#the more of these moments you have the more likely you are to die instead
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Pink Matter - Sevika x F!Reader (18+)
One shot | Part 2 soon??
Contains: 18+, sickfic, slight modern!au, smut, explicit content!!, NSFW, mentions of alcohol and weed consumption, established relationship, no use of y/n, nicknames of 'baby girl, sweet girl, etc.' mentioned, dom!sevika, strap ons, oral!s e x reader recieving, rough, vaginal s e x
Word Count: 3.6K
a/n: the Sevika brainrot got too much so here we are lol . hope you enjoy !!
cross posted on AO3
title inspired by Pink Matter by Frank Ocean
Sevika likes you even when you're sick. Because there is no other grown woman or man she'd allow to perspire on her sheets and take up all the space on her mattress on an early Saturday morning when she's finally free from work and Silco's nagging. So yeah, she likes you all right.
You don't usually get sick often, especially with her watching over you to make sure you're warm during Zaun's freezing weather.
Your sweat-coated skin soaks through the double layer of navy blue sheets on the bed. It turns the blue almost black and Sevika can only think about how her shit – the one pair of sheets she probably owns – is definitely close to fucked up. God, you are so lucky she doesn't want you to die from whatever you contracted after fucking around all night during the misting rain, laughing and dancing high off your mind from the cheap weed Sevika bought off her coworker. That mixed with what the people called “Shimmer Juice”, you were half out of your mind for the night.
“Baby get the hell inside,” Sevika had told you last night, but all you did was smile at her. That blinding ass smile full of white teeth and crescent shaped eyes that made her heart start thumping a little faster in her chest. Fuck. She really was in love with you.
So of course, now you were running a fever and swaddled in whatever blankets she could scrounge up around her room. Sevika likes you like this though, fading in and out of consciousness.
Snoring softly and muttering small words while grasping at whatever body part of Sevika you could reach to keep you warm. You get super clingy when you're sick, one of the only times you are completely super sweet and malleable instead of talking back to Sevika like she won't put you in your place the next moment, but your freak ass is into it so she has to calm herself down another way to not give you exactly what you want. Still, she smiles at your petty actions. Helps to know you really want her in every single form.
She decided to run a few errands while your younger form slept, grabbing soup ingredients – Does my love prefer celery or corn? – bottles of water and a thermometer that she's never bothered to keep in her home before. The things my baby makes me do, she thinks as she puts her things into her grocery basket.
When she gets back and puts the groceries away she expects for her baby to still be sound asleep but instead you seem a bit off. Hair splayed out everywhere with your chest rising and falling heavily. A flush in your cheeks that's still so visible even with the color of your skin, tinted a steady red even in your sleep.
Sevika wondered if you were having a nightmare, thrashing and moving in your sleep like you do when your dreams get really bad, fighting more than just sickness.
But instead, your whole body is trembling, your hips unconsciously grinding into the sweat-stained sheets. Sevika walks closer, watching you move your body further into the bed, soft little groans escaping your plush lips. She stills as you mutter a soft cry for her. “Sevika…” She holds her breath, slowly approaching the voice. “Sevi, please.”
Sevika smirks to herself, touching a hand to your warmed skin shaking your awake. “Get up, sweet girl.” She had to take your temperature now before giving you any water. You startle with a groan, whining like you always do. Some nonsense about a “-middle of a good dream. ruin everything.”
“Open your mouth for something other than running it baby.” Even though you're slightly annoyed from being woken up from such a nice dream, you do as instructed, mouth wide and hinting for more than just a thermometer.
Sevika felt a twinge in her pants. Her desire to slide her strap down your awaiting throat was just too tempting. Instead, she cups your jaw, and sticks the thermometer tip under your tongue. You glare and let out a soft whine of disappointment. “Tease,” you mutter.
Sevika rolls her eyes at the petulant behavior and pulls out the thermometer at the beep. “101.4, Told your crazy ass to sit down last night and now here we are,” she scoffs. “Sit up and drink some water.”
You groan and turn your head away, letting yourself fall back onto the bed. “Don't want to.”
Sevika sighs, sliding her warm fingers over your sweat-soaked hair, small pieces threatening to curl at the nape of your neck. They feel nice as they start to comb at your scalp. “Listen, you've been playing housewife all week, cleaning and cooking all nice for me, let me take care of you now baby girl.”
You groan again, weak hands gripping the edge of the blanket, trying to pull it off of you. You sigh into the pillow, words all muddied and unclear. “Speak up baby, I'm not straining to hear you.”
You take a deep, labored breath in, and turn her head towards Sevika, cheeks getting all hot. “Said you want to, so take care of me.”
Her eyes narrow at you, “What do you think I'm doing?”
“No Sevi, I need you to fuck me. Please.”
Sevika grips your chin, hard, probably could leave a few bruises if she tried hard enough. You twitch under her touch, ultra-sensitive from the fever. “You're outta your mind right now. You need to rest ”
You bring a hand to Sevika’s thigh as she hovers over you, grasping with more strength than you probably needed to have. “I need it, please. I'll be good.”
Just the thought of your body loose and desperate sends a rush straight to the older woman's crotch. “You’re sure?”
“Yes. Fuck me, Sevika.” Your voice was exhausted, but eager, wide eyes staring endlessly into her own dark grey ones.
She watches the quickened rise and fall of your chest as she goes to take off her vest and her pants. Of course she's commando. Of course. The thing you're waiting for is less than 5 steps away, tucked in the nightstand drawer. Sevika is quick to grab the strap-on and fasten it around herself. It's a beautiful deep shade of purple and thick and practically gleaming as she steps closer to you. You scramble out of your sleep shorts and t-shirt to feel her presence even closer.
“Gonna slick me up baby? Get me ready for you?” She asks as she sizes you up. Her eyes are dark, hungry, for you.
You nod dumbly. So ready to suck her off like you've done times before.
She drags her metal hand along your lower leg, up your shaking thighs, over your awaiting ass in your underwear, and up to your back. You twitch at the cold of the metal, too much sensation from such a small gesture. Simply Sevika’s touch – gentle strokes across the skin – was overwhelming.
Sevika gently tugs on your jaw, testing how pliable and easy you promised to be. She was met with no resistance as your mouth opened with ease, “doing so good already baby.”
Sevika stepped closer, hovering over your face, sliding in her strap until she hit the back of your throat with no resistance. You were too tired for a reflex, too tired to choke. Fuck, she could do anything she wanted to you right now and you wouldn't even flinch. Something dark coiled in Sevika's stomach, if she was a better person she would've ignored your pleas and doped you up with enough medicine to tire you out but she wasn't an entirely good person, and you liked her that way.
Sevika worked your mouth, it's as if she could feel the warm back of your throat every time she bottomed out. But the small quiver of breath on the straps cockhead was a reminder that you needed to breathe.
Tears welled in your eyes, and Sevika had to fight coming right then and there. She wanted to fill your throat, make you keep her strap warm as you swallowed every last bit of her. The only fight you had was an involuntary gasp for air. Sevika held you there for just a second longer, slowly sliding out of your mouth, warm and wet. As Sevika’s strap head passes your lips, you groan, trying to get Sevika to put herself back where she belongs.
Sevika replaces the emptiness with her fingers, laying them on your tongue instead. “Not now baby girl.”
Sevika hovers over you, staring at your parted lips, watching your eyes flutter as sweat drips down your brow. She lowered her hips, slowly dragging her strap along your entrance. Sevika’s other hand traveled down to the leaking pussy between your thighs, mouth watering at the wetness. She thumbs your clit slowly as she grasps your ass with her metal hand.
You gasp at the soft friction, pushing your hips up to meet Sevika, breath heavy. “Need you Sevi, please.”
“Keep your hands up. Just like that.” You cross your arms above your head as you ache to touch Sevika back. Your skin is hot and flushed and you feel like you'll explode any second that your girlfriend isn't touching you.
“Hurry, please.”
“Patience pretty girl,” Sevika warns. Your whines were cut short by Sevika’s mouth meeting your own. The kiss was rough, more teeth meeting lips and gasps than anything else but it was perfect. Just like her.
Sevika pulls away and watches her baby's head lift off the pillow to chase her, falling back almost immediately with a huff. You let your hands move from where they lay against the pillow crossed to pull Sevika back down into a kiss. Desperate.
Pulling away again Sevika pins your wrist to the mattress with a growl. You stare up at her, eyes shining with tears but overfilled with lust and want. Fuck. “You don't listen for shit, girl. Keep your hands where I can see ‘em.”
Sevika kisses along your jaw and neck, soft nips and bites that you wanted to feel more of. Wanted them to bruise. To show everyone who you belonged to. But all you can do is whine and mumble out whispers instead of words.
“Use your words, baby.”
You choke on your words. “M-more. Please.”
Sevika leans back down, crashing her lips into yours. “You want more?”
You groan into her mouth. “Please, anything.”
Sevika pulls away, spitting into your mouth, hungry and aching. “Swallow. Want you to remember that taste.” You swallow greedily, heart pumping as Sevika kisses down the soft skin of your stomach, inching closer to your cunt.
She smirks at the sight, you already so desperate for more, as she runs her fingers up and down your warm entrance. You moan at the sudden intrusion, rocking back onto Sevika’s hand as she slips a finger in, all the way to the knuckle, groaning at the heat and the way you're clenched so tight around her.
“Another please, Sevika.”
One finger quickly becomes three, and you can't even flinch at the rushed invasion, just blabbering and moaning as Sevika's thick fingers slam into your pussy. Your hips rock against Sevika’s hand as you can do nothing but wordlessly whimper and beg for something.
Sevika hits that special spot in quick little pumps, bringing your muted cries to loud gasps.
“Almost there, baby.” Sevika tells you, her ability to hold herself back from jumping your bones entirely is slowly starting to crumble.
When she deems you prepped enough, she takes her fingers away and slides them into her mouth making you moan. She licks her fingers like it's nectar as she sucks them into her mouth.
Finally, Sevika settles between your trembling thighs, the color a hue she's always loved from all the time you spent tanning in the sun with no worries in the world.
A gentle groan passes by your lips as Sevika sucks a mark into the flesh of your legs, nipping along the skin turning it into a pinkish red that will soon blossom into a deep purple. She grazes her teeth along your inner thigh, biting down hard. She trails her fingers up the backs of both your legs, settling on your ass and grabbing at the soft flesh, sending a shiver up your spine.
You mewled, begging. “Need you please.” You could feel Sevika smile into the mark she made on your thigh, turned on beyond relief at your begging. “Just a little longer baby.”
Giving you a pat on the head, she lowers her awaiting mouth to your weeping cunt, though you're already close even from her thick fingers inside of you. You moaned at the contact, gripping the sheets as Sevika licks you up clean. You resist the overwhelming urge to clutch at her hair as she works you out, but you promised not to move your hands. You'd listen this once, just for her.
She works her tongue over your swelling clit, swirling her tongue, and moving back down. She ate you like a pro, taking you deeper in her mouth, breathing in the smell of her girl and the tickle of your hairs along her face. Whether you had a bush or shaved for some occasions, she was very appreciative of the effort, regardless of how you presented yourself to her.
She fucks you with her tongue and only adds in a single finger. Pistoning faster as she works at your clit. It's all too much too soon and she pulls off to lick you up again, fingers still angled over your sweet spot, when she hears a loud cry. You've already cum. Making the sheets stain a darker shade of navy blue.
“W-what the fuck?” You say more to yourself than anyone else. The fever makes you even more sensitive, even the littlest bit of stimulation making you come, it's insanely embarrassing to your already dwindling ego.
“Think you can do one more?” the older woman chuckles. You just shake your head nervously, tears peaking at the corner of your eyes. “No more.”
Sevika's eyes harden, grasping your hips and digging her nails in. The clutch of her metal fingers into the flesh of your hip leaves you reeling – knowing it's gonna bruise later. “If I tell you one more, then it's gonna be one more.”
He slicks up her glistening strap with whatever lube she had on her dresser already half empty, and positions her above you. She lines herself up, pushing slow yet unyielding into you. You can't help but scream as Sevika pulls out and slams her strap into you, purposely missing your sweet spot just to make you beg for it.
You try and bite your arm to quiet your whimpers, it was embarrassing wanting her so bad, wanting her dick, her strap, inside you so bad. Sevika reaches up, grabbing your face until they drift to your throat. “You can be loud, baby, let me hear you.”
She fucks you slow and deep, wanting to savor every second you're so pliant underneath her. Your mind is quieted by the fever, now, basically delirious. She uses just enough pressure against your throat to let you breathe, already labored and erratic.
It feels like your whole body is on fire. Only filled with thoughts of Sevika Sevika Sevika. Those words chant themselves over and over in your mind like a mantra.
Sevika places your legs over her shoulders and enters again with no hesitation, fucking into you even faster. “Touch yourself sweet girl. Wanna see you cum again.”
You whimper. “Sevika, I don’t think-”
Sevika puts a finger over your mouth. “You don't get to tell me no princess, you wanted this, remember?” It was mocking, less a question and more a statement. Of course you remember, it's burned into the back of your mind.
Your weak hand reaches for your clit to give it at least a little bit of stimulation. But there's no strength left in your body to bring yourself to come again, your grip was nothing more than a soft coaxing. Tears fill your eyes from frustration, from pleasure, a sharp mixture of both.
With a laugh, Sevika slaps your pathetic hand away and brings her hand to your clit herself. Sevika continues to stroke you, angling her hips to hit even deeper into your tight pussy. It's all too much and all you can do is sob.
Sevika moves her vacant metal hand from your hip to your throat, choking you properly now. Sevika’s pace quickens, folding you in half with your thighs against her sticky chest, thrusting as deep into you as she could. Your eyes began to roll, chest heaving from a sob but no words can escape her lips.
“Please don't stop, please.”
You barely have time to process what’s happening before Sevika folds you in half again. You love the way the older woman makes you feel when she's caged over you. You're not overly short or tall, but you still feel so small in comparison to Sevika’s more broad-shouldered frame. You feel your body shake as Sevika sheathes herself back inside fully with one single thrust. You barely manage to take it, body tightening around her cock reflexively. It's basically an extension of her at this point.
