#the more he loves neil the more he lives

[cubbyyyy]

the fact that neil chose andrew out of them all is so dear to me. that andrew chose neil out of them all is so dear to me. that they chose each other is so dear to me. and at the same time it seems inevitable? like of course they chose each other, like of course no one else would be possible. they are what the other needs and that’s why they last. they are so compatible it’s scary.

and the fact that nora said if andrew didn’t have neil he never would’ve gotten happiness proves my point. I know some want to have the whole “you don’t need anyone to be happy” kind of mindset but in my book you’ll always gonna need people. It’s inevitable. and not finding the one who gets you, can make you miserable. It’s hard to find, but it’s so so sweet when you do and I’m so glad andrew got blessed with it. He got the one. and through hard work (therapy etc) he made him last. neil never became the one who got away because andrew worked hard enough to not self sabotage anymore. he learned to recognize neil as a good thing, an important thing and eventually he learns that neil feels the same and will never be the one to hurt him. he won’t be like tilda. so they make it last. and that’s everything.

[puckspoetry]

Imagine hating on me and I’m here in my room like

[guess-i-do-art]

Behold:

the Goobers

[borgialucrezia]

the borgias is my favorite show and i think it's the best show ever made and all. however, there's just this one aspect that is genuinely hilarious to me and i mostly criticize the show for. the writers suddenly trying to make the viewers massively despise juan by turning against him and disingenuously writing him in his final moments so the watchers won't miss him or sympathize with him by making him a walking danger as an excuse to kill him off and prop up cesare's character. they wanted the audience to root for cesare at juan's expense and make his death seem necessary lol. they truly thought they served with this one, like maybe juan's character was shamefully abandoned by the writers (as well as his family except for rodrigo) but david oakes had many people sold with the way he played him to perfection, improvising and making juan remarkable, tremendous, and humane. the show is obviously a classic masterpiece, but in my opinion about the juan part, simply rushing the writing of a tragic dying character on a show for weak reasons is pure disrespect.

[all-thestories-aretrue]

I've had this for a while and idk if I'm actually going to do anything with it, so have these five sentences about Neil and Nara.

Nara presses a joint into his hand, holds him as the world slips away, as his thoughts slip away. This is why he was made, she says, shushing his frantic speech. He believes her.

She carves up his memory to extract seemingly nonsensical visions, plies him with kalif and pleasure until they blur and he remembers neither.

[talentforlying]

boston brand: they say the third time's the charm. so what do you make of constantine? tim hunter: he's all right, i spose — easier to talk to than the other three. only thing i can't figure out is how we get from place to place ... boston brand: that one's easy, kiddo. he's riding the synchronicity freeway, and so everything just falls into place; time, movement, even distance just sit up and beg for him. you're having an adventure, kiddo. if you survive it, it'll be fun.

books of magic still has the most batshit way i've ever seen constantine's synchronicity wave traveling abilities showcased, actually.

for frame of reference, most of the hellblazer writers usually apply the concept of surfing the synchronicity highway in much smaller ways: namely constantine's uncanny ability to stumble across significant events/people/artifacts, or winning at gambling 100% of the time he chooses to. but books of magic has him doing shit like bending time and space to breeze both him and tim from a new york street onto a cross-country flight with no one questioning how they just ended up appearing in seats assigned to them.

so either constantine is showboating to absolute fuck for the sake of making a killer first impression (extremely plausible), or he's REALLY taking it easy with his use of magic most of the time.

[magdaclaire]

just got six completely empty never used perfect condition notebooks from my mom bc she had over thirty blank notebooks again (something of a personal limit). having a mom who has the same type of autism as you is so nice

[yourgamemasterthewhiterabbit]

What the fuck it cut off my tags, whatever

I do deserve a treat :( Thank you <3

sorry for ranting, also sorry half the rant was cut off

this is the single worst way i've ever read to describe an erection, frank herbert

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[fuckyeahgoodomens]

Today, Prime Video announced that it has confirmed that the global, fan-favorite series Good Omens will return for a third and final season. They have confirmed, as follows:

• The third season will comprise of one 90 minute episode starring Michael Sheen and David Tennant who return as the angel Aziraphale and demon Crowley, respectively. • Prime Video is delighted to bring its global customers a gripping conclusion to the ineffable journey between Aziraphale and Crowley. • Production is expected to begin in early 2025 in Scotland and the third season will premiere on Prime Video in more than 240 countries and territories worldwide. • The forthcoming season will bring to life a serendipitous conversation from almost 35 years ago, between the late Sir Terry Pratchett and Neil Gaiman, where they mapped out “what happens next” to the wonderful characters in the world of their internationally best-selling novel. • The first season of Good Omens launched globally as a limited series on Prime Video in May 2019, and became a worldwide hit. This led to the series being renewed for a second season, which premiered in July 2023, and explored storylines that went beyond the original source material to illuminate the ineffable friendship between Aziraphale (Michael Sheen), a fussy angel and rare-book dealer, and the fast-living demon Crowley (David Tennant). • Rob Wilkins of Narrativia, representing Terry Pratchett’s estate, as well as BBC Studios Productions’ head of comedy Josh Cole will executive produce. Good Omens is based on the well-loved novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Sir Terry Pratchett and Gaiman. The new season is produced by Amazon MGM Studios, BBC Studios Productions, and Narrativia. • While Gaiman has contributed to the writing of the Good Omens series finale, he will not be working on the production.

my musings:

Shouldn't it have been a series of six episodes?

It should have yeah. It should have been 6 episodes so the seasons would make 666, now it's 661.

Is Neil Gaiman involved?

According to the press he will not be working on it as such though he "contributed to the writing", I mean the third season is based on what he and Terry had outlined together and he started to write into the scripts so I guess it couldn't be done without?

Tell me some good news

uuuuh, *racks my brain*

It is not cancelled completely (like OFMD for example :(), so we still might get the cottage?

Since there will be less of it then there will also be less post production and we might get it sooner?

Ta-da. (sorry)

And

[stonedonblues]

Loved every part of this, thank you!

