#the more Associates

[inspectorspacetimerevisited]

The more Associates a given Inspector had,

the more nonsensical the B- and C-plots became.

[inkskinned]

it is hard to explain but there is something so unwell about the cultural fear of ugliness. the strange quiet irradiation of any imperfect sight. the pores and the stomachs and the legs displaced into a digital trashbin. somehow this effect spilling over - the removal of a grinning strangers in the back of a picture. of placing more-photogenic clouds into a frame. of cleaning up and arranging breakfast plates so the final image is of a table overflowing with surplus - while nobody eats, and instead mimes food moving towards their mouth like tantalus.

ever-thinner ever-more-muscled ever-prettier. your landlord's sticky white paint sprayed over every surface. girlchildren with get-ready-with-me accounts and skincare routines. beige walls and beige floors and beige toys in toddler hands. AI-generated "imagined prettier" birds and bugs and bees.

pretty! fuckable! impossible! straighten teeth. use facetune and lightroom and four other products. remove the cars along the street from the video remove the spraypaint from the garden wall remove the native plants from their home, welcome grass. welcome pretty. let the lot that walmart-still-owns lay fallow and rotting. don't touch that, it's ugly! close your eyes.

erect anti-homelessness spikes. erect anti-bird spikes. now it looks defensive, which is better than protective. put the ramp at the back of the building, you don't want to ruin the aesthetic of anything.

you are a single person in this world, and in this photo! don't let the lives of other people ruin what would otherwise be a shared moment! erase each person from in front of the tourist trap. erase your comfortable shoes and AI generate platforms. you weren't smiling perfectly, smile again. no matter if you had been genuinely enjoying a moment. you are not in a meadow with friends, you're in a catalogue of your own life! smile again! you know what, forget it.

we will just edit the right face in.

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3

[paterday]

It is vital for kids shows to have the horrors in them. The children YEARN for the horrors. They CRAVE the horrors. I craved the horrors and so will the next generation. And so will the next. Years and years and years of craving the horrors. Which is why you gotta put scaries into the kids stories.

[lynnlyrae]

something something Jinx cutting her hair and Vi growing it out Jinx dyeing her hair even more colorful and Vi hiding her pink hair under layers or black dye I’m so not okay about it-

[grimfantas]

10 years in the future for Nanako-chan

[scribefindegil]

I love first-person because it’s about what the narrator chooses to tell. What do they focus on? What do they leave out? What can you learn from reading between the lines? Are they lying to you? Are they lying to themself? It’s great for unreliable narrators and for epistolary storytelling! It’s intimate but there’s still a distance because you aren’t really seeing the narrator’s thoughts--you’re just seeing the story that they’ve constructed.

I love second-person because it’s a conversation. Does “you” mean a broad, indefinite “you”? Does “you” really mean “I” but with plausible deniability? Does “you” mean one specific person? Can they hear the narrator? Do they know the narrator? What is the relationship here? Who’s talking? Who’s listening?

I love third-person limited because it’s focused and intimate. What does the world look like from inside this character’s head? What are they seeing? What are they feeling? It doesn’t grant them the privacy that first-person does; the narrative isn’t something they’ve chosen, it’s invisible and inescapable. As a reader you’re not watching so much as astral projecting.

(I love singular point of view because of how much it leans into that limitation. You’re not getting the whole story; you’re not seeing anything unless this character sees it. How do you embrace that? What do you do with the gaps around the edges? How does that define--or warp--the events that they’re experiencing?

I love multiple points of view because of how it broadens your understanding of the story and the world. If two point-of-view characters react in opposite ways to the same thing, what does that tell you about them? About the world? How does it feel to spend time inside a character’s head and then see them from someone’s else’s point of view? How do all of these viewpoints work together?) 

I love third-person omniscient because the narrative is a character. It’s great for stories that know they’re stories! It allows for a camaraderie between the narrator and the reader! It allows for wider and more cinematic descriptions because you’re not limited to what a specific person can see! It lets you look at the characters from outside while still giving you the option to delve into their heads because you have full control over what you’re focusing on!

And I love authors who can combine viewpoints in ways you wouldn’t think would work but manage to pull it off! Stories with multiple point-of-view characters where one is first-person and the others are third! Stories that combine first- and second-person! Stories where the omniscient narrator suddenly refers to themself in the first person! Stories where you realize halfway through that you were wrong about who was narrating it!

Isn’t it fantastic that there are so many different ways to tell stories!!!!

[spacerockband]

Legend tells of the carp that leapt over the Dragon Gate at the crest of a river and became a stand up comedian.

[wasyago]

on a lunch break

[curaree]

the handshake was nice but I would've liked a hug!!

[somerandomcockroach]

Chapter 26 of Mistakes on Mistakes until AHGDHGAHDFGAHGEA OKAY I really wanted to see how it might look (them trapped in this little hidden box) since... well, it was described like there is almost NO SPACE at all, one mech space only, priority is keeping wings comfortably for Prowl XDDD *inhale-exhale* Okay but, I am still in awe at how Prowl's and Jazz's behaviours are explained. Two immovable forces collide. One is hard to read but Jazz is so damn good at reading even slightest movements, Jazz is a walking lying disaster but Prowl is a walking lie detector. So they both just, ahahsahg, they manage to have normal looking dialogues through all the layers of it because they give up trying to trick it (Jazz still tries though, but it ends up with him accepting failure) XDDD

[lotus-pear]

soukoku shippers name ONE (1) song that ISNT partners in crime by set it off that accurately characterizes their dynamic challenge‼️‼️‼️ (IMPOSSIBLE)

[arolloyd]

Ykw scratch that tlnm and the Lego movie DOES take place in the same universe after all... I feel like most ppl don't really talk about this too much because tlnm is usually associated w Ninjago rather than the lego movieverse

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[linktoo-doodles]

marcilley

[dangerpronebuddie]

We've still got each other, which means we're gonna be okay.