#the process is so weird but cool??? it makes me feel like i'm making the stars align. it's so satisfying to see it come together.

[swinging-stars-from-satellites]

anyone else ever get struck with a sudden feeling of distaste or being tired of someone who you usually really like/are friends with for literally no reason whatsoever? or is that just me

[scare-ard--sleigh]

something that's really cool about being a freelance writer is when you do your drafts,,,, no one sees them until after you edit them,,,,, so it can be 11PM at night and you Can be baked writing it and no one ever knows. forever. <3

[laughinglynx]

.

[sweetnans]

"You know, for the past few days, I expected to see you sooner than later but It never came to my mind seeing you sitting here in the couch of my vacation home wearing flip flops and swimsuit briefs"

Katsuki was no fool when it came to you.

"What are you doing?" He asked, leaning with his arms into his knees.

"Washing my clothes?" You were dumbfounded by his question when he was watching you closely.

"Uh-uh no, you know what I mean"

You rolled your eyes. There wasn't really a way out of this. Bakugo had known you since you were little toddlers running in the mud and getting bruises and scratches, he knew you like the palm of his hands.

"Fine" You sat in front of him and played with your naked fingers. Yeah, you took off your engagement ring after you ran off your own wedding.

"I'm fucking listening, brat"

A man of patience.

"I didn't want to get married in the first place" you blurted out lifting a heavy weight of your chest. "I solely started to hate him in the process and I thought, hey, that's not cool"

"You sound exactly like Kirishima, disgusting" he rolled his eyes but you knew what he was doing, trying to make everything more bearable for you with his twisted and weird humor.

"I just, I love him really but it's not the quite of love when you see a person and feel all these explosions and you feel that you might be torn apart because of them, breaking down in a meltdown of hearts and flowers and-and confetti" you stuttered. "I know it's lame but, I really think that's what love should feel"

Oh, you just hit the nail. Poor him, he came all the way from Musutafu to Okuto Island to be there for his best friend but instead, he was there watching you describe all his feelings for you.

"Well if you don't feel like that when it comes to that bastard then that's it. You can force it" he shrugged.

Let's face it. He was happy to see you so chill about you splitting something that almost lasted what? four years? but, he was also happy that you didn't get married.

When you told him the news, he felt torn, but he shook the feeling right away to be by your side. When you didn't show up at the church, he couldn't help but feel the happiness rising up in his body.

It wasn't so hard to find you. The first thing that he did was use the spare key you gave him of your apartment and went through your stuff. It was classic you, always leaving tracing marks wherever you go. He found your apartment neat, so he thought that probably the fact that you ran off was something premeditated.

He found the receipts of your plane tickets when he snoop through your mail, and it clicked. He needed to see you.

"I guess you're right." You sighed and clapped your hands in your knees. You stood up to move closer to him and sit by his side. "Anyway, thanks for coming all the way here"

"Of course," he said and felt bold enough to add. "You've always been my girl, and I'll back you up any day of the week, no question asked"

"I'll pack my things so we can go back." You wiggled your toes and caught him staring at your weirdness, you let a laugh.

"Hah? Nah, that won't do. They won't give me back the days I asked to get here, " he said nonchalantly.

"Days? You mean-what? Bakugo Katsuki, are you telling me that you are willingly taking your days off? For me??" You laughed at him, but in a good way, he smirked at you, kicking your feet like a little child.

"Yeah yeah shithead, whatever, let's enjoy this little shack you got." he pressed his big ass hand in your mouth to keep your laughs quiet.

"There's only one bed, tho." You quirked a brow at him, but he just shrugged you off.

"Tch, like we never had shared a bed before," he rolled his eyes. "Now come on, I want to get in the fucking ocean and hopefully get bit by a shark so I can howitzer it to the moon"

"You're joking right now, Have you ever heard of meditation?" you stumbled through his giant feet, and he pushed you. You completely lost your balance but miraculously stayed still. "Oh fuck off you psycho"

"Ha-ha, you think you're funny, don't you?" He followed you, grabbing his suitcase to leave it in your room while you stretched yourself to get the towels.

"I am fucking funny you asshole" you poked your tongue out and threw the towels at his face.

The beach was just perfect. The sun glistening in your face, leaving you with sunkisses marks that would last for a few months, giving you the ideal tan that everyone in your agency will envy. Bakugo was at your side, skin dried after he made a run towards the ocean, trying to catch a fight with any animal or kid that would get on his way. He was resting with a magazine on his face because the sun hurt his eyes.

You took a peek at him, and the memories flooded in your brain. The first time his mom introduced you to play with the only kid that was alone. You remembered thinking how that was possible, well, after he tackled you and put your face in the ground, you knew. After that, and because you punched him in the gut, you were inseparable. You remembered you two walking to school in the morning and then studying together in your house in the afternoon. You remembered when you two got in UA and how excited he was even though he didn't demonstrate it. You remembered graduating by his side and the hangover after you went partying with your shared friends, how he took care of your drunk ass, even though he was drunk too. The nostalgia invaded you, but it felt like it was more than just that.

"You know, I know we don't say this very often," you said while taking off the magazine of his face to make him look at you, "but I love you, Katsuki."

He pretended to gag. He felt things on the pit of his stomach, and it only made it worse the fact that you, for the first time, didn't add the "as a friend" part.

"You are making me sick," he murmured, putting the magazine all over his face again to hide the redness in his cheeks.

"Say it back, you bastard," you screamed at him, tickling his ribs, which was still his weak point.

The gremlin spatted your hand away and then took both of your hands in one of his, locking them behind his head in the sand. The sudden movement made you squeak and land on his perfect and toned abs.

"You damn bastard, let me go!" You tried to release your hands from his grip, but it was useless. "At least tell me you love me too"

He loved you more than anything.

"Over my dead body." he closed his eyes and ignored you, completely zoning off your attempts to get your hands back and to avoid being laid on top of him.

"You're going to pay"

"I wanna see you try," he mocked you pinching your hips.

The thought of having other feelings for your best friend scared the shit out of you, but you knew, deep down, that maybe after seeing him caring so deeply for you, maybe just maybe, the feeling was something mutual.

Do not edit or reupload my works elsewhere! All rights reserved.

[nowoyas]

Trying to make sense of the Nanowrimo statement to the best of my abilities and fuck, man. It's hard.

It's hard because it seems to me that, first and foremost, the organization itself has forgotten the fucking point.

Nanowrimo was never about the words themselves. It was never about having fifty thousand marketable words to sell to publishing companies and then to the masses. It was a challenge, and it was hard, and it is hard, and it's supposed to be. The point is that it's hard. It's hard to sit down and carve out time and create a world and create characters and turn these things into a coherent plot with themes and emotional impact and an ending that's satisfying. It's hard to go back and make changes and edit those into something likable, something that feels worth reading. It's hard to find a beautifully-written scene in your document and have to make the decision that it's beautiful but it doesn't work in the broader context. It's fucking hard.

Writing and editing are skills. You build them and you hone them. Writing the way the challenge initially encouraged--don't listen to that voice in your head that's nitpicking every word on the page, put off the criticism for a later date, for now just let go and get your thoughts out--is even a different skill from writing in general. Some people don't particularly care about refining that skill to some end goal or another, and simply want to play. Some people sit down and try to improve and improve and improve because that is meaningful to them. Some are in a weird in-between where they don't really know what they want, and some have always liked the idea of writing and wanted a place to start. The challenge was a good place for this--sit down, put your butt in a chair, open a blank document, and by the end of the month, try to put fifty thousand words in that document.

How does it make you feel to try? Your wrists ache and you don't feel like any of the words were any good, but didn't you learn something about the process? Re-reading it, don't you think it sounds better if you swap these two sentences, if you replace this word, if you take out this comma? Maybe you didn't hit 50k words. Maybe you only wrote 10k. But isn't it cool, that you wrote ten thousand words? Doesn't it feel nice that you did something? We can try again. We can keep getting better, or just throwing ourselves into it for fun or whatever, and we can do it again and again.

I guess I don't completely know where I'm going with this post. If you've followed me or many tumblr users for any amount of time, you've probably already heard a thousand times about how generative AI hurts the environment so many of us have been so desperately trying to save, about how generative AI is again and again used to exploit big authors, little authors, up-and-coming authors, first time authors, people posting on Ao3 as a hobby, people self-publishing e-books on Amazon, traditionally published authors, and everyone in between. You've probably seen the statements from developers of these "tools", things like how being required to obtain permission for everything in the database used to train the language model would destroy the tool entirely. You've seen posts about new AI tools scraping Ao3 so they can make money off someone else's hobby and putting the legality of the site itself at risk. For an organization that used to dedicate itself to making writing more accessible for people and for creating a community of writers, Nanowrimo has spent the past several years systematically cracking that community to bits, and now, it's made an official statement claiming that the exploitation of writers in its community is okay, because otherwise, someone might find it too hard to complete a challenge that's meant to be hard to begin with.

I couldn't thank Nanowrimo enough for what it did for me when I started out. I don't know how to find community in the same way. But you can bet that I've deleted my account, and I'll be finding my own path forward without it. Thanks for the fucking memories, I guess.

[the-ribombee-collective]

Most singlets probably assume finding our you're plural is like "woah!!! There's voices in my head!!!" And some plurals probably figured it out that way, but we think sometimes it's a lot more subtle, like ours was.

Like: "oh weird. I wonder why I'm thinking of [X] suddenly. There was literally no thought process nor anything in my environment that could have led me here. Hm" or "wow it makes me so angry to see people being anti-endo. Like, not just in a "they deserve respect way" but like. When I read about someone being transphobic. Like, it feels personally offensive? I wonder why" or "haha I use so many names for myself. They're just cool I guess :]" or "wow I use so many different sets of pronouns! Honestly any would be fine but sometimes I don't like some as much. Weird" or "I love compartmentalising myself :] there's school me and home me and online me and the me my friends know and the me my teachers know and the me strangers know and it's so fun and organised!" or

[evilminji]

Okay, but... now I'm wondering >.>

@the-witchhunter We talked about Danny being Morningstar's feral, probably engineering oils and ectoplasmic goo covered, mad scientist/himbo hybrid (attack) purse dog. His special lil guy.