I think it's an important political statement right here. Crowley is in fact a rebel, someone that goes againts the rules and accept the consequences for his decisions, but always fight for his right to live as he wants. And all of this is good, it's really good, but at the same time it never changed anything for Hell or Heaven. Him being a deviant is both a problem and a way to question the system. Him being like this it's what changed Aziraphale, Gabriel and Beelzebub. What made them think about everything and re-evaluate it. But even though he questions the status quo, he doesn't have a different solution. No, he wants to maintain the status quo. He's a rebel, obviously, but he never actually tried to change something, not when it was "convenient" for him. And when things got problematic, his response to that great amount of stress was running away (which is perfectly understandable)

On the other hand Aziraphale is not as rebelious as Crowley. Crowley is like an anarchist, while Aziraphale still thinks that the Heaven can be changed. Azira is the one who wants to subvert the situation and Crowley isn't doing enough. We can see it in history itself, real change doesn't come from individuals that rebel against the system (a common way of thinking in our society), that is only the beggining. Aziraphale is stating that he can actually change things, no more atrocities done by the heaven, no more having to be distant from Crowley. Aziraphale was always like this and i find it strange that people think about his decision as something out of character or only drived by his trauma.

At the same time he isn't a saint: azira still treats heaven as the good one, even though he experienced that it's not like that, while viewing hell and the very essence of Crowley as bad. He doesn't think about his words when he talkslike that but he is pointing out how he've always seen Crowley as an angel. And Crowley obviously hates this, because he doesn't want to be an angel. It's really incredible how they can know each other for 6000 years, love each other in so many ways, and yet none of them understands what's in each other hearts.

I would also point out that when Metatron proposes Aziraphale to become the main archangel, he refuses and states immediatly that he is not interested. Only when Metatron says that he can bring Crowley with him, that Azira actually thinks about it. Because Aziraphale wouldn't try to change anything if it wasn't for Crowley, the one who made him question, who made him love the earth and love a fucking demon. Crowley can see the toxicity of heaven and hell, but he can't think about anything other than running away with his angel, while Aziraphale wants to create a better world for his love. That's fucking romantic please

The portrayal of that entire discussion, while being heartbreakig, is also so important to make: we need to stop searching for new ways to escape our world, even if it's toxic and sad and terrible. Even if it makes us happy, right now we need to change things, to do something better than just critizing and rebelling against it. We need to make a political, social, cultural and economic change because escapism is just another solution that our society gives us to distract ouselves from the literal end of the world.

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[dayurno]

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[morally-gray101]

I love you and you are the light of my life

when neil was going to save andrew at the hemmick's house, he knew exactly what kind of wood the door was, and how easy it would be to break through. that's what kind of guy he is. neil doesn't win fights, but he is damn good at a getaway. this is a really good example about how all of neil's knowledge is really selective because of his upbringing. we need more survivalist neil because he shows all these traits in the books, another example is when he hitchhiked from columbia to palmetto. please stop ignoring this because i want to see batshit insane neil on the run fics right now thx

[theonewiththefanfics]

Homecoming (one-shot)

Synopsys: When Y/N goes missing during a simple supply run, she comes back with world-shattering news for Astarion. News he never thought to hear, and now he has a decision to make, one that will shift his life on its axis once more.

Set after the main events of BG3

Pairing: Astarion x fem!Reader

Genre: angst, fluff, a bit of SMUT, but nothing explicit

Warnings: talks of blood, injuries, swearing, mentions of abuse, but nothing explicit, kidnapping

Word count: 8397

A/N: I have not played Baldur's Gate 3 (I don't own a PS or a PC where to play it. all of this is based on the info gathered online and through Neil's own gameplay etc. Please be kind :) )

Part 2(ish) - Love Conquers All (one-shot)

A home was not something to ever be taken for granted, that much they had learned during their adventures.

A home was a fire slowly crackling in the hearth, warmth expanding through the living room. A home was Astarion sitting on a loveseat, a book in his hands while he waited for his love to finish puttering around in the kitchen. A home was drying tea leaves and making preserves for the coming winter as she shooed him out, saying that his fussing would only hinder her process.

He’d huffed, puffed and whined, trying to make Y/N pull away from her plans just so they could curl up and read together, but she was adamant.

“I’ve already started.” She dropped an orange peel and pressed some lemon juice into the steaming pot. “It’ll be wasted produce if I just leave it now.”

“But it will take you hours!” Astarion whined like a child and even stomped his foot, making her snort.

“And it will take me twice as long if you don’t stop annoying me.” Y/N threw him a saccharine smile over her shoulder, batting her lashes at the pouting vampire. “Now, be a good boy, and quit pestering me. We’ll have all the time in the world, once I’m done.”

Astarion just groaned, going up to her and wrapping his arms around her waist, the incisors he usually sank into her neck now nipping at her lobe. “I can be a very good boy if you only let me prove it.”

“My love, you will be getting absolutely no sex from me, if you don’t let me at least finish this batch.” A shiver rushed down her spine as he licked at her neck, so close to that sweet spot he always used as a place to bite and drink from. But she had to be strong. The jams wouldn’t make themselves. “Every additional minute you keep me from this will be an additional day of your dry spell.”

The vampire spawn jumped back from her as if he’d been scalded, scarlet eyes narrowing in on her. “You wouldn’t dare. You wouldn’t last an hour!”

Y/N turned around, crossing her arms as a devious smile bloomed on her lips, a brow raised in challenge. “Would you like to test those waters?”

Astarion stood, staring her down. His crimson gaze was blazing from underneath his lashes, but she didn’t budge. They’d played this game for close to three years as a couple now, and she’d learned very quickly – Astarion was very much so a cat. But especially – he was a cat that liked to knock things over while keeping direct eye contact with you, though the second you placed a palm underneath whatever it was he wanted for to fall, all his need for chaos disappeared. It just wasn’t fun anymore.

For twenty long seconds, Y/N and her pale elven lover didn’t break, hoping the other would crumble and be announced as the loser, but part of what he loved about her, was her stubbornness. It was because of that part of her personality, she’d stuck by him when his doubts had crept in, when his own mind called him worthless and not good enough for her, almost as if to spite those vicious words in his mind. She didn’t give up on the people she loved, and as luck would have it, Astarion owned her heart.

But Y/N also knew how to handle a cat like him, so just after a few more tense moments, his eye twitched, and he huffed in defeat.

