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vxnuslogy · 6 months ago

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– to fall for the sun.

pairing: albedo x gn!reader

premise: albedo was not a poet, but for you, he could try to become one.

– warnings: fluff, yearner albedo, he sucks at poetry (he's trying his best), poor attempts in making poetry at the end

– author’s notes: this is a remake of my old albedo fic but instead of angst, its fluff so yippie!! art credits goes to @.Jotto75 on twitter. thank you to @lowkeyren for proofreading and creating the title <3 | ~1.4k words.

“mr. albedo, are you alright?” sucrose, his assistant, asked. worry etched in her eyes as she watches her mentor’s hunched figure throw away another crumpled piece of paper.

“yes, yes, i’m quite alright. please don’t mind me.”

but albedo was anything but alright. he pushed his messy hair back with his hand and let out a tired sigh. albedo had ultimately underestimated your talent in making poetry–he had always assumed you just wrote whatever you felt on paper–no need for fancy words or metaphors. yet here he was, on the third day in a row, filling the small trash bin in his office with poorly written declarations of love.

albedo wonders how you do it. you, a traveler from fontaine, coming to visit mondstadt to explore the nation’s ballads and poetry, had easily captured the hearts of many by just walking down the cobblestone paths that lead inside its walls. you with your charming presence, felt like a character from an inazuman fairytale, had even captured the bard in green. but more than that, you had captured his attention—maybe even his heart—by simply existing.

with one glance you had enamored his chalky heart. suddenly, the paint brushes that were in his hand itched to be used on a blank canvas to paint your portrait, wanting to forever remember the smile that glowed under the afternoon sun. albedo could’ve sworn he saw fresh cecilias beneath your feet with every step you took inside the city.

in one glance, you flashed him a knowing smile and gave him a bow.

venti played his lyre and before the chalk prince knew, he was tugged into a dance near the city’s fountain. everyone laughed and danced and sang, but all albedo could see was the way you sat by the bard, a quill in your hand and a piece of parchment on the other. you cleared your throat, capturing everyone’s attention and started reciting your magnum opus.

albedo didn’t quite understand most of its content–a real shame he thinks–but there was one line that made his mind tick in interest.

“why does icarus continue to fly despite his impending doom?”

he was not a poet by any means, he was a researcher, a slave to finding the truth, but he found the mystery behind your words worth uncovering.

so for the next few days you stayed in mondstadt, albedo had asked for your time to ask you questions. the two of you spent your time in dragonspine in his lab. he asked about your inspirations as you chatter about your love for words and asked him in return on why he paints. albedo concluded after your time together that you were simply born with poetry running through your veins and pumping metaphors and analogies to your beating heart. there was no sense of logic in your being–it wasn’t a bad thing, emotions seemed to transcend all logic to begin with–and he found that incredibly charming.

which leads to his predicament now: inside his office, trying to rack his brain on a verse that would evoke the same feeling you showed him when you first met.

he loved your poetic mind, the calluses from pens on your fingers, your ink-stained blouses and hands, the love letters hidden under the guise of friendly affections—he loved you. but he didn’t know how to showcase it. relationships were troublesome–hard to maintain. but he wanted to try. he didn’t fall in love easily–he didn’t even know he was capable of falling in love–but he felt his growing yearning for you deep in his chalk stained bones. for once in his life, albedo wanted his fixation and interest in you to last a lifetime, afraid of the lingering bittersweet sensation that you would leave him.

with one last sigh, he picked up his sketchbook and left his office. a change of pace would surely inspire him, he tried to convince himself, but not even a few steps later, he sees you by the entrance of the knight’s headquarters. and like the first time, you flashed him a smile with those eyes and his mind went blank. you tug at his hand–his heart–ever so gently, urging him to have a picnic with you under the afternoon sun.

“you seem to really love using icarus in your poems.” albedo randomly mentioned, taking a bite of the adventurer’s sandwich you bought. you only hum and continue to write in your journal. against his better judgment, albedo leaned into your space, trying to take a peek of your newest piece, but you quickly shut the journal and stuck your tongue at him.

“peeking is rather rude y’know?” you jest and his chuckle ringed out.

“pardon my rudeness,” he said. “i was simply curious.”

albedo was sure there was something swimming in his chest–fondness, most probably–as you flash him a knowing smile. you take out something from your bag, a crown made out of cecilias and windwheel asters, and place it on the crown of his head, leaving him with a quiet but undeniable joy that he couldn’t quite name.

“i see myself as icarus, that’s my answer.”

“how so?” he asked, mindlessly flipped through his sketchbook and felt a growing smile tug at his lips when he saw your handwriting in the corners of a few pages.

you don’t answer–you never do– but albedo never minded. he liked it whenever you left him guessing. for the rest of the afternoon, you both spend your time in each other’s presence as you eat your food. you talked about the new book lisa had given you to read in your spare time and he asked you what colors he should use on his next painting. “yellow because they remind me of you.” would always be your reply and he’d comply.

by the time he waved you goodbye and sat back down in his office, there was another letter pressed in his sketchbook. he could already feel his heart racing as he reached for it.

“to my dearest, albedo

you seem to really ponder over the last verse of my poem when i first arrived in mondstatd. i must say, i feel honored that i made your mind tick with curiosity. i found myself gravitating towards your presence more and more after you asked me if i could be the subject of your painting. that was the first time i’ve ever been the muse to someone’s creation. it sent my heart into a giddy fit you know. you are no poet, as i am no painter; i cannot paint the image i have of you on a canvas, but i can put my affections into words. after all, the verse ‘why does icarus continue to fly despite his impending doom.’ was always meant for you—to capture your attention.”

albedo sat down on his chair, a gloved covering half of his face to hide the pathetically infatuated smile on his face. he took out the second letter from the envelope, bracing his heart to whatever emotion you would stir inside him.

“like icarus, i found myself

flying straight into the pools of his eyes

with my wings made of wax,

i soared straight into his guarded heart

and let his burning affections scorch me and melt my wings.

then i fell—or so i thought

my body did not meet the ground harshly,

for he caught me,

in all the gentleness known to mankind,

he treated my scorched skin with care.

i was icarus and he is my sun,

with gold and glitter in all his glory.

icarus is a fool in love.

why does icarus continue to fly, despite his impending doom?

because the sun is icarus’s love.

in every lifetime, he will always choose to fall,

loving him despite it being too hot, too close.

icarus is a fool in love, for without the sun,

he would have no reason to live.

why would icarus fly if he had no sun to fly to?”

albedo’s eyes traced over the last line of your poem, his heart rattling with uncharacteristic tenderness and a gentle ache. your words had breathed life to the emotions he never knew he was capable of feeling.

he looked down on his sketchbook, then out the window to gaze at the setting sun. the warmth reminding him of your love for icarus—him. he was no poet, but for you, he could perhaps become one.

with careful hands like you described in your poem, he folded the parchment and placed it gently into his sketchbook, right beside the finished sketch of you under the afternoon sun, cecilias blooming right under your feet. a small smile tugged at his lips as he picked up his pencil.

for the first time in a long while, albedo finally understood what it meant to be inspired.

#—stellaronhvnters.#・ nouveau livre ˎˊ˗#genshin impact x reader #genshin impact x you #genshin x reader #genshin x you #genshin impact headcanons #genshin impact imagines #genshin impact albedo #albedo x reader #albedo x you #albedo genshin impact #albedo headcanons #albedo imagines #( 🂡 ) – royal flush of stories .ᐟ

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brucebocchi · 22 days ago

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Ranking 2024 anime, Pt. 5: #10-1

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, part 3 here, and part 4 here. all of my seasonal reviews are on my ko-fi and under my anime reviews tag, mixed in with my occasional musings. thanks!

And we are in the home stretch! I didn't want to split up my top 10 like last year, so it took a couple days to get it all together. Thanks for your patience.

As you may have noticed, some of these reviews are longer than others. I've reviewed most of these shows before, so I didn't want to be too redundant while talking about shows I've already reviewed. You can, of course, go back and read my initial reviews in my previous seasonal roundups.

Also, I just wanted to quickly shout out a few shows that I haven't watched much or any of, but would likely have placed well in these rankings, namely Dead Dead Demon's Dededede Destruction, YATAGARASU, the Spice and Wolf remake, Orb: On the Movements of Earth, Sound! Euphonium's third season, and the late Akira Toriyama's SAND LAND and Dragon Ball DAIMA. I only have so much time in a day, week, month, and year, but those series have been on my radar and I do intend to pick them up sooner or later.

But for now, let's focus on what I did watch. Off we go:

10. Blue Box

This is a slightly biased placement on my end because I picked up the manga this year and quickly fell in love with it, and I’m just happy that it got a faithful, well-made anime adaptation. If you have an issue with that, I’m gonna let you in on a little secret: This whole list is biased. It’s MY list, after all.

After an uneven summer output between My Dear Friend Nokotan and Suicide Squad Isekai, WIT Studio is in full form adapting Kouji Miura’s gorgeous high school sports romance. Rising first-year badminton player Taiki has a huge crush on his basketball star senpai Chinatsu, who practices in the same high school gym he does. He’s happy enough to keep a friendly distance as they improve at their respective sports, but that distance is closed significantly when her parents go abroad for work and she ends up moving in under the same roof as him. The spirit of competition is in the air, and is that a whiff of romance I smell as well?

The reason I felt the need to call out my own bias at the start is because Blue Box’s debut cour is, on balance, probably just “pretty good,” but I was just so overjoyed that this anime even exists that I was willing to overlook the early story’s growing pains. Taiki, of course, is the POV character for most of the first cour, and most of the romantic tension we see so far is entirely from his end as he swoons and huffs and goes into cardiac arrest over any and every gesture Chinatsu throws his way. You know, teenage boy stuff. There have been criticisms that Chinatsu doesn’t get much interiority for a bit and that she’s a bit of an enigma in terms of her role in the central “romance,” such that it is so far, which is a valid criticism of a lot of shonen romance stories. I’m generally of the mind that these things are more potent when the object of the protagonist’s affection is treated as more than a puzzle for him to solve, but I think Blue Box does a fine job of establishing what Chinatsu means to Taiki before we do indeed begin to get a feel for how she operates and what she might think of him. If you found that part a little maddening early on, trust me when I say it’s worth sticking it out.

Regardless, the character writing is what made Blue Box such a hit in Weekly Shonen Jump. Taiki is a flat-out good kid, if a little naive, and his boundless determination to achieve and exceed his goals in both badminton and romance makes him easy to root for. Chinatsu is fairly taciturn, as mentioned, but that’s by design; she’s a notoriously difficult person to read, as even her friends and teammates note that they can rarely decipher what she’s thinking. She’s still an effortlessly charming character, and it’s not hard to figure out why Taiki’s got it so bad for her. The real highlight of the series, though, is Taiki’s classmate and longtime friend, Hina, a rhythmic gymnast and an absolute troll. She is an absolute delight in every scene she’s in, whether she’s knocking Taiki’s knees out from under him, focusing on rehearsing her next routine, or prying into Taiki’s love life and realizing that, oops, she really cares about him too. Hina is wonderful and I just want the best for her.

Characters this likable will need the voices to match, and I am over the moon about this show’s casting. Shouya Chiba is tremendous as Taiki, in a far cry from his Epic Based Stoic Chad role as Ayanokoji in Classroom of the Elite. Every line read for Taiki sounds exactly as gung-ho about sports and devastatingly down bad for his crush as you’d expect of a hormonal 15 year old. Reina Ueda is terrific as the soft-spoken Chinatsu, but I’m looking forward to hearing the always-delightful Xanthe Huynh (Haru in Persona 5, Marianne in Fire Emblem Three Houses) take on the role in the dub just as much. Akari Kitou channels much of the same gremlin energy she did for KamiKatsu to portray Hina’s mischief, and I look forward to hearing her nail Hina’s excellent upcoming character moments. And although it’s a secondary role, the casting I was most excited to hear was Chiaki Kobayashi (Mash in Mashle, Stark in Frieren) as Taiki’s teammate Kyo. Kobayashi’s languid tsukkomi affect was exactly what I had in mind whenever Kyo would put Taiki’s lovelorn antics into stark relief in the manga. It’s like he was born for the part.

This show looks tremendous, perfectly adapting both the angular, doe-eyed character designs from the manga as well as the lower-detail gags. The pastel color palette and gorgeous lighting effects are exactly what I was hoping for while reading the manga. If I have any complaint, though, it’s mostly that I want to see more of the sports action. The granular details of the badminton matches and basketball games are hardly the focus of the story, but the action panels are usually the best part of Miura’s art in the manga. Shot-for-shot, it certainly does hew close to the manga presentation, but it’s mostly a racquet swing or close-up jump shot followed by an onlooker’s reaction. I’d have liked a bit more follow through. The CGI used for background competitors can get a little distracting after a while, too, but it’s easy to forget about.

Blue Box is continuing into 2025, and I’m waiting for every new episode with bated breath. If you liked the first cour enough but still have doubts, trust me when I say it just keeps getting better. I look forward to coming back to the second half of this season in another year for my victory lap.

9. Girls Band Cry

This is one of the most inventive girls-band anime out there, certainly the most so since that one from 2022 that I swore I wouldn’t bring up by name. Gorgeous 3D-CG animation, stirring original music, and a compelling cast of characters combine to make Girls Band Cry even more than the sum of its parts.

More than anything, I think what makes Girls Band Cry a terrific showbiz series is that it depicts the uncomfortable reality that a lot of artists are just flat-out unpleasant people and often don’t mesh well with one another. Protagonist Nina is messy, stubborn, and angry at the world and her parents and will not hesitate to make it your problem. She butts heads with her friends and bandmates at any provocation, but stubbornness is a major driving factor in the plot: Each of the five members of Togenashi Togeari has something they’re trying to move on from with their music, and while they each have an opinion on how to get there, they do come to realize, after a lot of silly yelling matches, that they want to do so together.

