#the performances in the game......are just so incredible

[jokeroutsubs]

[📝ENG translation] 'My Parents Gave Me a Strong Sense of Identity'

An interview with Bojan Cvjetićanin.

Original article written by Teja Roglič for Ona plus, published 05.11.2024. English translation by @kurooscoffee, review by @weolucbasu, proofread by IG Gboleyn123.

Full article and Spotify link under the cut 👇

🎧 Article available in audio form on Spotify.

Last year’s craze at Stožice, summer festival performances, the Eurovision Song Contest, international success. And then everyone asks, what could be bigger, what could be better? But as the band Joker Out releases their new album, they consciously follow the motto "I want less". Singer Bojan Cvjetićanin explains why: "This is our home, this is our base. If we don’t feel good at home, we can’t feel good anywhere. We need to rediscover love in our base, that’s what we told ourselves."

With the song Bluza, you’re returning to love. Why?

We went through a lot. The songs we released after Eurovision dealt with the most acute situational changes in our lives—touring, exhaustion, questioning ourselves. Now, it’s time to have a bit of fun again. And there's probably nothing more beautiful than being in love. (smiles)

I’ve been looking into people’s stories, into the lives of those around me, seeking beauty.

What did you discover?

That I enjoy writing about love the most. When you write from a place of uncertainty, it’s nice to get those feelings out; when you write about love, you search for timeless beats within yourself, not something that’s only fleeting. I write about the ideals of love I held as a child, and in the future, I’ll see how these have either evolved or fallen apart.

It's best to write about love...

When you have a broken heart.

Your Eurovision song was more socially critical, though it might seem, at first glance, to be about joy. In it, you say: "We won’t take part in your games or your divisions." Did the song’s message reach people?

Undoubtedly. A lot has changed in a year and a half, not only personally but also in terms of our views of social issues. For the first time, we've connected with young people from abroad. It was fascinating to see how connected the fans from different countries became, encouraging each other, learning new languages—even a lot of Slovene. The desire for peace and unity is very strong at our concerts, so our messages have touched them. But of course, you can never reach everyone. (smiles)

You mention changed perspectives with regards to society. Have any ideals been shattered?

Many ideals have crumbled. In school, learning about war, it always seemed odd to me that the world could just go on at the same time, despite the ongoing disruption in the system. Now, I see that we have access to all the information, that we see and hear what’s happening, that we witness an influx of people coming from regions where this is happening, yet everything literally carries on as usual.

War has become more of a trend on TikTok or Instagram than something people feel hurt about. This makes me very sad.

A lot of ideals that have shattered relate to the life of a musician. We’ve achieved things we could only have dreamed of—not just as kids; even two years ago, what’s happening now would have seemed impossible to me. But the ideal that’s crumbled is this one: I don’t always know how to appreciate what I have.

On tour, I often slipped into negative thoughts, didn’t appreciate everything happening to us. This links to the idea that this kind of life is easy, that as a successful musician, you only have fun. This, of course, isn’t true; it’s incredibly exhausting, both mentally and physically. I could go on until tomorrow, listing everything that’s fallen apart, but fortunately, a lot of new things have also come to be.

You’re the idols of generations; do you feel pressure because of that? After all, you’re still young guys too…

No. We already lost the childlike joy of music because we had to start working so much so early and get to know so many new systems. If we also take on the responsibility of raising generations of kids, we could truly fall into a black hole.

We need to be role models, but we can’t shape our work around that. On the upcoming album, there’s a song, 'Muzika za decu' ('Music for children'), which touches on this very point. We want to convey that we’re not addressing generations who think all younger people are lazy bums who only hinder the world’s progress. We’re addressing everyone who is young enough at heart to believe in a better world, a brighter tomorrow.

Photo: Vita Orehek

More and more musicians are stopping concerts at large venues when fans are in distress or overcrowding happens. You too?

Absolutely. This summer, we constantly stopped concerts if people were packed tightly indoors or out in the sun. We handed out a lot of water from the stage, and I even paused a concert if some listener (m.) was treating another listener (f.) disrespectfully. A concert is a safe space; there’s no place there for infringing on the rights of others.

That’s an interesting topic I wanted to touch on anyway. So what is the rock ‘n’ roll world of the new generation like?