She lets her hand slither from around your neck to your boobs, fondling them as she fucks you harder. You scramble against the sheets with sweaty hands and weak fingers, trying to get away from the pistoning dick tearing you apart. Sevika is so big inside of you, he can hardly feel anything else.
She kisses you and it feels like heaven all over again.
Feels like you're drowning in pure bliss. She keeps fucking you through it, making you cum over and over again, watching as your body writhes in agony and overstimulation. It almost hurts, so fucking much, but it feels so so good. You love that Sevika isn’t afraid to handle you roughly – isn't afraid to slam her hips forward like she wants to destroy your guts with each thrust – but she isn't afraid to truly make love to you either, all nice and slow. Here, your mind finally has the ability to finally shut off and you can submit yourself fully to the older woman.
When Sevika finally comes it's like you can practically feel the strap swell inside of you.
Sevika pulls out with a groan, as if it really is her own cock and not a toy. Something about it has your stomach swirling into knots again.
She licks her lips. “Not done with you yet baby.”
Sevika grabs you by your waist and flips you over, shoving your face deep into the mattress.
“Fit around this cock so well baby girl. Bet you're wishing it was real huh?”
You can barely process Sevika’s words, only letting out a jumbled, “only yours Sevi” before your mind is clouded by a thick sheen of tears, sweat, and cum. You can't count how many times you come before you pass out from the fever and from working your body so hard.
————
When you come to, the first thing you feel is emptiness. The emptiness of your cunt and the bed as Sevika is nowhere to be seen. It triggers something in your chest and he can't help the sob that gets stuck in her throat. You want to call out for her, cry, something, but your throat is wrecked and raw.
“Sevika?” you push out, voice weak from exertion.
After a few moments of silence, you hear the floorboards creak near the bedroom door. It's Sevika with a bowl of something in her hand and a bottle of water. She smiles at you, her lopsided smile glistening against the window light and it's all too domestic.
“You aight Bambi?” The special nickname makes you want to jump her bones all over again. Her voice is soft as if speaking any louder would frighten you. But you're strong, already feeling better from your nap. You just nod, reaching an arm out towards Sevika's approaching figure to motion her to the space on the bed next to you.
There’s different sheets this time, a creamy grey color and you wonder how long you were out cold so that she was able to replace sheets right under you.
“I'm right here baby hold on.” He grabs the thermometer from the nightstand, motioning for you to open your mouth again.
“98.9” she says after the beep. She cracks a wide smile, “fucking miracle my strap is huh?” You can only roll your eyes, “don't get too cocky, Sevi. I was right after all.”
Sevika wraps you in a hug, breathing in the faint smell of sex, and the smell of your shampoo. “Eat your soup and if you're good I'll let you sleep with it in.” She raises her eyebrows suggestively, grinning larger than life. The little gap between her teeth has your heart melting as you kiss her softly.
“I love you so much Sevika.” She presses your foreheads together and holds the sides of your face with her hands.
One kiss to your left eyelid, one kiss to your right lid, another to the tip of your nose, and finally another one your lips as she clutches you tighter. “I love you too baby.”
You eat your soup with a hunger you've never had before in your life. You go to sleep very happy that night, stomach full and pussy full as she spoons you as you both fall asleep.
~~~~
#sevika fic#sevika#sevika smut#sevika x reader#sevika x you#sevika arcane#arcane sevika#arcane smut#arcane x reader#arcane x female reader#sevika x female reader
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She at least wasn't alone, having many others like her come into being soon after. Although none would be as close to your ward than the god of radiation. Each of them bonding over their doubts of any good they could bring to their creators. Every newly born god and goddess came into the world fearing themselves as being only meant for death and destruction, even if those two had the greatest doubts among the group. They did not have the luxury of being 'forced' into a role by humanity like you, their domains were FORGED for it.
Nonetheless, they grew, and they changed as all things inevitably do. Even the duo of deities you had soon grown attached to, who thought they were the sign of humanity's final end, discovered and accepted the unfortunate truth about humans.
"Humans always see something as a weapon, even when it can be so much more. Just like you, it will take time for them to realize their potential."
It was the advice you and your compatriots, all tasked with helping certain new gods of Man's creation find their way, had grown to recite nearly on command.
Mankind could be wrong about so many things, but the divine always know better. It was not too long at all that you all were proven right.
Explosives and Radiation: such specific concepts that became incomprehensibly versatile.
What was a spaceship, but shrapnel that refuses to break and an explosion that existed to push humanity farther? Just as fragments leave a grenade or a bullet leaves a gun, humanity left their home world, letting Gaia heal the damage she had accumulated before wiser people finally put their feet down. They expanded from their home, just as they did with their natural habitat. So long ago you lost track of the sparks, snuffing of flame, and the darkness that lasted until they relied on you once more. Keeping the night, cold, and hunger at bay had always been your purpose. That was when you were the only light they relied on, but those times are gone.
What is radiation, if not energy to harness for light and warmth the people come to need in their homes? Homes where fire could no longer follow. Colonies among stars that you had thought would be eternally out of reach.
It was so subtle at first. It was a tragedy, how none of you saw it coming until it all became too fast to indulge in the moments remaining. Humanity no longer needed you, nor did their progeny that you had come to call your kin. The new pantheon that would spread amongst the stars, the beings you had never realized were to replace you in a new age. They had grown far too soon, in your humble opinion.
Gods do not die, they have no need of an end. However, their rises and falls are inevitable- even yours.
Now your eons are simply spent watching as those you made ready to replace you built off of everything that came before. Idly staying nearby as they make something even grander still. In retrospect, how you feel now is most certainly what many generations of people no doubt felt. Happy to see those who came into the world lost and needing you to guide them. Content to know they have finally found their way. Privileged, that they chose to reciprocate and guide you how they can once the tables turned.
You had long wondered what value those little creatures saw in preserving and protecting those you viewed as little more than exhausted fuel. Yet here you were, just like the old and 'irrelevant' of their kind, happily accepting the results of your effort grow beyond you.
Mankind's Age of Fire has long since ended, the dark now something to be explored instead of feared. No longer are you a weapon to wield against the unknown, nor are you a bastion for their people huddle around at the day's end. You are not forgotten even after the end of your reign, and your light is still carried on by the very goddess who once couldn't see her own value. You are no longer needed, but still loved just as strongly. You are a relic of a bygone era, but even still they value what you were just as she valued what you did.
It is the Age of Advancement: an era of explosions, radiation, and steel. Even now that humanity and their new pantheon have reached the height of their potential, unrivaled in their feats and ambition, one thing remains true.
Humans might see a weapon at first, but they will always make it so much more when they are through.
As the God of Fire, the Supreme God has tasked you to supervise and educate a newly manifested Goddess. You find a sad, terrified, and confused child, fearful of her powers and the destruction it caused the mortal realm. You are to guide a being born from Man's work, The Goddess of Explosions.
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SAFE & SOUND — part 3
Navigating one year post-apocalypse, when the dead began to walk and the living proved to be no better, you decide that trust is a luxury you can no longer afford. But after a run-in with a group of seven peculiar survivors, you learn that there are bigger problems than just the undead roaming the streets. You also start to wonder if there’s more to survival than simply staying alive.
word count: 7.4k
MASTERLIST
Whispers.
Soft at first, like the rustling of leaves in the wind. But they grow louder, more insistent, wrapping around you like tendrils of smoke. You’re alone. Back in the forest, standing in the middle of that clearing.
You spin around, your heart pounding in your chest. They’re here.
Rotters.
They shamble toward you from every direction. Some are missing limbs, dragging broken legs behind them. Others have half their faces torn away, flesh hanging in ragged strips. But it’s their eyes that hold you captive—clear, human, and horrifyingly aware.
They’re whispering.
You can’t make out the words, no matter how hard you strain to listen. The whispers slither into your mind, incomprehensible and maddening, sending a shiver down your spine.
You take a step back. They take a step forward.
Every time you blink, they’re closer. Closing in, tightening the circle around you. You’re surrounded.
“Y/N.”
Their whispers begin to merge, forming one singular voice. It echoes through the clearing, sharp and cold, making your blood run icy.
“Y/N.”
It’s louder now. They’ve reached you. Hands—cold, skeletal hands—grab at your shoulders. Tugging. Shaking.
“Y/N.”
The voice isn’t distant anymore. It’s right there. Right in your ear. Your chest tightens, your breath caught in your throat as panic seizes you. The hands grip harder. Shaking you so violently you think they might throw you to the ground.
There’s nowhere to go.
You’re going to die.
“Y/N!”
You gasp, your eyes flying open. The forest, the rotters, the whispers—they’re gone. Instead, you find yourself staring into a familiar pair of dark eyes. Jungwon’s hands are on your arms, gently shaking you awake.
“Hey,” he murmurs, his voice soft but steady. “It’s okay. I’m here. You’re safe and sound.”
Your chest heaves, your pulse still racing as the remnants of the nightmare cling to you. Sweat beads on your forehead, and your hands tremble as you push yourself upright.
Jungwon’s brow furrows with concern. “You were shaking. I tried waking you earlier, but you wouldn’t come out of it.”
You swallow hard, trying to find your voice. “It… it was nothing,” you say, your voice hoarse. “Just a nightmare.”
Jungwon doesn’t look convinced. His gaze lingers on you for a moment longer before he sighs, leaning back slightly. “You sure?”
You nod, forcing yourself to steady your breathing. “Yeah.” But even as you say it, the whispers linger in your mind, a haunting echo you can’t quite shake.
You take a look around, rubbing the sleep from your eyes as the surroundings come into focus. The others have already alighted the van, their silhouettes moving quietly in the dawn light. The sky is painted in soft hues of orange and pink as the sun slowly rises from the horizon, casting long shadows over the road and surrounding trees.
“Are we there already?” you ask groggily, your voice raspy from sleep.
Jungwon, still seated beside you, reaches for his canister and hands it over without a word. You take it gratefully, the cool water washing away the dry, bitter taste in your mouth.
“No, we ran out of fuel,” he replies.
You glance toward the front of the van, where Ni-ki is tinkering under the hood, muttering quietly to himself. Jake stands nearby, stretching his arms and rolling his shoulders, his gaze drifting toward the distant village down the hill.
“Jungwon,” a familiar voice calls from outside. Heeseung appears at the foot of the van, one hand resting on the roof for support. “We’re thinking about checking out the village down there. Hopefully, siphon some gas and scavenge for supplies.”
Jungwon nods thoughtfully, his eyes scanning the horizon. He’s calculating the risks, weighing the possibilities before making his decision.
“Yeah,” he says after a moment. “Let’s do that. But not all of us. Just a few.”
You watch as the group gathers around to discuss the plan, their voices hushed but purposeful. There’s an underlying tension in the air—a shared understanding that every move counts, every decision could mean the difference between life and death.
Heeseung crosses his arms, his sharp gaze landing on Jungwon. “Who’s going?”
Jungwon’s eyes flick between the group, assessing each person in turn. “Jay, Ni-ki, and I. Us three will check out the village. You guys stay here to keep an eye on the perimeter.”
Sunoo lets out a scoff from where he leans against a tree. “You’re sending Ni-ki? What if we need the van fixed while he’s gone?”
“We’re not leaving him behind,” Jungwon says firmly. “If there’s gas to be found, we’ll need someone who knows how to siphon it properly.”
Ni-ki straightens from where he’s crouched by the van, wiping his hands on his trousers. “Relax, Sunoo. I’ll be back before you miss me.”
The feeling of guilt rises again—a familiar weight you’ve carried for far too long. It creeps up your spine and settles deep in your gut. You shouldn’t be sitting here, letting them take all the risks. They’ve already been through enough. And yet here you are, another mouth to feed, another body to protect.
It doesn’t sit right with you.
The words slip out before you can stop them. “No, Ni-ki should stay.”
Jungwon’s gaze snaps to you, his brows knitting together in confusion. “What?”
Ni-ki frowns, his usual playful expression replaced by something more serious. “Why? I’m the only one who knows how–” and he yawns. Self-explanatory.
“Because you’ve been driving all night,” you reply, your tone steady but resolute. “You need rest”
“I know how to siphon gas,” you say, your voice firmer this time. “My dad’s a mechanic back in the province. I used to help him all the time at his shop. I know what I’m doing.”
The group falls silent, everyone turning to look at you. The weight of their stares presses down on you, but you stand your ground, refusing to back down.
“You’ve done it before?” Heeseung asks, tilting his head slightly as he studies you.
You nod. “Plenty of times.”
Jungwon’s expression remains unreadable as he considers your words. His jaw tightens, and for a moment, you wonder if he’s going to shut you down. Because at the end of the day, whatever he says goes. But when he speaks, his voice is measured but tinged with something you can’t quite place—concern, maybe.
“It’s not just about siphoning gas,” he says. “It’s dangerous out there. You saw what we ran into last night.”
“I know,” you say quietly. “But I can handle it. You need me to do this.”
The silence stretches for a moment before Heeseung speaks up, breaking the tension. “She’s got a point.”
Jay scoffs from where he’s still leaning against the tree, arms crossed over his chest. “This is insane. We barely know her, and you want to let her go off into the village?”
“Jay,” Jake’s voice cuts through the tension, sharp and steady. “Again. Not your place to speak.” He doesn’t even look up from the med kit he’s reorganising again for the tenth time, but his tone is enough to silence Jay instantly.
The weight of Jake’s words hangs heavy in the air. You can see Jay tense, his jaw clenching as he looks away. It’s clear Jake hasn’t forgiven him—not entirely. That wound still festers beneath the surface, a quiet reminder of what they’ve lost.
You take a breath, your fingers curling into your palm before you speak. “Trust me. Or better yet, don’t trust me. If anything goes wrong, it’s easier to leave me behind anyway.”
Your words come out too easily. Too naturally. They’re the kind of words you’ve told yourself for days now—an unspoken truth you’ve lived by. The moment they leave your mouth, though, you see the ripple of discomfort they send through the group.
Every one of them shifts, guilt flickering across their faces. Heeseung’s hand falters over the strap of his bag, Sunoo looks away entirely, and even Jay’s hardened expression cracks for a split second.
