#the perfect presence

[roserosette]

The Perfect Presence, 1981, Piero Nelli

[vaguely-concerned]

that part in sea of blood where the game is soft tutorializing you on the sunder mechanic as the elite rogue venatori enemy shows up for the first time and lucanis' reaction is sooooo..... 'mierda. these guys'. see this is why he's the funniest and also most endearing character ever made. he really does sound softly, tiredly mildly exasperated in a way so wildly out of proportion with the situation at hand. a knife dude from the secret society slash cult that's been horrifically torturing him for a year just popped out of the woodwork, and the tone of lucanis' voice in response is reminiscent of nothing so much as a man who's just realized the office printer is out of ink again and whose resigned little sigh in response conveys with perfect good-natured clarity to everyone else working late alongside him that he is a bit annoyed but like not at any of them. 'we're in this together' his tone seems to say. fuckass printer and all. I'll go fetch some new cartridges. I'm getting coffee along the way does anyone else want anything while I'm there. he has the most companionable effortlessly comforting and innately hilarious presence of anyone who's ever lived even running through the failing forcefield personal trauma horror prison of all time at the bottom of the ocean. his day job is murder. he met rook and co literally half an hour ago and already these are the vibes, starting as they mean to go on.

the je ne sais quoi factor of this man. unparalleled

[canisalbus]

While they're certainly no dogs, I saw this art and knew instantly who it looked like:

.

[genericpuff]

saw this absolutely PERFECT cloud as soon as we pulled into our driveway after running errands and i'm ??

idk why i'm so obsessed with this cloud but i love her and i will not let anyone speak ill of her

[kiisuuumii]

Mahmoud Darwish, In the Presence of Absence (tr. Sinan Antoon)

[sallieraptor]

and indeed, HE is the hell’s greatest dad

always has been. he took her out of that hole and never ever left her side, even in the worst moments of his life.

[gentlebeard]

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

[icewindandboringhorror]

HAPPY 16TH BIRTHDAY!!! To this elderly bapy boye!!! he...!!!

[unganseylike]

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“Love Like Ghosts" // The Raven Cycle

When your true love is destined to die, is already dead, or will always be leaving. And other moments of ghostliness. 

[creativenicocorner]

...lately I've been thinking a lot about Susan Sto Helit. Specifically her introduction and farewell in the Discworld series.

About how her introduction in Soul Music is through the eyes of Miss Butts who goes on describing this recently orphaned girl as:

"something frankly unloveable about the child. Academically brilliant in the things she liked doing, of course. But that was just it. She was brilliant in the same way that a diamond is brilliant, all edges and chilliness." *

And then the very last we see of Susan within the Discworld series, is in Thief of Time, ending with... well no matter one's personal opinion of Susan and Lobsang Ludd... the Death series ends with love. ( I could go on a tangent about how each Death book is about some version of Love but thats for another time)

ANYWAY the last we read of Susan is:

"She put the chocolate in her mouth, and shut her eyes. A faint cardboard-y sound made her open them. The lids were lifting on the boxes of stars. They spilled out, and whirled up into the shadows of the cupboard, brilliant against the darkness, a galaxy in miniature. Susan watched them for a while, and then said: "Alright, you have my full attention, whoever you are." At least, that is what she meant to say. The peculiar stickiness of the nougat caused it to come out as: "au-rite ou av my full at-em-ntion." Damn. The stars spiraled around her head, and the cupboard's interior darkened into interstellar black. "If this is you Death of Rats," she began. "It's me," said Lobsang. Tick! Even with nougat, you can have a perfect moment."

It ends with love!! Love for a girl who was described as "something frankly unlovable" we bid farewell to Susan in the series with a Perfect Moment!!

Does this mean anything? Do you see the glimpses of what I'm feeling and barely managing to articulate?!

*Please forgive me if the quotes aren't entirely accurate in terms of punctuation etc, I only have the audio form and transcribed it while listening.

[roserosette]

The Perfect Presence, 1981, Piero Nelli

[butwhatifidothis]

I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.

Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.

She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.

And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.

CF? Her route?

She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!

It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.

Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.

Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.

Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.

And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?

This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!

[crowhoonter]

The Moon Presence holds a special place in my heart in terms of souls games final bosses because of the sheer what the fuckness of it all. All of the other final bosses have some kind of build up; Dark Souls can't go one minute without mentioning Gwyn, Nashandra and Aldia are major figures in Ds2's lore, the Soul of Cinder, while never directly alluded to is another example of the converging of time and space in 3, Isshin plays a large part in Sekiro's story, and Radagon is a major lore character with Elden Beast being pretty easy to clock as a manifestation of the Greater Will.

Flora, the Moon Presence, though? She comes out of nowhere. There are maybe two lines alluding to her existence at all, those being the workshop umbilical cord and the lecture hall note. The closest you otherwise get is the references to the terrible hunter's dream, which doesn't immediately conjure the idea of her to mind.

Even better we don't even know what she really wants. Oh sure, there are plenty of theories and inferences we can make. Maybe she uses Hunters like hitmen to prevent infant great ones from threatening her, maybe she's keeping a natural order running, maybe she wants to spread the beast plague, maybe she wants to prevent mankind's evolution, maybe she just plain loves violence. In the end though, its all still maybes. Girly walks on in and her mere existence changes so much about the story, yet she refuses to elaborate on anything.

Another very interesting aspect is, and this is probably a somewhat baseless observation, we don't really know what she is. Everywhere else in the game, Great Ones have some line of text associating them with that status. Oedon, Baby Mergo, Kos, Amygdala, The Brain of Mensis, Ebrietas. All of them have text somewhere that directly refers to them with that moniker, but Flora? Nowhere will you find something calling her a great one. Hell, in the Japanese translation, she is called "Moon Demon." It is probably safe and the intended inference that she is a great one, but the thought she might not be does tickle me nonetheless.

Then there is her role in the story. The Great Ones are said to be sympathetic in spirit, and there definitely is a part of her that echoes that sentiment. The way she cradles the hunter is like that of a mother holding a child, yet she seems to be a lot more manipulative than the Great Ones we see in game. They typically cause suffering not by tricking or making deals, but by being unaware of how they affect the world with their actions. Getting picked up by Amygdalae seems like a curious child picking up a lizard, unaware that they are hurting it. Flora though, there does seem to be a certain level of maliciousness beyond accidental. Gehrman's pain and suffering is clear to see, yet she keeps him chained to the dream because of whatever bargain he made (presumably animating the Doll). She does the same to the hunter should you forgo the umbilical cords. She also doesn't seem to want a surrogate like other Great Ones, maybe settling for keeping humans as pets rather than having an actual child.

She really is one of the best Fromsoft final bosses because of the sheer strangeness and the wrench her presence throws into the game's story. We can get a concept of most of Bloodborne's story with a bit of interpretation and reading between the lines, but she will forever be an enigma. For what purpose did Laurence and Gehrman summon her? Why is she seemingly not worshiped unlike other Great Ones? Does she desire a surrogate or are humans pets good enough? We may never know, and that is wonderful.

Stay enigmatic queen, live your freak life

[dailycupofcreativitea]

Cell tryna make Gohan see the light XD Converting him to the evil ways! 

[backpackingspace]

Wait going off the idea that Athena keeps things from her favorite people:

What does diomedes give her?

[peppermint-whiskers]

Pentious’s sweet smile stayed on his face for a few seconds before it twisted into something more akin to a grimace. A few more eyes opened around his head, all of them gold instead of glittering red.