#czech fairy tales

[leona-florianova]

Racochejl

[lightsinthemist]

Every time I read a post complaining about Lucille and how evil she is, I just think about how none of you would handle Milada from The Seven Ravens (1993). Not now, and definitely not as a kid.

[mist-the-wannabe-linguist]

Dunno how to put it properly into words but lately I find myself thinking more about that particular innocence of fairy tales, for lack of better word. Where a traveller in the middle of a field comes across an old woman with a scythe who is very clearly Death, but he treats her as any other auntie from the village. Or meeting a strange green-skinned man by the lake and sharing your loaf of bread with him when he asks because even though he's clearly not human, your mother's last words before you left home were to be kind to everyone. Where the old man in the forest rewards you for your help with nothing but a dove feather, and when you accept even such a seemingly useless reward with gratitude, on your way home you learn that it's turned to solid gold. Where supernatural beings never harm a person directly and every action against humans is a test of character, and every supernatural punishment is the result of a person bringing on their own demise through their own actions they could have avoided had they changed their ways. Where the hero wins for no other reason than that they were a good person. I don't have the braincells to describe this better right now but I wish modern fairy tales did this more instead of trying to be fantasy action movies.

[marmota-b]

It should also be noted that while the above are all film fairy tales with tenuous connections to actual old folklore, S čerty nejsou žerty is (somewhat loosely) based on a fairy tale recorded by Božena Němcová under the name Čertův švagr ("The Devil's Brother-in-Law", and IIRC in this case the "devil" translation is fairly correct because unlike in the film the character is the devil? Not 100% sure right now, at the very least he's not a lowly minion the way Janek in the film basically is.) In there there isn't any mix-up with the grandmother, or any business with tails; but it's still a good example of this idea of justice and adherence to a certain kind of code of honour: the protagonist is hired to work in Hell, accepts because he's out of options, and is released after his contract is up, with rewards, and no indication that they'd be inclined to keep him there against his will.

WTF is a “čert”

-a guide from a bilingual Czech

while English has words like devil and demon, čert is a slavic mythical creature, that doesn’t have an accurate name in other languages

Czech has three (common) words:

Ďábel - THE devil, ruler of hell, usually interchangeable with Lucifer

Démon - demon, used when talking about other creatures from other mythologies

(and the enigma) Čert

Čerti (plural) are the devil's minions. They either work directly in hell or are sent on earth (often as a punishment) to make deals with sinners and drag them into hell. However they’re commonly depicted as silly idiots or playful, mischievous tricksters. And selling them one’s soul is seen as confirmation of their own foolishness (make stupid choices, win stupid prizes).

They look like humans (mostly men, but you can come across a lady here and there), with added goat features- horns, tails and sometimes even hooves. Their clothes are haggard, often featuring furs, they’re covered in soot and other dirt.

While in old tales are seen as an actual threat, nowadays (in mostly atheistic czech society) they’re depicted as pathetic little meow meows- comedic relief characters, laughable villains and even love interests for princesses (turned into humans for their good behavior)

They can be found in basically every other czech TV fairy tale. While I have seen people suggest to just use the word krampus in english, because of the surface level similarities between the two creatures, I wouldn’t recommend it. Because A)they have widely different vibes B)some czech (and other slavic) might punch you in a fit of patriotism

Disclaimer: while creatures like this are in many (if not all) slavic folklores, under varying names, this post is centered around the czechoslovak version, because that’s what I’m familiar with

[s-u-w-i]

Three more requests! I meant to make them all black&white but well, green knight somehow doesn't work all that well without green 🍀

IX. The Green Knight for romanodegois and @a-gremlin-for-my-thoughts VIII. Otesánek eating his mum for msdearcos who asked for folklore's creature from Czechia VII. for christine.kasparian who asked for spooky fairytale for the autumn season. I chose czech fairy tale Hádanka (Riddle) about this queen who made household items from the bones (and hair) of her lover to take a revenge on his killer.