As a vehicle to push Girls Band Cry and Togenashi Togeari as a real-world multimedia experience, this show is a success. It’s a terrific-looking show in ways we rarely see outside of Studio Orange productions (and allegedly Love Live! Sunshine!!, which director Kazuo Sakai also had a hand in); the 3D computer-generated character models and animations are terrifically expressive and lively, and creative visual effects add a compelling sense of synaesthesia to Nina's emotional highs and lows. The voice cast, all pseudonymous contest winners, are also the real-life band members, and they fully nail both elements of their roles. TogeToge’s music in the show is terrific, and as an already-existing Gorillaz-esque virtual band, I’m excited to dig into their back catalog.

Girls Band Cry finally got an official English translation, so there’s no longer any excuse to sleep on this one. It’s funny, it’s heartfelt, and above all else, it fucking rocks. Don’t let this one fade away just because you might’ve missed it when it aired.

8. Frieren: Beyond Journey’s End, second cour

When I ranked the first cour of Frieren as the best anime of 2023, I wrote:

The debut season of Frieren will continue into 2024, and if the quality remains a constant, it could very well be one of the best anime of next year too. It has remained as MyAnimeList’s top-rated anime ever for its entire run, warding off the legion of Fullmetal Alchemist Brotherhood fans. Frieren deserves it.

A year later, it is still MAL’s top-rated anime, and by a healthy margin. Another 12 episodes aired to kick off 2024, and it was indeed one of the best anime of this year as well. I stand firm in my convictions that not only is it one of the best anime of the decade so far, it’s one of the best anime I’ve ever seen.

I really shot my wad by praising Frieren so profusely midway through its run, to the point where I still don’t really feel the need to add much more here. The second cour mostly focuses on the First Class Mage exam arc, allowing us to learn more about the present state of magic in the modern day and adding some much-needed depth to the cast. It continues to strike a lovely balance between the quieter moments and bonkers action sequences, as well as the more serious moments with laugh-out-loud goofiness. It may be a lesser arc in this story, but it would be a standout in so many others.

If I haven’t been clear enough, I remain over the moon about Frieren. The second cour looks and sounds just as incredible as the first, and this show’s success should serve as a reminder to the industry that investment in quality pays off. Madhouse knows they have a banger on their hands, and if the next season can maintain this level of production value for the major arc that is still to come, Frieren may very well earn GOAT status. Even if another season somehow never materializes, I’ll still be talking about this season in five years when it comes time to talk about the best of the decade. Watch this goddamn show.

7. A Sign of Affection

For all the romance anime and manga I consume, I’ve shamefully been lacking on the shoujo/josei front. I really gotta fix that. If reading more shoujo was what spurred Yukinobu Tatsu to make DanDaDan, then who knows what it might do for me? A Sign of Affection isn’t my first shoujo, strictly speaking, but it does feel like one of the first I’ve seen of the good old-fashioned flowery romance type.

What a gorgeous show. A Sign of Affection looks terrific, sounds terrific, and above all feels terrific. This is just a lovely, fluffy romance with low stakes and easy payoff; just two pretty people getting to know each other and learning to overcome their differences. It’s low on gimmicks and plot contrivances, and for as much as I like romcoms and romance stories with a unique bent, I love a good straightforward romance just as much sometimes. Everyone looks beautiful and likes each other and Jesus Christ look at the lips on these boys. There’s even a double-date to Costco, and what better depiction of marital bliss could there be?

I’m still pleasantly surprised at how this show handles the main character’s disability. Protagonist Yuki’s congenital deafness isn’t a single-note character quirk or a plot device to make her seem helpless; it simply is. It’s a part of her life that serves as the lens through which all of the people in her life see and treat her, and it leads to the only thing that resembles a major conflict in the show. Itsuomi, the main romantic interest, doesn’t baby her or walk all over her; he instead gently tests her boundaries while learning to accommodate her in a way to ensure her comfort. Her childhood friend Oushi, on the other hand, is very jealous of this development because he seems to feel entitled to her just because he did the bare minimum to accommodate her. The circumstances aren’t common, of course, but it’s a good lesson for a shoujo to have: Don’t settle.

My praise for A Sign of Affection mostly boils down to “it’s just really nice,” but it does “just really nice” so goddamn well. It’s fluffy, it’s comfy, it’s cozy, all of those adjectives that would set off my fight-or-flight response if I heard them from someone else, but I was enthralled by this show week in and week out. I can’t believe I neglected to start reading the manga, and I’m gonna have to get on that ASAP because I can’t wait for another season.

6. The Apothecary Diaries, second cour

I found myself more intrigued at The Apothecary Diaries at the end of 2023 than most other shows I’d watched that year. I grew more and more invested in the idiosyncratic Maomao as she investigated mysterious ailments and navigated imperial palace politics, all the while being a lovable little shit.

Before I’d realized it, though, the 2024 half of its run knew it had its hooks in me and took me for a ride. What looked at first like a series of one-off puzzles quickly began entangling into a much larger mystery, rapidly gaining momentum until exploding into a massive emotional payoff. So many of the small details in what you assume are episodic mystery-of-the-week mini-stories become relevant in unexpected ways and draw you in ever further. I adore this kind of lowkey long-term storytelling, and for it to be part of such an appealing package is basically catnip for me.

For as gorgeous as The Apothecary Diaries can be visually, sonically, and sometimes even emotionally, it’s worth mentioning that this show is also hilarious a lot of the time. Maomao is on permanent goblin mode whenever she isn’t carrying out official business, and any time the palace officials have to rein her in is a delight. The push-and-pull between her and Jinshi is endlessly entertaining to the point where I can wait forever for that payoff if I have to.

I neglected to read the Apothecary Diaries manga after the first season went off the air (though I nearly bought all of it sight unseen), and with the second about to drop, I guess I’m holding off for another six months. Can’t say I mind, though. I’m along for the ride and I want this show to keep surprising me for as long as it can. This is easily one of the best anime of the 2020s so far and I’m gonna be there front row center for every new episode.

5. Bang Brave Bang Bravern

People say “peak fiction” too goddamn often these days. Not that it was a meaningful term to begin with, but it’s been memed to hell and back and is mostly just thrown out ironically to mock garbage writing. To be honest, I’m not above it myself, but I prefer to ascribe it, even jokingly, to stuff that can only truly come from a brilliant and/or deranged mind. Preferably both. Peak fiction, to me, is the intersection where talent meets insanity, no matter the degree of either.

Bang Brave Bang Bravern is peak fiction.

I gushed about this show after the winter season, and I almost don’t want to say anything further about it, mostly for two reasons: Firstly, because I don’t really want to give the game away any more than I already did back in April, and secondly, because I think it may have permanently burrowed into a specific part of my brain and then melted it. All I’m left with is “this show fucking rocks, dudes rock, you need to see it, it’s peak, don't ask questions, just watch it.”

Indeed, Bravern is the Dudes Rock anime of the year, and an essential piece of Dudes Rock media. It’s Top Gun with aliens and a giant talking robot. And the robot wants to fuck his pilot. This show is loud, horny, stupid, and self-aware, combined just so into a cocktail of legitimate brilliance that is, for better or worse, unlike anything I’ve seen before or since. Nearly every single episode had me clawing at my hair and shrieking “WHAT THE FUCK AM I WATCHING,” and that is the highest praise I can give just about anything.

I might be overselling it just a touch, but Bravern is just as earnest as it is utterly wild. It’s an intentionally hilarious show, but it means everything it does and says. It’s a love letter to mecha anime and tokusatsu, and with its top staff sporting Gundam and Macross bona fides, that love oozes into every aspect. The mechs, both manmade and alien, all look tremendous, the music is a throwback to the goofy bombast you’d find in series like this as far back as the Showa era, and the ensemble cast outside of our silly leads are just as gung-ho and serious about Saving The World as you’d find in just about any other mech show. Anything that can be this goofy with a completely straight face is going to hook me in.

All in all, Bang Brave Bang Bravern is hypercompetent lunacy with heart. Call it weaponized genre awareness if you must, but it knows exactly what it’s about, grabs you by the collar, and takes you for a ride, all while doing badass tokusatsu poses and calling out special moves with silly names. This is legitimately what fiction is all about.

Also, if you don’t like Lulu just because she screeches a lot, you’re a weakling. Gaga-pi, motherfucker.

4. The Dangers in My Heart, season 2

This was a series whose first season was conspicuously absent from my 2023 rankings, but I caught up shortly after finishing that list in order to catch up to the second season. I’d watched a glut of slice-of-life romances in 2023 and figured I could afford to miss this one. I’m overjoyed at how wrong I was.

To paraphrase the second season’s exceptional OP, The Dangers in My Heart is indescribably beautiful. As I said with A Sign of Affection, I love me a straightforward anime romance, and this middle school slice-of-life is just that: Underdeveloped edgelord boy ends up making unlikely friends with, and falling for, the cheery popular girl in his class. This is easy wish-fulfillment on paper, but that’s hiding the trick: Kyotaro isn’t gonna get anything he wants by keeping his quills out for anyone who comes near, and he has some growing up to do if he’s ever gonna get what he wants.

Season 2 picks up right where the first left off, with Kyotaro’s arm still broken from his family trip and Anna feeling guilty because she thinks her distraction was what led to the injury. Right out of the gate, we see the care these two have developed for one another: Anna wants to help while he can’t do his own schoolwork, while Kyo is quick to try to cheer her up when she no longer feels like she’s able to. Already we’re seeing Kyotaro’s character development coming to light: The Dangers in My Heart isn’t a story about a Nice Guy getting the girl just by being there; it’s a story of self-improvement, of trying to become the type of person whom your crush would want to fall in love with. For a story about and ostensibly marketed to early teenagers, that’s a good lesson to have, and I absolutely devour stories like that.

As can be the case with plenty of adolescents, most of the conflict here is internal. Kyotaro spent the early part of his middle school education keeping a safe distance from everyone in order to avoid getting hurt, and as you can imagine, that did a number on his self esteem. Though he’s mostly kicked the chuunibyo mindset, Kyo still prefers to keep his distance, less because he doesn’t want to get hurt, but now because he doesn’t want to hurt anyone else. Specifically Anna. So much of this story is about him learning to be okay with letting people in and not just falling in love, but making friends and becoming somebody whom people just want to be around. It’s a chuuni rehabilitation story. You love to see it.

With all due respect to mangaka Norio Sakurai, the biggest surprise that came from reading the manga was how much better the anime looks than its source material. The anime looks tremendous in its own right, but compared to Sakurai’s doodly, occasionally messy style, the love put into the show stands in stark relief. Characters, backgrounds, and lighting are all soft, squishy, and warm, almost like the entire thing was run through the filter through which only a 13-year-old in love can see the world, even as a little edgelord. Little flourishes in the environment and music highlight the minute but consequential motes of progression in Kyo and Anna’s relationship. The OP ended up shaking out as my favorite of the year, even with 2024 being bookended by Creepy Nuts bangers. It’s that special to me.

And just like that, The Dangers in My Heart went from “eh probably not for me” to “yeah this is one of the best anime of the decade so far.” It’s a simple slice-of-life romance on paper, almost literally so in the manga, but this is a transformative adaptation. There’s much more of the story to tell, and I wouldn’t complain about more, but as it stands after two seasons, The Dangers in My Heart is damn near perfect as it is.

3. Oshi no Ko, season 2

Another year, another season, another top-four finish for one of the best manga adaptations I’ve ever seen.

The anime adaptation of Aka Akasaka and Mengo Yokoyari’s showbiz-revenge manga made shockwaves last year following its thunderous feature-length premiere, and its source material made even more waves due to some questionable plot developments that fortunately went nowhere. Doga Kobo was undeterred by any negative attention brought to the brand, though, and pressed forward into the next arc with a level of swagger you rarely see brought into an anime’s sequel season.

The 2.5D stage play arc in Oshi no Ko’s manga wasn’t my favorite, but it was one that you could tell just from reading it would translate well to the screen. Even then, I wasn’t prepared for just how hard Doga Kobo would go in adapting it. Character animation is sumptuously fluid, color used to amazing effect, and personal expression bursts forth into impressionistic abstraction to such a degree that it made manga artist Yokoyari cry. Everyone looks and sounds incredible beyond any way I could’ve imagined from reading the manga, which, at the risk of sounding defensive, is still very good as a whole.

This being a story largely about the music industry, the music remains as on-point as ever. It’s too soon to tell if the second season’s OP/ED pairing tops the instantly-iconic “Idol” and “Mephisto” from the first, but these are no slouches. This season’s OP, “Fatale,” is a whiplash-inducing banger by Tatsuya Kitani and idol Kento Nakajima, performing under the collaborative name of GEMN (itself a relevant name to the show; twins without the i/Ai, DO YOU GET IT???) with visuals that might actually top those of "Idol." The new ED, “Burning,” is Hitsujibungaku at their fuzzy, 90s-style alt-rock best, and it takes on a brand new meaning by the end of the season. Of course, there’s also the story-relevant music; while the bulk of the season focuses on the stage play, the last few episodes give us a glimpse into the pop music process, with the season capping off with an in-universe music video that, while not sonically my exact cup of tea, features 90 seconds of some of the best-looking dance animation I’ve ever seen in my life. That’s a flex if I’ve ever seen one.

And just like the first season, the second capped off with an announcement that Oshi no Ko will indeed be returning for another season. At this rate, and with the anime’s success, they will adapt the entire work, which will raise some eyebrows. I’m not going to litigate the manga’s later controversial developments nor its widely-panned ending, but if Doga Koba was able to handle everything that came before those things with such aplomb, I have faith that it will at least be done well.

2. DanDaDan

I want to preface this by saying that I agonized over whether this or the final entry is my anime of the year. I’m comfortable with what I chose, but if I’m being realistic, DanDaDan is basically 1b. This is a masterpiece already.

Although the source material was a bit of a cult hit until this year, DanDaDan came with a considerable amount of hype. If you were even peripherally familiar, it wasn’t hard to see why: Yukinobu Tatsu’s art is absurdly detailed in almost every panel, character designs are easily recognizable (one of the leads dressing similarly to a Persona 3 character was fortuitous for the anime to drop in the same year as Reload), and so many bizarre things happen in the plot that relaying them to anybody who wasn’t already familiar would make their brain briefly touch the void. Above all, though, Science SARU was tabbed to animate it, and any project by them is immediately worth your attention.

