#the results for my final aren't out yet but i will say

[shiro-hatzuki]

i made these edits a while ago to procrastinate studying for a final that i really needed to pass. i thought they looked good for pfps~

edited from the ORQUESTA x MILGRAM crossover comics released on twitter [ 1 ] • [ 2 ] • [ 3 ]

[feefivefoe]

My little spinoff of the neglected Batfam idea.

Rather than being the 2nd youngest, reader is actually the same age as Jason, just a few months apart. Brought into the family years before him, being the 2nd child Bruce took in.

A bio child, and while I have my own ideas as to how it occurred, I'll leave those aside for this post.

Do keep in mind I'm not a huge DC fan, so I only have baseline knowledge of the Batfam and literally nothing else lol

Dick and Bruce aren't too interested in reader, as the troupe goes. But Jason is! There's a bit of tension at first as he assumes they're going to be a prissy spoiled brat, as Bruce's bio kid.

They don't get to be the closest of siblings, given he's busy with being the newest crime fighting vigilante. But it's the most reader has had in a long time, and at least Jason TRIES to be there for the occasional big life event, despite being a teenager like them. It's more than the adult family members of theirs do.

Then he dies. And neither Bruce or Dick even remember to tell reader when his funeral is. Even Alfred didn't mention it, assuming the death of their family member would be the one thing they speak about, even if it's just to mourn.

Years later and the butler still curses himself for assuming. He knew better, and yet still tried to have faith in the two.

That's the final straw. They missed the funeral of their only family. They had to ask Alfred where his grave was in order to say their goodbyes.

Perhaps due to low self esteem, they don't hate Bruce, or Dick, or later Tim. Of course Gotham is more important than the feelings of one child.

But they aren't family. They're just housemates.

Which is perhaps why, the first chance they get at 18 (technically 17, but nobody in the city cared enough about legalities to actually follow through with checking their ID) they get the hell out of that manor.

Discarding every connection they had to that family. Phone tossed aside, new one with a new number obtained. Even throwing out any contact with Alfred.

And as a result, they miss that Jason is revived just a year or two later.

Not that his first thought is finding them. He was just brought back from the dead, the man has other things on his mind, okay?

But once his thoughts of vengeance have settled down, he starts settling in to the new normal, only to look around and see a sibling is missing.

[harrysfolklore]

Tom meeting reader at an event and he’s just flirting the whole night and ends up getting her number

i watched the golden globes and got inspired to write this! i hope you like it <3

MASTERLIST | MY PATREON

If there was an award for "most nervous person in attendance" at the Golden Globes, you'd have won it by now.

Award shows never failed to make your stomach feel in knots the entire time, specially when you were nominated, like tonight.

The Great had been a huge breakout role, a period drama that had captivated audiences and critics. Now, you stood among the nominees for Female Actor in a Television Series – Musical or Comedy at the Golden Globes, and you could feel your heart pounding as the moment of your category being announced approached.

"Love, are you okay?" you heard a voice calling for you, turning your head you realized that it was Dua (yes, the Dua Lipa) who was sitting next to you.

"Just a bit nervous," you told her with a small smile, "I think I'll head backstage for a minute, I need a breather."

She assured you with another smile and you made your way backstage, a commercial break started just on cue.

You had rehearsed your acceptance speech a dozen times in case you won, and also had a pep talk ready in case you didn't, yet the nerves persisted. You knew you were competing against some big names, and whatever the result people online would have something to say.

Your train of thought was interrupted by your body colliding with someone, almost dropping your clutch in the process.

"Whoa there, careful," a voice chuckled, catching your arm.

"Sorry, I didn't see where I was going," you said, your cheeks flushing from embarrassment, of course you'd run into someone in classic romcom cliche style.

"No harm done. You alright?" he grinned and you recognized him, it was the man who had been flooding your Tiktok for you page for the past month, Tom Blyth, "I'm Tom, by the way."

"Nice to meet you, I'm YN," you smiled back, "And yeah, I'm okay. Just a bit nervous about my category. Oh you're presenting it, aren't you?"

"I'll have the privilege, yes," his charm effortlessly showed, "And just so you know, I'm rooting for you. You were phenomenal in The Great, one of my favorite shows I watched last year."

Your nerves seemed to ease a bit, his presence and charm making you relax. There was something about him that felt comforting, even though it was your first time meeting him.

"Thank you, that's really nice," you smiled at him, "But I don't want to get too confident, the other nominees are just as great."

"Honestly, I'd bet my hat you're taking that Golden Globe home tonight."

Tom squeezed your arm gently and you smiled again, and before another word could be exchanged, a crew member's voice echoed through the backstage area announcing that the show was back from commercial break in 30 seconds.

"Well, looks like it's showtime" Tom glanced towards the exit, then back at you. "Knock 'em dead out there, YN. You got this."

"We'll see."

With a final wink sent your way, you parted ways. You returned to your seat and tried to enjoy the ceremony as much as you could, your nerves still in the back of your head but your interaction with Tom making you feel more at ease now.

"And now, presenting the award for Female Actor in a Television Series – Musical or Comedy, please welcome The Ballad of Songbirds and Snakes star, Tom Blyth!"

You heard the host say and you knew t was time, and once again a wave of nerves and uncertainty filled your body.

The crowd erupted in applause as Tom stepped onto the stage, his confidence and charm shinning through.

"Good evening, everyone. It's an honor to be here tonight among such incredible talents," Tom smiled, "Here are the nominees for Female Actor in a Television Series, Musical or Comedy."

A video played showing all the nominees but you felt like your mind was numb, you didn't even realize it had ended until Tom's voice was heard again.

"And the Golden Globe goes to," he paused for suspense, and you could see a small smirk making its way to his face as he read the name, "YN!"

Time seemed to freeze, you tried to process everything as you heard the applause from the crowd and those around you congratulating you and before you knew it, you were on stage taking the award from Tom's hands and giving him a quick hug.

"I told you." He quietly whispered in your ear and gave you a wink, a moment that the cameras had caught.

You gave your speech, thanking your cast mates, directors, family, friends and the rest of the nominees. Once you were done you headed backstage with a proud smile and your newest award in hand.

The night went on and you definitely enjoyed every minute of it, mingling with other actors and thanking everyone who approached to congratulate you.

Once the ceremony wrapped up, you headed to the after party, you were sipping on a fruity drink by the bar when you felt a presence behind you.

"Hey, can I steal a moment with the newest Golden Globe winner?"

You turned around noticing it was Tom, he had changed to a different suit and you couldn't help but think that he looked really handsome.

"Sure, what do you need, president Snow?" you laughed, feeling a newfound confidence around him.

"How about your number? I'd hate to lose touch with Hollywood's latest sensation." Tom flashed his charming smile again, taking you by surprise and making your entire body feel giddy.

"Smooth, Blyth. Very smooth." Blushing furiously, you playfully rolled your eyes.

"Well, when you really really want something, smooth comes naturally."

And just like that, after winning a major award for your career and feeling on top of the world, you found herself exchanging numbers with Tom Blyth, excited to see where that would take you.

[raguiras]

POV: Deuce's very first kiss from his crush

(Click for better quality)

I'm finally officially introducing my Yuu/OC x canon/Yumeship here! (✿◕‿◕) Writing this post took me forever, but I'm super happy with it!

Reblogs are super appreciated hehehe

Please be kind & DO NOT take inspiration from this ship. ^^"

(While Allen isn't me, I'm calling them a Yumeship because he's based on my younger self/me when I first started playing TWST & because the ship gives me a ridiculous amount of comfort!)

Allen x Deuce (aka Spade of Storms) is my ultimate comfort ship and they mean a ton to me.

These two are best friends who become lovers and closely mirror each other. Deuce is the delinquent with rather bad self-control who tries to be a model student, while Allen is a former honor student who's now a very lowkey delinquent with stellar self-control and a mature attitude.

Due to the fact that Allen and Deuce are so similar and yet the opposite of each other, they're able to excellently understand and support the other, and they help each other accept themselves.

Their ship blog: @spade-of-storms (facts, drabbles & more est. May 2024)

Now why exactly are these two perfect for each other? Well...

LONG TEXT AHEAD!

♤♤♤♤♤♤♤♤♤♤

Deuce:

Allen supports Deuce with all his heart. Instead of believing that someone "as stupid and temperamental" as Deuce could never become an honor student, Allen fully believes in him and encourages him. In comparison to when other people say it, these words actually have an incredibly strong impact on Deuce and are believable to him because he knows that Allen has similar experiences and speaks from them.

Allen doesn't think that Deuce is stupid in the slightest and views him as genuinely smart. To Allen, intelligence isn't determined by grades or academic abilities, but by morals, attitude, logic, and willingness — all of which Deuce has.

Allen doesn't try to change Deuce. Rather than turning Deuce into a full-on honor student and role model, which he isn't by nature, Allen prefers for Deuce to stay true to himself and work towards his goal while not suppressing any aspect of who he is — Allen knows exactly that forcefully becoming someone you naturally aren't would cause more issues than it would fix. In order to assist Deuce with staying true to himself while working towards his desired self, Allen does several things:

Allen lets Deuce be his 100% authentic self when they're together. Deuce tries extremely hard to always be polite and serious in order to maintain his reputation and not resort to old habits, but Allen, being very impulsive and easily angered himself, knows just too well that suppressing one's feelings and true nature isn't the way to go. When they're together, Deuce can openly rant about topics, use insults towards the people who angered him, and show his emotions without having to worry about how others perceive him or about how it might mess up his reputation — Allen would never judge Deuce nor share his secrets with others. This way, Deuce can be himself without restraints while also maintaining the way he wants others to perceive him.

Allen allows Deuce to be a delinquent in a safe, harmless way. If Deuce ever feels like doing something forbidden without breaking rules or staining his reputation, Allen (a very lowkey delinquent) has just the ideas for him. This provides a comfortable space for Deuce to live out his tendencies without falling back into bad habits.

Allen is able to introduce Deuce to a wide range of healthy coping mechanisms that work for him. Allen is a much angrier person than Deuce and is equally impulsive, but has stellar self-control due to the methods he uses, and passes them down to Deuce. As a result, Deuce doesn't feel the need to immediately lash out at others anymore and manages to become calmer and much more mature, taking steps into his desired direction.

Allen helps Deuce channel his "negative traits" into positive/helpful ones. With Allen's assistance, methods, reassuring words and unique view on things, Deuce learns how to use the qualities that he used to hate about himself to his advantage. Suddenly Deuce's anger is no longer a hindrance, but a source of energy and motivation.

Allen admires the things Deuce hates about himself. While Deuce wishes he wasn't as hot-headed, Allen views it as an amazing trait and sees the passion and longing for justice behind Deuce's fiery attitude. Additionally, Allen is able to help Deuce see the positive side of these traits, and aids him in channelling them into something good to use to his advantage (see above).

Allen is the only person to fully get through to Deuce. Due to them essentially having the same experiences, opinions, wishes and morals, Deuce felt comfortable trusting Allen with every last bit of his heart (in comparison to other friends) — not to mention that the way Allen was able to help Deuce so intensely and actually talked to him the way he needed it also played a role! Allen has his way with words and knew exactly how to talk to Deuce from the beginning.

Deuce can genuinely open up about his self-esteem to Allen. It's been heavily hinted at in the game several times that Deuce thinks incredibly lowly of himself, but this topic is usually cut short and he doesn't talk about it further with the canon Yuu. With Allen, however, Deuce can open up all he wants to. He knows that Allen has similar experiences and struggles with self-worth related issues himself, therefore not only not judging Deuce, but also fully understanding him.

Allen perfectly understands Deuce's past. Having been feared, avoided and known to be a delinquent/bad kid himself, Allen even understands the details extremely well. Neither of the two ever had a proper friend until they met each other on their first day at NRC.

Allen successfully helps Deuce with his studies despite hating school. Seeing how Deuce needs help, Allen (the "gifted kid") gladly volunteers, even though he's no longer interested in class and has sworn to drop the "honor student" facade himself. Due to Allen's easy explanations, methods, photographic memory and capability to catch on quickly, Deuce actually manages to improve his test results by 1-2 grades.

Allen's study methods are unique, which helps Deuce & is necessary for him. Being a slow learner (I also hc him to have some sort of intellectual disability), Deuce requires rather unique approaches to topics. As Allen is well-versed with both studying and psychology and also keeps Deuce's exact issues in mind, he's able to perfectly tailor methods and mnemonic bridges that actually work out for Deuce.

Allen makes sure that Deuce's desire to be a model student is & stays healthy. A fair part of Allen's trauma stems from being an honor student himself and having unrealistically high expectations regarding grades and attitude shoved down his throat by everyone at school (including himself), so he pays a lot of attention that the same doesn't happen to Deuce.

Allen respects Deuce a ton. Not only is Deuce determined, passionate, loyal, honest and eager, but he has the same core values as Allen, too. In Allen's opinion, finding someone with these traits is not only rare, but immediately makes them endearing to him.

Allen is patient with Deuce. He understands that Deuce occasionally has a difficult time processing and understanding things, and he isn't bothered by it in the slightest. This means even more when you consider that Allen is generally a very impatient person and is only able to be patient with those he truly loves and trusts.

Allen fills Deuce in when he doesn't understand something. Due to Allen being able to catch on extremely quickly, he can immediately explain things and situations to Deuce, helping him out and allowing him to get everything right from the beginning.

Allen indirectly protects Deuce. Known for being intimidating (in a good way), quick-witted, sly and a skilled schemer, most people — including those who enjoy picking on Deuce — shy away from Allen and avoid getting in trouble with his friends.

Allen stops Deuce from getting into fights. Whenever Deuce is about to get into a fight anyway, Allen gently but sternly reminds him of both his goal and the healthier coping mechanisms.

Allen understands that Deuce dislikes being picked on. Allen, being a sensitive person, hates it himself, and he actively tells off everyone who dares to make fun of Deuce or call him "Loosey Deucey". At times, Allen even gets snappy because of the inappropriate nicknames or insults directed at Deuce.

Allen inspires Deuce. Him being skilled at a variety of things and just logical in general gives Deuce the motivation to achieve the same. Deuce doesn't compare himself to Allen, either, and views him as an inspiration. If Allen can control himself and get positive things out of his negative traits, so can Deuce, right?! Not to mention that Allen is extremely tough and pulls through no matter what despite his mental and physical state...

Allen's maturity subconsciously wears off on Deuce. Even outside of the fact that Allen helps him grow and improve a lot through all the ways mentioned before, Deuce sometimes also subconsciously copies his boyfriend's mature attitude or asks himself what Allen would do in certain situations.

Allen is an advisor to Deuce. Deuce struggles with planning ahead, and Allen — a big-time overthinker who's extremely competent at scheming — is able to assist him. As a result, Deuce makes less bad decisions.

Allen loves blastcycles. Deuce can rant about them to Allen for hours, and the two often go on blastcycle dates together. Nothing is more fun than clinging onto your partner while driving at full speed!

Allen values Deuce's company like no other. Deuce regularly feels like a nobody, and Allen takes that feeling from him due to how much he connects with him and likes having him around.

BONUS: Allen is not only beautiful but also has an incredibly strong personality, drive, and determination and hasn't given up despite everything that happened to him. Deuce is a massive simp and his humongous crush on Allen has always been obvious due to how Deuce just can't shut up about him.

Allen:

Deuce loves and accepts Allen's body. As we have seen through his interactions with Azul and Epel, Deuce is very protective of people who don't fit the norm, and Allen is another such person — an intersex boy who was bullied for his unconventional body. Deuce has not only sworn to protect Allen from any possible discrimination, but also loves his body dearly and thinks he's super hot.

