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#the more he loves neil the more he lives
cubbyyyy · 3 months
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the fact that neil chose andrew out of them all is so dear to me. that andrew chose neil out of them all is so dear to me. that they chose each other is so dear to me. and at the same time it seems inevitable? like of course they chose each other, like of course no one else would be possible. they are what the other needs and that’s why they last. they are so compatible it’s scary.
and the fact that nora said if andrew didn’t have neil he never would’ve gotten happiness proves my point. I know some want to have the whole “you don’t need anyone to be happy” kind of mindset but in my book you’ll always gonna need people. It’s inevitable. and not finding the one who gets you, can make you miserable. It’s hard to find, but it’s so so sweet when you do and I’m so glad andrew got blessed with it. He got the one. and through hard work (therapy etc) he made him last. neil never became the one who got away because andrew worked hard enough to not self sabotage anymore. he learned to recognize neil as a good thing, an important thing and eventually he learns that neil feels the same and will never be the one to hurt him. he won’t be like tilda. so they make it last. and that’s everything.
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puckspoetry · 2 months
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Imagine hating on me and I’m here in my room like
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guess-i-do-art · 2 months
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Behold:
the Goobers
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earlgodwin · 1 year
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the borgias is my favorite show and i think it's the best show ever made and all. however, there's just this one aspect that is genuinely hilarious to me and i mostly criticize the show for. the writers suddenly trying to make the viewers massively despise juan by turning against him and disingenuously writing him in his final moments so the watchers won't miss him or sympathize with him by making him a walking danger as an excuse to kill him off and prop up cesare's character. they wanted the audience to root for cesare at juan's expense and make his death seem necessary lol. they truly thought they served with this one, like maybe juan's character was shamefully abandoned by the writers (as well as his family except for rodrigo) but david oakes had many people sold with the way he played him to perfection, improvising and making juan remarkable, tremendous, and humane. the show is obviously a classic masterpiece, but in my opinion about the juan part, simply rushing the writing of a tragic dying character on a show for weak reasons is pure disrespect.
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I've had this for a while and idk if I'm actually going to do anything with it, so have these five sentences about Neil and Nara.
Nara presses a joint into his hand, holds him as the world slips away, as his thoughts slip away. This is why he was made, she says, shushing his frantic speech. He believes her.
She carves up his memory to extract seemingly nonsensical visions, plies him with kalif and pleasure until they blur and he remembers neither.
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talentforlying · 6 months
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boston brand: they say the third time's the charm. so what do you make of constantine? tim hunter: he's all right, i spose — easier to talk to than the other three. only thing i can't figure out is how we get from place to place ... boston brand: that one's easy, kiddo. he's riding the synchronicity freeway, and so everything just falls into place; time, movement, even distance just sit up and beg for him. you're having an adventure, kiddo. if you survive it, it'll be fun.
books of magic still has the most batshit way i've ever seen constantine's synchronicity wave traveling abilities showcased, actually.
for frame of reference, most of the hellblazer writers usually apply the concept of surfing the synchronicity highway in much smaller ways: namely constantine's uncanny ability to stumble across significant events/people/artifacts, or winning at gambling 100% of the time he chooses to. but books of magic has him doing shit like bending time and space to breeze both him and tim from a new york street onto a cross-country flight with no one questioning how they just ended up appearing in seats assigned to them.
so either constantine is showboating to absolute fuck for the sake of making a killer first impression (extremely plausible), or he's REALLY taking it easy with his use of magic most of the time.
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magdaclaire · 1 year
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just got six completely empty never used perfect condition notebooks from my mom bc she had over thirty blank notebooks again (something of a personal limit). having a mom who has the same type of autism as you is so nice
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for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
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The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
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In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:
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It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.
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Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.
Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.
Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).
But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.
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Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **
On collaborating together:
Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:
An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.
Terry shortly mentions,
“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”
Neil says,
"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”
"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”
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And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).
More about the writing process:
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Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.
The book was under way.
We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.
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From the introduction to William the Antichrist:
“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.
It felt like a story with legs.
Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”
William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***
“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.
Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.
But the spirit of Just William was never far away.
The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.
If you want to read more details about William The Antichrist, here are some slides I made.
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Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)
 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).
“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman
"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)
(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).
Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".
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*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.
** All the quotes, facts listed here : see above.
***all other quotes by Neil Gaiman from various interviews and asks I’ll link.
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taraljc · 2 months
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Frustrated, angry, horrified, and unsure of how to proceed after learning a favourite author is not who you think they were?
You are not without means to help! Fandom gave Neil Gaiman the celebrity that he then weaponised against vulnerable people. We gave it to him; we can help take it away.
THINGS WE CAN DO AS INDIVIDUALS
Repost articles and transcripts as they appear in the trades and the mainstream press, and tag them with the appropriate trigger warnings and content warnings.
Keep amplifying the voices of the survivors, and showing up with compassion and empathy and support for the untold numbers who have yet to come forward.
Keep talking about the allegations of abuse and sexual assault levelled at Neil Gaiman. Do not let it fade into the background, or be drowned out by vigorous promotion of his upcoming works. Boost the signal, particularly to raise awareness across fandoms so fans can do their best to protect themselves from potential abuse in the future.
Make donations to RAINN and The Survivors Trust, and find out what you can do on a local level to support survivors of sexual assault and abuse.
Do not tag fan works such as fanfic, fan art, quotes, gifsets, and meta discussions about Gaiman's work or live-action adaptations of Gaiman's work with #Neil Gaiman so that you are not doing the expensive PR team's work for them by helping to bury the story of Neil Gaiman's abuse of vulnerable women on social media.
Do not bully Neil Gaiman's peers in the industry, friends and family, or actors currently involved in live action adaptations of his work for not immediately making any kind of public statements.
Do not bully fellow fans. Everyone is working through their very complex feelings and relationships with both the text and the man at their own speed. Please give them the space to grieve that loss, but continue to center the stories of the survivors and express sympathy and empathy for all of the survivors who have yet to come forward.
As others have noted, The Tortoise Media Slow News podcast that initially broke the story is run by a group of well-respected journalists, and Ms Johnson is not a full-time member of the staff but was only given a shared byline on the story because one of the survivors contacted her privately which is what kicked off the year long investigation.
Filter out noise such as kink-shaming, anti-BDSM discourse, and other editorial comments and instead focus on the actual words of survivors recounting their experiences.
Remember that despite using the language of BDSM, what the survivors have recounted is in fact examples of coercive control and abuse cloaked in the language of kink. It's very important to note that BDSM nearly always includes extensive negotiation of consent to specific acts and partners check in with one another constantly, establish safe words, and engage in aftercare. That is absolutely not what was described by the survivors thus far.
Sexual assault is not about sex so much as it is about power. In every instance reported thus far, the common thread has been predatory behaviour toward vulnerable women. In more than one case, women who were employed in Neil Gaiman's households and were reliant on him for their housing and livelihood.
Do not guilt trip or shame people who are attempting to separate the art from the artist. allow people to love what they love about the novels, comics, and media adaptations, value the friendships that they have made because of them, and keep the joy that those projects brought them. Do not let Neil Gaiman's behaviour rob generations of fans of the stories that meant so much to them. he has already taken so much from so many; don't help him take more from yourself or others then he already has.
Do not invite him as a guest speaker to your events, a guest of honour at your conventions, or a guest lecturer at your institutions. without jeopardizing the financial future of your institution or theater, do not book speaking tours, book signings, launch parties, etc. as these events have proved to be a fertile hunting ground and provide ongoing income directly to Neil Gaiman.
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dayurno · 5 months
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#i will warn you only once: tsc spoilers#literally just finished it as i am drafting this its 5am where i live#so you may be subjected to some nonsense#that all being said i have thoughts.and feelings#the kevin was lovely and tasted delicious! jean defending him at every turn even when he swears to hell and back he'll kick his ass#the kevjean was surprising i was only half expecting that#the dog metaphors i have to say i need this one cashed in. nora run me my check#im joking of course dont quote me on it#jean taking kevins promise to the end and living on it is seriously so. well.#'be careful with him' 'take kevin's name out of your ignorant mouth' 'you promised me'#also kevin getting called the court's queen had me tender and on my back oml#jean's relationship with the trojans is sweet and he is very interesting and complicated#a character with many moving parts im sure#there were a few things i did not care for#namely jeremy and the trojans felt remarkably flat to me bar lucas (by far the most interesting) and catalina on occasion#i didnt quite enjoy jeremy's pov and felt like he spent perhaps way too much time worrying over jean? if that makes sense#i wish he had some more complexity to him or really anything to catch a hook on#all we know is hes attractive and smiley and gets along terribly with his family#so much of his character is sucked out by jean he didnt feel like much more than a plot device to me#which i wouldnt mind if jeremy wasnt the literal main character alongside jean#i was living for everything jean thought but had to drag myself through jeremy's pov if im honest#uuuuh what else. neil! funny. deranged. i have to love him#andrew couldnt give less of a fuck about jean which is funny as all fuck#two bugs placed in the same habitat ignoring each other#the thing with elodie i thought was complicated. i wish we knew some more about her or that shed been mentioned a little earlier#but im assuming thats a topic to be revisited#uuuuuuuh yeah so thats most of it. i think my first thought and the one that sticked out the most to me is that the book felt remarkably#pedestrian#not necessarily in a bad way#it lacked to me one of the main appeals of aftg which were the numerous interesting side characters
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ashfae · 1 year
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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les4elliewilliams · 4 months
Text
Happy together.
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Officer!Ellieㄨ fem reader
a/n: i honestly don't know how to feel about this but it took me ages to write so i'm going to post it anyway. also enjoy the trashy lil pic i edited of my wife😌// @sapphichotmess is gonna get soapy boobies pics for proofreading this. i love you you're amazing.
cw/wc: 17k ! murders/violence, mention of blood (I don't think it's that bad but if you're sensitive to this type of stuff just scroll), officer!ellie x waitress!reader, (tw) Eminem, smut, breeding kink, handcuffs😔, strap-on sex (r!receiving), thigh riding (e!receiving), use of pet names like (mama, princess, babe etc), and uhhh that's it i believe?? lmk if i missed something.
daily click・palestine masterpost・neil druckmann is a zionist・more daily clicks.
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The Police Station – Late Night – September 11th, 2018.
The auburnette released a heavy, exaggerated sigh, her weariness palpable as she delicately brushed the rough, calloused palms of her hands against her fatigued face, a few stray strands of hair cascading gently across her features, capturing the attention of her colleague. His eyes lifted towards his friend, a concerned furrow appearing on his face as he took in the haunting purple shadows under her eyes, a poignant reflection of her exhaustion.
"You look like shit, man," He suddenly exclaimed, the tips of his fingers dancing on the smooth plastic caps of his laptop.
"Awh, thanks, that's so sweet," She reclined in her office chair, the weight of the day's paperwork momentarily forgotten. It felt as though she had been sitting there for an eternity, each and every cell of her body yearning and longing for her wife. With her shift drawing to a close, she could hardly contain her anticipation of returning home to you, just so that she could feel the warmth of your embrace and perhaps resume the intimate and passionate encounters you had shared last night.
The boy leaned back in his chair, and a smug smirk spread across his face. "You look like you haven't slept," His gaze shifted back to his friend, who was sitting at her desk across the room, her eyes tired and her shoulders slumped.
"'Cause I haven't," she uttered, shaking her head. A light, airy puff of air escaped her chapped lips as her fingers danced through her locks, coaxing burnished stray strands away from her face.
"How are things going with your girl?" He gave her a questioning look, as if silently asking what was going on. It struck him that she hadn't complained about her marriage in a while.
Her response was a mere nod as she admitted, "Pretty good, actually." However, her gaze remained unfocused, her mind elsewhere as she replayed the previous night's memories in her head. Your moans echoed in her ears while the image of your ecstatic expressions played on repeat, like a broken video tape stuck on a single scene.
"Really?"
He was the one she trusted wholeheartedly. In the darkest hours of her marital struggles, she sought refuge in Jesse's ever-present presence. Hours would slip away as she poured out her heart to him until the early light of dawn or until their shift was over. Yet, he never seemed to mind 'cause his friends' problems were his problems.
After a great four years together, where you and she shared an uncanny kinship and complemented each other like two puzzle pieces, things took a gradual turn for the worse. Heated arguments began to erupt frequently, fueled by petty disagreements about insignificant matters such as the shoes left by the door, piles of unwashed dishes on the living room coffee table, or the kitchen table. Over time, both of you grew tired of this never-ending cycle of conflict. 
Dr. Diaz was remarkable in his ability to guide both of you in honing your communication skills and learning how to make each other feel truly heard. It felt like a fresh start with someone you already knew so well and had shared countless memories with. Initially, walking out of your first session was an uncomfortable experience, leaving you feeling almost overly exposed, as if you had revealed too much. The ride back home was filled with an awkward silence that was unfamiliar, never in your life you felt awkward around her, not even once. A few small sighs escaped occasionally, both of you remaining silent until you finally returned home.
"Yeah."
His warm smile spoke volumes as he offered reassuring words to her, "Told you it was just a matter of time. Dina and I have been through it, too, before."
She sat comfortably in her weathered chair, leaning back slightly as she pushed herself away from her sturdy wooden desk. "Speaking of Dina, how's she holdin’ up?" her mind suddenly shifted to a very pregnant Dina who was already eight months along and was about to explode at any second.
The raven-haired man imperceptibly shrugged his shoulders "Y'know, pregnancy hormones—what the doctor said."
She let out a soft snort, a half-smile gracing her lips. "Have you settled on the names?" she inquired.
He sighed, rubbing his forehead in frustration. "We keep fighting over it," he admitted, "She wants to name him-" before he could finish his sentence, an announcement echoing through the hallway of the department caught Ellie's and his attention simultaneously. They stood up abruptly, exchanging concerned glances and rushed out of the small room with a sense of urgency.
"A 140, where?" Ellie's voice quivered, her heart hoping against hope that she had misheard the news. Worry painted itself across her freckled face, etching lines of concern amidst the constellation of her pretty freckles.
It couldn't be. No, it couldn't.
Color drained from her face, and she grew paler than the moon, the realization hitting her like a sudden storm. It was the same diner where you worked, and worry consumed her like a relentless tide. 
They made their way towards Jesse's car with lightning speed, both fully aware that Ellie was in no condition to get behind the wheel. She urged Jesse to drive faster, her heart thudding like crazy in her ribcage. She tried to call you countless times, but you never answered. Her palms turned clammy, her hands trembling like fragile leaves in the wind.
"Fuckin' hurry up." The car swerved erratically, anxiety emanating from every pore of her skin. Her voice grew louder and more forceful as she shouted at Jesse, who held the steering wheel so tightly that his knuckles turned white. 
"We’re gonna crash if we go any faster than this," he raised his voice back at her, feeling all the pressure and tension of the world on his shoulders, but at the same time, he couldn't blame her.
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The Diner – Late Night – September 11th, 2018.
As they reached the crime scene, her eyes were immediately drawn to the stark sight of yellow tape cordoning off the area. The tape fluttered gently in the breeze, creating an almost surreal barrier. Beyond it, the solemn figures of police officers moved with purpose, their expressions a mix of determination and concern. 
A lone officer stood at the forefront, diligently jotting down notes, while another leaned in to share crucial details about the tragic event. Their hushed conversations hinted at the weight of the situation as they sought to unravel the enigma of the killer's intentions. "I've never seen anything like this 'round here before. The killer must have acted out of rage or passion. There must be a reason," The freckled girl strained to hear the officers' hushed conversation, her stomach sinking with each word. 
As she moved closer, they swiftly barred her way. The scene unfolded like a haunting painting—the diner's floor marked by crimson footsteps. She couldn't tell if it was the officer's grim descriptions or the frigid night air that sent shivers down her spine.
"Williams, they are already taking care of it, just wait here and-"
"No, no, no, listen—I have to go in there. My wife works here."  She desperately attempted to push through the two middle-aged men, but they held her back with ease. Her voice quivered with fear as she begged to reach you. Were you harmed? Were you in pain? Were you...alive?
Her face was like a canvas of worry, etched with lines of concern. With a graceful shrug, she brushed off the unwelcome hands on her shoulders, "Who's the victim?" she feared what the answer to her question would be, but she needed to know. Her brows were furrowed with worry as she waited for a response, her eyes brimming with fear. "Pleaseplease—Tell me it's not her." She pleaded with such desperation and worry on your behalf that the two men couldn't help but feel a pang of sympathy. They saw the depth of her love and concern for you, and what touched them the most was that they knew you.
Every day, you would lovingly pack a lunch, a sweet treat, or even a hearty dinner to bring to her at work. Your kindness shone through like a warm beam of sunlight, always in a cheerful mood with a genuine smile on your face as you chatted with her colleagues, asking them about their day and thanking them for their service before returning to your routine.