It’s a lot better. I’m glad we’re not a group of drugged-out dudes living only for today. Carpe Diem really means seize the day, but for us, that doesn’t mean picking every fruit that exists in the world. Waking up healthy and energised, wanting to go to a concert, being open to meeting new people, our fans, being creative...

That’s what it means to seize the day. Sure, sometimes we go on a trip, we do have fun too. But I’m glad that sex, drugs, and rock ‘n’ roll aren’t our guiding principles in the band. When we watched the documentary about Mötley Crüe, we saw how they started with heroin and opiates and ended with smoothies and fruit. Well, we’re already at the fruit and smoothies stage. (laughs)

“We’re constantly building a relationship that gets deeper every day, even though it seems like it can’t get any deeper,” you told me before the Stožice concert, as I was stunned when you said you were going on holiday with the guys right after the concert. How much do you invest in relationships within the band? We know it’s sometimes challenging to nurture a relationship between two people, let alone five.

This is like a partnership with five people. Except for intimacy, all the other elements of partnership are there. We’re companions. We often live together, work together; the dynamics are demanding. I talk a lot about this with fellow musicians. Recently, I was talking to Mr. Vlado Kreslin, and we concluded that being in a band requires a touch of madness.

Even if it ends someday—nothing is guaranteed—I know I have four lifelong friends. We exist as friends even beyond the band.

Success demands hard work; you’ve told me before how sure you were of your path in the band, of your decisions, and how hard you worked to achieve what you have. And we’re back to the topic that some might say your generation isn’t hardworking, that you’re quick to say what you won’t do at the work place...

The young people I know could hardly be described as not hardworking. I’d rather say we’re diligent, and the drive to work comes from the strong pressure that you need to achieve a lot very quickly, or else you won’t make it in this world. As for them being quicker to say no... Maybe they know they can’t live that way if something doesn’t work. And to live is very costly.

Young people feel they don’t have to stick rigidly to one profession, that they can change courses, jobs, and find something that suits them. We’re far from the days when the son was a blacksmith because the father was a blacksmith, and the daughter stayed home as a housewife. But we also have to know that there’s more and more uncertainty, precarious work.

If Gen Z is the way it is, I wouldn’t attribute that to the generation itself but rather to the Boomer generation. Everything that makes life harder for us isn’t the product of our ideas and actions. But it’s also true that sometimes, you need to stop, think, and make a decision. I’d like to do something today, something different tomorrow, but that’s not realistic. When you’re bombarded by choices from all ends, you have to make decisions. If there are three shirts in a store, I’ll pick one; if there are 250, I might end up buying sneakers instead. (laughs)

You performed at a concert aimed at contributing to the best possible care, treatment, and support for women with gynaecological cancer. You probably get invited to participate in quite a few charitable events; how do you choose them? This concert likely wasn’t a hard choice, as both of your parents are doctors...

My father is a gynaecologist, my mother is a pediatrician, so naturally, when I got the invitation, I immediately thought my dad would be happy if I could perform there. Otherwise, I choose events based on two criteria: whether it’s something important and whether I’m home at that time. I've often had to turn down an event I would have really liked to participate in simply because I wasn’t here.

Life has taken you all over in recent years. What have your parents given you that has stayed with you and has been proven most useful today?

They gave me a sense of normality. I'm an ordinary person who takes everything in moderation. I didn’t become a hedonist, nor did I give in to the patterns that the environment might impose. They gave me a strong sense of who I am and what I am, unconditional self-confidence, and self-respect. And the certainty that I’m never alone in anything.

Recently, the dramaturg Nina Kuclar Stiković and I talked about how Generation Z might be the first to actively work through its traumas, though she noted that taking on such responsibility across generations is a huge task. In the end, you might even feel worse. If you only become aware of your baggage but can’t overcome it, it can feel even worse than if you had never been made aware of it at all, she said. What do you observe around you, in your own generation?

Mental health has never been as openly discussed as it is today. I know many people who go to therapy. It’s actually strange that mental health was never treated before, that this stigma existed. If you have a cold, you stay home, you also heal a broken arm. Today's generations have managed to break free from these shackles. The individual is becoming increasingly more important.