Enjoy! 💀

[happylittleghost]

První šestice je hotová ale nebojte ani zdaleka nekončíme. Vaše další oblíbené lodě které chcete v této sérii vidět klidně pište do komentářů. (Nebojte petriáš je hned v další šestici)

Pokud bych udělal speciální šestici na Cimrmanovy queer postavy koho by jste tam chtěli vidět?

[valerieandherweekofwonderz]

Vlastimil Harapes as the Beast in Panna a netvor / Beauty and the Beast (1978) dir. by Juraj Herz.

[periodcostumefantasylover]

Cinderella's cape in Three Wishes for Cinderella

[czgif]

Loupežnická pohádka (The Robber's Fairy Tale) 1964, dir. Eduard Hofman IMDB YT

[horror-aesthete]

Beauty and the Beast (Panna a Netvor), 1978, dir. Juraj Herz

[lightsinthemist]

#ngl 'two evil advisors that have a gay thing going on' is my favourite czech fairy tale trope #(and yes they do have a gay thing going on na tomto kopci zemřu)

Matching gifs for you and your enemy/co-conspirator/lover

[atempause-art]

princezna ze mlejna když už máš toho čerta s vodníkem? 👉👈 teda asi to neni traditional fanart ale když už tak už

musím se přiznat, že tohle je jedna z pohádek co nemám rád. ani nevím přesně proč, ty vajby tam prostě nejsou. a popravdě kdyby mi to spojení s tím filmem došlo při vymejšlení těch dlou teplejch debilů, tak je nejspíš z adama jiný strašidlo než čert

každopádně čerti tam sou fajn

[lightsinthemist]

Sedmero krkavců (1993) Theme by Petr Hapka

[glasscandywitch]

gankutsuou + beauty and the beast, dir. jean cocteau (1946)

[feedmestraycats]

Výborné zbarvení!

Racochejl

[princesssarisa]

The next section of Cinderella Tales from Around the World is devoted to a lesser-known Cinderella subtype: One-Eye, Two-Eyes, Three-Eyes.

*The most famous tale of this type is the German version from the Brothers Grimm. To summarize:

**A woman has three daughters, each with a different number of eyes: One-Eye, Two-Eyes, and Three-Eyes. The middle sister, Two-Eyes, is hated and abused by her mother and sisters because she's beautiful and normal-looking. (There's no mention of how many eyes the mother has.) Every day she's sent out to pasture the goat, starving because her family only feeds her scraps. But one day she meets a "wise woman" (i.e. a fairy) who instructs her to recite a rhyme, and then her goat will bring her a table covered with food. She does this every day, until her mother notices that she's not eating her scraps anymore. One-Eye goes out to spy on her, but Two-Eyes sings her to sleep. Then Three-Eyes goes out, and again Two-Eyes sings, but in her lullaby she mistakenly sings "Two-Eyes" instead of "Three-Eyes," so only two of her sisters' eyes fall asleep while the third stays awake and sees how she feeds herself. She reports it to the mother, who kills the goat. But the wise woman instructs Two-Eyes to bury the goat's entrails, and when she does, a tree with silver leaves and golden apples grows from the spot. Whenever the mother or sisters try to pick the apples, the branches move out of their reach, but Two-Eyes is allowed to pick them. One day, a handsome young knight rides by, and the mother and sisters hide Two-Eyes under a barrel. But the knight admires the tree and asks for a branch from it, yet neither One-Eye nor Three-Eyes can break one off. Then Two-Eyes rolls some golden apples out from under the barrel, revealing her presence, and gives the knight his branch. The knight wants to reward her, so she asks him to take her away from her cruel family. He takes her to his castle, where the tree magically follows them, and soon afterward they marry. Some time later, One-Eye and Three-Eyes appear at the castle door, now reduced to beggars. Two-Eyes forgives them and takes them in, and her kindness makes them repent their former treatment of her.

*The other tales of this type that Heiner's book features come from France, Scotland, Denmark, Russia, the Czech Republic, India, and the United States.