Ellie stood before the men, her heart pounding like a drum in her chest. One of the men heaved a deep, mournful sigh that echoed in the stillness, and he shook his head gravely, his lips drawn into a tight, sorrowful frown. 
"Your wife is currently being interrogated as she was present when the murder occurred," Officer Johnson explained to the younger girl, his voice low and measured. She let out a long sigh of relief as his words reached her ears, finally being able to remove the image of you lying in a pool of blood from her mind.
While she felt guilty about it, she couldn't help but feel a sense of relief that it wasn't you the one who had been brutally murdered. It was a twisted and sick feeling, as if a weight had been lifted off her shoulders even though a girl had been brutally murdered. She was grateful that you were still alive, safe, and healthy, at least as far as she knew. She longed to be there for her wife, to wrap her arms around you and hold you tight. She wanted to comfort you, to reassure you that everything would be okay, even though she wasn't entirely sure herself.
"Please, I need to see her." She kept pleading and pleading until her colleagues finally relented and let her slip past the bright plastic tape. She raced into the diner and quickly scanned the scene. Blood stained the floor, and the door to the back room was left wide open. Blood was pooled on the floor, with a corpse lying beneath a white sheet. Vanessa Harding was now a lifeless corpse. As Ellie surveyed the carnage, her heart ached at the sight of you sobbing on the retro sofa as an investigator tried to coax answers out of you. But you seemed completely lost in your own world, clearly shaken.
The sound of her voice calling out your name as she approached you with a mix of eagerness and concern seemed to blend with the rest of the background chatter as you found yourself unable to shake off your daze. Her trembling hands found their place on your shoulders, gently pushing the agent who was interrogating you aside. A glimpse of concern crossed her eyes as she took in the blood stains on your once-blue waitress uniform. Her heart ached at the sight of you. She hesitated, fighting the urge to pull you into a comforting hug, knowing that maintaining some distance was best in such moments. What mattered was that you were okay, healthy, at least.
The investigator began to speak, but Ellie quickly turned her head towards him, fixing him with a death glare. Her body stiffened as she shielded you from his view. "Can't you see she's having a full-on mental breakdown? We're not supposed to interrogate people in this state," she stated firmly, her voice cold and harsh. 
The officer took a step back, sighing in frustration. "I'll be back in a minute." He announced, and with that, he left the room, leaving the two of you alone beside a few medical examiners and other colleagues doing their job, the light chatting becoming a white noise for the both of you.
You sat there, absentmindedly consumed by your thoughts, when a melodic voice penetrated your haze. You lifted your gaze to find a concerned Ellie standing before you, her presence initially unnoticed. Despite her ongoing comforting words, you were too engrossed in your own thoughts to truly register her. It wasn't until she drew a chair and sat right in front of you that your focus shifted completely. When your vacant eyes now met hers, you broke down again.
Your voice quivered as you whispered, "E-ellie..." as tears streamed down your face and your bottom lip trembled. You felt a sudden wave of relief as her hands gently cupped your face, and her thumb caressed your cheekbone. 
Her comforting voice soothed your soul as she whispered, "I was so worried, baby. I'm here now, ‘m here." You cried harder, but this time, it was tears of gratitude and love. Her presence made you feel like nothing could hurt you anymore because she was there. You felt safe in her embrace like everything was going to be okay.
"I was getting off my- and she… she... I tried, I really tried-" Your words were tangled and muttered, barely above a whisper. You shook profusely, completely consumed by the traumatic event that had just unfolded. Ellie could sense the terror and dread in your voice, and she swiftly drew you closer, encircling you in a comforting embrace. She held you tight, her palm soothingly stroking your head, creating a soothing effect that gradually calmed your trembling. She whispered gentle words of reassurance in your ear, imploring you to calm down and promising safety. Her voice was a soothing balm, its effect helping to assuage your rattled nerves. It was all you needed, she was all you needed.
It was as if she had an uncanny knack for dispelling your fears and nerves "Shhhshh" She quieted you gently, her words evoking a profound sense of gratitude within you for having someone so attuned to your emotions in your life. "You're safe, you're safe." As she drew back, she slipped off her jacket and gently draped it over your shoulders, ensuring you were warm and at ease, hoping to stop your turmoil. "S'okay…I gotchu." She continued to softly whisper reassurances in your ear, soothing your worries away with the knowledge that everything would turn out alright. In that instant, the entire world seemed to dissolve, leaving only the two of you in the present moment.
After a few moments had passed, you had noticeably calmed down, prompting Ellie to allow the officer who had been interrogating you earlier to resume his task. She stood closely beside him as he launched into a string of questions, his pen scrawling diligently on his notebook.
"So you got off your shift, you returned to retrieve your keys, and found her dead, is that correct?" The old man recapitulated your statement, his gaze shifting between your barely exposed uniform beneath your wife's jacket and the bloodstains marking your clothing. He further inquired, "And you slipped on the blood?" His eyes remained fixated on the bloodstains that adorned your uniform, while your gaze remained locked on the bloodied footprints on the floor, you responded with a small shake of your head.
"I was kneeling in the blood, trying to bring her back, but there was no heartbeat. I freaked out. I wanted to do something, anything, but she was already gone"
"Any additional details that you recall?" he questioned, his eyebrows arching inquisitively in your direction.
"There was a..." In a feeble voice, you began to reply, only for it to falter and crack. You cleared your throat, attempting to regain your composure before speaking in a firmer tone, "There was a man." You sniffed, looking up at him with a frown tugging at the corners of your lips "He had his hood up, so I couldn't see his face. He was wearing gray sweatpants and a black hoodie, and he looked to be about 5'7," You strained to extract every possible detail, and he diligently recorded them in quick succession. 
The only sound filling the crowded diner was the scratching of his pen against the paper, while the ambient chatter of the other patrons added a surreal yet comforting hum in the background. The scene felt utterly unreal, like some messed up vivid dream.
"Sir, there are no files from the security cameras' system. Whoever it was made sure to leave no traces," another officer interjected, halting the ongoing interrogation.
"Was anyone else there? besides you and well… Vanessa." He gazed at you with a furrowed brow, and you responded with a subtle shake of your head. Your lips formed a taut line as you revisited every fleeting moment preceding the end of your shift.
"I was about to finish my shift, and usually, no one shows up around that time. Before he arrived, there was a lady with a kid, but I don't think they saw each other." You explained, taking a moment to glance at your wife, hoping to find comfort in her eyes. A faint smile appeared on her face, accompanied by a small, supportive nod. She was there for you.
The officer hastily transcribed all the details, his pen scratching against the paper. "I'll give you a moment," he said, casting a furtive glance at Ellie before quietly exiting the room, making his departure alongside his steadfast colleague.
She stepped closer to you with a gentle grace, reaching out to lift your chin with the utmost care. Her touch was as light as a feather, almost as if she feared causing you any harm. "You're doing great, pretty. We're almost done, okay? Just hang on," She gazed down at you with a smile that could light up the darkest sky, her eyes filled with tenderness and warmth. Your gaze met hers, and in that moment, it felt like time stood still. Her delicate touch traced the contours of your face, evoking a sense of serenity that enveloped you. As you closed your eyes, a gentle sigh escaped your lips, and you leaned into her caress, feeling the weight of the world lift from your shoulders.
After a few moments, Jesse entered the crowded diner, his footsteps echoing softly on the floor. He exchanged a few words with the man who had been interrogating you the entire time. Ellie briefly glanced at him, and a faint smile graced her lips as they locked eyes, holding each other's gaze in that fleeting moment.
"So whatcha wanna do when we get back home?" she asked in an attempt to steer your thoughts away from the stress and chaos.
"I don't know... I wanna sleep," you pouted, your words soft and heavy with weariness. She looked down at you with tenderness, gently brushing a stray piece of hair out of the way and tucking it behind your ear. 
"Tempting. But I was thinking of your favorite movie and pizza?" she suggested, her hopeful gaze meeting yours, her voice carrying a whisper of warmth.
You forced a half smile at her suggestion, your eyes still looking more tired than ever. "What about tacos? You know that Mexican place down the street?" You recalled the Mexican restaurant that recently opened down the street. For about two weeks, you had been telling her you wanted to try it, yet you still hadn't gotten the chance to.
She brushed your hair with her fingers, each gentle stroke feeling like a soft caress. A gentle smile formed on her lips, making the apples of her cheeks more pronounced. "Good idea, babe," she praised, her voice as soothing as a summer breeze, as tender as her touch, and you couldn't help but smile back at her, feeling the warmth of her affection enveloping you like a soft blanket.
After what seemed like an eternity, they finally let you go, and Ellie refused to leave your side for even a moment. Jesse drove you both home in solemn silence, punctuated only by the occasional light banter between him and Ellie. The weight of the impending visit to the police station loomed over you, and you couldn't fathom the reason behind the barrage of questions that awaited you. Perhaps it was due to the absence of eyewitnesses, but you were ready to cooperate nonetheless. That night, she held you gently, wrapping you in a comforting hug until you fell asleep.
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The Police Station – September 12th, 2018.
The very next day, your wife stood by your side as you both headed to the police station. Her hand gently rested on your thigh throughout the entire ride, silently expressing her unwavering love and support. The warm sunbeams that usually provided comfort through the car windows didn't have the same effect on your nerves. Your stomach felt heavy, as if a knot had formed within you. Anxiety and restlessness consumed you. Her green emerald eyes frequently flickered towards you as she attempted to soothe your nerves with soft whispers, promising to stay by your side the entire time. 
"It's going to be okay, honey." Her lips, delicate as rose petals, gently pressed against your forehead. She reluctantly let you go, watching you disappear into the interrogation room. Her colleagues' words echoed in the air, emphasizing the need for her to stay out so she would not interfere in any way.
"How did you sleep y/n?" the detective in front of you asked, turning on the recorder player before reaching for a pencil and starting scribbling on her papers.
"Awful," you exhaled, the weight of the word hanging heavy in the air. Your index finger delicately traced the arch of your brow as you gazed downwards, lost in a moment of profound contemplation.
"It must've been a traumatizing experience for you." 
You nodded barely, your tired eyes meeting hers, "It was." Your face was less radiant than usual. The detective had seen you countless times before in this exact station, searching for your wife to deliver her something. Sometimes, it was a carefully prepared meal, other times, it was a bouquet of her favorite flowers or simply a thoughtful gift. And then there were the times you were there just to check up on her, your unexpected visits filled with love and concern.
"Let's attempt to retrace your steps together. Shall we?"
"Okay"
"Let's start from the beginning," she said, giving you the chance to speak at your own pace, without any pressure, so that you could fully elaborate on your memories and feelings.
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The Diner – Early Night  – September 11th, 2018.
You let out a heavy sigh, feeling utterly exhausted from the long hours of the shift. You had barely slept the day before, managing a measly 3 hours of restless sleep that did little to ease the heavy weariness on your tired shoulders. Every inch of you ached for the comforting embrace of your bed, and your eyes longed to shut for just a moment. 
As you wiped the counter clean, you glanced towards the door that seemed to swing open all too rarely during this late hour. The clock ticked closer to 4:04 am, and you knew it was unusual for people to come around this time of night. Just a few customers here and there was all you could expect, and you preferred it that way. 
The background noise of chatter in the late-night diner was enough to lull you to sleep, but you kept going on autopilot, moving to the sink to wash the few dishes that awaited you. Another heavy sigh escaped your lips as you thought about the hours that separated you from your pillow's comfort—the night seemed to stretch on infinitely.
"Ready to run back home to get laid?" the shorter girl teased you playfully, nudging you with her elbow as a small smile played on her red lips. She noticed the exhaustion written on your face, the fatigue in your heavy eyelids, and the dark circles under your eyes. You let out a dry chuckle, trying to hide the exhaustion that had settled deep within you. 
"Just wanna go to bed," you responded with a weak but playful smile
"Right. go to bed with your hot wife—wonder what y'all freaks will do." Vanessa continued to playfully tease you, her liking for your wife a little too evident in her words. Ever since Ellie stepped into this diner for the first time, the brunette set her eyes on her. However, Ellie had always made the fact that she wasn't interested obvious. Your friend was pretty unlucky in this sort of thing; the best she would get was a phone number scribbled on a piece of paper by a middle-aged, beer-bellied man, who was likely just looking for a quick hook-up. And despite her initial attempts to draw Ellie's attention, Vanessa could sense that her interest was unreciprocated, leaving her feelings unreturned for the time being.
You couldn't help but let out a small giggle at Vanessa's words, and you nudged her lightly with your hip as a playful gesture. She moved closer, taking over the task of drying the dishes you had just washed, her hands methodically working alongside yours to complete the chore "Oh, handcuff me, Ellie, I've been such a bad, bad girl." She imitated you in a high-pitched voice that was nothing like yours, and you responded with a dramatic gasp, feigning shock and surprise at her teasing. The exaggerated reaction only seemed to amuse her more, and she broke into a wide grin, her laughter echoing through the diner. 
"Oh my god, shut up!" 
She burst into a fit of laughter, her amusement so intense that it drew the attention of the few remaining customers in the retro-looking diner. Some of them shot her strange looks, narrowing their eyes disapprovingly at the disturbance, while others simply ignored her and continued with their conversations.
"I swear, you shouldn't even be allowed here. You're embarrassing.” You couldn't help but roll your eyes at her, secretly appreciating her exuberant spirit. Her laughter died down; her blue eyes shifted toward the table where an older woman and her child had just finished their meal. The brunette approached the table, wiping it clean and pocketing the generous tip the woman had left her. She shot a wide smile her way, thanking her before returning to your side behind the counters.
"Hey, not fair," you complained, turning off the faucet with a huff and drying your hands on a cloth before facing her. "Let's split." 
She grinned at you unapologetically, "Sorry, finders keepers." You sighed, turning towards her with one hand on your hip, with a playful disappointment on your face.
"Whatever—my shift is almost over anyways. Guess who's gonna be stuck here for a while longer? Hah! Not me." The lighthearted taunts cut short as a man suddenly entered the diner, his dark clothes and raised hood casting an eerie shadow over his features. You exchanged a glance with your coworker, silently agreeing that the stranger's appearance was suspicious, but decided to brush it off.
"Liz is gonna be here in a bit. Want me to wait here with you until she arrives?" you offered thoughtfully, your fingers skillfully untying the frilly white fabric that had been wrapped around your waist throughout the entire shift. Your eyes darted discreetly towards the man sitting at one of the tables, completely engrossed by his phone as he typed feverishly, his fingers dancing across the screen. The dim lighting of the diner cast shadows on his face, making it difficult to discern his expressions or intent.
“Naaah, I'll be fine.” she gave you a reassuring smile, and you nodded in acknowledgment, murmuring a quick "alright" before disappearing into the back room. The sound of the door creaking echoed softly in your ears as you entered the staff area, immediately shedding your frilly apron and gathering your personal belongings.
When you exited the small room, you saw Vanessa pouring steaming coffee into the mysterious man's cup. Navigating your way towards the exit, your shoulder bumped against hers, and she whispered playfully, “Eminem wannabe,” and you couldn't help but chuckle.
You had barely made it halfway down the road when the sickening realization hit you like a brick—you had left your keys at the diner. Ellie wouldn't be home anytime soon, so there was no way you could get in. You cursed under your breath before reluctantly turning your car around, determined to retrieve your keys. But when you returned to the diner, the scene that greeted you was surreal and terrifying. Vanessa's lifeless body lay on the floor, a gruesome tableau of violence that seemed to defy imagination, and there was no trace of the Eminem look-alike she had jested about only moments ago. 
With a sense of dread and disbelief, you cautiously approached her body, the pool of blood surrounding her seeming to glow a disturbingly bright shade of red in the low light of the back room. You succumbed to the weight of the situation, the strength leaving your body as you sank to your knees. After calling out her name and shaking her in vain, the cold reality of the situation hit you like a ton of bricks. No pulse, no breathing, no nothing. The sticky, warm liquid of her blood staining your bare knees was a chilling reminder of the horror that had played out in the dark corners of the diner. The room was filled with an eerie silence, broken only by the sound of your labored breathing as you sat there in shock and the broken sobs that escaped your wobbly lips, echoing in the now-empty diner. It was a moment that you would never forget, a nightmare that would haunt you for the rest of the days.
“911, what's your emergency?”
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The Police Station – September 12th, 2018.
Your face is stained with grief and regret. “I wish I waited with her, I had a gut feeling and-” You hiccupped, your voice choked with emotion, “I regret not listening to it.” The blonde woman before you nodded in understanding, her gaze filled with a mixture of empathy and professional detachment. After a moment, she reached out to turn off the recorder, the soft click cutting off the audio of your emotional confession.
The detective stood up, her words a mere formality in the face of your emotional turmoil. "That is it, y/n. Thank you for your cooperation." With a final nod, she turned and left the room, leaving you with your emotions and thoughts. 
In a flash of movement, Ellie entered the room, her steps quick and purposeful as she slid in just as the detective stepped out. Her eyes softened as she took in your tear-stained face. 