Deuce gives Allen a sense of stability. Allen's life was all about short-lived fake joys and prevailing negativity prior to coming to Twisted Wonderland, which made him feel disconnected from many things and people and gave him the feeling that everything is temporary anyway. However, Deuce's fierce loyalty and the strength of their relationship prove Allen wrong — yes, there can indeed be things in life that last forever.

Deuce's utter affection warms Allen's empty heart. Allen was never loved by anyone but his parents, who he thinks only love him because he's their son. Other than that, he never experienced love, affection, ... or even mere friendship. He was alone... until he met Deuce, who he somehow immediately connected with. It was as if their friendship was predestined by the universe... and with every day, Deuce's affection for Allen only grew.

Deuce genuinely admires Allen. Seeing how Allen always does his best, works hard, has ambitions and aims to improve impresses Deuce a ton. This is extremely healing for Allen, whose efforts were never properly recognized or rewarded before and who thinks that he needs to perfect at everything in order to be "someone".

Deuce makes Allen feel useful and resourceful. Allen often believes that he has no worth and could never make a change for the better no matter how much he tries, but seeing just how much he's able to help Deuce with a wide range of things proves Allen wrong — he's indeed capable of a lot of things. Not to mention that Deuce even passes some of Allen's tips down to Epel!

Deuce's honesty is refreshing to Allen. After being lied to and tricked by about anyone Allen ever knew before coming to Twisted Wonderland, Deuce's natural honesty and loyalty are an unfamiliar but utterly wonderful experience for Allen.

Deuce makes Allen feel understood. Allen often believes that others would view him as a monster if they were aware of his secret anger and opinions, but Deuce shares many of them. These two can openly talk about their values together and Allen feels extremely understood because of it — a feeling he barely ever experiences with other people.

Deuce helps Allen enjoy the moment. While he has some overthinking tendencies himself, Deuce is much more spontaneous than Allen and tends to act more on impulse. As a result, he can show his ways to Allen, allowing the overthinker to finally relax and think about his problems a little less.

Deuce doesn't hesitate to stand up for Allen. The fact that Allen was bullied for something he can't change in the past saddens and angers Deuce, and he has sworn to himself that he'll always protect his boyfriend. If there should ever be another situation where Allen gets bullied, Deuce won't hesitate to absolutely throw hands — this is not being a bad person and picking fights, it's standing up for an innocent person whose life was ruined by malice. Deuce wouldn't regret it in the slightest anymore, especially since Allen has helped him learn than anger isn't a bad thing.

Deuce helps Allen with becoming a proper mage. When Allen first gains magic during the final quarter of the school year, he has absolutely no control over it and is partially even avoided due to being a "walking health hazard". Deuce, however, sees this as the perfect time to pay Allen back for helping him study theory and decides to assist Allen with practical things. Through Deuce's determination and belief in him, Allen is able to improve much quicker than he would've without Deuce's help.

BONUS: Deuce is the warmth and honesty that Allen needs in his life. The boy's mere presence lights up Allen's day and Deuce's careful physical affection makes him feel like the most cherished person in the universe.

What else is there to them? (examples)

Both are extremely close with their families.

Due to being so similar and sharing many personality traits, loving each other so deeply allowed them to realize that they can easily love and accept themselves, too.

Deuce's previous incarnation had a crush on Allen's, who died way too early. In this life, the regrets of the past are being fixed.

Allen's the brain, Deuce is the brawn.

They're both extremely cuddly with each other.

LOTS OF COMPLIMENTS (from both sides).

Deuce often gifts Allen plushies.

Allen and Deuce are basically inseparable by now.

If you hang out with Deuce, you have to suffer through at least one tiny ramble about Allen.

...and much more that can be found on @spade-of-storms!

♤♤♤♤♤♤♤♤♤♤

Thank you so much for reading! I hope you like the art & ship and are looking forward to more of them! (✿◕‿◕)

EDIT: Please do not take inspiration from this ship. ;-;

[uniquexusposts]

Her Driver, His Boss - C. Leclerc

Summary: After the Dutch Grand Prix, Verstappen invites his friends over to a bar in Amsterdam. Y/n, the new team principal of Ferrari, and Charles are attending the party and grow closer to each other durning the night.

Max Verstappen private: Are you almost there yet?

Y/n privé: Almost! Just getting out of the metro

When she heard the announcer say they've arrived at 'De Pijp' she stood up and waited for the metro to stop. Along with some F1 fans, who just came back from Zandvoort, she stepped out of the metro and took the escalator upstairs. She checked out with her debit card and walked out of the metro station. Luckily for Y/n, the fans didn't seem to recognize her. She was the team principal of Ferrari after all. While walking towards the bar where she was supposed to meet with Max, she looked around and took in the typical architecture of Amsterdam.

After a short walk, she saw the bar and made her way to the entrance. A man stood next to the door and he eyed her up and down. A slightly uncomfortable feeling washed over her and she tried to shake off the feeling. He had a drink in his hand and a cigarette in his other hand.

"Y/n?" he said.

"Yes?" she answered, slightly unsure. She didn't know how to respond correctly.

"Great, come on in," he told her and he laughed. "I just had to make sure that you aren't a fan."

Y/n smiled as well. This man was probably a bouncer that Max had hired to ensure no fans would disturb his night out after the race. She opened the door and stepped into a hallway and after opening the next door, she was welcomed with the music and the chatter from the people inside. Before she had the time to properly look around, a piercing scream filled her ears.

"Y/n!"

Many people looked at the entrance, to see Y/n looking like she wished the ground would swallow her up. Charles was one of those people who looked at her, the shout by Max' engineer, and Y/n's former colleague, GP pulled him out of his conversation with Pierre Gasly. He recognised his team principal and turned his head back to Pierre to finish his sentence. However, the image of Y/n in a dress, made him forget all the words and he had to look back at her.

There she stood, smiling widely and pointing at GP. She rolled her eyes, took off her blazer and made her way to him. Charles' eyes kept following her. This was the first time he saw her in a dress. The dress hugged her curves perfectly. The light green colour fitted her skin tone and her light coloured hair - which was now in a loose braid which resulted in an exposed neck. She had never looked like this before.

Pierre looked besides Charles and followed his eye sight to see who took Charles' attention. A smirk grew on Pierre's lips when he saw her. He looked back at Charles; a soft look glazed in his eyes. "Hello," Pierre said and punched Charles' shoulder.

"What the fuck," Charles mumbled and he glanced at Pierre.

"Are you going to finish your story or what?" Pierre grinned.

Charles rolled his eyes and punched Pierre back, he tried to remember the conversation they just had, so that he could continue the conversation.

On the other side of the room, Y/n had finally found her friend Max and they were having a gin and tonic together. The whole place was crowded with drivers, colleagues and other people who were important to Max. Y/n had to raise her voice at Max to make herself heard.

"Where did you find all these people?" Y/n asked with a smile on her face.

"Oh, most of them are paid actors," Max casually said and he took a sip of his cocktail.

Y/n shook her head. "Who is the most expensive?"

"You."

"When can I expect the payment?"

"You receive my love; that's enough," he replied. He wrapped his arm around Y/n's neck, bringing her closer to him, and kissed her cheek.

A laugh rolled over her lips and right at that moment, a photo was made of them. Gemma stepped towards the two friends and showed the picture on her phone.

"This is so cute!" Y/n yelled enthusiastically and looked at Max.

The corners of Max' mouth were about to curl up, but he straightened his face on purpose. "I've seen cuter photos of us before," he said and walked away, welcoming the next guest. While he walked away, he looked over his shoulder and smirked at Y/n and Gemma.

Gemma's jaw dropped and looked in disbelief at Y/n.

Y/n squeezed her eyebrows together and looked at Gemma while bursting into laughter. "What a fucking dickhead," she laughed.

"I..." Gemma looked perplexed. Y/n figured out that Gemma already had a few drinks in. "A huge dickhead, jeez man." She put her phone away and hugged Y/n tightly. "Where is your juichcape?"

"My what?"

"Juichcape? That orange cape with a lion on it? That thing you wore today before the race?"

"Ooo, yeah, Ferrari took it from me, party poopers," Y/n playfully smiled.

Gemma frowned. "That is ridiculous. I hope you will get it back and wear it at Monza."

A laugh rolled over Y/n's lips. "We will see."

As the evening progressed, the atmosphere in the bar grew livelier with each passing moment. Y/n found herself caught up in the whirlwind of conversations, laughter and the occasional clinking of glasses. At the beginning, she stayed with the same group; GP, Gemma and Max, who had a pitstop at the group every now and then. Later on, she bumped into familiar faces from the grid, moved through the crowd, exchanged greetings and engaged in light-hearted conversations. For a moment, she had forgotten that she was a team principal; she was just Y/n.

Y/n walked past the bar and kitchen to the toilets. There was peace - as far as possible. The banter was in the distance. Y/n washed her hands and looked in the mirror, the baby hairs around her skin started the curl up, to her annoyance. A sigh left her mouth and she tried to smoothen the hairs, but she realised it wouldn't do anything to her hair since water would only make it worse and without any product it wouldn't do anything. But whatever, she thought, she didn't have to look at it.

Her eyes shot up in the mirror when someone walked behind her. "Oh, hey," she smiled and turned around.

Charles stopped walking and looked over his shoulder. "Hey," he smiled.

"I didn't know you were here," she mentioned.

"Yeah," he chuckled. "Small bar, but so many people."

Y/n chuckled and agreed with him. Charles stepped into the men's bathroom. Y/n turned back to the mirror and took a deep breath: 'I didn't know you were here', an enthusiastic move. Disappointedly, she put on some tinted lip balm and was about to go back when Charles stepped out of the bathroom.

"Max surely knows how to throw a party," Charles said and washed his hands. "Is it a party?" He looked at Y/n.

"It's a party, but I get what you mean," she replied. When someone said a party, she would think of a birthday party, but this was a casual party in a local, modern, typical bar in Amsterdam. "I like this bar, it's so typical Amsterdam." They weren't in an old brown bar, but more the modern version of it. If she remembered it correctly, it used to be a brewery.

He nodded and dried his hands. "It is surely different from Monaco," he agreed. "How do they do it in Denmark?"

"Monaco is fancy, huh?" A playful smile played on her lips. Charles rolled his eyes. "Copenhagen has the same vibes, but I like it more there." They walked back to the bar. "Have you ever been to Denmark?"

They were welcomed by a lot of noise again; people who were talking, laughing and some music.

"Do you have something to drink?" Charles asked, almost raising his voice. He didn't wait for an answer. "What do you want?"

Y/n read the menu above the bar. "I will take a Radler." Charles nodded and went to the bar to order a Radler for Y/n and a glass of white wine for himself. "Thanks," she smiled when Charles handed her the beer with lemonade. They moved through the people towards the back of the space.

"Sante," Charles said.

"Skål," Y/n said and clinked her glass against his.

He took a sip. "But I have never been to Denmark. I've been to Finland, though."

A chuckle left her mouth. "Yeah, but that's not Denmark. It's far from Denmark." She took another sip from her beer. "I've never been to Monaco, but I've been to France," she cheekily said and winked.

"But you have bee- oh, come on, Y/n. Don't be ridiculous."

"Don't call out the wrong counties."

Their conversation flowed effortlessly, punctuated by shared jokes and teasing. Even though they shared their love for racing, they didn't talk about it. They were interested in each other. Being in an unfamiliar, non motorsport area - besides being surrounded by people of motorsport, gave them the shot to get to know each other on a different level. Unnoticeably, Charles stepped closer to Y/n to hear her more properly. The music became louder, which caused everyone to raise their voice to make themselves understandable. Y/n leaned in to him when she shared her words and to listen to her words. Her arm touched his arm and he sometimes felt an electric shock through their arms. Y/n looked down when she felt her cheeks heating up, because she realised what was happening. She bit her lip and placed a lost piece of hair behind her ear.

"Hello."

Y/n looked up and Kevin Magnussen, her Danish friend on the grid, was standing in front of her and Charles. The shy look on her face changed to a confused, but surprised look. "Hej."

"I'm gonna steal her from you," Kevin informed Charles while smiling. His eyes shot from Charles to Y/n, who couldn't hide her blushes, Y/n followed Kevin to the bar, where they both ordered sparkling water. "How much did you drink?"

Y/n squinted her eyes and leaned against the bar. "Gin & Tonic and a Radler beer. Why? You? How did you even get here? Since when are you friends with Max?"

"Only a beer," he replied. "And Max invited Nico and Nico took me with him. Anyway, you're going to Denmark next week, right?"

"You know, Kevin, your conversation skills turned into detective skills," she mentioned. A smile curved on her lips. "But yes, after Monza."

"Do you have a free evering that week?" Before he let her say anything, he accepted her feedback by turning his question into a conversation. "Because next month is my birthday and you are busy so I was thinking of going out for dinner with Louise, some friends, and you to celebrate it ahead."

"Yes, that sounds amazing," she said. "Of course, I will be there."

A happy smile came on Kevin's face. "For how long will you be home?"

"The entire week, I'm working from home," she shared. "I have a few meetings in Copenhagen, management wise, a media training and a masterclass for students of the uni."

He nodded impressed. "Ready to leave it all behind for a week?"

"No, but if they fuck it up, they fuck it up," she shrugged. They both laughed. "I'm still working from home, though."

As Y/n and Kevin continued their conversation at the bar, Charles watched them from a distance, a twinge of jealousy tugging at his heart. He knew Kevin had a wife and children, and he knew that he was just friends with Y/n and that she knew his wife as well. But he couldn't help but feel a pang of disappointment at the interruption, wishing he could have more time alone with Y/n. Despite his initial jealousy, Charles felt happy for Y/n that she had a good friendship with Kevin. It was always a nice feeling to have someone in the same world that came from the same country. He had always been on her side.

The night was nearing, and many people decided to leave and the bar was about to close in twenty minutes. Just like Y/n and Charles, who happened to stay in the same hotel, so they decided to leave together - well, Charles insisted on leaving together since he didn't feel comfortable with Y/n walking back to the hotel on her own.

Y/n grabbed her blazer from the rack and was about to put it on, but a familiar tune entered her ear. She looked into the crowd, finding Gemma. Gemma looked up from her phone, looking for Y/n. A smile grew on Y/n's face and she looked at Charles, who raised his eyebrows by her glance. "Hold on," she said to Charles and pushed her blazer and purse into his hands. She made her way back into the crowd.

"I am unwritten. Can't read my mind," Gemma sang dramatically, singing along with Natasha Bedingfield's 90s hit song Unwritten.

A laugh left Y/n's mouth. "I'm undefined. I'm just beginning. The pen's in my hand. Ending unplanned," she sang along.

Gemma's eyes lit up as Y/n joined the duet. The surrounding crowd turned to watch as the two friends lost themselves in the moment, their laughter filling the air as they sang. As they reached the chorus, Gemma threw her arm around Y/n's shoulder and they began to jump.

"Feel the rain on your skin. No one else can feel it for you. Only you can let it in. No one else, no one else. Can speak the words on your lips. Drench yourself in words unspoken. Live your life. with arms wide open. Today is where your book begins. The rest is still unwritten."

For a brief moment, everything else faded away as they revelled in the simple pleasure of music and friendship. It was a happy moment for them, but it even made the others in the bar happy. The two women were enjoying life and the moment. And as the song came to an end, they hugged tightly, their smiles reflecting the pure happiness.