People are working through the things in their minds. And this bothers many people from generations who suppressed everything and unleashed their traumas onto others. I often think how unfortunate it is that we don’t practice everyday therapy in our surroundings. Everyone surely has someone whom they trust. We talk about all sorts of things, but we never ask each other how we are and share that honestly. Now, I do this with a few friends, and it’s really nice. I go to my friends for therapy. (smiles)

Nina also mentioned that patriarchy has wronged not only women but men too. It’s unfair that men couldn’t show emotions and always had to be strong. It always helps if you can share your feelings with someone. What do you think?

The Neanderthal perception of masculinity is passé. We can all first tell ourselves, and then tell others, how we feel and what’s going on in our heads.

This summer, you performed at festivals. Now you have a new album, and you’ll be performing at various venues again, with tickets quickly selling out. It's a carousel that never stops. You mentioned earlier that you caught yourself maybe not appreciating it anymore. What do you do now to keep that from happening?

For the tour that’s coming with the release of the new album, we consciously followed the motto, "I want less." Last year, we played in Stožice, before that in Križanke. This year, we toured Europe, and everyone was asking us what big thing we’re preparing next. But we were only talking about how nice it would be to play at Ljubljana's Cvetličarna again.

Pass by Maribor too, go a bit to the clubs in the Balkans, and that’s it. This is our home; this is our base. If we don’t feel good at home, we can’t feel good anywhere. We told ourselves that we need to find love in our base again. I’m glad we recognise this, that we’re not just banging our heads against a brick wall. The purpose of this tour is simply to enjoy it.

A few years ago, you told my colleague Robert Rebolj, my fellow journalist, and your fellow musician, that you’d like to have kids while still young. Yet you also say that you're in a period where several of your ideals have collapsed as you look at the world around you. Does the desire still remain?

When I said that, I was thinking I’d have my first child between the ages of 28 and 30. Then Robert told me that having a child young doesn’t necessarily mean that. (laughs) I see it now, too, as some of my friends already have children, and some even their second. My calendar no longer just has friends’ birthdays, but, for instance, the first birthday of a friend’s child. (laughs) Yes, I think a lot about how this world is in many ways not what I imagined it would be, but I guess it’s always been that way throughout history—things have never been ideal. I think everyone, in every era, has felt the world is going to- hmmm, well, that’s how it seems to me too. (laughs)

[rachelamberish]

Comprehensive Veilguard Review (FULL SPOILERS)

What They Got Right:

-The environments. My God, seeing some of these locations that we’ve only read about for a decade had me getting legitimately choked up just looking at them. I cried entering the Grand Necropolis. I cried at Weisshaupt. I cried at Kal Sharok. The Ossuary. The Crossroads 2 Electric Boogaloo. Just all absolutely stunning, and so lovingly crafted.

-The art direction, on top of that. They kind of go hand in hand, but genuinely, it’s great. I think the art director deserves a raise for the candlehops alone.

-The music. I love it. I know it’s not what it has been, but I think it’s fucking great. The Blight theme is far and away the best, but so many of the other tracks really fully commit to the fantasy-futurism aesthetic that has been crafted by the art direction and I think it’s so fucking cool that the music has evolved as we travel to new locations and the world of Thedas really opens up.

-Companions. I’ve spoken a little about this already. But yes, the companions are incredible. The pacing of getting to know each of them is so well executed. (It feels unfortunate that the same cannot be said about the story as a whole, really). They are each truly so memorable and I think BioWare knocking it out of the park with its companions is nothing new.

-Vocal Performances. Gareth David Lloyd should be lauded for his work as Solas. You can hear how that performance has evolved and matured over the years like a fine wine. His vicelike grasp on the nuance of that character transcends even the game’s often questionable writing. Truly incredible stuff. I also have to mention Jee Young Han for Bellara, and Bryony Corrigan and Alex Jordan for two versions of Rook. The rest of the cast is fantastic as well, those four are just so incredibly standout to me.

-This feels very specific but The Siege of Weisshaupt. That quest. Is. *chefs kiss emoji*. It’s giving game of thrones season 8 episode 4 the long night where i cant see anything but also i have existential dread!!!! Love that

-Codex entries are as well written as they ever have been, so no dip in quality of the writing there. Particularly a huge fan of the passive aggressive emails sent between Solas and the Evanuris like they were all shitty coworkers. Elgar’nan screaming “i’m the ELDEST BOY!!!” at the top of his lungs à la Kendall Roy while he and solas bicker about who was conceived of by the Fade first. Very good stuff

-Ghilan’nain is an eldritch horror lesbian witch and that is so so cool. Thank you bioware

-Maevaris Tilani

-Combat and performance. Because neither of these are story stuff, I’ll throw these together. The game performs like a fucking dream and is incredibly optimized. The combat feels amazing and I genuinely look forward to combat encounters rather than dreading them. No notes.

