#the likes of which i have not tackled in my writing before (definitely not posted on ao3) Just Yet so im a little hesitant and worried abou
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Did you say baldur's gate singles ward au? 👀👀
yeas....... 👉👈
i have a tag for it but so far it's just doodles and a basic overview
i have conceptions of a fic. brewing in my mind. i just haven't quite put words to page yet............
#talkyllama#bg3#main reasons i havent actually written anything yet is a) busy as hell b) it would involve very heavy real life subject matter#the likes of which i have not tackled in my writing before (definitely not posted on ao3) Just Yet so im a little hesitant and worried abou#doing it justice / handling it with the right gravity#and c) every time i think of actually referring to these characters with the non-fantasy names ive come up with it feels Wrong jsdfhgjh#but i cant decide if i want to push through that or let people suspend disbelief at local average utahn molly mormon being named Lae'zel
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SWEETNESS
PEDRO PASCAL × READER
Summary: After an interview, the casua thing between you and Pedro ends up making the public suspect that he is not denying someone who is twenty-three years old.
warnings: nothing major, very cute, age difference but both are adults (obviously), bad writing maybe. Enjoy.

— So, according to the recordings, I think we all saw how close you two have become. How has that been?
You and Pedro smiled at the woman, who seemed to be around 35, interviewing you both.
The curiosity in her eyes was obvious.
— I think it’s been time well spent.
Pedro said, laughing and glancing at you, who was already laughing even before speaking.
— I think our characters demanded a connection of...
— Hatred and anger.
Pedro interrupted you, and you laughed loudly.
— Yes. That’s why I’ve been spending the past few months figuring out which tool is best for channeling hatred towards someone.
— Our makeup team has been covering up all the damage we’ve been doing to each other.
Pedro added, and your extravagant laughter made him laugh as well. You two really were doing some damage to each other, but that was your little secret.
— You can clearly see you can’t stand being around each other.
— No, we can’t.
You said with a smile, waiting for the next questio
— And the movie tackles a delicate theme about relationships and age gaps. What made you both accept such controversial roles? Especially you, Pedro...I’m sure you’ve broken all the minds of 20-something girls with this film.
— He definitely has.
— I don’t know what it is with you all nowadays, thinking an old guy like me is attractive. The conversation shifted back to you and Pedro, and the interviewer smiled with amusement. The chemistry between you two was undeniable, even more than you realized.
— Because you’re a man, you give off the feeling of being a man but don’t have to prove it. You know what I mean? You understand me?
You asked the interviewer, who nodded, agreeing that it was indeed a big difference.
— Of course, I’m a man, but an old one.
— Shut up and answer the question.
You said, laughing, as Pedro gave you a mock-offended look in his usual dramatic way.
— Honestly, I wasn’t going to take the role. When I got the audition, I just said, "Nope." But a lot of people kept telling me I’d be the perfect Nick for the book adaptation, and I hate disappointing my fans.
— So you still wouldn’t date someone in their twenties? Maybe?
— No.
Pedro quickly denied it, and you wanted to roll your eyes but didn’t.
— And you, darling?
Nice deflection, you thought, almost laughing at him.
— Ahm, I gave it a lot of thought, especially about the nude scenes I was informed of before accepting the role. I didn’t want to freak out my family. But once I learned more about the characters, I discovered the adaptation was from a book I love, so I couldn’t say no.
— That’s amazing. I heard you even got a real piercing for one of the scenes in the movie. Are you wearing it now?
The question was directed at you, and you smiled painfully, moving your hair away to reveal the piercings you got during filming.
— I added thirds and a helix. Yep, these guys are fine. — You pointed at the piercings farthest from the cartilage. — But I’ll be honest, this one is hurting a lot right now. I was even going to ask if someone could help me after this because it didn’t hurt this much when I got it done.
You laughed, and both the interviewer and Pedro looked at you with concern. Pedro leaned closer, moving your hair from your neck.
— Oh, crap, darling, it’s swollen. You need to take care of this. — He said in such a calm voice that even if the interview ended right then, the audience would already be glued to the screen. — Do you want to stop?
— I’m fine, thank you.
Without even realizing it, you brushed your thumb against Pedro’s wrist, where his hand rested on your neck to examine you.
Later, the interview was posted, and you almost laughed at how fast the channel edited it. Your ear was still throbbing like it was being pierced again, and lying on the couch, you felt like crying—not because it hurt that much, but because you hated the feeling of discomfort in your body.
— Darling?
You heard Pedro call you and looked over the back of the couch to see him smiling at you.