Sure enough, DanDaDan made an instantaneous splash, its first episode adapting the manga’s bombastic, twisty 63-page opening chapter nearly beat for beat. I’m not gonna “don’t look it up, just go in blind” this one, but almost too much happens for me to properly detail it all without just writing a complete synopsis. It boils down to “lonely nerd boy believes in aliens, angry kogal believes in yokai, it turns out both are real and now they have to deal with it.” It’s silly, it’s wild, it’s action packed, and if you can stomach the sexually-compromising alien abduction of the girl, you’re along for the ride.

I’m not gonna harp too much on that last point. It does stink that the female lead, Momo, is stripped to her underwear for the sake of alien sexual “research,” but said aliens get their comeuppance before anything happens to her. It’s still not great, and it’s not the last time female characters are portrayed in their underwear, but I do promise it’s for story reasons, it takes a backseat to the onscreen action and is pretty clearly not done for the sake of fanservice. I know such things can be beyond the pale for some people, but if you think you can compartmentalize that, I recommend you watch the first episode with that caveat in mind and decide from there. You may be pleasantly surprised.

DanDaDan is effectively two stories at once; on one side, we have Momo and the boy, Okarun (a nickname Momo devised for him to preserve her own sanity), gaining wacky supernatural powers in order to fight back these occult threats and regain what was stolen from Okarun from his first encounter with the unexpected (IYKYK). Because these threats can come out of nowhere, their daily high school lives can completely pop off without warning. On the other side, we have quieter slice-of-life tension as Momo and Okarun get to know (and frequently misunderstand) each other and realize they are completely and hopelessly head-over-heels for one another.

Surprise, motherfucker: DanDaDan is a romcom.

Yukinobu Tatsu, formerly an assistant on the first saga of Chainsaw Man, long struggled to get his own work serialized. At his editor’s urging, he read something like a hundred manga for inspiration, including several shoujo romance series. That research shows through in DanDaDan; although the bonkers action sequences and off-the-wall monster designs are what draw in readers and viewers alike, what’s kept this many people along for the ride is the beating heart just barely under the surface in the form of the romantic tension between Momo and Okarun. It’s easy to write this off as some “lonely nerd gets the cute gyaru just by being a Nice Guy” wish fulfillment, but that’s not really the case here; Okarun was a weird little twerp right from the jump. Similarly to Kyotaro in the aforementioned Dangers in My Heart, Okarun believes early on that he’s nowhere near Momo’s league, completely unaware that she quickly grows to actually like having him around, so he puts in the effort to become a more well-rounded person so that he can be confident enough to be seen next to her. He also just wants Momo to think he’s cool, and she thinks that’s adorable. And she’s right! These two are cute as fuck together.

So you come for the wild action and stay for the tremendous character dynamics. It should go without saying that Science SARU nailed all of the above, but I’m gonna say it anyway. Reading the Manga+ comments on each chapter as I read through the manga, readers were begging a top-flight battle shonen studio like MAPPA or WIT to pick up the series, and I think these fans got more than they bargained for. Masaaki Yuasa hasn’t been in charge of a series at the studio since Eizouken, or anything they’ve put out since Inu-Oh, but his influence is all over their recent works, including last year’s fellow top-three series, Scott Pilgrim Takes Off. It’s beyond impressive how, much like Scott Pilgrim, this series manages to maintain the source material’s art style while still looking very much like a Science SARU anime. Everyone is bouncy and malleable as their moods dictate, line weights are wildly varied, and action animation is kinetic and unpredictable. Each fight with an alien or cryptid is awash in eye-searing color or eerie greyscale. The music is a boatload of fun as well; even putting aside the Creepy Nuts OP (banger after banger after banger from those dudes) and Zutomayo ED, regular proceedings are punctuated by a wildly varied score, from funk to folk to an insane chase scene set to an electronic mashup of the “William Tell Overture” and the can-can. Everything about DanDaDan keeps you guessing.

I was looking forward to DanDaDan enough that I went to the theatrical premiere of the first three episodes and was sufficiently blown away. If you’ve seen the show, it shouldn’t come as much of a surprise that it looks and sounds incredible in a cinema setting. I left the theater positively buzzing, telling anyone who’d listen that they had no idea what was coming, but even knowing the entire story, I wasn’t prepared for more of what was to come. The literal next episode after what I’d already seen in the theater had one of the most bonkers action setpieces I’ve seen since Gurren Lagann, and just three episodes later an unbelievable emotional gut punch, prior knowledge of the manga be damned. Every single aspect of DanDaDan as an anime was given the same level of love and care that Tatsu put into his own work. It’s one thing for an anime adaptation to be faithful to its source material, and another entirely for it to elevate and transform it. DanDaDan somehow does both.

If there’s anything that held this back from being the anime of the year, it’s that this season kind of just… ends. With the 12-episode runtime that was given to the debut season, DanDaDan ends its first run right after the beginning of the manga’s next arc, which feels bizarre. There’s no resolution, but there’s no real cliffhanger here either. Which I kind of get, the story is driven by a constant forward momentum, but a little warning that the season was ending would’ve been nice. It’s only a six month break until the show comes back, but judged on its own, the way this season ended left me feeling a bit cold and the season itself feeling incomplete. Even shows that have year-long breaks between cours rather than seasons tend to put some kind of cap on each individual run, but DanDaDan just kinda left the toilet unflushed, and next to it a Post-It note promising to come back later. For something this lovingly crafted, that seems like a bizarre oversight.

That was hardly enough to temper my enjoyment though. Anything this well-made is deserving of the attention and success it’s attained, but to have this story, with these characters and this level of bonkers action made this well, is just an embarrassment of riches. And God help me, I’m shamelessly greedy. July can’t come fast enough. I need all of it.

1. Delicious in Dungeon

At the end of its run midway through the year, I declared Dungeon Meshi the best anime of the year up to that point and that I’d be impressed if anything would manage to overtake it. Though the other two entries in my top three made extremely strong cases, nothing else quite hit the spot and nourished the soul quite like Dungeon Meshi.

Barely a year removed from one of 2022’s best anime, Cyberpunk Edgerunners, Studio Trigger kicked off 2024 with another Netflix original, this time with its first proper manga adaptation since the studio split from Gainax a decade prior. It seemed an odd fit at first to have a studio known for wacky, hyperkinetic action productions like Kill la Kill and Promare to adapt this quirky fantasy dungeon manga, but hey, they also did Little Witch Academia. It turned out to be an odd fit, but in the best way: Dungeon Meshi is pretty offbeat as it is, so for it to get picked up by one of the more oddball prestige studios ended up making a tasty stew.

I struggled to elaborate on what makes this show so good after each of its cours, and six months later I remain a little lost for words. It’s an exceptional story adapted exceptionally well. Between the characters, the story, the setting, the emotional stakes, the comedy, the highs and lows, they nailed it all. Trigger just gets it. Even when characters go off-model for the sake of an intentional animation quirk, it still has that inimitable Trigger charm to it. It sounds just as good as it looks, too: The orchestral score highlights the quieter, sillier moments just as well as the tenser action setpieces, the foley work behind the dungeon’s bizarre and varied flora and fauna is immaculate, and the cast is perfect in both Japanese and English (I rarely ever say so but seriously, shout out to the dub).

I’m just as sick of saying “this show speaks for itself” when I have trouble finding the words as you probably are of reading it, but I have little else to add here. I’ve written plenty already. Just go watch it. This is already one of my favorite manga ever, and by the time the series wraps up at the end of its second season, it will easily end up as one of my favorite anime ever.

#anime reviews #blue box #girls band cry #frieren #a sign of affection #the apothecary diaries #bang brave bang bravern #the dangers in my heart #oshi no ko #dandadan #dungeon meshi

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quarterdollar · 10 months ago

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SEVERELY obsessed with the character insight here. so obsessed that i typed a long-ass post of analysis, in which i support the argument that volo really isn’t a complete sociopath, he’s just a big emotional short-sighted hypocrite.

as we know, volo’s endgame goal is to subjugate arceus and recreate the world from scratch, implicitly so that whatever pain and heartbreak he’s experienced/witnessed no longer exists. this is of course an intentional parallel to cyrus’s desire to create a world without spirit in response to the emotional pain he experienced in his childhood. while we do not have a concrete explanation on what exactly the painful events volo experienced were like we do with cyrus, he talks about them enough that it’s clear that they impacted him significantly. that is to say i think he’s expressing his thoughts and feelings sincerely when he brings the topic up, he isn’t lying or trying to misdirect you in any way in regards to that.

i bring this up because a big portion of cyrus’s character that to this day flies over many fans’ heads is that he is defined by ironies and hypocrisies. he wishes for a world devoid of any emotions specifically because he is dominated by them—he confesses as much during his rant in the distortion world:

cyrus also famously has a crobat on his team, which evolves through high friendship, despite his steadfast belief that spirit—of which friendship is undoubtedly a part—is an ugly, vague, incomplete thing. in addition to this, usum all but explicitly confirms that the journal of a child who befriended a rotom was written by him. so, in conclusion, cyrus has a heart and is easily swayed by good emotions as well as bad.

so now we come to volo’s new dialogues in pokemon masters. i think that they have made it clearer that like cyrus’s emotional actions, his obsessions with history & preserving memories through photographs are meant to be genuine hypocrisy on his part, rather than intentional obfuscation of intent. think about it—a man who’s dominated by curiosity & love for history also claims to want to remake the world so utterly that all of that history is rendered completely destroyed. yet even in the depths of his post-defeat breakdown he still maintains that defining curiosity of his:

and now i ask, what is curiosity, if not an expression of love for the world around you? despite claiming to want to destroy the current world and all evidence of its existence, volo also still wants to know absolutely everything about it, past and present. it’s inherently contradictory. and this brings me to the recurring themes in his pokemas dialogue: how he not only appreciates photographs as a way to create a tangible record of history, but as a way “to capture and isolate the best moments”. those happy moments worth holding onto and looking back on in the future. see also the photograph of him and togepi in the original game, never commented on, taken for no apparent reason other than the fun of it—or more specifically, as these dialogues suggest, to isolate that moment in time in a tangible form. that is an act of love and of sentiment.

so, what’s the conclusion i’m getting at here? well, because of the ambiguity of his character in the base game. i’ve seen that volo is often interpreted as being a manipulative sociopath motivated solely by his desire for control. everything he does before the postgame is entirely a lie, absolutely none of the facade was genuine, etc. and don’t get me wrong, he is a control freak with a god complex! he does railroad the player into doing what he wants! he is not honest and he is not a good person. but, i think there is very much an intentional irony to him the same way there is with cyrus, in that his road to hell was paved with good intentions. he has the capacity for genuine kindness and i personally believe that his descent into villainy was spurred entirely by an earnest appreciation for the world around him and a desire to eliminate suffering.

as a closing statement, i want to bring up a quote from volo himself regarding calaba of the pearl clan:

i don’t think it’s that volo feels nothing for his pokemon or for the people around him—rather, i think he simply loves the world very, very much.

#pkmn musings #pokemon #pla #volo #pokemas #the consummate merchant

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wordstome · 1 year ago

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the very first night (ntwdt pt 2)

tell me that you hate it hate that i'm no longer in your reach if i can't hear you say it maybe you can't change it, but if you never if you never put it on the line how am i gonna sign for it?

alpha colonel König x beta ex-lover reader

2nd person, no y/n, she/her pronouns, reader's callsign is Eden, reader speaks French, omegaverse, exes to lovers, fraternization, fantasy version of military protocol, probable incorrect use of "copy"

2.2k words

tw: mentions of dead bodies and vague violence, dirty talk, könig is in rut but no actual sex happens, mention of grinding

Do you guys still even remember this au??? 😅 I'm back to writing this fic with this specific format just like the last time I had bad writer's block. I'm sorry that I basically made you guys take a poll and then immediately disregarded the results :( metalhead König is going to be the next one published, and then kosovo maiden. Anyway, this is less of a foray into the omegaverse as it is into exploring a married couple's dynamic. Forgive me if it's inaccurate, I've never been married. (Several of the people who will probably read this are married so...I might be really embarrassing myself here lol)

“Two on your six, O’Conor.”

König watches as his colleague takes down his pursuants with practiced ease. “Good to have someone watching over me, Eden.” the man roughs into his comms.

“It was my pleasure, Declan.”

“Can you two keep the flirting off the main comms?” Fender huffs. König hears O’Conor snort before the line goes quiet.

“Steady,” Horangi says next to him.

“What?” König says.

“You’re breathing like an angry bull. It’s unnerving.”

“I don’t know what you’re talking about.”

“It’s obvious you’re mad O’Conor’s flirting with your ex-wife.”

“She’s not—“ König lets out a sigh of defeat and tips his head away from the scope. “She can do whatever she wants. I’m not her keeper.”

“Right, which is why you’re white-knuckling your rifle and giving off the most furious pheromones I've ever felt."

König gives his friend a deadly side eye. “Can I help you?”

“Nah. Just confirming what I already know”, Horangi answers, unbearably smug.

König rolls his eyes and returns to the task at hand.

The two of you avoid each other, mostly.

When you’re forced to interact, it's with stiff professionalism. Cold and distant. The way it was when it was really, really bad.

You spend your time becoming closer to the other operators. O'Conor, for one, is someone you find yourself growing close to. In your line of work, it's usually not a good idea to get too attached to someone who may not see the next day, but it's part of your job to know these people now.

They're so competent that you can ignore the obvious, anyway.

König's always been competent, but watching him work nowadays is strange, like watching a remake of a nostalgic childhood film.

His movements are the same. He flicks his wrist the same way, with a heartbeat's worth of pause before the movement. Him taking cover, leaning with that awful posture you always got on his case about.

But everything about him is more ruthless, more efficient. The unrefined brutality of his youth is replaced with a honed precision that is foreign to you.