But!

I seek your Knowledge(TM).

From second hand accounts? He seems to HATE the hypocrisy. The blaming HIM for humanity's own choices. The rat race and endless song n dance of "Righteous Good VS. Cartoonish Evil". Because it let's humanity paint themselves the helpless victims. Because it's all surface level. Because it is not so easy to escape the ugliness of your Sins, yet they keep trying to scapegoat him.

Fuck um.

He was tired of it.

But? He still has CONSIDERABLE POWER. It's probably written down. And the Ring Of Rage? Is proooobably not the loveliest of artifacts? I imagine, like the Crown, it's NOT leaving Danny alone. One of those "we don't CARE if there is no throne left to sit upon, you WILL wear us, as King" sort of systems.

It genuinely would not and DOES NOT matter, if not a single soul in all the Zone bows to him. Did he defeat the previous holder of their Right To Rulership? Yes or No.

If No, fuck off.

If Yes, new monarch.

Is it hurting him? Not the rings problem. Nor the Crown's. Heavy is the weight, etc etc. But! DANNY would certainly care. He is... is ANGRY all the time now. Has no idea who would even MAKE this bullshit ring. Why JUST Rage? Yeah, it makes ghosts stronger, but at what COST?

He can't even get rid of it!

......by himself.

Luckily, he's still clear headed enough to know that he's NOT in this by himself. And it's amazing what "mom, dad, this ring is trying to drive me insane. Help me" in a terrified and tearful voice, can brush over. No one threatens their baby and all that.

It would honestly be hilarious, seeing the extended Fenton clan decend like LOCUSTS on Pariahs Keep, searching for clues, terrifying the local ghosts, if... if he wasn't so tired.

God he's so tired.

It's Aunt Alecia who... "politely encourages" a passing scholar to lend them the book they need. Took the poor sucker right out of the sky. Guy never stood a chance. RIP.

He learns he has to head..... over? Like... 27 that-ish way, then up. Huh. 27 WHAT?

Realities, apparently. He's in the wrong bundle. Branch? Neighborhood? Eh. Clan Fenton rolls back out, he packs his bags, and hilariously enough? Goes off to the devils night club. Hopes he likes rings. Or hates them.

Thankfully, being "king" means the Zone? Kinda... humors him? Like... it still has RULES(tm). He can... can FEEL that now. But it's willing to bend some for him, if he asks. And anything NOT against the rules? If it's in the right mood? He need only ask. It's weird. Being suddenly so powerful, yet NOT, at the same time.

Cause none of it's his.

All he has is the Zone's attention. The ability to ask pretty please. If you don't mind. And then? The highways between... ALL will just? Shift and change for him. He can see how it went to Pariah's head. The Zone is pretty agreeable. Is by nature Amoral, cause it's not a Being, it's... well, it's the Zone.

And everyone wants him to ask things. Do things. Demand this or that. Use this power.

Maybe he doesn't WANT too! Maybe he didn't WANT to be king! Doesn't he have the right to say NO? To refuse? Why do they think he OWES them service? An eternity of politics and people trying to kill him, for something he never wanted in the FIRST PLACE.

He's so tired.

The nightclub's pretty cool.

So he comes to ask, politely of course, cause the guy's probably busy, if Morningstar could... dunno, fix or destroy it? Want a ring, maybe? Also he heard you MADE the stars. Huge fan of all of that. Can I ask about the process? Or are you in the middle of something?

And? Lucifer? Turns around, from where he's Leaning Seductive Yet Elegantly(tm) to see... scrawny. Tiny corpse child. No... half? Corpse? Alive. Dying. Alive yet dying. Huh. Well, that is different. And here he didn't think he'd get see anything NEW. You, child, are NOT a zombie. What are you?

Halfa.

I have no idea what that is. What do you want?

He gets shown the ugliest, crudest, peice of shit ring imaginable. A genuine foul little curse. Really stinks up the place. He destroys it, obviously. This club has STANDARDS. Hope that wasn't important?

Kid just smiles the biggest fangy lil grin. No. No it was not.

Obvious, lie, but cute lil teeth. He'll allow it.

He gets dragged into talking about the stars. And talking. And talking. Mostly bragging and explaining. Kid hangs off his every word. Follows him around as he makes his rounds. Asks good questions. Completely focused, dispite the booze and barely dressed dancing all around him.

Lucifer can't help notice the crown.

Lovely little thing. Space ice and star dust, glittering like jewels and light catching the mist. If he remembers right... that one iiiiiis..... not Limbo, it's.... Zone! That crown is the Zone, it changes to suit the wearer. He recognizes the vibe. Awfully young, aren't you?

And.... it all burst forth. He didn't even need to press. Use persuasive words and honeyed tones. Like an inflamed, festering wound. The merest brush is enough to spill everything.

Negligence, greed, blood lust. Bigotry and xenophobia. A tyrants endless quest for power. Ah, humans. They truly don't change do they? Realities away, dead or alive. Now they're harrasing a child. He honestly looks miserable. Whereas just a moment before, listening to Lucifer talk about his work on the stars, his soul practically GLOWED with light. A tiny little star unto himself.

.......maybe it's the big ol "I'm you BIGGEST FAN" eyes. The sad wet cat aura. Perhaps the scrawny "could snap you like a twig" teenager, all elbows and knees. The fact he is, in fact, NOT human; for all that he once was. But?? The kid? Is... not terrible company.

He'd even go so far as to say? It's like having a pet intern.

He can sleep on the couch.

Tell you what, you stay here? I'll keep taking about stars and YOU can do the chores I don't feel like doing. I'll take care of you and all that.

And Danny? Honestly was sold at the word "stars" but? This sounds like a phenomenally terrible idea... and he has yet to meet one of THOSE he hasn't made out sloppy still with, so deal! But as a minor, that DOES make you his new gaurdian for the next four-ish years. He's legally obligated to finish schooling.

Ah.

.....well shit.

(Just? Local stressed 14-15 year old Ghost King does RESPONSIBILE thing and finds Adultier Adult. With more qualified Adult powers. Unfortunately for everyone, the adult is Lucifer Morningstar, night club owner. Even MORE Unfortunately, said ghost kind has pack bonded with the Nice Star Man, who saved him from the Bad Ring, and effectively offered to let him crash on his swanky couchs.

Now Morningstar has to? Somewhat VAGUELY pretend he gives a shit local schooling system, as he puts his charge INTO it. Actively giving waking terrors to the magical community. What evil plot is afoot? Where did he get this tiny minor death god? What is his end goal FOR said child?

No one knooooows~

But Lucifer is just doing this cause he's a Being of his word. He hates the tedious minor chores he'll be foisting off onto Danny. And? Most importantly? Look at that face. *shoujo sparkly eyes of Star Sempai Noticed Me!* it's like having a golden retriever puppy. Ffs he has STANDARDS.)

(It'd be hilarious to watch the hostile 5th dimensional chess DC characters have going on in the background, all while? Danny is like? Man! Isn't this universe GREAT? Everyone here is so CHILL! And nice to me! I'm so relaxed now! Finally, I can finish my education in peace.)

@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation

[alygator77]

✩ echoes of time, a love unspoken ✩

✩ pairing. satoru gojo x fem! reader

✩ summary. overwhelmed with grief and regret, you are desperate to reconnect with your closest friend and secret love, satoru gojo. when you discover an ancient relic that allows you to travel back in time, you are given the opportunity to finally share your true feelings

✩ warnings/tags. 18+ MDNI, nsfw, spoilers for manga chapters 222 - 236, angst with comfort, friends to lovers, mostly smut (if you squint you can maybe find a hint of plot lol), dry humping, oral (f receiving), penetration, unprotected sex

✩ words: 4k

✩ a/n. writing short stuff like this makes me feel weird lol...but eh, felt like giving it a shot. i blame my whoremones. also if you know the artist let me know 🫶🏻 i found this pic on pinterest

"Satoru is dead," Shoko says, her voice barely above a whisper, as if speaking the words any louder would shatter the fragile reality you were clinging to.

“W-What?”

You blink at her, your mind struggling to process the information. Did you mishear?

The usually unflappable Shoko is visibly shaken, eyes red-rimmed and filled with sorrow.

"It was Sukuna," she continues, voice cracking. "The battle... it was too much, even for him."

Your heart felt like it had been ripped from your chest. Satoru Gojo, your closest friend and the man you had secretly loved for years, was gone. Memories of him flash before your eyes—his brilliant smile, his teasing remarks, the way he always seemed to be there when you needed him.

"No," you whisper, shaking your head in denial. "No, that can't be true."

Shoko reaches out, placing a comforting hand on your shoulder.

"I'm so sorry," she murmurs, her own voice breaking. "I know how much he meant to you."

Her words break the dam inside you, and you feel the tears begin to stream down your cheeks.

Your knees buckle as you slump against the wall, the cool surface a stark contrast to the burning pain inside you. Your grief wraps around you like a vice, squeezing the air from your lungs, leaving you gasping.

“He was... he was everything," your voice trembles. "I never told him, Shoko. I never told him how I felt."

Shoko's hand squeezes yours, offering what little comfort she can.

"He knew, y/n. Satoru always knew. He was just waiting for you to be ready."

The thought brings a fresh wave of tears, carving a river of sorrow down your face.

How could he have known?

For years, you had hidden your feelings—you had been so careful, so afraid of ruining the friendship that meant the world to you.

The pain of your regret is a sharp, gnawing ache in your chest.

How many times had you almost told him? How many moments had you let slip by, too afraid of what his reaction might be?

And now, it was too late.

He was gone, and you were left with a heart full of unspoken words and unfulfilled dreams.

Days pass in a fog. You go through the motions, but the world has lost its meaning, its color, its light. Without Satoru, everything feels hollow.

