#the pain is there to tell a story and that story is about learning to love himself and as a result being able to be what he never thought he

[malakaie]

had some feelings to write out – for/about @tommyend, no pressure at all to respond

I started watching wrestling – specifically, AEW – in late October 2023. It’s been just over a year since I started watching, and I didn’t expect it to consume as much of my brain-space as it has. When I started watching, I didn’t really know who anyone was. I had heard a few names – Randy Orton, CM Punk, Jade Cargill, Roman Reigns – but had no real concept of the landscape I was entering or what it would mean to get invested.

Truthfully, it was a little overwhelming, and there was more I didn’t understand than I did. In those first few weeks, I received one very helpful piece of advice: don’t try to understand everything. Find a wrestler or two whose vibe you like and stick with them – the rest will click into place eventually, or it won’t, and either way is fine.

And so I did. I think it was around the lead-up to Full Gear 2023 that I started really paying attention. There was something about what House of Black was doing that was different from anything else I was seeing. I could understand just enough to recognise talented athletes when I saw them, but I wasn’t quite plugged in enough to the overall wrestling “ecosystem” that that was enough on its own to get my attention. Now that I understand more of what I’m looking at, it’s easier to understand what I’m meant to be impressed by – it’s easier now to have that moment of, holy shit, how did they do that?

But I didn’t understand yet. I’d been watching wrestling for about a month and was still finding my footing. What I saw, and latched onto, in House of Black was a group of four impressive performers that I could tell were in love with the art of what they were doing. Everything was done with intent – the way they entered the ring, the different but cohesive styles with which each member of the House wrestled, the gear they wore, the ever-evolving paint on Malakai’s face, the evolution and growth of Julia’s character.

It was both the moment that I finally, properly understood that professional wrestling was also theatre—and, I think, the moment that I was magnetised. It felt like a faction that was made for me: a band of storytellers who wanted to take my hand and show me what wrestling could be and was and is, and had the creativity and cohesiveness and physical talent to pull it off.

I could breathe a sigh of relief. I wasn’t lost anymore, desperately trying to catch up to understanding something that everyone around me already seemed to know. I had a guide of some sort, and one that resonated: I’ve been reading since I was 3, writing stories since I was 11, have always been a little “strange,” drawn to creative types and niche hobbies and other people that don’t have many friends. And here was someone who not only felt like me, sounded like me, but was wanted and loved and succeeding. A stranger to me, in the way that performers and public figures always are, but I felt like it was going to be okay. If Malakai could make it—though I didn’t and don’t know him personally, I had no way of knowing if he was ever afraid, or if he doubted himself—then maybe I could, too.

The more I watched and the more I learned, the more true that became. I’ve been depressed and anxious most of my adult life. I have scoliosis that is likely to get worse as I get older, and causes me pain multiple times a week, if not every day. Hearing someone whose work I admired be open about his mental health—especially when sports industries have typically not been kind to people, perhaps especially men, who are vulnerable in that way—and be honest when he’s in pain shook something loose in me that I hadn’t quite realised was stuck and frozen in shame. It’s okay that I’m afraid. It’s okay that I have days where my brain is trying to consume itself. It’s okay that I’m in pain. Did I get out of bed today? Have I been outside? Have I eaten? Have I done something to be kind to myself—or, failing that, kind to someone else? Have I done something creative today?

I started my “gender journey,” for lack of a better phrase, in 2018. There was a lot, a lot, of messing around with pronouns, labels. I didn’t know what I was, only that “just a girl” didn’t feel quite right anymore. And then I felt like I was lying, because, well—I was fine being a girl when I was ten, and thirteen, and sixteen, so why was it suddenly different at 25? Sometimes I still feel like I’m lying. The generation above me often still holds an image of trans people that requires them to have always been miserable, always been “pretending.” A few months ago my mother suggested it was fine if my idea of being feminine had expanded, but she didn’t really believe I was trans, because I’d never been unhappy as a girl child, and besides that I looked like a “clone” of the small handful of other transmasc and nonbinary people she’s met. I must be a pod person. (Newsflash, mom: This is just what queer people look like, a lot of the time. I cut and dyed my hair and got one singular tattoo. How terrible.)

