almost impossible even with her resources, but she promise that she will do her best

Constantine then makes a small threat about what will happen to her clan if this information gets out of Serenity.

As a result, Constantine asks what he wants from Serenity. While Constantine was waiting for money, Power or something like that Serenity seeks protection. During her search for Lilith, she receives permanent protection when she manages to find Lilith.

The reason why Serenity wants this is that no matter how much other sinners or hell-born people stay away from her, she has no power of protection against nobles.But if she has the prince's protection, she no longer has to worry about her clan.(this is not a spell, just Constantine declaring immunity to Serenity and her Clan)

So, they make an agreement like this and while Constantine rules the kingdom, Serenity assigns her second most trusted man to this task.

You can change this idea if you want, it's all your decision✨

The reason why I chose Giovanni was that he was someone who could go to all the rings of hell and that he had a lot of resources as he was the 2nd most authorized member of the clan.He's a very clever and cunning person.

I also think it's a really great idea to discover the other rings through a detective character!! It was really nice to see the characters we knew from other circles.

Giovanni brings the information he has acquired every month to Serenity, and Serenity informs Constantine about the developments.

I liked this idea because I wanted to build a friendship between Serenity and Constantine, and once a month, Constantine visits Serenity and talks for a long time, and this lasts for 7 years. That's why they had already known each other for a long time before coming to Serenity Hotel.

(Normally, these visits are purely for business purposes, but mostly there is no new information, just some whispers. And after months and years, Constantine begins to enjoy these conversations, because There's rarely a time when he's away from royalty There are also a lot of hellhound puppies in the mansion. 5 years later, Constantine had a little talk with someone and played a little game with them.And from then on, the cubs did not leave him easily and whenever they saw the Consntine, they asked him to tell a story or show a spell.(After all, puppies don't know what hierarchy is, they probably don't even know who Constantine is)

Do you think this idea makes sense? If not, please tell me! You can change it as you wish or remove this idea, everything is ok for me!)

------

The metaphor you used is really cute. I really liked the way you saw Abaddon's siblings. Even though he cannot spend time with them all the time, sometimes just seeing that they are good and safe is enough for him

-I really liked his relationship with Michael. It's a kind of big brother and little brother relationship. I'm glad they are on good terms even if they don't talk much!

-Her relationship with Uriel is really sweet, it's too bad that even though they love each other, they can't spend time together because of the way they are created, but their correspondence is really sweet.

-Lmao Absolutely yes,seriously it would be so fun to listen to these two talk they could probably talk for hours about a topic they love. But the topic they talk about is completely different every 5 minutes

-Lmao his relationship with Raphel was really fun and it would be really fun to see someone as serious and strict as Raphael talking to someone more relaxed and playful like Abdaddon.

-She would definitely be someone who talked so much that he would swell the head becouse of Jophiel, she would probably be jumping around him constantly, asking his opinion on every subject or constantly trying to get to know him better. And it's so cute that even though Adaddon couldn't spend much time with Jophiel, he gave her a doll to show that he cared about her.

-You explained Abaddon's relationship with Lucifer very well. Even though they are similar, what happened in the past is what is causing these two brothers to be alienated and separated now.Is Lucifer still stuck in what if scenarios about the past?I hope their relationship can improve So they say there's nothing time can't heal.

I saw the article the you Answer questions about Lolicia!! Thank you in advance and I will reply to you as soon as possible!!

And seriously, thank you very much for answering all my questions and explaining the plan in detail. It was really nice to read what you wrote. I really love your ideas.And it was so much fun talking about these with you. I seriously loved all your ideas, there is not even one that I didn't like o. Also, seriously, everything is in perfect order and there is nothing I want to add!

Thank you again for taking the time to respond. And I'm sorry for this long message in advance.

Have a nice day!! 🫂🫂❤️❤️❤️

[showtoonzfan]

Hey it’s been a bit! The Mammon episode finally came out, so here’s my review!

Pros:

- The sign language scene was cute. Kinda weird that a kid was seeing a show that was clearly for adults but I love me some representation so it gets a pass.

- Despite Blitz not really needing to be in this episode, I thank god he had little screen time and more time was dedicated to Fizz.

- The fish ladies (despite having wonky color palettes that made them EXTREMELY hard to look at) were cute.