Every corner of the school is a memory of him—a reminder of what you’ve lost you. The training grounds where you would spar with him, the library where you shared quiet moments of study, even the halls where his laughter once rang out, bright and infectious. Pieces of him are everywhere, each one a dagger to your heart.

The weight of your sorrow presses down on you, and you seek solace in the school's ancient library—hoping to find a distraction, something to numb the pain.

Drowning in grief, your eyes fall upon a dusty, leather-bound book on a nearby shelf. The title catches your eye: "Chronomancy: The Art of Time Travel."

What if you could go back?

What if you could see Satoru one last time—tell him what you've always been too afraid to say?

Or perhaps, change the future?

The thought is intoxicating, a flicker of hope in your darkness.

Desperation fuels you as you delve into the book, your hands trembling as you turn the pages. The instructions are complex, but your mind is sharp, honed by years of sorcery and study. The book speaks of an ancient relic, used in tandem with cursed energy.

You vaguely remember the old stories, the legends of such a relic hidden deep within the archives of Jujutsu High, said to be from a bygone era, a powerful artifact capable of altering the very fabric of time.

You know it's risky, dangerous even—time travel was absolutely forbidden, but the pain of your unspoken love and your need to see Satoru drives you forward.

With renewed determination, you make your way to the restricted archives, a labyrinth of ancient texts and forgotten artifacts deep within the bowels of Jujutsu High. The air grows cooler and musty as you descend, the weight of history pressing down on you.

Searching through the dimly lit corridors, your hands brush over countless relics and tomes, each one whispering secrets of a long-forgotten past. Finally, you find it—the relic described in the book. It’s a small, ornate device, deceptively simple in appearance but thrumming with a powerful, ancient energy.

Carefully, you take the relic and make your way back to your room. The instructions in the book replay in your mind as you prepare the ritual. Every detail has to be perfect—there’s no room for error.

As you channel your cursed energy into the device, chanting the incantation, the air around you starts to hum and vibrate. The relic glows brighter and brighter, the light almost blinding until suddenly, the world around you dissolves into a kaleidoscope of colors and sensations—you feel yourself being pulled through time.

When the light fades and the world comes back into focus, you find yourself standing in your bedroom yet again.

Did it work?

Without a thought, you instantly run, sprinting to Satoru’s home. The familiar path is a blur as you push your body to its limits, your heart pounding with a mixture of hope and desperation. You reach his door, breathless and trembling, and knock frantically.

The door swings open, and there he is, eyes lighten up with surprise and a hint of confusion as he sees you.

"Y/n? What are you doing here?"

Seeing him, standing there alive and well, almost undoes you. Your legs feel weak, and your eyes well up with tears of relief. Without any thought, you wrap your arms around his neck and pull him towards you, crashing your lips against his with a desperate fervor.

His eyes widen in shock for a moment, but then he starts to melt into the kiss, returning your passion with his own. A soft moan escapes as his arms instinctively wrap around your waist, pulling you closer while his lips move hungrily against yours.

He guides you backwards into his house, closing the door behind you as he leans you against it, returning the kiss like a man starved of touch, of you, for years. His fingers grip the fabric of your clothes, pulling you closer.

You feel his heartbeat against your chest, a steady rhythm that grounds you in the reality of his presence. Every touch, every movement, is a reassurance that he's here, alive, and with you.

"I… missed you… so much," you mutter between breaths, a fragile confession between each fervent kiss.

Satoru’s grip tightens, his hands move to cradle your face, a touch gentle yet urgent. He lets out a soft hum and reluctantly pulls away from your lips, quirking a brow with a crooked grin.

"That was unexpected. Missed me? Y/n, we saw each other earlier today."

You shake your head, tears flowing freely now.

"No, you don't understand. I missed you... so much."

His grin fades as he notices the depth of your sorrow—concern etched in his features as his gaze softens, eyes searching you with confusion and worry. He gently wipes away a tear with his thumb.

"Why are you crying?"

With a shaky breath you struggle to find the words. The weight of everything you know and everything you've felt threatens to overwhelm you. But now, in this moment, you don't want to burden him with the truth.

Not yet.

Shaking your head, you manage to whisper—

"Later... please, just let me savor you right now."

Understanding dawns in his eyes, and he nods slowly, pulling you closer once more. His touch is tender, his embrace warm and reassuring. Leaning in, he presses a soft kiss to your forehead, then to each of your tear-streaked cheeks, as if trying to kiss away your pain.

"Okay," he murmurs against your skin. "I'm here. Not going anywhere."

Satoru's lips find yours again, and this time, the kiss is slower, more deliberate. He pours all his feelings into it—his reassurance, his comfort, his unspoken promises. As you lose yourself in the kiss, your hands move to his hair, tangling in the soft strands as you pull him even closer, not wanting to let go.

The kiss deepens, a mingling of desperation and relief—his hands slide from your face to your waist, pulling you closer, before traveling down to your legs. With effortless strength, he lifts you off the ground, your legs instinctively wrapping around his hips.

For a moment, everything is perfect. The pain, the sorrow, the regret—all of it is swept away in the embrace of the man you love.

Between breaths, you manage to whisper again, "I missed you," each word filled with all the longing and desperation you've held inside.

Satoru responds not with words but with action. His kiss grows more fervent, his grip on you tightening as he presses your hips down on his. Your core is met with the growing pressure of his erection, causing you to mewl into his mouth.

He swallows your sounds as his kiss grows more intense, more needy, his tongue continuing to explore your mouth, tasting, claiming. You roll your hips against him, causing a low groan to rumble from his chest. His hips instinctively buckle from the friction and he presses you further against the door.

Breaking the kiss, his lips slowly make their way down your neck. He murmurs your name against your skin as his hips grind up against yours, sending a shiver through you as his fingers leave a trail of warmth in their wake, exploring every inch of your body.

With a gentle urgency, his hands find the buttons of your shirt, deft fingers undoing them one by one. As the fabric parts under his touch, his lips follow, leaving a trail of heated kisses down your exposed frame, tongue and teeth marking you with gentle nips.

As his lips find the curve of your breast, he gently bites down on it, causing a soft gasp to escape from your mouth.

“Satoru,” his name escapes you breathily as a ripple of pleasure courses through you, pooling straight between your legs.

Satoru's response is a low, guttural sound that vibrates against your skin. His hand comes up to cup your breast, his thumb stroking over your nipple as he continues to grind against you.

"I want you," he murmurs, voice hoarse with an aching need, coming out as both a statement and a request.

You meet his gaze, your breath hitching at the intensity of his desire.

"I'm yours to take," you whisper. "Take me, Satoru. I'm yours."

The words seem to ignite something deep within him—eyes darkening with a mixture of passion and determination. He immediately captures your lips in a fierce, demanding kiss.

With a swift and almost forceful movement, he lifts you from the door, keeping your legs wrapped around his waist as he carries you to the bedroom, opening it with a nudge of his foot. His body presses against yours and he pins your wrists above your head, lowering you onto the mattress with eager vehemence.

The sensation of being held in place, of being at his mercy, sends a shiver of anticipation through you—feeling the heat between your legs intensify.

His eyes lock onto yours between loose tousles of his snowy hair, a silent question and an unspoken promise in their depths. The outline of his erection is evident through his taut clothing, a physical manifestation of his aching desire that burns for you. The heat of his body sears into you as he settles between your legs.

"I've wanted you for so long," he murmurs, voice low and ragged. "I can't get you out of my head."

He rocks his hips gently against yours as his hands move from your wrists, tracing a path down your arms. He reaches the hem of your shirt and guides it off your shoulders.

His hands then slide beneath your back, lifting you slightly as he unclasps your bra, discarding it to the side. The cool air against your bare skin is quickly replaced by the warmth of his mouth.

You gasp and writhe beneath him as his tongue grazes over your sensitive peak. Each flick of his tongue, each gentle suck, sends waves of pleasure coursing through you as his hips continue their slow, deliberate rhythm, rolling against your core and creating a delicious friction through the layers of clothing that still separate you.

You arch your back in pleasure, and with a groan, Satoru allows himself to sink deeper into the sensation of your breasts against his mouth. Every lick, every suck has him growing harder, his member straining against his pants.

“Fuck..” he mutters, pulling away from your chest just long enough to tear off his own shirt and discard it carelessly.

He leans down to lavish attention on your other breast, his free hand hooking into the waistband of your pants, slowly sliding them down your legs.

Once you remain only in your underwear, he abandons your breasts momentarily, trailing kisses down your stomach. As he reaches the apex of your thighs, he pauses, looking up at you with a gaze so intense it makes your breath hitch—a raw need that sends a shiver of excitement throughout you.

"Satoru," you moan, your voice a plea and a promise, urging him on. "Please."

He holds your gaze for a moment, searching for any hesitation. Finding none, he moves his hand across the fabric of your panties, his fingers moving in slow, deliberate circles around your clothed core. The friction is maddening, each touch making your body hum in pleasure.

"Tell me what you want," he whispers, voice a husky murmur.

"I want you," you reply, voice trembling with need. "I need you, Satoru."

His eyes darken further at your words, a low groan escaping his lips as he slides your panties down your legs, discarding them with the rest of your clothes. The sensation of the cool air against your exposed skin is quickly replaced by the heat of his breath as he leans in closer.

He takes a moment to savor the sight before him, your body laid out beneath him like an offering. Then, without warning, his tongue slips between your wet folds, lapping at your juices in long, languid strokes.

Satoru groans in approval of your taste, the sound vibrating against your heated flesh as he delves deeper. His hands part your thighs, holding you open as his tongue explores every crevice and fold, sending shockwaves of pleasure through you. The intensity of his ministrations has your hands fisting the sheets, your back arching as you struggle to remain grounded under his relentless assault.

"Oh my god, Satoru..." you gasp, your voice a breathless plea as you arch into him deeper, relishing in every skillful flick of his tongue. Each stroke, each swirl, drives you closer to the edge, the pleasure building to an almost unbearable peak.

