#the red thread....

[gomzdrawfr]

Price on a date (he's a lil nervous)

his fit is based on this

[himecheese]

us! united by our ribbon stalk!

[acupunkature]

[kittykatninja321]

No but truly one thing we don’t talk about enough in regard to Jason is the embarrassment of it all. Part of why Jason reacted so strongly to not being avenged is because he really and truly believed in Bruce and thought the world of him and to be let down like that is embarrassing. To die like that is humiliating, to once again be forced to survive on the streets is humiliating, to have to live as a shell of yourself for years is humiliating, and then getting your mind back only to immediately be presented with evidence that your death didn’t change anything is the biggest humiliation of them all. Jason really thought that his death would be enough to change Bruce. That Bruce would choose him over his moral code. To be proven wrong about that is deeply deeply embarrassing

[starry-bi-sky]

my martha knight au in a nutshell:

Danny/Martha: see up here?

Danny/Martha: *taps skull*

Danny/Martha: intense psychological damage

-----------

Danny/Martha: *upon finding out she's pregnant*

Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--

Danny/Martha: im going to be a terrible mother--

Danny/Martha: i live in a cAR--

Danny/Martha: what if the baby inherits my powers? Oh no--

-------------

Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself

Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)

---------------

Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid

---------------

Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--

Bruce: hi mommy!! i brought you something!!!

Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?

Bruce, a weird child like his mother: a spider :)

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Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.

Danny/Martha: do you understand me

Falcone:... crystal, ma'am

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Danny/Martha new in Gotham: *getting mugged*

Danny/Martha: *grabs man's arm*

Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--

(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)

---------------

Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.

Danny/Martha: this here is my littlest knight, Bruce.

Danny/Martha: I made him all by myself :]

[randomfae]

i don't know, magp fellas, but somehow when alice says shit like "i created you and i can destroy you" or "i was born down here and i will die here" i sorta... believe her? like yeah you're obviously joking but are you tho?

lowkey same vibes as gertrude going "of course, gerard! i just happened not to mention the network of sinister tunnels that snake beneath the archive where i keep all my darkest secrets"

[gotham-snark]

Wooo Batroidery #3 Red Robin! Based on Juni Ba's incredible Boy Wonder series 💛

Talia issue next (I'm super excited to do that one)

Need to do Dick too for the complete set

Damian

Jason

Messy back work under the cut

Why tie the floss off when you can just drag it to the other side of the hoop for one stitch 🤷‍♀️

[poucz]

"The "Red Thread of Fate" is an East Asian myth that says an invisible red thread connects those destined to meet, regardless of time, place, or circumstances. This thread can stretch or tangle but never break, symbolizing the inevitable connection".

*Strongly referenced by the photography of Luigi Boatto.

[scarlettcryptid]

OH MY GOD?

[yrsonpurpose]

Please stay gorgeous and strong and unbelievable. I miss you I miss you I miss you I love you. I’m calling you as soon as I send this, but I know you like to have these things written down. A ✿ / ❀

[gomzdrawfr]

CAPTAIN??

We brought Captain Price and his fashion into the real world with GQMagazine

[elalalune]

Buggy in Wonderland AU

An AU where Buggy is Alice and Shanks is the Queen of Hearts/Red Queen

//yan!shanks

• when Buggy was younger he ends up in wonderland and befriends a red haired boy with a straw hat

• years later he thinks it was just his active imagination and forgets about those adventures

• but then he sees a rabbit running around wearing a familiar straw hat

• he follows it down a rabbit hole and ends up in wonderland

• after some adventures and meeting wonderland's residents, he reaches the queen's castle

• the ruler seems friendly but also feels familiar and Buggy isn't sure why

• he's very accomodating — always inviting Buggy to tea parties or extravagant balls, giving him a nice room w a large bed, sending him expensive jewelry and valuable gifts everyday, things like that

• but the more Buggy spends time with him, the more he realizes that Shanks seems intent on keeping him in this world

[acupunkature]

[vinceaddams]

Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.

I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)

Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.

(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)

There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.

(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)

The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.

(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)

Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.

(1720's-30's, LACMA)

Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.

(1730's, V&A, metal and silk embroidery on silk satin.)

Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.

(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)

Tell me this look isn't positively made for vampires!

(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)

(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)

And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.

(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)

(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)

Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!

I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.

(1730's, Museo del Traje.)

(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)

(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)

(Portrait of Duchess Colavit Piccolomini, 1690's.)

(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)

Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.

(Viago in drag Portrait of a lady, Italian School, c. 1690.)

Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!

[kelogsloops]

'The Surrender' releases as a print tomorrow, Thursday Nov 23rd, 12PM (PT) on my store!

This piece was from my solo exhibition a few years back titled, ’Sanctuary’. The theme of the show was centred around states of mental rest and respite. This piece was about envisioning the waves of thoughts that run through your mind: sometimes gentle, but sometimes crashing swells that leave you with no room to breathe or gasp for air. But in knowing that the waves are cyclical and eventually ease, she finds herself surrendering to the motions and trusting that it will be okay. 

NOTE: This gold-foil edition of this print will only be available for 72-hours & will not be available again thereafter.

#brbchasingdreams

[deathberi]

death and strawberry