Cons:

- Mammon is so flat and uninteresting but I don’t know what I expected from a creator who always hypes her characters up that always end up being one of the three go-to personalities she picks for her male characters. In Mammon’s case he’s just a loud mouth cursing bum so way to ruin another Deadly Sin and make them boring af, moving on.

- I don’t like how Mammon and Fizz’s relationship are similar of Val and Angel’s, Viv keeps recycling stories, characters and plot lines ect, it makes Angel’s story for Hazbin really predictable/underwhelming and not exciting to look forward too especially since we already have the “mafia bad daddy” aspect to him too that they pulled for Moxxie. I guess the idea of Mammon being a controlling ruler is fine on paper but not much is done with it, Fizz just quits in the end like it was easy with zero consequences so what was all that build up for.

- Fizz himself once again feels REALLY out of character, he’s just too soft compared to how he was introduced in season 1. He’s constantly nervous in this episode and insecure, as well as walking on eggshells, and even in Oops he wasn’t THIS sensitive. I’m all for characters struggling and being kicked down but it has to make sense and not feel forced, and once again it feels like Viv is trying way to hard to make the characters she once introduced as snarky assholes to uwu innocent babies. I refuse to believe Fizz was actually INTIMIDATED by this random geeky imp who insulted him, as well as the fish ladies whom he was weirdly nice and welcoming to. It’s also weird seeing how uncomfortable/nervous he was around his fans when I thought the whole point was that he LOVED praise and loved being famous, at least that was season 1 Fizz. Now he feels retconned. Seeing him say “I just need this gig” is weird too, the explanation to why he went through all of this makes no sense, Fizz still has Ozzie and is famous in the Lust ring, and I understand Mammon is his idle but to go through all that abuse for so long for something that could have been so easily avoided feels forced to fit the plot, but it also makes Fizz look dumb.

- There’s confusing lore stuff regarding Mammon and Ozzie, and it makes me realize that Viv should have picked ONE storyline aka ONE Seven Deadly sin to go with Fizz’s story because this is getting mixed up. Fizz acts like if he looses this completion, he looses everything, which confused the heck out of me because no he wouldn’t have? First of all, Ozzie is a fucking powerful sin, how would you loose him? Second, from what we know from season 1, Fizz is a jester who performs at Ozzie’s club. It was Ozzie who built the sex robots across the rings of hell, NOT Mammon, and in season 2 we see that Fizz is under Ozzie’s care and lives in his house. Yet for some weird reason Mammon also represents Fizz and uses him for profit, but it’s not really explained in a way that makes sense, like Love’s art had said in her Fizz redesign video, Fizz’s job is really confusing on what exactly he does. Having both Ozzie and Mammon represent him overcomplicates things and the show did a poor job at explaining how this goes.

- Once again Viv dumps trauma and struggle onto her characters without building it up first. When did Fizz ever give off the impression that he was being controlled or abused, or even that he was so insecure and constantly walked on eggshells to be perfect. In Oops he was happy to be in the spotlight and happy to get the attention, he bragged to Blitz about how successful he was. He seemed happy to perform for Mammon and talked of him highly, and now you’re pulling an Angel Dust situation where he’s expected to be perfect 24/7 and it gets to him emotionally, while also being someone who’s physically and mentally abused. Yet another season 2 episode that wasn’t planned, same as how Millie wanting to feel important wasn’t planned, same as how Stolas seeing Blitz as genuine love wasn’t planned. Different episode, same issues.

- I’m so done with the Hell lore bro, this place officially has no rules and demons can just do anything without consequences. There’s no class system, there’s no rankings, there’s no power dynamics, screw anything that Viv says. There was no fucking reason why Ozzie and Fizz’s relationship needed to be a secret. There was no reason showing Ozzie threatening his workers to not tell anyone about his love life if he was just going to admit it to EVERYONE THE NEXT EPISODE IN FRONT OF ANOTHER SIN ARE YOU FUCKING KIDDING ME— what was the POINT. What is the point of Stolas and Blitz’s conflict. What is the point of Stella being classist. What is the point of these class systems and rules if you can just announce that you technically broke a hell rule and no one gives a fuck and you get off scott free. Mammon telling Ozzie “you’ll regret that” like a cartoon villain doesn’t do anything either. What is he ganna do? Tell Lucifer, the character that canonically won’t appear in HB because the sins won’t appear in HH? If Lucifer rules over the sinners, who the fuck is in charge for the rest of Hell. Where’s the authority? And Mammon is just ganna come back for another episode to give the gang trouble cause lord knows we don’t have enough fucking villains already.