She didn’t ask me how I feel when people call me she, or her—it makes me feel horribly small and unreal, by now—and in fairness to her, I didn’t quite defend myself either. I cringed and shrunk and asked for time to think about it, when what I wanted to say is yes, I know I haven’t had the history you expect to see from me, but this is who I am, and I’m not telling you that I was never a girl. I’m telling you that girl isn’t the place where I stop.

But I was scared, and I felt cornered, and I didn’t say any of that.

What I did have, though, was an artist and a performer and a storyteller who did things with his expression, his clothing, how he presented himself to the world that was like a lightbulb going on. The confidence of a man who told stories with the way that he looked, and who used feminine symbols to do it. He wasn’t any less masculine—but it was an embracing of both that cemented who he was, and I thought: holy shit. I can do that. Our identities are not the same, and I’m not too keen on speculating about the identities of public figures that I don’t know in any event—but it’s reassuring, motivating even, to be able to regularly see someone comfortably expressing his gender (because, yes, cis presentation is gender expression too) in a way that makes sense to him and incorporates the feminine and resonates through his art without doubt or reservation or compromise. This is who we are. Take it or leave it.

I don’t know what’s coming next for any of us. AEW looks like such a different place—in a good way—from when I started watching, and the world is looking pretty scary these days, but I’m still here. The art that got me interested in wrestling in the first place is still here, and I have my theories—unsubstantiated, so far—about where Malakai and House of Black are taking their story, but regardless of theories I’ve been so fortunate to watch them continue to grow and evolve over the past year. There’s a lot I don’t know, but I know the love for the story and the art is real.

I don’t know you personally, Malakai, and I don’t want to claim to, no matter how many scraps I’ve gathered together from interviews and how much of the backlog of matches I’ve done my best to watch so I can understand where you’ve come from and where you’re going next. But your work and your love for your craft has moved me, and I’m glad I stayed alive when it was hard so I could be around to see it when it mattered.

[neuroticbookworm]

Love in the Big City Part 3: Go Yeong and Gyu-ho

Last week I talked about Go Yeong’s relationship with his Umma and concluded the piece with a declaration of hope that someday, he learns to love the people in his life differently than the love he received from his Umma. Which begs the question: how exactly does one learn to love, if the framework they were presented with in their childhood turns out to be flawed, or even downright destructive?

@twig-tea has already gone over the dynamics of Go Yeong and Gyu-ho’s relationship in her excellent post. She talks about the irritants, the mundanity, the way they both clearly want the best for each other, even when they’re fighting. And @lurkingshan mentioned how the show’s depiction of Yeong and Gyu-ho’s relationship felt so real, something we rarely see on television. I’ve always been a sucker for narratives that explore the difficulties faced by a couple after they get together, so reading and watching this section of the story was a treat for me.

I want to bring attention to a moment from the show that stuck with me for days after: the scene where Go Yeong types “Unlike our dramatic start, our relationship turned out to be average, even dull” as Gyu-ho puts fresh water bottles into the refrigerator. Gyu-ho gets up, silently looks at Go Yeong for a moment, turns off the light and goes to bed.

This hit me way harder than I thought it would, because we just *saw* what Go Yeong was typing, and we saw that Gyu-ho could see his screen. It felt so representative of their relationship; Go Yeong dissecting it with his pen as Gyu-ho is waiting for him, right there, to talk to him. Alexa, play right where you left me by Taylor Swift *fetches a bottle of wine to pair with the despair*

The hardest part of watching this relationship come to an abrupt end was that we could clearly see the both of them trying. I love that we saw Yeong ask T-aras for advice after his fight with Gyu-ho at the cafe. Going to your friends for help when you don’t know where you’re fucking up in a relationship is a great idea, and I’m happy that the show created this detail. When Yeong was pissed off about their laundry becoming smelly on the drying rack, Gyu-ho found a way to solve the problem, by drying their clothes at a laundromat.