“Fine,” he scoffed. “But if you are not done by sundown, I shall have no other option but to drag you away from the stove. Kicking and screaming preferred.”

Y/N simply shook her head, and went to him, wrapping her arms around his neck and pulling the man into a deep, breathless kiss, but not before nipping at his bottom lip, dragging the piece of flesh between her teeth and making him let out a desperate moan. “I’ll even let you tie me up if you wish to do so.”

Astarion’s pupils almost swallowed the red irises in a matter of seconds, as he threw his head back in a groan. “My love, you’re absolutely killing me here.”

“Then I hope whatever punishment you deem fit for me, will be just oh, so sweet.” Y/N stepped back, untangling herself from him, but the mischievousness in her eyes didn’t lessen.

She could see how the words tortured him, how it took every single last piece of his fraying self-control, to not rip off her apron and the clothes underneath and just lay her down on the kitchen table, legs spread with his mouth licking into her until she orgasmed.

With eyes holding nothing but pure lust and hands clenching and unclenching, Astarion retreated. Y/N would be lying if she said she wasn’t hot and bothered and absolutely dripping between her thighs, and the thought of finishing those jams was the last thing on her mind, but she did have to do it. If only to keep him waiting longer, knowing whatever his beautiful brain was cooking up would leave her screaming and shaking for hours.

They’d been growing their own vegetables and fruits, Y/N tending to them during the nights to spend more time with Astarion as he fussed over his flower gardens, so it would simply be wasteful to leave their berries to rot. The year had been very generous and offered a variety of things to gather, so a while back, she’d decided to pickle some of the tomatoes and cucumbers, turn another batch of peppers and tomatillos into sauces while the sweeter things would be turned into syrups and jams.

Y/N shook her head, trying to clear it from the haze of lust, as the aroma of lemons and cranberries, raspberries and oranges wafted all around, encasing her in the scent. She was just about to add the sugar when the tin rattled with the sound of the last grains left.

Her brow furrowed as she opened the lid and looked inside. Sure, enough it was empty.

The woman huffed. She was absolutely positive she’d gotten the right amount during the last trip, but somewhere along the way it seemed a miscalculation had happened, and now she had to get more. Y/N would have asked Astarion, and had the sun dipped below the horizon, he would have jumped at the request, but alas his little vampiric predicament forbade him from walking during the day, the sun still high in the sky from what she could see through a tiny slit in the shutters.

Quickly, Y/N snuffed out the flame below the pot, untied her dirtied apron and grabbed a basket from the pantry, tying a pouch of coins to her side. She only needed sugar, but maybe she would grab some other necessities as well. They were low on Astarion’s favourite wine, one he claimed didn’t taste like vinegar at least.

“I’m off to the market really quick,” Y/N announced as she peeked into the living room, taking in Astarion as he flipped a page in a book. “Do you want anything?”

“No, my love.” He looked at her like a love-sick puppy. “Just your darling self back as quick as you can. I have picked up some… inspiration for your punishment if you will. Just as you suggested, of course.” He closed the book, showing the cover to her.

Heat crawled all over her body as she read the title, one of her smuttier romances she had started to read, and when she could do nothing but gulp and nod, his smile turned from a sweet one into a wicked-fanged thing. It was all she needed to know whatever awaited her once she was done would leave her unable to walk. Gods, she needed to finish this whole thing up as quickly as she could.

Y/N was out the doors like the wind, the usual stroll to the market cut from half an hour into a brisk fifteen-minute jog, the thoughts of the man waiting back home for her at the forefront of her mind.

The needed sugar, some coffee beans, a loaf of fresh bread, Astarion’s wine and some sour cream were all bought in quick succession, Y/N didn’t even try to haggle. Her eyes drifted across various stalls and merchants and she almost deemed it done when her gaze caught onto a rose seedling. It was a beautiful bloom with blood-red petals that whitened at the very tips. She smiled and went to buy it. Astarion would love the symbolism even if a bit too on the nose.

Once satisfied with everything, Y/N marched across the market and was back on the road to home. It was a humble little house they’d purchased with whatever had been left in their pockets after all was said and done with the tadpoles, but Astarion had bigger plans. This was only a temporary situation.

“I want a whole room full of books. Nothing but books from one end to the other and then some,” he’d confided in Y/N one night after both were panting and spent from multiple rounds of bringing the other to ecstasy.

“And a large ballroom,” he continued, and Y/N couldn’t help the loud laugh that escaped her.

“A ballroom? And what will we do with that?”

“Why, have grand balls, of course!” He threw his hands up in the air as if her question was preposterous.

“Star…” Y/N tilted her head to look up at him from where she was lying on his naked chest. “You hate people. A ballroom full of them – it would be your literal nightmare.”

“I don’t hate people.”

“I don’t count.”

“Alright,” he conceded, wrapping an arm around her shoulders and pulling her closer. Y/N placed her palm atop where his heart was and rested her chin on it, looking deep into his eyes. “I hate most people, simply dislike them, but I wouldn’t be opposed to a get-together, from time to time. Maybe… maybe see our friends. Catch up on how they’re doing. I absolutely despise to admit this and will say you are lying if you ever mention it to anyone, but I – I miss them… even Gale…”

A gentle smile lifted her lips as she brushed a wild curl out of his face and tucked it behind his pointy ear. “I think I’d really like that too.”

His eyes were so soft and full of love, that Y/N swore she could feel his heart beating once more in his chest, thudding against her palm in a confession of adoration.

She was almost out of the city by that point, already on the small, secluded road leading to their house which lay on the outskirts of Baldur’s Gate right by the edges of the woods, so Astarion had easier access to game in between feeding on her when her attention was drawn back by someone calling out.

“Miss!” the voice, male she made out, yelled after her. “Miss, please wait!”

Instantly, her guard was up, but when a breathless man, looking to be in his late sixties appeared from behind a copse of trees, she somewhat relaxed. Y/N was still cautious, but if anything, she had a dagger holstered against her thigh. She was always prepared.

“Miss,” he gasped out, leaning his hands against his knees to catch his breath. “Miss, you are a quick one. I’ve been calling for you since by the rose stalls."