“Y/N, that’s not—” Heeseung starts, his voice soft with concern, but you cut him off before he can finish.
“I was just joking,” you say quickly, forcing a smile you don’t feel. “Relax, guys.”
But no one laughs. No one even cracks a smile. Instead, their discomfort seems to deepen, the awkward silence stretching longer than you anticipated. It hits you then—you’ve triggered something you didn’t even realise was sensitive. Maybe it’s because those words carry a truth they’ve already lived through. Maybe it’s because the thought has crossed their mind before.
Either way, the tension is palpable. You’ve misjudged your audience.
Jungwon steps forward, his expression calm but serious. His voice, when he speaks, is quiet but firm. “Don’t joke about that.”
His words linger in the air, not harsh, but weighted with something you can’t quite name. There’s something in his eyes—a heaviness, a flicker of guilt or regret—that makes you realise he’s not saying it to admonish you. He’s saying it to comfort himself.
You hold his gaze for a moment, searching for the meaning behind those words. There’s no accusation there. Just a quiet plea.
“Alright,” you say softly, nodding once. “I won’t.”
The group falls into silence again, but it’s different now. Heavier.
The road leading into the village is eerily quiet, the only sound coming from the crunch of your boots against the gravel. Jay walks a few steps ahead, his bow slung over his shoulder, his posture tense as he scans the area. Jungwon stays closer to you, his gaze sweeping over every abandoned house and overgrown field, ever the vigilant leader.
It’s a small village—the kind you’d expect to see bustling with life, where neighbours of neighbours know one another by name, where doors are left unlocked, and everyone exchanges gifts on Christmas and rice cakes on New Year’s Eve.
But now it’s nothing more than a graveyard of memories. Weeds grow wild through the cracks in the pavement, creeping up the sides of empty houses. Windows are shattered, doors left ajar, swaying gently in the breeze as if still waiting for someone to come home. Faded signs and rusting bicycles lean against walls that haven’t seen a human touch in years.
Unfortunately, a small village also means there’s no need for cars to travel around. No gas for you to siphon.
But among the dense field stretching miles out of the village, something catches your attention.
Overgrown crops, long since withered and dead, stretch endlessly in every direction. Tangled weeds twist through the rows, choking out what little life might have remained. And in the middle of it all, sitting like a forgotten relic from a time before, is a tractor. Its rusted frame gleams faintly in the early morning light, patches of red paint barely visible beneath layers of rust and grime.
Gas.
The three of you stop at the edge of the field, taking in the sight.
“That thing’s been sitting there for a while,” Jay says, his tone sceptical. “No guarantee it even has gas left.”
“Only one way to find out,” Jungwon replies, already moving toward it.
You and Jay exchange a glance before following him, cautiously weaving your way through the wild weeds and brittle stalks.
The field is too quiet, too still. The kind of quiet that makes your skin crawl, as though something is watching from the shadows, waiting for the right moment to move. The overgrown weeds brush against your legs, and every rustle sets your nerves on edge. It feels like something is going to pop out from beneath the ground and take a chomp out of your feet.
The unease prickles at the back of your mind, but you push the feeling aside.
When you reach the tractor, Jungwon pulls out the siphoning kit Ni-ki packed for you. He hands you the tube and a canister. You kneel beside the tractor, unscrewing the fuel cap before inserting the tube.
“Let’s hope this thing’s got something left in it,” you mutter, giving the tube a few pumps. It takes a moment, but then—finally—liquid begins to flow.
Jungwon gives a small nod of approval before stepping back to keep watch. Jay crouches nearby, pulling out a knife and absently running his thumb along the edge of the blade.
The silence stretches as you wait for the canister to fill. The distant rustling of leaves in the breeze is the only sound. Until you decide to break it.
“It might not mean anything, but I would’ve done it too,” you say softly, your voice carrying across the field. Both Jungwon and Jay turn to look at you, confusion flickering across their faces. You meet Jay’s gaze, holding it steady. He knows what you’re referring to, but you spell it out anyway.
“Going after him—I mean.”
Jay’s jaw tightens, and he looks away. “You don’t have to lie to comfort me. I know what I did was wrong.”
“There’s no right or wrong in the apocalypse. But even if you think it’s wrong, you don’t regret it” you say, your tone calm but unwavering.
Jay’s head snaps back toward you, his brow furrowing. “What are you trying to say?”
You shrug, leaning back slightly on your heels. “What I’m trying to say is, what you’re feeling is valid. If it were up to me, I would’ve shot him in both ankles. Make sure he couldn’t run to begin with.”
There’s a beat of silence. Jungwon shifts slightly, his gaze flickering between you and Jay, but he doesn’t interrupt. He’s listening too.
Jay’s expression is guarded, his lips pressed into a thin line. “You’re not scared to say that? In front of him?” He gestures toward Jungwon with a tilt of his head.
“Why would I be?” You glance at Jungwon briefly before turning back to Jay.
“You probably already figured it out,” Jay says quietly, his gaze fixed on the blade in his hand. “But the whole point of this group—the way Jungwon leads us—is to make sure we don’t become the monsters we ran away from.” He pauses, his jaw clenching briefly before continuing. “Whatever Jake or the others feel about what I did… that’s valid.”
You watch him carefully, noticing the tension in his shoulders, the way his fingers tighten around the knife as if it’s the only thing keeping him steady. There’s guilt there, deeply rooted, but also defiance. He doesn’t regret what he did—he regrets what it cost him.
“Protecting your loved ones comes at a much too high cost sometimes,” you say softly, your voice steady despite the heaviness of the conversation. “Frankly speaking, if I saw someone I love die in front of me, I’d do much more than just shoot someone in the ankle.”
Jay’s knife stills in his hand. For a brief moment, something shifts in his expression—a crack in the hardened exterior he’s built around himself. In that moment, he looks younger. Less guarded. More human.
“Yeah,” he murmurs, his voice quieter now, tinged with something close to regret. “It doesn’t bring her back, though.”
“No,” you agree gently. “It doesn’t.”
The words hang between you, heavy with shared understanding. For a moment, neither of you speaks, the sound of the wind rustling through the overgrown field filling the silence.
“But,” you add, your gaze locking on his, “you seem to forget that it’s also human to want justice. Or revenge. Whatever you want to call it.”
Jay lifts his head slowly, his eyes meeting yours. There’s a flicker of something in his gaze—recognition, maybe. Like he hadn’t allowed himself to think of it that way before.
“Justice or revenge,” he repeats, almost to himself. “I guess it depends on who’s telling the story.”
You nod. “Or who’s left to tell it.”
He lets out a quiet exhale, the tension in his shoulders easing just slightly. “I don’t know what that makes me, though. A monster or just… someone who’s trying to survive.”
You offer a faint smile, one that doesn’t quite reach your eyes. “Maybe it makes you both.”
Jay huffs a soft, humourless laugh. “Yeah. Maybe.”
Jungwon, who’s been standing quietly off to the side, finally speaks. “It makes you someone who’s still here. Someone who’s still fighting. That’s all that matters.” His voice is steady, filled with that quiet authority that makes people listen. Jay glances at Jungwon, something unspoken passing between them before he nods.
The canister fills with a soft glug, and you pull the tube out, wiping your hands on your jeans. You glance at Jay again, his gaze distant as he processes your words. You screw the fuel cap back onto the tractor and Jay picks up the canister.
The three of you head back through the field, the morning light casting long shadows across the overgrown crops. You and Jungwon walk a few feet ahead while Jay trails behind in silence. For the first time, the silence between you and Jay feels a little lighter. A little more bearable.
Jungwon doesn’t say anything, but you can feel the weight of his unspoken words in the way his gaze flickers toward you. He glances at you, then away, like he’s searching for the right moment to speak—or maybe the right words. It’s subtle, but you notice it every single time.
It’s fascinating, really.
Just days ago, back at the auto shop, he was an impenetrable shell. Guarded, unreadable, every word measured and calculated. His presence then felt heavy with the burden of leadership, the weight of keeping the group alive pressing down on his shoulders.
But now? Now, you see something else. There’s a quiet shift in him. A softening.
It’s in the way his shoulders aren’t as tense, the way his eyes don’t carry the same storm they did before. He still holds himself with purpose, still walks with that quiet confidence that commands respect. But there’s something more now—something vulnerable. Something real.
He’s finally living up to his name.
Garden.
Not the enclosed, walled-off kind. But an open, untamed one. Wildflowers breaking through cracks in stone, soft green creeping over hard surfaces, reaching out toward the light despite everything.
And it makes you wonder if you’ve planted yourself there, too. If, without realising it, you’ve taken root in the cracks he kept so tightly sealed. The thought sends an ache through your chest—one you can’t quite place, one you’re not sure you want to name.
But it doesn’t change the facts.
Your plan to slip away quietly still stands. It has to. The moment you start to care too much, the moment you feel like you belong—that’s the moment everything falls apart. You’ve learned that lesson the hard way, and you’re not about to forget it.
You glance at Jungwon, his gaze once again flickering toward you before settling ahead. There’s trust in his eyes now, trust you never expected to earn. And it terrifies you.
Because when the day comes, when you finally decide it’s time to leave, it won’t be as simple as walking away. You’ll not only have to pull yourself out of that garden—you’ll have to dig. Dig deep. Find every root, every tendril of connection that’s wound itself around your heart, and sever it.
And that’s what scares you the most.
You’ve always been good at surviving. Good at keeping your distance. But something about this group, about him, makes you question whether you’re as detached as you like to think.
You push the thought aside, your grip tightening on the knife at your belt. Not yet. Not today.
For now, you keep walking.
But with each step, the weight in your chest grows heavier. The more you procrastinate confronting this—the way your walls have started to crumble, the way the cracks are widening—the deeper the roots grow.
And one day, those roots will grow too deep. So deep that no matter how hard you dig, no matter how determined you are to sever them, they’ll remain. Buried beneath layers of regret, fear, betrayal and everything you’ve been running from.
And deep down, you know this. You’ve always known.
It terrifies you.
Because in a world where nothing is certain, where survival often means cutting ties and leaving before things fall apart, you can feel yourself tethering to something—or someone—that you’re not sure you’ll be able to walk away from.
Knowing this and yet, you keep walking.
The three of you near the foot of the hill, the climb back to the van just ahead. Your legs ache from the trek, and your mind is still spinning from your earlier conundrum. But just as you’re about to start the ascent, something stops you cold.
At first, you think it must be your mind playing tricks again—another hallucination brought on by exhaustion. But no. These voices are real. They’re vivid, sharp, and far too close.
“Get down,” Jungwon whispers, already crouching low. His eyes scan the surroundings, quickly assessing the situation.
You drop to your knees, heart pounding in your chest. The voices grow clearer, drifting through the trees just ahead.
“When are your stupid friends coming back with the gas?” It’s a voice you don’t recognise—rough, impatient.
“If they’re taking this long, it better be because there’s so much gas for them to siphon,” another voice replies, laced with irritation.
“Or maybe there’s no gas at all, and you idiots are just wasting your time on us.” Sunoo, the ever so convincing diplomat. He might as well tell them to shoot him right there and then.
Jungwon glances up from his crouched position, subtly peering over the tall grass. His blonde hair, ironically, blends into the wildflowers scattered around, making him almost invisible from a distance.
He raises two fingers, silently indicating the number of visible threats.
Jay crouches beside him, his bow already in hand, an arrow notched and ready to draw. “I can easily take them out,” he whispers, his tone steady but eager. “One shot each.”
“No.” Jungwon shakes his head firmly. “Think about it. Sunghoon, Heeseung, and Ni-ki could’ve taken them out themselves. They wouldn’t let themselves get caught off-guard. Which means there’s more of them. Armed. Hidden.”
The realisation sends a chill down your spine. Of course. It’s not just two men holding your friends hostage—there’s a whole group. And they’re lying in wait, hidden in the trees or behind the van, ready to strike if anyone makes a move.
Jay curses under his breath. “Fuck, I knew I should’ve brough the pistol along.”
Jungwon’s jaw tightens, his eyes scanning the area for any possible advantage. His mind is already racing through options, calculating risks. His hand twitches toward the knife at his side, but he doesn’t draw it. Not yet.
“We wait,” he says quietly. “We need to figure out how many we’re dealing with.”
“And if they hurt them?” you ask, your voice wavering despite your best efforts to stay calm.
“They won’t,” says Jungwon, his voice filled with quiet conviction. “Not yet. They want something. And as long as they think they can get it, they’ll keep them alive.”
You swallow hard, nodding. But your eyes drift back toward the direction of Sunoo’s voice, your chest tightening with worry.
The seconds crawl by, the tension weighing heavier with each passing moment. Every whisper from the strangers ahead feels amplified, mingling with the rustling leaves and the distant calls of birds. You try to focus, straining to pick out anything useful—a clue about how many of them there are or where they’re positioned—but the sounds blur together, indistinct and frustratingly useless.
Then, from the corner of your eye, you catch it—a flicker of movement. Your head snaps toward the tail of the van, heart pounding. For the briefest moment, a hand emerges, fingers twitching in a silent signal.
Three.
The hand disappears just as quickly as it appeared, but the message is clear. You nudge Jungwon lightly, your fingers brushing his arm. His gaze follows yours to the spot where the hand had been, and you watch as his expression hardens. His eyes narrow in that calculating way you’ve come to recognise.
Three.
No—more. The hand reappears, flashing another quick signal.
Five.
Your stomach twists, the tension tightening like a noose around your chest. Five? Does that mean five hidden threats, or five including the two already standing out in the open with your friends? You curse under your breath, frustrated that you hadn’t thought to establish hand signals with them sooner. Anticipating a situation like this should’ve been second nature by now.
Your heart skips a beat as the hand emerges once more. But this time, it’s more than just fingers. You catch a glimpse of hair, dishevelled but unmistakable.
Sunghoon.
His hands are tied behind his back, but he’s doing everything he can to communicate. His fingers form a fist, except for his thumb and index finger, which he cocks repeatedly.
“They’re armed,” Jungwon whispers, his voice low and steady, cutting through your thoughts. He’s already figured it out. Of course he has. Sunghoon’s making the universal sign for guns, cocking his thumb like a makeshift trigger. When he raises two fingers, it clicks.