I wanna talk more about Gyu-ho because he was one of the most earnest characters I’ve encountered in fiction. In the book, we only see him from Young’s narrative perspective. I love his depiction in the show because it decouples him from Young’s lens and forces us to engage with their conflicts without Young’s voice in our head. Gyu-ho pursues Yeong after their chaotic meeting at the bar. He does not jump into bed with Yeong immediately, but also openly expresses his desire when he reminds Yeong that they are on their third date. He does not hesitate to take space in Yeong’s life, barging in to fix his curtains, dragging him out from bed for a morning walk. When Yeong tells him about Kylie, he hugs him close and cries. And then chides him for being so cavalier about it (I love him so much, can y’all tell?). When they’re living together and bickering about chores and the minutiae of life, he does not become mean about it. He makes conscious efforts to spend time together, before and during their cohabitation. He stands his ground in a fight, but also reaches out for truce after the fight runs out of steam.

[If it feels like I am putting down Yeong and his behaviors when talking about Gyu-ho, I am not. These characters are complex and real, and therefore flawed. I am simply focusing on Gyu-ho in this post because @lurkingshan already wrote a defense for my boy Yeong.]

Gyu-ho understands early on in their relationship that Yeong is not comfortable communicating his fears, pain and shame, and that he masks them with aloofness. @wen-kexing-apologist wrote about how Gyu-ho turns away when Yeong smiles at him from across the aisle when they are traveling to the airport. He sees it for what it is, a refusal to be vulnerable with him. And that’s the moment I saw where they failed in their relationship.

I think we learn to love by loving, or at the very least, trying to love another person. Trial and error. Go Yeong was more vulnerable with Gyu-ho than he had been with any of his previous partners, and yet he couldn’t let him in enough to share the reason why he could not travel to China. He couldn’t see himself worthy of comparison with Gyu-ho’s potential career and financial growth from his stint in Shanghai. And Gyu-ho felt this distance from Yeong and chose to not push him on it. He bared his heart to Yeong, but did not possess the strength to force his way in whenever Yeong put up a wall. This problem was too big for both Yeong and Gyu-ho to solve individually, and they did not learn to problem-solve together in this relationship. Gyu-ho could not find a laundromat to solve this one, so he chose to walk away.

[lostintransist]

I can't keep doing this to myself...

My brain spit out an idea at me that I don't want to lose so you get to suffer with me under the weight of this idea until I have the time space energy ADHD hyperfocus to start on it.

This is not edited. Goal is to get the thought out of my head, not to make it perfect.

So imagine for me if you will that in some version of the stories for whatever reason I can bullshit into making sense Simon is selected to undergo a new and experimental form of trauma therapy. Used she/her here but when I write it pronouns will be you/yours

He hates it but orders are orders and after losing Johnny (his best mate, his lover, the other half of his soul) he would do just about anything to crawl from under the weight of the grief and guilt. Accepting the assignment means being put under sedation regularly for anywhere from six months to a year. During the sedation your active mind will remian awake and will begin to interact with a simulation that will help deal with the traumas exisiting in his body and mind.

Simon, not 100% on board, accepts the assignment but when he wakes up in some of his worst memorires ignores the woman following him from scene to scene, offering help. Every time he cowers as a child she offers a hand. Each time he bites back the fear flooding his system on a battlefield she offers to take the bullet instead.

For months he ignores her, trying to defeat his demons on his own. This was his mind and his body dammit, he could do this.

She stops offering help but doesn't leave. Trailing behind him in his memories Simon always finds flowers strewn in his footsteps. He never bothered to learn her name. When her laughter starts to haunt his dreams he watches her instead of his memories.

Whoever had programed this simulation had taken great care in creating a realistic interaction point. She makes ugly faces before she sneezes in the barns he has hid in, always complains about hayfever. Her ring finger on her right had been broken before, he can tell from the slight bend between the second and third knuckle. Every time he entered the simulation she wore something different, sometimes tugging on pants as if they wouldn't stay up.