- It feels weird that Ozzie would just sit back while someone whom he knows is a piece of shit is treating his loved one badly. I get he was concerned but you’d think one of the seven deadly sins would have more power and authority.

- I was expecting some big gross bug-like thing to appear when Mammon was transforming into his final form, only for it to the exact same design but with small extra eyes and a spider lower half that isn’t even visible in most shots….GOD VIV.

Watching this episode also made me remind myself that this is supposed to be Hell. Seeing Fizz feel better and stand up for himself was sweet but these soft lessons and morals don’t belong in a show like this, and it’s extra aggravating regarding Viv’s double standard, how she can just pick and choose which characters she wants to be evil and which characters are saints. Overall not anywhere near the worst episode of season 2, but I am officially done with Helluva Boss so-

[emblazons]

So (because I cannot go three seconds without noticing new little things that tell the wider story in this show):

Let’s talk about how the music that plays during the S3 Byler fight is the exact same music that plays during the S4 conversation Mike & Dustin have with Lucas as they walk to class after the pep rally—

—and how that parallel gives us insight not only into how Mike (and his devotion to Will) has evolved between seasons 3 and 4….but also how The Duffers are evolving Mike as a character in the wake of the "conflict" of forced conformity they introduced in S3.

To start: here are snippets of both scenes where “Not Kids Anymore” plays, both in Season 3 and Season 4.

Now, even though Mike is present in both scenes, it’s not entirely obvious why these things would be parallels, given the radical difference in tone. That said: when we look at these scenes in their wider contexts, we see that they are both exploring the exact same issue, only with Mike on opposite sides of the convo each time—

—namely, whether or not its worth it for Mike to embrace conformity, given that there are behaviors/roles he is meant to fill when trying to keep up with being normal/growing up...and "society" says that DnD / nerdiness (and a refusal / lack of desire to participate in performative relationships) stands entirely apart from that.

Let me see if I can explain.

First: these things are parallels because they are asking us to compare the Mikes in each situation—to notice how he took Will’s words to heart, and decided on some level that Will was right, not him. How do we know? Because in the time between these two convos (aka the rain fight and then the first few episodes of S4), we learn that Mike has made a point to address and rectify all criticisms Will had of him & his behavior during the rain fight.

As of the very first episode of S4, we are shown that Mike is 1) paying attention to both the party/DnD the way Will criticized him for not doing (to the point of calling out Lucas for not prioritizing it the way he now wants to)—

—2) he is focusing on keeping closeness with Dustin (even to the point of judging Lucas for not doing the same), because Will accused him of ignoring Dustin as readily as he ignored him—

—and 3) he has entirely stopped "swapping spit" with El (to the point of removing her from a hug at the airport, kissing her on the forehead...and then never kissing her again lmao) while letting his relationship fall apart without much of a fight…right before apologizing to Will for letting El get in the way of their time spent together in the first place.

Basically: even though he is still struggling in many ways to defend himself from being bullied/being an outcast by hiding behind his relationship with El (the same way Lucas is with “being popular” and basketball), we can see that Mike has made clear strides towards embracing the sides of him that aren’t conformist, which is reflected in all of his decision-making in Will's absence.

Though Mike is getting older and the party “aren’t kids anymore,” them paralleling these scenes is showing us that Mike, at least on some level, has realized that growing up is not at odds with embracing the things he enjoys & his various identities, whether that be through playing DnD—

—wearing clothes he chose on his own—

—or willingly choosing closeness with Will over the performance of relationships with girls (the same way Will already had in Season 3, and Dustin reflected as well).

Now...this isn't to say that he's entirely succeeded at the task, given how many times we see him fumble through actually implementing these changes/revelations in himself, whether with clothes (hello 'shitty knockoff'), embracing his actual interests, or even letting himself want to admit he wants to be with/around Will and not El—

—on top of the fact that I've already talked (many, many times) about how the journey of "feeling like you lost" the Duffers took us on had Mike ending up in a position where "conformity" temporarily wins, how that plays into his relationship with El versus Will, and why it matters for his character even outside of his queerness.