"Hey," she whispered softly, her words reaching your ears and bringing a brief moment of comfort. You mustered a weak "Hey" in response. The weight of the situation was heavy on your shoulders, and you felt a deep sense of vulnerability in her presence, the trauma of the past few hours still lingering in your mind.
“You did pretty good, ma.” She stood right behind you, her touch gentle and reassuring as she rubbed your shoulders. Her presence was strong and supportive, even though you couldn't bring yourself to meet her gaze. But she was there by your side as always, and it was the only guarantee you needed in that moment.
"Just wanna go home." You murmured, your voice barely audible, earning a nod from her; her silent response conveying her understanding of your unspoken need for comfort.
"I'll take you," she offered softly, her voice a gentle reassurance. You tried to protest, not wanting to add to her burden. She was working, after all, and the last thing you wanted was to keep your hot wife from fulfilling her responsibilities. 
"No, it's fine," you said hurriedly. "You're working anyways." But Ellie's insistence was unwavering, her tone firm yet compassionate.
"It's fine, I promise," she assured you, her words leaving no room for argument. All she wanted to do was linger by your side and stay home with you, but duty called, and right after dropping you home, she returned to her workplace.
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Police Station – September 15th, 2018.
The raven-haired man approached Ellie, his voice serious as he announced, "Things don't look too good, El." He quickly locked the door behind him before continuing to spill some private matters everyone had kept from her.
The atmosphere in the room turned tense as Jesse placed his hands on the edge of Ellie's desk and leaned closer to her. His serious expression left no doubt that he wasn't joking around. "Are you on ‘shrooms again?" she asked sarcastically, but when he didn't break into a smile, she set down her pen and looked up at him, her expression turning serious. "I'm gonna take that as a no," she said cautiously, her voice still laced with a hint of sarcasm.
Ellie's tentative words broke the silence again, "So? You gonna tell me what's up, or you just gonna stand there and look stupid?" But her playful remark was again met with the man's serious and troubled expression. He shook his head slowly, sighing as if he was carefully considering the right words to use. He leaned closer to her, his voice now a low, hushed tone.
"They think your girl has something to do with it." The seriousness in his voice left no doubt that it was a situation that could not be taken lightly.
Ellie's defensive and aggravated tone filled the room as she stood up from her worn-out office chair, abruptly raising her voice. "What?! That's fuckin’ absurd!" she snapped, "They can't accuse her of that—she didn't do it!" Jesse raised his hand to beckon her to keep it quiet, his expression serious as he tried to keep the conversation from escalating. 
"Listen, don't let them know that you know,” he explained, his voice hushed. "They weren't going to tell you because they think you'll get involved and mess up the investigation,” he explained. The freckled girl's face contorted with a mix of disbelief, anger, and fear as her friend described the situation to her. Her fists clenched as she took in the news, her mind racing with a hundred thoughts at once. 
"What do the police think they have on her?" she interrogated, her voice barely above a whisper. 
Jesse sighed, running a hand through his hair as he tried to figure out how to answer her question. "Nothing. They said they won't say anything until they find evidence.” The more she pondered the situation, the faster her heart raced, and her palms grew damp with perspiration. It almost felt like a betrayal of trust. These were people who had known you for years, yet they didn't hesitate to place you at the top of their list of suspects despite lacking any evidence.
Ellie's agitation was palpable as she paced back and forth, "So what if they don't find anything, hm?" she demanded, her frustration clear in her voice. "That's complete bullshit, Jesse—My wife… Why would they even think that?" Her voice was low and harsh, filled with a mix of outrage and defensiveness, Jesse visibly tensed at the harshness of her tone. “Just because she was in the wrong place at the wrong time? Well, guess what! It's nothing she can control. She simply happens to work at the diner, for fuck’s sake!" Her outburst reverberated off the walls of the small office, the frustration and anger practically tangible in the air as she forcefully slammed her hand down on the polished wooden desk.
Jesse gently but firmly placed his hands on Ellie's shoulders, his gaze locking with hers "Keep it quiet, dude. You tryna get both of us in trouble? I wasn't even supposed to tell you, but I thought you deserved to know," He hushed her, slightly shaking her to emphasize his point. He understood the sensitive nature of the situation, after all, they were not talking about any other girl. They were talking about Ellie's wife. Jesse's years as a police officer had taught him that stress management was key to handling these situations effectively, something Ellie seemed to lack sometimes. 
Her green emeralds bored into his as she shook her head slowly, attempting to regain her composure. "Sorry," she sighed.
"Listen, there's nothing to worry about unless they find evidence." He reassured her in a soothing tone, releasing her shoulders.
"Well, I can assure you they won't find anything." She stated confidently, her tone still stern as her brows furrowed, and he nodded. 
"I know. I know she has nothing to do with it." He truly couldn't wrap his head around it. How could they ever think someone like you had something to do with it? You were probably one of the kindest people he knew.
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St. John's Health | Hospital – September 27th, 2018.
Eventually, the investigators turned their attention away from you, their focus shifting to the mysterious man you had described as the killer. There was no evidence whatsoever linking you to the brutal murder of Vanessa; why would you even harm someone you considered a friend? The text messages between you and your coworker revealed a purely friendly relationship, and there was no apparent motive for the crime. With no evidence to incriminate you, they dropped all suspects within three days. They all witnessed your evident grief when you discovered your friend’s lifeless body, shock and devastation overwhelming you, making them feel… off-track.
You stopped going to work, and even if you had the choice, there was no use; the diner remained shut, never to be reopened after the tragic accident, and the entire town of once quiet and peaceful community seemed unsettled and frightened by the series of murders that followed the diner accident. The once lively eatery now lay abandoned, a somber reminder of the tragedy that had befallen the town. 
They had been trying everything, but the police found themselves chasing shadows. The one consistent detail from witnesses was the description of a man wearing a hood that covered his face, yet no one managed to catch a glimpse of his identity. So the authorities tried diligently interrogating individuals with a history of violence or abusive behavior, but each suspect appeared innocent, their alibis providing a strong defense, and none of them really fit the description. 
Residents began locking themselves in at night, their evenings filled with unease and terror. Pretty soon, the killer and his murders became the main topic of conversation everywhere. It seemed like everyone was completely shaken up and fixated on the news surrounding the mysterious figure. Even the media jumped on the bandwagon, naming him the 'Shadow Killer,' a name that perfectly captured the eerie and unsettling nature of his attacks.
The baby's shrill cries and soft coos filled the hospital room as Jesse turned off the TV, muttering, "This shit’s crazy" under his breath. Ellie nodded in agreement, her gaze momentarily lingering on the news report before returning her focus to you, holding Dina's bundle of joy with love and care. The thought of having kids had never really crossed her mind, but something about seeing you with the baby, making silly faces to coax laughter out of him while rocking him gently, filled her with a desire to try and another type of desire. 
She felt like building a family with you would complete her, despite having said that she considered you her everything and that she needed nothing else. While it was partially true, seeing your maternal instincts kicking in made her feel like everything clicked, like that was the final piece to your marriage and relationship—one she didn’t even know was missing.
A warm smile graced Ellie's face as she observed you interacting with JJ, gushing over the baby boy with a soft voice, claiming he was the most adorable thing you've ever set your eyes on.
“He's perfect, Dee,” you stated for the millionth time. 
The brunette chuckled in response, jokingly telling you, “He's all yours.”
Jesse chimed in with a jest, bumping the shorter girl's shoulder “You're next,” earning a puzzled look from her. He cleared his throat and clarified, “First–they’re holding someone’s kid and next thing you know, they're asking for one.” Raising her scarred brows, Ellie scoffed at the teasing comment, but when her crystalline emeralds returned to you, she realized he wasn’t wrong. The sparkle in your eyes as you held the baby, a look that spoke volumes to your wife, who had known you for years. She could see the unmistakable signs of love and adoration on your face and she knew that sooner or later, you were going to bring it up.
She approached you, her heart melting under the warmth of your soft smile, peering over your shoulder to look at the pretty boy in your arms, “El, look at him,” you whispered, gently cradling JJ in your arms.
“He's got Jesse's eyes,” she remarked, studying the little one's features. 
Jesse couldn't help but burst into laughter, correcting her playfully, “He looks Asian, you mean.” eliciting a burst of laughter from Ellie. 
“Totally what I meant.” she retorted sarcastically. 
"Dunno, looks like the baby from the Ice Age movie t'me"
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Your Apartment – October 2nd, 2018.
Ever since that “fateful” night at the hospital, you became the only thought that occupied her mind. Sure, she was your wife, and it was supposed to be that way, but there was one specific thought that consumed every cell of her brain. You, pregnant. Pregnant with her baby, your tummy swelling with the precious life growing inside you and your skin radiating a warm, ethereal glow. It was something that played in her mind nonstop, especially during sex. Especially when she was rutting against your pussy. 
The thought of your juices mingling together, the thought of filling you up with her essence, was something that didn't seem to want to leave her mind anytime soon. And she couldn't seem to keep her hands off of you, always finding excuses to touch you, caress you, grope you, or even grind against the push of your butt when you were most distracted with chores. 
You noticed something inside her had shifted, and on the other hand, she felt like a middle schooler all over again, sex occupying her mind all night, all day like a horny teenager in their puberty. Almost as if she felt the need to claim you and make you entirely hers in every possible way. But you didn't mind. No, of course, you didn't. How could you when she was fucking you so good and hard? How could you mind it when she pounded into you until the early hours of the morning? 
"So good with kids...so, so good," velvety murmurs caressed your sensitive skin, leaving a trail of intimate kisses along the length of your neck. You tilted your head, granting her even greater access to explore you. Her fiery, vibrant locks, reminiscent of autumn leaves, intertwined effortlessly with your fingers as you gently pulled her closer.
"Hmmm." A soft, muffled sound escaped your lips in response "Does that turn you on?" Your voice dropped to a hushed whisper, accompanied by a dreamy giggle that found its way to her ears, prompting a smile to grace her lips against your skin. 
"Does that turn me on?" She echoed your words with a sultry tone; her voice saturated with desire as she intentionally ground against your thigh. Your hands swiftly drew her nearer, firmly grasping her by the waist, the tips of your fingers danced suggestively along the hem of her Calvin Klein boxers. 
"I'll take that as a yes." A soft chuckle escaped your lips as you gently led her to grind against you once more, eliciting a gasp from her as your fingertips tightened on her buttocks. A delicate sigh fell from her lips, caressing you like a gentle breeze, her parched lips ghosting over the sensitive skin of your neck, sending a tantalizing shiver down your spine. 
"You'd be such a good mama" the words seemed to slip out of her mouth without conscious thought, tangled up in the web of her own fantasies that had been tormenting her for quite some time. 
"You really think so?" Your voice was as silky as cotton, a stark contrast to the firm yet gentle grip of your hands on her hips as you guided her increasingly urgent motions against your thighs. Soft, languid moans poured against your neck, planting a trail of heated kisses along the length of your neck, her mouth working with a voracious appetite as she suckled on your sensitive skin like a starving bloodsucker, marking you. A low, sultry hum was all you received from her in response. Your nude skin pressed against her, her clad breasts grazing yours, her hardened nipples stimulating yours through the thin fabric of her black bralette.
"You should put a baby in me." 
The words seemed to halt her in her tracks. She leaned back slightly, studying your expression intently, her gaze locking with yours. A playful twinkle danced in her eyes, and a mischievous smile tugged at the corners of her lips. Amusement and surprise mixed in her freckled-dusted features. "Strip." with a soft but unyieldingly firm tone, her features utterly devoid of emotion except for the subtle arch of her brows, making you break into a fit of giggles.
"Oh? just like that?" 
With fervent anticipation, you stripped off the remaining garments still clinging to your body, your eyes intensely fixated on the sight before you. The vision of her adorned in the black strap, one of the numerous items you and your wife possessed, never failed to make your pussy clench, leaving your stomach in knots. Such a luscious spectacle. And you were the lucky girl who got to witness all this. Your body sank into the plush embrace of the mattress as you watched her gracefully position herself between your legs, straddling them. With a tender squeeze of your knee, her other hand gently pressed the tip of the silicone toy against your sensitive nub, sending an electric jolt of pressure through you. The unexpected sensation, even in its softness, coaxed a squirming response from you, your hips instinctively trying to pull away.
“You’re so beautiful like this,” she murmured, the tip of her cock rubbing through your folds, her slender fingers coating and preparing her silicone dick with your slickness. She groaned softly, lost in the alluring haze of her own touch, almost as if the toy were an extension of herself  “It’s so pathetic how much of a slut you are for me.” Her actions prompted a whimper to escape your lips. 
“Fuck you, stop teasing,” you retorted, tinged with a mix of annoyance and desperation, betraying the aching desire that consumed you. The sight of your drenched and soaked pussy made Ellie almost salivate, feeling eager to destroy it and make a mess of you. She loved knowing that even after years of being together your desire for her was burning as fierce as ever. You had never once failed to make her feel wanted, and how could you when she was simply this fine?
A dry, mirthless chuckle slipped out from between her lips as a self-satisfied smirk adorned her features. The soft moonlight delicately highlighted her cheekbones, enhancing her already stunning appearance and making her seem as if she were personally blessed by the moon herself “What, can’t handle a little teasing?” she responded with a playful taunt, she felt her own arousal growing, the back of her strap dampened with her own slickness, feeling a desperate need of friction. 
“This is not teasing, you’re just being a little bitch” you pouted, your body arching eagerly as your pussy sought the sensation of her cock stretching you so amazingly. As she abruptly thrust forward, a high-pitched squeal was wrenched from your lips, and your breath caught in your throat. Her expression was a mask of amusement, witnessing your visceral reaction to her every touch, a reminder of the power she held over you.
“What were you saying? Didn't quite catch the last part,” With a mischievous twinkle in her eyes, she taunted you, her hands gently claiming your hips as she leaned down, her gaze taking in every angle of your contorted face.
“I said-” You attempted to speak once more, but another plunging thrust stole the breath from your lungs, leaving you speechless.
“Yeah, said what?”
“Hmmpphh.” You could feel her going deeper into you, your eyes shut close and your bottom lip tucked between your teeth, arching into her, she looked down at you with half-lidded eyes, licking her lips before pressing damp kisses on your jawline and your throat, savoring all the pretty moans and whimpers you gave her. 
"So pretty," she murmured, a note of possessiveness lacing her words, "And mine. All mine." She captured your lips in a passionate and messy kiss, her tongue tangling with yours as she continued to slide in and out of you, each movement causing you to moan into the kiss, and she gladly swallowed each one of them. You had taken such meticulous care of her, preparing her meals, doing the laundry, and handling the household chores with diligence that she just felt the need to reciprocate and fuck you as you deserved. 
Such a good fucking housewife, she couldn't ask for better.
“Babe, fuuuck,” You cried out, your brows drawing together as her pace intensified. Your breath caught in your throat, and your body writhed in response. 
“Want me to get you pregnant you said, yeah?” With a strained, breathy voice, she whispered, each movement meticulously targeted to hit the exact spot inside you that made sparks fly behind your eyelids and your toes curl. You nodded eagerly, a chorus of whimpers and whines escaping your lips “Then you’ll have to take my cock as deep as you can–want you to feel it all the way up in your womb.” she grunted, pushing the strap in as deep as it could go, feeling your walls clench around it. “But you’ll be a good girl and take it, won’t you?” she purred, her lips leaving a trail of gentle kisses along your collarbone and down the valley between your breasts. Unable to form a coherent sentence, all you could manage was an enthusiastic nod in response, which was clearly not enough for her. A slap was delivered to the sensitive flesh of your thigh, causing you to squeak in surprise “Words, mama.” She demanded, completely captivated by your heavenly expressions and the bouncing of your tits. 
“Y-yes… ’ll be good,” you babbled out incoherently; the sinful sound of skin slapping against skin echoed through the room. Each movement, each touch perfectly calculated, your body writhing with each thrust. 
“Mmm, fucking love how you take it.” She whispered, her breath coming in shallow huffs as her tongue and teeth worked their magic on one of your sensitive nubs, drawing out strained whimpers from you. Your fingers coiled in her hair, craving the closeness and seeking an anchor in the sea of pleasure that swelled between your legs. Your cunt wrapped around her so perfectly, and she had your legs shaking like crazy—that’s how she knew you were close. 
“Gonna fill you up so good, baby.” whispering filthy promises into your ear, leaning back and burying all her length inside your womb, the tip of her fake cock rubbing your g-spot deliciously, making your eyes roll in the back of your head as she ground against the base of the strap, desperately chasing her own pleasure. 
“Need your babies, pleaseplease…cum inside me,” you whined, the words catching in your throat as you gasped for breath, wrapping your legs around her waist with an urgent need to keep her close, both of your throbbing clits grinding against the base of her strap. 