“Oh, I – I’m sorry. I didn’t hear you!” Y/N said but didn’t move forward. “How can I help?”

He huffed, as if regaining her breath, before fishing out a piece of fabric from his pocket, and extending it towards her. “You dropped this by the flowers.”

When she took a closer look at what he was holding, it seemed to be some sort of a silk scarf. She narrowed her eyes at him. She didn’t own silk scarves and definitely hadn’t worn one on such a warm day. “You must have mixed me up with someone, as it’s not mine. Sorry, for you to have troubled yourself like this.”

“No.” The man furrowed his brow, taking a step closer. “I am fairly certain I saw you drop it. Such a fine piece… didn’t want you to lose it.”

Y/N took a step back, angling herself in a defensive position with the basket in front of her. She didn’t like the tone he was speaking in, nor the way his eyes seemed to be appraising her. “No,” she asserted. “It’s not mine.”

His back stiffened, eyes growing cold, the grip on the scarf tightening as he hummed. “Well… a pity then.”        

She took another step back, but he was already lunging at her.

Dropping the basket to the ground, she reached for the knife strapped at her thigh, but he was quick as a viper as she hadn’t even noticed when a rope appeared in his hands, lashing it at her. Years of having fought had kept her agile and aware, but years of domestic bliss with Astarion had dulled her senses a bit.

The rope caught and wrapped around her ankle, knocking her to the ground. Y/N’s teeth clattered and snapped, her tongue almost in between them, but as he rushed to pin her down, she twisted her leg around the rope and pulled, making the man lose his balance and stumble.

It was enough for her to swipe her leg underneath his, and send him sprawling. It was enough for her to untangle her legs and roll away as he snapped it at her head. Her clothes were dirty as was her face, but it didn’t matter. She’d cover herself in blood if needed.

It was almost animalistic how she pounced – teeth bared, a snarl ripping from her throat and hands forming claws as if she would gouge at his face with just his nails, but as her palm brushed her thigh, unclipping the holster for her dagger, Y/N didn’t see the man had crouched on his knee and swung the cord.

It knocked the air out of her, as it wrapped around her chest, and he pulled her down, hard. Her ribs were screaming as the tether tightened and tightened with every pull, but as she thought this would be it, something strange happened – instead of offering her the killing blow, he opened a palm, now covered in a leather glove, and blew the contents of it onto her face.

Y/N coughed and sputtered, but whatever it was, was fast-acting and her lungs, still incapable of proper breathing due to the rope couldn’t expel it. In just a few seconds, the bright day around her turned into darkness.

She didn’t know how long she was unconscious for, but enough time had passed to dry out her throat. Or was that a side effect of whatever was blown into her face? In any case, as she slowly came to, Y/N noted there was a soft mattress under her body, which was an oddity for someone kidnapped. She could even tell the dagger was still by her thigh, the comforting weight of the blade pressed under her. Even weirder, if you asked her, to not disarm your victims.

Darkness still encompassed her, but the soft cloth against her cheeks told her she hadn’t permanently lost her vision, but with her sight obscured, she had to rely on her ears. That’s when voices invaded her senses.

There were three people somewhere further away, most likely in a different room if taken by how muffled the words were. She focused harder on what they were saying.

Two men and a female, Y/N differentiated, when the woman spoke.

“This is not what we agreed upon!” she hissed, and a grumbly-sounding man scoffed.

“You said to get her to you. I did. You never specified how.” It was the same man who’d knocked her out.

“We want her to help us!” A different male voice, this one softer, even kinder, rebutted. “I highly doubt kidnapping is a good incentive for that!”

“Look,” her assailant said. “I fulfilled my end of the deal. She is unhurt, maybe she'll sport a couple of bruises and a headache, but that is her own fault. She could have come willingly but didn’t. Other than that, though – she is completely fine. Now you do your part!”

As the trio argued between themselves, more angry whispers than shouting, Y/N started to shimmy her hands which had been bound, out of the restraints. She had a good inclination they needed her alive but had no want of staying as a prisoner.

Though her fighting skills seemed to have mellowed, which she was not happy about, even a couple of years without mortally dangerous adventures, hadn’t changed how quickly she could slip her wrists from their bindings.  Astarion might need to get more creative during their debauchery.

Y/N froze the second she heard a door open and shut, two pairs of footsteps moving closer and closer to where she was. Her breathing was shallow and almost imperceptible, as she tried to make it look like she was still unconscious.

She could sense two bodies enter the room and one move to stand where she faced, the other going to her back.

Y/N tensed. In just a few moments, whoever was behind her, would notice her undone binds. But she’d be ready.

“Darling, please be careful,” the woman said, a tremble in her voice.

Good. Let them be scared.

“Don’t worry,” the man replied. “I’ll just make sure she’s – what in the -”

But Y/N was already up, the blindfold off and ready to pounce. This time, she’d have the upper hand.

For a second, the light in the room blinded her, but her sight refocused fast enough to take in her captors’ faces.

The woman was beautiful, with high rosy cheekbones, and jade green eyes so vivid they looked like actual gemstones. Her hair was long and dark, down to her waist while grey strands seemed to have invaded the brown tresses in some places, but she was still ethereally gorgeous, her pointy ears covered in piercings.

Y/N snapped out of the shock quicker and using this to her advantage, she was behind her in a matter of a blink, her dagger pressed tight against her throat.

A gasp entered her ears, but she just pressed the blade harder, making her whimper.

“Please!” the man made her look at him, but instead of bracing for an attack, he had his hands up in surrender. “Please don’t hurt her! We just want to talk.”

“Funny way of having a conversation you’ve got there.” Y/N tightened her grip on the knife, surveying the man. Again, those same pointed ears, but his eyes were the most brilliant blue she’d ever seen and his face was marred with more age lines than the woman’s, yet he still was as gorgeous as she. “Typically, only my enemies would knock me out and tie me up before spilling their grand plans. But I will be kind and give you a choice – what would you like to be – friends or foes?”

“Friends! Friends! Please! We – we’re looking for our son!” the elven man pleaded. “And we – we heard a rumour that you might know him. Have even seen him.”

Y/N narrowed her Y/E/C eyes, piercing his with her gaze. “I’ve known and seen a lot of people. Usually, others just ask me about them, they don’t have someone kidnap me.”