Still: I think this parallel in particular is important to understanding his character because it rules out any idea that Mike is somehow oblivious rather than intentionally working through to the changes happening in himself, whether they be in regards to him re-choosing DnD, making decisions about his clothing for himself...or wanting to be closer to Will / not participate in "liking girls," which is what he gets projection-mad at Will about during the rain fight.

tl;dr: Mike has realized on some level that he wants to be more like / closer to Will than his S3 "conformity" self—and the war we see on his face throughout the season in conversations with Will has a lot to do with that, among other things.

This musical parallel in particular draws attention to the fact that there have been changes happening within Mike that he sees and recognizes—he just "lost" like every other character this season, aka failed at walking into a more secure sense of self / out of his "conformist" relationship in its entirety...which we'll resolve in S5. :)

[leia-doodles]

Monster high G3 rant

Watching the TV series and I’m kind of disappointed.

This will be my second watch of season 1, I’m rewatching after the current season 2 episodes.

the show feels very flat in my opinion. They’ve given the characters a lot of cool traits, but they’re used for like one episode and then never brought up, or they only use one specific trait 24/7. Like Frankie in this generation, they have the ability to electrocute, extend their body parts, and they get visions from the people they’re made out of. Specifically they get visions from this one recurring doctor/ scientist. The idea is cool, but the vision literally is there to give exposition about something conveniently. Like when they are trying to solve the puzzle of clawdeens mom, Frankie’s vision just conveniently tells them what to do and how to do it.

In that same episode, we see manny taur. A Minotaur character. And right away we are just told that he’s good at puzzle solving, and so is draculaura! They’re rivals! But this is the first time I’ve ever seen or heard about draculaura being into puzzles, let alone her one sided rivalry with manny. And as the episode ends, she’s like “well you can be the rightful puzzle master” but it feels so flat. There has been no build up to this moment.

Another example is lagoona. In her designated episode, she is rooting for torelai to win the fear-leading captain over draculaura (another thing that has no build up as to why it’s important to her) lagoona explains that torelai is holding a secret over her head, and if it gets out she will lose her status as the fiercest monster in school. But this is the first time we have heard this!! In previous episodes there’s no mention of her being scary or fierce. Or even her super fast swimming skills. It’s just brought up and glosses over with a “be who you are, it’s okay to like what you want! We all have secrets 🥹” but there’s no real character development.

My last example will be the way draculaura is presented in this series. From what she tells us, she has high standards to live up to as a vampire. She needs to look good for her day so she studies endlessly and is striving for perfection. But she also has a love for witchcraft, which is banned in monster high due to its connections to humans. This can be a cute premise, but they NEVER show draculaura compared to any other vampire to show how she’s supposed to act. They never give us episodes where she blows off her friend’s shenanigans because it makes her look bad, and they never really show her dad being so overbearing. They don’t show us WHY humans are hated. And even though witchcraft is banned, whenever anyone finds out about it they’re just cool with it? No push back or anything. The only character to challenge draculaura was torelai.

This all may be very nitpicky, but MH is a character driven franchise. Character relationships with each other and their surroundings are very important to me. I want to feel the so called pressure these characters are being put under. It doesn’t have to be ultra serious 24/7, but issues get resolved within one episode and then rehashed a few episodes later with no further development. Especially with characters like Cleo and lagoona. They have been benched as side characters in this show, and side characters get much worse treatment.

‘The general episode progression is like this - introduce an issue, introduce a high stakes situation that involves the school, have all or one of the main 3 engage in a sequence of fights against this issue(or rapid solving of said issue through convince) - issue is resolved and lesson is told to viewers-characters reset for the next episode.

I know this is a children’s show, but that doesn’t mean it needs to have bad writing, not all kids are high off cocomelon. Kids deserve good writing in their media!

My next rant will be about clawdeen and her story this generation

[miharuki]

hello!!! may i request second part of "once upon a time there a blue love"? thank you

(i think it would be cute if you included small moments between reader and Felix because they're cousins and I'm curious about how their relationships are and if reader told him about her and luka and their separation yk in episode where he was introduced as Argos. I'm also happy that you wrote moment from season 5 about Luka moving away because i can barely find any Luka x reader that catched up to season 5)

feel free to ignore this request and this suggestion. i just wanted to say that i appreciate your work and that you're doing great writings. take care!!!

I'm replying to these two messages, this one took a lot of work Thank you for liking my content, I worked hard on part 2 (3864 Words ) Again remembering that my English is not the best, it is not my original language ;P

Your requests are an order!