On the side, close to the exit, Charles was watching the two women. He adored Y/n's spontaneity and her happiness. With a smile on his face, he leant against a table and waited for her. During the song, his eyes scanned the people around them; Max was grinning and silently singing along, Kevin was sitting at the bar and was also singing along and many more people enjoyed the song. It was just a happy moment.

With a big smile on her face, Y/n walked back to Charles. "Sorry, I just needed to do that with Gemma," she said.

Charles held the blazer behind Y/n so he could help her with putting the blazer on. "No worries, enjoy the moment."

"Happiest three minutes of the night," she breathed.

They made eye contact with Max and he waved at them. Y/n waved at Kevin as well. Before the song came on, they said goodbye to everyone, so their wave was just a final goodbye for now. They stepped outside, facing the chill but stuffy weather. Charles put his hands in his pockets and got surprised when Y/n hooked her arm in his.

"I wish I had a bike right now," Y/n mentioned when she was looking at one of the twenty bikes in the street. "My feet are killing me."

He looked down at her feet; she was wearing heels, low heels. They looked comfortable to him. "I can book an Uber," he offered.

"Meh, that's not necessary," she replied. "As long as we do not get recognised, we can just walk." She looked around. "It's funny how some countries are bicycle counties and others are not."

"It's so weird to look around and see at least one bike here."

"I believe there are more bikes in The Netherlands than people."

Charles smirked, the random facts Y/n shared was precious. "How is that even possible?"

"I don't know," she shrugged. "So... Are there more wheels or doors?"

He let go of her because there was an obstacle on the pavement. However, he hooked his fingers into hers and walked in front of her. "When seeing all these bikes... Wheels. What do you think?"

"Definitely wheels," she answered. "I don't know why, but wheels." When they could walk next to each other, Charles made sure Y/n was walking on the inside of him. Neither one of them let go of the other's hand. "Did you enjoy this evening?"

He nodded. "I did. You?"

"Good. And I did too. I enjoyed how casual it was, no fancy dancy talk, just casual talk," she replied.

"But Max and gin & tonics..."

Y/n stopped walking and did the move: Max was holding his hands in the air and his index fingers were pointed to the top, and then he would move them up and down. Charles did the same and they both started to laugh. "Such a dad move," she laughed.

Charles clapped his hands and couldn't stop laughing at the impression. "That is a classic Max move," he laughed.

"It's just sweet," she commented and smiled. However, it quickly faded away when she felt the irritated sensation around her feet. Those sandal heels looked cute, it was simple, elegant, chic, but a feet killer. They were mid heeled, not even that high, but that didn't matter. "You know what," she said and looked at Charles.

"Hmm, what?" Charles said, waiting for a serious answer since she had a stern look on her face.

"I am gonna take off these heels because I can't do this anymore," she revealed and grabbed Charles' arm for support. She took off her heels.

"Y/n, stop," he advised her sternly. "Don't do that."

"What? It's so fucking painful."

"Don't go barefoot, that's fucking disgusting."

"I would rather have dirty feet than painful feet."

"What about glass? Or... cigarettes. They will end up in your feet and then I have to bring you to the hospital for treatment," he told her and raised his eyebrows.

Y/n thought about it and nodded. "Uh, no. That will not happen," she convincingly smiled and stepped away from him, resuming her way to the hotel.

"Y/n," Charles warned her and wrapped his hand around her wrist. He pulled her back to him. He would not let her stubbornness get the best of her.

"Charles," Y/n copied his tone and stood in front of him, she was not amused.

Y/n's lips were set in a stubborn line while Charles wore a disapproving expression.

"You don't know what could be on the ground," he said, his grip on her wrist firm but gentle. "Let me call an Uber."

"The hotel is literally there," she replied and pointed at a building a kilometre away. She knew he was right, but calling an Uber for a short ride was not necessary. And many people lived barefoot. So what could happen to her? "I'll be careful."

Charles studied her for a moment, his gaze softening when he recognised the stubborn streak in her eyes. He knew he couldn't force her to do anything she didn't want to, but he didn't want her to feel uncomfortable either.

Their eyes locked in a silent battle of wills, each refusing to back down. They just stood there, somewhere in Amsterdam, grumbling about heels and the pavement. They were centimetres apart from each other. Charles felt a surge of protectiveness wash over him, the feeling became stronger after the incident in Silverstone. Y/n's gaze softened as she scanned his face, she could see the concern etched in his features, the worry lines that creased his forehead and she couldn't help but feel a flutter of warmth in her chest.

Charles closed the remaining distance between them, his hand reaching up to her cheekbone. He stroked a piece of hair behind her ear and looked at her lips briefly. When he looked back into her eyes, he saw a sparkle. He leaned in, his lips brushing against hers in a sweet kiss.

Time stood still as they savoured the sweetness of the moment. Y/n's heart fluttered in her chest as she melted into his touch, the sensation sending shivers down her spine. Her hands tenderly touched his chest. The kiss was soft, yet filled with desire, longing and a sense of belonging.

When they pulled away, Y/n leaned her forehead against his, their breaths mingling in the night air. Her heart was racing. She could feel the warmth of his breath against her skin, sending more shivers down her spine.

"Let me take you to the hotel," Charles whispered, his voice barely audible over the pounding of their hearts. "I don't want you to get hurt."

She lifted her head, meeting his gaze with a soft smile. "How?"

"Here, hold this," he said and handed over the purse he had been holding. "And jump on my back."

"Charles," she giggled and covered her mouth with her hand. "Are you sure?"

"Yes," he smiled and turned around.

Y/n jumped on his back and wrapped one of her arms carefully around his neck. Charles put his hands around her legs and started to walk to the hotel. "You smell nice," she whispered. She wanted to make a comment about how men's cologne would stay on them for days and women's perfume for a second, but knew it was better to keep her mouth shut.

"Thank you," he softly chuckled. As he was walking, he felt a sense of peace wash over him, a feeling of contentment settling in his mind and heart.

As Charles carried Y/n on his back through the streets of Amsterdam, a sense of warmth enveloped them, cocooning them in their own little world. Y/n rested her head against his shoulder, her heart filled with gratitude for his caring gesture. She could feel the steady rhythm of his footsteps beneath her, each step bringing them closer to the hotel.

The hotel staff didn't look up when they entered the hotel. Charles made his way to the lift and Y/n pressed the button, calling the lift. There was silence between them when they stepped into the lift and made their way to the right floor. Charles walked to Y/n's room after she told him which number she had.

Charles gently lowered Y/n to her feet. Their eyes met and in that fleeting moment, a silent understanding passed between them. They shared a smile.

"Thank you," she whispered, her voice barely audible in the stillness of the hotel.

Charles smiled, his eyes reflecting the warmth of his heart. "Anytime," he replied softly. "Sleep well," he said, knowing it was the right decision to leave for now.

"Good night, Charles," she smiled satisfied and opened her room door. Before stepping inside, she turned around and quickly pecked his lips. Then, she entered her room and closed the door behind her.

When she walked to the bathroom, a smile was resting on her face. What a man could do... Y/n looked at herself in the mirror, she looked so stupid for smiling this big. What he could do... A soft giggle left her mouth and she shook her head.

What Charles could make her feel like... Wrong.

Y/n straightened her face and stared at herself. What she just did was wrong, very wrong. It shouldn't have happened. It was disgusting. Tears filled her eyes, she was disappointed in herself.

She was his boss.

He was her driver.

"Fuck."

Read the full story here.

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[writingquestionsanswered]

Character Hasn't Experienced Major Trauma

Anonymous asked: I have two of my three characters' arcs worked out, but not the protagonist's. She's just a random teenager before the story starts (normal life/family/parents, yet to be traumatised) so I'm struggling with what background to give her. I don't want to pull the orphan card and can't think of a proper inciting incident since I don't know what her situation is before it all. Any tips on writing ordinary characters?

[Ask edited for length]

First, it's important not to think of a character's past trauma as having to be some horrific event. That's not what emotional wounds are about. They can be, but they certainly don't have to be and normally aren't. Your character's emotional wound can be literally any moment in their past that made them believe something about themselves, someone else, or the world that isn't true, and as such has a profound effect on who they are when the story starts and how they navigate the story in the beginning. It's the starting point of their character arc.

Second, almost everyone has experienced a moment like that by the time we reach our double-digits.

Some examples of emotional wounds that aren't big, horrific events:

emotional wound: strict religious grandma tells you "if something makes you happy, it will probably send you to hell"

lie you believe as a result: you can never enjoy things that make you happy

emotional wound: trusted aunt has a bad break-up and, with mascara running down her face, tells you, "true love is a lie. No one is ever truly happy in love."

lie you believe as a result: when someone says "I love you," they're lying and it's time to bail on the relationship before it falls apart.

emotional wound: best friend's "#relationship goals" parents go through a bitter divorce.

lie you believe as a result: relationships always end in disaster and no one can live happily ever after.

Finally, your story's inciting incident doesn't have to be related to your character's past, and in fact most of the time it isn't. Their response to the inciting incident may be guided by the lie they believe, but even that's not always the case. Sometimes, the emotional wound/lie they believe simply influences how they navigate the story's events and how they are changed by those events.

I hope that helps!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[overtaken-stream]

What's your opinion on Katakuri being a dad ^-^, ik he doesnt pull out

Father!Katakuri headcanons

This is all my brain can come up with. It's a bit short, and I'm not satisfied with this, I feel like I could have added more, thus this has been collecting dust in my drafts. I hope you like it anon.

Warnings: End of Wano spoilers, this is meant for F!Reader.

I imagine he had children after Big Mom passed. Or a few years before she died, and of course, the marriage was arranged once Big Mom realized that she might just be left without any offspring from her third child.

And as much as I'd like to get lost in Father Katakuri, I can not ignore the warning signs this road presents.

The man doesn't see his children often enough. He always wanted to spend time with his family, but in this job, that isn't possible. Big Mom often holds his family over his head, making empty promises about him having a week off to help take care of the children, only to call him back before the sun rises on the fourth day. He had the courage to ask her for more time at the beginning, or to not disturb him during that single week where he spends time in metaphorical paradise with kids whom he loves and his partner whom he tries to shower with affection. He asked that of her once and when Big Mom does not deliver, Katakuri learns to cope with the dissatisfaction, it's a song he has heard of all his life, he knows every word and note that plays, he wants nothing more than to stop listening so that his kids don't step away from him again. It's impossible, and he comes to terms that he won't have that fatherly privilege. He feels like a stranger around the kids. No amount of comfort will be able to hide the truth.

It isn't the first time Big Mom pushed away a father from his biological children.

Although his time with his kids is short, it's always full of adorable moments, Katakuri is trying very hard to be a father even with his mother standing in his way.

I see Katakuri as a father of 3. Two girls and one boy, who is the youngest.

The man loves sweets, donuts, chocolate bars, cinnamon buns, and all, so he will be DEVASTATED if one of his kids isn't a big fan of sweets. He'll try to make them change their mind, maybe persuading them to eat a different kind of dessert, but once it becomes clear that they aren't into it, he accepts the fact with great pain, since he cannot share the simple pleasure of eating sugar with his child.

Katakuri often can't get his emotions across to others, including his siblings, but with his children, he tries, he really tries. This can be seen in spending quick yet platonically intimate moments with them alone and making small talk that he isn't a big fan of.

He also hopes that when the children grow up, there won't be any distance between them, it's basically a death sentence for him.

The moment Big Mom dies, Katakuri is finally able to keep his promise to his family and breathe with no one holding his leash.

I also think of him as a laid-back father who's strict when needed. His behavior is the result of countless years he spent mulling over his future family and what type of parent he would be. So this led to him walking on metaphorical eggshels that he imagined every time he got close to his children. Which they definitely took for granted.

Katakuri is very careful with his children because of it, I'd say that he is so scared that the kids would build a wall and be mad at him for not spending enough time with them that the man unconsciously started constructing the said wall.

[rainbowolfe]

Chaos

*cracks knuckles* finally, some fucking lore.

Here's the song for those who haven't heard it yet.

All of my time spent scouring for and trying to interpret symbols... trying to interpret the tarot cards... a conspiracy board of connected dots. It all pays off now, with this album. MY TIME HAS COME.

Before I get into analyzing the lyrics, I wanted to call attention to the tarot cards that appear in the music video.

True Sight, Strength From Within, Diseased Heart, Death's Door, Divine Curse, Hands of Rage, Gift From Below, Ambrosia, Weeping Moon, and two cards that haven't appeared in the game (yet).

I will make an in-depth analysis of what I think these cards mean for Leshy's fate in another post, cause it's gonna be huge. I also wanna see what cards the other Bishops get, as many of the tarot card's reference each other and have meanings that depend on the context from other cards.

But some quick surface level observations based on the notes I already have about the cards:

-whatever "it" is, it starts with the Blood Moon Ritual.

-Either Leshy or his demon were wounded, metaphorically or otherwise, putting him on a path towards corruption.

-Leshy has large reserves of Fervour. His demon receives strength/power from the Sun.

-He almost dies. A deal is struck to exchange something (or someone) for a boon.

-He was eating Gods for his immortality. A specific type. More on that some other time.

-Leshy is the receiver of a gift (of extra life)from TOWW.

The two remaining cards that are still unknown may relate to Leshy's eventual fall.

ON TO THE SONG.

Enough interpreting vague pictures and cryptic lore text. It's time what I've been hungry for. DESPERATE for. Very plain and straightforward text about what a character's been up to.

So there are four entities singing in this. There's the demon who starts the song off, the Green Crown, Leshy, and a fourth being related to the Green Crown.

The demon is marked by a specific, deeper (almost whispery? Dare I say... hissy) voice. We don't hear it again after it says it's peace.

I am the demon growing inside of you. I feed off all your fears and lies. It's so true. I can't wait to hunt you down, capture, and do the horrid things I must do to survive this.

This could very well be the creature that is literally inside of Leshy, visible only in his Eldritch form. But it could also be Leshy's heart. At the core of all the Bishop's actions was fear, and something had to be feeding that fear. Resulting in hearts cast in vile, impermeable, unrelenting terror.

Or it's Shamura.

It also plays off of what Leshy says to the Lamb. "I hear your lies and I smell your fear."

We then transition into what seems to be Leshy finding his Crown (while burrowing) and emerging from the dirt.

I claw my way out, My feet on the ground This horn atop my head... ...is my Crown.

We can know this part is Leshy's because the summoning circle that appears in this section is the one found in Darkwood. Thus, based on the summoning circle in the next section being the same one used by the Red Crown Snake, these lyrics are the Green Crown speaking. ((I would even posit. It's the Crown's original, intended owner. Someone had to put it in the dirt, and it surely wasn't on accident.))

I won't stay in line (I won't stay in line) I'm destined to die (I'm destined to die) The thunder rages on (The thunder rages on) (as night forever falls) As night forever falls

While it's Leshy's voice, they aren't his words. These words belong to the second voice echoing him which slowly reveals that it isn't repeating after Leshy. Leshy is repeating after it. As the 'secondary' voice gets ahead of the 'primary' voice.

The night falling means both an eternal nighttime and the literal "Night" falling. As in, dying. If the Light is the Sun, then the Dark is the Moon. And the decorations in the Heretic's pack would greatly suggest that the moon is dead (if not, then heavily injured).

The eternal night is a reference to the Old Faith, more on that later.

Next section!

True Name vs True Moniker. Moniker does technically mean name, but it's more in the sense of your "brand". Here I'm sure it's being used as a "nickname".

