#I love the Death series so MUCH

[creativenicocorner]

...lately I've been thinking a lot about Susan Sto Helit. Specifically her introduction and farewell in the Discworld series.

About how her introduction in Soul Music is through the eyes of Miss Butts who goes on describing this recently orphaned girl as:

"something frankly unloveable about the child. Academically brilliant in the things she liked doing, of course. But that was just it. She was brilliant in the same way that a diamond is brilliant, all edges and chilliness." *

And then the very last we see of Susan within the Discworld series, is in Thief of Time, ending with... well no matter one's personal opinion of Susan and Lobsang Ludd... the Death series ends with love. ( I could go on a tangent about how each Death book is about some version of Love but thats for another time)

ANYWAY the last we read of Susan is:

"She put the chocolate in her mouth, and shut her eyes. A faint cardboard-y sound made her open them. The lids were lifting on the boxes of stars. They spilled out, and whirled up into the shadows of the cupboard, brilliant against the darkness, a galaxy in miniature. Susan watched them for a while, and then said: "Alright, you have my full attention, whoever you are." At least, that is what she meant to say. The peculiar stickiness of the nougat caused it to come out as: "au-rite ou av my full at-em-ntion." Damn. The stars spiraled around her head, and the cupboard's interior darkened into interstellar black. "If this is you Death of Rats," she began. "It's me," said Lobsang. Tick! Even with nougat, you can have a perfect moment."

It ends with love!! Love for a girl who was described as "something frankly unlovable" we bid farewell to Susan in the series with a Perfect Moment!!

Does this mean anything? Do you see the glimpses of what I'm feeling and barely managing to articulate?!

*Please forgive me if the quotes aren't entirely accurate in terms of punctuation etc, I only have the audio form and transcribed it while listening.

[palarien]

sketched this out at jury duty actually

[poorly-drawn-mdzs]

ISAT & Dungeon Meshi swap!

[demigods-posts]

while the stables scene is a great example of percabeth's growth as a couple, particularly regarding their switch of roles in who plans for their future. an even better example is when they first told the other they loved them. annabeth, who is a well-respected strategist due to how well she can plan for the future, tells him as quickly as possible before something or someone could take him away from her again. she seized the first opportunity she had free of plan. percy, on the other hand, who is known for his impulsiveness and reckless planning, tells her two books later. not because he wasn't head over heels the entire hoo series. but because he was planning for the right moment. he wanted to wait until he could give her permanence and stability on a silver platter because he knows how much it means to her.

[robinhuntr]

Explaining to anyone who will listen that Gambit and Storm actually are incredibly close in the comics and it’s a crime that X-Men ‘97 barely showed his reaction to her leaving and her reaction to his death. I could write an essay about how important their friendship is to each other.

[saysflora]

SAS: Rouge Heroes as Textposts - Trailer Edition!

[causalityparadoxes]

I will come to storm down his gates of gold | Doctor who, Empire of Death

I cannot get over how Mrs. Flood, faced with the certainty of her imminent death, immediately threatens to usurp God so she can rule over the afterlife.

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[saltpepperbeard]

Favorite Stede Facial Expressions Part 3/?

[slymanner]

Thanks death battle for reminding me how much i fucking love metal sonic

[deadscell]

[hereforthecartoons]

Gouenji & Kidou call Endou a soccer freak is so funny to me because like. Gouenji you were literally the only other person besides Endou who enjoyed that nightmare training center. Kidou not even five minutes before you called him a soccer freak you told him 'whenever I was awake, I thought about soccer.' The call isn't coming from inside the house you three are sleeping in the same soccer-themed bedroom and calling Endou from the same damn phone.

[ghost-bison]

Thinking about how in "Death and the Queen" (Tenth Doctor Adventures - Volume one), the Doctor said "I lied. I said I was fine about you leaving, and I'm not" and "No man's ever gonna be good enough for my Donna", and how when he said "No happily ever after", Donna answered "Except with you".

[poorly-drawn-mdzs]

I have greatly enjoyed your comics ever since i saw them and have been quietly Iurking as ya do- thought youd want to know that i played hollow knight based on how enthusiastic u were and how fuckin cool youre art of hk/mdzs is. OH and watched dungeon meshi. Your influence is vast and i have been enriched. Keep on keepin on 🫡

You have bestowed the highest honour upon me.

[missfisherandjack]

Miss Fisher In The Episode “Death Do Us Part”

Miss Fisher’s Murder Mysteries (2012-2015) ↳ 3x08 Death Do Us Part

[tsuyoiqueen]

Peaceful Property EP 6 Analysis: Why Didn't Peach Take The Money

Alright, I've seen a lot of criticism towards Peach's decision not to take the money offered by Home's family lawyer to buy his silence and do damage control after the footage of the accident got leaked. Now, I'm all about bashing GMMTV for their mistreatment of TayNew and other actors under their label, as well as for their lazy storylines and plot holes on the final episodes of their shows, but for once I don't think you guys are seeing the whole picture. Yes, GMMTV is notoriously bad at depicting poor characters, but Peach's decision is not out of pocket. It's actually very characteristic of him and the progression of his friendship with Home.