It stings, though you know the feeling has no right to exist.

You can't keep yourself from reminiscing about the past, when everything about him was familiar. When you knew him so well, it was enough to save both your lives.

"We've lost comms with König."

Your heart drops into your throat. You've been on several ops with him at this point, but this has never happened before.

"What do you mean you've lost comms?"

"He's not responding."

"What?" Fear grips your heart at everything that implies.

"He's in your building, Eden. Find him and extract. Copy."

You move slowly, like ice is flowing through your veins. "Copy."

You will yourself to calm down. Lost communications doesn't mean anything but lost communications. Panicking that you're going to encounter his body will only ensure you end up as a corpse as well. Besides, who could ever take down a man like that, tall like a giant and quick like a viper as he is?

If you had lost comms, what would you do? Re-establish them, of course. Pick your way out of the building and do everything in your power to reconnect with your team. From where König entered, he'd be exiting the building on the east side. You turn to head that way, then hesitate.

König's not you, though. He's not like any other member of the team. Proud, arrogant, vicious König, far more so than other alphas. You used to be afraid of him while he was at work, but eventually you came to realize that was simply how he was in his element—a different persona he wore to battle. As much as you wished he would be sensible and take the safe route, König would never take the safe route. He'd be carrying on the mission on his own, moving towards the target at the center of the building.

But he's a professional. No matter how good he is at what he does, he's not a one-man army, and he knows the right thing to do would be to extract. It's a gamble. If you head towards the east exit and he's not there, you could be losing precious time to find him. But if you head towards the center, you could be walking right into a fight you can't win and become overwhelmed.

You let out a shaky breath and attempt to calm your mind. What would he do? What is he thinking? If you make the wrong call, if you don't know your lover as well as you think you do, one of you won't be walking out of here. You close your eyes and think.

You open them with newfound determination and turn towards the center of the building.

You'd been right, of course, judging by the fallen enemies you find as you move through the hallways. But you don't allow yourself to feel sure until the moment you lay eyes on him, securing the target—a hard drive containing sensitive information.

"König!" you hiss, just as he whips towards you, gun drawn. He relaxes when he sees it's only you. Despite the fraught situation you're in, you can't help yourself from dashing towards him and burying your face into his chest in a hug.

"Eden," he says, his relief evident.

"You stupid motherfucker," you hiss. "You should have extracted the moment your comms cut out."

His eyes crinkle up behind his mask the way they always do when he smiles. "You knew I wouldn't."

"Yes, because I am burdened with being one of the few people on this earth who knows you like the back of my hand. Atlas holding up the sky," you grumble.

"I know you're relieved to see me," he responds, joy evident in his tone.

You let out a sigh. "Can we just get out of here?"

"Aye-aye, captain."

You could do without those memories, you think whenever the two of you trade clipped exchanges during ops now.

König still has traces of the arrogance of his youth, but it shows through less now. He's wiser, more patient and far less reckless.

You catch yourself admiring how good of a leader he's become. His connection with his teammates is like muscles flexing a hand.

You're no longer a part of that nervous system.

In fact, he's always catching you off guard now.

The energy in the common area is weird today.

You can’t quite put your finger on it. It’s like everyone’s walking on eggshells, but at the same time, nobody’s mood seems to be that affected. It’s like you’re all mice living in someone’s walls: going about business as usual, but with some looming threat casting a pall over everything.

“Is it just me or does the energy on base feel off today?” you ask Calisto.

“Oh. Yeah, that. Don’t worry about it,” she says. She swings open the refrigerator and pulls out coffee creamer. “No need for concern. König’s in rut.”

You do a double take. “He is?”

“Yeah.” She’s casual about it as she dumps cream and sugar into her coffee. “Usually he has a pretty light rut—he just gets testy and irritated. But for some reason this time is bad.” She offers you the cream, but you shake your head. “Don’t know what’s up with him, but he had to barricade himself in his room. His scent is driving people up the wall.”

You stare at the table in front of you. It can’t be a coincidence that König’s rut gets worse as soon as you’re near him again, can it?

When you look up, Horangi is staring at you from across the room. Slowly, he raises his mug to his lips, never once taking his eyes off of you.

You swallow the lump in your throat.

Calisto was right. The scent is overwhelming, but it's also familiar. You can't blame the others for avoiding the area. If you'd never dealt with him in this state before, you'd be hightailing it out of there too. Which is why you're doing this despite...everything.

You hover outside his door, trying to gather yourself, or work up the nerve to knock, or anything. It doesn’t matter in the end, though.

“I can smell you, liebling,” comes his voice, deep and growling and verging on feral. A shiver runs up your spine. You haven’t been called that in a long, long time.

“I only came here to bring you things. Water and…snacks.” you stammer, instantly hating yourself for how weak you sound.

“All these years later…and you still smell the same.” He blows right past your feeble little excuse, not even dignifying it with a response.

“I’m just here to check on you,” you murmur.

“Is that so.” You gasp as you hear a loud thud against the door from the other side. Oh God, it’s him, his body heat almost burning through the wood, pressed so close that you can hear his heaving breaths. “How kind of you.”

“It’s the least I can do, considering…”

“Considering it’s your fault I’m like this in the first place?”

Your legs feel weak. “Yes.”

His voice is silky, dangerous despite the barely restrained lust behind it. “Good girl.”

“That’s not fair,” you whisper.

“That’s a shame. You used to like it when I called you that. Still do, according to my nose.”

You wish he wasn’t right, but he is. You’re so slick that you’re soaking your underwear.

“Do you want the water or not?”

“Are you going to come with it?”

“I—”

“Because I promise you, if you’re still standing there when I open this door, you will get fucked against it.” He sounds like a savage animal snapping his jaws in hunger, and fuck, your body feels hot and weak in response. Every cell in your body is screaming out for you to throw open that door and let him fuck you limp. If you told him to break down the door, you’re sure that he would.

“You can’t say that anymore,” you whisper, hating the words as they leave you.

That seems to bring König back to rationality. You can picture him now on the other side of the door, shoulders slumping as he withdraws back into himself. "I...I'm sorry."

You slide down to sit on the ground with your back to the door, gripping a water bottle in a clenched fist. "It's like no time has passed at all, huh?"

You hear him let out a shaky breath, clearly trying to collect himself and bite back words he can't say. "Yeah."

That's the thing, isn't it? Your biology and his got the two of you into this situation in the first place. Very little of that has changed. Even though you've grown distanced in your minds, your bodies haven't forgotten the connection.

You're still struggling with how to feel about that. So much of your life has been dictated by what your body needs and wants. You've spent just as much time bucking against those needs and wants, so much that it feels like second nature.

"All of this...it takes me back. Do you remember the first night I spent with you during a rut?" you say. For a while you don't think he's heard you, but then he responds.

"How could I forget? It's my most embarrassing memory."

"Still?"

"I swore I would never let something like that happen again."

You giggle a little. "It was cute, for what it's worth." That first time, you'd come prepared with water and food, just like you had tonight, prepared for a long night full of...strenuous exercise. Instead, König had gotten so overwhelmed at his first rut with a partner that he came by just grinding on your leg and immediately fell into a 12-hour sleep.

"Yeah, you've said that. Doesn't make me cringe any less."

"And I'll say it again, it wasn't as bad as you think it is." You idly trace the cap of the water bottle with a fingertip. "There's no shame between us."

Another long pause before he responds. "Was."

A dull, throbbing pain nestles itself below your sternum.

"It...doesn't have to be past tense," you put forth tentatively.

"Doesn't it? We've gone right back to being strangers. You're still on the other side of the door."

You bite your lip. You can't deny that, nor the distance that's grown between the two of you.

This is all happening too fast. You don't know if you want to close the gap. You don't know if you're ready to make amends, after what happened.

"You're in no condition to have this conversation," you say, to distract both him and yourself.

"Conversation with you is hard to come by nowadays."

"Well...let's change that. Starting when your rut's over. Let's try talking like normal people again." This time, you don't know if you can blame your stupid biology for the relief you feel saying that. Maybe this time it's nothing but you and your treacherous heart.

You hear a thump against the door, but not an aggressive one. More like he's leaned his head against it. "I guess we have to start somewhere."

More silence. Then he speaks again, his voice tremulous.

"Can you stay? It's easier when you're here."

You swallow, your mouth gone dry like a desert. You can barely manage your next two words. "Of course."

The rest of the night is quiet, but you know he's there. At one point, you can even hear his steady, even breathing. Somewhere along the way, you notice that your breathing has synced with his.

The two of you fall asleep like that, propped up next to each other with a single layer of wood between you.

I miss you like it was the very first night...

I only revised this once while exhausted out of my fucking mind at 3am, so forgive me if anything's awkward or clunky. I'll probably go through it again in the morning (and die of cringe). But there we go! I hope you guys enjoy. As always, I would love to see your thoughts and comments <3

Regarding my tag lists: I've had to leave out a few people, so if you see your url missing from this, please let me know and I'll add you back. Also, apologies if you're here despite not asking to be tagged for this particular story. I haven't gotten around to sorting out fic-specific taglists yet 🥲

@kneelingshadowsalome @danibee33 @crowbird @poohkie90 @cumikering @iytatsworld @papaver-decervicatus @anxietyrain @cookiepie111 @no1runawaymilkdad @chthonian-spectre @backwards-readings @yxllowtxpe @hexqueensupreme @violetstyless @her-majesty-theking @vegan-peppermint @peonytarian @ghostslittlegf @deaddainish @teehee-47 @catluvwr @keiva1000 @waves-against-a-cliff @channelsoph @cutiecusp @itsagrimm @dins-riduur-anthe @mantishymns @lexuria @complexivelovely @black-moon-bunny @kit-williams @shebibtedmypepnis @mafer383

#könig #könig x reader #könig x you #konig #konig x reader #konig x you #könig cod #konig cod #cod #cod mw2 #call of duty #mw2 #konig mw2 #könig mw2 #fic: now that we don't talk

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suzukiblu · 1 year ago

Note

comfort w tim please? (i just want some fluff dkjshekdb 😂)

Well, this excerpt isn't Tim comfort, but hopefully counts for Tim fluff?

Context: pre-identity reveal/identity porn/idiots to lovers TimKon.

"Sounds like supervillain talk, dude," Kon says. Tim resolves to dial back on that at this point in his career. He's laying groundwork, yes, but subtlety is still the wiser course of action.

"You say that like you've never socialized with a supervillain before," he says dryly.

"Well, usually ones who wear a bit less," Kon replies, grinning wickedly at him.

"So you're telling me I should invest in a crop top before I try to take over the world and remake it in my own image?" Tim asks still more dryly as he raises an eyebrow at him with a little smirk, and Kon laughs and steps in a little closer, giving him a not very subtle up-and-down with his eyes.

"Only if you're trying to recruit me for your evil plans," he says, grin turning sharp. Tim wants to lick his teeth. "So I dunno, what are your feelings on Daisy Dukes?"

"I'm going to be honest, I'm not actually that much of an exhibitionist so at this point we're just describing my ideal costume updates for you," Tim informs him.

"Oh yeah?" Kon asks with another laugh even as he visibly preens at the suggestion. Tim is all for that, personally. Both the preening and the theoretical updates, in fact. And, a little more weirdly, just the idea of having anything to do with what Kon might ever decide to wear.

Yeah, that's probably a later thought, Tim decides. Like, a private-time kind of later thought.

"You're solar-powered, aren't you?" he says reasonably. "Showing a bit more skin can't hurt."

"I wonder if Superman would buy that excuse," Kon says musingly.

"Power Girl exists," Tim says still more reasonably. "And Supergirl wears a miniskirt, last I checked."

"Valid," Kon says, putting on a mock-thoughtful expression and tapping the side of his jaw. "Maybe I'll put in some cutouts and go for a lower neckline, tell the big guy he's making the rest of us look like prudes. What do you think, bikini or high-cut bottoms?"

"I don't know the difference," Tim lies, desperately trying not to overheat and die at that question and every single accompanying mental image that his useless brain has so helpfully decided to supply. "You'll have to provide examples."

"Will I now," Kon says, grinning all over again and pointedly cocking a hip. "What, pretty boy, you want a fashion show?"

"Well I did want to be a photographer when I was a kid," Tim says, although it was definitely never that kind of photography he had in mind. Kon laughs again and shifts in even closer, though, so it's worth it. Tim is mortified, but also undeniably into just . . . all of this, really, just everything about this conversation. Robin can't flirt with Superboy, but, well . . .

He's taking advantage a little, he can admit, but it's still just . . . nice.

He's wanted to flirt with Kon for way too long, at this point. Indulging in a little bit of it isn't the worst thing he could do.

And again, it's Kon, so it's not like it's serious or anything. The guy won't even remember this conversation tomorrow, much less anything about Tim Drake.

. . . admittedly that'd be counterproductive to Tim's long-term goals here, but still. He's willing to take his time on this. There's a plan. It has steps. Layers. Processes.

"I like you, man," Kon says with a wider grin, which is in absolutely no way whatsoever in the plan. "You're funny."

It occurs to Tim, almost disbelievingly, that he might've . . . made a good impression on Kon? Somehow?

Well that's weird.

#timkon #tim drake #kon el #dc robin #superboy #anonymous #wip: obligatory sugar baby kon

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soullessjack · 8 days ago

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talk about that stupid lil hedgehog. go hog wild (punintended)

oh my god i keep Trying to answer this and it keeps getting deleted somehow ok. deep breaths. and spoilers for the 3rd movie also.