“Fuckfuck..’m coming.” Ellie’s grunts grew louder, a guttural melody that echoed in your ears. Her head arched back, the muscles in her body trembling and tensing as she slammed her dick inside you, urging you to cum with her 
“Ellie, fuuuck.” Your body rocked wildly against hers, the movement becoming erratic as the heel of your foot pressed firmly into her glutes, trapping her between your soft thighs as waves of pleasure coursed through you. Sweet and breathy mewls escaped your swollen lips, your back arching into her almost painfully.
Dr. Diaz was right after all, you just needed to try new things with your wife, explore your fantasies with her. 
Typically, she made you feel so good, and you gladly reciprocated the pleasure she gave you, but tonight, the tables had turned. She was solely fixated on making you feel loved and worshiped, determined to pull a fifth orgasm from your worn-out body. Your legs shook uncontrollably, and your core ached from the relentless onslaught of overstimulation, and she showed no signs of slowing down or stopping anytime soon. Your arms were pinned firmly behind your back, the cold, hard steel of the handcuffs digging into the delicate skin of your wrists with a biting force. You twitched and writhed involuntarily, the restrictive hold making you feel helpless and vulnerable; it was driving you insane. It was Ellie's idea, and you cursed yourself for agreeing to try something new.
“Babe, please…let me touch you.” A pathetic whine escaped your lips, quickly followed by a guttural whimper as her calloused hands skillfully controlled your every move. You were growing more desperate each second, yearning to play with those perky tits just lying there, right beneath you. They looked so lonely and neglected, it was such a shame. Rough palms find purchase on the softness of your hips, adjusting and re-adjusting your position to her liking. You struggled vainly against the cuffs, trying to squirm free, but the tight binds held strong, leaving you utterly at her mercy. You couldn’t move, and if you could, you know she wouldn’t let you. You were hers, hers to fuck and destroy like a doll. 
A mischievous grin spread across her features, a mixture of pride and amusement, knowing she was the cause of your current state, leaving you deliciously wrecked, her darkened eyes fixed on the milky white ring encircling the base of the black strap, your wetness coating her.  “Thought you said you wanted me to fuck a baby into you?” Her voice was husky and strained, the words escaping her lips in a gravelly purr that seemed to vibrate through your very core, your walls squeezing her cock almost to trap her inside.
“I do,” you choked out. “Ellie, please,” you were so fucking desperate. Ridiculously desperate to play with her nipples, touch her, perhaps wrap your hand around her neck, something that she seemed to enjoy, but what she was enjoying the most was the helpless expressions on your face as you looked down at her, pouting. You were always needy and she could easily put you in your place, but this needy? She was sure she had never seen you this desperate. You couldn’t move, you couldn’t touch her, and she was forcing you to ride her because you needed to earn ‘it.’ You needed to earn her babies, needed to earn her cum inside you. In all honesty, it was just a fucking excuse, and who could blame her? the sight of you riding her strap like a fucking pornstar with your hands handcuffed behind your back was everything, it was all she needed.
“C’mon ma, ride me like you always do. Don’t you want me to fill that pretty pussy of yours, hm?” As your hips started to move, taking her in inch by inch, a dry chuckle escaped her throat, her gaze flicking up to meet your pretty tits as they bounced in her face “Just like that…good giiirl,” the praise dripping with saccharine sweetness mingling with the slick, wet sounds of your pussy, the echoes of your moans and breathless gasps filling the room like a lewd harmony. “Needa work for it, princess,” Ellie says, her hands leaving your hips and finding a new home on your boobs; her thumbs danced across your hardened nubs, teasing and flicking them with a ruthless skill that caused you to writhe and squirm in her hands.
“Please, p-please,” you managed to croak out, begging and pleading for her to fill you up with her babies as if she could. You gasped and whined when the black tip of her strap kissed your cervix, going deeper into your womb. 
“Take every inch of it, baby,” her words flowed like liquid heat against the delicate shell of your ear as you collapsed into her embrace, completely consumed by her slow yet harsh thrusts, your eyes fluttering shut in blissful surrender. 
“Ahhhh-” you gasped helplessly.
“Gonna be such a perfect mama,” She growled, her palms eagerly squeezing your ass before delivering a sharp smack that drew a startled yelp from you. 
“Cum inside me,” you quaked into the crook of her shoulder, warm puffs of your breath caressing her freckled skin. 
“You dirty little slut, you like that, don’t you?” She let out a husky chuckle, her hand delivering another sharp spank before her firm grip found purchase on your hips, running up and down your soft skin as she guided your movements. 
“Mmmhhmmm” you adjusted your position and began to slowly bounce on her cock, ensuring her clit rubbed against the base of the toy, your movements deliberately aimed at eliciting a response from her. Your gaze locked onto the contours of her stomach, entranced by the way each muscle contracted with each painful roll of your hips, causing her breath to hitch in her throat, her chest rising and falling in sharp pants. The soft freckles scattered across her cheeks standing out vividly against the rosy hue, sweat trickled down her scarred brow, mingling with strands of baby hair that clung to her damp skin. 
“Look at your fucking—god… your fucking cunt, taking every inch of…hmmm… me” And oh, how absolutely mesmerizing she was when she was right where you wanted her. The epitome of perfection, a fantasy that surely haunted the dreams of many.
“Please, El… wanna cum with you.” You couldn't help the plaintive and slutty whine that slipped past your lips, her breath stuttered and grew ragged, and her hands, firm and sure, set a rhythm on your hips, expertly guiding you with a purpose. Her own slickness soaked the pastel blue cotton sheets beneath her. Your hazy, half-lidded eyes met hers, “Close?” Your voice came out weak and breathless as you looked down at her, your pace quickening as you ground against her desperately. She nodded frenetically; you could feel your climax approaching like a crashing wave, and you desperately bit down on your bottom lip to muffle the whimpers that threatened to escape, knowing it wouldn't be much longer before you came again. 
She steadied you with each languid roll of your hips, selfishly using you to get off. Each motion a perfect counterpoint to her own, and you could feel sweat dripping down your bare back. 
"Hmmm...I love when you're inside me" 
That was all it took. In a single fluid motion, she pulled you closer, sealing her lips against yours in a kiss that was more desperate and unhinged than any before it, coming simultaneously and swallowing every sweet sound you gave her.
Finally, as you came back down to Earth, you collapsed onto her, your handcuffed hands still immobile behind your back.
"It’s okay, pretty, I gotchu," she says, her voice raw and raspy from the intensity of her orgasm. She reached for the keys to the cuffs on the bedside table. You slowly sat up, the toy still nestling comfortably inside you, and she released your wrists from their tight embrace, allowing you to massage the sensitive, bruised skin with a tender touch. With a weary but satisfied sigh, you slowly extricate yourself from her, leaving behind a trail of your essence covering her whole length. You collapsed onto the soft sheets beside her, and she swiftly discarded the strap somewhere on the floor. You snuggled closer to her, your body molding against hers as you kissed her cheek tenderly. Her lips curled upwards in a contented smile, and she gently pulled you on top of her, holding you close in her strong embrace. 
“Did so good, princess. I love you.” She placed a gentle kiss on the crown of your head, her heartbeat echoing loudly in your ears as you lay snuggled against her bare chest. 
“I love you more,” you echoed back softly. 
"Don't forget to leave a 5 star review on the app for the ride-" you couldn't help but erupt into a fit of laughter, your body shaking softly as you gazed up at her. 
"God, you're so embarrassing." You gave her arm a playful slap, a grin still spread across your face as you both laughed together. 
"Yet you're still riding my cock." Her eyebrows arched upwards, a cocky smirk tugging at the corners of her mouth. 
"Only because I have to." You rolled your eyes at her
"It’s not like you're being held at gunpoint—fuck me or I'll shoot you. Pew pew," she aimed and fired at imaginary enemies with her fingers. 
"I'm dating a fucking kid." You let out a dramatic sigh, feigning disappointment but unable to keep a smile from forming on your lips
“And that makes you a what?” She retorted sarcastically, arching a single brow at you with a smug expression on her face. 
“Okay” you replied with a deadpan, “I think it’s your bedtime,” you added in a fake serious tone, making her giggle. 
“Nooo, I wanna snuggle,” she groaned in mock protest, her lips pouting as she pulled you closer.
The two of you embraced each other, intertwining your limbs as you whispered sweet nothings to one another. The soft hum of the TV filled the air around you, and the cool night air from the open window sent chills down your spine. Both of you gently lulled into a peaceful slumber.
"This is a news flash update! We have received news of yet another fatal stabbing, this time in a local motel. A 25-year-old woman was found dead in her room, brutally stabbed to death. This is the third murder reported in the last month, causing a great deal of panic and concern amongst the town's inhabitants. Police investigations are currently underway, and residents are advised to take caution and keep their doors and windows locked at all times. Now over to our reporter on the scene for further details."
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Your Apartment – October 19th, 2018.
Holding Dina's baby for the first time in the hospital was an experience that felt more like signing a contract with an invisible ink pen. You hadn't realized it then, but the moment your arms cradled JJ's tiny, warm body, you became an integral part of his life and his babysitter whenever the couple was too busy or needed some peace. The trust Dina placed in you was immediate and profound, and you were the first person she called when she needed someone reliable to watch over her precious baby potato. 
And how could you ever say no? JJ was an angel wrapped in soft blankets, with eyes that sparkled with curiosity and a giggle that could melt even the hardest of hearts made of stone. Sure, he had his moments of frustration, his small fists clenching in tantrums every now and then, but those were fleeting storms in an otherwise sunny disposition. Most of the time, JJ was a remarkably well-behaved child, a rarity in the world of toddlers.
His tiny hands would reach out for you, his laughter echoing like a sweet melody in the air, filling your apartment. The way he looked at you with pure, unfiltered trust made every impromptu babysitting session feel less like an obligation and more like a cherished opportunity, something you truly enjoyed. And in all honesty, after the diner you worked at was shut, looking after JJ was something that kept you busy and distracted. And a distraction is always nice.
"I'll come pick him up at… is 11 too late?" Jesse asked tentatively, gently rocking his son in his arms. He looked down at JJ, shooting a few silly grins that made the baby gurgle with delight. 
You shook your head profusely, a soft chuckle escaping your lips. "Absolutely not. You know I'm a night owl," you reminded him with a gentle smile. Your eyes softened as you extended your arms, ready to cradle the potato-shaped boy.
Jesse handed JJ over, his small weight settling comfortably against you. You could feel the warmth of his tiny body through his onesie, the baby-soft skin of his tiny hand brushing against your cheek as you adjusted him in your arms. His dad's shoulders relaxed, knowing his son was in safe hands. "Thanks, you're a lifesaver," he said, his voice filled with gratitude. You simply smiled, looking down at JJ, who was now cooing contentedly, his little hand grasping your finger with surprising strength.
"Anytime," you replied softly, feeling a swell of affection for the tiny being in your arms. His chubby cheeks and his cute tiny hands were the most adorable things in the world. Who was gonna tell Ellie that you wanted a kid now? 
“Dina really needs to rest, and I can’t be there to help because of work.” You nodded, feeling bad for the brunette, knowing she was home alone with her son most of the time.
"Tell Dina I said hi," you added as Jesse adjusted his uniform jacket. 
"Will do—Ellie's gonna get off her shift at 3 AM," he informed you, his voice tinged with fatigue but still warm, the bags under his eyes said it all; becoming a parent surely wasn’t a walk in the park.
You nodded at his words, then suddenly remembered something. "Oh wait—I almost forgot!" Your eyes widened as you turned your back, hurrying to retrieve a small bag from the kitchen. You returned to the front door, holding the bag out to Jesse, who was now leaning casually against the door frame.
"Oh! What would she do without you?" he exclaimed in a teasing manner, deep down finding the gesture sweet and thoughtful. It was endearing how you always looked after your wife, preparing her meals while she worked tirelessly at the police station, ensuring she wouldn't skip the most important part of the day and that she was well-nourished.
You chuckled at his words. "What would you do without me, actually," you corrected him with a playful smile. "Two chicken sandwiches, one for you, one for her, no tomatoes for you. There's some apples and a few chocolate bars, too,"
Jesse swiftly grabbed the paper bag from your hand and peeked inside. "You're amazing," he said with a grin on his face. "Hope JJ won't be too much trouble," he added, his chocolate eyes shifting to his son in your arms.
"I'll be fine—be careful, alright?" you warned him, your tone turning slightly serious. 
He nodded, appreciating your concern. "Always am. See you at 11," he said, turning around to walk away from your doorstep, the bag of food swinging gently at his side.
You spent the whole evening with JJ, you dedicated your time to caring for the baby boy. You carefully prepared his meal and then proceeded to give him a relaxing bubble bath, hoping the latter would make him somewhat sleepy and ready to go to bed. Little plastic ducks floating on the surface add a whimsy touch to the whole scene. Suddenly, your phone rang, breaking the peaceful atmosphere. With JJ cradled in the bathtub, you quickly reached for your phone, ensuring your free hand was dry after patting it with the folded towel placed conveniently within your reach.
“El?” 
“Hi baby,” her warm and affectionate voice flowed through the speaker; you couldn't help but feel a sense of comfort and joy.
A soft smile graced your lips, “Hey gorgeous,” your voice was filled with a playful tone, and the sound of Mr. Potato giggling could be heard in the background.
Her voice was husky as she asked, “How’s it going?” 
“Oh, y’know, just giving stinky-boy a bath.” The endearing nickname that escaped your lips elicited an uncontrollable, joyous laughter from the pretty boy. Despite being just a baby, his insatiable curiosity and discerning intelligence were truly impressive, definitely something he hadn’t inherited from his dad. The infectious giggle emanating from the baby brought a warm chuckle from auburnette. “How’s it going for you?” you took the chance to ask back.
“Jus’ stuck with paperwork while Jesse gets all the fun tasks.” Her dry lips parted slightly, releasing a barely audible, airy exhale. “Sucks you’re not here with me,” she added
“Sounds pretty homophobic if you ask me,” You quipped with a charming grin, though she couldn't see it. “Should be sitting on your lap right now.” Ellie let out a low sigh, her breath hitching as your words sent a shiver of anticipation down her spine. You knew it didn't take much to get her worked up, and perhaps it was the memories from last night that made her even more susceptible to your tease
“Yeah. I’ll be home in four hours.” A soft huff escaped her lips, a subtle sign of her growing impatience and yearning for your touch
“I knowwww,” You drawled, switching your phone to speaker mode as you carefully lifted JJ out of the bath and wrapped him snugly in a warm, fluffy towel. Soft giggles and coos echoed through the room, “I’ll stay up for you,” you told her
“You must be tired, you should go to bed earl-” 
“No,” you adamantly insisted, your tone unyielding “I miss you”
“Miss you too,” she responded swiftly, her tone matching yours 
“See you soon?” 
“Alright, mama, I'll see you soon.” she exhaled. “The sandwich was delicious, by the way,” Ellie adds, gratitude resonating in her words
A proud grin spread across your face as you replied cockily, “You’re welcome,” savoring the compliment on your cooking skills. She had always appreciated it immensely when you cooked for her, and she never wasted a chance to lavish compliments on your culinary skills. God, if she loved you more than anything. 
“Love you.” 
“Love you.” And with that, you ended the call.
You couldn't help but gaze adoringly at the little burrito in your arms, wrapped up in a beautiful pastel blue towel. The tranquil, content expression on his face spoke volumes of his relaxed state, a peaceful lull radiating from his tiny form. “Daddy’s gonna pick you up soon, let’s get dressed, yeah?” you cooed affectionately, tracing the bridge of his little nose with your index finger, inciting a gummy grin from the cutie as he batted his long lashes at you. You retrieved the bag Jesse had left at your place a few days ago, it was crammed with everything a baby might require and a few extra outfits for JJ. You changed him into a charming giraffe-patterned pjs and wrapped him cozily in a small blanket. Just as you finished, the doorbell rang, signaling Jesse's arrival.
“Howdy!” Jesse stood at your door, visibly exhausted. Wordlessly, you gestured for him to enter the disorganized apartment. His weary eyes immediately settled on the baby in your arms, noting how JJ's eyelids appeared heavy and threatened to flutter shut at any moment. The newborn had been keeping him and Dina up for nights on end, and on top of that, his demanding job had further drained his energy. The stress was evident in his drawn features, making it clear that the past few days had taken a toll on him. 
“He was an angel,” you softly told him with a gentle smile. 
“Oh really?” his voice held a hint of amusement as he raised his brows in disbelief, marveling at how your description of JJ as a 'complete angel' contradicted his own experience. He couldn't tell if his little one was behaving so well out of genuine good nature or if you were exaggerating the truth a bit cause he could sure be a little troublemaker with him and Dina. “Glad he wasn’t much of a fuss,” he chuckled tiredly. 
“I already gave him a bath and all; he’s ready for bed,” you informed him, and he nodded in acknowledgment. 