"What should I call you?"

"Mmm?" She looks up from a book she had pulled down from a shelf in a dilapidated kitchen. "Oh, I'm not real so you can call me whatever you want."

He stared at her, frustrations mounting.

"Back to the silent treatment? Okay, this recipe looks actually really yummy," she turns to look back to the book.

Simon stalks up and snatches it from her hands. There is actually handwritten recipes. For some reason this makes Simon's rage double. How? How could this be real? He never opened a book in this kitchen. All that happened here was patching his wounds while waiting for exfil.

Their pattern continues like that until his brain finally spits out Johnny's death. He had been so, so careful to never let that memory come up. When it does Simon is so blindsided that when she offers to help he finally accepts.

Not knowing what to expect from this interaction did not prevent Simon from being surprised at how she handled it. She started to hum as she froze the memory, touching and moving pieces and people until everything had rewound a few moments.

"You have to sit it in, this pain. Talk to him. Tell him everything you didn't get a chance to. The longer you can sit in the agony the sooner it will find peace." She takes him by the hand and pulls him to his love.

Simon cries, like the young boy who needed safety and only found hate or indifference. Through blubbering sobs he tells Johnny every word he regretted hording. When Johnny hugs him back, mouth moving and voice saying things Simon had only dreamed of he found a semblenece of peace.

When his heartrate returns to normal and the only proof this interaction happened is the hollow space in his chest where Johnny will continue to exist his compaion steps back from Johnny, appearing as if from the dust.

"I think that is enough today. You did good." Turning on her heel she walks away, disappearing into the folds between memories.

Simon had never seen her leave before, he always ended the sessions before she had a chance.

He lets her help then, this nameless woman. They conquer every memory and the vaguest notions of memories that bother him. This intensive work paired with his weekly therapy leaves his with the skills to deal with the nightmares, the PTSD, and the trauma that still manifests from time to time.

Can one fall in love with a figment of imagintion? Simon thinks he might have. The final session he confesses, brushing his lips against hers as she sobs.

"But I'm not real. Simon, you can't love me I'm not real."

"Johnny's not real either anymore. I still love him. I'll keep you in my bones next to him, both of you keeping me safe."

She runs then, between memories and fears until she disappears and ends the sesion.

Simon, upon requesting more sessions, is informed that he has completed the program and all his care is being turned over to the non-intensive team that his therapist is a part of. Oh she shouldn't have argued with him or cut off their sessions. Now he knows she is real, the woman the knocked around his brain and fought back the demons for him.

Now all he had to do? Find her.

For anything I am currently working on check out my masterlist. This is getting dropped into my drabbles for later.

[dsireland86]

OMG Yes please make the All Too Well fic! And yeah it is crazy that we thought about him with the same song

I was originally going to use the original version of this song, but after listening to Taylor's version again, it hit differently. This story was a little difficult to write because I really didn't want to make Nick the bad guy. But, at some point in our lives, we all make that one mistake we regret for the rest of our lives, right? In my universe, this was Nicholas's.

All Too Well

Tags: @philomenie @supersquirrel1996 @foliosgirl @angelmarie89 @fadingintothegrey @theanarchymuse95 @thisbicc @lma1986 @dominuslunae @shayzillaaaa @fadingintothegrey @an0mallly @alwaysfightforwhoyouare @mrsnoahsebastian @flowery-mess @iloveyoutodeathbutimdrowning @stardustsirenmelody @romanreigns-supreme @anything-more-than-human @into-the-grey @rumoured-whispers

My sister's house in upstate New York that Autumn was so cold; colder than Virginia. The moment we walked through the door together, she smiled so big, squeezing my arm and saying how it felt like home. My sister loved her instantly. 

She wore a red scarf around her neck that she said kept the cold out and her body heat in. I didn't believe her. It was so thin and small. There was no way. But it smelled like her, and her scent always made me weak.

I was five years older than her, but nobody could ever tell. People would say my sweet disposition and her wide-eyed gaze that was always focused on me made us look so compatible together that age was never something anyone ever questioned about us.