“And we’re sorry, we’re so very sorry, but we had to make sure you came. It went too far and we apologise, but please…” He took in a deep breath, worried eyes flipping between his partner and her. “Our son – his name is Astarion. Astarion Ancunin. Have you – do you know of him?”

Hearing his name, knocked the breath out of her as if they’d snapped a rope around her chest again, making her stumble back. Her grip on the woman released, and she used the moment to leap over to her partner, using the bed as a buffer. He instantly wrapped his arms around her, pulling her half behind his back, but not before checking if Y/N’s dagger had pierced the skin.

Tears brimmed in the eleven woman’s green eyes as she looked at her, not even caring that just a moment before she was so close to having her blood dripping on the floor. “Please,” she whispered. “I – I know we didn’t go about it the right way, but please… is it true he’s alive?”

"I,” Y/N stammered, her gaze snapping back and forth between the two.

Astarion.

They were Astarion’s parents.

Even after all this time, they were searching for their missing son.

Y/N should have noticed the details – how the woman had a small mole on her cheek right where Astarion did, how the shape of the man’s eyes was the exact same as his son’s. Astarion even had the same high cheekbones as his mother while his sharp jaw was that of his father.

What had his eyes been like before? Green like his mother’s or the sky blue of his father's? What had he been like as a child? No doubt as mischievous and scheme-prone as he was now, but who had he gotten it from? So many different questions rattled through Y/N’s brain as she kept glancing back and forth, before shaking her head and pulling her out of the shocked stupor.

“You – you’re Ancunins?” She had to ask. Had to make sure she hadn’t overheard them or maybe hallucinating because of the powder she’d inhaled.

“Yes.” The woman nodded, brushing tears from under her eyes. “Our son has been missing for more than two hundred years, and we almost lost hope until… until we heard about you and your company a few years back. How one of the party members resembled our little Star so much.”

They hadn’t been inconspicuous, though they had tried, so it shouldn’t have come as such a surprise that tales of their adventures had gone far and wide, especially after saving Baldur’s Gate, killing Cazador and the absolute, and Gods know how many other evils along the way. But she never thought Astarion’s parents would have heard of it.

In fact, Astarion had barely even mentioned them over the years, and, for whatever reason, Y/N had concluded they must have passed, despite knowing elves lived extremely long lives. Had he maybe tried to find them on his own and couldn’t? Or had he forgotten about them?

Until Astarion and Y/N had become an official couple and she’d commissioned a portrait of him as a gift on an anniversary, he hadn’t even seen himself in two centuries. He’d forgotten what he looked like. It didn’t seem too crazy to assume, the memories of his parents’ names or their faces, might’ve slipped away as well, or even the love they had for him. Especially knowing how deeply Cazador had ruined that notion for him.

She needed to get home. She needed to see Astarion, and then she could figure out what to do.

“I need to go.” Y/N nodded to herself, muttering under her breath. “I need to think.”

“No, please!” the woman lunged, trying to grasp at her, but she had a knife pointed at her chest in an instant, making the elf shrivel back, but still, she pleaded. “Please help us. You’re the hero of Baldur’s Gate! If you can’t help, who will?”

“I promise I will do my best,” Y/N said. “But I need time… I – I need to figure all of this out.”

Her mind was swirling like a hurricane, but the man interrupted her breakdown as she realised how pretty much her in-laws, had kidnapped her. “At least tell us this – is – is it true he is alive? Or have we travelled across Faerun under the pretences of false hope?”

In truth, Y/N wanted to take them by the arms and drag them to her house, but whether Astarion wanted to reach out and reconnect, was up to him. That sort of a choice was not hers to make, but she could grant them this one request.

“He is.” Y/N nodded.

And then she left as quickly as she could because if she had to stand there and watch as the elves crumbled into one another, cries of relief and joy escaping into the slowly setting day, she would crumble too. Their faces were already permanently burned into her mind, and she needed a moment to process everything.

By a stroke of luck or fate, Y/N instantly recognised she was in the woods on the other side of Baldur’s Gate, so retracing her steps to the market was fairly easy even though the whole way back home, she was pretty much stumbling around in a daze, knocking into people and tripping over her own two legs.

Her discarded basket was right where she’d left it, gold coins scattered around it. The pouch must’ve broken during the struggle. Y/N made sure to pick every single piece up and was more than relieved to see, that the rose bloom was still intact.

By the time she arrived, the sun was starting to dip below the horizon, and as the last rays warmed her back, she extended her palm to open the door, though she didn’t even get to touch the handle as it was ripped open by a visibly distressed Astarion.

His eyes looked like he’d been crying, his hair as if he’d been relentlessly raking his fingers through the locks and his lower lip so bitten, there was a small hole where one of his incisors had gone through.

“Oh, thank the Gods!” Astairon instantly grabbed her by the wrist and pulled her in a bone-crushing hug, burying his nose into the crook of her neck. “Thank the Gods!”

Y/N dropped the basket over the threshold and closed the door with her foot, her own arms weaving around his middle, a palm soothingly brushing along his side, as he soaked her in.

“I’m alright, Star,” she said, kissing his temple and didn’t even make a noise as he gripped her waist tighter, right where bruises were forming. “I’m sorry I was gone so long, but I’m alright.”

“What happened? You said you’d be quick, but you were gone for hours! And you know what the worst part was – I couldn’t even go out looking for you because of the damned fucking sun!” Astarion cupped her face, turning it this way and that way, trying to find any injuries, but the biggest one would be in her head as she tried to figure out how to explain to him what had happened. “Gods, I am never letting you out of my sight again!”

Y/N indulged the vampire in the hug he pulled her in, holding him against her chest, trying to comfort him, but she was way too consumed with her new findings. Too quickly, as evident by the frown on Astarion’s face, she untangled herself from the embrace, anxiety immediately flashing over his handsome features.

She slid her arms from around his waist to take his palms into hers. “I – I don’t even know how to say this… How do you say something like that?”

Worry instantly marred his brow, and Y/N pressed a practised thumb between them, trying to soothe them away.

“Shit…” he muttered. “Did I do something wrong?”

“What? No!” She cupped his cheeks. “Astarion you’ve done nothing!”