He works with a practiced precision, knowing exactly how to push you to the brink and pull you back, teasing you with the promise of release—alternating between gentle, teasing licks and deep, intense strokes.

Your hands move from the sheets to his hair, tangling in the soft strands as you hold him close, your body trembling with force as you chase your release.

Feeling your impending orgasm building, Satoru pulls away from your quivering folds, causing you to groan. He locks eyes with you as he slowly drags his tongue from your swollen clit to your dripping entrance, a grin upon his lips.

He can see your resolve cracking, your composure slipping away as you teeter on the edge of bliss. He relishes watching your face contort with pleasure as you writhe beneath him, desperate to climax.

His movements are deliberate, torturous even, each lick and suck designed to prolong your pleasure. He can taste your arousal, your desperation, and it only fuels his own hunger.

His grip is firm and possessive as he tightens his hold on your thighs, devouring every part of your womanhood. The sound of his groans, the feeling of his tongue against you, it's all too much. The tension within you coils tighter and tighter.

You gasp as he slides two fingers inside you, feeling your walls clench around him as he curls them upwards, seeking that spot that would send you over the edge.

"Satoru, please..." you beg, your voice a desperate whisper. "I can't... I'm so close..."

He suddenly pulls away, his lips and chin glistening with your arousal, causing a whine to escape your lips. The sudden loss of contact leaving you aching.

He looks up at you, a wicked glint in his eyes as his lips curl into a grin.

"Not yet," he murmurs, voice low and seductive. "Want to feel you cum around me."

He moves back up your body, his lips capturing yours in a searing kiss, allowing you to taste yourself on his tongue. With a groan of pure need, his hands move with a purpose as he reaches for the button of his pants.

Rising to his knees, his eyes lock with yours as he sheds the last of his clothes, freeing his throbbing cock from the confines. It springs forth, thick and rigid, the tip glistening with precum.

You watch as he gives it a few slow strokes before settling back between your legs, his erection pressing against your core, tip brushing between the folds that are coated in your essence. The teasing sensation sends another wave of desire through you.

Slowly, deliberately, he pushes forward, sheathing himself inch by tantalizing inch inside you. A low growl escapes him as he feels your warmth enveloping him, your walls squeezing him delightfully. You gasp, your back arching, your body welcoming his with a need that borders on desperation.

He pauses once fully immersed, giving you a moment to adjust to his size as he revels in the feeling of your inner muscles clenching his length. Then, with a slow, sensual thrust, he begins to move, withdrawing until just the head remains before plunging back in to the hilt.

“Ah, fuck,” he breathes out, his hips snapping forward with more urgency, his head falling back as he loses himself in the sensation. The sight of him, eyes closed in bliss, his mouth slightly open as he gasps for breath, is almost enough to send you over the edge.

The pace he sets is slow and deliberate at first, each thrust deep and measured, allowing you to feel every inch of him. The friction, the heat, it all combines to create a symphony of pleasure that has you gasping and moaning his name. Your hands move to grip his shoulders, your nails digging into his skin as you cling to him, body moving in perfect harmony with his.

"Satoru," you moan, voice trembling with need and desire. "More, please..."

He responds with a growl, his movements becoming more urgent—thrusting harder and faster as his hands move to grip your hips, anchoring you to the bed as he fucks you with a raw, primal energy. The slap of skin against skin fills the room, punctuated by your moans and his growls of pleasure.

His name escapes your lips in breathless moans, each sound driving him further, pushing him to give you everything you need.

“Fuck, you’re so pretty like this, feel so good,” he groans, his voice rough with passion. “So tight, so perfect.”

He leans down, capturing your lips in a searing kiss, tongue mimicking the rhythm of his thrusts. Your hands move from his shoulders to his back, your nails raking down his flesh as you cling to him.

Your body responds instinctively, your hips lifting to meet his, your legs wrapping around his waist to pull him closer. The deeper angle sends jolts of pleasure through you, each thrust hitting just the right spot. The heat between you builds, the pressure mounting with every movement.

"Satoru," you gasp, your voice a mix of pleasure and urgency. "Don't stop... please..."

His response is a deep, guttural moan, his hips snapping forward with renewed intensity. The sensation of him filling you so completely, kissing your cervix with each thrust—the way his body moves against yours, it's all-consuming. The pleasure builds to an almost unbearable peak, your body arching into his as you chase your release.

He feels the change in you, the way your body tightens around him, and it drives him to push harder, to give you everything. "Cum for me, princess," he murmurs against your lips, his voice a rough whisper. "I want to feel you cum around me."

His words create a tension within you, coiling tighter and tighter. With each powerful thrust, you feel yourself getting closer and closer, the pleasure building to an almost unbearable peak.

"Satoru... I... I'm going to..." you moan, your voice trembling with the force of your impending climax.

"That's it," he growls, his hips snapping forward in powerful thrusts. "Be a good girl and let go. Cum for me."

His command is the final push you need. With a cry of his name, you shatter, the pleasure washing over you in profound, overwhelming waves as your inner muscles clench around him, coating him with your essence.

Feeling your climax hit, Satoru's own control snaps like a brittle twig, sending him spiraling into blissful release. With a guttural roar, he spills himself deep inside you, hips jerking violently as his hot seed fills you, painting your insides white. He keeps thrusting, prolonging your orgasm and milking his own, his cock twitching as he empties himself completely dry.

Suddenly drained and spent, Satoru collapses atop you; his chest rising and falling against your own as he buries himself into the crook of your neck. The weight and warmth of his body against yours is comforting, grounding you in the aftermath of your shared passion. Not wanting to dislodge himself just yet, he drapes one arm across your stomach, holding you close, while his other hand gently caresses your cheek, his fingers brushing lightly over your skin.

You look into his eyes, now softened with a deep satisfaction and affection. The intensity of the moment lingers between you, a silent acknowledgment of the connection you've always shared but never fully expressed.

"I love you," you whisper, your voice barely audible but filled with all the emotion you've held inside. The words you've desperately been wanting to say for years now finally roll off your tongue, carrying with them the weight of your unspoken feelings. Each word is a release, a freeing of the heart that has longed for this moment.

Satoru's eyes widen slightly at your confession, and then a tender, loving smile spreads across his face. He presses a soft kiss to your forehead, his lips lingering there as if to seal the promise of his affection.

"I love you too," he murmurs against your skin, his voice a low, comforting rumble. "I always have." The sincerity in his words resonates through you, filling the spaces that have long been empty with warmth and joy.

He shifts slightly, allowing you to nestle more comfortably against him. The rhythm of his breathing begins to slow, his body relaxing into a state of contented fatigue. You match his breaths, finding a perfect synchronicity that lulls you into a sense of peace.

In this moment, everything is perfect. You are his, and he is yours, and together, you can face whatever comes next.

Maybe, just maybe, this future will be different.

You can only hope.

[love-byers]

(warning: long)

we should talk more about mikes choice of words in the rink o mania fight, or rather the writers choice of words

"You basically sabotaged the whole day!!"

sabotage

in case you need a reminder of what sabotage means

deliberately destroy, damage, or obstruct

mike is not just saying will was being a douche for moping, rolling his eyes, and barely talking. he's saying wills a douche because he's doing it on purpose. not even just on purpose either, he's saying will planned this. will wanted to ruin the day. mike thinks will was out to get him by withholding his friendship. obviously will wasn't doing any of this, he just moped because he felt brushed off by mike and was ignored (or so he thought).

that kind of behavior, thinking the consequences of his own actions are a planned attack against him, is very consistent with the way he acted in s3 when el dumped him and he blamed it on max.

we can connect this directly to mike's apology where he calls himself a self-pitying idiot. the self-pity is mike allowing himself to believe it's not his fault that his day sucked, that it's not his fault will is acting this way. deep down he knows it's his own fault by purposefully brushing will off at the airport, but he was being so self-absorbed and self-pitying that he convinced himself it wasn't.

"why is this on me?? why am i the bad guy??"

so lets go through this again, inferring from mike's own words.

when will left hawkins, he felt weird. he'd just spent the whole summer trying to be grown up and acting like he didn't care about dnd anymore, shutting will down and really hurting him in the process, so he probably feels embarrassed that he now feels the exact opposite. he enjoyed spending time with max, lucas, and dustin but it just wasn't the same without will. he missed will so badly that the fact that will was barely reaching out got to his head, and he felt too insecure to find out for himself. he didn't know if will felt the same way or if he was doing fine without mike, making lots of new friends and enjoying life. he was afraid he'd lost will. then here comes el with her letters saying how life is awesome and they have lots of friends. mike probably thought, oh now i'm DEFINITELY not telling him how i feel. the letter about will potentially liking a girl was the final straw. wow. so he's occupied with some girl and thats why he won't talk to me. so now mikes determined to not give will an inkling of an idea that he's bothered or that he cares. psh, mike could care less. maybe when will sees that mike totally doesn't care he'll feel like he screwed up and he'll be super nice to compensate and win mike back.

so mike gets to lenora and hey, will, i totally don't care about seeing you, see how i dodged your hug? i don't care. then he sees the painting. maybe it's not for someone he likes, maybe it's for me. here you go will, opportunity one to win back my affection.

"Uh, what's that?"

"Um, it's nothing, it's just this painting I've been working on."

"Cool."

operation-act like i don't care: EEEEEEERRRRRRRRRRRRRRRRR FAILED.

LOOK at his face bro. he looks heartbroken.

from here on mike just got more and more annoyed. will isn't trying to win him back, he isn't compensating for the months of silence. he's acting sad. he's acting sad? he has the audacity to act sad after he made all these friends and left me behind?? no, this is not my fault, this is not on me. it gets under his skin in a way he can't ignore. those feelings of guilt and annoyance that will is causing mixed with his months worth of self pity and convincing himself he's not the problem leads him to another thought. he's doing this on purpose. he's punishing me. this was his plan all along. he's trying to ruin my day for no reason, because i clearly didn't do anything to deserve this.

then angela shows up and humiliates el and mike, for some insane reason, uses this as an excuse to express his anger to will, even though it had literally nothing to do with will.