Two guns.
Three hidden threats.
Five in total.
You turn to look at Jungwon and Jay and it’s pretty clear they figured it out too. Their faces mirror your own dread, their expressions tense and focused. There’s no room for error here.
Sunghoon’s hand twitches again, slower this time. He forms a clenched fist before making a sweeping motion inwards, his fingers pointing to the back of the van.
“He wants us to come up behind the van,” you whisper to Jungwon, barely able to hear your own voice over the pounding of your heart. Jungwon gives a slight nod, his eyes never leaving Sunghoon.
But then Sunghoon’s fingers start counting down.
Five.
Wait, what?
Four.
Panic flares in your chest. What’s the plan? There’s no time to figure this out.
Three.
Jungwon’s jaw tightens, his hand inching toward the hilt of his blade.
Two.
If you rush out now, you’ll be spotted. You know it. You’ll be shot before you even make it to the van.
One.
You freeze.
“So, what’s the plan, lady and gentlemen?” Sunoo’s voice rings out, light and sarcastic despite the weight of the situation. “Gonna stand there all day?”
He’s creating a distraction. Of course he is. Turning the strangers’ attention to him, giving you a window of opportunity to sneak around. For a brief moment, you’re struck by how well this group operates together—how they fill in the gaps for each other. It’s seamless, even in chaos.
You also catch the nuance in Sunoo’s words. Lady and gentlemen. One woman. Four men.
One of the men steps closer, his rifle glinting in the light. “Keep talking, pretty boy. See how that works out for you.”
“I understand,” Sunoo says lightly. “But I really do need to pee. Would you be so kind as to help me out?”
The man doesn’t even flinch. “No. Pee your pants.”
Sunoo lets out a dramatic sigh. “Oh, come on. I know it’s the apocalypse, but you can’t strip me of my basic human rights. Back in the day, you’d be charged with kidnapping on multiple counts.”
“This isn’t ‘back in the day’ now, is it?” says one of them.
“Fine. But at least unzip my trousers and help me take it out, please!" you make a mental note that Sunoo and lack of decorum do not go well together, even in the apocalypse.
The man’s face twists in disgust, and a woman’s voice pipes up from the other side, exasperated. “Ugh. Just help him.”
There’s shuffling. Movement. Now.
You push yourself off the ground, body low as you crawl across the curb and step into the open road. You creep behind the van, the gravel crunching quietly beneath your boots. Jungwon and Jay follow close, silent shadows trailing in your wake.
Sunghoon stands just a few feet away, Jake perpendicular from him, both still bound. The tension between the three of you is palpable, a shared understanding that one wrong move could cost everything.
Unfortunately, from your position, you can't see where the oppressors are without risking exposure. The van offers some cover, but it’s not enough to make a clear assessment. Your pulse drums steadily in your ears as you scan your surroundings, searching for any advantage.
Then, out of the corner of your eye, you notice Jake shifting slightly. At first, you think he’s adjusting his position, but then a glint catches your attention—a flash of sunlight reflecting off the knife secured in his belt. Your brow furrows, curious.
Jake moves again, this time more deliberately, tilting the blade just enough to catch the light. The reflection bounces toward the treeline, and you realise with a start that he’s not just adjusting—he’s positioning himself to show you something.
He’s using the reflection to signal.
You narrow your eyes, focusing on the faint gleam in the knife. It flickers as Jake tilts it, revealing small glimpses of what lies beyond your line of sight. Through the distorted image in the reflection, you can make out the silhouette of a woman standing near Sunghoon. She’s clinging to the arm of a man with a rifle.
Jake tilts the knife again, revealing two more figures standing near the van’s hood. They’re not moving much, but the muzzle of a rifle glints faintly in the light.
Four.
Your chest tightens as you try to piece together the situation. You glance at Jungwon, who’s crouched nearby, his gaze locked on the same reflection. His lips press into a thin line as he absorbs the information.
Four by the van. One unaccounted for.
“What? Are you going to watch me pee?” Sunoo’s voice drifts through the trees, loud and mocking. He sounds far too relaxed for someone tied up and at gunpoint. It would almost be funny—if it wasn’t terrifying. But you know exactly what he’s doing—keeping the focus on himself. No, not just that.
The pieces fall into place. Four by the van. One with Sunoo. Two confirmed firearms.
You take a risk, tilting your head just enough to peek beyond the edge of the van. The road stretches out before you, dappled with sunlight filtering through the trees. And then you see it—an opportunity.
Your gaze sharpens as the woman catches your attention again. She’s unarmed, still clinging to the man with the rifle, her hands trembling slightly. The way her fingers grip his sleeve, the tension in her posture—it tells you everything. She’s scared. Not just for herself, but for him.
Girlfriend? Wife? Sister? It doesn’t matter. It’s a weakness.
Your heart pounds as you glance at Sunghoon, signalling with a subtle nod. He inches to his left, giving you a clear path. Every movement is slow, deliberate. The woman remains oblivious, her focus entirely on the man she’s holding on to. You shift your weight, exchanging a glance with Jungwon. His eyes narrow, and in an instant, he knows exactly what you’re thinking.
Don’t.
The silent message is written all over his face. His hand twitches, reaching toward you, a last-ditch effort to stop you. But you’ve already made up your mind.
You step out from behind the van, your footsteps soft but purposeful. The knife in your hand feels like an extension of your arm. The woman’s head snaps up as she senses your presence, her eyes widening in shock.
Before she can react, your arm wraps around her neck, pulling her close. The blade presses against her throat, just hard enough to make her freeze. A gasp escapes her lips—a fragile sound, filled with fear.
“Move and I’ll slit her throat,” you say, your voice cold and unyielding. Something in it that scares you even. The woman stiffens in your grip, her breath catching in her throat. The man in front of her spins around, his rifle swinging toward you before he freezes, wide-eyed and panicked.
Beside you, Jungwon stays hidden, crouched low behind the van. He signals to Jay with a subtle nod, motioning for him to circle around to the front of the van now that every pair of eyes is locked on you.
“Let her go!” he shouts, his hands tightening around the weapon.
"Not a chance," you reply, pressing the blade just a little closer to the woman’s neck. Her breath hitches, a strained gasp breaking through the tense silence. She trembles in your hold, her fingers clawing weakly at your arm—not to fight you off, just instinct, pure desperation. Her nails barely scrape your skin, like she knows it won’t help but can’t stop herself from trying.
You know what must be running through her mind. You wonder if she feels like prey in a trap, heart pounding, mind racing to find a way out. Your mind spirals further, unwanted thoughts clawing at the edges of your focus.
This moment is a reflection. A sickening déjà vu.
Would this woman be feeling what their friend felt when that man held her at knifepoint?
Would this man be feeling what Jay had felt when he witnessed his loved one on the verge of death?
Would they see you in that same light?
Then again, why would you care what they think about you? It’s not like you’ll be staying long anyway.
So, you don’t let go. You can’t let go. Because you know what will happen when you do.
The man with the rifle looks like he’s calculating his odds, his gaze flicking between you and your hostage. The tension is palpable, each second stretching out endlessly. The woman whimpers, her body trembling against you. She’s scared. Good. Fear keeps people compliant.
“You don’t have to do this,” she whispers, her voice barely audible. “We didn’t come here to hurt anyone.”
You scoff, the sound bitter in your throat. “Funny. That’s not what it looks like.”
The man with the rifle shifts again, and your grip on the woman tightens. “You really want to test me?” you ask, tilting your head slightly. “Because I promise you, I don’t care about her life nearly as much as you do.”
“No!” he shouts, his voice raw with desperation, his grip loosening on the rifle. “Don’t hurt her!”
For a moment, everything feels like it’s moving in slow motion. The trees sway gently in the breeze, the leaves rustling like whispers of a long-forgotten world. The morning sun filters through the branches, casting dappled shadows on the road. And yet, all you can focus on is the pulse beneath your hand—the steady, panicked thrum of the woman’s heartbeat against your arm.
Mentally slapping yourself out of your trance, you command. “Drop your weapon.”
He hesitates, his knuckles whitening around the rifle. His fear is palpable, radiating off him in waves. You press the knife just a fraction deeper against the woman’s skin, enough to make her whimper. “I said, drop it.”
The man hesitates for a long moment, his grip tightening. His gaze flickers to the woman in your grasp, then back to you. You can see the conflict in his eyes, the way he weighs his options. But you also see something else.
Fear. Not fear of you—but fear of losing her.
That’s the thing about love, isn’t it? It makes you vulnerable. It cracks you open, gives someone the power to hurt you. And if someone knows where to press, that love becomes a liability.
Slowly, he lowers the rifle, the barrel pointing toward the ground.
“Good,” you say, your tone steady. “Now kick it over.”
The rifle skids across the asphalt, stopping just a few feet from Jungwon. Out of the corner of your eye, you catch Jungwon’s expression—tense, calculating, but not surprised. He moves slowly, staying low as he presses himself closer to the van, positioning himself to take control of the situation once the opportunity presents itself.
"You don’t want to do this," another man, closer to the hood of the van, says slowly. His voice is calm, measured. Too measured. Like he’s trying to steady not just himself, but the entire situation. His eyes flick between you and the woman you’re holding. He’s trying to be the voice of reason, the negotiator, but there’s a tremor in his tone—one he can’t quite hide.
"You don’t want to hurt her."
"Don’t tell me what I want," you snap, your voice cutting through the tense air like a blade. Your grip on the knife doesn’t waver, but inside? Inside, it’s chaos.
Because he’s right. You don’t want to hurt her. Not really. Not if there’s another way out. They’ve got guns and they’re desperate, just like you.
Desperation makes monsters of everyone.
The thought claws at the edges of your mind as you adjust your grip on the woman. She’s trembling, tears slipping down her face, but she stays silent. Her breath comes in short, shallow gasps, her chest heaving against your arm. You can feel her fear, taste it in the air, and it makes your stomach turn.
This whole situation, it’s just the natural order of things now. The strong preying on the weak. Demanding supplies, food, whatever it takes to keep their own people alive. You’ve seen it before, lived through it. Hell, there’s a whole organisation running rampage out there doing exactly that.
Regardless of their intentions and how they do it, it’s survival. But that doesn’t make it any easier to stomach.
And you know—you know—these people aren’t much different from you and your group. They’re just trying to survive, trying to keep moving, to keep the people they care about alive. They don’t want to hurt you any more than you want to hurt them. At least not until you give them a reason to.
And you did. The moment you grabbed the woman, the second your knife pressed against her throat, you gave them all the reason they needed to pull the trigger. Because you touched something they care about.
That’s the thing about people. It’s all about who and what they care about. And when you touch it, threaten it, everything changes. Logic, reason, morality—it all flies out the window. And now? Now they’re counting down the seconds until they can shoot you in the face without a second thought.
But they forget one thing.
They touched your people first.
"You’ve got about thirty seconds," you say, your voice steady, cold. "Drop all your weapons, let my people go, or I swear I’ll slit her throat."
You glance at Jungwon out of the corner of your eye. He’s still crouched low behind the van, waiting, watching. His expression is unreadable, but you know him well enough now to see the tension in his shoulders, he’s waiting for the right moment.
Jay is out of sight, somewhere on the other side of the van. You can’t see him, but you know he’s moving, circling, trying to find an angle. Trying to protect your group the only way he knows how.
Your gaze flickers to the others. Jake and Heeseung is still bound, but their eyes are locked on you, a mix of shock and something like pride flickering in their expression. Sunghoon remains frozen, his body tense but ready to spring into action the second he gets a chance. Ni-ki is pinned down on the hood of the van but his eyes are on you, unwavering, waiting.
Out of the corner of your eye, you catch a flicker of movement in the treeline—Sunoo. His figure is barely visible through the dense foliage, but you can tell his hands are free. He must have managed to cut through the rope binding him, probably using the rough bark of a tree. That—or the guy tasked with watching him isn’t very good at his job.
You keep your gaze locked on the man in front of you, careful not to let your eyes betray Sunoo’s presence. The last thing you need is for them to catch on. Instead, you let your peripheral vision do the work, tracking Sunoo’s slow, deliberate movements as he inches forward, his footsteps light and calculated.
He’s closing the distance. The guy guarding him hasn’t noticed. Too busy shifting from foot to foot, fidgeting nervously with his knife. He’s jittery. Out of his depth. They’ve clearly never done this before. Not properly, at least. There’s no confidence in the way he stands, no calm resolve you’d expect from someone used to wielding power.
But the man closest to you—the one with everything to lose—is different.
His jaw clenches tight, muscles flexing as he shifts his weight. You can tell he’s getting impatient, barely containing his frustration. His hand twitches at his side, fingers curling and uncurling like he’s itching to do something, anything. He keeps glancing at the rifle on the ground—probably kicking himself for letting go of it in the first place.
“What’s your plan here?” he sneers, voice low and venomous. His eyes bore into you with disdain. “Think you’re walking out of this alive?”
God, you hope so.
But hope isn’t a strategy, and you know that better than most. You don’t answer him. Instead, you move deliberately, swinging your free hand up to cover the woman’s face, pressing your palm over her eyes. She gasps, stiffening in your grip, her hands scrabbling weakly at your arm. She doesn’t fight hard enough to hurt you—too paralysed by fear.
The man in front of you frowns, taking a cautious step forward, his confusion clear in the crease of his brow. Yes, that’s right. Let him think you’re escalating the situation. Let him think you’re panicking, acting out of desperation.
But It’s nothing more than a calculated move—meant to look like you’re trying to intimidate her further. Really, it’s to cover her vision. Keep her from seeing Sunoo.
“Shh,” you murmur harshly against her ear, low and threatening. Your voice doesn’t waver, even as your heart pounds relentlessly in your chest. She lets out a muffled whimper, trembling, and you press your hand more firmly over her face. The other man with the rifle steps forward, his brow furrowing in confusion. Perfect. Let him focus on you. Let him take the bait.
Sunoo is closer now, creeping along the treeline like a shadow. His footsteps are almost silent, his movements fluid and precise. He’s patient, careful. Waiting for the right moment.