“Thank you, y/n. I owe you one.” A weary sigh escaped his lips. “Mind if I go to the toilet real quick?” he asked. 
“No, sure. go ahead”
A subtle change in Jesse's demeanor was evident as he reappeared moments later. His eyes flickered away from yours, and a tense, forced smile adorned his face, giving the impression that something was troubling him. 
“You good?” You questioned him, carefully placing the sleeping bean in his arms to avoid waking the little one. A hint of concern tinged your voice as you attempted to discern the reason behind his anxious demeanor. He was fine just a minute ago. 
“Yeah, yeah. just tired, is all,” he responded evasively, leaving you to raise an eyebrow in skepticism, but you decided not to dwell on it.
He must be tired, you thought. 
Jesse tenderly held his son, cradling him in his strong, protective arms “Thank you again for watching over him” 
“I told you, it’s no bother, he’s such a cute kid,” You responded fondly, gently caressing the baby boy's soft, round cheek as he rested contentedly in his father's embrace. 
“Alright, have a good night,” he gave you a faint smile 
“You too, Jess.” You remained at the doorstep, leaning against it as you watched him leave, his silhouette gradually fading from sight. 
When Jesse returned home, he cautiously unlocked the front door, cradling a sleeping JJ in his arm. As he entered, his gaze fell upon Dina, softly snoring on the couch, her mouth slightly parted in peaceful slumber. He watched her for a moment, a tender smile on his lips as he appreciated the sight. Closing the door gently so as not to wake her, he approached her, his footsteps silent on the floor. Seeing her there, asleep as she had waited for him, filled him with warmth and love.
“Honey, I’m home”
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The Police station – October 27th, 2018.
Jesse rubbed his eyes with the rough palms of his hands, longing to be home with his family. He absorbed the animated discussions among his colleagues, who were fervently speculating about the identity of the elusive killer. With no substantial evidence to support their theories, their efforts felt akin to chasing a phantom. The killer had a remarkable ability to erase all traces, executing each action with meticulous precision.
“What if he's not left-handed and is good with both hands?” As one of the individuals engaged in the discussion took a contemplative sip of his steaming coffee, Jesse's gaze meandered over to the clock adorning the pristine white brick wall.
2:26 AM.
He should be home, in his bed.
He continued to endure the ceaseless barrage of hypothetical scenarios conjured up by his colleagues. Normally, they wouldn't have been included in such sensitive investigations, but they were frustrated and exhausted from pursuing an elusive individual who appeared to never make any mistakes. There had to be something, but no. No fucking slip-ups. 
“The slit starts from right to left, meaning he slayed the first victim—Vanessa—using his left hand,” The woman in her forties leaned back in her swivel office chair, gesturing towards the raw pictures they had taken of the first victim as she explained the details to her coworker. 
“Yeah, but it doesn’t add up—Giselle Caddel,” he countered by swiftly sifting through additional files and photographs to substantiate his theory. “See? Left to right.” he softly tapped his index finger on the images and the text printed on the pages that held every necessary information.
The woman let out a frustrated sigh and absentmindedly hummed to herself as she examined the pictures and the papers for the millionth time “Okay, maybe he is dominant with both hands,” she conceded, agreeing with his hypothesis. But again, it didn't make sense how the third victim had been brutalized, shot with an unknown weapon, leaving them with more questions than answers. The lack of registration for the gun only deepened the mystery, leaving them lost on how to proceed.
“Why do we assume we're going after a guy?” Jesse suddenly spoke up, drawing puzzled looks from all his colleagues, who had nearly forgotten he was even there. They gazed at him with a mixture of confusion and surprise, unsure if they had just heard something absurd or brilliant. He couldn't discern the thoughts racing through their minds. But he couldn't help but wonder… was it truly inconceivable for a woman to be capable of committing such a brutal act of violence?
“What are you implying?” dirty blonde brows arched inquisitively, crossing her arms over her chest. 
“What if it’s a woman we should be looking for?” he elaborated 
“A woman?” She responded with a mix of surprise and mock disbelief, her voice laced with a hint of humor. “Everyone claims they’ve seen a man at each crime scene before the murders occurred,” 
“But they’ve never seen ‘his’ face, have they?” He replied with heavy sarcasm, making air quotes while emphasizing the word 'his.'
“Ma’am, we don’t have proof that it is a man,” another coworker pondered the situation and concurred with Jesse's theory.
“He’s too brutal, too raw, too strong. A woman can’t be that strong,” she stated, still skeptical. The detective's thoughts raced through possible motives for the brutal murders. It was difficult to fathom how the female perpetrator could commit such heinous crimes without any apparent remorse. Could there be a common connection between the victims, such as… a shared romantic history with the same individual? The officer's mind was filled with questions, struggling to understand the motivations behind the cold-hearted acts. she pondered, the sinister theory making her stomach turn uncomfortably.
“Adrenaline has that effect on everyone,” he stood his ground, refusing to back down from his idea. The room went silent as the towering blonde woman abruptly stood, drawing a deep breath of air into her lungs. 
“You might be onto something,” she declared firmly, her voice carrying a hint of authority. Without further elaboration, she turned and strode out of the investigation room, leaving the officers to grapple with the weight of her words.
He leaned back, feeling the tension ease slightly as she disappeared from view. Perhaps, just perhaps, they were finally on the right track. But even then, uncertainty lingered in the air. They needed tangible evidence, something concrete to confirm their suspicions.
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Jesse’s House – November 6th, 2018.
The chill of the night still lingered in the air as Jesse's eyes snapped open, his breath quickening as remnants of a brutal nightmare clung to his consciousness. A sense of disorientation washed over him, but he quickly gathered his bearings, the familiar sights of his surroundings grounding him back to reality.
He was home, he was safe. He mentally reassured himself
Turning his head ever so slightly, he beheld the tranquil scene before him. Dina lay peacefully beside him, her chest rising and falling in a gentle rhythm, a serene expression adorning her sleeping face. JJ, nestled between them, let out a soft snore, blissfully unaware of the world around him, tiny hands curled into fists.
With utmost care, Jesse shifted, his movements slow and deliberate as he extracted himself from the warmth of the duvet. The soft material whispered against his skin, a comforting presence in the quiet of the night. As he sat up, a sense of protectiveness washed over him, a silent vow to safeguard the fragile tranquility of the moment. Every rustle of fabric, every creak of the bed frame was muffled by the hush of the night, a sacred stillness enveloping the room like a cocoon. Jesse's gaze lingered on the precious sight before him, the love he felt for his family swelling within his chest; he felt so grateful for them, he would've done anything for them.
He lovingly tucked his wife into bed, her arm instinctively reaching for him in her sleep, seeking the warmth of his presence as it slowly slipped away. Jesse quietly padded to the kitchen, the soft sound of his footsteps barely audible in the stillness of the night. Glancing at the clock, he noticed the time and let out an exhausted sigh, the back of his hand moving to wipe the beads of sweat from his forehead. Opening the cupboards, he reached for a glass, the cool touch of it bringing a sense of relief as he filled it with fresh water, his mouth feeling as dry as the Sahara desert.
It was only 4 AM.
He quickly downed the glass of water, the cool liquid quenching his thirst, before placing it on the granite countertop. This was his usual routine. He was fortunate if he managed to get four hours of sleep, but more often than not, it was only three before he would wake up, haunted by vivid nightmares of the killer, unable to fall back asleep. 
As he strolled his way to the living room, he couldn’t help but notice the pillows strewn across the floor and JJ’s countless plush toys scattered in every corner. Dina had a habit of showering JJ with toys, much to Jesse’s bemusement. He didn't need all those toys; a few were sufficient, and most of them were left unused. There was one particular elephant plush that caught the baby boy's attention. He seemed to be incredibly attached to it, never leaving it alone, carrying it around everywhere, and if he ever misplaced it, he would throw a tantrum until Dina found it.
The living room bore silent witness to their daily chaos. JJ’s little kingdom, with plush animals ranging from lions to bears, was a vibrant display of color against the muted tones of the furniture. Jesse picked up a few toys, absentmindedly placing them back in their basket. 
He sank into the worn, stained couch, feeling the dampness of the fabric from the water JJ had accidentally spilled earlier. The gentle, barely perceptible hum of the refrigerator filled the air, creating a soothing backdrop to the faint sounds of the city beginning to stir from its slumber. He leaned back, his thoughts drifting. Those were the moments when his mind just wouldn't stop buzzing with thoughts. The relentless pursuit of a cunning killer had started to weigh heavily on his mind, leaving him feeling utterly powerless. 
He felt like he was letting everyone down–his family, Dina. It absolutely infuriated him that he couldn't do more to protect them. Especially now that JJ had arrived, his paternal instincts seemed to kick in and his desire to protect his family had intensified, amplifying the weight of responsibility on his shoulders. He let his eyes drift aimlessly around the room until they settled on his laptop resting on the scarred coffee table. It was at that moment that a sudden realization popped into his mind.
The missing hard disk.
Jesse’s mind raced as he remembered that day, the rush of events blending together in a haze. He had been at your place and gone to the toilet when he spotted the hard disk tucked away on a shelf. Something about it had struck him as odd. It wasn’t just any brand; it was the exact match to the equipment used at the crime scene. His heart skipped a beat when he realized the potential importance of what he had stumbled upon. He was sure it was just a coincidence 'cause why would you have it? Why would you be possibly hiding it? 
It didn't make sense.
He wasn’t proud of slipping it into his pocket, a pang of guilt gnawing at him for doubting you even for a second and for stealing from you. But his instincts told him it was something worth looking into. Now, as he sat there on the couch, the memory of that discovery resurfaced with a new urgency. Something seemed to scream at him to check it, go through all the files, if it had any. So, he got up to grab it from his desk drawers in the small room that Dina had turned into a cozy office just for her husband. It was his own little space, off-limits to everyone else.
His fingers hovered over the keyboard, the late-night quiet amplifying the soft clicks as he navigated through files. His hands slightly trembled as he connected the drive to the laptop. The screen flickered to life, and he began sifting through its contents. The hard disk had been gathering dust in his desk drawer for weeks, forgotten in the whirlwind of everyday life. But now, the potential it held was too significant to ignore. What secrets did it hold? What answers might it provide in the tangled web of this investigation?
With a deep breath, he clicked on the first file, hoping it would shine a light on the darkness they had been chasing for so long.
The last files were recorded the same day of the murder.
Jackpot.
He eagerly clicked on the very last file, skipping through a few hours, fast-forwarding past the mundane bustle of customers and staff. His eyes were glued to the timestamp, searching for the crucial moment. The diner’s atmosphere, usually so lively, felt eerie and heavy through the security camera's lens as if it held its breath for the impending doom.
Minutes ticked by in a blur of motion, the clock on the screen edging closer to the time he knew everything changed. Jesse’s fingers ghosted over the keys, ready to pause at any sign of something unusual. The familiar faces of regulars came and went, oblivious to the dark shadow about to come.
And then, there it was. The whole truth.
He watched the video, his eyes never leaving your grainy silhouette. The footage played out silently, no audio, no nothing. He saw the woman with the kid leave the diner, and Vanessa picking up the tip from the table as you stayed behind the counter. His heart pounded in his chest, the anticipation gnawing at him.
Moments later, the mysterious man walked in, his face obscured by a hood, just as you had described. Jesse's pulse quickened, a sense of foreboding creeping up his spine, "There he is..." he mumbled to himself. The man's movements were deliberate, his presence unsettling even through the grainy footage. 
When the man left, Jesse's focus shifted back to Vanessa as she walked into the back room. You swiftly made your way to the front door, turning the sign to ‘closed’ and locking the doors with a practiced motion. His eyes followed you intensely as you walked back behind the counter, your actions precise and unwavering.
There was something almost poetic in the way you moved, a quiet determination that made his breath hitch. He watched as you retrieved a knife, the gleaming blade catching the dim light of the diner. With a sense of purpose, you followed Vanessa into the back room.
"No, no, no, no," he kept whispering over and over again, like some sort of prayer.
Jesse's mind raced, the pieces of the puzzle slowly coming together—it all felt surreal, as if he were watching a scene from a movie rather than real life. 
The footage left him cold and shaking to the core. He felt a knot in his stomach. How could the woman he once knew as a kind-hearted soul be a serial killer? How could he have trusted a killer, a psychopath, all along? Fear rippled through his veins as he realized the danger he had exposed his son and wife to. He knew he had to act to bring this evidence to his team, but he needed to get Ellie first.
She needed to get out of that goddamn house immediately.
Without a moment to spare, he grabbed his jacket and his gun and swiftly left his home. He then drove hastily to Ellie's place, frantically calling her repeatedly, but she never picked up even though he was sure she was off her shift and definitely home.
“Ellie? Fuck, Ellie, answer your fucking phone! You home yet? You need to get out of there, man. Pleas-” His voice quivered, his clammy hands gripping the steering wheel tightly. His nerves were palpable as fear and anxiety coursed through his veins
“Please, if you’re listening to this, get out of that fucking house, don’t tell y/n anything. She’s not who you think she is. She is extremely dangerous. Call me ba-” Jesse's frustration heightened as the beep signified the end of the voicemail, “FUCK” he shouted, slamming his hand onto the steering wheel. 
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Your Apartment, 5:06 AM – November 6th, 2018.
When he finally arrived at the apartment building, he quickly bounded towards the door, rapping against it frantically. Ellie opened the door, a puzzled expression on her face. Jesse sighed, relief washing over him as he saw Ellie safe and sound.
“My fucking god, are you–are you alright?” his tone was agitated as he spoke, though Ellie appeared confused, chuckling softly in response. 
“Why wouldn’t I be?” She asked, scarred brows arched in confusion as she struggled to comprehend the reason behind her friend's agitated demeanor, making an unexpected appearance at her doorstep at such an ungodly hour 
“Look, we gotta go, you’re not safe” He urgently grabbed her arm, attempting to forcefully pull her out of her house but she was quick to snatch her arm away from his grasp, her annoyance evident.
Surprise, concern, and annoyance colored Ellie's face as she exclaimed,  “What’s gotten into you, dude?” 
Your wife is a serial killer, he wanted to shout at her, exposing you for the monster you were, but he knew better. He knew that Ellie would struggle to believe him if he presented it bluntly, attacking what she cared about the most, so he needed to tread carefully and it felt like walking on legos, not even eggshells. He couldn’t risk Ellie getting mad at him or, even worse–shutting the door in his face. If something happened to her, the guilt would haunt him forever. 
“You have an idea of what time it is?” Her emeralds darted towards the clock on the living room wall for a brief second—nearly 5 am.
“Look, we don’t have time for-” he began to speak, suddenly struck silent as his friend turned around for a fleeting moment “Is y/n home?” He inquired with a concerned expression, his complexion noticeably paler than usual. His hands trembled as he nervously peered over Ellie's shoulder, desperate to catch a glimpse of you, but the auburnette blocked his way, shaking her head. 
“No, why?” Her voice was calm and composed, a stark contrast to his agitated and tumultuous tone 
“I’ve been calling you, where the fuck is your phone?” 
“It died,” she responded curtly, running her fingers through her hair, a thoughtful expression crossing her face, lips pressing together. “Wanna explain to me what the fuck are you on?” her hands were firmly placed on her hips; her attentive eyes fixated on Jesse's agitated state—the furrowed brows, clenched fists, and the restlessness emanating from him. Pretty unusual.
“We need to go; I’ll explain everything on the way,” his voice tinged with a mix of desperation and urgency that Ellie had never heard from him. He tugged at her sweatshirt, but she didn't budge, retreating a step backward, distancing herself from him. She let out a deep sigh before reluctantly acquiescing to his request. 
“Let me get my stuff first,” she said, disappearing inside, leaving his restless figure waiting on the doorstep.
He waited and waited and waited, the minutes stretching into what felt like an eternity. With each passing second, a gnawing sense of unease began to take hold. "Ellie?" he called out impatiently, his voice slicing through the silence, but there was no response.
"Ellie?" he tried again, louder this time, the name echoing eerily through the empty apartment. Still nothing. He let out a shaky exhale, feeling the tension coil tighter in his chest. His hand hesitated for a moment before pushing the door open wider, revealing more of the still and silent space. "Fuck," he mumbled under his breath, his pulse quickening. Reaching for his gun, he stepped inside cautiously, every sense on high alert.
The living room was eerily quiet, devoid of any signs of life. He moved through it slowly, each step deliberate and measured. His eyes scanned the room, searching for any clue, any hint of where his friend might be. Nothing. His gaze flickering to the pictures hanging on the wall, captured moments of joy and celebration, memories of your wedding day, now seeming almost like relics from another lifetime. 
“...Ellie?” he called out again, his voice softer now, almost a plea. The word hung in the air, unanswered, as he continued his careful sweep of the apartment. He checked the kitchen and the bathroom—his mind raced with possibilities, each one more unsettling than the last. It was as if Ellie had simply vanished into thin air. His grip tightened on the gun, the cold metal reassuring in his hand, the silence almost oppressive, pressing in on him from all sides.