The whole ten days we were in New York together, singing in the car, almost running countless red lights because I couldn’t stop looking over at her and how beautiful she was with the wind in her hair, getting lost on some crazy back roads with autumn leaves falling down like rain all around us, was the best ten days of my life. It  was nothing but the purest magic ever to be found in life. Even after it was long over, I could still picture all too well; her smile, her eyes, her laughter, all of it. It was love. I was in love with her, and I knew she was in love with me.

My mom came to visit my sister. Knowing y/n and I were there, she brought my childhood photo album and embarrassed the hell out of me. My cheeks never turned as red as they did when she saw me sitting in my old red car twin size bed in just my underwear and glasses; god, those horrible thick, black rimmed glasses.

Then came the t-ball stories that made my mother proud to tell, but made me cringe. But y/n hung on every word my mom said as she learned more about my past and, for the first time, I knew she was my future despite what was waiting for me back in Virginia. I didn't want that anymore. I was over it. I wanted what I had right then; at least I tried convincing myself I did.

As we drove through those back roads, I was aching to say, "I love you," but for some reason, I was too scared to call it what it was, until it was too late. Until it was already dead, gone, and buried beneath the hate and bitterness of her heart, and I didn't blame her one bit for the way she felt. I deserved it.

That same night, I stole her innocence, promising her that she was the only one I'd ever want and that what we had was real, because in the heat of the moment, I really meant it. But in the end, I knew it was a lie from the very beginning. I stole her magic and treated it and her innocence as if they were some ordinary, mundane things when they weren't.

After three months of silence, the moment she found out the truth, the painful look of shame that graced her beautiful face was too much for my heart to handle. I wanted to die, to run away from her and never see her again. There was nothing else for either one of us left to do except hope that she would forget me long enough to forget why she ever felt like she needed me in the first place.

The very last time we were happy was right after we came back from New York, and she stayed over at my place. It was the middle of the night, and I awoke to her not beside me, so I got up and went searching for her only to find her in the kitchen listening to "You Belong To Me" by Jo Stafford; our song. I sat on the stairs for a moment, watching her dance in the glow of the refrigerator light as she looked for something to eat or drink, knowing in the morning all of this was going to end.

I cried, hating myself to the point that I rushed back upstairs and threw up in the toilet. I had kept her a dark, dirty little secret when she only kept me like an oath swearing over and over her loyalty to me. It was all a masterpiece until I tore it all apart. For what? I don't even know anymore.

A month after that night, I called her up to tell her I was moving to my sister's. She answered the phone, sounding so hopeful and optimistic, but when I told her that I was leaving, y/n asked if I was going alone. I didn't want to be honest, but I had lied to her long enough, so I was. I told her the truth (or at least what I had convinced myself to be the truth) about her and I and that what we had was never going to work because of the age difference. I was casually cruel, crumbling her heart up like a piece of paper and throwing it to the floor. I knew she wanted to die because I had felt that kind of pain before, too.

She asked me why I was doing this to her on the eve of her twenty-first birthday and I cringed, completely forgetting the date. She screamed at me, saying it was supposed to be fun turning twenty-one, but now she was nothing but paralyzed by pain and regret. I promised her it would get easier and she disagreed, saying time doesn't fly when you're bleeding like a soldier on the battlefield. Then she asked the crucial question, the one I was hoping she never would; "Did the love affair between us maim you like it maimed me?"

I felt cold, numb from all the pain. I didn't answer her, just told her goodbye then hung up the phone. I went for a walk, plagued by memories of the past in the city's barren cold as the first fall of snow glistened as it fell. I remember it all too well.

I'm boxing up all her things she left behind. Her red plaid shirt, her hairbrush that still holds strands of loose hair, a pair of panties I remember pulling off of her the very last night I made her my own, and her old scarf; the red one she wore to my sister’s that day in New York. I bring it to my nose and breath in deeply, soaking in the remaining scent of her it holds. It reminds me of innocence and the way things used to be. I can't get rid of it. So, I open my dresser drawer and gently lay it in there, touching it one last time before closing it. I remember her wearing it all too well and I never want to forget it either. She loved me so, back before I lost the one real thing I'd ever known. What we had was rare and I know I’ll never have it again.