Behind you, you sense Jungwon shift slightly, adjusting his stance. You know he’s seen Sunoo too. His hands hover near the discarded rifle on the ground, his body taut like a coiled spring, ready to move at a moment’s notice.
But it’s Jay’s absence that nags at the back of your mind. Where is he? He should have circled around by now, taken position. The fact that he hasn’t reappeared yet only heightens the tension coiling in your chest.
“Let her go,” the man demands, his voice harder now. “We’re done playing games.”
Games? You almost laugh at that. This isn’t a game. This is survival. Still, you keep your tone even, your grip steady. You tilt your head, letting a slow smirk curl at the corners of your mouth. “It’s kind of fun though, isn’t it?” you mock, your voice dripping with sarcasm. “This little game.”
Sunoo’s almost there now. Just a few more steps. He’s inching closer, creeping along the treeline with the precision of someone who knows how to stay invisible. His hands flex at his sides, ready to act.
And then—
The sharp crack of a branch echoes through the air like a gunshot. The noise is deafening in the tense silence, slicing through the moment like a blade. Your heart lurches into your throat as the man with the rifle reacts instantly, swinging his weapon toward the sound, his finger tightening on the trigger.
“Sunoo—now!” you shout, your voice breaking through the moment of standstill.
Bang.
A singular gunshot rings out.
part 2 - warmth | masterlist | part 4 - ?
♡。·˚˚· ·˚˚·。♡
notes from nat: *laughs menacingly* i'll shout out the person who guesses the title of the next part first when i post it HAHAHA also lowkey had a breakdown writing this part because of the whole sequence at the back. it was so challenging trying to portray her anxiety and levelheadedness at the same time.
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Idea for a angsty and hurt/comfort-y scenario
Firefly and Kafka with a mecha pilot!s/o... but with a twist.
Rather than the mech suit being (essentially) a Gundam from the hit anime franchise "Mobile Suit Gundam, it's more like a Dreadnought from Warhammer 40k, a machine that keeps their mangled for just barely alive. Maybe in this scenario, Firefly and Kafka are seeing S/O directly for them first time since they'd met.
(H:SR) Firefly and Kafka's S/O's body being trapped in a machine
"I would have liked to see the skies of Baal one last time..."
Firefly, to some extent, knew what it was like to be kept on life support by a machine.
Even though it kept her alive and able to move, constant use of her armor was already draining what time she had left remaining.
And she joined the Stellaron Hunters to fight that fate.
When she met S/O for the first time; she had assumed they just kept their armor on to keep their identity secret like her.
Though to Firefly's horror, she soon learned that was not the case at all.
Their mech was massive, more akin to a metal box with stubby legs, a gatling cannon and a claw arm strapped to the sides.
She had asked before what they looked like underneath the suit, but she had never gotten a definitive answer, either usually being brushed off or told "I'd rather not show you."
But on a quiet night with the two of them overlooking the hills and into the stars, Firefly sat with the mech in silence.
And now, she wanted to ask again.
(Firefly) "S/O...if it's alright for me to ask, why do you not want to show yourself to me?"
S/O remained silent, not even a whir or hiss of their servos responded.
(Firefly) "If you're worried about how I'd react, I'll still love you the same no matter what."
After a brief moment, S/O finally answered.
(S/O) "...This is not only a vehicle for me, Firefly...It is also my tomb."
The way they had uttered the last phrase, it sent a shiver up her spine, making her turn fully towards them.
(Firefly) "A life support system?"
(S/O) "Yes. And...there is not much left of me to see."
(Firefly) "...Even so, I still want to see you."
S/O didn't bother moving, as it would cause too much noise. Instead, Firefly walked toward the front of their machine, where a sarcophagus-like structure laid in the center.
And with a click and hiss, the sarcophagus opened, Firefly's hands covering her mouth on instinct.
All she could see was a single heart beating, connected to several wires that lead to Aeons knows where.
Though the heart wasn't completely exposed to the elements as it had a layer of what looked like glass in front of the components.
And now, S/O's voice was unobstructed by machine, hearing their voice echo so much clearer.
(S/O) "It's...been so long since I've felt the cold..."
Firefly walked slowly up near the open sarcophagus, resting her hand on the metal plates that laid next to the center.
She had a tear running down her cheek, but she couldn't find the words to express her grief for them.
Thankfully, it wasn't needed.
S/O's claw arm lifted slowly up, letting Firefly rest her hand on it, while looking directly at their heart one last time before it closed.
(Firefly) "How do you...?-"
(S/O) "Cope with it? I don't...Rather, I didn't. Before I met you...I was in stasis whenever I wasn't active, only awakened to fight."
Firefly let her hand grab one of the fingers, the intimate gesture not lost on S/O as the machine made an audible click to lean further into her hold.
(S/O) "Elio promised me that I'd be able to walk and live again outside this machine...until then...I have you. And I won't let you die either, Firefly."
Firefly smiled at that, looking back up to the sky with renewed hope. But before she leaned back into them like a makeshift bench, she looked where their heart was covered directly.
(Firefly) "...Thank you for showing me the real you."
Kafka didn't know what fear was. Rather, she didn't know how it felt.
She knew she caused it in others, but couldn't grasp on how it personally felt.
But everytime she thought about what S/O was in, it gave her at least a little semblance of what it'd be like.
Firefly's situation was already horrid enough with the Entropy Syndrome, S/O's seemed to be somehow worse much to her disbelief.
Upon first recruiting S/O to the Stellaron Hunters, she thought they just liked to pilot the hulking mech, not that they were one. Much less that they had been alive for centuries within the machine.
Though she liked to tease and bicker with her colleagues, she was always a little softer on S/O, as was everyone else.
(Kafka) "Rise and shine, old one."
S/O's visor on the sarcophagus blinked to life as the mech's limbs slowly twitched before whirring alive.
(S/O) "...I suppose waking me up for something pleasant for once is out of the question."
(Kafka) "Sorry, need ya on this mission."
(S/O) "And what mess have you gotten yourselves into this time?"
Kafka simply let out a sultry chuckle.
(Kafka) "One that if you take care of, I'll treat you to something nice."
Kafka made it a point to not ask what they had looked like underneath the machine.
If they wanted to do it, they'd have done it by now considering they had been with them long enough for the Trailblazer to have joined and then since left the group.
More importantly, she could hear the sorrow in their voice. Like Blade, she could tell when someone lamented being alive.
And yet one quiet evening, she finally got one of her questions answered, what did they look like?
Kafka's eyes slightly widened at the heart that was beating before her. That and the machine was all that remained of her lover.
(Kafka) "Well...you weren't lying when you said there wasn't much left."
Her tone became much softer as one finger dragged down the metal plate near the sarcophagus, stopping at the same level as their heart.
(Kafka) "Guess that also explains why you always asked us to put you to sleep...Yet you stopped."
(S/O) "No point. I've spent a long while trying to avoid it, and with Elio's goals, I'm only needed more and more."
Kafka's finger tapped against their mechanical body before resting her palm against them.
(Kafka) "Could go off script for a little. I'm sure we can find some mad genius to get you a proper body back."
S/O's mechanical chuckle echoed throughout the room.
(S/O) "Were it so easy."
Kafka's hand pulled back as she sat on their arm, giving S/O a more genuine smile than her usual one.
(Kafka) "First chance we get? We'll get you one, script or not."
(S/O) "...Thank you, Kafka."
Their voice became shaky, even though they were almost entirely machine, S/O never seemed more vulnerable than now as one of the claw arm's fingers trembled.
Whether that was just a machine glitch or S/O's emotion coming through, Kafka didn't care.
She still held onto it, giving one last smile before stepping away.
(Kafka) "Gotta say: I like this side of you too."
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-𝕎𝕠𝕖 𝕀𝕤 𝕄𝕖?- ℙ𝕋5
pairings - wenclair x daughter!reader
summary - it’s christmas break at the addams mansion, what could possibly go wrong?
warnings - none
an - hi hello yes, this story progresses :D
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You groaned, resting your head on the cool hardwood floor.
It was Christmas break, and you and Luka have come home from Nevermore to spend time with your family. Unfortunately, there were more relatives staying at your grandparents mansion than you would’ve liked, and you were struggling to interact and be at least somewhat social with all of them.
All twelve of your cousins were there, running among the halls and causing so much ruckus that even Leo was exhausted. Uncle Pugsly was doing such a poor job of keeping them under wraps hat he instead gave up and chose to relax with your other uncle, Pubert, who was really only there for the expensive food your grandmother ended up cooking.
Your great grandmother was also there, cackling and joking around with your great uncle Fester while your parents sat nearby, chatting while keeping a close eye on Leo while he juggled his knife collection. You and Louis were playing chess, and each game you beat him, but he refused to stop until he won at least one round.
“Louis, you’ve lost basically every game, there is no point in trying to beat her again.” Leo said from across the room, hissing when he dropped one of his knives.
“I hate leaving a duel defeated.” He pouted while you packed up the board, “It’s a sign of weakness.”
“Maybe you should train harder, all you do is sleep anyway.” Leo quipped back, snickering.
You smirked slightly, turning your head away to hide your smile while your mother scolded Leo for being rude. After sliding the packed up board onto the shelf it belonged on, you moved to the couch where your jacket was folded up. Enid reached out to you, managing to brush her knuckles against your skin.
“Hmm you’re cold.” She murmured, frowning, “Are you sure you wanna go out with Luka today?”
You nodded, wiggling away from her touch to stand up, “I’ll be fine, he wants quality time anyways.”
In all honesty, you were the one who wanted ‘quality time’ with your brother, but you were never going to tell that to anyone. Luka was the only person that you could admit to that you admired and enjoyed being around him. As annoying as he was, you still loved him for being your brother, and you would tolerate his behavior until the day you die.
“Take some gloves with you, as much as I love frostbite I would much rather you keep all of your digits.” Wednesday said, sipping her cup of coffee, “And don’t go past the front line.”
“I know the rules mom.” You grumbled, zipping up your jacket before grabbing your gloves and moving to the front door, “We won’t go far.”
“Be safe!” Enid called, smiling at you with a wave.
You feebly waved back before exiting the house and hurrying down the path to Luka. He was at the tree line, building a little snowman to pass the time. It had a top hat, probably stolen from your grandfather, and an eye piercing rainbow scarf he definitely was previously wearing. As you approached, he turned to look up, his face brightening at the sight of you.
“Hey Y/N/N!” He called, beckoning you over, “Meet Gerald, Sir Snowman The 33rd.”
“Regal.” You deadpanned.
“He’s such a cutie.” Luka said, smiling at it with shining eyes.
“I cannot wait until he melts.”
“Y/N!”
You shrugged with a grin, walking past him towards the path in the woods. He pouted at Gerald for a moment before following you, jogging to catch up to your pace. The two of you ventured down the trail, footprints left as you strolled further into the forest.
The snow crunched under your feet while you walked, the crisp air leaving the tips of your ears a subtle pink. The scarf wrapped around your neck did its job keeping your body warmer, but it left your nose to fend for itself in the cold wind. You didn’t mind though, as the sharp wind hitting your skin sent a pleasant shiver down your spin.
Soon, a large opening between the trees appeared, shiny and pale ice coming into the view. The lake had frozen over for the winter, and for years before, you and Luka would venture out into the middle to see if the ice was thick enough to hold you.
There had only been one year that the ice wasn’t solid enough, and Luka had almost fallen in.
Almost.
Makes you love the thrill even more.
“Looks nice this time.” Luka said, peering across the flat surface, “And walkable.”
“We shall never know until we try.” You replied, picking up a palm sized rock.
You weighed it in your hand for a moment, before throwing it up and out onto the lake. It hit the ice, but didn’t break through, instead rolling around before stopping a few feet in front of you.
“Suitable.” You noted, before stepping out onto the slippery surface.
“WEEEEE!” Luka cheered, running out and sliding on his feet.
You huffed, fighting back a laugh when he stumbled and fell back on his butt, instead rolling your eyes at him as you carefully made your way towards the middle.
“You’re insane.” You told him, snorting when he fell after trying to stand, “And incredibly clumsy, do you need a walking stick?”
“Honestly yeah.”
You hummed, walking past him and heading towards the center of the lake. He scrambled up, wobbly on his feet, and carefully followed you. It was a tradition between you and him that you both take a knife to the ice to see if it will crack. If it does, it means the year will be bad, if it doesn’t, it means the year will be wonderful.
Once you reached the middle, you pulled your pocket knife out, flipping it open and handing it to Luka. He grinned, taking it and kneeling down on the cold surface. He raised the knife above his head, and plunged it into the ice. The blade pierced through, and a loud crack echoed across the lake.
“Hm.” You said, taking a few steps back, “Didn’t break.”
“Yes!!” Luka cheered, standing up and jumping up and down, “I knew it would be a good-.”
Before you could tell him to not jump on the cracked ice, the stability broke and he fell right through. The water enveloped him, and the large pieces of ice hid where he sunk into the murky water.
Maybe it was a good time to mention that Luka can’t swim.
“Luka!” You yelled, peering down to see if you could spot him.
The water was still, not a sound to be made, until a pounding from a couple feet over caught your attention. It was your brother, hitting his fist against the ice in an attempt to get out. You ran over, bringing your fist down to try to break the ice as well, but you weren’t strong enough.
You looked down helplessly as his pounding slowed down, air bubbles escaping his throat as he panicked. Fear overcame you, and before you could even register what was happening, a large spout of fire burst from your hand and onto the ice. It cracked and melted, swiftly dissipating into water right before your awestruck eyes.
You stuck your hand into the water, reaching around until Luka’s grasped yours. You heaved him up and out of the cold lake, both of you stumbling backwards from the large hole in the ice. You laid on your back in shock, gasping for air while Luka retched and coughed, water spewing out of his mouth. He rolled over and dry heaved, his chest rising and falling rapidly as his adrenaline died down.
“Dammit.” He breathed, resting his forehead against his arm.
You extended your hand over to him, grasping his when he reached for you, “Never jump on cracked ice again.”