Just as he made his way back to the living room, standing in the center of the room, trying to think clearly, a loud thump reverberated through the hallway, and before he could react, his body crumpled to the floor. Lifeless. Blood began to pool beneath him, a dark and viscous river flowing from the neat, round hole between his eyes. 
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You were humming a soft tune as you turned off the water, stepping out of the box shower and reaching for the towel hung nearby. The bathroom air was cool, and the contrast with your damp skin made you shiver, goosebumps rising in a wave across your arms and legs. A sharp hiss escaped your lips as the chill settled in.
You froze momentarily, ears perking up when you heard the unmistakable sound of the door shutting loudly from the living room. It wasn’t a sound you were expecting, and a flicker of unease sparked in your chest. 
Did she leave the house without telling you? 
Quickly, you wrapped the towel around your body, the soft fabric absorbing the droplets that still clung to your skin. You could feel them running in rivulets, leaving trails down your back and legs.
Leaving the bathroom, your bare feet left wet footsteps on the floor, as you made your way towards the living room, you began to hear strange, muffled noises—something between a rustle and a low murmur. Your heartbeat quickened, thudding loudly in your ears. The apartment was usually a sanctuary, but now it felt different, charged with an unfamiliar tension.
“El?” you called out, your voice tentative as it broke the silence. You listened intently, but heavy silence was all you got in response.
It was only when you stood by the doorframe of the living room that you saw her knelt down on the floor. You found yourself unable to move, every muscle tensed as if you were being turned to stone by the piercing gaze of Medusa herself. Her eyes were ice cold, piercing right through you, as Jesse's body lay lifeless at her feet. The sight of his still form and the pool of blood around him made your stomach churn.
Ellie stood abruptly, her movement sudden and jarring. Your smooth forehead creased into a furrow, the lines forming a delicate map of concern, both of you staring at each other without daring to say a word. The silence stretched out, thick and suffocating, each heartbeat echoing loudly in your ears. Your grip tightened on the towel, knuckles white with tension, as you stepped forward 
“Right on the fucking rug?!” you burst out, your voice raising slightly. Ellie winced, the sharpness of your tone cutting through the tension. 
“Baby, I’m sor—” she began, but you harshly cut her off, marching closer to her, careful not to step on the warm crimson liquid staining the fluffy white rug. 
“You better fucking scrub that shit clean,” you snapped, pointing your finger at her, eyes narrowing. Your gaze shifted to the lifeless body of Jesse, lying awkwardly with a dark, spreading pool beneath him. 
Despite the gruesome sight, you felt a strange calm; you knew there was a reason behind her actions; there always was. And you trusted her to death, so no questions were asked, the only thing that bothered you was the thought of having to throw away your favorite carpet of the house.
Ellie nodded vigorously at your demand, her face a mask of determination. You could see the guilt and resolve warring in her eyes, but you knew she would handle it. 
“Look,” she mumbled, her voice steady as she knelt down, reaching into Jesse’s jeans pocket. She pulled out a small hard drive, leaving bloody fingerprints on it. 
“Ah shit,” you cursed, snatching it from her stained hands. The tiny data storage device felt deceptively light in your palm, its importance weighing heavily on your mind. “Wonder when he stole it,” you mumbled, turning the hard drive over, examining it closely. 
“He had always been a sneaky little bitch,” she hissed, her voice dripping with disdain. She kicked his thigh, her pretty features scrunched up in anger. The casual violence of the gesture made your skin crawl, but you couldn’t deny the truth in her words. Jesse had been a liability, a snake in the grass.
“Do you think he told anyone else?” you asked, your voice barely above a whisper. Fear flickered in your eyes, the thought of getting caught sending a wave of nausea through you. You couldn’t risk that; no, no, you couldn’t.
Ellie shook her head, reassuring you, “he came here as soon as he found out—left a bunch of voicemails,” she explained. You exhaled slowly, a weight lifting from your shoulders. Relief washed over you; no one else would find out. The bond between you felt stronger than ever. She had always been there for you, protecting you no matter what, hiding evidence you clumsily left behind. 
You stood by her side, looking down at the mess she had made. The silence stretched between you, thick and heavy. Both of you were lost in your own worlds, your thoughts racing in different directions, her mind already strategizing the next steps while your own thoughts swirled in another direction.
“I really want a baby” The words tumbled out of your mouth before you had a chance to stop them, a soft pout forming on your lips. She turned towards you, her face breaking into a brilliant smile that illuminated the dimly lit room. 
At that moment, her emerald eyes shimmered with a newfound glimmer, a blend of delight and astonishment that took your breath away, feeling a fluttering in her stomach. “Fuck- are you forreal?” 
You nod your head slightly, unable to contain the matching smile that formed on your own lips “Yes, I thought abou-” you started to explain, but before you could finish, bloody hands moved in a swift motion, pulling you closer by the waist. 
Her lips pressed against yours, the kiss urgent and full of emotion. You melted into her embrace, wrapping your arms around her neck and pulling her even closer. Your fingers tangled in her ember-hued locks, the softness of her hair contrasting with the gritty reality of the moment. But it didn’t matter. All that mattered was the overwhelming sense of connection and the shared excitement of a future you both wanted. Ellie's grip on your waist tightened, her hands staining the pink fabric of the towel still wrapped around your body.
When you finally pulled back, breathless and flushed, you rested your forehead against hers. The room around you seemed to fade away, leaving just the two of you in a bubble of shared dreams and possibilities.
No matter how they toss the dice, it had to be
The only one for me is you, and you for me
So happy together-
"Alexa, shut it," you commanded, pulling a giggle out of Ellie, her cheeks heating up with a pink hue that only added to her beauty. Your thumb gently stroked her cheekbone, and her slender fingers reached out to teasingly play with the towel still clinging to your body, their silken touch sending a shiver down your spine as they danced along the contours of the soft fabric. 
"I was thinking…" she began slowly and sultrily, a mischievous smirk adorning her face, "How about we keep tryin’ for that baby?" Her tone was innocent, almost as if she were asking you to play a simple game of cards.
"You spoke my mind," you replied, pressing a quick peck on her smirk. Her hands quickly moved down to your butt, making you jump in her arms and wrap your legs around her waist. 
Your soft giggle was interrupted by her lips once again, kissing you passionately, and her hands, strong yet tender, held you securely. You could feel the warmth of her body through the thin fabric and the cool air of the room contrasting deliciously with your heated skin, making you shiver. Her lips moved with an urgency that matched your own, she was starved, she needed more.
You pulled back for a breath, your foreheads resting together. Her eyes, filled with love and desire, searched yours. "I love you," she whispered, her voice husky with emotion.
You smiled, brushing a strand of hair away from her face. "I love you more."
With a shared laugh, she carried you towards the bedroom, your bodies intertwined and hearts beating in unison, falling in love with each other all over again. 
No one would ever come between you, and no one would ever know what had happened here. Ellie had your back, and you had hers. Always.
I can't see me lovin' nobody but you
For all my life
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taglist: @aouiaa
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mothandpidgeon · 4 months
Text
Unrequited (bfd! pre-outbreak!/Jackson!Joel Miller x f!reader)
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Moth's Masterlist // follow @mothandpidgeon-updates and turn on notifications to stay updated with my fics!
pairing: bfd! pre-outbreak!/Jackson!Joel Miller x f!reader
rating: E 18+MDNI
summary: You arrive in Jackson 22 years after the outbreak only to be reunited with your best friend’s dad, the man that stole your heart and broke it when you were fourteen– Joel Miller.
contents: best friend's dad, age gap, outbreak night (nothing that isnt in ep 1), big angst, abandonment issues, brief suicidal ideation, daddy issues, grief, Joel guilt, unprotected p in v sex, reader doesn't know where Jakarta is, reader is not described physically but Joel picks (adult) reader up, moth never uses y/n.
wc: 9k
a/n: This has been a bitch to finish but I'm quite proud of where it ended up. It's the longest os I've written which makes me nervous nobody will want to read it but I hope you do.
Thank you a million times to @ezrasbirdie for making me finish this and betaing. Also thank you @lowlights for listening to me ramble on this! Dividers by @saradika-graphics
Old man, take a look at your life. I’m a lot like you. Neil Young
You’re waiting for Sarah on the front steps when she gets home. School ended nearly two hours ago and you’ve been sitting here a ball of nerves. The whole world seems to be uneasy this afternoon. You notice sirens, a team of fighter jets scrambling above. It's like your anxiety has spilled out of your chest and it’s taken life all around you. 
You finger the corner of your notebook. On the inside are doodles— hearts and bubble letters. Juvenile daydreams put to paper. Your first name and after it his last, testing out the sound of who you would be if only you’d been born in a different decade. Mrs. Miller. 
Sarah doesn’t look very happy to see you. It’s been two weeks since you’ve talked to her and you’ve never felt more lonely. 
Her words still ring in your ears. 
“It’s like you’re in love with my dad.”
“No I'm not!” you said, your whole body tingling with the heat of embarrassment. You’d never felt so exposed in your life. 
“Sometimes I think that’s the only reason you’re even friends with me,” she said. 
You've been ruminating on that accusation ever since. You pine for Mr. Miller the way only a fourteen year old can. It’s the kind of infatuation that makes you understand how Romeo and Juliet ended in tragedy. All-consuming, unrequited, so in love it hurts.
So maybe Sarah’s right. Your heart flutters every time Mr Miller appears in the kitchen, wearing a dark t-shirt that hugs his biceps. You try not to stare at his aquiline nose when he drives you home from Sarah’s soccer games. Sleep overs at the Miller’s house mean more opportunities to be around him, learn the little details that make him him. And there were plenty of sleep overs because your parents are always so busy fighting, they never bother to keep track of you. 
But you’ve been in agony without your friend. It’s a pain sharper and more present than the yearning you’ve felt for Mr. Miller. You’ve talked to her every day since you moved to Austin in fourth grade and since this fight, there’s been an empty space in your heart. 
“Hi.” You stand up, hoisting your backpack awkwardly over your shoulder. 
“I’m supposed to go next door,” Sarah says. 
“Can I just talk to you for a minute?” you ask. 
She sighs but opens the front door with her key and lets you follow her into the living room. 
“I’m sorry,” you say before you lose your nerve. “You’re right. I like your dad.”
It’s probably the most embarrassing thing you’ve ever owned up to. You wish you could explain to her that you know how silly it is to be in love with a full grown man, your best friend’s dad. It’s not like he’ll ever see you as anything other than a kid. 
You can’t put into words how he makes you feel. It’s not just his broad shoulders or chocolate eyes, though it’s undeniable that he’s gorgeous. He asks about school and comes to see you in the musical. Joel is an adult that actually gives a crap about you. 
You want to tell Sarah that one of the reasons you love her father so much is because of her. Because he’s such a good dad, because he raised such a cool, funny, smart daughter. That Sarah makes him better. 
It’ll take years for you to find words for all of that. So you just do your best right now. 
“I can’t help it. I wish I could,” you say. 
That’s true. And not just because your crush has made you lose your only friend. It’s exhausting to feel such a powerful longing, to want something you know you’ll never have. It’s torture. 
“But you’re my best friend. And that’s not why. I promise,” you say. 
Sarah sighs heavily, her pretty hazel eyes full of remorse. 
“I’m sorry,” she says. “I shouldn’t have said that. I just get jealous sometimes.”
“I promise I won’t make you feel that way ever again. I could never like him more than you,” you tell her, sitting beside her on the couch and looking her in the eye so she knows you mean it. “He’s…old.”
You both laugh. 
“He’s so lame. This morning he said that Jakarta is in the Middle East,” she giggles. 
You don’t know where the hell Jakarta is but of course Sarah does. You throw your arms around her. You’ve missed her so damn much. The past two weeks have felt like two decades. 
“I’m sorry,” you tell her. 
“Me too.” She returns your embrace. “Do you have to go home? You can sleep over if you want. It’s my dad’s birthday but I don’t think he’s going to be home until late.”
Your heart twinges at the offer and not because it means you might see Mr. Miller at breakfast. You won’t even look at him again. Tonight is about your friend.
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You end up watching some corny action movies and gorging yourselves on microwave popcorn. Everything feels right again. You don’t think about Mr. Miller. In fact, you’re grateful that his double has gone over into a late night so you don’t have to be in the same room. You’ve sworn to yourself that you’ll act normal around him but you’re not sure that sheer willpower can stop you from getting butterflies when he’s right there. 
At some point, you pass out in front of the tv, happier than you’ve been in a long time. 
Sarah nudges you awake sometime after midnight, concern all over her face. 
“Was I snoring?” you ask, groggy. 
She’s looking out the window. Helicopters fly so low overhead, the whole house rattles. It’s a wonder you slept through all of this noise— the choppers are joined by the wail of a car alarm, pops like fireworks. The TV is playing a high-pitched tone and when you peer at it, you see a test pattern on the screen. 
Dread settles in the pit of your stomach. 
“Something’s going on,” Sarah says almost to herself. 
A sudden thud against the back door makes you both jump. You swear, shaken out of your sleepy haze. 
“Mercy?” Sarah asks. 
You’ve spent enough time with Sarah to become acquainted with their neighbors The Adlers and their border collie Mercy. Mr Adler used to pay you each a dollar to walk him. Mercy’s frantically pawing at the glass. 
Sarah goes to the door and steps into the yard. You follow, unsure you want to leave the familiar safety of the house but unwilling to be alone with such an eerie feeling in the air. 
“What’re you doing out here, boy?” Sarah says, crouching down to pet the whimpering animal.  
“Where’s your dad?” you ask her. 
You hope the question doesn’t make Sarah think you’ve already forgotten your promise. Everything’s just so wrong. You’d feel a lot better with an adult around. 
“Don’t think he came home yet,” she says. You can hear the concern in her voice. “Let’s take Mercy back. The Alder’s will be home.” 
Mercy puts up a fight as Sarah pulls him across the lawn. It’s late and dark save the street lamp and a few porch lights that have been left on. You shiver despite the fact that it’s a warm southern night. 
The front door to the Adler’s house stands open and inside is black. No. Bad. You want to run back to the Miller’s house and lock the door behind you but the promise of Mr. And Mrs. Adler inside keeps you moving towards the darkened entrance. Maybe Mrs. Adler will give you some cookies while you wait for Mr. Miller. 
Sarah steps in first. The dog bucks and strains against her grip on his collar. Sarah fights to keep hold of him but Mercy’s thrashing makes him hard to pin down. He pulls free from Sarah’s grasp and darts away. 
You have half a mind to do the same but Sarah keeps going forward. She’s scared, too, her breaths shallow as she tip toes down the hall.  
“Mrs. Adler?” Sarah asks, her voice barely above a whisper. 
You reach for each other without even realizing it and you enter the kitchen holding hands. 
What you see there is beyond your wildest imaginings. There’s blood, a lot of it. Sarah’s shoe slides in the stuff and you grab her before she loses her balance. The room is cast in shadows but a street light streams through the window in the side door. Its beam falls over the form of Mr. Adler, limp on the floor. His back is against the door and a gush of dark blood sparkles in the sodium vapor. 
You’ve never seen so much blood, never seen anyone injured so brutally. It looks like he’s been attacked by some wild animal. Mercy was acting strange but the dog couldn’t do that.
“Help me,” he rasps. 
He’s speaking to you. You’re actually here. This is happening and you need to do something. 
But before you can form a coherent thought, your eyes travel deeper into the kitchen. Beside the island is more blood…and more bodies. 
As if seeing Sarah’s neighbor with his neck ripped open wasn’t enough of a horror, you’re now watching Nana hunched over Mrs. Adler’s corpse, her face buried in the younger woman’s neck. The scene before you makes no sense. Most of the time the old woman is barely conscious, hasn’t left her wheelchair in years and yet she’s on all fours before you looking feral. 
Sarah squeezes your hand so tight you’re afraid your knuckles will break. 
Nana slowly raises her face to you. Her eyes are pitch black and her mouth teems with twitching tendrils. You are staring at a living, breathing monster. 
When she leaps at you, you and Sarah bolt for the door. Your heart hammers against your ribs. Sarah makes it out first and races towards the sidewalk. 
Once you’ve gotten onto the front step, you slam the storm door shut behind you to trap whatever that thing is inside. SLAM. Nana collides with the door and it rattles violently. You hold it closed with every ounce of strength in you, listening to the creature behind it scratch and wail and willing yourself not to look through the glass to see its horrible face. Terror holds your muscles taught. You’re not sure how long you can stay like this, your sneakers skidding across the ground. 
With a roar, Uncle Tommy’s truck pulls up at that very moment and Mr. Miller hops out of the passenger seat before its even come to a full stop. He’s a fearsome sight, broad and rippling with untamed energy, his muscular arms outlined by the headlights of the car. You’ve never been more grateful for his presence. 