We know him as Leshy, he's representative of chaos (his ""brand"" lmao) and thus is known by that title. But he's not Chaos itself. Something I've pointed out before is that he's "he of havoc" and not "he of chaos". Havoc is not synonymous with chaos.

No, no. Chaos is the one on the other end of the Crown. Because the Crowns are just conductors of devotion. We even see with Narinder's Crown that there's something we make sacrifices to that gives us/the Crown power in exchange. And unless Narinder's hiding tentacles under those robes, it's not him. There's someone/thing higher.

The Old God. Maelstrom. Or Turua, they're both red-coded.

Know him as Leshy, the vessel of chaos. But the second voice (the one influencing Leshy without him realizing it) demands you worship him as Chaos. And only Chaos.

And the "me" here is strange but maybe it'll make sense after hearing the other Bishop's songs?

An important side tangent though. As this is "The Goat" album, there is of course going to be a slight difference in what's being described in this song and what actually happened in Lamb's reality. And that difference lies in the names of the songs.

It's Chaos, and not Leshy. I suspect it's a lot like how Narinder stopped being Narinder, and became The One Who Waits. A being his siblings regard as something indistinguishable from the Red Crown. Maybe even something more severe, as he eventually gets to go back to being Narinder it seems.

Daylight will come undone; as we eclipse the Sun

What I assume is going to be Kallamar's song was previewed in the Goat trailer/teaser, and that too makes an explicit mention to killing a representation of the sun. (or someone adjacent to it)

I said before that the Old Faith represents an eclipse. That's why those specific, but incomplete moon phases appear on all their stuff. They are the omen. They are the punishment for someone's misdeeds towards a higher power.

Destruction wastes at noonday.

[yoyomomiko]

Do that again I8+

REQUEST: « I need some smut with shousuke, i'm dying to see one. I search it everywhere but i can't find it. I hate ai to make me like this😭 »

Pairing: Shousuke x F!reader (aged up)

Summary: You and Shousuke have known each other for some time, mostly because of his sister, but also because you used to be classmates back in highschool. One day, while you're over at their house, something explicit happens.

Warnings: AGED UP (Both reader and Shousuke are 18-19)!! SMUTTY!! IT'S CRINGE I'M SORRY IT'S JUST SO AKAWARD😭Najimii uses He/Him but also She/Her in this fic, because Najimii is Najimii; Curse words; making out; F★I★N★G★E★R★I★N★G!!; Pretty much just F!reader recieving (⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)

(A/N): Okay, so this was a request that was in the comments!! And this is my first smutty fic ever, so i'm a bit embarassed to do it, i didn't know it would actually be that hard to make one😭 BUT i'll start it slowly, and maybe in the up coming future i won't be that embarassed and i'll actually write a whole smut fic, SORRY LIKE ACTUALLY I'M SO SORRY TO WHOEVER REQUESTED THIS!😭🙏 BTW IT'S BEEN SO LONG SINCE I'VE MADE ANOTHER FIC - (i'm back😍💋)

You were over at Komi-san's house yet again, walking into her room. She (Tadano) called you and Najimii over to her house.

“Komi-san, i'm here-" You tried to greet her as you walked inside her room, only to be met by Najimii throwing himself on you, resulting in you falling onto the floor.

“Get off!” You yelled out as Najimii got up.

“Why did you even do that?” You slowly stood up, rubbing your head. He only shrugged as he smiled like the dumbass he was.

Komi was pretty embarassed herself at what happened, and she was sulking on her bed.

“Oh, by the way Komi, where's your brother?” You asked, tilting your head to the side slightly.

“Ooooo! Why do you wanna know, you like him or something?” Najimii teased you, your cheeks flushing a crimson red.

“What? No way!”

“Come on! You're an adult now, aren't you? You still don't have a boyfriend or girlfriend yet!”

“How do you know that?! It's none of your business!” You stated in a panicked tone, hands on your blushing cheeks.

Before the bickering continued, Komi showed you her notebook, wich said "He's in his room".

“Ah, i see... Then i'll go by and greet him. I'll be back soon!”

Najimii gave you a knowing look, as Komi just nodded.

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

You wandered around the house, and then finally arrived in front of Shousuke's door.

You were about to walk in, but before you could, the door opened and you bumped into Shousuke.

“Sorry! I just came by to greet you!” You told your friend, and he only nodded in response. Quiet as usual.

He suddenly pulled you inside his room, closing the door behind you. You also closed your eyes as soon as Shousuke pulled you inside.

You felt your back touch the door, and you finally opened your eyes to see Shousuke right in front of you, leaning in, a bit too close.

“Is something wrong...?” You asked as you felt your cheeks heat up a bit.

Shousuke shook his head 'no' as he leaned in closer, noses almost touching. You felt too embarassed to say anything, your heart beat increasing.

All of the sudden, his lips were lightly and barely touching yours. Your cheeks were crimson red now, heart beating so fast you thought Shousuke could hear it.

He wasn't kissing you yet, he just waited there. You looked at his face, only to see that he was blushing just as hard, lost in his ownt thoughts.

“You can kiss me.” You blurted out, gaining confidence.

Shousuke flinched at your words, but he leaned in, finally closing the distance between the two of you.

After a few seconds, he pulled away, looking into your eyes.

“Do that again...” You demanded in a breathy voice, gaze fixated on his eyes.

He instantly pulled you into another kiss, listening to your request and obliging happily.

You never thought that Shousuke would be the one to make the first move, but it seems that you were wrong.

His lips felt so angelic, his touch delicate. He pulled you into an embrace as he held you soflty. He pulled away for a moment, gazing into your eyes.

You loved him ever since high school, but you've never gathered up the courage to admit it. And now, there you were, kissing oh so sweetly.

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

What led to this moment? You can't remember.

A few minutes ago, you were sweetly hugging, gentle kisses here and there, but now... Things escalated.

You were having a full on make out session right now.

Shousuke was pushing his hips into yours, licking your lips, tongues interwinings as he held your hands togheter, both of you on his bed.

He was on top of you, slamming his lips into yours hungrily. You were gasping for air at this point, while he silently whimpered at the friction.

Both of your tongues were dancing togheter, you felt spit form at the corners of your mouth.

Shousuke searched any type of touch, his hips slowly dragging on yours as he pulled away from your lips.

You were about to complain, but before you could, Shousuke started leaving love bites on your neck. You yelped and flinched slightly, but you surely didn't mind it at all, pulling him into your neck by his hair, pushing his head deeper, so that you can feel his lips on your skin as much as possible.

He started to leave more and more hickeys, sucking on your most sensitive spots, earning whimpers from you. He bit a certain spot that made you see stars in front of you.

Shousuke kissed, bit, and sucked on your skin, before he licked all the marks he left and pulled away once again.

“Shousuke...” You called out trying to pull him back in. You knew you were being desperate, but who cares? It's not like Shousuke would mind that, not one bit!

You were slightly upset that he pulled away, but before you could say anything else, his hands trailed down to the hem of your shirt, looking at you as if asking for permission.

You quickly nodded, giving him consent, as he slowly pulled your shirt up, looking at your chest. You still had your bra on, but Shousuke didn't seem to mind. He blushed a bit harder as he looked away in embarassment, before helping you pull your shirt off completely.

He got on top of you again, his hand slipped down into your pants, your cheeks a tinted pink while you stared at Shousuke, lost in a daze.

You felt his fingers briefly graze your folds, and you immediately let out a gasp. Shousuke gazed into your eyes surprised, unsure and clearly very hesitant with his actions.

You nodded at him, and he got the signal. You were already wet, before he even touched you.

His fingers prodded at your entrance, but instead of going further, his pointer finger pressed down on your clit.

You shook your legs a bit, but went past it. Shousuke started to make a circling motion on your bud, earning sweet moans from you.

He gathered up your slick and went down to your entrance, slowly pushing two of his fingers inside of you.

You moaned, feeling the way his long and thin fingers stretched you just the way you wanted. Your walls clenched around his two fingers as you spread your legs further, giving him more space.

Shousuke started a slow pace on fingering you, getting you used to it, before he started a faster motion. He pressed the tip of his fingers on your g-spot. You felt your breath hitch at the back of your throat, heart beat increasing.

You started moaning as Shousuke's fingers moved faster inside of you, getting you closer to your high.

He started pushing his fingers up to his knuckles, crossing them over for extra pleasure. He plunged them faster and faster, as you felt like you were on cloud nine.

You were so, so close, and just as soon as it came up, it got back down.

Shousuke pulled his fingers out of you, tapping your lips with them and forcing your mouth open, before shoving his fingers in at the back of your throat, earning a choke from you.

“'Suke... Don't do that...” You felt like yelling at him for ripping you away from such a perfect relief!

The quiet boy only nodded, as he slowly got up from his place.

“Hm? Where are you going?” You asked in genuine curiosity.

Shousuke stared at you and started walking towards the door, ignoring you. He was making this so akaward...

“Wait- let me return the favour at least!” You quickly spoke up, wanting to pleasure him as well (definetly not to edge him as well).

Shousuke stopped at the door, his hand that was reaching for the door handle now frozen in the air. He seemed to think about it, but he shrugged it off and left the room as If nothing happened at all.

What a complete jerk...

He did all of that, just to leave and ignore you completely? The audacity!

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

What you didn't know, was that Shousuke left for the bathroom. What you also didn't know, was that he was looking at himself in the mirror, face flushed red and a hand over his mouth. His eyes wide and eyebrows furrowing togheter.

He couldn't believe what he did. He's such a dumbass for leaving! He should've stayed, but he couldn't handle all the embarassment! What if you regreted it later? He couldn't do it!

What he could do, is jerk himself off every single night to the thought of you. Your pretty face, so close to reaching your high, was now imprinted into his mind.

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

“Hey guys!” You walked inside Komi-san's room, glancing towards the others.

“What took you so long?!” Najimi threw herself at you, resulting in the both of you falling down to the floor.

“Najimi!” You yelled at her as you pushed her off, sighing to yourself.

“No, seriously! What took you so long to say a simple hi?! It's been almost 20 minutes! If not, even more!” She argued and whined as she got off of you.

“Did you kiss him?~” She got close to your face and teased you. Does she not know what personal space is...?!

No, dummy, he shoved his fingers up my-

“Ew! Gross, i didn't kiss him!” You quickly protested and forced yourself to your feet.

“Fine, whatever you say. Let's play some video games!” Najimi smiled brightly and jumped on Komi-san's bed.

Najimi noticed something, as she started observing you.

You sat next to Tadano, trying to forget what happened earlier.

But you just couldn't...

Najimi leaned into you.

“Oh, by the way, what are those on your neck?”

[wishful-thinking64]

One Hell of an Unpopular Opinion #05

Apology Tour completely dismantles the very thought of Stolitz ever being a remotely healthy relationship once they actually become canon on account of AT proving that Stolas doesn't truly love Blitzø for who he is but rather the idealized version of him that Stolas created within his own head and could be replaced by anyone who's willing to take/play Stolas' idealized role of a partner. __________

As much as I hate Full Moon for wasting so much of the audiences time, it did give us that scene where Blitzø was finally sick of Stolas' shit and told him off for it. However, since it's HB the show immediately tries to run damage control in it's next episode, Apology Tour. This is not only another episode that I despise but it's also the one that solidified my hatred for Stolas and his character. In the beginning of Apology Tour, Stolas bitches and moans over how Blitzø is still making their "relationship" about sex when, news flash, it's ALWAYS been about sex because you, Stolas, have kept it that way to the point where your victim feels like he has to sleep with you in order to DESERVE to keep his OWN BUSINESS RUNNING!

And Blitzø isn't wrong! Their "relationship" has always been, as Blitzø worded it back in Season #01 of HB, "a transactional fucking." Why would he see it as anything different when that's how its always been? Now, how does Stolas reply to this?

Honestly, this IS very shocking Stolas as I believe this might be the first time where you and Blitzø have interacted with one another where you're not blatantly sexualizing or romanticizing him on screen! After this he says that Blitzø should respect the fact that he isn't in the mood to sleep with or even speak to him right now. Mind you, whenever Blitzø has told Stolas in the past that he isn't in the mood to sleep with him or be flirted with, Stolas has respected that notion ONE TIME which was after the fiasco at Ozzie's back from Season #01. Otherwise, Stolas hasn't respected his boundaries for shit. Boundaries are important but you two aren't in a real relationship and even if you were respect is still a two way street. If you command respect from someone you choose to CONTINUE to disrespect on a CONSTANT/CONSISTENT basis then why the hell should they respect you? If it wasn't for his book, Blitzø wouldn't have any incentive to cross paths with Stolas at all.

Anyway, literal seconds later, Stolas tells Blitzo how he got invited to an annual anti-Blitzø party and comments on how he's above such silly nonsense only for him to quickly change his tune upon seeing Blitzø's annoyed and enraged reaction to seeing that Verosika is behind this petty pity party.

This starts a back and forth with Stolas demanding that Blitzø leaves. This results in Blitzø, yet again, reinstating on what their relationship truly is and how Stolas fetishizes him which discomforts Stolas because deep down he knows what Blitzø is saying is true.

Now, I won't get into the conversation that takes place after this comment as the critical side of the Helluva Boss fandom on Tumblr has already (rightfully) torn it to shreds. So instead, I'll save us all some time by simply skipping ahead to when Stolas is at the party after that Incubus guy (that rabbid Stolitz shippers hate) asks him if he wants to dance and why I despise that entire scene.

We see that Blitzø is uncomfortable with this and Stolas KNOWS that he's uncomfortable with this random guy asking Stolas to dance with him as Stolas made DIRECT EYE CONTACT with Blitzø! Now, Blitzø does effectively advise that Stolas take up the Incubus' offer with a hand gesture HOWEVER for Stolas to claim that he's always been in love with Blitzø and that he has eyes for him and him alone only to later MAKE OUT WITH A STRANGER just proves and validates Blitzø's feelings that you don't actually love or care about him! And moments before this scene Stolas says this.

THEN GO AND FIND THAT PERSON AS LITERALLY ANYBODY CAN DO THAT! YOU DO NOT LOVE BLITZØ, YOU MERELY LOVE THE CONCEPT OF BEING IN A RELATIONSHIP WITH HIM BECAUSE TO YOU, YOU SEE HIM AS A "CHILDHOOD FRIEND" WHEN IN REALITY YOU KNEW HIM AND HUNG AROUND HIM FOR ONE DAY SINCE YOUR FATHER BOUGHT HIM TO BE YOUR PLAYMATE FOR A SINGLE DAY! ... *Ahem.* In conclusion, there's no amount of future retconning that Viv and Spindlehorse can do to successfully make Stolitz appear as a genuinely healthy ship without trashing the entirety of Apology Tour but even that would create/introduce an entire new set of problems. __________

Man, I've been wanting to get this one off my chest for a while as I haven't seen many people bring up these scenes from AT when discussing how and why Stolas doesn't love Blitzø. I hope you enjoyed reading my thoughts this time around and I'll see you later!

[alexxncl]

‼️NIGHTBRINGER LESSON 48 SPOILERS‼️

masterlist | all lessons | season 3 | lesson 47 | lesson 48.2 | lesson 49.1 | lesson 49.2

before reading this...i feel like shit is about to hit the fan idk. the last part of the science fair can't be all sunshine and roses

...