He chuckled, shaking his head feebly. You both laid there for a few minutes, trying to calm down enough to return home safely. You finally felt the strength to sit up, waiting patiently for Luka to regain his composure. You turned to him, expecting him to be shaking off the water in his hair with a smile on his face, but instead he was just sitting and staring at you blankly.
“What.” You asked bluntly, “If it's about the fire I-.”
He shook his head rapidly, fear filling his eyes, and raised a shaking hand to point behind you. You turned slowly, a chill running down your spin when you realized what he was so bothered by. There, a few steps out from the treeline, was a large figure watching you quietly. It was pulsing, a rhythmic manner that mirrored breathing as its back rose and fell. You squinted, not sure what you were looking at, before it began to rush towards you.
Its shape was contorted uncomfortably, its spine hunched over like it had been broken and healed improperly multiple times. Grey skin stretched over its lanky bones, wrapped around its ribcage like a vacuum sealed plastic bag. Pale scars were scattered about its body, almost mimicking that of an inverted Zebra, with large eyes protruding from its head, bulging and bloodshot; you swore you could see physical hunger swirling around in its iris’. It moved like a deformed gorilla, its back legs short and stubby while its front arms were long and muscly, with long claws digging into the ice with every step it took. Its mouth foamed, drool and slobber drenching its maw as it approached.
It was beautifully horrible.
“Run.” Luka whispered, slowly standing.
“What is that…?” You wondered curiously, almost leaning in its direction, “It looks…”
“Y/N, RUN!!”
Luka grabbed at your jacket, yanking you up to your feet and pulling you away from the approaching monster. You both fell into a sprint, clumsily stumbling every few steps but nonetheless running. Luka was farther ahead of you, naturally being a faster runner due to his werewolf genes, but you were still with him. The creature roared behind you, its thunderous steps echoing across the lake as it began to gain on you.
Your feet hit the frosted grass, adrenaline pumping through your veins as you scampered up the hill to get back to the house. Trees blurred past you as you both ran for your lives, and you almost felt your heart stop when you heard a low growl so close to you. The sound of Luka panting next to you pushed you a little harder, a small feeling of relief hitting you when you saw the large mansion come into view, but just before you could relish in your near escape, you were yanked sideways.
White hot pain shot through your shoulder and back, the air being pushed out of your lungs when you came in contact with the tree you were thrown against. Over the loud ringing in your ears,, you could dimly hear Luka shouting and the monster roaring, but the world seemed to spin as you tried to stand on your wobbly legs. A large blurry figure stalked towards you, its large claw rising high to be brought down upon your face, but just as it was swinging to attack and you closed your eyes, everything stopped.
No scream.
No roar.
No crunch of bones.
No splatter of blood on the leaves.
Not even the tiny whispers that plague you.
Nothing.
You feebly peeled your eyes open, looking around in confusion to see that there was no monster to be seen. The forest was the same, clustered with snow covered trees and your grandparents' massively gothic mansion a few yards away, but that was it. Luka was gone, the creature was gone, it was just you and the cold.
Peaceful.
If this was death, you were not a fan.
“Y/N”
You whipped around, scoffing when faced with the body of the voice that just spoke your name.
“You.” You grumbled.
“Me.” She replied.
“Where is Luka?” You asked firmly, glancing around for a moment, “Am I dead?”
“Luka is fine, and no, you're not dead..” Goody replied, eying you up and down.
“Then where am I?” You demanded, still expecting the monster to appear out of the trees and tear you to bits.
Goody didn't reply, and you turned to see her brushing little snowflakes off of her shoulders. You saw red, picking up a pinecone and chucking it at her. The fruit passed right through her incorporeal form, landing somewhere behind her. She frowned, looking up at you with a bothered gaze.
“Excuse me, your ghostly-ness.” You seethed, “I'd like to know where the hell I am.”
“Don’t use such repugnant language with me.” She conned, “I am here to guide you.”
“Well then GUIDE me to the exit, please and thank you.”
“I have to speak with you.”
“Jesus!” You threw your hands in the air, turning away from her and kicking a rock in frustration.
Of all times that she could have chosen to have a conversation with you, of course she has to decide that right now, the time that you very well could be mauled and eaten, is the perfect moment.
“This is the first time I have had the chance to talk to you.” Goody asserted, walking around until she was in front of you, “We have things to discuss.”
“I very well could be decapitated and dismembered right now,” You drawled, rubbing your hands against your face, “yet you think this is a good time to have a discussion with you?”
“Yes.”
“Some guidance you are.”
Suddenly, you were pushed backwards by a heavy gust of wind, causing you to fall on your behind. Goody stood over you, her book open and her finger pointed at you. You gasped, shaking the pine needles off of you and standing up.
“Did you just spellbook me?” You snarled, glaring at her.
“I just ‘spellbooked’ you.” She replied, her tome closing with a soft hiss.
“I swear to god I will gut y-.”
She waved her hand at you, a short puff of air hitting your face that smelled oddly like hotdogs. A faint whisper came from her, something you could not pick up over the harsh wind, and you felt your lips seal shut.
“Mmm!” You tried to speak unsuccessfully, your words coming out muffled instead.
“Your lips have been locked with a small silencing spell, it will wear off in a few minutes.” Goody said, “Now, vide tuum futurum.’
The air started to thicken around you, almost like a weighted blanket being draped over our head. Images started to appear in the fog, flickering and shining like a projector screen whilst shapes began to form. Teeth bloody and sharp, a low growl exuding from a beast's throat. A familiar howl was heard, a full moon appearing in the air. People shouted from afar, pitchforks and torches stabbing through the glowing orb with an eerie scream.
“This is your future.” Goody murmured, gesturing to the fog, “This is what I’ve been trying to warn you about.”
You turned to her with a glare, stamping your foot while you gave a grunt. She sighed, taking her pointer and middle fingers to your lips. “Loqui.” She whispered, a faint warmth exuding from the tips of her fingers, and you felt your lips unseal.
“These things, the images, will inevitably happen. You must prepare.”
You eyed her spell book, the very same that you currently had under your pillow back at your dorm in nevermore. You knew of the spells that are inked on the pages, ranging with ones of fire casting to full body possession. You couldn’t use any of the incantations in fear of messing something up that you couldn't fix, yet you yearned to speak the latin phrases out of pure curiosity of what you could do.
“Preparing, how would…should...I prepare?” You asked carefully, licking your dry lips.
“However you deem necessary.” Goody mused, “I cannot decide your decisions, it would rewrite the outcome.”
You squinted at her, “The outcome? What’s the outcome?”
Her body started to fade, her skin going paler than what it already was. Specs of her began to float away in the wind, and oddly enough, the forest around you started to melt away into darkness.
“Prepare.” Goody echoed, now almost transparent, “Use the book.”
“Goody you useless piece of sh-.”
And then everything was gone.
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spookyyyyyy
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Oh boy do i have the AU for you
Instead of facing the king in season two, Arthur decides to run away and live in the dreamlands. Trauma ensues yada yada yada and after ten years he is captured by the king one final time. He spends the next four years being tortured and starved. Eventually the King decides to put him out of his misery and let him bleed out. And well... i'll let you read the rest
“John?”
“Arthur- Arthur- you- fuck oh fuck Arthur. Oh- Arthur- you're- we need to- We need to get your bag. There has to be something to stop the bleeding. You're- there's so much blood. Arthur-”
Arthur knew he was a lost cause, he knew he'd die, but John wouldn't give up, he'd do everything he can. And- it feels nice to be cared for, it's nice to not be at each other's throats, only talking so Arthur knows what's happening around him. “Okay- where is it-t?”
“Its a few feet to your right, we need to crawl there, your legs are- they're- unusable- to say the least.” Arthur laughed, John was trying to soothe him, to convince him everything was okay. “I'm going to get us there. I'm going to get us there. Okay?”
“Okay John.” He strained. “On 3, 1.. 2.. 3..” John dug his nails into the dirt bellow, groaning as his broken hand had a full body to drag. Arthur tried to roll on his stomach so John could have more leverage, putting pressure on the femur jutting out of his thigh. He whimpered, he wanted to scream at the pressure, but he just nodded when John told him he's going to move forward. As he did, it felt like the bone shifted further out of his thigh, “JOHN JOHN- STOP STOP! PLEASE- JOHN.”
“What happened? What's wrong?”
“My- my leg- the femur. John- it hurts it hurts so damn much. I can't- we can't get any farther- it hurts. It's so painful to move. John- John- Fuck” Arthur whimpered, going back into a fetal position. He heard John gasp and try to hide a sob, as his mutilated hand rested on his chest again. “Arthur you need to stay awake. We need to stop the bleeding-”
“It's no use John- we- we both know I’m going to die. I appreciate you always caring for me, fixing me up when I do something stupid. But we both know this is it” Arthur stated.
“But there must be a way, Arthur. Arthur- please- you can't die now-” John sobbed.
“Okay. Just- give me a moment. I- I feel light headed- I’m exhausted. I'm so fucking exhausted.”
Arthur couldn't tell if it was his or John's tears rolling down his face, it very well could be both of them. This pain was nothing he ever felt before, this was hell, his skin burned as the wounds all stung like venom. He took his mask off to better intake air, but even still, it hurt to breath, his lungs pressing up against his broken ribs. “Are you okay? Is your hand-”
“I’m fine Arthur. My hand has broken like yours, and the pinky- it was ripped out. But it's fine. Its nothing compared to what you're feeling.”
Arthur felt so horrid for John, for what he had to endure. “I'm sorry.”
“Arthur?”
“Yes John?”
“You- you can sleep now. There are no more miles we need to travel. You can rest now.”
“But I promis-”
“I know. I know. And you did. But there's nothing we can do about that.”
“I’m sorry.”
“I’m sorry too, Arthur.”
John situated them so that Arthur was covered by his cloak, so he was at least somewhat comfortable.
“Rest now Arthur, you deserve it. And I’ll see you when you wake.”
“Okay John.”
“Good night- friend, I’ll see you tomorrow.”
“Have a good sleep, this too shall pass.”
i hope malevolent ends with arthur laying down for a nice long sleep. i want the last few words to be 'goodnight john' and 'goodnight arthur'. i hope the silence is sweet and peaceful. i dont even care if anything else goes well or not. i dont care if john gets his own body or arthur gets faroe back. i just need him to lower himself down for one last time, just for one good sleep. its the only ending i want for him.
#malevolent#arthur lester#john doe#john malevolent#malevolent podcast#arthur malevolent#limb posting#arthur lesters body parts#malevolent au#Dreamlands AU#hehehehe
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There was a time, way back in time, and a bit to the side, when all of humanity had perished in a nuclear war. And for seven days and seven nights the world went through the cold and dark of space with no complex life upon it. And on the eighth day a massive dragon came to the earth from far out in space, so large the earth could barely fit him, so large his body eclipsed the moon as he flew down, and he came to sort through the bones of the dead.
And seeing as the planet was lost, and seeing as humanity had destroyed itself. He chose to bring three humans back from the dead, and he would ask them each to defend their species' right to exist. And if one convinced him he'd fly ten days into the past and prevent the war, and if they failed he'd let the world remain dead.
And the first human to be brought back was a great head of state, and the head of state told him, "We humans are a great race. We have made many wonderful things, technologies, and inventions. We are special you see, we feel love, and honer, and are of the most upstanding of moral characters. And more so, it was only through betrayal we were destroyed at all. And beyond that, we have the right politics, and the right religion, or at least some of us do. Humanity needs to exist, the universe can't lose so much!"
And the dragon looked at him and replied, "No. I have been to athousand planets, and seen countless species of your like. Know in your final moments that you are but one of many paths civilization can take. And if it is a dead end then so be it." And in a blue breath of fire he killed the head of state again.
The second person to be revived was a lawyer. And the lawyer said, "We humans can be perfect servents for you. We build things. We are so easy to oppress that we do it to each other all the times. We could be your servents, your slaves if you need us to be. We can work for you, and create whatever you want. Or if youd rather have us as pets or toys we could be that for yoh. You could be king of this planet if you wanted, we could be your subjects, and we'd worship you as a god for sure. Whatever you want and you can have it."
And the dragon replied, "I have no more reason for humans as servents then you have for ants as servents. And in your last momments, know that I consider it so very shameful that you would wish to enslave yourselves to me. Let that prove you worth destruction if anything." And in a blue breath of fire that human fell too.
And the third human to be revived was but a poor factory worker, who had spent her life making things she would never afford. And in the quietest of voices she told the dragon, "It is a shame I think, that so many should die for so few. I never made the choice to go to war, to destroy humanity, and nobody I know made that choice either. I'd say, if anyone I ever made had the choice there would be peace, and yet we are to die of another's choice for war. And beyond that there are so many animals and planets to have perished, so unfair that so many creatures die for the actions of only one species. Perhaps even if you do not spare humankind spare the creatures we killed instead."
And with those words the dragon understood. And with those words the dragon made his choice. And with those words humanity was saved.
#196#worldbuilding#writing#my worldbuilding#my writing#fantasy#urban fantasy#dragons#dragon#folklore#fairy tale#scifi#sci fi#original fiction#original story#flash fiction#short fiction#short stories#short story#cosmic bliss#creative writing#writers#writers on tumblr#writeblr#writers and poets#writerscommunity
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One of my favorite character types is a character who is so obviously faced with death from the beginning of the story, but just cannot seem to die. Whether the position they've been thrust into seems destined to collapse, or their death just makes the most sense from a meta perspective, I ADORE when someone pulls off keeping a character past their expiration date. Sometimes that does just mean that the storyteller made a bad choice and kept a character too long and it can be a real drag on the narrative, but when it's done right? It's the best thing ever. I love watching those characters cope with this position and with feeling to their core like they shouldn't have made it this long. The icing on the cake, of course, is how often someone (or multiple someones) died in their place to keep them around this long and left them with guilt/regret that they’ll carry through every second of their unexpectedly long lives. When someone pulls this off I want nothing more than for that character to survive to the very end of the story and to see what they make of the life they seemed fated to lose.