“Then – then what?” He was tentative, still, scared Y/N might be angry at him. Or worse – wanted to leave, but her next words erased all that doubt.

“I…” She took in a deep breath. “Astarion, I met your parents today.”

Whatever he had expected, clearly that hadn’t been it. Probably a confession she’d met a past love, that their feelings were reignited and she wanted to go with them. But definitely not that.

He blinked once, twice, trice, completely and utterly stupefied before a small whisper of “What?” passed his lips.

“It’s why I’m so late,” Y/N explained. “They’d heard a rumour, that I knew you and had travelled with you during our tadpole situation, and came to me. Astarion, your parents are looking for you…”

A million thoughts seemed to swirl in his head, but Y/N held onto his hand through all of them.

“What,” he cleared his throat, “what did you tell them?”

“That I’d find them once I figured out what to do?”

“Which means?”

“Which means I would come home, give you this information and let you figure out what you’d like to do…”

So many emotions flashed across his face, but Y/N no longer needed that mind flayer tadpole connection it created – Astarion was an open book for her to read.

Joy. Such indisputable joy shone in his scarlet eyes before being consumed by confusion. Then anger and disgust and love, but by the end of it all his heart settled on one feeling – fear.

It’s what it knew best, though Y/N had tried her hardest to reduce it to ashes, yet still it lingered. She understood it, despite not being happy he ever had to feel it.

He feared what to do, what would be the right choice to make, he feared their reactions and what they would say of his disappearance or of his newest… condition. Would they accept him? Or would they be repulsed by him?

“What – what would I even say to them?” Astarion searched her Y/E/C eyes as if they held an answer, but when one magically didn’t appear, he hung his head, a tear rolling down his cheek. “I can’t even remember what they looked like. Their names, the house we used to live in… it’s all a fog.”

Y/N tried to give him an encouraging smile. “Well, your mother – she has the most beautiful green eyes. Like that dress you made for me for Summer Solstice, that same shade. And – and she has a little beauty mark on her cheek.” With a gentle thumb, she brushed over the mole. “Right in that same spot.”

His brows furrowed in concentration; his lips pinched tightly. “I – I remember blue eyes. Not green.”

“That might be your father's. His are azure I’d say. Like the summer sky. Gods, Astarion,” Y/N breathed out. “You look so much like them, but… honestly, the only thing you need to know right now is that they looked relieved.” Her voice was soothing as he tried to find lies in her words, but there would be none. “I didn’t tell them anything apart from the fact that you’re alive, and all I saw was complete and utter relief.”

Y/N placed a strand of hair behind his ear as he pondered. His carmine eyes slid to hers. “Do they want to see me?”

“Yes. It was the whole reason they sought me out because I might have a single scrap of information on you.” She’d mention the kidnapping later. Or maybe never, depending on how everything went. What he didn’t know couldn’t hurt him.

“Is it,” he hesitated, as if ashamed to be asking such a question. “Is it alright if I think this over for a bit? I’m just – there’s so much going on in my head…”

“Of course, Star!” Y/N cupped his cheeks and placed a reassuring kiss on his forehead. “Take all the time you need.”

“Thank you,” he sighed, his shoulders dropping, but she just shook her head.

“Nothing to thank me for. Not for this.”

And so, they continued on like that for a few days – Y/N didn’t bring the subject up, but she made sure Astarion knew, she’d be there whenever he needed to talk. Yet her mind couldn’t help but worry about the two elves in that little cottage on the other side of the town. How horrid it must be to wait for an answer that might never come, but her love was her first and only priority. When he decided it would be time, she’d support him no matter what.

It was a week after the revelation (and subsequent freakout on Astarion’s part when Y/N had removed her clothes before him, and he saw the raw skin and bruises on her ribs. She spent the whole night convincing him it was fine and talking him down from hunting the mercenary and bleeding him dry. She didn’t mention it had been his parents who’d hired him but rather said it had been an unfortunate coincidence), when Astarion awoke with a certain determination, shaking her awake.

She swatted at him like an insect buzzing by her ear. “Leave me be, you blood-sucking, elf!” Y/N grumbled, burying herself under the duvet. “It’s too early. And stop hogging the covers!”

She was just about to elbow him in the ribs if he didn’t let her sleep more, but what he said was like cold ice being poured over her, waking her up completely.

“I think I want to see my parents.”

Y/N was sat in a second. The sheet dropped down, exposing her naked chest, but she didn’t even feel the chilly air biting at her skin, even though Astarion’s gaze immediately dropped down to her breasts, eyes blazing with want.

Rolling her own eyes, she pulled the cover so that it obscured her indecency. Though it was his favourite outfit of hers, they needed to focus on the important things. “Are you sure? You can take all the time you need. There is no rush to this, and it’s a huge decision to make.”

“I’m sure,” Astarion sighed, running a hand through his moon-white locks and dropping back onto the pillows. “It’s pretty much all I’ve been thinking about.”

Y/N worried her lip before sliding back down next to him, letting him wrap his arms around her body. She knew in moments like these, Astarion needed reassurance, and he craved being close to her. Holding her grounded him, and made his scattered thoughts into something solid.

She kissed right above where his heart lay. “If, you’re sure.”

“I am… I just… Will you be there?” Astarion looked down at her.

The woman gave him a smile. “Nowhere I’d rather be than by your side.”

Gently, he brushed a finger against her cheekbone and leaned to kiss her, thankful he’d found someone to walk the world with, especially during the moments he feared he might break.

The day before they’d decided on meeting, Y/N ventured out to the cabin to inform the elven couple of Astarion’s decision. Once they’d seen her walking up through the window, they were out before she even managed to get to the door, faces full of hope.

“Astarion, he wants to come and see you, but there are some… conditions…”

His mother’s brow furrowed, the grimace so familiar it sent a pang through Y/N’s heart, but she swallowed it. “Whatever he needs. Whatever you both need. Anything for our little Star.”

“So… please just don’t question this, but umm… physical contact – I know I can’t possibly understand how you feel, but let him come to you first. It might not make sense, but it’s important that he is the one to make that step.”

“Of course,” Astarion's father nodded, his mother eagerly agreeing.