SIGH

my brother in christ the lesson JUST STARTED 🧍🏾

maybe it's the remnants of simeon's angelic nature clashing with the magic solomon used on him. everyone says that solomon is slowly losing what's left of his humanity bc of how long he's been alive, along with the fact that that he went to cocytus and came back alive

or maybe i'm just yapping

simeon: *whatever tf just happened*

luci: mc, i need to talk to you

mc: omg i love you too babe 🫶🏽

like ?? 😭 mc is hilarious i fear

IS HE A DEMON NOW ????? i wanna say i'm surprised but i'm not. i just wonder how the story's gonna play out if they go that route

more on this here

luci trusting satan's judgment bc he's one of the most trustworthy of his brothers and the most similar to him

:((((

but also luci??? HELLO??? whore behavior we love to see it 😌 give me more

but also maybe not bc what if he copes with his negative emotion through sex ??? the whole family needs therapy

the siblings ever. i love them

this is so interesting to me

i wanna ask how the rest of them didn't figure it out sooner, but they all probably went into "protective brother" mode as soon as they realized he didn't have his angelic powers to protect himself anymore. solomon didn't have those kinds of ties to simeon, so he was able to act on and use logic in a more effective way than the brothers would be able to, figuring out that something was wrong before anyone else

solomon assuming that simeon is oblivious to what's going on though? i feel like he's too smart for that to be true. if anything, he's probably either DEEP in denial, too stubborn to bring it up hc he doesn't wanna worry anyone, or mentally wrestling with the fact that he finally got what he wanted - to be with the brothers in the devildom after their fall - but at the cost of his identity

i know i'm reading too far into this, but do the boys really think that lowly of demons (themselves)?

like yes, some demons of lower and higher stature are the absolute worst people you'll ever encounter, but the brothers and diavolo and barbatos and probably numerous other demons are proof that you aren't defined by your physiology or designation or identity or anything like that

some angels act worse than the lowest of demons do, but they're still angels. being a certain race doesn't determine your personality or moral standing, it's who you are as a person

ngl idk what to make of this yet, but i feel like it's important. foreshadowing even. so i'm keeping it here

baby no :( he's doing it to protect you

i love and hate the way simeon is so protective of luke. on one hand, that's basically his son, so i get wanting to shield him from the worst parts of the world and the worst parts of yourself

but on the other, luke is his own person, too. adults tend to forget that kids don't exist as an extension of themselves, but as people trying to find their place in the world. they aren't as naive and are way smarter than most people give them credit for

luke not voicing his concern is a result of and will continue to result in simeon shutting him out under the guise of protecting him, when in reality it's only putting more of a strain on their relationship

ngl i AUDIBLY laughed at that first part bc what 😭

also why would they cut the lesson off here ??? obey me devs when i catch you

i'm honestly so happy the sf arc shifted to something else bc i was getting tired of the happy shit. give me ANGST /lh /hj

[rustboxstarr]

🖤 The babysitter doesn't leave for another hour 🖤

Summary: You and Eddie aren't ready to go home just yet

Pairings: Eddie Munson x Mom!Reader

Warnings: smut, slight handjob, fingering, P in V, semi public sex (car sex).

Wordcount: 1.7 k

A/N: This is so bad, ya'll I'm so sorry, I'm just trying so hard rn to get out of my writers block because I miss yall!!! I just can't fricking write 😭

Anyway, love yas!

Check out my other works!

“You have no idea how much I missed this” the smile you bore was adorable droopy as you stared up at your husband, eyes swimming with adoration as you hung around his arm. “Just sad it's over” he rolled his eyes softly, a small tug gracing his lips. For once you had finally managed to find a sitter and indulge in dinner and a movie all cozied up with Eddie, but the night had to come to an end at some point right?

Eddie's steps were slow as he led you out of the double doors to the car, taking care to stretch the time however he could. He didn't want this night to end, sure you both loved your kids but some time with just each other was a quality of life that was dearly missed. 

You sigh in a strange mix of contentment and deflation as you sit down in the passenger seat. “Good movie though” your head rolls on your shoulders to find Eddie settling in beside you, “It was wasn’t it?” Your eyes gaze out towards the dark parking lot. Neither of you were really ready to head home and as a result you found the both of you just sat next to each other staring out the window, neither of you making a move to start the car and make your way back to the house. 

“To be honest…” you whisper before finding the sharp jawline that you always loved to press your lips to, “I don’t even know what it was about” you snort as he finds your slack figure next to him. “Me neither” the chuckle that sounds about the car has your chest heating up.

“Yeah, got a bit… intense” you giggle, “To say the least” his laugh has your body fluttering as he speaks. His lips find yours as you both laugh at the fresh memory of what could only be explained as a PG 13 grope session. His nose nuzzles against yours as your eyes travel down to his watch when he runs a strong hand up and down your thigh. “You know.. the babysitter isn’t leaving for another hour” anything above a whisper wasn’t needed, he could practically hear your heartbeat in the silence of the night. 

You mimic his movements as he leans back in his seat, “What do you wanna’ do?” He smiles, placing his hands on the steering wheel ready to take you wherever you want to go. 

You scan the parking lot, it’s practically empty, save for a few cars on the other end. A wicked grin spreads across your face before you push yourself up on the seat and try to smoothly swing your leg over the centre console. Callused hands find your hips as you get situated in his lap, “Why don’t we take advantage of a whole kid free hour with no one to disturb? Make up for some lost time?” Your fingers dance along his neck, playing with the loose strand of curls that hangs free from his bun.

“I like how you’re thinking” his lips find yours is a soft but feverish kiss, hands squeezing your hips tight as if you were about to slip away from him. “But how about we take this to the back?” He whispers against your lips. You bite your lip in a smile and nod, eagerly clambering off of him as you open the door.

He grins wildly as he follows suit, opening the back door and with a small bow gestures you in “after you mi’lady” you giggle as you sit down and scootch your way over to the other side. You try to be patient as he scans the parking lot for any bypassers but when he’s finally made himself comfortable in the middle you all but pounce on him. Thigh swinging over his lap, attacking his lips with sloppy kisses while his hands wrap around you.

Your black satin bodycon dress has already ridden up your thighs but Eddie needs more, lips still attached to yours he forces the fabric over your ass and lets it bunch up around your waist as he grabs two hefty handfuls of your ass, pressing you down against his throbbing cock, encouraging you to roll your hips against him.

“Oh fuck” you whine softly as his zipper catches your clit which only has him forcing you down harder. It’s all a delicious mix of hot breaths and tongues as the stars shine bright in the night sky behind you. 

You can’t take it anymore, the sensation of his thick cock pressing so deliciously against your heat has fiery tingles prickling around your thighs. In a hazy haste you manage to find his belt buckle below you and with a second of your fingers grazing his stomach Eddie's hands are there instantly to assist you. You kneel back to watch as he’s revealed to you. Precum dribbling from his painfully hard cock but before he gets a chance to release himself of some of the ache your hand wraps around him. Delicate hand pumping him slowly as your lips reattach.

His tongue feels like heaven against your own, he’s desperately grabbing at anything he can get his hands on before he finds what he’s looking for and sinks his fingers into the meat of your ass.

You gasp as you feel a hand move between the backs of your thighs to feel thick fingers running down your folds over your dark cotton panties.

Your eyes roll to the back of your head as you’re distracted from your task of giving both Eddies lips and his cock attention. He's quick to move your panties to the side and slip a finger inside your dripping cunt. Having no trouble getting a second in as you're practically gushing for him. 

All you can focus on is the feeling of his fingers pumping in and out of you before you find his eyes and find him eagerly watching every twitch of your face. Your own hand starts up again and you revel in the sight of his own eyes rolling to the back of his head. 

As if trying to one up you, his hand moves faster, you smirk down at him silently competing with him as you too begin pumping his cock faster. 

“Shit, shit” he pants “okey okey, I’m gonna cum if we don’t stop soon” he slowly opens his eyes to find your lips tugging down and accompanying doe eyes “Isn’t that the point?” The pout is instantly replaced with a wicked smirk. 

“Not just yet” he grins and pulls his fingers away from you, replacing his hand on the globe of your ass and harshly pulling you towards him. Your hand is being pushed away before you know it and you gasp loudly when you feel his tip running through your folds.

He has lined himself up with you and is pushing you down before you can even utter a word, all you can do is let out an obnoxiously loud moan as his cock stretches you open. You hear him swear loudly in the distance as you sink down. 

God you should have date night more often because this was unbelievable. Eddie's thick head almost probing at your cervix, his shaft gliding so easily against your wet walls, his fingers digging into your flesh, bound to leave marks.

You were too desperate to really soak up the feeling of his thick cock pressing at your walls, instantly kneeling back up again to feel him slowly slide back into you again. A loud moan that had Eddie throbbing spilled from your lips as he watched you set a slow pace of forcing yourself up and down his cock. 

But he knew that if you continued like this there was no way he wouldn't be shooting his load up into you within a matter of seconds. If even possible his fingers sunk further into your skin as he nudged you to go slightly faster. You took his hint and sped your hips up slowly, each loud groan rumbling from his chest spurring you on as you felt your wetness begin to pool at the base of his cock. 

“Shit babe” Eddie huffed as you began bouncing in his lap, short, loud moans filling his ears, each getting more high pitched the faster you went until you finally found the quick pace that had your thighs burning and the leather creaking with every move. You were most definitely shaking the car right now, not making your action discreet whatsoever but you couldn't care not when his cock felt so delicious inside you. 

“Fuck, yeah thats it, ride me baby. Shit, look so sexy bouncing on my dick” he groaned as his hands helped guide your movements, listening to every moan you gifted him with. “Fucking love bouncing on your dick baby” you whined as your head fell back, eyes rolled to the back of your head, solely focused on chasing your own release.

It was a scrumptious mix of loud moans, groans, incoherent babble from your fucked out husband, sloppy kisses and hands grabbing at anything and everything. You suddenly felt that familiar knot in your stomach tightening, “Shit Eddie” you breathed “Eddie I’m about to cum!” Your movements only increased in speed as his words fell on deaf ears until finally the knot snapped and you felt your cunt gush around him. 

It was all a blur as your ears rang and your vision went completely white but finally you managed to regain your consciousness. Your hands found his shoulders to steady yourself as you let Eddie guide you up and down, abusing your overstimulated pussy until you felt yourself being forced down all the way, his forehead finding purchase between your tits. The head of his cock buried deep within you as a loud groan vibrated against your chest while hot spurts of cum painted your walls. 

You slumped against him and it felt like forever as you tried to catch your breath again. 

“Shit” he chuckled, planting a kiss to your lips. “We should probably get home” you whispered, “Yeah, we probably should” he sighed. 

“I don’t wanna’ leave just yet. Can’t we just stay like this for a little?” he whispered against your lips, “Yeah” you smiled.

[thewertsearch]

@manorinthewoods asked: We're still midway through Act 5, but I'd like to ask - what do you theorise will happen in the rest of A5 and in Acts 6 and 7 of Homestuck? ~LOSS (7/6/24)

It's an interesting question. We're coming up on the halfway point of the comic, but our current main plotlines - namely, Murderstuck, the Blackout, the Green Sun and the Scratch - all feel like they'll be wrapped up in a thousand-ish pages, along with the kids' session and the Act itself. The question of what's next is beginning to present itself, and I have a few thoughts.

My main prediction is that back half of the comic will be extremely English-centric. As the man behind Scratch's schemes, he's going to be revealed as the 'true' villain who's ultimately responsible for the current crisis, as well as crises yet to come. I think he'll elbow Perfect Jack out of the primary antagonist's position - and honestly, his chief minion is already more intimidating than Jack.

To contrast Noir, I think English will be a less instinctive, more cerebral villain. His choice of Scratch as a lieutenant suggests that he's more about carefully laid plans than open aggression, and his absence from the Felt Intermission suggests he prefers to hide in the shadows, weaving a web of conspiracy that would put Vriska to shame.

As a result, I expect the next arc of Homestuck to be more about information warfare than flashy displays of power. Our heroes will need to advance their understanding of the multiverse's wider cosmology, as they come to terms with what English is, what he wants, and most importantly, how to stop him.

The later arcs of the comic will involve discovering a glitch in spacetime that can break through English's supposed invincibility, while English works to keep the protagonists in the dark about his weaknesses. How this weakness could manifest, I can't say - but I do think Spades Slick will be directly involved in his demise.

Outside of English, I think the world of Homestuck will expand in other ways, too. It might finally be time to make contact with other Sburb Players, since our current sessions aren't going to be habitable for much longer. We might even be leaving the 'session' framework behind entirely, and travelling through the Furthest Ring to parts unknown.

I know these aren't very specific predictions, but it's hard to be specific about events which are thousands of pages away. I still don't know how the Pen-Pal fits into everything, for example, or why Gamzee is so important to the story.

I guess we'll find out together!

[notiddygothgf]

10. Early Breakfast

★ pairings: aki hayakawa x fem reader

★ ❝ I didn't know Hayakawa Captain had a girlfriend. ❞

★ c.w.: smut. more (poorly timed) confessions. denji is his own warning. (more content warnings and tags)

★ a/n: Hi again pookie dooks ;)). Okay so. I have been waiting SO LONG to post this chapter. We're nearing the end of the ones I had pre-written, and as a result updates may come a little slower, but I'll try to keep up! (Just be patient w me, ur girl is #struggling rn w uni). You're gonna love this chapter (until you dont). not saying nothing though. ENJOY LOVELIES! muah! please leave many many comments (spam me idgaf) i need smth to look forward to reading and i ALWAYS go thru yall's comments w the dorkiest smile. ily. (no beta, we die like... yeah.)

★ w.c: .7.5k

shameless ; chapter index

AKI'S BED WAS WARM. Warm enough that you seemed to be able to forget where you were — or, rather, where you should have been. You had entire hotel suite waiting for you, yet it seemed as if you had wasted the first five days of your stay in Tokyo entangled with him. Two days had passed between your bathroom debacle and now, and you were back again right where it all had started.

You weren't entirely sure you minded it.

Aki wrapped his long, calloused fingers around your wrist, holding your bloody finger away from his face. You had cut your thumb open on the page of a magazine while the two of you were relaxing on his mattress — distantly, a song from a band you didn't know played on his CD player (The tonedeafs, or something like that).

"I want you to," You laughed, reaching your hand towards his face again. "I dared you to. I'm not a germaphobe, I don't care."

Aki furrowed his brows, holding your wrist away from his face once more, "You should care. It could get infected, or worse."

Always so serious.

You pouted, "Says who?"

"Me, everyone," Aki trailed off — playfully, of course, like he was lost in thought, "Any medical professional."

You laughed, flopping back onto the bed where you had been moments earlier before this had started, laying perpendicular to him with your back strewn over his stomach. Makima had given him the day off and you, not knowing what else could have been a better way to help him learn how to relax a little, decided to call out of work as well. 

"Pussy," You teased him, "What kind of Devil Hunter gets squeamish around blood?"

"I'm not squeamish, I'm just taking your health into consideration," He remarked (again, with a playful lilt to his words, despite his serious tone). "And, besides — what if someone overheard this? You calling your superior a pussy, hm? Then what?"

You replied with a witty retort of your own, "And what if they knew their Captain was fucking his subordinates?"

"I think I could get away with one," He teased back. "Not subordinates, plural. Just a subordinate. A married one, at that."

"So there are other subordinates?" You asked him — it was meant to be teasing, but you would be lying if a depraved part of you didn't wonder if you were the only one he was seeing. You wouldn't have a right to be upset if you weren't, granted that you were still very much married to another man.

"No. But that doesn't make you any less of a cougar," He hummed. "Devil Hunters do worse shit than sleeping with their coworkers, I hate to tell you."

"I'm only five years older than you," You huffed. Rolling over to look at him, you added, "We're damned anyway, then. That's what you're saying?"