This is mostly about Pyrrha Dve. I think about her all the time. I think about how many characters she has outlived, despite being the cav of a ten thousand year old lyctor. Her death was subverted when the world ended and John brought her back, and it was subverted again when she wasn't fully consumed by G1deon. As a result she watched basically everyone she's ever known die from the passenger seat of the Saint of Duty. G1deon, almost all the other lyctors, and Wake all died and she's still here inhabiting the body of her oldest friend.
I spent the entirety of Nona the Ninth thinking Pyrrha was going to die. Genuinely every time she ran off to work or otherwise vanished from the view of the rest of the cast it seemed like such a sure thing that this death would be what heightened the emotional stakes for Nona and taught her firsthand the tragedy of death. Instead, she was the only survivor of her adorable little household and is once again alone as the last remaining piece of something she will never get back.
It's also about Amethar of the House of Rocks. I love the way that A Crown of Candy has so many combat encounters and betrayals that seem built with the sole purpose of sacrificing Amethar. There are so many moments that would make for a heroic, tragic death that Amethar will simply never have. He outlived every single one of his sisters and now he has to rule. And when it seems like his time stuck being a miserable king is over because his daughters who have been trained their whole lives to take his place are here? Well, he's going to have to outlive one of them too. He outlives his family, he outlives the mentor of his daughters, and he outlives every enemy that was created to kill him. And all that time you can tell he kind of wishes that he had died in battle—that he'd taken the hit for one of his sisters who had then been able to rule and raise a family in his place. But he was never going to get what made sense to him and it is his duty to carry on.
It's just such a unique tragedy that the reader/viewer gets to share with the character because there's always a very strong meta element to this character type. The reader's expectation and the character's are so often the same as both are waiting for the other shoe to drop. It's a fun reflection on expectation and what it seems like is supposed to happen. And it's such a great recipe for lingering tragedy when done correctly.
#the locked tomb#harrow the ninth#harrow the ninth spoilers#nona the ninth#nona the ninth spoilers#tlt#tlt spoilers#gideon the first#pyrrha dve#nona tlt#a crown of candy#acoc#d20 acoc#acoc spoilers#a crown of candy spoilers#dimension 20#d20#d20 spoilers#dimension 20 spoilers#amethar rocks#writing#character tropes#character death#entombedpost
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Ok so Davrin! I have Thoughts about Davrin.
Because if you’re aware at all of the stuff I write you’re probably aware that I am a big fan of the kind of character who subsumes their own desires and survival and personhood for the sake of being One Thing, whether that’s a living weapon/made to be a soldier situation or just a “I am Your Best Friend first and foremost situation”. It is, uh. Small wonder I end up liking characters of colour the most, since those are the ones most often written with a Purpose in the story who don’t get to expand beyond that Purpose in the narrative, or if they do have that arc that I crave it’s still underrepresented in fanworks so it becomes my favourite and most frustrating niche where I have to create the content I want to see in the world, which is “person who tries to ignore their own needs gets to realise they’re allowed to love and be loved whether or not they’re useful”. Please be aware that while I don’t specifically discuss Davrin’s Blackness in the next few paragraphs it is a large part of why I’m writing this now because it massively changes the way this story gets read, both because people with unexamined biases will gloss over his story and just accept Davrin as being a tool to the story instead of a person and also because those of us who are aware now must consider how to address such a storyline knowing that Black people most of all are reduced in their stories to things and plot points.
So getting back to Davrin in particular I am both obsessed with and frustrated by how he’s written because! His narrative is such a good example of this trope! He is a monster hunter, and to a lesser extent at the start a protector, and from the moment we meet him he is trying very hard to keep himself shut in that box. He downplays any effect he has on the griffons, is upset at the idea of taking care of Assan because that’s what the others are there for, he’s just the sword arm. As time goes on and we do things like, you know, fight an archdemon without getting our Warden buddy killed, he seems so lost and almost devastated to have not died when he was “supposed to” – and this is a man who doesn’t really seem suicidal at all, he has no real desire to die, he just. Expects to. And what he can do to save others is always more important to him than what he could do to save himself. When my Rook walked in there expecting to be overjoyed with him that they were both still around I have to think the gap in emotion was so jarring to both of them, because like. This man has accepted his own death in the face of the “greater good” for so long that he never once made a contingency plan or even wild hope for “what if I don’t die?” And it’s so cool that he and my Rook got to walk hand in hand through danger and decide they deserve to be happy! It’s so cool that you get to potentially get him through the entire game and into a life with open possibilities and who knows what kind of future for the Wardens! That’s my shit!
And while I can’t say I’ll never choose the Grey Warden option for the griffon choice, to me that is so much a metaphor about letting yourself become a weapon vs finding peace and joy that is in line with you as an individual that if I’m playing the game acting on my conscience, not a Rook who’s further from me, I will always choose Arlathan for them. Because that’s so obviously a metaphor for Davrin’s own growth as a character.
This is where it pisses me off, though – too much of that metaphor is treated literally. Davrin doesn’t verbally acknowledge what the griffons’ changing role means for him, and I’m unsure if an unromanced Davrin ever says anything about planning for the future, having only gotten through the game once thus far. The fucking epilogue where all the companions say a little line about what’s in their future and Davrin just mentions the griffons and not his own fucking life??? Like he had a little line about pursuing romance or whatever but again. That’s a romanced Davrin. If he and my Rook hadn’t vibed “the griffons found a new home in Arlathan” or whatever would have been presented as the sole culmination of Davrin’s character arc. I love coparenting a griffon as much as the next guy but we cannot replace the “sword arm” persona with a “griffon daddy” persona as though him subsuming his needs and wants for the sake of Assan is any better for him than doing it for the Wardens. What the fuck.
Anyway short version of all that is Davrin has my favourite kind of story, and griffons are a metaphor for the way Wardens treat themselves. and the POINT of me writing all that is that you cannot approach his story without acknowledging that the fact that he’s a Black man means people who work/ed on both canon and fan content are ready and willing to treat him as a tool in his own fucking storyline for the sake of an animal, and he deserves so much better because holy hell if you’re gonna write a Black man with this kind of “I exist for a Purpose alone” arc you have got to pay attention to what you’re doing. Please. his story involves Assan but it's not about Assan it's about him.
#literally i was thinking about davrin and realised. i like his story for the same reason i like the clones. and fucking flynn from jatp.#it's all people pretending they are only their roles all the way down. don't worry my partner's already psychoanalysed me on THAT#anyway. i'm not an expert in antiracism in storytelling but like. i've been in fandom a looong time.#it sure is interesting how i got a lot more out of his story than it seems like most ppl i saw posting about it did. hmmm.#anyway ASSAN IS A METAPHOR!#dragon age#davrin#da veilguard#datv spoilers#veilguard spoilers#(also: told you i was becoming a da blog for a hot second. buckle up??? maybe???)
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I absolutely agree with that and am SO happy to find someone similar to me!! I’ve never been one to hate on the shit another finds good but the popularised versions of identities being this half which is just sunshine and rainbows always feels a little unjustified for how much those same people which say ‘embrace the weird! Be yourself! Love others!!’ and say they support those which unapologetically go against what social norm has been formed, suddenly go from all kind to ‘yuck! How can you say that? That doesn’t seem right.. you’re not one of us!’ the very moment you mention you support real fur instead of faux, that hunting and genuinely mauling your food with your hands is okay, feel angry when another animal marks your home or vehicle, or any other variation of not being the ‘aesthetic therian’ others so believe is the ‘only’ way of being alterhuman.
The exact definition that’s been burned into our brains like a branding has gotten boring! There’s no right way to be yourself, because you’re the only one who knows what you actually look like! And no matter how much I see ‘alterhumanity is different for everyone’ I still tend to think that not all really get that into their brains. They take in the words but not the MEANING behind them. I want others to just blatantly face the facts that some find it nice, prefered in fact, to just want to be able to think and act like an animal. None of that explanation of why and how. (I love to find meaning behind everything but that’s simply because my soul craves knowledge) I too sometimes believe it to be great for the simplicity of a creature’s mind. You can enjoy harming another life without some twisted sense of pleasure (although that’s also fine. Huntings dogs were bred to hunt. Ofcourse they will be happy to hunt), to go where you walk simply because it’s what feels right (why must you understand the journey or destination in mind when birds migrate simply by how it feels and where is better? They don’t think ‘oh gee! It’s the 8th of September! I must get going to Portugal otherwise I may not survive the cold!’ Their minds subconsciously gather the temperature change and just vaguely understand they need to fucking go some place warm), and it feels irritating to fight for this in a community that claims to support and understand eachother alot- BUT ANIMALS DO NOT NEED TO EXPLAIN THEMSELVES! They don’t! They don’t decide to just casually start feeling some way and try change to be that, no! They feel a way, and so they are that. And that may change, it may be wrong, but who cares!? Emotion is emotion and sensation is sensation. Whatever feeling comes along then it’s that feeling which is invoked. This makes more sense with examples but I just had to get it off my chest.
You won’t find a flying squirrel explaining to another ‘look, I just don’t feel enough like a rodent enough because I’ve seen the air like the birds and bugs, perhaps I’m not made for this body because I love the air as must as the trees. Is it so wrong?’ No. It’s just living as it fucking needs to, eats shits walks and floats, and will die when it needs to. Our human minds allow for a lot more to do and various things to come of it, but they also are just so much of a plague of questions that assault simple activities. Ah- I could go on for hours, but everyone needs to know that an alterhuman will be alterhuman even if they don’t explain themselves. Maybe someone misunderstood themselves but to what extent does it even matter? Maybe it’s chosen maybe it’s involuntary but why are you policing another? Is life showing any sign of rules? Sure, patterns exist, and there may be exceptions for moral wrong doing, but in the end it’s always up to subjective perception to decide what is right for you. We already have human-made rules, it’s called the law. Don’t kill or abuse others, don’t steal and destroy another’s property, and the rest is up to your grubby little hands to decide (some laws are idiotic I will admit). And I needed to get this out for a long time but damn it- ALLOW others to exist without a label! Allow yourself to go unlabelled! It’s a common practice but it’s not as neccesary! Do you know how much agony you’ll be spared if you stop going ‘well how much of a Therian am I? What counts as Otherkin? Have I experienced any symptoms of So-and-so in the past month?’ And rather spot what makes you feel better in your body, what brings happiness, and what you do often. The cause ain’t even all that neccesary to understand unless you want to. Just focus on what you feel like and what you want to see in yourself and then you can go all ‘let’s find a word for this’. Honestly. The English language has already so many words, and that’s not even taking into account those which grown lost with time. You really think newly-made terms don’t hold as much value? Or that a single word must explain your own mind and body? Your soul is boundless, but able to be gazed upon at times. So why limit yourself to fit into a new box just to claim you ‘escaped the system!!’ as you once more alter yourself and grow bound to mere words and a fear for others judging you.
Okay that’s a bit off topic now, thanks for the opportunity to ramble, but yeah. Let animals be animals. And animals don’t need to explain themselves, they can blatantly do whatever feels good or right at the moment without it having define their entire existence or life. Animals can be dirty, mean, confusing, nasty, dangerous, scary, but still have nice qualities. And even if not, it is not their fault.
Never ever mistake me. I am not just in favor of the uwu romantic version Being An Animal. It's not all moodboards and waxing poetic about tails/wings/etc and running in the forest wild and free. All of that stuff is GOOD and FINE and a nice outlet for all flavors of nonhumans, please do not stop engaging with that sort of thing. I'm talking about me also wanting to embrace the gross and so-called ugly and less fortunate aspects of animality. like when you're wrestling a large prey animals into submission so you can eat that day but it fuckin Gets You with a claw/antler/horn/hoof/beak/etc and suddenly you're hurt real bad. Lost an eye, a toe, half your tail. Got a permanent limp from being stomped so hard that will make hunting difficult so you may not live your full natural lifespan. dying of severe cold or heat and then your body decomposing slowly, being food for other things. scent marking with piss, shit, musk. being young and inexperienced so you go without food for days cuz you can't hunt for shit.
there is no part of animality that is something I don't desire. I want it all, because all of me is animal. does it suck to downgrade from human sized complex brain to smaller wolverine brain? No not really! I am not mourning the loss of things I never asked for in the first place. sure I could say that woo, less complex brain means less capacity for things to go wrong, but that is a very human lens to look through. does a wolverine know it's "lucky" that it cannot have certain human mental illnesses because its brain may not be that complex? no, and that's why I'm not worried. I could turn into one fully physically overnight and then die stupidly 2 years later and that would still be ideal. sure I also may romanticize some things in ways that are not really Natural for my species, like how I think places that feel like Home just seem so beautiful to me, but no damn animal is perfect. I am allowed a couple flaws. several, in fact, lmao.
I Crave It All
#Therian#Therianthropy#Therianthrope#Nonhuman#Otherkin#Alterhuman#divine Illumination#my eepy ramblings
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what's so interesting is that agatha and nicky clearly had their cons well-oiled, and at the end it seems they even started turning their song into a part of it as well, like i don't think that was the first time nicky sang that song for an audience and they used it to lure witches (i do think it's the first time that it /technically/ didn't work), and how after nicky died it continued to gain popularity and be so well-known it became a legend, and along with that agatha being known as the only survivor of the road and people (like billy) seeking her out to walk it or just for knowledge of it. and i think that had been the idea when they first started using it as a con. making it so they no longer had to travel and scavenge, using it as a lure to bring the witches to them in order to keep nicky alive, but only one small misstep and rio got him anyway
and then thinking about how lorna, who had a generational curse placed upon her family that is going to kill both her and her daughter and who desperately wants to see her daughter survive, heard this song and created her own version to use as a protection spell for her daughter and, like agatha did before her, she made her version so well-known and so popular that years and years after death it's still protecting her daughter, until ultimately her daughter was finally able to use it to break the curse and save herself
idk just.. they're like two sides of the same coin, or distorted mirrors of each other
agathas love was so powerful and so strong that death gave nicky time
lornas love was so powerful and so strong that the ballad gave alice time and even freed her
if nicky hadnt been taken that night, could it have eventually freed him as well? rio said agatha used the dark magic of the darkhold to hide herself from rio, so was that the end goal? they'd continue to lure witches to both keep nicky alive and to have agatha become powerful enough to forever keep them hidden?