(angst, fluff at the end, Gabriel is still the worst person, Félix already knowing things without you needing to say it, Marinete and Adrien dating, season 5 spoiler)

(Part 1:)

𝕺𝖓𝖈𝖊 𝖀𝖕𝖔𝖓 𝖆 𝕿𝖎𝖒𝖊 𝕿𝖍𝖊𝖗𝖊 𝖆 𝕭𝖑𝖚𝖊 𝕷𝖔𝖛𝖊 𝕻𝖙 2

Once upon a time...

There was an elegant house with noble people They lived rich, rich in black hearts At the top of that mansion, there was a room, a room with a window, a window with a marvelous view, but it belonged to a lifeless room, a room where a person who loved too much was imprisoned, you, Oh, poor girl, she saw from her window everyone else being free, while she stayed and lamented not being good enough for her beloved, who is far away and with whom you can no longer converse, And all because her father is concerned about her status, so concerned that he didn't think twice before imprisoning his daughter, like Rapunzel in her tower.

"—And how is she doing?" Nino asked as he placed his hand on Adrien's shoulder, who was approaching the circle of friends.

—My father still says she's sick, and she doesn't seem to leave her room when I'm around," Adrien said, sighing sadly as he remembered how, after the events and Luka's trip, she was practically "isolated" in her room, which according to her father, claims she's too ill to leave. This raised suspicions among some friends, especially Marinette and Ayla.

"But we haven't seen her in a week!" Rose said, hugging Juleka, causing Adrien to sigh.

"I know, but from what my father told me, she got sick during one of the rehearsals and now needs to rest, especially because he doesn't want me to get sick too."

Now, this seemed even more suspicious to her friends. Marinette looked at her phone, seeing her friend's list of unanswered calls. She then glanced at Adrien, noticing how he seemed a bit down, and approached him. Despite her feelings for him, she placed her hand on his shoulder, making him look at her.

"Don't worry, I'm sure she'll be fine," Adrien smiled at her, while everyone else agreed, not wanting to make the situation sadder."Have you tried calling her?" Ayla suggested, looking at her friend Marinette, who was frantically using her phone as if trying desperately to get in touch with you."No, my father told me she dropped her phone in one of the fountains while landing, and that's why she got sick"Something is definitely wrong.

Meanwhile, you were locked in your room, unable to leave your eternal "punishment," still not understanding why things were this way. You realized that your father was making you feel lonely again as you looked around the messy room. You got up from the bed and looked under it, spotting a decorated and locked box. Pulling it out, you removed a key that was attached to your necklace, along with another one that Luka had given you in the past. You used the key to unlock the box, and you smiled upon seeing the various items it held—a small Viperion plushie that Luka had won and gifted you during one of your encounters, numerous song lyrics, and a few other objects given by your friends, the ones your father hadn't confiscated.

You realized how much you resembled your past self, feeling empty, lonely, and above all, with no one to talk to or confide in. You closed the box and locked it again, tucking the key inside your shirt as you climbed back onto the bed. You clutched your blouse and felt the other necklace Luka had given you, hearing the door open behind you without even looking back.

"Your father told you that you will return to modeling again, and this time he expects you to comply," Nathalie said as she fiddled with her tablet."By the way, your dinner will be delivered to your room again. I hope you eat this time," Nathalie turned to leave without waiting for your response, closing the door behind her, and you could hear the door being locked. You sighed sadly, then walked over to the window, looking out at the landscape that thankfully hadn't been taken from you. You gazed at the distant Eiffel Tower and the starry night that adorned its background, thinking about how beautiful the night was despite being alone in your locked room. You prayed that Luka was okay.

"I've already talked to Luka about the situation," Juleka said as she joined her group of friends. Marinette, being the great planner she was, was trying everything to make things calmer. "He told me to send his regards to her and that as soon as she can, she should call him."

"I still find this very strange!" Marinette said as she got up from the sofa in her room and started pacing in circles. "I mean, after Luka's sudden departure, a few days later, Adrien says that (name) is sick? There's something wrong here."

"Look, this time I even agree, but it could also be true. Don't you guys remember it rained last week? And do you remember the photo in the magazine that day, right? It's clearly (name) in the rain posing, so obviously, she would get sick!" Ayla said as she tried to ease the situation.