This nightmare is almost over. Joel’s come to save you. 
“Girls get in the car!” he bellows. His voice is raw and ragged. 
Just as you’re ready to make a run for it, The door flings out towards you, and you’re thrown aside as if you weigh nothing. You hit the driveway hard, your head connecting with concrete. 
For a moment, you can’t hear anything but the gush of blood pumping in your ears. You’re dizzy. Suffocating. There’s a warm trickle at your temple. Sarah calls your name. Your vision is blurred but you can make out the ghoulish form of the creature barreling towards her. 
“What’re we doing, Joel?” you hear Tommy ask.
There’s a thud and then quiet. 
You gasp again and again but your lungs won’t fill. 
Are you dying? Help. You need help. The monster lays lifeless at Joel’s feet and you pray that he’ll scoop you up and take you away from this. Your eyes finally come into focus to see Mr. Miller comforting Sarah, holding her face in his big palms, so fixated on her that he doesn’t notice that Mr. Adler has appeared in the doorway. 
Mr. Adler is still covered in so much blood and his gait has become twitchy as if his legs are on backwards. He moves towards them and you want to call out a warning but you’re still choking for air. Luckily he hasn’t noticed you but he soon stands between you and the Millers. 
“We’ve got to move,” Tommy says. 
“Get in the car,” Mr. Miller says to Sarah, throwing a protective arm in front of her. 
“But she’s hurt!”
She steps towards you. You’d cry her name but you’ve still got the wind knocked out of you and you’re too terrified to make a noise. Mr. Adler makes an inhuman sound as he advances, a croaking, growling gurgle. 
Mr. Miller pushes Sarah towards the truck. 
“Leave her!” he barks. “Get in the car!”
You sputter and choke as you watch Sarah, Joel, and Tommy drive away. 
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You wait for a long time. 
As the truck pulls off of the curb, Mr. Adler is joined by his wife in the street, making chase. You’re finally able to draw breath and rouse your body off of the ground. You scramble back across the lawn to the Miller’s house and lock yourself inside. There’s enough adrenaline coursing through you that you’re able to push the sofa to barricade the front door. You draw all of the curtains and grab the biggest knife you can find in the kitchen. It’s ridiculous, something you’ve seen in scary movies, but you’re living in one right now. 
You hide yourself away. Sarah’s bedroom seems like the obvious place to do it. Familiar and safe. You curl yourself into a ball in the corner, clutching your knife and staring at the closed door with wild eyes. 
Sirens go through the night. Gunshots. At one point even the roar of a jet engine. 
For hours your body quivers as you try to make sense of what you’ve just witnessed. Flesh-eating mutants. Gore. Death. You keep waiting to wake up from a bad dream but you don’t. They left you. They abandoned you in a nightmare. 
No. That’s impossible. You can accept that a comatose elderly woman made supper out of her son in law but you refuse to believe that Joel would desert you. 
He’ll come back for you. Sarah will convince him. There’s always been room for you in their family. 
But as the sun begins to peek through the blinds and the noises outside fade away, you begin to lose hope. 
The muscles in your body go slack, exhausted from hours of uncontrollable shaking. Your instinct for survival and your need for sleep war with each other. Exhaustion is winning. 
You cautiously open the door to Sarah’s room. The house is still, more quiet than you’ve ever experienced. You creep into the room at the end of the hall. The olive green sheets on Joel’s bed are still messy from when he woke up here the day before. A normal morning. His birthday. 
You rest the knife on the night stand amongst the things he emptied from his pockets— coins, receipts, a stray nail. You slip into the bed and wrap yourself up. It smells like him— spicy deodorant and sweat, fresh cut lumber like the hardware store. The scent reminds you of all those times he was close, when your heart leapt. 
They’ll come back. Mr. Miller wouldn’t leave you. 
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He left you to die but you just go on living.  
It takes some time before you’re brave enough to leave the Miller’s house and see what’s left of the world. Your parents are nowhere to be found. It’s safe to assume they were infected that first night. 
You’re on your own. 
A QZ is set up outside of San Antonio. They assign you to housing for separated minors. An orphanage. You never make friends, not really. Trust is too fickle.
At night you lay in your bunk and wonder what life would be like if anybody gave a shit about you. Maybe you would have been with your parents when it all went down. You’d be a snarling monster but at least you wouldn’t be alone. 
On the worst nights, when you like yourself the least, Mr. Miller’s words echo around your skull. “Leave her.” She's not worth it. Forget her. 
You don’t imagine yourself in his arms anymore. Instead you picture him and Sarah and Uncle Tommy, all happy and safe hiding out somewhere idyllic. A sweet little cabin with a stream nearby, surrounded by peaceful woods. You’ve heard some people live like that.
Some days you wish you were with them. Others you wish they were all dead. 
When you turn 18, you age out of your living situation. It couldn’t come soon enough. Things are changing and it seems like all the kids that stay in FEDRA school are being groomed to go straight into uniform. You dodged that bullet but life’s not easy. Now you’re well and truly alone, scraping by to keep food in your mouth and a roof over your head. 
It only lasts a few years, though. By the time you’re 21, there’s an emergency evacuation. Outbreaks are happening within the walls and with so many people living on top of each other, it’s only a matter of time before shit hits the fan. They send swaths of people to Dallas but word is, there’s no room for such numbers and they consider everyone from San Antonio an infection risk. 
You’ve heard enough stories to know what that means. There won’t be a warm welcome when you reach the next QZ. So you ditch the convoy and head north. 
You bounce around for years, sometimes with others, a lot of time solo. Doing what you have to. It’s not a life, just survival. 
By the time you reach the wilds of Wyoming, you’ve had enough. You break off from the group you’re traveling with. You leave them this time, just decide to walk into the forest and let the earth swallow you up. You’re exhausted, sick of hanging on by a thread. Too much of a coward to kill yourself, you wander around waiting for the cold or your hunger or a bear to do it for you. 
They find you. Some scouts that look mean and tough take pity on you and offer you a place with them in a commune where things are half normal. 
It’s the first time being alone has worked to your advantage.  
Jackson is a strange place. It has walls like the QZ but it’s quaint. There’s laughter and evergreen wreaths, happy children that build snowmen in the center of town. Some of these kids have no idea how fucked up the world has become. All they know is this charming little haven. 
You spend the first few days in the infirmary, getting patched up, regaining your strength. You feel like an animal compared to the people in your new community. It’s hard to accept that they’re willing to help you, no strings attached. 
Eventually you’re well enough to have your own place. They set you up with a little apartment over one of the stores in town. You’re invited to take your meals in the dining hall. 
It takes you back to those first days at your new middle school after you came to Austin. Unfortunately, this time Sarah’s not there to offer you a seat at her lunch table. 
You keep to yourself, overwhelmed by all of the strange new faces. Head down, you eat your breakfast. It’s the best food you’ve had in years. As your belly fills, you start to relax and try to get used to the idea of this being home. 
Then you hear a familiar voice say your name. You wonder if you’re hallucinating when you see him standing in front of you. 
He’s gained a few decades but he looks good. His hair is nearly shoulder length and there’s a mustache on his upper lip but that’s him alright. 
“Uncle Tommy?” you manage. 
“That really you?” he asks. 
Tommy puts a gentle hand on your shoulder. His smile wrinkles the corners of his eyes. You nod and you’re smiling too.  
You expect to be upset. Tommy was there when you were abandoned after all. But you’re flooded with relief and a small flame of hope. 
“Shit. What’re the chances?” he asks, studying your face. “C’mere.”
He pulls you through the lines of tables. Your head spins with questions. How did he end up in Wyoming of all places? How long has he been here? Did you actually die out there only to be sent to this strange afterlife? 
“You remember this old son of a bitch?” Tommy asks with a chuckle when he stops at the table in a far corner. 
And suddenly you’re face to face with Mr. Miller. 
He’s old. Grey hairs run through his stubble and curl from his temple. There are deep lines in his face. He’s still good looking despite how weathered his features have become, still broad, still with that wonderful silhouette.
It’s funny. In your mind’s eye, you’ve never imagined Joel aging. He stayed the same while you grew up. 
He looks at you for a long moment and then his thick bottom lip falls agape. His eyes glitter and his dimple appears as he recognizes the woman that you’ve become. 
“Kiddo,” he whispers as he stands up. 
He pulls you into a hug and his wide palm smooths down your back. He still smells just how you remember and without warning you’re sobbing into the front of his flannel. 
You spent hours upon hours imagining what you might say if you ever saw him again. Sometimes it was a speech biting with venom, others a confession, a question. Now, though, your mind is blank, overwhelmed that fate has brought you back together. A testament to your survival. 
“It’s alright, babygirl. You’re okay,” he says into your hair. Words you needed to hear all those years ago. 
You stay like this for a long time, surrounded by him. He holds you the way you wished he had as you cried into his pillow in that empty house. Eventually you pull yourself together with a shaking breath. 
“Where’s Sarah?” you ask, casting your eyes around the crowd in the mess hall. 
There’s a girl sitting beside Joel, her curly hair pulled back into a ponytail, watching this scene unfold. Everyone else is polite enough to pretend you’re not bawling in the middle of lunch. Can’t be the first time it’s happened. 
At your question, Tommy goes stone faced. The muscle in Joel’s jaw ticks. 
You shake your head in disbelief. “Infected?” you squeak out. 
“It wasn’t like that,” Joel chokes. 
“She didn’t make it through that first night,” Tommy says. 
It’s a punch in the gut, the air’s knocked out of your chest all over again. While it had crushed you to be abandoned, part of you understood. Joel had to choose and he picked his daughter. Even if he’d been in love with you the way you used to dream about, he always would have chosen Sarah. You couldn’t hold that against him, no matter how much it hurt. There just wasn’t anyone in the world that would have saved you. 
But knowing that he failed her, that he failed you both, makes you sick. All those years of bitterness come flooding back to you and your tears turn hot and furious. 
“You let her die?” you demand. “You told her to leave me behind and you didn’t even save her?” You push Joel, your hands against the wet spots you left on his shirt. It’s ineffectual. He barely moves against your pathetic shove but his face crumples. You know he hates himself as much as you do in that moment but that’s not enough. You hit him as hard as you can and he does nothing to defend himself. 
“Hey, hey,” Tommy says, trying a hand on your shoulder. 
“You should’ve saved her,” you bark. 
Heads have turned now as Tommy holds you back. 
“I hoped you were dead every day since you left me,” you say. 
You can see on his face that Joel’s definitely wished the same thing. 
You go on berating him, your tears mixing with spit as you snarl and shout, until Tommy’s able to wrestle you out of the dining hall. 
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The summer comes. After a long, cold winter, everyone in Jackson welcomes the change of seasons with open arms. Everyone but Joel. 
Ellie was a salve for the deep wounds on his heart. They’ll never fully heal but at least they stopped overwhelming him for some time. Since your dramatic reunion, though, those scars have been torn open once more. Especially today. 
It’s warm and there’s barely a cloud in the sky. The July weather is mild compared to summers in Texas. Fresh air blows in through the open windows of the house, beckoning Joel outside but he has no desire to be in the sunshine. 
“You okay?” Ellie asks. 
She’s just come down the stairs. It’s early and Joel’s already at the kitchen table. Didn’t sleep much. 
He and Ellie have been together long enough that she understands the wordless shifts in his moods. They’ve gotten worse since you arrived in Jackson. He does his work and patrols, sometimes he nurses a whiskey alone at the bar. The rest of the time he keeps to himself. He’s sliding back towards the man she met back in Boston. Joel’s rebuilt the walls that surrounded him, brick by brick since that afternoon in the dining hall. 
“I was going to meet Dina at the mess. Want to come? Or I could stick around?” she offers. 
It’s going to be one of those dark days, the kind that makes him question why he’s been hanging on for so long, and Ellie knows it. She’s giving him a lifeline, offering to be with him so he doesn’t have to ask. He should accept it, but he doesn’t want to waste his energy putting on a brave face for her when he feels so broken. 
“That’s alright, Ellie. Go on,” he says. 
She doesn’t push him. She never does. She just gives a sympathetic smile before she slips out. 
Once seems gone, his heart begins to ache. 
Sometime later, there’s a knock at the door. The last person he expects to see on the porch is you. You look a little nervous, like if he’d taken longer to come to the door you might’ve bolted. 
He hasn’t spoken to you since that day that you came back into his life but the words you said play relentlessly on loop in his mind. He should have made amends by now. You were his daughter’s best friend and of all the places at the end of the world, you’ve ended up in the same town. He passes by the old pharmacy you live above just about every day, thinks about seeing if you’re in so you can have a conversation. He even knows what he’d say, but he can’t work up the courage. There aren’t any words that can make right what he did to you. 
The guilt metastasized deep in his gut. His failure compounded. 
So he doesn’t blame you for keeping your distance, avoiding him when your paths cross. He lets you be angry with him, as he deserves. 
“Want some company?” you ask. 
He recognizes the look on your face and it dawns on him that he might not be the only person struggling today. He steps aside to let you in. 
Joel sets a cup of tea down in front of you. It’s not the real thing. Dried herbs from the garden Maria keeps. You’ve taken a seat across from him at the table, glancing around the kitchen so you don’t have to look at him. 
“Surprised you remember,” he says. 
“My best friend’s birthday?”
He shrugs as he pulls up a chair across from you. “Was a long time ago.”
“I think you underestimate the power of female friendships.” 
You wear a soft smile that makes Joel’s heart ache a little harder. He takes a good look at you, seeing you up close for the first time. There are hints of the girl he knew back in Austin but she’s buried under years of hard living. 
You’re the same age Sarah would have been today. The same age he was when he lost everything. 
You sigh and scratch awkwardly at your neck. 
“Listen, I’m sorry about…all that shit I said. It’s…” you trail off and he’s sure you’re still mad at him, deep down. 
“I reckon I’m the one that owes an apology. I shouldn’t’ve left you back there. Sarah begged me not to,” he admits. “I was trying to keep her safe. But I fucked that up, too.” 
“That’s not true. I was just angry,” you tell him. 
“I was always so pissed at your parents for not caring enough about you. Turns out I was just as bad,” he says. 
He hadn’t given any thought to the choice he made all those years ago. His priority was his family and he had no room for the rest of humanity. Joel didn’t realize until he saw your face again just how selfish that had made him. The past months he’s been haunted by the thought of it, a young thing all alone in the chaos. If Sarah’s watching over him, which sometimes he hopes she is, she’d be ashamed. 
“I’ve had a lot of time to think since I got here and…I don’t blame you. I’m not your kid. It just—“ You laugh without humor. “God, it’s so stupid but I had a huge crush on you.”
Joel’s eyebrows shoot up. You fiddle with the chipped handle on your mug.
“I know. I was just a kid but I was head over heels for you,” you say.
Joel can feel himself blushing. It’s a sweet thought. He’s honored in a strange way. He remembers the gravity of Sarah’s crushes– Leonardo DiCaprio, Usher, some guy with a lip ring from one of those punk bands she listened to.
“So when you left me…I was a little heart broken.”
“Shit,” Joel says. 
“I didn’t say that to make you feel bad. I just wanted you to know why I was so hurt,” you tell him, leaning forward in your seat. “You didn’t know any of that. And it’s not fair to hang that over your head. It wasn’t your job to rescue me.”
“Course it was,” Joel responds. “You were just a kid. I let you down.”
You look at him gratefully and a tear slips down your cheek. It takes a minute for you to fully take that in and it seems like something you’ve needed to hear. 
“Joel. I forgive you,” you tell him. 
A thick knot forms in his throat. 
There’s a litany of names in his mind, so many people he’s failed. Henry and Sam. Tess. Sarah. He’s never expected to be absolved of any of his sins, he doesn't deserve to be forgiven. But those three words make him feel lighter, like he can stop beating himself up. At least for a moment. 
He tucks his chin into his chest trying to keep his own tears from spilling over. Your hand slips over his, a gentle, reassuring touch. 
The two of you stay like that for a little while, crying together, then becoming reacquainted. You talk for a long time. There’s a lot of catching up to do but the conversation keeps coming back to Sarah. It’s a gift to share memories of her, to hear stories that he’s never heard. You knew Sarah better than anyone in the world— her favorite store in the mall, what she wanted for her birthday. Her hopes, her dreams, her fears. No fourteen year old goes to her daddy with her problems. You were there for her, though. Right up until the end. 
“I, um, you should have this,” you say. “Well, it’s yours.”
You and Joel have migrated to the couch in the living room as the afternoon has crept on. You reach into your back pocket, a little reluctant, and pull something out. 
It’s a photograph, dog eared and creased from years of being carried with you. Joel recognizes the picture— you and him and Sarah, all three of you donning life jackets, smiling as you float on a calm river. He and Tommy took Sarah kayaking and she asked if you could tag along. It was a wonderful day. Blue, cloudless sky. 
The last time he saw the photo it was hanging under a magnet on the refrigerator in the kitchen. 