SO.

sonic 3 is, naturally, a very loose adaptation of Sonic Adventure 2. and just like the other two movies there were details from the games that were either changed or taken out to better suit the movies, bc as much as they are sonic movies, they aren’t just beat-for-beat remakes. they’re definitely aiming to be their own thing while also respecting and keeping close with the source material they pulled from (and personally, I didn’t grow up with the games; I’m a watcher over a player; I’ve always had more interest in the game’a story than actually playing it—so just from a creative standpoint, I immediately respect any adaptation that does the same).

the 3rd movie has a lot of major detail changes for the sake of running with their own plot and trying to keep its PG rating, and it works fantastically. I’ve watched it twice already and there is no doubt in my mind I’ll watch it again bc it’s genuinely So Fucking Good. but one of the most important detail changes for me is how they handled Maria’s character. in the original SA2 game, and I don’t mean this as an insult or anything, Maria is frankly a non-character. she falls into the archetype of a character who exists just to die for the plot and doesn’t have much personality as a result. it’s not inherently a bad thing; it’s just a narrative tool. but the issue comes from how it’s done, because when it’s done right, it’s done right. but when it’s done wrong, it becomes lazy fridging (we as supernatural victims know this well).

I don’t think game-Maria was necessarily fridged; it’s her clear purpose in the story and pretty much a canon event that she and Gerald will always die (thanks gens), but it also makes her a little less interesting to engage with as her own character bc she isn’t really her own character. she’s like, the idea of shadow’s goodness. she’s this perfect paragon of love and kindness and forgiveness that, at 9-12 years old, somehow has a fully formed opinion on the nature of humanity as inherently good and worth being saved [by shadow]. it’s not bad storytelling, but it’s just a tad heavy handed.

movie-Maria, on the other hand, is an actual person. she still dies in the end, of course (canon event), but through shadow’s memories of her we’re able to see how she connected with him and what made that connection so important to him that it ruined him severely to lose. movie-Maria is just a kid. she’s curious, a little mischievous and plainly innocent. she doesn’t really know what shadow is or what his purpose on the Ark is, and she doesn’t really care. she just knows that she likes him and cares about him and that’s good enough for any kid. it’s all, “let’s watch movies together,” “let’s use your air shoes to roller-skate really fast around the colony,” “let’s dance to this record,”etc etc.

the actual scene is such an adorable little montage but it also shows how simplistically Maria connected with shadow and made him feel like more of a person. instead of directly asking shadow to be a good person and save the world, she encourages him to be whoever he wants to be. instead of sending him off and making a final promise with him, she just dies. suddenly and without any last words. which means shadow has no promise to remember like he did in the game. he doesn’t come to his senses because he finally remembered Maria actually wanted him to do good.

and that’s my segue into the second major difference of the movie! hooray for segues!

so, one of shadow’s final memories with Maria is sitting with her under the Ark’s dome and looking up at all the stars in space. just like the montage it is an adorable, even beautiful scene of them together all by itself and I had to pause the movie during my second watch to sob into my hands but the one thing I’m picking on today is when shadow tells her, “I don’t know what I’d do without you.” again, very simple, but still very hard hitting because we’re seeing in real time what he’s doing without her. we’re seeing how much her loss has affected him because we finally saw exactly what it was like, what it meant for him to have her in the first place.

and, between the game and the movie, shadow’s end goal is still revenge for Maria. her…presence…(?) her memory, at least, is still with him at every step of his plan and fueling him to go even further. in a way, it’s almost like Maria becomes the face of her own loss, because each time he remembers something about her, it’s only ever painful and only ever makes him more determined to enact revenge. and then when he beats the shit out of Tom (sonic’s dad who’s also kinda boring) (sorry), and the flash between sonic kneeling over him to shadow kneeling over Maria, it starts a sort of…tipping point for shadow to doubt if this is what he really wants or has to do.

and the thing is, it’s not about right and wrong with shadow. he knows what he’s doing is wrong (i personally must disagree with revenge on the military for murdering a child being framed as wrong but this is a paramount produced kids movie so that’s how it goes). he knows it’s just pure, anger driven revenge for the sake of revenge and he doesn’t care. in his own words, it’s who he is internally, bc it’s all he’s had or known for the last 50 years. and then, when he and gerald are on the eclipse cannon together, shadow asks him, “is this really what Maria would’ve wanted?” again, it’s not about right or wrong for shadow (or even Gerald honestly). it’s just about Maria and avenging her and dying in the process bc nothing is worth living or saving anymore, including themselves. that is, until Gerald responds, “the question isn’t ‘is it what Maria would’ve wanted,’ the question is ‘what do they deserve?’ Remember what she meant to us; remember what they took from us.”

I genuinely think that was Shadow’s wakeup call (and I love how it was changed from Maria simply wanting Shadow to be good all along, to Shadow coming to that realization for himself). pretty soon after that exchange, the fight between him and sonic starts and the entire time it’s just shadow instigating and antagonizing sonic to do his worst and End It. Straight up kill him, bc he’s too far gone now and there isn’t even enough time left to begin processing any doubt or regret for it all, and the plan was always a revenge-suicide-genocide anyways (you know, for kids!)

let’s go back a few paragraphs to when I said that Maria had almost become the face of her own loss, her own absence, because shadow’s memory of her only fueled his pain and determination to destroy everything. just like her game iteration, she’s an idea now. she’s an embodiment of the past, for better or for worse, for both shadow and Gerald. and remember, in both the game and the movie, it’s Gerald’s need for revenge that sparks shadow’s. Gerald uses shadow’s grief and anger to encourage it and it does eventually become shadow’s own goal too, but Gerald always wanted it first. shadow was just a means to an end that he thought he wanted.

it’s Gerald who tells shadow to remember what Maria meant and remember how it was taken, while shadow focuses on her and how she would’ve felt. and I really think it’s that moment afterwards that pulled shadow out of it, just enough to try and instigate his own death since the cannon can’t be stopped and, again, even if he did regret his actions, it won’t matter after everything is done. he thinks he’s just as far gone as Gerald is with this need for revenge and anger and hatred. he thinks This is who he is, until sonic gives him the classic “it doesn’t have to be who you are. love is stronger than pain, and even if she’s gone the love you had for her is still there, so keep going on that instead of the pain.”

(paraphrasing like crazy but it is genuinely a very well written scene like all the others.. IT’S A CINEMATIC MASTERPIECE AND I AM DEAD SERIOUS ABOUT THAT).

I’m not trying to say the original game’s story is any lesser or not impactful, and if I did that would just be a straight lie bc that’s one of Sega’s most renowned games in the franchise to this day, but I do think it hits a lot harder for shadow to have this arc away from Maria, if that makes sense. no final promise, no idea of what she wanted him to be. she’s not the embodiment of all that was good in him, but she was the support system he needed to (eventually) realize he could be good and be more than his purpose.

#I LOVE SHADOW THE HEDGEHOG REAGGHHHHHHHH #sonic 3 #holdthypeace.txt #sonic 3 spoilers #sonic the hedgehog #shadow the hedgehog #long post sorry #info dumping as fuck rn #maria robotnik #shadow and maria #gerald robotnik #sa2

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askagamedev · 4 months ago

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Is classic game porting/remastering becoming its own specialization? What I mean is, of course it's happening more these days, so/but is space growing to be someone who specializes in these projects? Or is it still niche enough that the small number of teams/staff who do it will continue to do it?

The answer here is "kind of". Here's the main issue - game development is expensive. AAA studios are expensive and cost a lot to run, assigning a AAA studio a remake/port project is not really worth it when compared to the estimated return on investment. Instead, what game publishers often do is contract out the remakes/port job to an independent third-party studio. This has two major benefits.

First, it costs notably less than the publisher putting their own internal AAA studios on it. When you're doing a remake/port, you often don't need super high fidelity assets or extremely large scope - the majority of the gameplay design and systems already exist. Contracting the project out to an external studio means the publisher can just pay a flat amount and doesn't have to worry about things hiring new people, handling benefits, setting up the studio, etc. The external studio gets to do that, and often has their own stuff in place already. This works very well for the independent studios too - they can take jobs like this in order to pay the bills and fund their own game development. Behaviour, independent developer of Dead by Daylight, also has a second team that does work like porting and remakes/ports for other studios. Their porting and remake team provides the income to keep the studio afloat during leaner times.

Second, it allows the publisher to give these external studios a chance to prove themselves - can they deliver a promised project in time, budget, and quality? If they can, this studio may be worth acquiring or working with again. The Legend of Zelda: Echoes of Wisdom was developed by Japanese independent studio Grezzo, but this is far from their first game for Nintendo. They ported Ocarina of Time 3D, Majora's Mask 3D, and Luigi's Mansion for the 3DS, and they did the port for Link's Awakening to the Switch. The team that built Sonic Mania first proved themselves to Sega by doing iOS ports of Sonic CD, Sonic 1, and Sonic 2 before being given the Sonic Mania project.

With these two reasons in mind, doing remakes/ports do two things. First, they can earn money to pay the bills in a situation where it isn't worth it for the publishers to build them internally, allowing these studios to build their own projects or just have a more stable sustainable situation. Second, it provides a "minor league" situation where these external studios can prove their ability to the publisher in a lower-stakes situation in order to be entrusted with a higher and more interesting project later. As long as remakes and ports of games continue to do well, this kind of work will be in demand.

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#porting games #game remakes #the business of video games #independent studios

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kaythefloppa · 1 month ago

Text

MUFASA: THE LION KING LIVEBLOG/THOUGHTS [SPOILERS]

Today, Mufasa: The Lion King has released worldwide in theaters. Within the hours of being unleashed upon the world as the latest entry in the Lion King franchise and in the Disney movie lineup, the movie has become available online.

As someone who has been anticipating this film since the day it was greenlit in September of 2020, now I can finally watch it to see if it was worth the hype, if it succeeds my expectations, or if it sucks (it does not).

Also, I should preface this by saying that I am not walking in semi-blind. I was not immune to spoilers, some of which I voluntarily exposed myself to, others were stumbled upon without any warning or disclaimer, but this is still my full thoughts on the film as I watch it for the first time in proper.

SPOILERS BELOW.

I think anyone and their grandma can see Pride Rock next to the Disney castle in the opening. It's not really much to say, but in this movie specifically, I smile noticing it.

It was announced that the film would pay tribute to James Earl Jones in the opening. I was not surprised by that, and I definitely shouldn't be surprised hearing his archived recordings in the opening but... goddamn.

LEBO M HOW I HAVE MISSED YOU. Much like in the original and Simba's Pride, he is the first voice you hear in the story and god it fits.

A lot of people have pointed out how unlike the 2019 remake of TLK, this film has a wide array in emotions, expressions, and life, focusing more on actually being an animated story rather than being a nature documentary (eat it John Favereau). This entire opening solidifies that fact and I think this bears repeating as to what one of this film's biggest strengths are.

SIMBA HOW I HAVE MISSED YOU!!!!!!!!

People have made comparisons to Narnia and Jungle Book when it comes to everything the remake got wrong. I'm making those comparisons to praise this movie specifically, I'm getting those vibes.

Nala is out here doing what we all should be doing; Touching grass.

Also Simba and Nala really be out here making long distance work. I love them so f*cking much and I hate hate hate how we're not going to see much of them in the story [for reasons that are perfectly valid, especially if you know how the movie ends which... we'll get to that]

I listened to the soundtrack before watching this film; It slaps so much. It's everything you would want in a theatrical Lion King sequel, so hearing it in the ACTUAL movie, that's astonishing.

Oh look... Timon and Pumbaa are here. Which is nice cause I'm a huge fan of Timon and Pumbaa (I stand by the fact that Lion King 3 is arguably the most god-tier of all Disney sequels) but.... Seth Rogan warthog..

"And that one three-legged zebra." Fuck that's actually pretty dark and I love it.

Kiara exists in this film. I was at first upset that they were retreading earlier ground but... I'm cool with it now. Not exactly what I would've done, but I can nod heads with it.

I get that Timon and Pumbaa overexaggerate things (a later joke in the film would confirm that) but I don't see why Simba is against the idea of them telling her stories. I think any child would be okay with that, even with the circumstances happening. Then again, this could be an indicator of Simba's paranoia and fearing that Kiara could go through the same thing. Jesus, no matter what universe this guy is in he is still traumatized, got-damn.

Oh wait I take it back I fucking love that Kiara is in this film, she is adorable.

Simba really had a glow-up from having a kid.

We all knew that Timon and Pumbaa fighting Scar in the trailers was just them fucking around, so I don't need to comment more on this. I will point out how one of my predictions for the remake was seeing Pumbaa defend Simba from Scar seeing as how warthogs can often square up against lions in real life. So, even in the context of a Timon and Pumbaa joke that makes zero sense, I'm still vindicated.

As someone who had an INTENSE fear of thunder and lightning as a child and.... still has somewhat of an aversion thereof as an adult, I can very much resonate with Kiara's reaction to the storm.

"We sing that song for 6 years straight." I'm going to ignore that line just so that I can continue to headcanon Lion King characters aging by humans (I am coping and seething rn)

RAFIKI HOW I HAVE MISSED YOU.

Rafiki in this film reminds me of my grandfather I cannot stop smiling every time he goes on screen, I want to hug him.

"Ceremonial birthing grounds" Holy SHIT I was not expecting such lore early on. Bravo Berry Jenkins.

John Kani is KILLING this role as Rafiki. I would easily use this as another opportunity to dunk the remake but I'm too distracted by how good this performance is and how it fits the character so well. I'm the furthest thing from a Disney shill, but I would unoequivcally watch a four-season prequel spin-off series about Rafiki if one ever came out, and I have this goddamn movie to blame.

This is gonna be a running theme but Rafiki has some of the best lines in this movie. What the fuck was Jenkins smoking and can I have it? /pos.

They played the This Land theme whilst Kiara talks about how she could never be brave like her granddad and father. The parallels....

Aand here we go, Mufasa backstory time! I mean, you'd have to ignore the three existing backstories that already exist but then again, all of them suck ass," so here we fucking goooooooo.

I really dislike when movies use "moons" as a time indicator because like, what does that mean? Does it literally mean a lunar cycle of nearly 30 days? Months? Years? I'm thinking way too much into this aren't I?

YEAAAH TITLE CARD BABEEEEEYYYYYYYYYYYY. WE ARE SO FUCKEN BAACK.

Goddamn I remember that one frame of Mufasa and his parents being released and it was so stupid. It looks even dumber seeing it to motion but damn it it looks so cute in a way!