— Now I’ve finally wrapped everything up. No calls. Ugh. — He flopped onto the couch, and noticing your silence, he looked at you oddly. — What’s wrong?
— Nothing.
You denied it, not wanting to worry him.
— Look at me and say that.
He raised an eyebrow and laughed, sitting cross-legged on the couch.
— Nothing.
— Come on, baby, your ear is hurting, isn’t it?
You murmured your agreement. He then places a hand on your neck and places a kiss on your lips, you move closer, deepening the kiss until he pulls you into his chest, on the side that didn’t hurt.
— I’m sorry about this.
— It’s not your fault.
— No, but you seem exhausted by the pain, and I’m sorry for that.
— Thank you. Have you seen what everyone’s saying?
— I haven’t.
— You’re a terrible liar. They’re calling you a liar. You laughed, feeling comforted in his embrace.
— Me? A liar? Yo nunca mentiría.
— You’re a liar and ridiculously hot when you speak Spanish. “Oh, I’d never date anyone in their twenties,” and two seconds later, “And you, darling?”
— What’s wrong with that?
— Friends don’t call friends “darling.” Like, we’re friends who hook up, but you get my point.
You thought for a second and worried you’d sounded over the top in the classification you seemed to be giving you two.
— You’ve been the most argumentative exception I’ve ever made.
He said, and you nodded in agreement.
— I hope I am. I’d hate to find out another young woman took my spot as a legend.
— Legend for what?
— For being the youngest person in the world to hook up with the ridiculously hot Pedro Pascal. You said, and he laughed loudly. You didn’t know how far this would go, but you intended to enjoy the sweetness of that man for as long as it lasted
÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷
I hope everybody enjoy this.
Requests are opened!
#pedro pascal#pedro pascal fandom#pedro pascal x reader#pedro pascal x y/n#pedro pascal x ofc#pedro pascal characters#pedro pascal x you#fanfic#pedro pascal fanart#pedro pascal fluff#pedro pascal fanfiction#pedrito#cute#pedro pascal fic
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Not to be a downer, but I actually finished my novel and now I’m confused because I don’t want to publish it. I don’t even particularly want anyone other than maybe my two close friends to even read it. What on Earth did I write 40k words (which I know is not really long enough for a novel, but it’s still far and away the longest thing I’ve ever written) for? I know people say “write for yourself” but like… am I just wasting my time? Help?
(p.s. you can leave this off anon)
(p.p.s your blog is really great 👍)
There's No Such Thing as Wasted Writing
I'm going to tackle this two ways...
#1 - "Write For Yourself" - there's a reason this common phrase has echoed through the Hall of Writers since time immemorial. It's because it's true! Writing doesn't have to be anything more than a pastime. It doesn't have to be anything more than something you do for your own benefit and enjoyment.
I have an in-joke with family members about how any time one of us does something the least bit crafty, DIY, skilled, whatever, a particular family member will always say, "You did a great job! You should do it for a living!" Like, someone can't even crochet a Kawaii mushroom without being pressured to turn it into an Etsy dynasty, or paint a cabinet without being pressured to become the next Property Brothers. And that's such a BANANAS capitalistic mindset, isn't it? This idea that nothing can be done purely for our own enjoyment. That you can't just write a novel because you want to... you can only write it if you plan to share it or publish it? It's just so silly.
And, the thing is, we don't even apply that mentality to a lot of other things people do purely for enjoyment. No one is streaming all of Bridgerton in two nights and saying, "I enjoyed every second of that, but why did I do that? Such a waste of time!" No one spends an hour strumming their guitar under the stars on a beach, and then says, "That was so relaxing and fun, but I didn't charge for that performance and I didn't record it to sell it, so that was obviously a waste of time."
You know what I mean?
#2 - And Anyway, Practice Makes Perfect - And if you keep writing--even if you continue not to share or publish--you'll get better and better with each story you write. Which, maybe all that means is you get to appreciate your own improvement, but also, should you ever change your mind and decide to write something to share or publish, you've now spent time honing your skills. Even if those other stories never see the light of day, they're still an important foundation of the writer you become. Do you know how many unpublished novellas, novels, and short stories I have? Too many to count. Hundreds of fan-fiction and original fiction short stories I've only shared with one or two other people, if anyone. A dozen or so novels and novellas that have only been read by a few people, and some haven't been read by anyone else or have only been read by my CPs. I would never consider those stories and novels and novellas to be a waste of time, because I know every single one made me a better writer. My published work is better because I wrote those other things.