“And umm… he’ll be different. He might not look like the elf you remember him being. The world wasn’t kind to him for a long time… Please don’t mention this.”

Pain flashed across their faces at her words. They must have assumed something horrible had happened to him, but to have it confirmed was a different kind of agony. But as Y/N had asked – they didn’t question, simply nodded, holding onto one another a bit tighter.

“Alright.” Her heart was somewhat settled. “Thank you. We – uh- we’ll see you later tonight then.”

And with that, she left only to find Astarion pacing the inside of their hallway upon her return.

“Is it sundown already?” He snapped his neck to her as she removed her cloak, visibly upset when Y/N shook her head.

“A couple more hours, I’m afraid,” she said, taking his hand and kissing his palm, placing it against her cheek. “Please stop worrying. It will all be alright.”          

“But what if I’m making a mistake?”

She raised her brow. “Do you think you’re making a mistake?”

“N-no?” Astarion huffed. “I don’t know. I know I want to see them at least once, but what if it’s best to leave the past in the past? Why torture myself and exhume it, so to speak?”

“You can leave it all behind if that’s what you wish. But, Star, you also have the rarest of opportunities people get – a second chance.” She stepped close to him, pulling his head down by the nape of his neck so they could rest their foreheads against one another. “But you can always leave. You can always say “no.” And if someone doesn’t get that, no matter who they might be, I will gut them navel to throat.”

Astarion chuckled, brushing his nose against hers. “My knight in bloody armour, always ready to ride into battle for me.”

Y/N pecked his lips in response. “As long as I get my kisses at the end of it – without a second to spare.”

They spent the couple of hours waiting until the sun went down cleaning up around the house and then it was time to go.

As Astarion took a deep breath before closing the door, Y/N squeezed his hand. “We can turn back whenever you want to.”

But he seemed determined, only giving her a reassuring smile and twining their fingers together, her hand in his solid hold.

They walked slowly, enjoying the warm night gracing Baldur’s Gate, and soon enough they were through the city and past the woods, a small log cabin coming into view.

He stopped them a few feet away, taking in a moment to gather his thoughts and emotions.

Y/N glanced at him encouragingly. “Are you ready, Star?”

Astarion took in a deep breath, held it in for a moment and then exhaled, nodding. With this confirmation, she released his hand and ventured to the door, gently rapping her knuckles against it, immediately returning to stand beside her lover.

Instantly his palm was back into hers, as if he needed her to ground him, reassure him everything would be alright as nervous energy coursed through his veins while they waited for the inhabitants to come and see them. And though it was probably no more than ten seconds since she’d knocked, it felt like time had stood still. Once the doors opened, even nature quieted down.

The breeze shushed the tweeting birds and seemingly even the worms digging underground stopped their burrowing as finally, after two hundred years, the lost Ancunin son returned.

They stood like that for what seemed like ages, just taking one another in, before a small sob of Astarion’s name from his mother’s lips broke the spellbound silence.

It’s when he rushed for her, the elf already on her feet, meeting him halfway. Her arms wrapped tight around his body, hands smoothing down the back of his head as all the while she kept whispering “My Star, my little Star, you’re home.”

Y/N was on standby, ready to rip her away if Astarion became overwhelmed. She’d asked them to allow him to be the one to make the first step, and they had, but with such all-encompassing feelings, she just wanted him to be safe.

Though all that anxiety dissipated like ice under the blazing hear of the sun when Astarion practically melted against his mother, his fingers digging into her shoulders and back as if he never wished to be let go, both of them crumbling to their knees, still in each other’s embrace.

Tears welled along Y/N’s bottom lashes and when his father joined them, wrapping his arms around his family, they fell like rain on an autumn evening. She had to press a hand against her mouth to not sob out loud, but it didn’t seem like anyone would care, as Y/N noted Astarion’s shoulders shaking while his mother and father were freely crying, all the while touching and caressing his face, trying to ingrain the memory of having their son back in their arms.

She couldn’t imagine that feeling, didn’t ever want to, of finally being reunited with a family which you were so brutally ripped away from. Y/N almost wanted to resurrect Cazador, just so she could drive a stake through his heart again, but that might’ve been a bit too morbid of a thought in such a tender moment.

“You’re home.” His mother pulled back, cupping Astarion’s cheeks and smiling from ear to ear. “Our little Star is back home.”

“I’m sorry it took me so long,” he choked out, but his father shook his head.

“Doesn’t matter. You’re here. That’s enough for us.”

Y/N watched as he took in the people who’d searched for him relentlessly. He never knew they’d never given up. She wondered if there would be a time, he’d believe he was worth all it. She certainly hoped so.

“Thank you,” the elf with eyes like jade said, snapping her eyes towards Y/N. “You have no idea what kind of a gift you’ve bestowed upon us. We will never be able to repay you.”

She could only wave them off, a knot in her throat. “You owe me nothing. Seeing this – this is enough for me. I’ll – uh – I’ll leave you to it then.”

Just as she was about to turn around, Astarion jumped to his feet, untangling himself from the limbs of his parents, eyes full of concern. “What? Why? What’s wrong?” He was by her side in an instant, pulling her hand to rest against his chest.

“Nothing!” Y/N shook her head. “I just – I just think maybe I should take my leave. I can be back in a few hours if you’d like, but this just all seems like – like a private family reunion.”

Astarion scoffed, his free arm weaving around her waist, completely offended. “And what exactly do you think you are to me if not family, my love? Arguably, you might be the most important part of it.”

“Well, I wouldn’t say that -,”

“Hush now!” he scolded her. “You promised to be by my side through everything. Are you breaking that promise?”

“No, I just,” she stammered. “Are you sure you don’t want me to leave you to it? This just feels awfully personal.”

“My love, you are the keeper of my heart. You are my true home.” Astarion cupped her cheek, resting his brow against hers, chest against chest, not caring who might see. “Without you, none of this would have happened. I could still be on that beach with a mind flayer tadpole wriggling behind my eye.” He took her hand, and kissed her knuckles, sighing as they brushed against his jaw. “I don’t want to do this without you. I want to relearn who my parents are, and I want them to get to know me, but a non-negotiable part of that is you. That is if it’s alright with you?”