"Yes, true, I saw it!" Rose said while standing beside Juleka, making her nod in agreement too.

"But still!" Marinette said before a hand was placed on her shoulder, making her look back to see her friend Ayla.

"Look, that's enough, Marinette. I think you should put this aside, especially since you have a date with Adrien tomorrow."

"Yes, that's true!" the girls said, making their friend Marinette blush, while she tried to speak but gave up.

Meanwhile, (name) put on her fakest smile as she continued to pose at certain locations. "Yes, perfect! Very good!" the photographer exclaimed as he continued taking photos, with you striking every pose and wearing a cute outfit. Finally, the photo shoot was over. "Break time," he said, and you sat down, your smile fading, returning to your sad expression. You spotted Nathalie approaching with her tablet.

"You're doing well, because of that, you can choose what you'd like to eat," she said, looking at her tablet without leaving your side.

"I-I think... I'd like some (your preferred food) from Dupain-Cheng Bakery, please," you said, looking at the ground before turning to Nathalie.

Nathalie gave you a quizzical look before sighing and going to her driver, who then got into the car. Nathalie returned to your side, looking at her tablet and tapping away. You let out a tired sigh, sitting down, swinging your legs and looking around to try to pass the eternal boring time. In the meantime, you glanced up at the blue sky, watching the birds fly by and catching a glimpse of a red and black blur streaking across the sky, heading somewhere. "Here you go, eat while you still have time," Nathalie said as her bodyguard and driver handed her the Dupain-Cheng Bakery bag containing the food you had requested.

"Thank you..." you said in a low tone, almost like a whisper, looking at the school and smelling the sweet scent of the bakery where your friend lived.

"Tomorrow is the Diamond Ball, so after your session today, we'll take you to the studio to order your dress. Your father wants you to look good," you only nodded, listening to Nathalie go over your schedule.

Since you returned to modeling, your father refused to let you be alone, so you were always accompanied by Nathalie, who, although she seemed fine, you couldn't help but glance at the equipment on her legs, wondering if something had happened to her.

"Come on, show me a look of comfort! A look of longing, as if you were reminiscing about seeing these flowers!" the photographer said as he asked you to hold a bouquet of red roses, sitting on a picnic blanket with flowers all around. "Not like that!" he said, looking at your expression. "Show more emotion! A little happiness! See how beautiful these flowers are!" he pointed at the bouquet. Looking at the bouquet, you saw a blue dragonfly land on a rose, and a faint memory of a garden you went to with Luka came back to your mind, making you miss him. You gave a small smile as you buried your face in the roses, inhaling their sweet and fragrant scent, smiling at the memory of the day he asked you out.

"Yes! Perfect! Very good! Keep going!"

"Would you like any roses? A ribbon or some colorful embellishment?" asked the seamstress as she took your measurements. "No need for color, just white will do. The outfit Mr. Agreste designed only requires adjustments elsewhere," Nathalie replied as she tapped on her tablet. You watched as the seamstress took your measurements to add to the dress. And of course, you were also looking at the shoes, which your father had also designed, but for some reason, he wanted everything to be perfect.

"Welcome, Mrs. Agreste," the guard said as he allowed you and your father to pass. Your gaze remained melancholic, though not enough for anyone to notice that you were sad; it simply showed that you didn't want to be there, which clearly you had no choice in. Sitting on a sofa, you waited and watched everyone there enjoy themselves, not letting on as some tried to talk to you or somehow get your attention. All you did was divert your gaze until you reached the soft white couch.

"You look sad, did something happen?" a voice asked, and you looked to see what appeared to be your brother."Hello to you too, Félix," you said as you closed your eyes and leaned back on the couch."You always know how to identify me no matter what," he said, almost laughing if he didn't see your tired expression. He approached and sat beside you."What happened? You're usually more lively," he said as he looked at you, prompting you to release a tired sigh.

"My father..." Félix sighed with his words, but before he could say anything more, looking at Gabriel in the distance, a voice came to your rescue.

"Hello, (name)!" You opened your eyes, seeing Kagami. You blinked as she sat down on your other side, and you straightened up. It had been a while since you talked to any of your friends."You haven't been to school anymore. I heard you were sick. Are you feeling better now?" You looked away, glancing at Gabriel in the distance, almost choking."Yeah, of course, I was kind of, you know, sick... you know, now I'm better!" You said, not wanting to know what kind of lie Gabriel had told Adrien for him to be able to tell the others like this.