"You should've told me she was having trouble."

"Well, I didn't know they were gonna be here, Mike."

"Yeah, but you knew she was having trouble for like a year and didn't tell me."

in WHAT world is this will's fault?? he had absolutely no idea el was lying until that day. and mike is blaming him? no, he's really not, he just wants a reason to express his anger without having to admit why he's angry.

"Well, I didn't know she was lying to you."

"Is that why you decided to be a douche to her all day?"

her. he's hiding behind el's name. psh, what? i don't care that you weren't talking to me, it's because of el.

el just got publicly humiliated and mike thinks now is the time to get on will and act like el's biggest problem was will not talking to her?? no way. he just doesn't want will to know that these are his feelings.

"I wasn't being a douche!"

this completely sets mike off. how dare will act all innocent after what he did to me all day? any part of him that was trying to hide that will's behavior is bothering him has been completely overridden. will purposefully withholding his attention from mike has pissed him off soooooo badly that he can't keep it to himself anymore or hide behind el.

"You were! You were! You were rolling your eyes, you were moping, you were barely talking you basically sabotaged the whole day!"

yup, thats right will. i know exactly what you're doing and i'm calling you out on it.

"Well she was lying to you, Mike! Straight to your face ever since you got here! And...and I've been a total third wheel all day it's been miserable. So sorry if I wasn't...if i wasn't smiling."

third wheel? really?

"Yeah, whatever man."

"Well what about us?"

"What?"

i imagine this is where mike shits himself. i mean he literally stops in his tracks. will is directly addressing what he'd been trying to hide his care for the whole time, them. all of a sudden after all these months, he cares about us? and it's poking at that weird feeling he had, like he missed will too much. like he was feeling too much.

"What, you're mad that I didn't talk to you? Seems like you've made it super clear you're not interested in anything I have to say."

"That's just not true."

mike says that so fast it's like a knee-jerk reaction. of course he cares what will has to say. all he's wanted all day, and all this time for that matter, was for will to talk to him. and will is blaming him?

"You called maybe a couple times. It's been a year, Mike. Meanwhile El has like a book of letters from you."

now mike's defense is kicking in. he feels like will is directly picking at that feeling. the weirdness. the fact that he feels differently for will than the rest of his friends, even his girlfriend.

"That's because she's my girlfriend, Will!"

"And us?"

now the alarms are going off. he knows something. "us" for will in this moment is just their friendship. "us" for mike is something more, because that's what's been brewing in him the whole time they've been apart. internalized homophobia in 3..2..

"We're friends! We're. Friends."

"Well, we used to be best friends!"

oh. he was just talking about our friendship. i was tweaking a little bit. and...ouch. will just officially said they aren't best friends anymore. and he's blaming it on mike. but mikes defenses are still up high.

"Well...well maybe you should've reached out more, I don't know! But why is this on me? Why am I the bad guy?!"

then will is lost for words, and he just look sad. and as mad as mike is, he hates seeing will that way.

i imagine the day or two between this and his apology, mike went over this fight in his mind multiple times. and the more he thought about it, the more he realizes, ah shit. i was way too in my head and this was completely one sided. will wasn't plotting against me, i just felt so bad for myself i convinced myself i did nothing wrong. all this because i thought he found new friends and i felt bad for myself. and now i've lost my best friend and made him feel like all of it is his fault. i have to let him know it's all on me.

tldr: mike is weird and gay.

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[meanbossart]

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

[dandylovesturtles]

listen ok I know shit is dire in CAS land (by @somerandomdudelmao) but I had this stupid idea and it's a slow day at work and I type fast so here you go I didn't proofread this at all

I'm sorry I made it silly

Massive spoilers if you haven't read the new CAS update

...

"I can fix it," is a much easier thing to say than to do. Casey's thinking that as he takes long, quick strides through the lair, turning the problem over in his head as fast as he can. He hopes Uncle Tello can't hear the parts of his thoughts that are in a panic, but based on their conversation before he probably can.

Uncle Tello doesn't say anything about it, and Casey kind of wishes he would, just for the reassurance that he's still there.

He's so absorbed in his thoughts he doesn't notice Donnie (the younger Donnie, the physical Donnie) standing in front of him until it's too late and he's already collided with his back. Coffee spills everywhere, though thankfully it only splashes his plastron where he can't get burned.

Younger Donnie whirls, something distinctly murderous in his eye that feels so weird and wrong directed at Casey. It cools only slightly when Donnie processes it wasn't one of his brothers bumping into him, and somehow that feels just as weird, that Donnie has to readjust his feelings to accommodate the unfamiliarity. (He's not family, not to this Donnie.)

"Is something chasing you?" Donnie snaps.

"Uh... no-"

"Is there a fire?"

"No, but-"

"Do you need glasses?"

"I don't... think so?"

"Then watch where you're going!"

He spins on his heel and marches off, toward the kitchen to get more coffee, Casey assumes. For a moment he's left too off kilter and dumbfounded to remember what he was doing.

Then Uncle Tello's voice in his head startles him out of it. What just happened?

Oh, uh... I ran into the other version of you.

Ran into?

Literally. I spilled his coffee.

Ah, and he didn't take it well.

And Casey knows he shouldn't stop for this. Casey knows they may be on limited time and he has to fix this and Uncle Tello shouldn't have to listen to his whining about things that don't matter.

But he's been holding in so many feelings for so long and even if it's just in his head, hearing his uncle's (dad's) voice makes it rush out of him before he can stop it.

I don't think he likes me very much. I touched his shell the other day and he snapped at me. I got mad at him when he touched your tech and that made him mad, too. I don't know how to talk to him.

He doesn't really know how to talk to any of them, is the thing. It used to be the easiest thing in the world, and now it's a wall he hasn't yet learned how to scale.

He can feel his thoughts spiraling against his will. He doesn't have time for this, but the grief and the lack of sleep and the lack of easy affection are all mixing together with the weirdness of it all into a dangerous Molotov cocktail of emotions and he's not sure what will light the fuse.

Casey Jr, says Uncle Tello's voice.

Uncle Tello?

Do you want to see something really funny?

Casey can't help but make a strangled noise at the back of his throat, one that isn't a laugh but isn't a cry either. Something funny?

Yeah. Trust me, it'll be hilarious. Go to my lab.

Casey hesitates. He doesn't let me in there without him...

I feel confident I outrank him. Wait, how old is he?

Sixteen.

Ahhh, that explains it. I know I'm an absolute delight now, but at that age I could be a real pill.

It startles an actual laugh out of Casey. Without arguing further, he rushes to Donnie's lab, quick before he can finish brewing his coffee.

How do I get in?

Is this the subway?

Yeah.

Okay, there's a manual override for the voice lock hidden in one of the wall panels, should be... three to the left, middle of the door. Give that a good knock. Shave and a haircut~

Casey does as directed, and the panel slides back, revealing a flat, glossy keypad.

What's the access code? he asks, feeling like they're on some secret mission now. Maybe it doesn't fall into what people in this time consider normal, but to Casey this is standard stuff. He falls into the rhythm of it like a well loved song.

Oh one one four twenty one twenty seven, says Uncle Tello.

Casey punches it in and the door slides open. He slips inside and hits the button to close and lock the door behind him. Donnie still hasn't returned; the mission is proceeding as planned.

Wasn't that the code for one of the weapons lockers in the old- at base?

Yes, it was. Poor security protocol to reuse codes, I know, but I'm partial to that one.

What is it?

Atomic Lass's birth date. Uncle Tello pauses, then adds, Has he shown you any of the old Atomic Lass episodes of Jupiter Jim?

Uh, no...

Ah, continuing to fail my already low expectations, Teen Tello. Never mind, we'll worry about that later on.

Later on. Right, they shouldn't be doing this, they should be trying to fix Uncle Tello, they should be-

To my computer, Casey Jr! I can't type so you'll have to do it for me.

Uncle Tello's voice pulls him out of his reverie, and he hurries to do as he's told.

Uncle Tello walks him through passwords and then through navigating the OS. It's old and out of date compared to what they had in the future (Donatello's custom OS, better than the hacks at Apple and Microsoft, or so he said), but when Casey had called it old and out of date Donnie had gotten mad about that, too.

Ada Lovelace, this is old, says Uncle Tello's voice now, and incredibly Casey laughs again.

But they find what he's looking for and then input a series of commands into the command line. Casey isn't familiar with all of them, but if he had to guess, they just sent a video from late 2019 to every device in the lair.

Alright, mission accomplished, time to retreat, says Uncle Tello's voice, and he hurries out of the lab, just in time to hear a ping from the phone in his pocket.

He pulls it out and watches the video. It's Donnie, only slightly younger than the teen Casey now lives with, adjusting the camera before grinning and posing in front of it. He's in his lab, though a different one than the one here in the subway. He looks cocky.

He moves further back from the camera so his entire body is framed in its lens, then steps onto a skateboard. He glides in a circle for a moment, then jumps to try and do some kind of trick. Casey doesn't know the name of it, but what he does know is that Donnie's feet get caught in his board, and he ends up tumbling to the floor, crashing in an undignified heap, arms splayed out and face smooshed against the concrete.

It shouldn't be funny.

(It's pretty funny.)

It seems the others echo this sentiment, because suddenly Casey can hear laughter erupting from elsewhere in the lair.

"OMIGOSH! Barry, you gotta watch this!"

"HAHAHAHA BRO ATE SHIT!"

"Hah... Don't worry Donnie, I'm sure you'll get it next ti-hahahahaha!"

There's the sound of scurrying feet, and then Donnie slides into the hall, glaring at Casey who forgot he should be moving away from the crime scene.

"YOU!" he screeches.

Casey freezes. What is he supposed to say? What excuse does he have? The you in my head told me to do it? Yeah right.

Casey does the only sensible thing and turns to run.

Casey Jr?

Uncle Tello!?

What's happening now?

The other you is after me!

Oh. Well. Better run fast.