Aww, look at how much Mufasa loves his parents. I hope these characters survive all the way to the end of the film without any major catastroph-yeah no, I can't even fucking finish it.

Milele is a good enough song with the vocals, but the visuals are really what hammer it home for me. The wide arrays of gold, pinks, purples, and greens, it brings life into this world, showcases the beauty of Africa, and emphasizes the dreamy aspect of the song. Also, you get Keith motherf*cking David singing in a Lion King movie, game respects game.

Also the T(He)y Lives in You reference was very well put together.

Mufasa chasing a butterfly being a reference to Kiara chasing a butterfly in Simba's Pride!!

I already knew Mufasa's father was gonna die in this but seeing him play with Mufasa, goddamn you Disney. Your never-ending patricide may be predictable, but it will never not tug my heart-strings.

I don't know who this giraffe is but I love them already.

Man, we've really come a long way since Simba's blank expression at the stampede, huh? Nature is fucking healing.

DAM(N)

Bisexual lighting in the water spotted.

You can hear Nants Ingonyama when Mufasa is submerged underwater! Deep cut.

Honestly, the hippos just glancing at Mufasa and swimming past him is hilariously dickish and it makes me forgive how they haven't immediately chomped him /j

Here's Taka (UGGGGGHHH ~ Sorry, I had to get that one out, they could've chosen any other name for him)

From day 1, Scar has always been a little shit lmao.

This doesn't mean anything on any scale, but I would've replaced the crocodiles with hippos. Would've been more scary.

Taka getting Mufasa up is directly contrast to how he will eventually kill him. This movie is going to try and yank my heart-strings out of my chest won't it?

"All important nap of kings." Bro's just like me fr.

Oh wait god I take it all back he's not like me fr HE'S NOT LIKE ME FR.

If I had a nickel for every recent piece of Lion King media that depicts cannibalism with the subtlety of a chainsaw to the pelvis, I'd have 2 nickels, which isn't a lot but WHY THE FUCK DO I HAVE 2 FUCKING NICKELS?!?!?! TWO!?!?

"Do you know what Mufasa means? It means King!" Erhm actually, Mufasa has no direct meaning in Swahili. It's a mix between Mfalme (which is the direct Swahili translation for "King" and the last pre-colonial King of Buganda called Mutisa. Obasi's clearly got his lions crossed. *cinemasins ding*

I love how Mufasa is clearly laughing and joking around as this adult lion is actively trying to fucking murder him. Either he is that oblivious to the danger that he is in, or he is actively trolling this asshole. If it's the latter, or even both, I love it.

I have a feeling that Obasi has actually murdered other outsider cubs before, or maybe even succeeded in sabotaging their initiation rituals so he can eat them. I get that the whole "lions killing cubs that aren't their own" is a part of nature but apply human behavior to that and you can see how sick this is. Not to mention, Taka would have probably been in proxy to these and... shit, no wonder he turned out to be a nasty piece of work.

Oh so THIS is the challenge that Scar was mentioning in the remake.

The PTSD flashbacks jumpscared me.

Oh my god the close up of Mufasa... peak fucking fiction.

Omg that one scene in the trailer of Mufasa leaping from the tree is in the movie- aaaand he is going ass over teakettle afterwards lmao.

The little "I Always Wanted a Brother" instrumental playing when Taka helps Mufasa out of the water🥺

"You will keep him with the females" oh that's not.....

The entiredy of "I Always Wanted a Brother" is amazing. The lyrics cleverly delve into Scar and Mufasa's individual personalities and traits that'll magnify in their adulthood, as well as their growing relationship, and the visuals feel alive as ever with the chorus and beat topping it all off. Lin Manuel Miranda cooked here and I am not afraid to admit it. This song is the best in the entire movie and is everything one would look for in a Lion King prequel. No wonder the marketing loved this song so much.

Also, Mufasa: The Lion King proudly continues the tradition of A) musical numbers with background animal choreography and B) transitions to show characters aging. We truly have come full Circle [Of Life]

Ok but this entire song is way funnier when it's essentially these animals saying "Get your ass back home" to these two little shits.

"Some things you chase but you cannot hold." That line is DEFINITELY a double-meaning and applies to both brothers. For Taka, it refers to how he can't keep/gain the power he obtains + the object of his desires as much as he tries and for Mufasa, it means he won't be able to maintain the relationship with his adoptive brother. The failure to practice this philosophy leads to both of their downfalls so what is at first a cute lyric becomes very dark in retrospect and I have to applaud the songwriter if he was intentional with that.

Ok so if Obasi doesn't allow outsiders and since he values blood and all, then I'm assuming these other male lions are related to him. I'm gonna guess that they're his brothers and/or cousins.

The animals singing in a circle around Mufasa and Taka reminds me a lot of high school dance circles, it's very funny (and also sweet that the animals and Taka are singing for Mufasa).

You heard of the boy who cried wolf; Well here's the lion who cried elephant. (Also, 10/10 prank).

"They did it [the prank] again!" I think the saying goes, "fool me once, shame on you, fool me twice, shame on me." Also I was half-expecting an ACTUAL elephant stampede to knock them down, ;p

"You want to be with the females?" I have no jokes for this, I am legitimately disgusted with how mysoginistic Obasi is and yeah, that's definitely the point, but like, I was NOT expecting that. I guess maybe they needed to emphasize how Taka had such a shitty role model growing up and that a large part of his fall to darkness was not learning how sick and wrong this line of thinking is, and objectively that is good writing when handling such a topic, especially since again, the movie is very much against this and to a lesser degree, it's an origin story I guess I'm just taken by surprise at the sudden mysoginy, and at the end of the day, did we really need this character to be a PodcastBro™ to get the idea that he's not supposed to be someone we root for? Or is it really not that deep and I'm thinking too much into this?

Eshe is such a good mother to Mufasa, helping him home into his senses to hunt, and even offering to help Mufasa find his parents. I think this is a good contrast between Mufasa and Taka when it comes to the nurture part of nature vs. nurture. It's also an interesting mirror to the fan-portrayals of their relationships with their parents as it's usually Taka/Scar being close to his mother and Mufasa being close to his father.

I see a lot of Tarzan similarities here and I think you can notice them well. That being said, Tarzan is also peak fiction that I look fondly towards, and this movie is also looking really good so far, so there is nothing but adoration.

Timon and Pumbaa reacting to Mufasa's line of being a stray with no responsibilities, calling him "one of us" all but confirms that if he was still alive today, they would 100% be friends.

"Hakuna Mufasa" essentially means "There is no Mufasa." I.e. what a good chunk of Simba's childhood was like. Shit, I'm pretty sure Rafiki even knew the fucked up implications of that when he interrupted them.

Timon and Pumbaa I love you but please shut the fuck up right now.

I think everyone has made the Kimba jokes, so I'm just going to say how two white lions would NOT stand out in a sea of tall tannish green grass.

This entire hunting scene is the definition of tension. No dialogue, just music.

Oh, the trailers outright baited us into thinking Eshe was gonna sacrifice herself to save Mufasa. Well played Disney.... well played.

Damn, Taka is horrified as shit.

Go for the juglar Mufasa! The jugular!!

The framing of the scene goes by quick, but I think the implication is that Kiros's son got straight up impaled by one of the branches on the dead tree when Mufasa knocked him down... we're only half an hour into this 2 hour film and we already have a kill count of 3 characters, one of which by the titular.

Ngl, I was hoping/expecting Mufasa to be the aggressor in the fight to try and scare off the lions and this would be how he learns that "being brave doesn't mean you go looking for trouble." And/or that Eshe potentially sacrificing herself would be what gives him that reality check. But either way, as is, this fight scene did demonstrate bravery as a quality of Mufasa in a good way.

"I owe you a great debt" yeah you also owe him an apology for refusing to take any parental custody over him, for the emotional neglect, for your misogyny-driven alienation of him, and oh yeah, trying to FUCKING CANNIBALIZE HIM.

I mean in fairness to the white lion, what the fuck was he supposed to do? Mufasa LITERALLY impaled Sachu.

Obasi lying to protect Taka reminds me of Rameses offering to lie to absolve Moses of his murder. Also, once again, this scene does very well to point out how Taka's upbringing played a role in his eventual fall from grace without making him an abused woobie stripped of any character.

I was gonna complain about how the Outsiders are a thing in this movie but the fact that they are evidently not Zira's pride and also have an explanation to their existence makes it hard to complain.

Ok so the first act of the film is kinda rushed, I'll admit that. Guess they had to go on the journey pretty quick.

So far, Timon and Pumbaa's commentary has ranged from somewhat funny to cringeworthy. Why exactly are they involved in this plot? Or, if they had to be, why not Sarabi and Zazu who actually partook in this story we're being told. You could get alot of colorful dynamics that would add both extra comedy and emotion to the story. I'm getting this out of the way now because even though there's a later scene that is juxstaposed to this, it still confuses me a bit.

"Yours is the last pride of the valley of kings" woah, that actually means Kiros has killed other prides before. This is straight up the lion equivalent of imperialism.

"Everything the light touches belongs to me," well what about when it's dark out? Ever thought of that, asshole? Obasi could easily lawyer up and kick your ass back to the swamp /j

"There will be one ruler. One, Lion King." He said it, he said the thing!

Not gonna lie, Kiros's villain song, Bye-Bye sounds like it was pulled from Jake and the Never Land Pirates. But then again, that show's soundtrack is fucking awesome, as is this film's soundtrack, as is this song. The vocals and lyrics are deliciously villainous and the beat is haunting. My only gripe is that it's too short, and the movie's version of the song doesn't include the background vocals like the soundtrack version. That and the visuals aren't as stunning as I imagined but, still, it's a good villain song! And for a song titled "Bye-Bye" of all things that is a feat.

Man, I thought I was actually gonna see Kiros kill Obasi and Eshe. I mean it's obvious that he did but, showing it on screen would've really hammered home the idea that he doesn't mess around. But instead we smash cut to the brothers running away. LAME!!!!!!!

"They live in you now" oh that hits so hard.

Aquaphobic Mufasa canon???

"It's not my fault crocodiles are simply attracted to you," tell me why my mind instantly went to a visual of Pua x Mufasa (and why I can somehow buy that???)

"My scent? I've been stalking you two all night." Sarabi how I have missed you.

ZAZU HOW I HAVE MISSED YOU.

Sarabi royalty confirmed.

I once saw a theory that Rafiki (a mandrill) was raised by baboons, which explains why he has no qualms with being called one, and gives a new perspective to his phrase "you're a baboon, and I'm not." To whoever came up with that theory, you are a goddamn prophet.

Again, I think all of this goes by way too fast, I think a few more minutes establishing this troop along with Rafiki's character traits and behaviors and THEN hitting us with the tragic fall-out would've worked a lot better.

"Born with a leg that does not work," that explains the walking stick he has in the movie.

"It was Rafiki who found water in the dry season!" Six New Adventures reference!

Rafiki is fucking hilarious.

''A single stick may smoke, but it will never burn." Once again, Rafiki is the best fucking character in this entire film.

Did... Zazu just break the fourth wall???

"I am not a baboon. I am a mandrill." It took us 30 fucking years for a Lion King movie to address this, god bless.

"No offense, but a monkey is a monkey," Mufasa racist moment /j

Rafiki and Mufasa's discussion at the pool is so good. Once again, it has that natural Lion King narrative DNA in it and it speaks a lot about both characters as part of an origin story. Both characters are very heavy key players in the classic Lion King stroy, so this scene does them a GREAT deal of justice.

"I have a report! It's morning." Ok, funny joke.

"Hallucinating baboon!" Sarabi racist moment /j

This plot really knows how to connect together, via using Eshe's sensory training to help dodge Kiros's team.

We Go Together is an amazing song. It's very good for a road-trip/buddy movie, and, not unlike Hakuna Mtata from the original, is a very good palatte cleanser from the story's more darker elements. The characters have enough time to shien in their own ways and the overlaps of their lyrics is kinda growing on me. I substract points for the stupid-ass love triangle bit they imply and trust me, we will get to that when we get to that.

You know that one scene in kids' shows and movies where it is nothing but unabashed second-hand embarassment and/or cringe. The entire scene where Mufasa gives Taka love advice for Sarabi, and Taka's attempts to kiss-up to her is exactly that. If it's not completely uncomfortable to listen to, it's BO-RING. And I wish it was just a one-off gag that meant fuck-all in the end but I've listened to the soundtrack and got spoilered on a later element in the film that just does not help.

Seeing the elephant herd reminds me of when my sister and I were in Africa and saw an entire herd, moms and their babies pass by. On that same vacation, my grandpa and I also saw an elephant pass the road. Huge disclaimer, never piss them off.

Sarabi rendered an entire colony of bees homeless and more than likely killed a good amount of elephants by getting them stung. That's not very Circle of Life of her.

Mufasa saving Sarabi's life!! That man is her HUSBAND.

Ah yes, the epic tale of Rafiki's stick. The mythos of the stick has finally been revealed. This is the REAL Lion King lore I signed up for. Barry Jenkins you are too good.

On one hand Mufasa lying to make Taka look good is an interesting character study. On the other hand.... that stupid fucking love triangle that this builds up to. I hate it so much, SO MUCH. Replace the payoff with ANYTHING ELSE, and I'd be okay with this. Ugh!

Rafiki, Kiara, Timon, and Pumbaa's hug is great. Rafiki explaining the sad reality of social alienation, relating it to his experiences, followed up by Timon and Pumbaa lightening the mood but adding to that emotion with them being outsiders. I knew it wouldn't be long until I started to love them being in this film. Take your crown you kings, you earned it!

Oh my god Mufasa has hella PTSD here, it's a really good representation of it.

Zazu's a real one here, covering up the tracks.

I. Fucking. Love. Rafiki.

"Mufasa, I gotch'u." I headcanon those were Sarabi's wedding vows. No one can prove me wrong.