….The Rest, in No Particular Order:

- Morrigan forgiving her mother and the game erasing Flemeth’s nastiness was truly vomit-inducing so thanks for that one bioware

- Is Mythal good or bad bioware please answer the question and you CAN’T look at your notes

- They do get Solas mostly spot-on but Mythal is so inconceivably bad and it’s hard to divorce the two. Ironic, considering that they should be the most divorced couple that ever lived

-"Flemeth's piece of Mythal was the good version actually and was completely uncorrupted" bitch HOW?!!??!??!!?! FUCKING HOW?!?!? Literally A GAME AGO she screams at Morrigan and Lavellan about "a reckoning that will shake the heavens" promising vengeance for her betrayal because she's done nothing but stew ALONE in her anger for 2,000 years, ALSO piling on the rage and betrayals of Flemeth and (I think it's safe to presume at this point) Andraste and EVERY OTHER host she's had. If we have learned ANYTHING about spirits and "abominations" through four games it is that the spirit becomes corrupted "against its original purpose" when fused with the negative emotions of its host. What was the point of Anders, if not to foreshadow what Flemeth truly was? A spirit of justice corrupted against her purpose by living inside righteously angry women for millennia? If anything the Dagger-version of Mythal would be the uncorrupted one. Sure, she'd be lonely and pissed too but that would be the truest version to who Mythal ACTUALLY was from before. A mixed bag of grief and anger and hurt and pride. But the rage inside Flemeth's Mythal would be wild and unfettered. She would be almost unrecognizable.

-I'm moving on from Mythal now because ranting any more about her in this game is actually going to give me an aneurysm.

- Yeah this game suffers from lack of roleplay and choice carryover. It’s impossible to avoid. It was okay to suspend roleplay in a game like, say, Dragon Age 2, because Hawke as the game wrote her was such a strong personality and memorable protagonist. Rook is…. not that. Which is okay for a blank slate protagonist, but they’re also not that either. And i think they didnt commit, fully, to the idea of less roleplay. Because they *tried* to give you origin stories, but they don’t end up feeling like they truly inform the character in the way that they do in Origins, or even in Inquisition. Say what you will about Inquisition’s roleplay options, but Lavellan being Dalish DEFINES her character.

- And what do you know. Yeah. It was bad that they only let us carry over three choices. Who could have seen that one coming. It’s almost like everyone ever was like “wow. That sucks. Please reconsider.” And then they didn’t.

- And it also gets extra confusing when you realize that the three choices they said were going to matter a LOT literally don’t. At all. So that was a lie. I guess. Even Solas romancers who were being PANDERED to apparently get…like two mentions of something that feels like it should be so pervasive throughout the whole story. And one ending.

- Solavellan writing failure gets its own bullet point actually. There was so much ample opportunity for Lavellan’s presence in this story to be amplified. For the Lighthouse to contain more traces of her. In codex entries, in murals. I get that Solas probably wouldn’t talk about her to Rook much. But the fact of his yearning is downplayed when it should be overplayed. He yearns for this woman who made him think he was worth something for the first time since he took a physical body, while clouded by regret for his feelings for a long-dead woman who made him hate himself. That’s the saddest fucking story ever. Why does this game not lean into it more? I don’t know. You don’t know. None of us know.

- BioWare kind of forgot that fifty percent of the Tevinter population is slaves. What do the shadow dragons even do? There are apparently no slaves left to free!!

- BioWare kind of forgot that the Crows are very cool and yes very Italian!! 🤌🤌🤌 but also buy child slaves and turn them into soldiers by systematically weeding empathy out of them. So where was any of that.(*where is Zevran or someone who fills the role of that character. He is so desperately needed to portray the Crows with any nuance.*)

- The depiction of the Qunari/kossith, outside of Taash’s storyline (which I actually think was a very thoughtful examination of the intersection of gender and Qunari ideology), is actually the craziest most stereotypical one-note racist bullshit i’ve ever seen and i am shocked any writer allowed that to be the final product.