Hear me out: First, in the beginning of the series, we see Peach and Home fight about money many times – From Home accusing Peach of trying to sabotage his Real State business by faking a paranormal event in Best's house for the sake of going viral to Home later on trying to hire Peach to exorcise said properties even though they'd just met.

Peach sees Home as a spoiled, privileged rich kid who was raised to believe money could buy anything. This conflict is explicitly shown on Episode 2, during Rak's exorcism when Home repeatedly attempts to buy his way out of a bad situation and Peach confronts him about it. First, when Home makes fun of Peach's attempt at making Rak a sandwich based on the manager's instructions and questions his abilities, then buys a feast for the ghost after Peach quits the job, arguing that she must've refused to pass on because the food wasn't to her liking. The second time it happened it's a more pronounced attempt, with Home slapping a pile of cash on the table during the commotion and Peach becoming outraged at it.

But this conflict is brought to light again, on Episode 3, when Peach and PangPang sign the ghost-hunting contract and Kan tells them they've essentially sold their souls to Home in exchange for a paycheck, as they need to heed all of his orders from now, which Home takes full advantage of right away. Now, PangPang is fine with the deal – as she's been since the start. She was the one who got Peach to agree to the exorcisms in the first place and it was her idea to go to Home and ask if he could lend them one of his properties. As long as there's something good coming out of it, she doesn't mind. Peach, however, is reluctant to agree to Home's unreasonable requests but eventually caves in and swallows his pride.

Yet, on Episode 5, we see him once again stand his ground. It doesn't matter that Home will cut his paycheck, he refuses to go back into the restaurant where his former mentor passed away (seemingly by his fault). Home has to push him to the brink, remind Peach of his current living situation – He has no place to stay in, he's sleeping under Home's roof – and consequently hurt him to convince him.

But by the end of Episode 5, Peach knows Home never cared about the money or intended to demolish the restaurant to build a 50 million baht condo out of it. Home confesses to Peach that he only acted the way he did because he knew Peach wouldn't have come otherwise and he really wanted to help Peach overcome his fear. So when Episode 6 rolls around, money is no longer a point of conflict in their friendship, right? Wrong.

Money (as well as influence) is the reason why Home is able to make Peach's dream come true in a heartbeat, after barely a day of knowing about it. He does it in grand style, in a palace, with cameras broadcasting it live and even getting Peach a do-over with Chai-Un as a bonus. But Peach doesn't feel like he owes Home, like he has to bend to his will, anymore because he knows where they stand now: they're family and family looks out for each other. Peach knows Home went through all this effort to make him happy and he rewards Home with his full trust. First, by leaving him on charge of the trickiest part of the dish that could ruin his career all over again. And second, by showing his gratitude and considering Home part of his and PangPang's family (They're the parents and Pang's the baby, as said by her).

So, he asks about Home's dream and when he realizes it's something that he can give him, Peach doesn't hesitate to do so. Home, who's grown up in a mansion, never had to fry an egg or find a job to survive, simply craves the love and comfort of a family and Peach welcomes him wholly.

So, then I ask you, why would Peach refuse the money Home's family lawyer offered him and give back what he got from the exorcisms? Well, the moment Peach found out (or rather assumed) that Home had been lying to him all this time, their friendship left a sour taste in his mouth. What Peach was led to believe Home had done out of care had turned out to be just an attempt at relieving himself of the guilt of the hit-and-run situation. Peach could be thinking Home sought him out on purpose with ulterior motives from the start, that it was all a game to him.

That only escalates once Home's family lawyer, and not Home himself, walks in with yet another contract for him to sign and an order of eviction. That is what puts up a wall between Home and Peach again and reminds Peach of their class disparities: he is poor and Home is rich. Three years ago, Home hit him with his yellow sports car while Peach was on his way home from work. Home's family took care of everything, bribed the police and buried the evidence while Peach was left with pain, guilt and trauma. Home was sent abroad to lay low while Peach lost his mentor (and mother figure), his job and his self-confidence. They couldn't be more worlds apart than they are.

One of Peach's fatal flaws is his pride. He doesn't care if he's going to have to go back to the "rat hole" he came from. He doesn't care if he's losing the chance of living a comfortable life. Peach went his whole life without generational wealth, he can continue to do so now.

So of course, not only doesn't he take the money but he goes even further and intends to give back all that he got from Home's family. Peach wants to be far way from Home and that includes his money. He doesn't care about being reasonable right now, he's just protecting himself.