Casey turns on the speed, sprinting down the corridor and toward the only exit he knows, Donnie hot on his trail.

Why is every younger version of you so scary!?

Oh please, there's no way that scrawny, barely pubescent mess is scary. Have you ever heard his voice crack?

...Well, yeah...

See? Hilarious. And we didn't even have to pull up my browser history.

Okay, but none of this helped us fix anything.

Ah well. One problem at a time.

[fiveht]

Proof of life (Adore pt 3)

Hello my sweet angel babies ♥️

I'm not going to be able to adequately express my gratitude for the steady stream of love (and concern, sorry) I've been receiving over the past couple of months. I'm so sorry I've been AWOL, it will definitely happen again. Because see, for me, I usually have to make a choice between social and creative fandom participation. My battery is small, and takes a long time to charge.

Thank you to everyone who's left comments and asks and DMs since I've been gone. I don't think I can respond to all of it, but rest assured those messages ping my cold, dead heart every time I see them.

So I'm gonna go out on a limb here. I did this same thing months and months ago, when I was working on Head Over Feet, and let me be clear: posting even a single word of a WIP goes against my every instinct and principle as an author. I am someone who likes to finish an entire story before I post any of it, and on top of that, I am NOT a fast writer, so the expectations that I'm setting up here might not be advisable. But I did it before and managed to finish the thing, and I want to give you guys something in exchange for being so unbelievably awesome, so here I am again.

This will probably be the only time I mention this story in public until it's finished and posted, and inquiries about my progress are unlikely to help with the writing process, I'm just saying. I reserve the right to change every last word of this before the final draft, and I also reserve the right to fall off the face of the planet and simply never finish it, as much as I will strive to prevent that from happening. Please be patient with me.

Anyway, here is my paltry offering to say thanks for the love: the (VERY rough) first ~1300 words of the third instalment of The Adventures of Soft Daddy and Danger Twink.

Sirius secures his handheld shower head to its holder at the edge of his clawfoot tub, and steps out carefully onto the bathmat. He shivers in the cool air outside the shower curtain; it's about twenty degrees below zero outside, so even if he could afford to run his ancient radiator at full blast, it probably wouldn't help much.

He dries himself off and checks his reflection in the mirror, turning his face this way and that as he tugs his hair out of the bun he'd piled it into to keep it dry during his shower. There's no need for makeup tonight, not when he's not even planning to put on clothes.

It's incrementally warmer when he steps out into the main room of his apartment. He gathers an array of splayed text books and notes from his bed and dumps them carelessly onto the couch, then closes his new laptop and places it delicately on the coffee table. It's the most expensive thing he owns, save for the Gucci backpack currently sitting in his wardrobe with a three-inch berth around it like his shoes and other bags might somehow contaminate it. It's weird owning rich-people stuff when you are still, objectively, broke as fuck.

He perches on the edge of his bed and sets his phone to charge, because his battery doesn't even last a day anymore, and he's going to need it this evening. He tucks it in next to his pillow and picks up his new toy.

The plug isn't much larger than the one he already has. A little longer, which is appealing, but no wider, so it shouldn't be a challenge to get it in comfortably. He disconnects it from its charger and hefts it in his hand, feeling the added weight from the electronics inside.

He picks up his phone, and hesitates when he sees the notification waiting for him.

Rieka: let's go out tomorrow

Rieka: the fact that we haven't been drunk since the term started is criminal

Rieka: we've had two chem labs and zero drinks

Sirius purses his lips, thumbs hovering over the keyboard. There's a fine line here, and he hasn't quite found it yet.

Me: got plans

Me: raincheck?

So complete avoidance is the best strategy, right?

Rieka: booooo 👎

He sighs, but at least she's not asking for an explanation. He opens a different conversation then, pushing all thoughts of Rieka Lupin into a tidy, sealed compartment, not to be opened during certain activities with a certain relative of hers.

Me: i'm ready

Me: are you in your office?

Daddy: Yup, I've got a few minutes

Daddy: Want me to call?

Instead of answering, Sirius hits the call button himself.

"Hey baby," Remus answers. His voice is already smooth and honey-sweet, and just from that, Sirius knows he's planning to lay it on thick tonight.

"Hi daddy," Sirius says with a smile. "Should I put it in now?"

There's a low chuckle over the line. "Are we feeling eager?"

"Always," Sirius says, laying back on his bed.

"Use the good lube I got you, it's gonna be in there a while."

He switches the call to speaker, and snags the bottle from his nightstand. "I threw out the old stuff, you've got me ruined for cheap lube."

"Only the best for that ass," Remus says, and Sirius can hear his smirk.

He gives the plug a liberal coating, running his fingers along its shape, his dick twitching just at the feel of the silky-smooth silicone, at the anticipation of what's about to happen. He spreads his legs wide, drawing one knee up to give himself easier access.

"Take it slow," Remus says, succinctly heading off Sirius' impulse to just shove the thing inside himself in one go. "Rub the tip against yourself, so you're nice and wet."

Sirius shuts his eyes as he obeys, sliding the slick end of the toy over his entrance. "Okay."

"Are you going to be a good boy for daddy tonight?"

"Uh-huh," Sirius says, teasing the very tip of the plug in and out of his hole.

"Tell me how."

"I'm not gonna touch."

"You're not gonna touch, and you're not gonna come."

"Yeah," Sirius says. His cock is starting to harden as his body tries to draw the plug inside. "Can I put it in, daddy?"

"Slow," Remus reminds him, "Slide it in nice and slow for me, baby."

Sirius catches his lip between his teeth and tries to push the plug in slowly, the way he knows Remus would do if he was here. 

The shower has left him relaxed and more than ready, and it's hard not to take advantage, just press the toy in to its limit because he can. But he's working on his patience -- under Remus' careful tutelage -- so he shuts his eyes and tries to savour it, the tease of the plug's rubber tip at his entrance, the slow stretch as he eases it past the slight resistance before he sighs, and his body eagerly accepts the intrusion.

"Mmmm," Sirius sighs as he settles the base of the plug flush against his entrance, shifting his hips and feeling the constant, dull pressure against his prostate.

"How's it feel?" 

"Good," Sirius says, splaying his legs out and just enjoying the pleasant fullness. It's been almost a week since Remus last fucked him, and that's just way too long. Christmas really spoiled him. He tugs the blankets up around him, because it's going to take some time before his body temperature is high enough to fight against the chill in his apartment.

"Have you tried out the settings at all?" Remus asks him, and Sirius picks up the phone, switching off speaker and holding it to his ear.

"No," he says, grinding his ass down against the bed to test the plug's reach inside him. "I thought you'd rather do the honours."

Remus hums, and Sirius hears the phone shifting in his grip. "I'm gonna turn it on, okay? Lowest setting."

"O--" Sirius stutters as the plug buzzes to life inside him, nestled snug against his prostate and sending little zings of pleasure down his legs. "Fuck that feels good. That's the lowest setting?"

"It is," Remus confirms. "Want to run through them all, see how high it goes? Or would you rather be surprised?"

"Mmmm, surprise me."

"Surprise it is," Remus says, and Sirius hears shuffling papers in the background as he prepares for his night class. Psychology 1001, Thursdays, 7-9:30PM. Two and a half hours of a lecture that Remus swears he's given so many times he could recite it in his sleep, so why not give himself something fun to focus on while he goes through the motions? 

Being privy to all of this brilliant, upstanding man's secret perversions is a privilege Sirius does not take lightly.

"You can turn it off from the app if you need to," Remus is saying, "Or you can call me and I'll switch it off. My phone's on vibrate, so I'll see it right away."

Sirius smiles to himself. "Got it," he says, though this is a rehashing of the rules that Remus had laid out when he'd brought the plug over last weekend. He'd called it a "late Christmas gift", as if he hadn't already given Sirius several thousand dollars worth of presents on Christmas morning.

There's more rustling over the line, the squeak of a chair. 

"Tell me again how you're going to be good tonight."

"I'm not gonna touch myself, and I'm not gonna come." The toy is still buzzing away inside him, making everything a little fuzzy at the edges. 

"Tell me why."

"'Cause daddy's in charge, even when he's not here."

"Good boy."

Sirius squirms with pleasure, his cock smearing a little drop of fluid on his belly as the toy hums insistently at his prostate.

"I have to head out," Remus says. "How do you feel?"

"Good," Sirius says, his abs tensing as he shifts his legs and the angle of the toy changes. "Excited."

"Me too," Remus says softly. "I'll talk to you soon, beautiful. Send me some pictures." With a low beep, the call disconnects.

[ministerlo]

Like Father, Like Son

I'm sitting on the couch, reading a fantasy book I liked, completely absorbed by it. It’s the weekend, and I'm enjoying your time alone at home, as usual.

Suddenly, I hear the front door open. It could only be my mother and… "him". Your mom’s new boyfriend.

I don’t like him at all. He often takes advantage of your mom, and I don’t know why she still keeps him around.

"Hi Mom" I say cheerfully, I adored my mom, she raised me all by herself after dad left us, the only problem with her was that she had gotten with. "Hey punk" Steve, he wore his dumb smirk as he took off his shoes.

"Hi sweetie." mom speaks to you with a smile.

"Where'd you guys go." I say trying to sound as polite as possible to Steve in front of my mother, she didn't need the extra stress of knowing I didn't like her boyfriend.

Mom goes to the kitchen to put down her stuff. Steve, on the other hand, walks towards me, and sits down right next to me. He makes sure to sit so close to me that he’s practically touching me. "We just, walked through the town a bit." he says as he puts his arm around me.

I looked at the time, "Wait, mom don't you have a meeting soon?"

She looked at the time "Omg, I need to run, be good for Steve sweetie" as she rushed off to go to her meeting on time.

As I watched her leave I finally snapped at Steve "Get your hands off me."

"Why would I?" He smirks deviously.