- You know what yes i also noticed that you couldn’t ever be mean in this game and also Rook smiles so much. She smiles when saying things she should not smile about. Idk why but that bothers me. And why are her hands always on her hips? What is she hiding

- The exposition-heavy dialogue is terrible at the start, gets way better around the first act break, then turns dangerously close back around to Avengers-style “Well, that just happened!” and it’s a mixed bag that I don’t know what to do with. I can’t blame bioware for the exposition, I’m sure that’s an EA directive of “pander to the people that want to come into the fourth installment of a series knowing nothing and not be completely lost”. But the rest…..let’s just say I can feel how many people had their hands in writing this. And I can feel it because the quality swings back and forth so wildly it gives me whiplash.

- Because of no choice carryover cameos feel like cardboard cutouts of characters. Dorian worked for me because he was doing things he would be doing anyway and it is passively mentioned that he and the Inquisitor are in close contact. Isabela is skinny like a twig now i guess (??? Hate that) and i’m happy for her whole lords of fortune thing but she is made lesser by being completely divorced from Hawke. Same for Varric, although at least he has more to do. Morrigan…………………………………………………………………anyway moving on.

- The Dalish.

- BioWare kind of forgot that Solas doesn’t hate blood magic. Doesn’t use it personally. But doesn’t hate it. Also what he does to gain a connection to Rook is LITERALLY blood magic. I don’t fucking know WHY he/the game insists that it’s not. I’m beside myself with that one.

- BioWare kind of forgot about the brewing elven uprising led by Solas that they set up at the end of Trespasser and instead now he’s a lone actor and everyone hates him. Like no. No actually some elves would have found what he was doing very cool and a great alternative to the terrible hand the world has dealt them. Perhaps all those elven Tevinter slaves you forgot to put in the game.

- BioWare kind of forgot about Briala in their rush to say “but nothing in southern thedas matters!!!”

- Cole should be in this game and the fact that he is not is actually fucking baffling.

- VERY BIG SPOILER Varric dying is fine actually and the one thing i’m literally perfectly okay with so idk why i put it down here other than it feels wrong putting this spoiler at the top lmao. But yeah that’s fine. We knew it was coming and Peepaw needed rest anyway. Good reveal, no issue there.

- Lucanis’ bugged romance ruined my life

- I made a separate post about this but Veilguard has single handedly eradicated mystery in the Dragon Age series without creating any new mystery and it’s what I’m legitimately the most sad about.

All in all, a mixed bag. I enjoyed my time with it, but it left me sad at times and not in the good way. The idea I have of Dragon Age in my head will always be more true to Dragon Age to me than this was, and I can live with that, I was just hoping for better on a lot of writing fronts.

[himasgod]

Gaming x Reader

(Sorry, I was reading Gaming's story because I wanted to build him, and I almost cried. This boy deserves a post today)

Where you are his motivation to keep dancing

Chenyu Valley had a special magic at dusk. Under the sky dyed in warm colors, you found yourself on a lantern-lit esplanade where Gaming was about to present his Wushou dance act. You had heard a lot about his determination and the incredible enthusiasm he had for this art; so much so that, with every movement, it seemed like his very life depended on it. You saw it as a fire that, even if they tried to smother it, burned even stronger.

Ever since you had met Gaming, something in you had awakened. You were fascinated to see him so dedicated to his art, and although his optimistic personality sometimes hid the depth of his worries, you were one of the few people he let close to that more reserved side of himself. Tonight was no different; you had arrived early just to see him concentrate before his performance.

Gaming had his back turned, adjusting his headband, when you approached with a smile. "Are you ready to impress Liyue?" you asked him jokingly.

He turned around, his face lit by a mix of nerves and excitement. “Of course I am… Are you underestimating me? With a show like this, even the stones of Liyue will vibrate.”

The two of you laughed, and as Gaming adjusted his robes, you realized that his mother’s words, those he once shared with you, seemed to resonate in the way he approached life. Gaming was someone who valued memories, and his love of Wushou dancing was as much a tribute to his mother as it was a way for him to express himself. You had seen the letter he kept under his pillow; though he always joked about it, you knew that this letter was a constant reminder of who he was and what he wanted to be.

That night, Gaming’s dancing was exceptional. Every spin and every leap made the lanterns shake with the intensity of his passion, and the audience, though accustomed to Liyue opera, couldn’t look away. Halfway through the show, when he stopped to take a breath, his eyes met yours across the crowd, and you smiled at him in support. He smiled back at you and continued on, as if your presence was the force driving him forward.