Before Kagami could ask another question or say anything else, you suddenly got up.

"You know, I'm going to grab a drink or something to eat, be right back!" you said as you almost ran away. You didn't want to talk about anything, but what could you say? Tell them that your father didn't approve of relationships and that he had put you on indefinite punishment for lying, running away, and breaking the one rule he gave you? How could you talk about this situation?

Near the food area, you grabbed some sweets to try to occupy your thoughts and emotions. As you looked at the dance floor, you saw your cousin, who resembled your brother, dancing with someone. Not wanting to say anything, you simply ignored it.

You entered the bathroom after eating some sweets and looked in the mirror, observing your well-groomed and elegant figure, your perfectly done hair, and your fancy dress. This wasn't you. The only thing you saw that truly belonged to you was your necklace, which you had hidden under the dress. Pulling it out, you looked lovingly at your reflection in the mirror, seeing the necklace that Luka had given you.

"Luka..." You never stopped loving him, even though your father had locked you in your room. You never stopped missing him. Crouching in the bathroom while looking at your necklace, you caressed it, hoping that someday you would find him again.

"Adrien!" you heard someone shout, looking out of the plane window. You saw Marinette running towards the airplane stairs with Adrien following behind.

Ah yes, it seems you weren't the only one with a forbidden affair. You watched Marinette and Adrien kiss before the bodyguards separated them. A wave of déjà vu came over you when you saw this scene, which felt so familiar. You saw Adrien being dragged onto the plane and placed in his seat, looking out the window while crying.

You averted your gaze and saw the plane starting to move to take off. You lay down, holding your blouse and feeling the necklace underneath it. You prayed and wished that you could find Luka.

"This will be your room," Nathalie showed you the hotel room. You saw that the view was nice, but it wasn't anything special. It was just another room where you would be confined. You leaned on the balcony railing, looking at the horizon and feeling the wind tussle your hair.

"It's only for a few days..." you commented, resigning yourself to the situation, holding the necklace that Luka had given you once again. You sighed with sadness.

"Can I stay in the park for a while, please?" you asked your bodyguard, who was currently looking after you while you posed for photos since Nathalie had fallen ill and couldn't make it. You looked at him, waiting for a response, and he saw the sadness and emptiness in your eyes, so he nodded in sympathy. You smiled weakly as you hugged your bodyguard. "Thank you..." He just patted your head and pointed to a bakery nearby, and you nodded. He would be in the bakery while you stayed in the park.

You watched your bodyguard's back disappear as he entered the bakery, and you smiled as you sat on the park bench, feeling a sense of freedom being away from supervision. However, a sad sigh still hung on your face, as if you were feeling trapped.

"A smile suits you better," you choked when you heard someone speaking, a familiar voice. Looking at the owner of the voice, you couldn't believe what you were seeing.

"Luka..." you said softly in a whisper, getting up from the bench. Your hands trembled. The boy with blue-tipped hair smiled as he approached slowly. He was nervous, hoping it wasn't a dream. He hugged you when he was close enough, burying his head in your neck.

"I missed you so much!" he said as you returned the hug, feeling the tears you had held back for so long, also feeling the boy's tears staining your clothes.

"Luka!"

"You didn't call me anymore, I had no sign from you. I thought something had happened. But then Juleka told me you had gotten sick, but that's not true, is it?" Luka looked at you, asking for confirmation, but all you did was bite your lip and turn your face away. "Why are you hiding, love?" Luka asked as he placed his hand on your cheek, caressing it.

"I..." You didn't want to talk. You didn't want to burden Luka. He wasn't at fault. You didn't want to speak; all you wanted was to be with him now.

"Please, (name), you can tell me," he said as he hugged you, stroking your hair.

"It was him, wasn't it?" You lifted your gaze to Luka before turning away again.

"I won't force you if you don't want to..."

"Someone told my father about our relationship. He doesn't accept the fact that I'm dating someone who isn't 'famous' or a friend of my father's. He took away all my technology so I couldn't talk to you or our friends. He thinks me leaving was a terrible idea. I'm sorry..."

"It's not your fault... it never was..." Luka placed his hands on both your shoulders.