**There are three French versions: Little Annette, The Golden Pear-Tree, and The Golden Bells.

*** All three include the heroine's ineffectual father, in contrast to the all-female household in the Grimms' version, and in the first and third tales, the wicked women are the heroine's stepmother and stepsisters instead of her birth family.

***In The Golden Bells, the heroine, Florine, is a princess, and her father and wicked stepmother are the king and queen. In Little Annette, the girl's eventual husband is a prince, while in the other two, he's a king.

***None of these versions include the "one-eye, two-eyes, three-eyes" motif either: in Little Annette, the stepmother magically adds an eye to the back of her youngest daughter's head, which stays open while her own eyes sleep, while in the other two the (step)sister just pretends to sleep.

***In all three, the heroine receives her food by tapping a sheep with a magic wand. In Little Annette, the wand is given to her by the Virgin Mary, in The Golden Pear-Tree by a man, and in The Golden Bells by her dying mother at the beginning. Also, rather than personally killing the sheep, the (step)mother pretends to be sick and insists that only eating the sheep's meat will cure her, so the father kills it.

***In Little Annette, the magic tree that grows from the sheep's remains just bears "the most tempting fruit," while in the other two tales, as their titles imply, it respectively bears golden pears and constantly-ringing golden bells.

***The Golden Pear-Tree and The Golden Bells both continue after the heroine's marriage with a plot against her while her husband is away at war. In The Golden Pear-Tree, the heroine gives birth to twins, and her wicked mother-in-law replaces them with two puppies, which causes the king to order his wife executed. Unfortunately, this story only survives as a fragment with no ending, but presumably the heroine escapes somehow and reunites with her husband and children after the truth is revealed. In The Golden Bells, the stepmother throws Florine into a river. But when she does so, the bells on the tree stop ringing, and the king hears this, realizes something is wrong, hurries home, and rescues Florine.

**In the odd Scottish tale of The Sheep's Daughter, the heroine is the king's secret illegitimate daughter, whose mother is a sheep. (Apparently an anthropomorphic one who lives in a house, although the queen is able to order her slaughtered like any other sheep.) The wicked women are the king's wife and legitimate daughters. The king secretly pays regular visits to the sheep and her child, bringing them gifts, until the queen has her two daughters spy on him. The sheep magically sings the first princess to sleep, but accidentally leaves one of the second princess's eyes awake, so the queen learn's what's happening, and has the sheep killed. The heroine buries her mother's bones, then lives alone in their cottage for five years, at which point a prince gives a three-day feast. The heroine's mother rises from her grave, transformed from a sheep into a beautiful princess: she dresses her daughter in finery, and from there on the story becomes Cinderella, with the heroine attending the festival and losing a slipper on the third night, which the prince uses to find her.

**In the Danish Mette Wooden-Hood, the wicked women are again the heroine's stepmother and stepsisters: the stepmother starts out as Mette's seemingly-kind schoolteacher, who of course manipulates her into convincing her father to marry her. Mette's helper is her mother's spirit, who comforts her at her gravesite and summons doves to feed her. But eventually the younger stepsister, who has an extra eye in her neck, learns this, and Mette is locked up so she can't visit the grave anymore. Mette finally manages to run away, however, and her mother's spirit gives her a wooden dress to wear and a box that will grant her wishes when she taps it. From this point on, the story becomes like Donkeyskin or All-Kinds-of-Fur, as Mette becomes a scullery maid at a palace, attends church in magic finery three times, and on the third Sunday loses a shoe.