When he was done, Gaming found you backstage. He was exhausted, but the joy in his eyes told you everything you needed to know. “Did you see that?” he asked, breathless and still in the euphoria of the performance.

“I saw the whole thing. It was amazing,” you replied, unable to help but smile. “The passion you put into every move is something I… really admire.”

Gaming stared at you, and for a moment, the typical playful glint in his eyes seemed to fade. “You know, when I’m on dancin', I feel like everything makes sense. Sometimes I think about what my mother said, how she supported me no matter what. And… how you’re always here too.”

That was the moment you understood that for Gaming, the Wushou dance was not just a dream, but a way to connect with those he loved. And as he looked at you, you felt like you were part of that dream too. You decided to reach out a hand to him and, in a gesture of tenderness, placed your fingers in his.

"No matter how far you go or how much Liyue changes," you told him softly, "I'll be here to see every step you take, Gaming."

He took your hand and smiled, squeezing it lightly. "So, I guess I have even more reasons to be the best now."

Here is my masterlist, in case you are interested in any more of my work or want to send me a request <3

[spacedlexi]

thinking more about tlou hbo and that ep2 cold open

while it was very good and effectively frightening.... with how theyve handled fedra/the fireflies so far im a little nervous they might be setting it up for the fireflies to be 100% in the wrong later instead of it being less clear cut like it was in the game...

[tonkysexist]

Why are streamers acting like JK Rowling herself is behind the camera holding a gun to their heads and making them play Hogwarts Legacy???

Slapping together a fundraiser for trans people while promoting a game made by a TERF who uses her money to try and take away the rights of trans people is absolutely pitiful. It’s also heinous how these people have no response to the antisemitism present in the game and are airing these nasty caricatures to their massive audiences without critique. So don’t whine to your massive fan base about being cancelled for doing your job, when you can just skip this one.

[get-more-bald]

the thing about X6 is that he's essentially a slave given to the Sole Survivor by the Institute. and I think that the fandom's treatment of him would be different if the game addressed it or even just said it

[telomirage]

🎶✨when u get this, list 5 songs u like to listen to, publish. then, send this ask to 10 of your favorite followers (positivity is cool)🎶✨

hi hello (∩´ᴗ`∩)♡

nevertheless - billlie

poison rose - craxy

control - ghost9

boombox - kard

hot potato - n.flying

[sotvtaughtmehowtofeel]

Thinkin’ about in episode 1 when Joel sells those pills to that guard.

“Well the more you shoot people, the harder it is to sleep, I guess.”

“Oh, you guess?”

Joel has shot a lot of people, but that’s not why he has trouble sleeping. Such efficient writing.

[martelldoran]

look i know i've said it before but sony's ps peter parker truly is the best peter parker. he's such a sweetheart and his game really balances the scrungy little guy and genius aspects of his character perfectly. the dude spends most of the game couch surfing because he gets evicted from his apartment. he leaves tony stark on read. he has zero dollars to his name because he works for doc oc pursuing projects that have the chance of making a real difference to people's lives and not working for oscorp even tho he could get a job there in a heart beat. he's subscribed to j. jonah jamison's podcast and has his suit autoplay each episode. he gets miles a job at f.e.a.s.t after his dad dies because he knows the grief of losing a parent so acutely and knows he needs something to channel that into. and i'm not very far into the miles morales game but even tho he's not even there for most of it, you can tell he's loving having miles as a partner in spider crimes. he's been spider-man alone for 8 years and has clearly just jumped into having someone to mentor. he gives him a suit with knee and elbow pads which is the cutest thing ever. he sets up training sims while he's away to keep up with miles' training and fills them with puns and does silly vulture impressions during the final stage. like how can you not love him? he is the superior peter parker and that's a hill i'll die on.

my beloved 💖

[kibibarel]

how's the new game going? been seeing a crazy amount of takes in every direction about it

short version is it is SO BUGGY (all the comments you have definitely already heard about the terrible performance issues are no joke; i don’t give much of a shit about graphical errors, of which there are many, but i’ve encountered a few bugs that actually ruined gameplay moments)......but also SO AMAZINGLY FUN...i don't want to put it down 😭😭

[daemonhxckergrrl]

tfw your gaming desktop has less muscle than a 15w steamdeck ;w; but it still runs good

[juniperjelly]

once again minecraft fans be mad for all the wrong reasons

[iguessitsjustme]

I will choose true violence... because I already know the answer, lol.