#agatha all along#aaa spoilers#agatha harkness#nicholas scratch#alice wu gulliver#lorna wu#txt#me before the finale: and i'll save this song to use the lyrics to make gifsets of agatha x rio since i'll finally have more scenes to use#me after the finale: lorna/alice and agatha/nicholas parallels let's goooo#and there's something so poetic about how alice died too#like the song worked for her in ways it could never have worked for nicky#the song saved her like it never could nicky and like it was supposed to for nicky#and ultimately she dies the same as all the witches who had been drained to keep nicky living#do you think instead of just a loss of control agathas grief and bitterness chose to take from alice#because why should what was meant to save nicky save her instead?#i wonder if that moment when she watches it fizzle does she think of lorna?#does hearing nicky's voice allow her to see the similarities from a different perspective instead of through her grief#through her love of her son and connect it to lorna's love of her daughter? their struggle was the same for as much as it was different#idk it's just... agatha was planning to drain them from the start#why was /this/ one different. why did she have that look on her face after#especially after being confronted with her own mother who would have seen her die
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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pov you’ve just reread the yi city arc… except that clearly wasn’t ENOUGH because of course your analysis brain had to take over and search for parallels, so you have to go and reread and save the most depressing WWX scenes right after…
i’m fine :))
#catalyst was “at that momrnt wwx saw himself in xxc”#brain: but was there a specific moment on wwx’s end too (or was it more general)? which instant?#(the description made it seem more like a specific moment but it doesn’t ABSOLUTELY rule out the other option)#my money’s on nightless city just post jyl death but it’s not 1:1#of course seeing as it’s describing a feeling. it does NOT have to be 1:1#but you have the parallels between xxc finding out he killed the person he was closest to (sl)#and then wwx seeing i’d say the person he was closest to (jyl) die for his sake#while accusations from others are being thrown#and they’re currently not denying#i was wondering if it could be referring to some time during the siege as well but i’m not sure wwx would be-#unable to “do anything except silently acknowledge the critiques and accusations” then? since he does have sth he’s fighting for there#unlike nightless city#(though that specific wording is partly why i doubted nightless city as well…? since it doesn’t seem like he’s silently acknowledging them)#(instead “he could no longer hear any of them”)#not sure that’s a big enough point of contention though bc context around NC definitely fits the best#of course it could be right afterwards (when he came back to proper consciousness anyway) too and it’s thinking ABT the accusations???#but idk#i do think referring to that moment is most likely#…anyway pictured above is the brain that MADE ME REREAD NIGHTLESS CITY (and “what am i supposed to do now” + wn wq giving themselves in as-#(-other points of comparison)#so thank you very much for that brain….#i’ll probably write sth short about it when my thoughts are less scrambled#or i may keep it to chapter by chapter analysis when i do that#but right now it’s too late#skye rereads mdzs
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[pericky; a look into ricky's head during their meeting.]
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"I'm glad you came, I wasn't sure you would." The wine pours, the sound of it drowning out the missing word in that sentence: back.
Of course, is the response, and the part of Ricky that's spent twenty years tearing itself apart to understand why vibrates with relief. It doesn't matter anymore. Of course, of course, he thinks giddily along with the words. He never needed to wonder why Pericles wasn't coming back in the first place; he was always going to.
I'm happy you invited me, and of course he thinks again. A lifetime of pretending he wasn't always going to either falls away. However harsh and lonely the world has been, all's right with it again; and the shy voice of the boy inside him that he's tried so hard to kill says, so quietly, I missed you.
#sdmi#scooby doo: mystery incorporated#pericky#ricky owens#professor pericles#anyway fucking end me actually. lay me down to die#i said i was gonna write more pericky and by fucking god i did#the 'why did you do this to me' to 'oh thank god you didn't actually do this to me' pipeline of abuse folks 🥲#which like. their last conversation is yet another devastating example of ricky finally standing up to pericles' bullshit Too Late#ricky denounces him in the strongest terms he knows; based on his own feelings and opinions and the way he sees the world#(which: even then he can't bring himself to say 'i don't love you anymore')#(the closest he can get is 'i chose you and i can't take it back; the only way i can imagine not loving you is if i never had at all')#and pericles tries to go 'nyeh nyeh whatever i don't care' (and does a real bad job of pretending he is not obviously hurt lmao)#and ricky doesn't try to understand his logic; he doesn't try to reconcile a world where pericles didn't *really* mean to do anything wrong#his response is MAYBE YOU *SHOULD* CARE.#pericles' view of the world and what's right and acceptable are warped and *wrong* and he's the one who needs to get his shit together#'you shouldn't have abused me you shouldn't have killed cassidy you shouldn't have murdered a child in cold blood'#that is MASSIVE and i think it is really telling that pericles' response is to shut him down with force instead of trying to argue any more#and that in the end is the real true fucking tragedy of it all#ricky is making huge strides one after the other to take back his freedom from pericles emotionally#....and materially it makes no difference to improve his situation in the moment; because pericles doesn't have any less power to abuse him#he never has a triumphant moment where he Overcomes His Abuser and Breaks Out of His Control#there's nothing he can do to fight back until pericles is too Literally Dead to control him anymore#it is one of the rawest depictions of the reality of abuse i've ever seen and just. God. i love it so much#(at the same time i REALLY want to explore a version of events where he got the chance to expand further on that growth)#(the 'all witches are selfish; make all things yours; i have a duty' speech from the wee free men comes to mind)#whosebaby makes things#whosebaby writes#SDMItag#dyn: when i die i want you to die too
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That scene between Tuvok and B'Elanna from 'Resistance' wrecks me actually... It's such a great moment for both characters (and actors, Tim Russ is SO underrated ugh) which highlights the differences between the two of them so well- yet, ultimately shows that under certain circumstances (in this case, torture) the distinctions between people... don't really matter. In an episode full of political violence, this moment is so significant, and I don't even really think I have the smarts to articulate why but I'll try lol.
TORRES: We told you already. We don't know anything about the Resistance. AUGRIS: I've heard that many times, from many people. Take him. (The forcefield is lowered, and Torres grabs the guard that steps through.) TUVOK: Lieutenant, stop! That will not help either of us. AUGRIS: He's right.
Everything about the way this scene (and the final shot where she's shoved back into her seat) is framed makes B'Elanna appear small, helpless- and embarrassed at her own helplessness- in that cell. We see her fidgeting, unable to sit down, constantly trying to break out or improvise her way out of the situation (she gets electrocuted earlier while trying to tamper with the circuitry)- it makes me wonder whether Tuvok was chosen to be tortured not because they believed he was more likely to have information, but because B'Elanna was more likely to be demoralised watching helplessly as he's dragged off. Augris's line implies that he's "broken" a great many people in the past; a tactic to instil fear and a helpless sense of inevitability in them both (torture doesn't work as a reliable way of extracting information; this is stated in dialogue in other Trek episodes such as 'Chain of Command' so the assertion here is at least not that- but what it does do is demoralise the public involved in resistances like this one.)
Later, B'Elanna is still trying to escape (do the guards know she's doing this? Are they just not intervening?) and she hears him screaming. Tuvok is someone who considers letting others witness him lose control over his exterior a huge (indecent, violating, humiliating) vulnerability, and the fact that he's the one being tortured is Not Insignificant in this context but like- it could've been the other way round. And B'Elanna knows that. It could've been her, and perhaps a small, scared part of her is relieved that it wasn't her, which is an awful way to feel (and if there's one thing B'Elanna hates, it's feeling like a coward). Also- the sheer violation of this, for B'Elanna to have witnessed him in this state, against her will- to later see him bloodied and weakened and flung in a cell, to have heard him screaming in pain- without his consent, knowing she can never un-witness it, knowing it wasn't her fault but still being put in such a situation where she has now played that role... Does this experience forcibly rewrite their respective conceptualisations of each other? Was Tuvok even thinking of her- somewhere outside, listening, worrying, blaming herself, fearing for herself, feeling ashamed, feeling so aware of him and her and the shared humiliation of this- when he was in there? Did seeing her upon coming back out change things? Could it ever change things? Did her presence, even as an outsider, whose memories of this event will always be (visually, at least) the constructs of her imagination- somehow make what happened in there real? Does her role as witness- and her memory thereby carrying some sort of legitimisation of what happened to him now, however warped and coloured by her own perspective and fears and embarrassment- make things better for Tuvok? Does it make things worse? Would he rather have endured this in secret? Would it have been better if she were a total stranger? Would it have been worse? And does any of this even matter when, for a moment, your life (your personhood, your goals, your presence) was completely reduced to what you "must endure"?
AUGRIS: We don't have to ask your friend any more questions, if you give us the answers. TORRES: I told you I don't. (Torres stops herself from hitting Augris, who leaves.) TORRES: I'm sorry. I guess I always assumed that Vulcans didn't feel pain like the rest of us. That you were able to block it out somehow. Until I heard. Was that you I heard?
And the way B'Elanna's voice breaks when she asks this, as if she was still somehow hoping the answer would be no... There are complexities to this which again I don't feel like I'm smart enough to articulate, but like- yes, B'Elanna would like to hear that it wasn't him because that would mean her friend wasn't tortured "that badly", he wasn't put through "enough pain" to scream that way, and it's easier and more comfortable to think of violence (and violation) as something you can rank on a scale, and the lower on it Tuvok's experience ranks, the better! the more easy it will be for them to "move past" this! - but also, there's this element of "I want the answer to be no because that would mean I would not have been a participant in your humiliation, just some stranger's whose voice I don't have a face to put to, which is much better than having to know what you (my friend, my colleague, my respected senior officer, someone I will have to see every day on the bridge, someone I know prefers to keep vulnerabilities hidden even deeper than anyone else I know) sound like when you scream. But also... it doesn't really matter, does it...? Whatever he says, there always was still a moment- however brief- where B'Elanna heard a man screaming in agony, and thought it could've been Tuvok. And in that moment, that possibility was created. Now, it will always exist. That moment will always have happened. It will always have done something to her. It will always exist between them; an ugly, uncomfortable bond.
And this is getting into even more things I'm not smart enough to articulate, but like- it's pretty significant to me that B'Elanna is one of the few characters who never actually tries to poke Tuvok into Doing An Emotion, even normally. She doesn't consider trying to get him to crack an entertaining pastime, unlike others (and I'm sure her experiences of feeling like an outsider- always- feeling Very Visible As Klingon, play a role in this- "all they ever saw was my forehead" does not lend itself so kindly to "let's see if we can get Mr. Vulcan to smile", "why, Tuvok, it seems you've been corrupted by Human (read: default) rituals after all!"- it's a light-hearted joke for many, sure, but what if Tuvok genuinely considers the idea of smiling in the presence of others reflective of a humiliating loss of control and deeply debasing?) I think it's pretty clear from canon that he's just being himself; he's not trying to be a killjoy or trying to be mean, he's just Vulcan. And this is one of the few moments in Trek I can think of when a Vulcan's perceived "control" over their emotions is not connected with their reluctance to laugh or cry or say something sentimental, but... this. B'Elanna is shocked, she's horrified, she demands an explanation as to how he can possibly go through something like this and not feel the desire to "fight back" in a way she understands- and the way she cannot grant him the pretence of not having witnessed, here, the way she can't just shove this in a box, pretend she never heard, because she's just so fundamentally honest- and Tuvok (who is also so fundamentally honest), in a painful moment of openness, tells her exactly what his reasoning is. He lets her see. He lets her hear; on his own terms. He wants for her to understand (for her to witness?) his (very Vulcan) distinction between resistance and endurance; his understanding of endurance as its own form of resistance. Idk it's such a quietly powerful and like- devastating- moment for me... So many people try, over and over, thoughout the show, to get Tuvok to break his Vulcansona- try to make him smile, make him say tender things, make him get irritated- just to see if they can do it. Just to see if he'll ever crack. I bet B'Elanna wishes she never had.
#sometimes I write essays NOT at 3am! haha#cw torture mention#I'm also thinking (of course) about that scene between g@rak and 0do in The Die Is Cast#which is slightly different (but only in terms of technicalities) as a case of Torturer As Witness#it's not just the physical discomfort that thingamabob puts 0do through that's torture ofc#it is very much g@rak's PRESENCE in that room#they didn't bring up the whole ''his eyes'' thing for nothing#it is very much about Being Seen (and being Watched and Witnessed and Observed)#in a moment so humiliating and (for lack of a better term) dehumanising#also it is heavily implied that g@rak volunteered to do this not only to prove to Tain (but mostly to himself) that he still could#but also out of a sort of protectiveness over 0do#there's this element of ''I'm doing this so someone worse than me doesn't do it instead because they will likely kill you'' denial/self-#justification? which ultimately makes the scene about g@rak (and his own moment of ''breaking'')#and not 0do (would 0do have preferred to ''break'' in front of a total stranger? we don't know! it's irrelevant! and that irrelevance is#possibly the most violent thing about that whole sequence phew)#something something Presence As Violence something wish I could word this more intelligently ugh#I keep thinking of stuff that happens (casually) in police stations around me all the time...#voy
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My friends: Just so you know, Star Wars kinda has a lot of characters with plot armor! I hope you're ok with that...
Me: I am a comics fan, you have no idea the amount of plot armor I will happily tolerate.
#'omg Ahsoka doesn't die from xyz omg plot armor!!!!!' shut the fuck up I like it when characters live/die in thematic ways rather than#'because it would be realistic for the space opera show to have the alien girl fall to her death here because uhhh realism or something'#even ASOIAF which is known for killing characters has major characters live through shit they shouldn't in order to die#in more thematic ways later on. 'Nah it would be more realistic for Jon to die of exposure instead of as a result of all of the choices#he has made (good and bad) that leads to a single moment of narrative excellence wherein everything comes to a head'#or because they are needed as characters whereas others have either outlived their purpose or it makes thematic sense for them to die#'omg plot armor!!! Bran survives being pushed off a tall building!! this is bad because a cinemasins-knockoff said so!!'#I like plot armor actually. Imagine if fucking Erika Slaughter died in like issue 5. Or Bruce/Batman died for realsies.#obviously there's a limit but if you want a story where your characters aren't in any danger maybe don't watch/read stuff with battles
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