**In one of the two Russian versions, Little Havroshecka, the heroine is an orphan while the wicked mother and daughters are her foster family, and in other, Burenushka, they're her stepmother and stepsisters: they're also a queen and princesses in the latter. In both of these versions, "One-Eye, Two-Eyes, and Three-Eyes" are the heroine's three wicked stepsisters, in contrast to the Grimms' version where Two-Eyes is the heroine. The animal helper is a cow, who magically spins flax for the heroine in Little Havroshecka, magically feeds her in Burenushka. In the former story, after the cow is killed, a silver tree grows from her remains with golden leaves and crystal apples, which only Havroshecka can pick, while in the latter tale, a berry bush grows on which birds sing, and the birds chase away anyone who tries to pick the berries except for the heroine. Little Havroshecka ends with Havroshecka's marriage, while Burenushka continues with the heroine giving birth to a son, her stepmother turning her into a goose, and her coming back each day to briefly resume human form and suckle her baby, until her husband finds out and breaks the spell by burning the goose skin.

**In the Czech tale of The Girl Who Had a Witch for a Stepmother, "One-Eye, Two-Eyes, and Three-Eyes" are again the heroine's three wicked stepsisters, and the animal helper is again a cow, who spins the heroine's flax for her, as promised by her mother's spirit. After the cow is killed, her remains produce an apple tree and a well full of wine, both of which only the heroine can access. A prince proposes marriage to her as a result, but on their wedding day the stepmother locks her up and sends one of her own daughters disguised in the bridal clothes, cutting her feet to make the shoes fit. But the heroine turns herself into a bird and flies after her prince and stepsister, calling out the truth. Thus she gets her happy ending.

**The Iranian tale of The Story of How Fatima Killed Her Mother and What Came of It, is obviously related closely to the Iranian Cinderella tale shared earlier in the book, The Story of Little Fatima. Once again, we have a heroine named Fatima whom a wicked woman persuades to kill her own mother, and then persuade her father to marry the woman who urged it. But after the stepmother turns abusive and starves her, the mother's forgiving spirit instructs Fatima in a dream to buy a yellow calf, which produces food from its ears. Meanwhile, the stepmother gives birth to two daughters of her own, Four-Eyes and Four-Stumps, who spy on their half-sister when they're old enough and discover her secret. After the calf is killed, the story has various twists and turns that include a "kind and unkind girls" episode, a Cinderella-style lost shoe leading a prince to Fatima, and Four-Stumps murdering and replacing Fatima after she gives birth to a son, only for Fatima to miraculously come back in the end.

**The Indian tale of Lal Badshah, the Red King, or The Two Little Princesses revolves around two sister princesses who are abused by their stepmother. They secretly find food each day on their mother's grave, until their stepmother's cat spies on them and reports it, and the wicked queen manipulates the king first into desecrating the grave, and then into abandoning his daughters in the forest, Hansel and Gretel-style. After many more twists and turns, the two finally live happily ever after, with one princess married to a king and the mother of a son, and her devoted sister by her side.

**Last of all is a Latin American tale called One-Eye, Two-Eyes, and Three-Eyes, where as in the Grimms' tale, Two-Eyes is the heroine abused by her cruel mother and sisters. But otherwise, this is a Cinderella story. A prince gives three balls, and Two-Eyes is forbidden to go; but before the first ball, the prince meets and falls in love with Two-Eyes, so he secretly sends her a coach and finery each night. On the night of the third ball, the mother has Three-Eyes stay home to spy on Two-Eyes, and though two of her eyes fall asleep, her third eye discovers Two-Eyes' secret. The next day, when the prince comes to the house to ask for Two-Eyes' hand in marriage, the mother locks her away and tries to offer him first One-Eye, then Three-Eyes. But of course he rejects them both and finds Two-Eyes in the end.

*It's strange that the Grimms, who normally bowdlerized wicked mothers into stepmothers in their tales, offer one of the very few versions of this tale where the heroine's abusers are her own mother and sisters instead of a stepmother and stepsisters. That said, in their footnotes they do allude to other variants where the heroine is a stepdaughter and her helper is her mother's spirit.

I'm almost finished reading this enormous anthology. After this brief section comes the last set of tales: Cinderella tales that don't fit into any of the usual categories.

@ariel-seagull-wings, @adarkrainbow, @themousefromfantasyland