I say her name every once in a while, like a sacred prayer to remind myself of the one and only good thing in my life that I lost. And the memories of her come rushing back every time, reminding me of her love, all too well. 

[deoidesign]

Happy EDS awareness month!

I'm a webcomic artist with EDS. be aware.

EDS affects many parts of my life. I have chronic fatigue, chronic pain, and I need to use a cane! I often find myself ruminating on themes of chronic illness in my work, whether or not I am intending to include them.

I already can't paint anymore, it hurts my hands too much... Anything that requires small details or precise motions will hurt me for days. I have a lot of grief around it. But working digitally allows me to still create!

I animate, I illustrate, I get to tell my stories. I have to go slow, take huge breaks (often against my will) and recover slowly. But, working in this space allows me the grace to do this.

So, I just wanted to share a bit of my experience with my audience, and say thank you for reading my work and supporting me! It means the world to me, and I hope maybe someone in my audience feels a little more seen through me sharing this. It causes me pain, but I love myself; and that includes my disability.

[szappan]

university.. university leave me alone

[lavellane]

i was so set on replaying veilguard for the davrinmance but oh my god im SO attached to my agent-of-fenharel hardingmancer rn i actually think the choice is out of my hands lol

[pyrriax]

ANYWHO goodnight tumblr i'll be back on the art grind tomorrow i think 🙏

[wibble-wobbegong]

i beg of thee to remember while mike’s story is tragic it isn’t a tragedy and that he is meant to learn to love himself and come out victorious. we will see his pain and we will watch him come out of it alive and stronger than when he went in and he will make choices that prevent his own tragedy because he loves his friends and vice versa. there are beautiful beautiful things about mike’s story outside of byler and a lot of it is learning to love and accept himself and break free of that internal prison demanding he be what everybody else expects or wants or needs and there is beauty in his friendships and how they have grown with him. mike’s story is not a tragedy but one of beauty

[just-a-little-unionoid]

Okay but I just saw a post that reminded me of a fic I read once, that was about a character who did really awful things in the canon and had to deal with the consequences of it, after they decided that it wasn't such a great idea to do those things actually

And like, something I think I didn't really consciously realized so far, I mean I did know it because it's explicit in the fic but I didn't though about what it means extradiegetically, is that the character really don't feel any remorse about what they did?

Like sure they don't want to do it again, and they want to try to repair what they've done the best they can, but they don't feel guilt, they don't care about the people they killed and they're very open about it

And I mean that's a pretty big part of the fic, how they do not feel guilt, how everyone try to make them look like a monster for it, and how us readers know that they're all wrong

So sure I knew it was about it, of course, but I don't think I really got the fact that it was just... a character with low empathy? Sort of I think?

Really this fic keep being a win for neurodivergent rep I love it so much

[carefulfears]

Thinking about the fact baby no2 probably started to ask questions at some point about Samantha upon seeing pictures of her in the house 🙂🔫

i wonder if jackson feels connected to samantha the way he is to mulder and scully

[hauntingblue]

Ennies Lobby 3.0. yes that's happening I have too much to yap about

Omg look at these freaks

Franky is so real.... look at him....

Omg 🥺🥺🥺🥺🥺🥺🥺 I have teared up so many times just bc luffy smiles with meaning at some point. insane btw.

MY GOOOOOOOD!!!!!! AAAAAAARGGGGGHHHHH

😭😭😭😭😭😭😭

The neutrality of it all....

I forgor about aokiji revealing that he was friends with Saul and that he was protecting her because of it... the "live life and prove to me that ohara is still alive"... damn reminds me of garp saying to ace that he would find out if it was wrong for him to be born. "I don't know if it was right or wrong for saul to let you live" yeah that's it. But anyways all this happened because aokiji was loyal to his friend and now we know that he didn't even kill him!! So why is he with blackbeard?? I can't shake it!!!