"Not damned," He replied. Finally setting the book he'd been reading down on the bed beside him, he said, "Blessed. At least, I am."

"You're blessed?" You asked. "I'm a trainwreck, Aki."

"You're my trainwreck, though, aren't you?" He reached down, ruffling your hair with his hand. "I'm blessed because you're the first person to come into my life and give me a reason to keep myself alive."

"I thought you said you wanted to kill the Gun Devil?" You teased.

"I do," He said. "I didn't care if I lived or died before. Now that I have you waiting around for me to come back, I wanna keep coming home."

The slightest frown tugged at the corners of your lips, "That's so sad. You don't have any family?"

"No," He caressed your cheek with the back of his thumb, "The Gun Devil killed them. That's why I said I didn't care if I lived or died. As long as I did it for them, I thought I'd be able to die happy."

"You still feel that way?" You asked.

"Not really. I think I'm starting to have a change of heart," He sighed — chest rising and falling as he did so, "I'm growing fond of my roommates. Between those two shitheads and you, I dunno," A pause, and then he continued, "I'm not so sure I'd be able to die happy knowing I left all of that behind."

It was a touching sentiment. You probably should have left it at that, but a part of you couldn't help but dwell on it. You were — at least a part of — his reason to live. You were what kept him alive, what kept him motivated.

That didn't sound like he "might have feelings" for you.

It sounded like he loved you.

And, to make matters worse, you were beginning to realize that you returned his affections. The craving him, the missing him — the worrying about his wellbeing, the need to constantly be around him... All signs pointed towards one direction:

You loved him, too.

And, before you could stop yourself, before you could tell yourself it was too soon, you found yourself uttering the phrase, "Do you love me, Aki?"

He paused. A moment passed, and he took a deep breath. Then, he peered down at you, "Yeah. I do. I think I'm starting to love those two Devils, too — or at least care for them, but..." He licked his lips. "Not in the way that I love you."

Your heart nearly stopped beating entirely — skipping a beat, and then another while a horde of angry butterflies filled your chest.

Not in the way that I love you.

The way that I love you.

I love you.

He loves me. You couldn't remember the last time you heard those words.

You hadn't taken notice of the silence — or how long it was, for that matter — until Aki spoke again, the depth of his voice vibrating beneath your body, setting your nerves alight.

"You don't... have to say it back," He added, a little more sheepishly. He was so patient with you, so forgiving — it was all so much more than you deserved. "But, yeah, I love you."

You finally spoke up — voice a little weaker than you had intended it to sound. "I.. love you, too. I know I do."

It felt right to confess. You couldn't keep lying to him — to him or yourself.

"Do you want to stop seeing me?" He asked. He sounded like he did not want you to say yes (or maybe you were projecting). "I know it's too soon. I don't want to ruin your life."

You scoffed, "Ruin my life? I'm like a starving beggar who's been given food. You're the best thing that's happened to my life in god-knows-how-long."

He blinked at you. "I don't..."

"It makes no difference," You added on, "I love you and you love me. So, what? Are we supposed to break each other's hearts? Over a man I haven't loved in years? A man with whom I've only stayed for the sake of convenience?"

Aki sighed quietly, calling your name, but you didn't listen.

"I'm tired of running away from the truth, Aki. You were the one who showed me that," You continued. "I love you, and I think I'd be completely miserable if I lived without you."

"But you'd be at peace. You'd have a house and a life in Kyoto, still," He remarked. 

"You've consumed every inch of my peace. How can I give you your peace?" You quoted him. "Is that not what you told me? You don't want to stop seeing me, do you?"

"No, I don't," He said. "I'd be depressed beyond reprieve, but I'd do it if it meant you could be happy."

Finally, you rolled over, folding your arms over his chest, laying your head down over his heart — peering up at him through a fond gaze, "I'm happy with you, Aki. I don't want anything else."

There was an issue — of course. The issue being the dissolution of your marriage with your husband. But, still, the two of you danced around the truth.

"You shouldn't say things like that to me," He added quietly, "I'll hide you away in here forever."

You laughed softly, quietly, like you couldn't help but yearn for exactly that. "And, what? I should leave everything behind to stay here with you?"

To your surprise, however, he did not seem to be joking – not in the least. "Yeah," He deadpanned, "Would that be so bad?"

You sighed deeply, your fingers absently toying with the soft, rumpled covers of Aki's bed. The room had been bathed in a warm, golden light from the bedside lamp. The weight of contemplating a divorce hung heavily on you—images of an uncertain future and financial instability looming large in your mind.

"I'd have nothing if we divorced. I think that's the main reason I haven't done it by now. We never signed a prenup, so..." Your voice trailed off, the enormity of it all pressing down on you. "I'd be in shambles."

Aki shifted next to you, his gaze softening as he absorbed your words. He reached out, his fingers lightly brushing against your arm in a gesture meant to soothe. "But you could start over. We could start over. You're miserable with him. You know that, right?"

"You're too young to understand," You sighed.

"All that for a five year age gap is kind of crazy," He retorted. "Help me understand, then – why won't you put yourself first, for once?"

You looked away, your eyes reflecting the anxiety you felt. "I would lose the house, Aki... and everything I've worked for... it's not just about me."

"The apartment down the hall is up for lease, I've heard. It's not exactly the same as your house, but it could be a start," Aki tilted his head slightly, trying to offer a comforting smile. "We could make it work."

You considered his words – the idea of a new beginning didn't sound all too bad. Slowly, a tentative smile started to spread across your face. You met Aki's gaze, and he returned your smile with one that was gentle and understanding – like he always was. 

Finally, you shifted your position, rolling over to straddle Aki's waist, sitting in his lap. You reached down, gently plucking the magazine from his hands, and intertwined your fingers with his. 

"You love me," You said giddily, grinning ear to ear like a lovestruck fool.

God, now that you heard him say it, you wanted to hear it again.

Just to make sure that it was real.

And he looked up at you through tired, pretty blue eyes, like you had hung the stars in the sky yourself. Like you were everything to him. "Yes."

"Only me," You continued.

To which he answered breathlessly, "Yes."

"And you're happy with me?" You went on, "You're not just saying that to get my hopes up?"

"Yes," He answered. "Happier than I've ever been."

You knew it was dangerous to indulge yourself so shamelessly in his affections. He loved you and you loved him – there was only one thing holding you back from being his and his entirely...Your marriage of convenience.

"And you," He asked. "Do you love me? Only me?" 

"Of course," You answered. It should have been more difficult of an admission than it was. In reality, you hadn't loved anyone in years. "I haven't been able to fuck anyone else since you came around. That's how much I love you."

"You're not special," He tutted. "I can't even get off unless I'm thinking about you and that pretty face of yours. You know that?"

"I get that. I know you love me," You smiled. "But how much?"

Aki's hands slid up your legs, gripping your thighs. Slowly, he aided you in rocking back, then forth – until you took notice of the sudden hardness pressing into your core from below. He quirked a brow, "This much."

You widened your eyes, dragging your tongue over the front of your teeth. If that's the case, then that's a lot. You played into it, of course. You pulled the hem of his oversized sweater up and over your hips so that you could rut against him. The lace of your panties created a friction so delicious that your next words came out as a shudder, "This much?"

His lashes fluttered, pretty eyes threatening to shut – but he kept them open, like he wanted to commit every second of this moment to memory. "Yes."

You rubbed yourself along the length of the bulge in his sweatpants slowly, tantalizingly – "This much?"

He released the prettiest little trembling sigh, "Yes..."

"This much?" You leaned down a little further. Your hands braced themselves on his chest, sliding down to his abs, then back up again – all while you lowered yourself a little closer to his face, rutted against him a little harder, just the way he liked it. 

"Yes," He whimpered faintly, weakly. When you brought your face a little lower, a little closer to his, you could see the faint hue of pink that painted his cheeks.

Unable to wait a moment longer, you touched your noses together, lips only inches apart.

"This much?" You breathed. Going a little faster now – all but riding the tent in his sweats – you felt your legs begin to tremble. "And this much? And this much?"

"Ah..." He panted, "Yes, yes, yes."

His eyes struggled to meet yours – you liked the sense of control it gave you. It made your mind run wild with desire, knowing he trusted you enough to let you have him like this. To let you take the reins. Just before your lips touched, you brought your bloody thumb up to his mouth. 

Then, carefully, you painted the faintest trace of red on his lower lip. He froze – holding his breath, anticipating your next move.

You traced your tongue carefully over his lower lip, kissing his lips clean – licking up what was left. It was depraved and dirty and downright distasteful... but, fuck...

It was so hot.

Clearly, Aki shared your sentiment, because before you could pull away he was gripping the back of your neck and bringing you closer to him, slipping his tongue into your mouth while it was still open – stealing a dirty kiss from you. His lips were insistent against yours, desperate, even – tasting like mint with the faintest hint of blood.

With a blissful groan, he departed from your lips, kissing his way down your neck while he rocked your hips back and forth. The friction was just enough to have you moaning in tandem, falling into him.

His tongue was hot against your skin, pulling it into his mouth to suck gently on it – gentle enough that he wouldn't leave marks, hard enough that you were gripping his biceps for support. 

You craned your head up toward the ceiling to give him more room to continue his onslaught down the valley of your neck, down your clavicle. 

You brought your hands down to the waistband of Aki's sweatpants, where he was practically straining against the fabric. "Need you, Aki, please."

He let you wrangle his pants down just far enough to free him (no, he hadn't bothered to put on a pair of boxers after his shower) – just far enough to let his aching erection spring out. His fingers looped beneath the fabric of your panties with practiced ease, and he pushed them to the side.

"Right now?" He asked. "Like this?"

"Yeah."

"Fuck. Need you, too, baby."

You wasted absolutely no time in lining his tip up with your entrance and sinking down on him. With little to no prep involved prior, it was a bit of a stretch – you could feel his length splitting you open, but, shit...

It felt so fucking good to have him inside of you. You fell forward onto him, letting him set the pace.

He let out the sexiest little gasp, squeezing his eyes shut. 

"You won't get tired of me?" You asked, rising up and then sinking back down after a moment of adjustment. Up once more, then down once more, and you could feel the pain subsiding. "Of... of this?"

"Never," He gritted out, gripping your hips a little harder. He bounced you up and down a little faster, a little harder – and that little change in speed was all it took to have the both of you gasping. He moaned, "So perfect. Fuckin' love it."

You giggled, "So this is love?" 

Trailing off, you gasped, a smile forming on your tender lips. It wasn't the years you had spent with your husband, arguing over money and food and everything else. It wasn't distasteful comments about your body, or a harsh sting on your cheek followed by a half-assed apology. It wasn't a broken promise of "I do," or a life in Kyoto. It was this.

Aki's response came in the form of a muffled whine of, "Yes," against your sensitive neck.

"This..." You grinned. 

This was love. 

You could get used to it.

You rustled from your sleep late in the evening. Nose twitching, you nuzzled your face into the warm surface your head was laid upon – warm, bare skin beneath you. Aki's chest was a milky white valley – between the pectorals of which you pressed a lazy kiss. He stirred, only slightly, and didn't wake.

A grumble of your stomach prompted you to sigh before slipping out of his grasp, out of the fortress his strong arms made around your head. His biceps were so plump that you almost wished you could sink your teeth into them, mark him as yours.

But, alas, duty calls. 

You slid out of the bed slowly, being careful not to wake your lover in the process. His sweater slipped down your waist, pooled around your thighs, and your bare feet touched the floor of his bedroom as you padded towards the door. 

You cast one last glance to the bed before you left. Aki was sound asleep, face turned to the side, inky black hair tousled and spread over the pillow. His pink lips were open just enough for quiet snores to escape. As if he sensed your absence, he grumbled something incoherent in his sleep, and rolled over onto his side. He wrapped an arm around the pillow – where you had been lying only a moment earlier – and snuggled into it. 

God, he was so fucking cute – he was going to be the death of you.

A smile teased the corners of your lips. With no great deal of satisfaction, you cracked the door open – checking your surroundings before slipping into the living room. You tip-toed over the wooden floorboards (as if that would make a difference) and into the kitchen, pawing at the fridge until it opened.

You squinted into the refrigerator light, trying to scan its contents for a good snack. Let's see... Lettuce, Leftovers, Vegetables...

Berries! You grinned, reaching for the little package of strawberries. It looked like it was pretty new – surely he wouldn't notice a few missing... right? 

If he did, he certainly didn't seem like he would care.

So you shut the fridge just as quietly as you had opened it. You nearly lept right out of your skin when you noticed something standing behind the door – someone.

It was the ginger boy from the party – Denji – and he was looking at you like he was just as confused as you were, standing only a little taller than you in Cookie Monster pajama pants and an old-looking undershirt.

What time is it? His roommates were supposed to be at training today!

He raked his eyes over your appearance, following the path of your bare legs up to your sweater, then up to your face again. Finally, he commented, "I didn't know Hayakawa Captain had a girlfriend."

You were fucking mortified. So much for being on the down low, right? 

Swallowing, you replied, "I'm not–"

"Wait a sec, aren't you that girl from the party?" He squinted at you. 

Shit. Shit. Double Shit.

"Uh..." You laughed awkwardly, toying with the hem of Aki's sweater. You knew you probably made for a remarkable sight – messy hair, bare feet, wearing nothing but his Captain (and roommate's) sweater. "What party?"

Public Safety loved to party. He wouldn't remember you from one night alone, would he?

"The one where Himeno got shitfaced? Wait, I don't think that narrows it down by much..." He pursed his lips, tapping his chin in thought while he scrutinized you, "It had to have been, like, a month ago, now. She started crying and then she got real wasted and puked on my shoes... She said she was real pissed at Hayakawa and his little girlfriend. That's you, right?"

Fuck me gently with a chainsaw. You didn't know what was more mortifying – the idea that he knew you were sleeping with his captain, or the idea that Himeno was telling him about you. 

If your flustered appearance didn't give it away (or the way you froze like a deer in headlights when he said that), your words definitely did. "I have no clue what you're talking about."

That sounds like something someone would say if they most definitely did know what someone was talking about, you thought.

What the hell was he doing out here this late, anyway? It wasn't fair.

"Youuu... sure...?" He asked, squinting at you a little harder. You were one question away from breaking a sweat, "'Cause he's been acting real fishy lately, and I heard noises coming from his room when I came back a few hours ago."

You were going to murder him and yourself a moment later. He said they wouldn't come home.

"I thought you were supposed to be at training?" You whisper-shouted back at him. "What noises could you possibly have heard?"

"We wrapped up early," He remarked, like that should have been obvious. "And, I dunno, but it sounded like someone was being murdered in there. Himeno said he had a "little girlfriend", and I don't see him around many women, so..." Snapping his fingers, he pointed them at you, "You're her. You're his secret girlfriend, right? I've been working on my detective skills, you know. I can tell these things about people."

You could do nothing but gape at him, utterly gobsmacked at two different things – Firstly, that this interaction was even happening, and, secondly, that he had managed to sniff you out so easily.

"Unless you're not," He trailed off – seemingly lost in thought, again, as he gazed up at the ceiling, scratching his chin, "You know, I heard him in the bathroom with someone the other day. Is that something you're aware of? I don't want to assume, but I figured you should know. He could be cheating on you."

Again, you couldn't form a suitable answer, mouth open. Still – because you were hungry – you plucked a strawberry from the container, inching your hand slowly towards your mouth. 

"What are you doing?" A voice cut into the tense silence between you and the orange-haired boy – who, from your understanding, was no older than 16. The two of you jumped apart. 