4. what was the last straw that made you finally block that annoying person?

21 .part of canon you think is overhyped (tropes in general)

24. topic that brings up the most rancid discourse

You said you’re choosing true violence and you did.

4. what was the last straw that made you finally block that annoying person?

I want to preface this by saying that I don’t like calling people annoying. I find that word is most often used to belittle and bully neurodivergent people and I don’t like it. So I’m not going to say the person is annoying but I will say that *I* was annoyed by this so I blocked them. I even made a post about it because it happened twice and I wanted to just put it out there that I didn’t like it and I’ll start blocking people that do it.

I was tagged and performatively thanked for participating in a fandom even though that person never interacted with my posts ever. I was also getting very tired of being tagged by people who never talked to me and only seemed to tag me in a weird way that felt like clout chasing (on tumblr of all places and using me of all people). It felt like people forgot that I am a person behind the url and that they can talk to me about what I’m personally comfortable with before just deciding for me. I could really go into this a whole lot more but I’ll spare y’all the long essay. This is long enough already and I still have two questions to go.

21. part of canon you think is overhyped (tropes in general)

Sing your love. I hate it. This might be surprising to people who know how much I like music but I despise this trope. I always get secondhand embarrassment from it and I feel awkward. The amount of fast forwarding I do when someone whips out a guitar. Very, very, very few actors can pull off this trope and make it enjoyable and yet it keeps appearing in shows. I hate it here.

24. topic that brings up the most rancid discourse

KinnPorsche. I’ll say nothing else about this.

Choose Violence Ask Game

[jackredfieldwasmyjacob]

i can't believe i love all characters in pokemon scarlet this has never happened to me before

[agoddamnrayofsunshine]

I’m sure someone has talked about this before but one thing I absolutely love about tbosas is how Snow’s descent into villainy is never once presented as something that was inevitable

So many villain origin stories portray this idea of a person who tries incredibly hard to be a good person, who takes every opportunity to be kind and to better themselves, but are ultimately doomed to fail by the narrative. Their environment and their circumstances make it impossible for them to be a good person, and while this is effective from a storytelling point of view it’s not exactly accurate to real life

In real life there is always a point where a bad person makes the decision to do something bad, they make the decision to prioritise themselves, their own power, money or desires over someone else. That’s how real life dictators are made, they are presented with every opportunity to be good, and they purposefully choose to not take it

This makes Snow’s storyline so effective because he is given so many opportunities to do the right thing and yet, at every single turn, he chooses to serve himself instead, exactly like how real dictators are made

Snow, unlike most people we see in the capitol, is in a unique position where he could genuinely have the chance to understand and relate to the people from the districts. He, unlike his classmates, is poor and spends most nights going hungry, he witnessed firsthand the cruelty of the capitol when Clemensia was bitten by the snakes for nothing more than lying about doing her homework, when his sister was forced to sell herself on the streets in order to feed the both of them

Throughout his book, the three people he is closest to are Tigris (who dislikes the hunger games, is a rebel, and a victim of the capitol forced to turn to prostitution), Sejanus (who is originally from district 2, dislikes the capitol and knows he will never be accepted there, and also a rebel) and Lucy Gray (who is a victim of the hunger games, from district 12, and is also treated horribly by the capitol). These are all people who gave him an opportunity to realise the cruelty of the system he was in, a chance to directly confront his prejudices and see that people from the districts are just the same as him, and yet he still refuses to take the chance to change

He is given every opportunity, he’s sent away from the capitol to be a peacekeeper in the districts, he forms personal connections with people from the districts, he helps Sejanus perform funeral rites, and yet at every moral crossroads he comes to he makes the wrong decision. He didn’t have to become a villain, and yet he made the choice to do so anyway, despite every chance he was given

I think it’s a really effective portrayal of Snow as a character, and it’s a very effective villain origin story for the type of villain that Snow is. It never once excuses him from his actions because it highlights just how accountable he was for his actions

[serufu]

I tear up and usually cry a little at the best of times when listening to Flow from the hit mmorpg Final Fantasy XIV Endwalker, so you can imagine how obliterated I was just now by the Forge Ahead music video version that was released on the YouTube channel tonight !