“How’d…”
“I stayed in your house for a while. After. Just kind of hoping you might come back. I took that when I left. And I ate all your food,” you say with a little chuckle. You wipe some snot from your nose. “I guess…well, you probably don’t have a lot of pictures of her.”
You’re right. There was an outdated school photograph in his wallet when they left that night and it had been too painful to look at for years. It still stings a little but it feels easier to share with someone, someone that knew her so well. 
“You sure?” he asks. 
You nod. “I know where to find it.”
He props the picture up on the coffee table so you can both look at it and meditate on that day when everything felt so perfect. 
“Remember we made you play “Crazy in Love” on on repeat the whole way there?” you ask. 
“I still get that goddamn song stuck in my head,” he complains. 
You laugh and rest your head on his shoulder. The familiar gesture cracks something open inside of him. He’s taken back to his favorite nights when he’d watch a movie with Sarah and she’d cuddle against him. Somehow the memory doesn’t hurt as much as he anticipates. 
You sit like that, looking at the picture, both quiet, your smiles fading as you remember what’s happened since. 
“Sometimes I think I see her,” he chokes. 
He’s never told anyone that. But it seems like you might understand, He trusts you won’t meet his admission with a pitying smile. 
“How’s she look?” you ask. 
He can’t help but chuckle. He nods. 
You don’t say anything, you just burrow your head a little deeper into him. Joel puts a gentle kiss in your hair. 
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You’re a fixture in the Miller house once again, part of the family. You babysit for Maria and tell her embarrassing stories about Tommy. You and Ellie tease Joel relentlessly. You sit with him in the evenings, sometimes singing along when he pulls out his guitar, other nights neither of you speak at all.
Slowly, you find yourself falling in love with him all over again. It’s not the same infatuation you harbored when you were young. You’re both different people. And you hardly knew him back then. Not really. What did a fourteen year old know about grown men?
The two of you fall into an easy rhythm. After being alone for such a long time, it’s magical to have a companion. Joel seems grateful for the company, too. He’s there whenever you turn around, like a promise. He’s not leaving you behind even if you’re just going from the stables to the library. 
Neither of you acknowledge it, this easy rapport. A light squeeze on your shoulder, holding your hand when you get misty eyed. He probably doesn’t mean anything by it but you’re pretty sure you can’t live without it. You bask in the sweetness of these exchanges, trying not to think too hard about the fact that you used to spend Saturday nights giggling on his daughter’s bedroom floor. 
He’s still Mr. Miller, after all. 
Autumn comes and you’re inseparable. You realize just how much when you convince him to attend the children’s choir performance in town. You expect him to demure. Watching kids being kids must be painful. But he’s by your side in the dining hall as the little ones sing “Clementine” and “Oh Susanna”. 
He puts his arm around your shoulder so you can lean into him. It might just be a paternal gesture, maybe you’re still a little girl in his eyes. That’s ok with you if he keeps absentmindedly massaging your upper arm. You can’t remember the last time you felt so safe, so loved. 
Afterwards, he walks you home and you’re in such a good mood, you start singing to yourself.
“Johnny Cash,” he says approvingly. 
You laugh to yourself. “You know, I started listening to him ‘cause of you. You had his CD in your truck,” you admit.  
You wanted to like all of the things Joel liked. He would think you were so interesting and grown up because you knew all the words to “Riders in the Sky.”
“Least I was a good influence,” Joel says, shaking his head, his cheeks turning pink. 
He’s so handsome when he blushes, you feel a little giddy when you come to stop in front of the old pharmacy. 
“G’night, darlin’,” he says, giving your hand one last squeeze. 
He waits. He’ll stand here and watch you get inside like he always does. He doesn’t need to— it’s not like people even lock their doors in Jackson— but he’s insisted on it so fervently that you stopped arguing. 
You shouldn’t do it. It’s so silly. But there’s a softness in his eyes and his gentle touch still tingles on your arm. His salt and pepper hair is caught in the string lights that line the empty street. You can’t help yourself.  
You kiss him, smoothing your palms up the front of his flannel until you sink your fingers into the curls at the base of his neck. The tip of his nose is cold from the chill in the evening air but his lips are warm and sweet. 
You haven’t had a whole lot of experience kissing. You’d just started doing it when the outbreak happened and things haven’t been very romantic since. This is one of the better ones. Relatively chaste but unbearably tender. Certainly better than you could have imagined all those years ago. 
It lasts longer than you expect. Joel kisses you back. He rests his hand on your waist and the way it covers so much of your back makes you swoon. Soon, though, he’s pulling away, cradling your cheek. 
“We shouldn’t do that,” he says.
“I know,” you sigh. You’re reluctant to break away, savoring the brush of his nose against yours. 
It’s all wrong but you’re not ashamed for trying it. 
“Just once. I’ve always wanted to,” you say. 
He presses his lips into your forehead. It feels bittersweet. A kiss you longed for for twenty years came and went. 
You wave to him from the door before you go in for the night. 
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That kiss confirms Joel’s fears.
He’s spent months convincing himself that this is completely platonic. He would never have feelings for his daughter’s best friend. Even if he always wants to be around you.   
He’s looking after you, comforting you, protecting you. He’s making up for those years that he made you suffer through. You forgave him but he’ll never stop atoning. 
And then you kissed him. 
Suddenly, he’s buried in an avalanche of thoughts he’s been disavowing. 
You’re pretty and soft. You're strong and you ease the pain of his memories. You make him feel a little less alone. 
The warmth of your lips, your body pressed to his. He was ready to lose himself in you. 
That’s when he heard it. 
It was Sarah’s voice chiding him with all the reasons why this is wrong. 
She’s been in his head, his inner critic since the day she died, pointing out every failure and weakness in him. He could picture her looking down on him with disgust. She’s the same age as your daughter. She was just a kid when you met her. She deserves better than you. 
He’s making the same mistake as before, letting his instinct get the better of him. The responsible part of him takes control. He can’t give you any more reasons to try and kiss him again. 
If Joel is good at one thing it’s denying himself. 
He backs off and you can sense it, he knows you do. Sometimes he catches you looking at him and there’s a longing in your eye. It fucking kills him but it’s just another reason why he’s no good for you. 
Despite whatever it does to you, you haven’t got anybody else in Jackson so you stick around. He can only imagine how much it hurts you. 
“Why did I go north?” you complain when Joel opens the front door. You’re holding a scarf tight around your neck, shivering against the cold. The sky is a dismal shade of gray, snowfall on the horizon. 
Joel gets you in the house with a chuckle. He starts a fire, a luxury you little apartment doesn’t afford. You shiver in front of the hearth. 
“Traded for this,” you say, pulling a thick book out of your coat and tossing it onto the coffee table. 
“Oh good. I was looking for some light reading material,” Ellie quips from her spot on the couch.  
“It’s a dictionary,” you explain, “so you’ll quit cheating at Boggle.”
“You're in trouble now,” Joel laughs. 
“I don’t cheat. I just know more words than you guys,” she says. 
“Dentment is not a word,” you reply. 
“Neither is thoard,” Joel says. 
“Sure it is. I’m about to thoard the two of you in this game,” she says.
This should be enough. A winter day by the fire. The simple joy of a board game. Laughter. This is practically a normal life. 
But each time Joel’s eyes fall on you, there’s a pang in his chest. You’re just close enough that he could reach out and touch you but he won’t. He can’t.  
When the sun sets, Ellie retreats to her room. Eventually, you fall asleep on the couch, wrapped up in a quilt as the fire dies down. You look even younger, curled up serenely. There’s no worry on your brow. Usually your face is in a perpetual frown even when you’re not in a mood.   
The snow is already knee deep with no signs of slowing. There’s no sense in sending you back out there. 
Joel scoops you up as gently as he can. He feels his age, back straining, but he doesn’t mind. He enjoys how you nestle your face into his chest as he mounts the stairs, warm and snug in his arms. A smile pulls at his lips. 
He sets you down carefully on his bed and you whimper groggily at the loss of his touch. Your eyes crack open. 
“Snowing pretty bad. Sleep here. I’ll be on the couch,” he whispers. 
“Stay,” you murmur. 
He hesitates. Carrying you to bed was already crossing a line. He’s not worried about keeping his hands to himself. He’s been able to control himself for this long. If he lays down next to you, feeling you warming his sheets, smelling the peppermint soap on your skin, he’ll be so far gone for you, there’ll be no coming back. 
But denying you this simple request feels cruel. He imagines you waking up here all alone. You’re half asleep but what if you remember asking him to remain only to be abandoned again?  
He gets into bed, still fully clothed and careful to stay on his side. His jaw is clenched so tightly his teeth hurt. You give a satisfied hum and sink back into sleep, your body melting into the mattress. 
Joel watches you for a moment, fights the urge to put a kiss on your forehead. He crosses his arms and stares at the ceiling, beginning to tangle with the web of emotions that accompany you. Once it gets too confusing, he drifts off as well. 
When you reach out for him in your sleep, he can’t deny you. Joel tries his hardest to pretend it doesn’t feel good, that this isn’t something he’s wanted to do. So he imagines the nightmares that come to you. Reminds himself that you wouldn’t have seen any of that shit if he hadn’t left you for dead. Now that you're in his arms, he’ll make sure nothing touches you ever again. The least he can do is hold you and make sure it goes no further. 
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You both find reasons that you should stay the night. Neither of you acknowledge it. Joel just hands you one of his t-shirts and busies himself as you slip out of your clothes and get under the covers. It’s all rather innocent, Joel does more than rub your back even though you sometimes feel his morning wood through his sweatpants. If he wants you, he doesn’t let himself have you. And he could. 
It’s fine with you if cuddling is all this is. You don’t try to do anything more than that, unwilling to upset the unspoken agreement between you. You can be satisfied with a broad, firm chest to rest your back against. Sleep is better beside him, his heart beats guiding your own. The weight of his arm draped across you makes your body feel deliciously heavy.  
After a while, though, it happens. 
Joel’s having a nightmare. His murmurs and restless movements wake you. His mouth twitches and his brow is creased. You smooth circles into his shoulder until his eyes open. Even in the darkness you can see the despair in them. 
He blinks, coming back to reality, remembering he’s not wherever his dreams took him. You brush your fingers through his hair, gazing at one another as his breaths even out. Normally, his age is obvious– the lines in his forehead, the sun spots on his cheek– yet right now he looks young. Like a boy that needs to sleep with a night light. 
You’re not sure who initiates but you find each other in the dark. At first he’s not kissing you at all, his lips are just brushing your cheek or your nose. It’s sweet and gentle. You try to hold in a moan, worried that any noise might shatter this moment. 
The kisses are timid as if you’re both waiting for someone to stop this. Joel lets out a shuddering breath against you. This is a bad idea, you’re both thinking it. After you kissed him the last time, he held you at arms length. When this blows up, you’ll lose him entirely. But you need to be closer to him. 
You open your mouth to him, tangle your legs between his. His hand slides under your shirt, roaming your bare skin. You thought that snuggling under the blanket was enough but now you realize just how hungry you’ve been to be touched. Really touched. He needs it too. Joel leans into your hand on his jaw with a whimper. 
You don’t open your eyes. You might be the one dreaming and you don’t want to wake up. 
It’s quiet, just the sound of hot breaths and desperate kisses, the swish of the sheets as you shift your hips to meet his. You keep yourself from rocking against him, try to enjoy the feeling of him without crossing yet another line, but you’re aching. His shirt has ridden up so you feel the softness of his middle, the light hairs on his chest. Your fingers intertwine with his as his mouth trails down the column of your neck and. Joel buries his face there. 
“I’m sorry,” he breathes. 
You’re not sure what he’s apologizing for. This? Then? The years in between? None of it matters because you want to live in this moment forever. 
You shush him, pull him back to your mouth. You’re ready to lose yourself, to forget, to ignore the storm of thoughts constantly plaguing your mind. This is all you want. 
You peel off your clothing, helping him slide out of his sweatpants until there’s nothing between you. Joel’s skin is warm and soft against you and you realize you’ve never been this close to another soul. 
When Joel settles over you and you feel him throbbing between his legs, you shiver with nervous anticipation. You expect him to say something, to warn you that this is a bad idea, to promise this won’t change anything. But his brown eyes look as confused with need as you feel. There’s no room for thinking or it will crush this fragile moment like glass. 
You tilt your hips to allow him in, already slick from being so close to him. 
Slowly, he enters you, kissing you all the while. He makes a choked sound, wincing as his body stills. The noise makes you clench around him. 
Together you take a moment to get your bearings and you adjust to the fullness of him. Joel’s eyes are pressed shut, his teeth digging into his bottom lip. 
Before he begins to move, his thumb finds your clit, grazing it lightly. After years of solitude and now months being just out of reach of him, the sensation makes you gasp sharply. 
You’ve had sex a handful of times. They had been more about fulfilling a self destructive urge than a desire for pleasure. It’s never been like this. 
You start to lose sense of everything but the feelings of your body. Your core tenses and your breaths go short and you start to forget that it’s Joel whose hips are stuttering into you. It’s as if this euphoria can erase some of those awful memories. 
Soon you’re shattering beneath him, a crescendo that has you tugging on his hair and gasping for air. Joel grunts into your ear. He follows after you, hissing as he pulls out of you. He pulses into his hand, his release dripping from his fist onto your sweat damp skin. Then he collapses onto you. You run your fingers through his long curls and he kisses your forehead. There might be tears in your eyes– maybe his too. It’s too dark to be sure– but when his breath evens out, it still sounds ragged against you.
Eventually he gets out of bed and leaves the room and, in that moment, you can feel everything hanging over your head again– what you’ve just done, the horrors of the world. Perhaps even more intense than before. 
But Joel returns quickly. He flicks on the light on his bed side table and cleans you with a damp rag. His touch is gentle, reverent, and his dark eyes travel over your naked skin to yours. There’s a question in them, guilt, but you have no regrets. You smooth your hand out on the sheets beside you and he lays back on his pillow. He surrounds you with his massive arms and you fall asleep grateful that you don’t feel abandoned anymore.
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You worry that it was just a one time thing, try to accept that it might never happen again. But the next time you share Joel’s bed, he’s pulling you into him, pressing kisses into your shoulder, nuzzling at the spot behind your ear. His hard length prods at the small of your back. 
It starts like that every time. Intimate, sensual, quiet. It’s never tearing his clothes off or pushing you up against a wall. You just stay close, breath each other in, trail fingertips across skin. Neither of you ever speak above a whisper.  
Joel barely talks at all except to ask, “That too much?” and “Feel good?” 
You live for the moments when his hand skates over your hip, his dark eyes soft. 
“Pretty,” he says almost to himself. 
He’s such a beautiful man. Your fingers trace the smooth plane of his chest, dusted lightly with hair and a few stray freckles. Age has only improved him. The greys in his stubble catch the glow from the lamp on the nightstand. You study him with the same attention to detail you used in your youth. The cleft in his bottom lip, the dimples on his lower back, the scar on his temple. You’ve memorized it all. 
Joel breaks open for you. He lets you see him vulnerable. He’ll fuck you with thrusts that shake loose deep emotions. Just as quickly, he’ll hold you together when it feels like you’re falling apart. 
You lay with him after, sticky with the shared heat of your bodies but reluctant to roll away and break the connection. 
Whatever this is, you don’t speak its name. There are too many questions and conflicts that it might not withstand. It exists only for you and him. A safe haven in the chaos, a bit of respite at the end of long years. 
In his arms, you’re not his dead daughter’s best friend. He’s not the man that left you when you needed him most. You’re just two people that need to not be alone. Each time, it’s the same. The overwhelming bliss of Joel making love to you is second only to the understanding that he’s finally come back for you. 
Thanks for reading! I'd love to hear from you. Comments and reblogs always appreciated.
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the thing about good omens 2 is that i have never felt so loved by a piece of media before.
like, ofmd came fairly close, but neil literally knows us, he lives here with us and says hi in the halls and overhears us talking about what matters to us and trading theories and fantasizing about what we'd like to see. and he wrote this for us.
like, this could not more obviously be written for us. for us weird little queers who care so much about these two idiots.
every minute of this was written and crafted and performed to say we love you back. it wasn't made to be a hip tv show or to impress or entertain anyone except us, and you can see that everyone involved had a blast in the process, because they love these characters too.
it is just so kind, cliffhanger notwithstanding. this show grabbed me by the shoulders, looked me in the eye, and said i see you and i love you too. and that is so fucking extraordinary.
thank you, neil. thank you so much.
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denimbex1986 · 9 months
Text
'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”
...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.
“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”
“Good Omens” is back by popular demand for another season. How does it feel?
It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.
Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.
That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.
In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.
It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?
It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.
Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?
Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.
Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?
They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.
Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?
It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]
Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?
I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.
There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?
There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.
Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?
Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.
To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.
Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.
Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.
I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?
I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.
Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?
Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.
[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]
I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…
I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”
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