#the prince and the evening star

[60s-heartshaped-chevrolet]

[valerieandherweekofwonderz]

Libuše Šafránková in Princ a Večernice / The Prince and the Evening Star (1978) dir. by Václav Vorlíček.

[natalie-waite]

Princ a Večernice/The Prince and the Evening Star (1978)

dir. Václav Vorlíček

[greencheekconure27]

Czechoslovak fairytale films, aka Libuše or Miroslava Šafránková and her cringefail prince.

[czgif]

Libuše Šafránková and Juraj Ďurdiak in The Prince and the Evening Star (Princ a Večernice) 1979, dir. Václav Vorlíček IMDB

[hulkowaaa]

Princ a večernice (1978), rež. Václav Vorlíček

[taffetastrology]

The signs as Václav Vorlíček movie costumes

Aries

Taurus

Gemini

Cancer

Leo

Virgo

Libra

Scorpio

Sagittarius

Capricorn

Aquarius

Pisces

[lacebird]

"What would you prefer?"

AHSOKA (2023-) | 1.05 Shadow Warrior

[heartorbit]

can i get a magical girl set please

[demaparbat-hp]

How does that first encounter go down between them in your Spitfire AU? I imagine some real conflicting emotions on all sides!

I would love to hear you ramble!! ❤️

*cracks knuckles* Alright, let's do this.

As far as the world is concerned, Lu Ten II doesn't exist and the Royal Bloodline ends with Princess Azula. The little kid that follows Prince Zuko everywhere? That's Ten Ten, an orphaned stowaway his Crew found and adopted for some weird reason no-one ever questions—the kid is just that lovable.

(It helps, honestly, that Lu Ten II is a carbon-copy of poor, forgotten Ursa. No one would ever think to connect him with Fire Lord Ozai, long may he reign.)

Little Ten Ten loves to run off when the Crew is on shore leave. He gets into trouble sometimes, but only because of his chronic inability to look away from people who need help (it makes Zuzu both so proud and so shouty-because-he's-worried. It's fun until it isn't).

By now the Crew knows not to panic when the kid goes missing for a couple of hours in a harbor town—which is why no one noticed Ten Ten's disappearance until it was too late.

"Could someone please explain to me," what starts as a mutter becomes a shout as anxiety takes over Sokka, "why on earth did we go into town to buy necessary, highly specific supplies, and returned—not only with a stolen waterbending scroll—stolen! From pirates, Katara!—but with a Fire Nation-looking KID?!"

While Ten Ten is having the time of his life goofing with Aang, out-sassing why-is-this-happening-to-me Sokka, and melting Katara's heart—Zuko is losing his mind, sanity, and temper because how on Agni's name do you lose a Prince of your nation?

But, sir, he's like three-feet-tall—

HOW, JEE?!

Needless to say, the pirates kidnap the pretty waterbending thief and her kid with the sharp tongue and fancy-looking clothes. Which turns out to be a Bad Idea™ because, well, a skinny guy from the watertribes and his way-too-young-to-be-bald companion? They can absolutely deal with them.

A Crew's worth of murderous Fire Nation soldiers lead by the unforgiving, terrifying, bloodthirsty Prince?

They are not ready for that.

[isuggestwishcraft]

is this anything.

[hillerska-official]

I'm fully obsessed with how willing some people are to take things at face value. I did some reading to find out the best star trek TOS novels and on so many of them (interestingly enough it's usually for the ones written by women, but I digress), people leave bad reviews specifically with the same complaint, time and again. "Spock is too emotional in this. Spock is purely logical you can't write him with emotions like this." And every time i read that complaint i am fully fucking flummoxed, because of COURSE Spock is emotional, what the hell are these people talking about. Spock is shown over and over again in the show to be a deeply emotional person. This is something he vehemently denies, granted, but it is obviously intended to be clear to the viewer that he is LYING when he denies having emotions. Jim and Bones have very specific Looks reserved for when he tells this lie.

There is a very specific reason Spock tells that particular lie, of course. A pretty emotion-based one at that. Spock has a very complicated relationship with his parents and with his human versus his Vulcan culture. Growing up on Vulcan of course Spock wanted to be less human, and be more like his peers. But the fact is that even Vulcans are not naturally emotionless/logical, and they actually have very specific historical reasons for so deeply valuing logic over emotion. So it is absolutely baffling to me to see people just take what Spock tells us about himself entirely as truth. Spock is a bitch and a liar (affectionate) and he is so deeply human in so many ways. That's why people enjoy his character in the first place, imo.

[clown-prince-of-gay]

Finally...

This is done...

I made some fanart for @cloudy-dreams. I thought her Sona was really pretty and adored how tall she drew her.

I'd also just decided to make my sona (Star) pretty small and pocket sized. I thought they'd make a pretty funny pair if I put em' together in the same artpeice. (plus, cloudy is. quite fun to draw and I had a wonderful time adding some little details like some very pretty eyeshadow)

Regaurdless, this was super fun, and I really hope you enjoy!

As always, reblogs and likes appreciated! Do not repost!

[natalie-waite]

What I really need is a whole film just about the sisters from The Prince and the Evening Star and their magical husbands with their slutty outfits

[thestarswillguide]

Me to my sis: "Wow, Aaravos is literally the first antagonist I've ever seen in an animated show not do any insane facial expressions. Finally a villain who isn't crazy."

Aaravos in s7:

Me: "I was wrong."

[czgif]

Libuše Šafránková and Juraj Ďurdiak in The Prince and the Evening Star (Princ a Večernice) 1979, dir. Václav Vorlíček IMDB