I can't do it.... I can't.....

Luffy and franky talking about how mich they like the ship while he's chasing his speedos bottomless through the city 😭😭 it's so sweet actually... Franky only has one pair of speedos... thats why he ran thru the city to get them I get it now

"If you don't mind being a little rough I'm wiling to help" robin you freaky girl. But truly that is one of many robin and luffy's autistic communication moments they just know. Also if robin stopped crushing his balls but everyone could see the hands being there that means that she was just holding them for a while while he wept. Normal things here.

Franky blaming himself all this time... 🥺🥺

And he just takes his trunks and walks to the ship without putting them on akdjaosnso alpha moment while saying a melancholic goodbye to your family... crazy

What.... what is he doing

Luffy's fake ass laughing and saying how usopp will do great on his own.... I am seeing you cold sweat

This shit has always been so funny to me.... luffy definitely suffers from nepotism

Usopp asking if they don't know he's sniper king skdbjs no, they (luffy) don't know akdjaons

Look at these wet little beasts omg. Matching icons akdhaksjks

DADAN MENTION????? IN THE ACE VS BLACKBEARD CHAPTER????? AAAAAAAAHHHHH

Face card and pose unmatched as of yet. Look at the evidence.

I am killing myself now. Goodbye.

But I'm already dead!! Yohohoho... Anyways water seven and enies lobby is done.... I am scared (thriller bark) of what is coming you have no idea. Also!! Luffy nearly dying after hia battle with lucci starts the domino effect of luffy being barely strong enough to save everyone until it climaxes in sabaody and then culminates in marineford which is crazy to me btw. Luffy's evolution until then is about how no matter how strong he is it would never be enough. Insane. I don't know what else to say. I love you robin and franky. ACE STOOOOOOOOOOOOOOOOP. nvm it's too late already. AAAAAHHHHHH

[foldingfittedsheets]

I was a pretty sickly kid. I'm a pretty sickly adult too I guess. But one of the issues I had was constant ear infections. I almost went deaf because I just had near continuous swelling and inflammation going on. I had tubes in my ears twice because they fell out the first time.

If you're unfamiliar that's where they put a tiny gauge in your inner ear to help force it open. It's meant to stop water getting trapped back there. I had to put wax in my ears before contact with pools, baths, showers, anything, for years, to prevent water from slinking through that narrow channel and festering long enough to spawn bacteria.

It was miserable. To this day my inner ear is blighted with so much scar tissue that every single ear exam the doctor goes, "Woah." You never want to hear a doctor say woah. It's never good.

Eventually my constant rounds of antibiotics and misery was pinned on my tonsils. A doctor declared there was just too much ick hiding out in there and they had to go. I was about five or six at the time. Having surgery as a little kid is already pretty scary but I was determined to be brave. I'd already had vacuum suction tools used on my inner ear weekly a practice so painful it's banned now. I was also promised a coveted troll dinosaur for good behavior.

So I walked tremulously into the hospital to have an organ removed. By all accounts I comported myself admirably. Afterward I was coming out of anesthesia quite slowly. The nurse was carrying me back to my parents when I rasped a whispery, "Knock knock," at her.

She paused and looked down at me, "What?"

A little stronger I repeated, "Knock knock."

She was shocked her tiny patient was trying to tell a joke while higher than a kite but dutifully said, "Who's there?"

"Adam," I said in a wavery little voice.

She leaned closer to hear me, "Adam who?"

I bellowed through my raw throat, still freshly bleeding from surgery, "Adam my way, I'm gettin' outta here!"

The nurse had to stop she was laughing so hard and she was in hysterics when she delivered me back to me parents, repeating the whole episode to them, turning their anxiety into delight that their doped up child was a comedy genius.

No one knew where I'd learned the joke, but it was a staple story throughout my childhood.

[saturnsocoolioyep]

Ultimate Anime Tournament: Round 3, Matchup 32

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

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