"What do you want?" I asked irraitedly

He laughs, and pulls me closer to him. He’s now holding my shoulder firmly with one hand, almost like he was trapping me down to the couch. "I just want to spend some time with you, that’s all. We never got to have one-on-one chats, you know." He says with a cocky smile.

"Why would I need to spend time with you?" I asked raising my voice.

"Aww don't you want to spend time with your good ol' step dad?" he said grinning from ear to ear

"You're not my dad!" I screamed, you're just a rebound for my mom.

"Ohh, that's gonna change soon." He said under his breath, I could barely hear him, I glared at him for that but my last mistake was looking at his eyes.

"What's wrong with your eyes." I asked head suddenly getting increasingly dizzy.

"Hmm, what?" He said in a teasing tone.

"Your eyes, they're, spirals." At this point I could barely form a coherent sentence my head hurt so much, it felt like a million tiny needles were stabbed into my brain, not only that it felt like a fog was in my head stopping all thoughts from being processed.

He laughs, and looks back at me with his hypnotising eyes. "Yeah, they’re pretty cool aren’t they?" He chuckles as he looks me deep into the eyes, almost like he’s staring down my soul.

"I-I feel weird." Stammering I try to get rid of the fog that was incasing my head.

He continues to stare down into my eyes, still holding me close to him "What do you feel? Explain it to me." He says while chuckling, as if he knows exactly what I feeling but wants me to say it out loud.

"Head's foggy." I could barely hear myself over the hammering over my head.

He chuckles yet again, seeing that I was slowly getting affected by his eyes "Anything else? Do you feel dizzy? Or dumber?"

I couldn't think to refute or shout at him, I could barely speak over the indescribable pain that I was feeling, all of a sudden my body felt like there were weights attached to them. "Dizzy, body feels weird as well"

He smirks, seeing how quickly the effects were taking over "Oh really, come over here." He raises his armpits "maybe this will make you feel better."

I couldn't refute him, my body wanted someone to anchor me and think so I obediently sniffed his armpit, all of a sudden everything felt so pleasurable. As I mindlessly sniffed at his armpits I tried to resist the urge to lap at his armpits.

"That's a good boy, just follow your instincts, don't fight them." He said smirking, he could see the changes that were occurring to me, my hair for starters turned a more dirty blond and messy, he could tell that my face shape was changing, becoming much more angular and chiseled, he also saw that I was growing much more body hair, especially in my armpits.

Since he told me not to fight my urges I decide to start lapping up the sweat, his musky, and manly scent was intoxicating to me. As I continued to obediently lap and sniff my changes were accelerated, my muscles becoming more toned and defined, looking like that of a football star, my feet grew larger, I grew a few inches, both in my dick as well as my height. As the changes progressed I started to produce my own manly and musky sweat, not only that but the musk started to slowly turn me on.

"That's a good boy." Steve told me before he pulled me out of his armpit I whined. "I see, your muscles feel heavy. Your body feels strong, your head hurts and you feel dizzy. Is that right?"

I don't know why but I felt the urge to be obedient rather than defiant to a person I once despised "Yes"

He grabs my chin with his hand, forcing me to look into his eyes even more as his smirk becomes bigger "Can you feel your mind getting empty? Feeling slower than usual? Maybe even a little dumber? Or can you still think fine?"

"I can think, but my memories are emptying out" I obediently answered.

He notices that I told him that my memories are starting to disappear, as he continues to stare at me intently in the eyes as I starting to go dumb "Good, good. Let them fade away. You don’t need them anyway. You’ll be given new ones soon, so why even bother with them? Just drop them. Let them fade away from you mind as you slowly feel your intelligence and free-will go lower and lower…"

I suddenly felt a defiant surge as I struggled "What, are you doing to me"

He chuckles as he takes notice of my slow reaction and confusion. It was cute to him that I was so clueless "You still haven’t figured it out? You’re really that dumb, uh?" He says while he slowly moves his hand up to my head, and begins petting me as if I was a pet.

"I- no dad, wait what?!" I gasped at my accidental slip at calling him dad. "I my memories, you're not my biological dad but are at the same time"

He grins as he sees thatI'm slowly realising what’s happening. He knows I'm getting close to the truth, and he’s enjoying every second of it "That’s right kid, you’re almost there." He says as he continues to pet and caress my hair while staring deep into my eyes

"Are my memories-" before I could finish I was cut off.

He grins from ear to ear as he hears you say that"That’s right, your memories are slowly getting replaced. Soon, you won’t remember anything from before. Nothing. You will fully think I’m your new real dad. And you’ll be my new son."

"Why do I feel so sore dad." my memories were already starting to be replaced and I was already accepting the new ideas that were implanted in my head.

He laughs and looks me up and down "Do you know why your muscles are so sore? It’s because they’ve grown. You’re so much bigger than before, and your muscles are so much stronger and for that strength your intelligence and free-will have been slowly disappearing. You don’t need them, you don’t need to think, just being the good son that I tell you to be."

"Yeah just be a good son, wait- no what about mom!" as I was accepting my new fate I remembered my mom and was able to break free.

He scoffs as I mention my mom "What about her? She’s not here, she’s not important. To you, I’m the most important person, right? You only listen to me, right? Obedience, love and loyalty is the only thing you feel for me. Right?"

"Yeah." I said back in his control.

He grins, seeing how obedient I've become. He loves having control over me. I’ve become so dumb and submissive, it’s so amusing to him "That’s good, kid. You don’t need your mom, you don’t need anything or anyone. My control over you is absolute. You only exist to please and obey me. Isn’t that right?"

As the mindless haze fully set in my cock grew rock hard, all the thoughts slipping from my head, increased my everything, my libido, my strength, my muscles and my pleasure. These thoughts also made it so that I had lost all of my queerness, thinking only traditionally without a single liberal thought. "Yeah I'm your good obedient son." I said as I chuckle dumbly.

He grins and ruffles my hair again. He feels so satisfied that I’ve become so weak-willed and obedient. It’s almost intoxicating to him to have such control over you "That’s a good boy. A good, obedient, dumb son. Exactly the kid I’ve always wanted. So strong and muscular, yet so dumb and easy to control and manipulate. You’ll do anything I say, right?"

"Yes dad." I said.

"Good, let's start replacing your memories then. From now on you're Kyle, my ideal son, you’re the star quarterback. The most popular, well liked, and most muscular guy in school. Everyone looks up to you, and all the girls want to be with you." He stated.

"Now one more thing, you'll do it for me won't you, since you're my good dumb and obedient son." He asked knowing full well that I would say yes.

Just as he expected I nodded.

"That’s good, kid. Now, here’s what I want you to do. I want you to completely, and utterly forget about your mom. Right now."

"Mom?" I asked questioningly.

He grins and looks, satisfied with my reaction "That’s right, I want you to forget about your mom permanently. Never think about her ever again. She’s not important to you anymore. All you should think about is me and obeying me. You only exist to please me, and that’s all you need. Got it?"

As the commands set in I replied "What mom?" completely clueless of my last attachment to my previous life.

He grins widely, the satisfaction of seeing me forget my mom growing more and more "That’s right. Mom? What mom. There is no mom. Just me, right? Your only focus and thought is pleasing me. You’ll forget that you ever had a mom. As far as you’re concerned, I have always been your only parent. You only listen to me, nobody else, right?"

"Of course dad." I was so deep into the commands I only remembered to be his perfect son, dumb, sweaty, muscle-bound, obedient, straight and catholic.

He snaps his fingers as the trance ends looking at me lovingly, enjoying just how much far I've become, from the previous nerd that hated him and didn't even consider him a step-dad to this good, dumb, muscle-bound jock that loved his dad.

"yoh, dad, you coming to my football game this Friday?" I said, completely unaware of the previous tranced state I was in and the past life that I lived out.

"Of course." He said smiling, loving the good son you had become.

As we chatted the door unlocked, revealing to us the lady that was my previous mom.

[apple-salad]

Rose Ribbon Embroidery "Mini" Projects (for BABY NYFW) Part 2: Embroidered Bonnet

I decided semi-last minute to attend BABY's fashion show at NYFW!

BABY had mentioned in their NYFW brand description that their newest collection would be a return to their origins, as well as presenting archival items.

You have to dress to impress for NYFW, right? So of course, I had to pull out all the stops and wear my Rose Ribbon Embroidery.

Also at the last minute, I decided to make a few extra complementing items...

A matching RRE kumya JSK, and a bonnet.

What follows is more of a sew-along/journal rather than a tutorial or guide, mainly for my own memory's sake. But if you enjoy looking at my process (sometimes sloppy), I'm happy!

Also feel free to take a look at the more romantic process video I edited.

Part 1: Kumya JSK

Part 2: Bonnet (you are here)

This post will be my process pictures and notes for the bonnet, as well as a matching mask as a bonus.

I don't believe BABY released matching headwear for Rose Ribbon Embroidery, although I've seen an unknown velveteen headbow with rose lace sold with RRE before.

BABY usually coords RRE with the bunny ear bonnet since Ichigo wears it this way in Kamikaze Girls.

I do own this because I wanted to wear an Ichigo-like outfit at some point, but for this occasion I decided to do something different and make a "matching" embroidered bonnet.

I originally wanted to make a hard bonnet with a very defined brim that could show off the embroidery clearly as I don't really like soft bonnets, but when looking at existing BABY bonnets as a reference, it doesn't look like hard bonnets were a thing back in 2004 (and as it is, BABY rarely releases hard bonnets). So to keep with the oldschool theme, the bonnet is a soft one, although I later make some decisions to make it slightly more structured.

The next decision to make was full bonnet vs half bonnet. The bunny ear bonnet is a full bonnet and I think this is technically more "period accurate", but I am not a fan of how they look like a weird hood from the back so I opted for half (plus, that makes construction and patterning easier for me).

I still used my own bunny ear bonnet as a reference for approximate brim dimensions!