"B-but! It was my fault. I didn't follow my responsibilities; I was careless, and I couldn't talk to you either... It's my fault... I just... my father, he just...!" Suddenly, an irritated expression crossed Luka's face.

"It doesn't matter!" You looked shocked at the boy as he wiped away your tears and put on a gentle smile.

"No matter what your father says or what the media wants, you've made me the happiest boy on the planet, and I've missed you so much since we were apart. You keep being the song that plays in my mind. I don't care if others see; I love you, (name)!" With that, Luka put his hand on your cheek, pulling your face closer to his, and finally kissed you. Not a peck or just any kiss—it was a kiss of love, one that showed how much you both loved each other. Amid that romantic moment, several people stopped to look at both of you.

"(Name) Agreste, Adrien Agreste's twin sister and Gabriel Agreste's daughter, kissing a boy in a public park." That's what people thought as they passed through the park, and some took photos.

"I love you, (name)," Luka said as he rested his forehead against yours.

"I love you too, Luka..."

"It seems that it wasn't enough," Mrs. Tsurugi commented as she listened to the latest news report that Gabriel was speaking in.

"Your children are being disobedient, unlike my daughter. Yours are out of control," Gabriel groaned in frustration as he looked at the screen, seeing the photo someone had posted. The photo itself wasn't particularly striking, just a girl taking a selfie with you and Luka kissing in the background. Similar photos like this ended up in some local newspapers, especially in the fashion industry, which only added to Gabriel's irritation. As if it wasn't enough to have to punish you, Adrien followed suit, and now just when it seemed like you were behaving, you go and kiss some random boy...

"It's not working... I think I'll have to proceed with the plan," Gabriel said as he looked at another screen, watching the cameras showing you, Adrien, and Kagami lying in white beds in a room that resembled a sanitarium.

"Let's begin..."

"(Name)!" Luka called out, running to you. You looked at him sadly, and he stopped, now concerned, as you turned.

"(Name), my love, what happened?" He placed a hand on your shoulder, seeing your back.

"Let's break up..." The boy's expression was shocked when he looked at you.

"What do you mean, (name)?" He seemed to want it to be a lie, hoping it was a lie. You had met again just a few days ago, and now you wanted to break up. Didn't you love him?

"(Name)?" You pulled away from the boy.

"Let's break up! I don't want to see you anymore!"

"(Name), if you can explain to me what's wrong, I'm sure we can find a way..." he said, trying to hold onto some hope.

"I don't like you, Luka. Why can't you understand that? I don't want this anymore!" You said angrily to the boy, who looked at you with sadness. He tried to reach out to you, but you simply pulled away until another random boy appeared, taking you away, leaving Luka shocked.

"(Name)....?"

Upon waking up, Luka realized it was just a dream. He brought his hand to his face, wiping away the tears, and sighed, feeling his heart calm down. He reached for his phone, checked the time, and saw his wallpaper—a happy photo of both him and you. He smiled, knowing it was just a nightmare, and that as much as it seemed real, it wasn't. You loved each other too much for something like that to happen.

He held onto the necklace you had given him on his birthday and looked at the ring on his finger—a ring that symbolized your relationship.

That is until...

"Bring back Adrien and Kagami!" Luka didn't know what had happened, but suddenly, everyone started getting akumatized. He knew it had something to do with the nightmare he had because his father and the secretary had reported having extremely heavy nightmares and couldn't stop thinking about them.

"Let's go! We need you!" Bunnix said, opening a portal for them to pass through.

"Thank you, Luka," you said as you leaned against him, watching your friends having fun in the pool at your house. You couldn't remember anything, and all Luka remembered was that suddenly, while fighting to break the akumatized rings, there was an explosion in the sky, and then he woke up, noticing you beside him. He wished it wasn't a dream now, and that you could be together.The look Marinette gave him was enough for him to know that you were now by his side, to stay.

"I should be the one thanking you," you looked at him confused, while he chuckled and gently kissed your lips, leaving both of your faces blushing and happy. "I'm lucky to be dating an amazing girl like you, (name)!"

"I love you, (name)!"

"I love you more, Luka!"

Applause came from some friends who were nearby, watching as you kissed again, but this time, it was to confirm something you both already knew— that you loved each other.

It took me 2 days to finish!!! And I finally finished!!!! Amen! I hope you liked it, if you want I can do another part :)

@midzuuumi

@famouschopshopgalaxy