I thought Mufasa and Sarabi's romance would be a bit rushed here and to be fair... it almost does??? It's not the whole center of the story, and Sarabi is able to stand out as a character on her own outside of the love story. As for their love story itself, it's very well put together with enough screentime and it feels real. Oh and their love song is also pretty great. We were WELL overdue with a Mufasa/Sarabi love song and this movie did not fail to deliver.

Also, Sarabi figuring out on her own that Mufasa saved her and being able to pick up on all of his genuinely best qualities, that's like really impressive, and it's actually a neat twist on the 'liar revealed' trope.

Okay, now here's my allotted time to talk about one of the things I was dreading seeing in this film and am unfortunate enough to be right seeing. The stupid Mufasa/Scar/Sarabi love-triangle. I hate it. I hate how one of the only major changes the remake had to its story was adding that love triangle to give 'depth' to the characters, when in reality, it diminished the characters by not having more for the story to speak about them, made the tension between them flat by consequence, and the remake never resolves this in a meaningful way. Plus it is BORING as hell. And now the movie is apparently using that same love triangle once again, as a MAJOR plot-point. Not only that, but the fact that Taka immediately snaps and goes villain after seeing his crush go after his brother... what the hell are ya even doing man?

The first act of the film gives us a lot of elements to go off of for his villain arc. Being spoiled by his parents, poor parental influence, being a control freak, maybe we see more signs that Taka blames Mufasa for his parents getting killed, or holds him responsible for it, or heck, even his guilt/inferiority complex that stems from the trauma of running away when his mother was in a life-or-death situation. So many other things that could result in a complex but constructive beginnings of a villain, and yet it's this stupid underbaked love triangle, this one isolated moment that changes the trajectory of his entire character arc and oh my god I hate it, I hate it so much. Nevertheless, Brother Betrayed is a good song.

Seeing Taka throw a tantrum over his crush not liking him back and later falling into the snow is cathartic as hell. I want to see this little turd lose.

So he teams up with the white lions... after they killed both his parents and caused him to be banished from his home... not to mention, they tried to kill him?? Unless he's tricking them somehow so he could get close enough to take them out, this is incredibly stupid. I don't care if this snivelling little shit gets punched in the face, but also as is, this is bad writing.

Taka laying out scars to lead the villains to their location. Now THAT is clever foreshadowing.

Pumbaa your husband is right next to you, why are you pretending not to like love 😭😭😭

That is a cool ass background.

The shots of the Pride Lands matching the visions of Milele. This movie knows how to use its visuals.

Man I remember all the theories saying that the big tree in Milele was the Tree of Life from the Lion Guard, or that somehow Milele was always Mufasa's adopted home. Still, magnificent.

I think all of us could predict Rafiki and Mufasa having a brotherly bond. I like how the theme of this movie involves family in ways other than biological relation. I think the brotherhood theme could've been used with Zazu as well, but this is sooooooo cuuuteee!!!

Wait how do the animals know the Outsiders are hunting Mufasa? Did the Outsiders terrorize Milele before? Did they somehow 'sense' the Outsiders' presence like Eshe taught Mufasa to? I like where this is going but there's no reason for them to have that much frame of reference to our protagonists' plight.

Kiros is truly horrifying.

"There are other lions here," wait, so maybe they're members of Sarabi's pride? Hmmm....

"Sarabi chose you... just like my mother, just like my own father." Uhm,,, what??? Obasi never 'chose' Mufasa for anything over Taka. And Mufasa was assigned to Eshe by Obasi. Sure, the dude may have looked Mufasa in a higher regard after the rescue but that is NOT the equivalent of preference? In fact, the very last thing Obasi said to Taka was to preserve the bloodline by outright lying to everyone. Did I miss something??

Hell yeah fight fight fight.

Is... IS THAT SARAFINA AND A YOUNG NALA IN THE PRIDE LANDS??? HOLY SHIT.

Mufasa uniting the animals together in a war rally... PEAK FICTION. This entire speech is peak levels of badass.

Mufasa said Nants ingonyama bagithi. The opening lines to Circle of Life HOLY FUCK BARRY JENKINS COOKED.

Only a villain like Kiros can make the phrase "Bye-Bye" sound menacing.

Zazu be out here using 0.001% of his full power.

W shoebill character (still sad that there's no caracal yet).

I think Zazu could offer a lot more in the final battle, like say, rallying the birds together and raining hell upon the lionesses, poking them with sticks or dropping rocks. He's gotten a decent enough amount of screentime but this climax should've really brought it home.

BEAT HIS ASS MUFASA. BEAT. HIS. MOTHER. FUCKING. ASS.

Okay, fine, give Taka some brownie points for standing in the way, but he still fucking deserves that scar. Fuck you Taka.

Also, the remake implies that Mufasa gave Scar his scar in the challenge, but it never outright said so, and TLK has always been a loose cannon when it came to... well, canon; So I can buy Kiros giving him the scar. I actualy can't believe that my prediction on Taka taking the bullet for Mufasa actually came true! Mark that off the bingo card!!!

The entire climax/stand-off/showdown has little to no dialogue and BY GOD does it ever work here. Mufasa and Taka looking at each other with clear emnity in their eyes, and then channeling all of their rage into their common foe to tag-team him. So much emotion.

"The earth will shake." LET. HIM. COOK.

And scratch "Pride Rock being formed by and earthquake that crushes the villain" off the bingo card.

Mufasa overcoming his water trauma by remembering Eshe's words to sense the rock that he'll use to crush Kiros into the water.

Ok y'all say it with me: Bye Bye Kiros!

I know this is a big emotional moment that shows the last of Taka's humanity and parallels with his first and last encounter with Mufasa.... but the HESITATION to help him, mixed with the clear anger at the beginning would've been enough to make me banish the dick.

See, Mufasa became king after proving his worth of leadership. There is no "he stole the throne/his brother's girlfriend" BS. You Buzzneed nerd-wannabees can fuck off now.

Oh look, I see some hyenas in the crowd. I wonder what their origin stories will be in this Lion King prequel!

"No more Kings, we are all one," setting aside TLK 2 reference, Mufasa is based for implying a democracy.

Are.... are you FUCKING KIDDING ME?!?!?!?! AFIA IS ALIVE???!!! MUFASA'S MOM IS ALIVE!?!?! WHAT THE FUCK?!?!!

Ok I'm conflicted. On one end, I don't like the fake-out death trope, especially when it's used at the end of films. On the other hand... Afia's presence really ties the themes and plot of 'Milele' together and it ~ really works. But still, imagine if Mufasa was visited by the spirit of his mother after becoming king, mirroring Mufasa's later divine intervention for his son. That would've worked so much better. Wasted potential af.

Also, if Afia's alive... who was the lion in the stars Mufasa saw during "I Always Wanted a Brother."

Oh... OH. OH GOD. MY HEART. R.I.P. MASEGO.

Whilst I still think keeping Afia dead would've been more effective, leaving Masego dead and keeping her alive adds an element of tragedy into the story, and the "He Lives in You" callback is well-equipped here.

Fuck you Taka you little shit.

I always took issue with the remake's backstory for Scar implying that he got his scar in a fight with Mufasa; Because if Scar already challenged Mufasa once, why does Mufasa trust him enough to depend on him or let his son romp around the place near him, even if he sticks around bc of "brotherhood." Whilst I don't mind that the remake 'retconned' that story (especially since it wasn't confirmed), I still take issue with that here; Again, if Taka had lied to Kiros, or did something to indicate that he wasn't on his side/wasn't truly against Mufasa, or if Taka could lie his way out of consequences, it would work, but as is, this just feels... off.

Also, Scar calling himself scar as a reminder of his embarassment and what he did, despite him continuing to do awful things rendering that admission completely null and void; it sucked when the books did it, it sucks here.

Maybe the real Milele were the friends we made along the way.

Mufasa's coronation is powerful, and blends well with Kiara's ascension. My only problem is the same problem I had with the remake. The roar came TOO EARLY. In the original's King of Pride Rock, Simba's ascension was concurrent with the swelling of the music, reaching its peak when he reached Pride Rock's peak, and then when Simba roared, that's when the music delved into Busa, which meshed into the reprise of Circle of Life. The remake fucks that up badly, and Mufasa, whilst still better in terms of that detail in pacing, still manages to miss that mark. So close... and yet so far...

Kiara can now Skype call her grandfather. The Circle is now truly complete.

"Kiara, this is your new brother." I... was kinda hoping the film would end with Simba and Nala adopting a new cub and said cub would bond with Kiara the way that Mufasa and Taka used to, and that said cub would be a girl but........ fine, fine. Also, I am 99% sure that cub is Kion. With how Disney recently uploaded The Lion Guard: Return of the Roar onto their YouTube channel in honor of Mufasa, and with how next year is The Lion Guard's 10th anniversary, meaning they'd HAVE to make another large acknowledgement of it, I am more than definitely subscribing to the fact that it is Kion. And... yeah I'm pretty cool with it (if it's Kopa, I will go into hibernation).

Kiara telling her brother the story is a neat way to wrap up this story in a bow.

CONCLUSION:

PROS:

The animals actually emote and express in this movie. Not only that, but the backgrounds and impressive technology are allowed to go all out in strength. We have come a long way. I hope to god the animators get their rents due, especially in an era where animation and animators are constantly getting the middle finger by companies and corporations.

This movie takes a lot of good ideas and executes them brilliantly. Mufasa being an orphan, Sarabi and Zazu being a team, Taka/Scar being descended from a bloodline, the white lions, EVERYTHING about Rafiki. It truly feels original. Regardless as to whether or not it's canon, it's an interesting exploration of the world we know and love, done by people who really understand the movie.

The songs are amazing. Lin Manuel Miranda did his absolute best for them and they manage to serve the plot and characters pretty well. LMM is a pretty hit or miss guy when it comes to music. Sometimes he can flop and we get shit like Scuttlebutt, but other times he hits the bull's eye and we get stuff like Moana, Encanto, and Mufasa. He was on his A-game tonight.

The voice acting had actual direction unlike the remake. The actors had a lot of fun behind the scenes and it's very easy to tell, even without the interviews. And the singing *cheff's kiss.*

CONS:

This movie tries very hard in a lot of directions, but there are some areas where it doesn't really try hard enough. I feel like a few things were a bit underdeveloped. For example, Rafiki's exile. Just, stretch that scene out 3-4 more minutes to establish Rafiki as a character, his traits, the nature of his baboon tribe, and THEN banish him. Or Taka's relationship with Obasi, maybe do a bit more to commentate on the toxic values that Taka grew up with and how they stuck with him, maybe that is one of the things that hints to him not being worthy of the throne, compared to Mufasa's more progressive influence and proaction. Anything besides that stupid fucking love triangle. And maybe some more Sarabi/Zazu backstory, we get to truly see the closeness between them, maybe Sarabi saves Zazu, and vice versa during the climax. What they do with them is fine, but, there was room for more.

Timon and Pumbaa had some good scenes here but also some duds. At the end of the day, they provide some interesting commentary and jokes to lighten the mood but... I think their humor could've been improved upon, especially with how Pumbaa acts too much like Timon and that kinda breaks the whole idea of them being polar opposites. If Disney ever does make a live-action remake of The Lion King 3 (and you bet your ass they will)... they really gotta change how they're utilizing these two.

I know I went on about how this movie's strengths are regardless of canon, especially with how it contradicts both the original and the remake, but there were some parts where I couldn't fully suspend my disbelief, even if you shut canon out of the window. Like, the lionesses we see in the climax helping Sarabi. Is Sarafina amongst them? If not, who? If the cub isn't Nala, who is it? If the cub is Nala, why does she look like she's Simba's age, yet she looks no older than Simba when he's a grown cub? Even if you age them naturally like IRL animals, those numbers still don't add up. And the hyenas. They appear at the end during Mufasa's coronation and bow. Okay... what did they do to get banished or become enemies? I know the story couldn't have shown too much focus over them but why have them there only to gloss over it if it didn't mean much of anything? Not only that, but the hyenas fucking bow down to Mufasa. I'm sorry- BOW??? IN WHAT UNIVERSE???? IN WHAT FUCKING UNIVERSE???? What kind of KFP 4 Lord Shen bullshit is going on here? My suspension of disbelief can only go so far before it is utterly decimated😭😭

The pacing can be a bit better. Some things overall do go on too fast (which results in my first point as to how things can be undercooked, it's a sympton of the issue) or in the case of other scenes like Taka trying to rizz up Sarabi... go on for way too long. It doesn't horrifically bog down the film and there are many, many, many scenes where the pacing is to this movie's advantage, but it could do better in some areas.

Sarabi and Zazu were nowhere to be found in the present day. Unless you count one of those lionesses walking her and her son back home, but still.... HATRED. Is Sarabi not allowed to live past the TLK 1 story???? Is this Disney's subtle way of killing her off, what the FU-

Final Thoughts:

This movie was always destined to be better than The Lion King 2019, but only because of the low bar. A good concept can go along way as long as there is a good execution (there was a lot of potential for the remake, but the management of it lead to an utter waste of a film).

For years I prayed for this film not to suck - with each and every update that this film had, I would manifest that it wouldn't be shit, bare mininum - bc it's a film that SHOULDN'T suck with how good of a concept they had in their hands and how EVERYTHING for this film relied on the execution, especially coming off the heels of an awful film that, like I said, lowerred the bar below the Marianas Trench.

And, despite some of my earlier gripes, nitpicks, and critiques, - I was right.

THIS MOVIE DID NOT SUCK.

Does it have flaws? Yes. Is it perfect? No. Is it as good as the original? Definitely no. But it... it truly is something to behold, and a masterpiece nonetheless that, if anything, will not fail to entertain. With really good writing, nice songs, relatable and interesting characters, a very engaging story, and is [mostly] serviceable as an origin story for some of these characters, canon or otherwise. I am most likely gonna get a lot of people to disagree with me but that's what I stand by. Overall, worth the four year long wait (4 years, fucking really..?). At worst, it's decent, and at best, it's amazing.

FINAL RANKING: 8/10

The movie's opening weekend has only just begun, and reviews and meandering in very opposite directions, but if and when this movie does perform well, I wouldn't be surprised if this was the last time we see these characters again.