The kumya JSK was a little easier to carelessly sketch out and embroider since I was copying 1:1 from an existing design, but I felt I needed to do at least a bit more careful planning for the embroidery on this. I'm quite bad at creating embroidery designs from scratch, but with the mental image of the rose clusters and swags of vine, as well as referencing the embroidery from the film, I came up with this:

I wanted to emulate the embroidery style of the Momoko's (well, in reality likely the embroidery designer Onoe Megumi--unclear if she did the actual embroidery, but it's likely) embroidery, which I figured wouldn't be too difficult if I was also embroidering by hand.

For material, I am using the same velveteen I used for kumya's JSK. Not my first choice and I actually purchased some thicker looking 100% cotton velvet that I thought would be more similar to the original JSK material, but was worried it wouldn't arrive in time and wanted this project out of the way in case things went wrong/took longer than I expected (it did arrive about a week before the event, but it was totally wrong IRL so I'm glad I just went with this acceptable option). I also bought some more torchon lace, so I used that and another lace from my stash.

The colours of the embroidery in the film also seem to be quite different than BABY's dress. I'm not sure if the pink of the roses has faded over the years, but it has a slight salmon tone whereas the film's roses seem to be more of a pale cool/neutral pink (hard to tell with the yellow tint of the entire film) with some variegation. I love the colour scheme of the film's embroidery, but to keep things coordinated I try to opt for the same colours as the actual dress I have.

I only have white silk ribbon in the width I wanted, so I opted to attempt to dye it to match. Previously I have used alcohol markers to colour the embroidery afterwards, but I find the colour hard to control and it tends to bleed into the fabric. I've also tried colouring the ribbon with the marker before embroidering, but without heat setting the colour transfers onto the fabric as well (and it seems like trying to do so with the amount of ribbon I need would be a waste of ink).

I don't have a lot of experience with it, but since the ribbon is silk, acid dyeing seemed like the way to go.

Very interesting photo of ribbon in pot (the pink ribbon gets eaten up by pinwheel roses much faster than I expected so this is the second batch I had to dye--not ideal as they are definitely slightly different in colour but it's not too noticeable). In total, I think I had to dye 3 batches of ribbon and 4 for the pink ribbon as I just barely ran out near the end, and they are all slightly different colours. Thankfully the undertone is the same so it's difficult to tell unless you are really comparing up close.

I thought I would take this opportunity to use the "peach" acid dye that I bought years ago for another project, but this ended up being a mistake as the colour was totally off (maybe the red dye was too expired). I ended up using my regular fiber reactive procion dyes (with heat/acid), because I have many more colours I could mix together, and that was much better. I really should have done this from the start as I wasted perfectly good silk ribbon by making it too dark/off for my purposes (I ended up overdyeing it in pink so it's a usable colour now, but not for this project).

The silk seems to take on dye extremely fast--even just heating up the dyebath will colour it. In some cases I removed the ribbon before adding any acid at all because I felt the ribbon was already getting too dark.

I managed to get a fairly usable mossy green colour for the leaves and vines, however the pink still ended up being a little off/dark compared to whatever BABY used. It's not too bad here as one strand of ribbon, but when many layers are on top of each other in a rose it seems pretty dark. While not ideal, I think it's still okay, especially considering the embroidery colours used in kumya's JSK match nothing else (many pinks will be going on in this coord).

After dyeing and drying, the ribbon is super wrinkled so I ironed it and wound it on some spare card so it's ready to use.

And now I can start the arduous process of embroidery.

Like before, I mainly use a combination of ordinary ribbon stitches, pinwheel roses, and french knot roses. However, this time I try harder to duplicate, or at least evoke the appearance of the embroidery of the film.

It's interesting how plain and somewhat boring the roses look on their own, especially with this monotone colouring. The varied colours of the film's embroidered roses are lovely, but I decided against it here because the BABY dress has monotone ribbon roses.

The roses definitely seem to just be pinwheel style which is very easy and doable, however I am a bit more confused about the leaves. They look like a number of straight stitches in various lengths and directions that fill in a leaf-like shape. I have no idea if this technique has a name and if there is a proper method for it, because I am a silly beginner who is very uneducated in embroidery.

Anyway I do my best and hopefully I got close enough. Ribbon embroidery is really all about the texture, which is really lovely to look at. Except I have trouble looking at my own work for too long because I start nitpicking all the mistakes I made...

Adding the green and leaves really helps the embroidery come to life.

I took even fewer pictures of the embroidery process than kumya's JSK this time because it's not that interesting. I was definitely getting sick of doing the same pinwheel over and over...

I stupidly decided that aside from embroidering the front of the brim, I also wanted a little bit of embroidery on the back of the brim for interest, as well as on the side.

The designs I drafted out for these two pieces is much simpler, but still, more work....

Almost ready for construction! Hopefully a lot faster with the handwork out of the way.

I iron on some interfacing onto the back brim panel and the bonnet band for slight extra stiffness.

The bottom part of the brim is plain cotton sateen because I was worried that the part that touches the head would get dirtier more quickly it if was velveteen.

I wanted some lace gathered around the brim and an extra velveteen ruffle on the back of the band, so I prepare that now. The lace is gathered with a single gathering thread and sewn down before sandwiching between the two brim panels.

Brim sewn and topstitched (and band is ready for attachment).

The upper flowers ended up a little closer to the top of the band then I intended, but I think it's okay.

Gathering brim and attaching it to band. Because the velvet fabric is so thick, the usual "sew one line of stitching with a wide stitch length" not only made the fabric incredibly difficult to gather, but the thin polyester thread also continually broke when trying to do so. Therefore, I opted for an alternative method I think I'd remember seeing in my sewing machine manual of all things--a zigzag carefully stitched over a central gathering thread. This worked much better, although I probably should have used a thicker/extra strong thread as the central gathering thread because it did break the second time I had to gather the brim due to a mistake.

I also add a bit of lace to the inside of the brim. I think this adds some luxury and frilliness between the head and the bonnet's brim, so I wanted to add a small width. I probably could have used even more of the lace's width since it turned out very subtle when worn. But I still think it adds a small amount of interest to the innermost part of the brim and was worth adding.

Unfortunately here after sewing on both brim parts I realize that I gathered both using an incorrectly marked centre line, so I had to rip it out and do it again ;_;

Next, I can carefully align and pin the bottom of the brim to the bonnet and sew it down. I tack this down by hand because I'm not skilled/accurate enough with a sewing machine to topstitch both sides nicely at once (look closely, and my messy stitching is quite visible...)

I also fold in the raw edges and finish the sides of the brim by hand, leaving some openings for ribbon ties.

At this point I spray almost the whole bonnet with water to disperse and fade my markings. Unfortunately, some of the earlier batches of ribbon that I dyed (Can you tell the variance in the 3 dye batches I needed to do?) were probably not washed well after dying and seem to have bled into the fabric from the water...but hopefully it's not too noticeable.

Next I topstitched all around the brim and attached the ribbon ties.

I bought some double sided velvet ribbon in my last minute supplies shipment and made some bows from it. I think the material is a little thick and petersham would have worked alright as well, but the consistent velvet material feels more luxurious, doesn't it? I also think as an added benefit (?) the ribbon being plush and double sided made the bows more puffy looking.

I add some clips to the sides and a toupee clip to the top for security. I opted for a toupee clips because I think it's really the way to go if you don't want the head item to move at all, no matter how thin or slippery your hair.

Finished.

Bonus 1: rose accent pin

I was in a bit of a rush at this point as it was near the end of the week coming up to the show, so I didn't take any photos of the process here but the technique and templates I used were identical to my handmade faux rose rosettes I made for UM (and the bonus corsages). I have a post with all the details of this sitting in my drafts that I will post eventually, and I will update this post when that happens.

The brooch was just meant to add a bit of 3D faux flower accent to the bonnet, bringing in the rose motif even more. Partially inspired by the faux flowers BABY adds to their bonnets sometimes, like on Milk Tea Doll.

The fabric was "custom dyed" with the same fiber reactive dye I used for the silk. The fabric was further starched, cut out by hand, and shaped with flower iron tools before gluing together.

Bonus 2: matching embroidered mask

I wasn't sure about whether or not I wanted to wear a matching mask, but decided to do so for situations when I would want my face at least half-covered in public. I didn't really expect to be visible in fashion show pictures as someone in the back, but just in case. (I think this decision was worth it, although my makeup transferred all over the thing and in most pictures my face was even more unflattering. eh well)

I forgot to take a lot of pictures of my process for this, but it's very uninteresting and not dissimilar from every other mask sewalong from 2020. I draft out a design similar to the bonnet motifs on both of my mask panels (cotton sateen), and embroider.

I should have embroidered closer to the centre of the mask because when worn the embroidery is not very visible/covered by my hair at the sides. What can I do since the panels were already cut though...oh well!

The lining material is some Japanese CLEANSE Ex fabric I had bought previously to make masks during the pandemic. It's supposed to be antibacterial and antiviral, as well as washable, but I have no idea how well supported those claims are.

Sew together normally on both upper and lower sides, turn inside out, add a channel for nose wire and side channels for elastic.

I also have some mask elastic on hand so I use that.

And the finished outfit again with all my items~

Thank you for reading! If you ever feel inspired to take up a similar project, such as the kumya JSK, I'd love to see it!

[dreamyfreakout]

About being a boygirl/girlboy:

Pronouns are more like they? she or he or uhm idk lol it's kinda fine I'm just exploring 🧑‍🚀🚀

There's def some plurality/system stuff going on for me ^_^ (and has been something I've been processing for a couple of years) & it's very tied to my body and gender too and sometimes my gender euphoria is just like really fucking diff.

I really don't care too much about being called a girl atm ~ and I am fine being a boy or boygirl or pup :3 ~ it's a lot of fun to explore gender without caring what other people think and I'm super lucky to have lots of people in my life who care about me and get that heheh :3c

It is really cool how chill people have been online/offline 💖💖💖🐶

but yeh aa gender is weird and silly and fake and so important and cool and kinda just changes for me ~ that doesn't make me any less of any one thing, but aa I get to be lots of stuff at diff times ^^ I really love my body in all genders and it's really great to just freely feel however I want to! ^^