Aki stood in the hallway, eyeing you and Denji up wearily. He looked like he had just rolled out of bed – literally – with his hair still a little disheveled over his neck and in his face, donning nothing but a pair of sweatpants to match the shirt you were wearing. 

We're cooked, you thought. 

Then, immediately letting your gaze wander over his chiseled physique, you thought, He looks so fucking good without a shirt on.

The sound of his voice shook you from your horny reverie. He had called your name, or something like that, considering that he was looking right at you.

You tilted your head, popping the strawberry into your mouth, "Hmm?"

Aki's lips were pressed into that serious pout he always seemed to wear around his coworkers – something so different from how he normally was around you, something that you had to get used to, "I asked if he was bothering you."

"Oh." You swallowed the mouthful of strawberry you were chewing. Glancing between him and his ginger detective roommate, you muttered, "No.. No, he's just– He was just getting a snack."

His expression softened immediately. Still, he leaned against the kitchen counter, saying, "Come back to bed."

Well, shit, there goes my alibi, You gnawed on the inside of your cheek. He made it sound so tempting.

So, opening the refrigerator door and tucking the container of strawberries away on the shelf, you squeezed past Denji, murmuring a quick, "Good night." 

Then you followed Aki back to his room, leaving the poor boy speechless in the kitchen.

The next morning, Aki was already up when you stirred, the soft sound of bowls clinking and the rhythmic whisking of something filling the quiet morning ambience. The smell of something sweet drifte d in from the kitchen, pulling you out of bed. 

Snagging your purse off of the floor, you slipped into the bathroom, your feet padding softly against the cold floor. Without thinking, you reached for Aki's blue toothbrush again—the one you'd claimed yesterday, and the time before that. There was something oddly comforting about using his things.

There was also something sort of ironic about the way you hesitated before using it — like you hadn't swallowed a load of his kids before, like this was overstepping.

As you brushed your teeth, your thoughts floated back to last night—the weight of his arms around you, the way his hands had roamed your body like they belonged there. Your confession had been a surprise. His confession had been hushed whispers of, "I love you. So perfect. All for me," against your skin, a sinful croon of your name while he fell apart beneath your touch.

You winced slightly at the ache in your lower back, a reminder of how tangled the two of you had been in the sheets. That ache was a small price to pay.

Spitting into the sink, you wiped your face and took a handful of water into your mouth. Then, reaching into your purse, you produced your little Birth Control tin, popping one of the tiny white pills into your mouth.

You wandered back out into the living room a minute or two later, drawn by the smell of what you assumed was breakfast. Aki was standing at the kitchen counter, his back to you, shoulders relaxed beneath one of his signature sweaters— one that, despite how soft and oversized it looked, did nothing to hide his lean form, the muscled slopes of his shoulders. You watched him for a moment, admiring the way he moved so easily in his space, the domesticity of it all.

You walked up behind him without a word, slipping your arms around his waist, resting your cheek against the hard plane of his back. Your hands trailed lazily over his abdomen, feeling the firm lines of his muscles through the fabric of his sweater. You couldn't help but smile to yourself; he was so deceptively toned beneath all those layers, the kind of strength that made you second-guess not divorcing your husband sooner.

"Hey, troublemaker," he said softly, his voice warm and teasing, like he knew you were up to something just by the way you touched him. He didn't even flinch at your sudden embrace, just leaned into you as if he had been expecting you.

You buried your nose between his shoulder blades, breathing him in. That familiar scent of his cologne mixed with the smell of pancake batter—it was such a simple combination, but it made your heart ache in the best way. His hair was tied up in that silly little topknot again, and on anyone else it would have looked completely ridiculous. He smelled like everything good and familiar, like something you didn't even realize you needed.

He set the bowl of pancake batter down and turned slightly, his hand finding your chin, gently tilting your face up to meet his. His lips captured yours in a kiss that was slow, deliberate, like he had all the time in the world to show you exactly how much he wanted you. The kiss was languid, sensual,  made your knees a little weak and left you dizzy in the best way. You could taste the sweetness of his affection, the way he held you like you were something precious.

In that moment, it hit you—you really were in love. 

You didn't need to second-guess it. This wasn't like anything you had before. The ease, the quiet bliss of being here with him, in this little bubble you'd both created—it was something you had never known with your husband. 

That marriage had been full of noise and expectations, but this... this was peace. 

This was love.

And standing there, with Aki's arms around you and the smell of pancakes in the air, you knew you didn't want to let this feeling go.

"Hi. You sleep okay?" you asked, slipping your hands under the hem of his sweater, your fingers pressing against the warmth of his muscular back. You felt the subtle shift of his body under your touch, the way his breath caught for just a second.

"Better than okay," he replied, his voice still rough from sleep. "I don't even remember dreaming."

You leaned in closer, your lips brushing his ear as you whispered, "Aww... did I put you to sleep?" The words came out soft, playful, with a teasing edge that hung in the air.

He chuckled, a deep, velvety sound that sent a ripple through your body. "That's rich coming from the one who came so hard she passed out last night."

Your cheeks flushed instantly, the memory making heat rise in your face as you buried it against his chest, the familiar scent of him filling your senses. His sweater smelled like him—warm, clean, and just a little bit of that cologne you couldn't get enough of.

After a moment, you tilted your head, peeking up at him through your lashes. Your hands moved beneath his sweater again, this time slowly exploring the firm ridges of his abs. He was a Greek god, he really was.

You could feel him tense, the muscles under your touch shifting with every slight movement of your fingers as they trailed down his abdomen, brushing lightly with your knuckles. You hummed, the sound vibrating softly in your throat. "Hmm... should I make it up to you?"

Aki's eyes dropped to yours, and you saw the change immediately—his face grew warm, the faintest hint of pink rising on his cheeks as his pupils widened. "Make what up to me?" he asked, his voice lower now, like he wasn't sure if he wanted the answer or if he was bracing for it.

Your fingers dipped beneath the waistband of his boxers, the fabric snapping back against his skin with a soft, sharp sound. He let out a quiet grunt in response, and the sound sent a surge of satisfaction through you.

"You're a little minx today, aren't you?" he teased, though his voice was laced with something deeper, his smirk betraying just how affected he was.

You just smiled up at him, your fingers lingering at the waistband, daring him to see where the moment would take you next.

"What can I say? I'm an early riser," you teased, your finger trailing downward over his sweatpants, over the tent that was beginning to form where your fingers ghosted over them. The way his breath hitched, followed by a flustered laugh, made you grin.

You tugged at the strings of his sweatpants, mischief dancing in your eyes. "And I think someone else is too."

Aki's gaze darted between the stove, where the pancakes were almost ready to be poured, and the closed bedroom doors, behind which his roommates were still fast asleep. His brow furrowed as if he were contemplating something serious, but the playful glint in his eyes hadn't left.

"You're insatiable," he said, though his voice held just the faintest tremor of doubt. "Not like this. Not in the kitchen."

"You're thinking about it?" you asked, raising an eyebrow. "Why? Craving something sweet?"

"Always, pretty girl," he murmured, his tone soft but filled with heat. "But don't tempt me."

"Why not?" you challenged, leaning in just a little closer. "Who was it that said to give in to temptation and not run from the truth? Why stop now?"

Aki's smirk deepened as he slid one hand around your waist, his fingers grazing the small of your back. "Because my temptations involve me hiking that little sweater up and fucking you right there on the table until the neighbors call the cops," he whispered, his lips barely brushing your ear, sending a shiver down your spine. "Behave."

Yes, sir.

Just before you could retort, you heard the soft creak of a door opening. In an instant, both of you pulled away from each other, the space between you filled with unspoken tension. Eventually, a familiar head of ginger hair popped into the kitchen, tired eyes barely open, pants hanging low on his hips. 

"Morning," Denji yawned.

Aki's words left you breathless, still. You cast him an uncertain glance. He smirked – barely there, of course, but just enough to tell you that your conversation wasn't over. Then, he turned back to the stove.

Denji reached for the fridge, grabbing a bottle of Orange Juice.

"You making pancakes over there?" The younger of the two boys asked, pulling a seat out from beneath the kitchen table and plopping down – clearly unwilling to bring up the whole issue of whatever the fuck happened last night.

This entire situation is unreal.

"Yeah," Aki answered. Clearly, he didn't want to talk about it either. Instead, he poured some batter onto the pan.

Awkwardly, you inched towards the seat at the table across from him. You sat down and folded your hands on the table. He eyed you up curiously, like wasn't sure if last night had been a dream. You avoided his gaze, looking down at your lap.

Suddenly, you felt conscious of your appearance — was your hair disheveled? Had he left marks on your neck? Did Denji have some sort of superpower that allowed him to see through your sweater and see the bruises Aki's strong hands had left on your hips the night before?

A few silent minutes passed, during which neither of you three brought up the elephant in the room. A moment longer, and you were joined by Aki's other nightmare roommate — a short girl with pink hair, sharp teeth, and red little horns protruding from the top of her head. 

She entered the kitchen with a proud shriek of, "Well risings, mortals! I smell sustenance."

When she noticed you, a look of confusion replaced her grin. She sat down at the table next to Denji and asked him, "Who is this human?"

And, just like that, the line is crossed.

Denji shrugged as Aki set a plate of pancakes down in front of him. He quirked a snarky little brow, glaring up at him, "Dunnno. Why don't you ask him?"

Power's lips were pressed into a confused little pout. She looked up at Aki as he walked behind her, but the moment she saw he was coming towards her with a plate, she kept her mouth shut. Four pancakes were heaped onto each of their dishes. The moment it hit the table, she reached for the fork and the knife and dug in.

Finally, Aki came around the table, offering you a plate of pancakes and an apologetic expression before taking a seat next to you. There were two pancakes on his plate, garnished with butter and honey. 

You looked at him with wide eyes that flicked between him and his roommate, blinking extra hard, as if to say, Help me.

He sighed your name in response, "Meet Denji and Power, the two shitheads I live with."

Great. That wasn't helpful at all.

"Why are you not bowing?" The Power girl slammed her fist down against the table. "You are in the presence of greatness."

Denji didn't seem to care much to acknowledge her, ripping a piece off of his pancake and stuffing it into his mouth before saying, "You're bangin' the captain, right?"

Your mouth hung open. Aki tensed, furrowing his brows angrily, "Denji."

"What? You told me you weren't seeing anyone when I asked you, but I saw her come out of your room," Denji snapped back. He ripped another chunk out of his pancake, and stuffed his mouth again. 

"We were having a... sleepover...?" You answered hesitantly, trying to make the situation better (and making it worse).

Denji pointed an accusatory finger at you, "Girls and boys don't have sleepovers."

Power shoved his arm, "Nonsense. Plenty of people do it."

Denji's head snapped towards her. He barked, "Yeah, plenty of people who are banging each other!"

You dropped your head into your hands, groaning into the table. 

Aki handled the situation calmly, as he normally did, "She's my girlfriend."

And, just like that, your head was popping back up. Your wide eyes were on him immediately, heart pounding against your ribs like it was about to break loose. Girlfriend?

Then, a warmth spread over the back of your neck and your face, and you realized you weren't entirely opposed to being his girlfriend. Unless he was just putting up an act. In which case, you definitely weren't getting your hopes up — on paper, you were still married, anyway, right?

Right?

Denji and Power looked just as shocked as you did.

"You lying piece of shit!" Denji hissed. He turned to Power and added, "See? I told you! I knew it! He's been too lenient lately. Pay up."

Power crossed her arms. Mouth still full, she replied, "I refuse."

Denji leapt up from his seat, pointing at her now, "No way. You owe me a feel!"

Oh my god.

"There's a new pack of gum in the car," Aki sighed — visibly distressed by his roommates' behavior but noticeably unsurprised. Clearly this was no infrequent occurrence in his household. 

The two of them perked up at that. 

Aki continued, voice stern and notably father-like, "I'll give the both of you two pieces each if you keep your mouths shut."

Slowly, Denji lowered himself back into his seat. Power's angry face dropped, replaced by a wide-eyed frown, like that of a begging dog.

"Yes, sir," Denji answered obediently.

Power added, "At your service, My Liege."

"This doesn't leave the table. Got it?" Aki told the two of them. Carefully, he cut his pancakes into nine squares. He popped one onto a fork. 

The two roommates nodded quickly.

Aki sighed, "Good. If you have any questions to ask her, do it politely."

Power was the first to ask, "Do you work with him?"

Finally having a chance to speak, you smiled softly, sheepishly, "Yeah. I'm new to Tokyo, though."

"Great. There will be plenty of time, then," She grinned, "I wish the two of you nothing but success in your mission to procreate!"

You choked on the mouthful of pancakes you were trying to swallow down. Before you could even comment on that wildly invasive statement, Denji answered with a question of his own.

"He said be respectful, dumbass," He tutted. He polished off the rest of his pancakes in (seemingly) a few ridiculously huge bites before he asked. "Is it true that women's boobs are measured with letter-sizes?" A pause, then he added, "How big are yours?"

"You little brat," Aki grumbled as he slammed his fork down on the table, "I'm gonna kick your ass."

An hour after breakfast had wrapped up, and Aki had left you to do the dishes, you left for the balcony — but not before reaching into the pocket of the suit jacket he had left neatly folded on the couch and stealing one of his beloved cigarettes and his lucky lighter.

You didn't know what had gotten into you lately. Yet, as you stepped outside and closed the sliding door behind you, you couldn't help the relieved sigh that left your lips the moment the cig was lit and in your mouth.

The cherry crackled as you pulled a long, drawn out hit from it — thinking briefly back to a point in time some six or seven years ago when you were still a young Public Safety officer with a cigarette dangling from her lips, and then to the night before, when Aki had blown the smoke into your mouth. You sighed, releasing the smoke with the slightest cough.

Of course, the peaceful moment was shattered the moment you felt your phone buzzing in the pocket of the basketball shorts Aki had lent you earlier, saying something about how Denji was "Shamelessly ogling your legs". They were long enough to touch the back of your calves. Of course, you imagined they fit him differently.

You plucked the little device out, flipping it open. The screen was illuminated by a call — with two concerns being raised. Firstly, your phone was only on 12%. Secondly, the person calling you was your husband.

Your heart dropped. In a moment, it was as if the tranquil morning had been shattered, leaving you with that feeling of dread you knew all too well. You hadn't spoken to him since the night before you had left for Tokyo.

You flipped the phone open, accepting the call. "Hey."

"Hey. How have you been?"

Fine, before he called. You didn't say that, though, instead pulling another puff of your cigarette. "I've been good."

There was a rather lengthy pause, after which your husband cleared his throat, "Look. I wanted to call you because I felt real bad about what happened before you left."

You couldn't possibly doubt him more. Still, you had spent the entirety of last night getting your guts rearranged by his superior. You figured you had outdone him. "Yeah? It's alright."

"No, it's not," He answered, much to your surprise, "I had no right to hit you. That was super out of line. I'm just... I've been stressed out with work and you being gone, and... I dunno, I..."

The line paused again. You took another hit.

"I can't shake this feeling about you in Tokyo. I feel like something's wrong," He finished.

Your stomach churned with unease. He was right, of course, but you couldn't let onto that – if it had taken him that long to notice, he couldn't really care. Hell, he hadn't called you since you left.

"Like what?" You replied with a noncommittal hum. You couldn't give less of a shit what he was feeling, to be completely fair and honest. He never cared what you were thinking? 

"I don't know what. I know I said some rude things, but... I don't think that's an excuse for you to be ignoring me like this. I've been waiting for your call," He sighed. "Are you okay? Are we okay?"