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darkbluekies · 7 months ago

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i wanna start writing so bad but idk where to start do u have any tips??

Okay, so this is more of a general in depth guide for a little of everything, if you don't find anything useful in this please let me know and I will try again <3 This is more for lenghty novels (which are my main writing thing) than tumblr posts, but i think that some things here could be used for tumblr too so i'm just spewing every kind of advice i have

Before writing

If you don't have an existing idea, watching movies, series and even music videos can help bring out ideas. Watch some that you like and maybe write down some moments you liked. You can always take inspiration from existing things as long as you make it your own and not copy them.

Everyone says "read more" to develop your vocabulary and I didn't really believe it, but i notice how I feel more confident in my writing after reading someone elses work. It helps you with seeing scenes from other perspective thanks to how someone else would describe a scene. I also created a document where i write down phrases and words that I'd like to remember and use for myself when I can't come up with my own words. It can look like this!

I have always had an easy time for creating stories with a red thread,. But if you need a little help planning out your story, where things should go and when to add what, models like 'Save the cat' could be beneficial. My advice, though, is to not follow it blindly because it can result in a mass procuced feeling since it can become predictable! But I feel that it can be good to have the story somewhat planned out from the start. You don't need to know everything, but just having an overlook where you want to take it is a good thing.

When it comes to characters, try to make them have different characteristics and don't be afriad to give them traits that makes them bad. There are multiple things I don't agree with when it comes to my characters views, actions or reactions, but it makes them human and that's the best thing you can do for your characters, to make them human, real, believable.

Pinterest boards are fun and easy to keep track of the vibe of your story. It helps you save pictures of characters, their clothes, their houses, everything. I have one for every of my books, here are some ideas!

Writing

My biggest advice (that i honestly should take too) is that your first version of something NEVER has to be good. Hell, you don't even have to like it, just get it done so that you have something to go off of when you remake it! You should have fun when you write. Sounds cheesy, but it's very true. If you feel that the story is draining you more than exciting you, leave it. You might come back to it in the future, but for now it's better to leave it and start over!

I have heard a tip that I haven't tried, but when I think about it, it makes sense. Someone suggested to take a book and copy it, word for word, into a document for yourself. That way, you learn to write sentences and build a story. Haven't tried it, but maybe worth giving it a shot? :)

Synonyms are your best friend!! Don't repeat yourself too much. And, instead of saying for example "she walks very slowly, not wanting to reach the meeting" you could say "she forced her legs to move despite the heavy feeling in her chest", because it makes the reader's brain puzzle together what the character is thinking!

I'll round it off before I start to spiral lol. I hope that this was somewhat helpful. I'm rarely asked about these kinds of things so when I am it all flows out without structure! :,)<3

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my-smial · 27 days ago

Text

Reviewing War of the Rohirrim because a new Tolkien movie was produced and I somehow missed it??

A new Tolkien movie popped up this year, and I don't know if it's just that I've successfully blocked all ads out of my internet experience or what but I had no idea it was happening until the week the movie came out. Anyway, I have seen no one on my normal list of LOTR suspects chattering about it, so I will now review!

What?

War of the Rohirrim is an animated movie based on one of the appendices, following the story of Helm Hammerhand, a legendary king of Rohan about 150 years before the events of Lord of the Rings. It was produced by a Japanese animation house, Sola Entertainment, which may be why it's a bit of a sleeper entry in the Hollywood sphere. Nonetheless, all of the big names of the LOTR movies are on it - Peter Jackson, Fran Walsh, Phillipa Boyen, Alan Lee and John John Howe did a bunch of the concept art, Wētā did FX - and it's still surprising to me that my nominally-Tolkien-blog has managed to dodge most of the buzz. That said, some of the chatter around it is proposing that it's mostly a vehicle for New Line Cinema to retain their rights to the material, so.... if that's true, a reason that they might not have invested a lot of money in the marketing.

Should I watch it?

Yes! It was fun, and it's an entirely reasonable 2-hour movie. If you are at all interested in the world of Tolkien, it's worth it if only to appreciate the beautiful background paintings.

Nostalgia bait?

A question going into any reboot media nowadays is "what is the ratio of nostalgia-pandering to new movie?" The answer for War of the Rohirrim is "weird." The good part is that the plot is not a "Death Star 2: Deathier Starier" re-work of an existing movie. There's a handful of pointless callouts to LOTR events, but they're short enough to be forgivable. The weirder part is that the plot will be progressing apace, and then suddenly there's a nearly shot-for-shot remake of a famous LOTR scene, or the characters quote dialogue from 150 years in the future. It's bizarre because it's not really plot callbacks, the plot is its own. If you've never seen LOTR, you might never notice. But if you have, the King of Rohan will be leading his army into battle and his rousing speech is nearly identical to the charge of the Rohirrim at the battle for Minas Tirith. In arguing about how to defend the city, our protagonist quotes Aragorn, and the final battle includes a scene nearly identical to Eomer arriving at Helm's Deep. But the plot just... moves on from these? I'm used to nostalgia bait coming with a pause for the movie to go "it's that thing you know! Clap!" but these moments practically fly by unacknowledged. If you can quote LOTR, it's absolutely bizarre and fourth-wall-breaking to watch. For me, this was arguably the worst part of the movie, because I kept getting thrown out of immersion to go why is she quoting Aragorn? But outside of direct aesthetic callbacks, I'd say the nostalgia bait was fine.

Animated?

Yes! The movie was very, very pretty, which is I think the best reason to watch it. Like, look at this shot of Meduseld:

That's my argument for watching it. I love the art. That said, in front of these gorgeously detailed backgrounds, the characters are somewhat jarring 2D flat animation. Check out this screenshot of our cell-shaded heroine fighting in front of a background so detailed you can feel that rope through the screen:

The movements were often jerky, and as an official Horse Person, their horse animations caused me physical pain. That said, the fight scenes were notably more fluid and fun to watch- you can tell where they used their budget. If you're used to the stylization common in anime, I think you'll get it pretty quickly. If you're not, be prepared to be thrown by the art style for a while.

Okay but like, is there a plot?

Yes! This movie features Hera, the daughter of Helm Hammerhand and a princess of Rohan. The plot hook is pretty standard, but nonetheless fun: a lord of Rohan argues for his son Wulf to be wedded to Hera, but gets rejected. The lord grows angry, and in the resulting duel with Helm, he dies and Wulf is exiled. Years later, Wulf has raised his own army of mercenaries and bandits, and Helm and Hera must fight to defend Edoras and the people of Rohan from his jealous attempts to win the throne.

I think that despite the classic war-for-the-princess plot, there's some twists and refreshingly unexpected moments. It's surprisingly dark and very bloody. There's a bit of disconnect between Helm, who reads as a (very Tolkienesque) hero straight from a revenge cycle you'd read in Old English epic poetry, and his daughter Hera who is performing a more modern heroine-focused "I can fight, father!" plotline. That said, while I prefer Helm's plotline I absolutely cannot be mad at a LOTR movie that chooses to center Hera and her female advisors - enough ink has been spilled about how male these stories are.

The plot is also sometimes disjointed; there's a few beats like a sudden run into Fangorn Forest that, while cool, end up feeling ultimately disconnected from the larger story and could have been ditched without losing much. The timeline can be confusing, and I think the movie could have easily lost 20 minutes of runtime to editing without feeling rushed. But, overall the plot was fun and interesting enough to be engaged and worth the watch.

I can spoil more plot if you want to ask me questions, but I'll leave it here.

That's most of my thoughts for now. Go watch it and tell me what you think!

#war of the rohirrim #review #critical #war of the rohirrim spoilers

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artist-issues · 1 year ago

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I’ve enjoyed a lot of your thoughts on Disney movies and I was wondering what you thought of the movie Enchanted(assuming you have seen the movie xD)? I rewatched it recently and I really enjoyed it(I personally like that even though Giselle does evolve throughout the movie, her wish of finding true love stays the same) so I was curious to know your thoughts :)

LOVE

Enchanted.

Morgan is the kid that represents Disney’s audience. Robert is the well-meaning parent of that kid, who is missing the point of the Disney movies. Giselle is the Disney movie.

I love it. It’s so good. It ranks right up there with Mary Poppins, in my mind, as Disney getting itself right.

Disney has been accused of two things, prominently. On one side, you have people being like “oh Disney doesn’t have any courage to do new things, they’re just bowing to whatever the culture says, they’re remaking everything, etc.” That’s nowadays.

But in the early 2000s, when Enchanted was released, it was much more punk rock and edgy and popular to criticize Disney for not being “feminist” enough, for having characters who are stupid or silly—“what, they fall in love in just one day? What, they sing about their feelings? Look at all the dippy magic in their movies! Ha! Corny! Cheesy! Kiddie! Gag me!”

But then Disney whips out Enchanted.

Enchanted is Disney saying “Yeah our princesses have undying faith in love, and to them, magic is normal, and that’s a good thing, and our world needs more of it.”

furthermore

like this video so perfectly captures:

youtube

Giselle is this character who is (at first glance) the typical Disney Princess: that is, she’s all about faith. Having a dream of the special someone you’re destined to be with is one thing, but believing he’s out there in real life and you’ll find each other? You kind of have to believe in a higher power (fate, destiny, a horse, a wishing star, God) making that happen to get there. And then, what comes with faith, is this positive, joyful, innocent happiness that she carries everywhere.

When she meets somebody new? She trusts them to help her. When she calls to vermin? They answer her and befriend her. When she gets lost? She trusts her friends or her Prince will come find her. No need to be suspicious, to pretend to be something she’s not, or to despair; everything will work out, because life is full of wonderful things happening, and she knows that love exists and that love is often directed toward her—so why worry?

That’s so Disney. (The REAL Disney.) “Maybe something wonderful will happen.”

Enchanted celebrates that ideology by having her teach it to a guy who is from our world—and he’s basically the opposite of Giselle in every way.

He’s been hurt by someone he thought loved him (his ex wife.) He works with people who used to trust each other and spends all day helping them legally dismantle their once-loving relationships. He has his own girlfriend, but he is way too uptight and controlling to take the next step with her—because he’s afraid. Afraid, afraid, fear, fear, the opposite of faith.

Giselle has that belief in the good, the beautiful, the true, in the world. Robert has zero belief. He thinks that kind of faith is just going to get everyone hurt by the cold hard ‘real’ world. But she teaches him that the most real things in the world are the good, the beautiful, the true…

She really does love him truly, there really is magic, and those two facts really do have power. That he’s the one who hasn’t been seeing things 100% “how they are,” because he leaves love and faith out of the picture.

…and we have to talk about what he teaches her. Which is that there’s something worth getting angry about and protective of—before him, none of her beliefs were challenged. I really think by getting angry with him specifically because he refuses to take that leap of faith and believe in anything (which is exactly what his current girlfriend is angry with him about), she realizes that she can be angry with him, that she can disagree with him—and like him anyway. That it’s a choice, to love someone—which is what everyone thinks fairy tale princesses don’t have, and they couldn’t be more wrong.

Meeting a man and finding out enough about him on your first day to love him isn’t “boy meets girl, therefore they must end up together.” It’s her, knowing what is good, being insightful enough enough to see it in him even in a brief interaction, and then what ladies and gentlemen? Choosing to love him. So there’s Giselle, proving us all wrong about fairy tale princesses again.

I think it’s so good, because while he does help her to think more deeply and realize things about herself, he doesn’t change that joyful, faithful part of her. He just deepens it. It’s like a real life object lessons why “compare and contrast” is such an effective way to exercise your belief in something. Giselle believes in true love. Robert doesn’t. But she’s never met someone who doesn’t. By interacting with someone who’s trying his best, but is getting it wrong, she has a better appreciation for what she already knew was right.

I mean you could say “no she just realized that she has a right to be angry, women don’t have to be positive all the time” but that’s totally out of context. What’s she angry about? She’s angry that he keeps refusing to have faith, when she knows it would be good for him. It’s anger, for something worth being angry about.

And the songs are so good.

“That’s How You Know” is such a good song to refute critics of Disney Princesses and explain faith. Faith is believing what you know to be true and acting on it regardless of how you feel in the moment. In ‘That’s How You Know,’ Giselle is proving that princesses do actually need that truth component to have faith. It’s not blind faith.

It’s Ariel saying “I know humans are good because Truth 1: they make beautiful things, Truth 2: I saw one risk his life to save an animal, so I’m going to choose to love him.”

It’s Belle saying, “I know the Beast looks vicious, but Truth 1: he’s kind, he gave me a library and my freedom, Truth 2: he’s saved my life, and even though I’ve seen him break furniture and fight wolves, I’ve also seen him try to eat with a spoon and dance with me gently, so I’m choosing to love him.”

It’s Jasmine saying “I know this Prince Ali lied to me once already, but Truth 1: he saved my life and shared that he knows how I feel, and Truth 2: he keeps showing me the new things I want to experience without letting me get hurt in the process, so I’m going to trust him.”

It’s Snow White saying “I know I’m homeless in the woods and my only caretaker is trying to murder me, but Truth 1: I’m engaged to a Prince who promised to give his heart to me, so I’m not going to act despairing and fearful.”

Before the song starts, Robert is assuring Giselle that his girlfriend Nancy knows he loves her. But he doesn’t tell her all the time. He doesn’t do anything to show her. Because that would be vulnerable, and he’s a self-protective guy. Self-protection is the opposite of selflessness, and selfless action is love. So Giselle is telling him, “you have to do something, love is an action, and that action shows Nancy a truth she can base her faith, faith in your love for her, on.”

Not to…over-analyze a really catchy song.

But they’re all like that. This is the whole movie. The whole movie is Giselle being the Disney movie, walking and talking, proving the people who don’t get Disney movies wrong.

It is that deep!

And guess what? Robert, the guy who doesn’t get Disney movies? He falls in love with Giselle, the walking talking Disney movie. So there.

We haven’t even talked about the villains or Pip or Edward or Nancy, but they’re all amazing, they’re all perfect for this movie, but I’ll save it for another post.

I love Enchanted.

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