A tear slipped down her cheek, as she looked deep into those ruby eyes that once held nothing but fear and pain, only to now show love and compassion and happiness. When she smiled, her grin could have rivalled the sun itself. “I’d be honoured.”

When they glanced at the two elves by the threshold of the house, they noted the horrified looks on their faces. Astarion’s guard was immediately up, but his mother beat him to it.

“My Star, I am so sorry!” She put a hand over her mouth. “We swear we didn’t know you two were lovers! We just...” She glanced at her husband in desperation, but it seemed the little scene they’d put on had rendered him speechless. “Had we known, we would have never…”

Astarion squinted at her, a dangerous note appearing in his voice. “Never would have what?”

“Oh Gods, we had your partner kidnapped,” his father finally got out, eyes only widening in more shock as it settled that Y/N wasn’t just a travelling companion or a friend, but just what she really meant to Astarion.

“You did what?!” His head snapped to Y/N who now retreated to stand between the two shocked elves, and her quite furious boyfriend.

“Astarion, it’s alright,” she tried to calm him down. “They didn’t know! Besides, I heard them arguing with that mercenary. They didn’t hurt me. In fact, I,” she let out a nervous chuckle, “I held a knife to your mother’s throat. So, call it even and let’s move past it?”

His gaze was hot like the flames, as it burned into her. “We will discuss this later.” He pointed an accusatory finger at her before taking a deep breath and exhaling. “This is absolutely not how I ever imagined a family reunion to go, let alone the introduction of my partner.”

Y/N’s shoulders dropped as he broke the settled tension, but something in his eyes told her she’d pay for her omissions. And oh, how delicious that punishment would be.

His mother still seemed to be all nerves as she invited them inside, spouting apologies in Y/N’s direction, but when she took the elf's hand in hers and gave a comforting embrace, she relaxed a little. “Let’s let the bygones be bygones.”

“I’d appreciate that,” she smiled, and wrinkles of age and time appeared around her eyes.

It was awkward at first, two centuries of hurt laying between them, two centuries of torture on Astarion’s end, of lost love and people, but slowly they opened up. And when his mother mentioned how he always used to bury his nose into strawberry fields, because it reminded him of his mother’s hair care products, it was like a damn had been opened.

The memories were still there, buried under layers of pain and horrors, but there. Maybe a little jumbled up and out of sorts, but with every hour spent together, locks were being broken and a light long lost lit up again.

Astarion had changed, but so had his parents. He let them know of his adventures, how he met Y/N and how she had turned his world upside down but abstained from the more gruesome parts. He wasn’t ready for that. Not yet. Maybe not ever, but if he so wished, she knew his parents would be there to listen and welcome his vulnerably with open arms.

An hour before the sun resumed its place in the sky, Y/N nudged Astarion, telling him it was time to leave. She had little doubt in her mind, his parents had caught onto what he was, even if they hadn’t mentioned Cazador. If not for the shape of his elongated canines, or the colour of his eyes, which Y/N had found out had been a beautiful shade of pale green, then because of the brutal scars on his neck. But they still pulled him into a hug with such vigour, it was like they feared they’d never see him again, which was probably a thought always haunting their minds.

“Would – would you like to come over to ours?” Astarion asked, still holding onto his mother’s hands. “It’s a bit of a mess, our place, but if you come after the sun’s down, I’m sure we can have it proper enough to take on guests.”

It was an odd request, but thankfully, neither his mother nor father said anything about the specific time request, simply hugged him once more and promised to be by their door the second the sun dipped, wine and lemon cakes in hand.

As they waved their goodbyes, Astarion slipped his palm into Y/N’s and made sure they walked all the way back like that. Once behind a closed door, he pulled her into his chest relishing in the way their bodies melded together – two puzzle pieces finally connecting and forming the most magnificent picture to exist.

“What is it like to be finally home?” Y/N asked as he swayed them to a tune only, he heard.

Astarion shook his head, pulling slightly back so he could cup her jaw. “My love, I have been home for a long time now. I’ve been safe and cared for, all thanks to you.” His eyes were so full of love and adoration, she almost choked on a breath. “Now… now it just feels complete. So thank you… thank you for being my home,” he muttered that little confession against her skin, pressing a kiss to her forehead. “Thank you for keeping me safe.”

“Always, my love.” Y/N didn’t hide the tears rolling down her face and he brushed them away with a soft thumb. “Always.”

When their gazes locked, all she could see was excitement for what the new day had to offer, and she knew whatever was in store, as long as they were by one another’s side, there was nothing they couldn’t overcome.

But for all that, there was an important thing she was unaware of.

As Y/N entered their living room, talking to herself and making a list of what they had to do before his parents arrived, Astarion stood and watched her, leaning against the doorframe, all the while his hands rested in his pocket, where in one of them, a beautiful ring was being twirled between his fingers.

Before they’d left, his mother had slyly pulled it off her own hand, pressing it into his palm, and whispering to him while hugging that she didn’t want to see Y/N without it the next time around.

Astarion had no intention of living his life without Y/N as his fiancé for a second longer.

When she turned around to find him on one knee, he didn’t even get to ask the question before she responded with a shout of “Yes!” and jumped on him, pulling him into a kiss he swore breathed life into his still chest.

He couldn’t wait to reintroduce Y/N to his parents as his intended.

Now all was as it should be. He was finally home. And somewhere in the garden, a rose bloomed in full.

Tags:

Everything tags: @palaiasaurus64 @supernaturalbaesduh @thatawkwardlittlefangirl @sea040561 @staryeyedgirl @deathbyarabbit @m-a-t-91 @maladaptive-ninja-returns @averyrogers83 @gallifreyansass @dewy-biitch @avxgers @unlikelygalaxygiver @magicwithaknife @ollyoxenfrees @bnhvrdy @tvwhoresblog @thatkindofgurl @sj-thefan @lestersglitterglue @im-squished @strangersstranger

Astarion tags: @spacebarbarianweird

A/N: This idea was inspired by that one post of a painting Astarion's parents probably had of him, but had put away somewhere just so they didn't have to look a the son they lost, so I rectified it (Link to the inspo pic :) :( Now they have a portrait of Astarion and his love right above their fire place :)

P.S. my tags are always open :)

P.S.S. please don't plagiarise or repost on other platforms.

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.