You nearly burst out laughing at the sheer irony of it all. So now he cares?

He's far too late.

As if on cue, the sliding door opened. Faintly, you could hear Denji and Power shouting at each other in the background, followed by a set of quiet footsteps right behind you. The door shut. You didn't have to turn around to know who it was. 

Aki came up on you from behind, wrapping his strong arms around your waist, nestling his face into the crook of your neck. He smelled of pancakes and laundry soap and cologne, a scent so divine that it had you relaxing into his touch instantly.

On the phone, your husband drew on, "Hello? You still there?"

You felt a warm kiss at the back of your neck, followed by another that landed a little higher, and then a little higher. Then he peppered a series of butterfly kisses to the sensitive skin there. You grinned, leaning into his touch while swatting him away all the same.

"Yeah," You answered, voice teetering on a giggle. Aki pulled you flush against his chest, arms squeezing you tight while he teased you with more butterfly kisses. "Sorry, I'm multitasking."

Aki's hands gripped your hips, pulling them back so that your ass was pressed right up against him. Then, he leaned down, nibbling softly at the skin near the corner of your jaw – then soothed over it with a lick of his warm, flattened tongue.

You bit back a laugh, pushing him away. Finally, he seceded, leaving you alone so that he could sit down on the chair on the balcony and watch you.

Your husband spoke up. You had almost forgotten he was there. In a few short words, he shattered your entire world; 

"I'm being stationed in Tokyo."

a/n: ermmmmmmm... heyyyyy... how yall doin.... ok now look. don't hate me. you know after all that sugar i gave yall i had to throw in a curveball, cmon. (this is a notiddygothgf fanfic after all). dont be too mad, i'll be back shortly!!! the plot thickens from here. I wonder what will happen?? (jk i already know but id love to hear what YALL think will happen). (you know mama always makes it up to you bbs). THANK YOU FOR ALL OF YOUR UNWAVERING SUPPORT! You guys and ur comments literally keep me going. Part of me never wants this story to end (which is crazy bc it was originally a one shot lmfao.). anyway not too much more, love yall!! ciao pookies! x

credits: UNKOWN ATM. I found the cover pic on pinterest unfortch. If you know the artist, please let me know, so I can credit them properly for their work!!! This is NOT MY BEAUTIFUL DRAWINGGG. I obviously do not own csm or anything related to it. please do not reproduce, copy, or translate my works anywhere. dont fk w me im a bruja.

also: come find me on my wattpad if u wanna interact more!

taglist: @mitsuyeahhh , @sleepysnk , @enneadec , @noaabean , @em1e , @drakensdarling , @bertholdts--butt , @satanlovesusall666 , @mitsuwuyaa , @noctifule , @scaraphobia , @ask-the-insect-hashira , @lovingranchturkeyweasel , @bontensbabygirl , @slvdsjjk , @novacrystalli , @hanmastattoos , @kodzuksn , @hqtiny , @ohmaiscool15 , @redlittlequeen , @leivane , @goldeneagles-posts , @yeahblahlame , @no-oneelsebutnsu , @cookiesandcreammy , @cawwn , @the-haitani-baton , @littlelovebug98 , @armani78 , @mindurownbussines , @kokos-property , @violetmatcha , @hp-simp505 , @acethebrave , @mitsuyeahhh , @sleepysnk , @enneadec , @noaabean , @em1e , @drakensdarling , @bertholdts--butt , @satanlovesusall666 , @mitsuwuyaa , @noctifule , @scaraphobia , @ask-the-insect-hashira , @lovingranchturkeyweasel , @bontensbabygirl , @slvdsjjk , @novacrystalli , @hanmastattoos , @kodzuksn , @hqtiny , @ohmaiscool15 , @redlittlequeen , @leivane , @goldeneagles-posts , @yeahblahlame , @no-oneelsebutnsu , @cookiesandcreammy , @cawwn , @the-haitani-baton , @littlelovebug98 , @armani78 , @mindurownbussines , @kokos-property , @violetmatcha , @hp-simp505

wanna join the taglist? | shameless ; chapter index

[maple-the-awesome]

Twilight's Calling ||

Pairing: Twilight x GN! Reader

Words: 2,544

Requested by anonymous: Heeey. First of I love your writing style! It’s just amazing! Cause twilight is my fav. could you maybe write something like xreader with him, for example they’re in a battle or smth? Only if it’s okay ofc! Thanks a lot and have a good day and week! best wishes :) Twilight may or may not be my favorite Link, too (TP was the first game I finished, so I'm a little bias, okay?). I've had this draft lying around unfinished for awhile, so I figured this would be the perfect opportunity to finish it. Here you go, hun 💜

Zelda Masterlist 🤎Fandom Masterlist

It's getting pretty late. 'Late' as in the sun has long set and the last time you saw any of the boys was about an hour ago when Time finally managed to herd the remaining stragglers out of the room, although he was being a bit hypocritical seeing as he still lingered in the doorway for a good minute himself afterwards (not that you dared comment on it).

Since their heavy footsteps had faded into silence - and aside from the innkeeper sometimes shuffling down the hall or a sudden 'pop' of the bedside candle - you've been left entirely alone with your thoughts as they dance on the very edge of sleep, but you refuse to lose balance. It's your shift. You promised to be a good lookout and it took a lot of convincing to even get the position, so you can't disappoint no matter how heavy the weight upon your eyelids or heart is.

You've always been well aware of the risks that would come with this mission and from traveling alongside nine heroes of legend; troublesome young men and boys who can definitely handle themselves in battle, however none immune to making possible mistakes. You expected one to occur at some point, yet never wanted the aftermath to be anything too serious.

Wild getting a decent scar on his forehead was a scare when it initially happened, but he was back on his feet within the hour - less than that actually, because if you remember correctly, his quick recovery had been controversial and resulted in quite a bit of bickering. The bottom line is that Wild bounced back with little to no trouble thanks in part to his thick skull. This is different. Twilight has yet to follow his protege's example and it's been hours.

You must admit you underestimated the situation at first due to a lack of context. It's not to say you didn't care about Wolfie when he got struck, however there's a notable difference between a wild 'pet' that occasionally trails your group and the very man you've grown to secretly admire over the months you've spent traveling together. If you had known then that they are one of the same, you would've likely shared a similar level of panic as the Champion, but instead you were left in the dark until Four finally explained Twilight's secret to you.

Even at that moment, although more worried, you figured everything would be okay. Wolfie or Twilight, a fairy should be able to do the trick to heal the worst of injuries, so one can imagine your heartbreak once learning that, for some odd reason, the state of his wounds haven't changed even under a fairy's sacred touch. That's when you truly became fearful, but you refused to show it outwardly - no more than whatever made itself present on your face, anyway.

Making a fuss won't aid Twilight's condition nor will it calm the concerns of your friends, so instead you had mostly stayed out of the way until Time announced everyone should get some rest. At that point, you made your presence known, quick to shoot your hand into the air while volunteering to take the first shift for watching over Twilight. Champion was the only one to fight you for it and honestly, you still aren't certain how you won the argument, but here you are, sitting quietly at Twilight's bedside while trying desperately to keep yourself from descending into madness as you fret over his well-being.

He's doing somewhat better after Hyrule's magic managed to stop most of the bleeding, however his wound remains deep without any further healing progress and his skin is drained into a pale, sickly color clear even through the dim glow of candle light. He looks like shit and you'd guess he feels like it, too, seeing as his face curls into a pained expression every now and again, a whispered groan leaving him whenever he slightly shifts his body (not that he moves that much).

It's gotten a bit chilly tonight, however all blankets in the room have been laid over him and you refuse to swoop as low as to steal comfort from a dying man, so you simply keep huddled to yourself, half praying the next shift will come sooner and half praying it won't because a stubbornness inside you is somehow convinced that the simple act of you being here will keep himsafe from death's hands.

You don't pay much attention to the quiet groan that comes from the bed, having already bitterly accepted that there's nothing that can ease whatever pain haunts Twilight during his nightmares, although you do lift your head when a hand shakes its way into view, barely able to carry itself to the edge of the covers where it collapses with a broken echo from its owner, "W...What time is it?"

You almost cry simply by the sight of Twilight's dull eyes staring up at you, half-lidded and only appearing bright if compared to the dark bags hiding underneath them, but you manage to hold back the tears for the sake of not scaring him.

"I-I'm not sure. After sunset," You answer slowly as to prevent any wobbling to your voice.

"And the others? Is every - everyone else okay?" Hylia, he sounds awful, his once handsome, accent-laced voice butchered by a hollow croak.

"Yeah...Yeah, we're all okay - and don't worry about the shadow. Wild managed to take it down - thanks to you tiring it out, I'd say. You sure gave that thing a run for its money there," You attempt to joke lamely. Although your laugh doesn't carry much life to it, Twilight's expression does soften a tad after the sound.

"...Good..." Is all he says before closing his eyes with a sigh through his nose. Meanwhile you fidget nervously, debating with yourself on whether you should let the conversation die off so that he can continue getting rest or keep him talking while he's able to. You sure do love hearing his voice, after all, no matter how broken it may be; it reminds you that someone as great as him is actually real and, after recent events, still alive.

In the midst of your depressed thoughts, you notice Twilight reach his hand out towards you again - or at least it looks like he's trying to. Really, he only has the strength to lift it palm-up slightly off the covers, yet you understand this movement's wordless request. Ever so gently, as if he's made of glass, you take his hand and sandwich it between both of yours. He's a bit too cold for your liking, a sharp contrast to his normally warm touch, not that you draw attention to that worrying detail.

"...Is there anything I can get you?"

He tries to shake his head, but loses will halfway through the action and instead chooses to simply let his head lull to the side towards you. From there he stares for a bit longer than he means to, his dazed brain struggling to process his thoughts at its usual speed.

"Why aren't you sleeping?"

"Someone has to keep an eye on you," You allow a small smile, slowly reaching forward to help move his bangs away from his face, "We're all taking shifts throughout the night. I was just lucky enough to get the first."

Twilight hums, closing his eyes for a brief second when your fingers brush his forehead, "How'd you manage that?"

"Barely. For a second there, I thought I was gonna have to duel the Champion for it - had my hand on my sword and everything before he finally caved," Twilight makes a sound between a scoff and a laugh which makes your smile more genuine even if he does flinch in pain immediately afterwards, "The real question is how I won against Time...Actually, I wouldn't be that surprised if he's secretly standing outside the door as we speak."

A creak of old floorboards in the hallway makes your eyes dart to the door, almost expecting the man in question to walk in and call you out for your jokes, yet you calm that doesn't happen. Twilight brings your attention back to him by moving his thumb against your hand, "Don't tell 'em, but I'm glad it's you here. I like having ya' here with me..."

You press your lips, hoping it'll help you ignore the heat against your cheeks. That must be the first time Twilight has ever openly said he 'likes' anything related to you; you're certain you'd remember any other instances of such a milestone. It might not be the exact sentence you'd want him to use the word in, but it's a step in the right direction, so you'll take it.

"I like having you here with me, too, Twi...which is why I've officially decided that I'm too selfish to let you die on any of us. I don't care if I have to fist-fight Hylia for it; I'm not letting you get out of this journey so easily."

"That right?"

"I swear it on my life."

He chuckles weakly, although the sound is taken over by a fit of coughing. Promptly you pour a small glass of water using the pitcher kept on the bedside table before gently helping him sit up to take a careful sip.

It's insane for you to think that only a few weeks ago, you had been secretly watching him move hay bales at Time's place effortlessly. Now he lies here in bed struggling to hold a conversation, his muscles shaking horribly by the simply action of prompting himself up even slightly. Seeing him like this makes you feel awful, but you also consider yourself blessed to be the one taking care of him during a low point like this, ensuring that he's properly cared for and tended to almost like a spouse would.

"Seems like I'm starting to lose you, farm boy. You should relax and get some more sleep," He makes a face and seems prepared to argue, however he must not have been able to think of anything convincing to say - that or the aching in his bones has become too hard to ignore. Either way, instead of saying a word, Twilight nods droopily before inching his way back down against his soft pillow while you fix the blankets over him again.

"Look on the bright side: make it through this and you'll probably get special treatment from here on out. Get your bags carried for you, have whatever meals you're craving be made each night...If you hobble around a little I'm sure you could even get Time to fuss over you -"

" - And what about you?" Twilight quizzes and you can't tell if he's being serious or just teasing. It feels like the latter, yet the way he watches you while awaiting your reply makes you feel another way; soft and warm, but a tad anxious at the same time, "What can I get from you?"

You pretend to think, although in truth, you already know there wouldn't be any limitations for what you're willing to give. If he asked for the world right now, you'd figure out some way to gift wrap it for him...but that's too embarrassing to admit aloud, "...Depends on what you're thinking and if you can swing it the right way."

He hums, once again staring at you just long enough to make that anxious feeling really prominent. Is there something on your face that no one told you about earlier? Is he judging your messy hairdo that you had no time to fix since the battle? Did you sound too flirtatious in your answer? Maybe his injury has given him the ability to read minds, so now he knows just how desperate you are to earn his affections!

"...If I asked you to stay with me, would you?" Twilight whispers so quietly that you barely hear, yet you do. 

"I, uh...Time will be here in an hour or so for his shift, but I won't go anywhere until then, okay?" Not even your poor excuse at smiling can save your stumbled words, yet you pray he doesn't look beyond either. He's loopy from such a stressful day, so it makes sense that he's have trouble properly wording questions. It also makes sense for him to be scared to be left alone - anyone would be in such a state. He doesn't have to worry, though; between you and the boys, someone will always be by his side throughout the night. You'd expect that knowledge to be a relief for him, however Twilight only frowns and looks away with a surprisingly depressed look in his eyes. 

Fiddling nervously with your hands upon your lap, you ask carefully, "...Unless you're wanting me to watch over your for the whole night? In that case, I wouldn't mind staying if it would make you feel better. I'm sure the others would be fine with it if they could just check in here and there."

Twilight presses his lips, refusing to look directly at you. If you didn't know any better, you'd say that based on his continued reaction, you're still somehow missing the point of his question, yet no matter how much you rack your brain, you can't think of what else he would've possibly meant.

You were tempted to ask for more clarity, but Twilight speaks before you can, "...I'd like that."

"Yeah?"

He nods bashfully which melts your heart in a way you're sure would be shamefully clear if he were only looking in your direction.

"...Well, since you took one for the team -" Scooting your chair closer to the bed allows you to cross your arms over the mattress and rest your head on top of them. Desperately you try to ignore your nerves and the cute way Twilight curiously looks over at you, "- I'll stay for the night if you promise me one thing."

"Hmm?"

"Stay with me, too? Without you, I might just loose my mind. Don't tell anyone else, but you don't drive me nearly as insane as some of the other boys do," not in the same way at least.

The corner of Twilight's lips turn upwards, his hand taking it's time to move over yours. The second it makes contact, you take the chance to hold onto it, "...Sounds like a deal..."

You match his smile easily, "Get some sleep, Twi. I'll be right here when you wake up, so just focus on getting better for me, alright?"

He hums one last time, drifting off to sleep as commanded where he seems to be far more peaceful than earlier. As promised, you remain by his side until morning, eventually falling victim to quick naps yourself only disrupted whenever someone else sneaks into the room to see how things are going. You're certain you'll be tired tomorrow with an aching back after spending an entire night hunched over, but that's a small price to pay for someone like Twilight. It'll all be worth it to see him recover, granting you even more time to spend by his side through thick and thin.