So, I hope that makes you feel better. At the very least you hopefully enjoyed writing your novel--or at least got something out of it--and you definitely honed your writing skills, which matters! ♥
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Yesterday I saw someone on Twitter mentioning the babyfication of Bumblebee in the fandom, and that's been somewhat of a thought in my mind before, so I figured "eh, might as well write my own thoughts on the matter myself". Though in a tumblr post, since Twitter has a character limit and I don't feel like doing a thread
So yeah, that's what this is
Why does Bumblebee get babyfied so much in the Transformers fandom?
Disclaimer though: I'm only really touching on the shows and movies and how they might contribute to the issue, and only the ones I've seen, so no Unicron Trilogy or RID 2015. And probably not much on the live action movies either since I remember them very little, just design things. I've also not read any of the comics, so they aren't weighing in either
I'm also not claiming I have the definitive answers, just some guesses based on my own understandings. I'm very socially inept, so I could be completely wrong. It's also why I'm not touching on the fandom side much
My friend told me to put a "read more" tab on this after showing her what I was doing, and yeah I probably should. Take note that this is an absolute monster of a post, this took me hours to write. So be warned
But yeah anyways, let's start this
Oh right, I should probably start with what I mean by "babyfied", so we all are on the same page here. The biggest things I think are making Bumblebee a teenager or child, whether in interpretations of canon material, AUs of official series, or people's own versions of the Transformers (though note the most damning one here is the first one, seeing a canon Bee as a kid, specifically when it is not shown that he is one. The third one is completely fine, it just is a symptom I think), and then also basically just making Bumblebee Optimus' son, or Elita's, or Megatron's, or a combination of characters; basically, just making Bumblebee someone's kid
I'll be tackling it in a general order of the shows/movies and how they contribute to the issue, starting with:
G1 cartoon
So in g1, I will admit, I think I can see Bee and Optimus having some sort of father-son relationship, at least in moments; like Attack of the Autobots which is where Optimus and Bumblebee have that iconic little hug
But I mean also, Optimus just kind of generally has paternal vibes in g1, he feels like everyone's dad. I think it might just get magnified with Bumblebee because Bumblebee is small and probably has the "cutest" personality of the Minicars, so it's just him from that group. And also, he's got a cute little Beetle car as his alt, which factors into it
He also does seem to have been written with the idea of him being younger, at least that's how the toy description feels to me

He was also Spike's best Autobot friend, and as I'm pretty sure Spike was supposed to be the young teenage human for the kids to relate to more, that probably helps with his youth factor
Though he is still functionally an adult. But I don't think the problem is as bad here, since let's be real, people mostly remember g1 for the nostalgia, iconic moments, and being the origins of the franchise; people aren't really making g1 AUs outside of that one person with the Orion Pax and Megatron knowing each other AU
So from the start, he's always had this, but I don't think we can call it an issue at this point. But it does bring in some of the main factors in the babyfication of Bee, namely:
He's small, which can give the impression of younger
He generally is one of the younger bots, even if he's still an adult
He tends to be the main friend of a human protagonist, who generally tend to be kids or teenagers
These will show up again, so keep them in mind. Now, let's move onto our next show, 23 years later
Animated
So in Animated, Bumblebee is yet again, one of the youngest members of the main cast, though this is specifically told to us, like how Sentinel, one of Optimus' contemporaries (and TFA OP is meant to be on the younger side of his variations too), was Bee's drill sergeant, as well as just Bee's general behavior
He is also the smallest member of the main cast, which can contribute to the feeling of him being younger
He is also friends with the human protagonist Sari, who is an 8-year-old at the start of the show, and the two of them tend to go along with each other's crazy schemes, rather than Bee trying to be responsible with Sari; that's more Optimus' job.
What I didn't pick up until way later than I probably should have was that Bulkhead is around the same age as Bumblebee, thus making him also one of the youngest members of the cast. Which honestly in retrospect, makes a lot of sense with how he's written, and him also being one of Sari's closest friends. I think why I didn't pick up on it while watching however comes from two things: 1, he's like the biggest member of the main cast, which doesn't immediately make me think he's one of the younger members, even though younger people being big is something they can be (I mean my brother's like 6 feet tall and he's not even 15 yet), and then 2: Transformers Prime Bulkhead, aka the one from the show that might be more popular than TFA, is very much an adult, and that was the Bulkhead I knew. So I didn't know he was supposed to be younger
We'll swing back around to Prime later, I think it's one of the main contributors to the issue, but keep in mind that interpretations from popular series tend to stay in mind and bleed over into other shows and their versions, even if that's not how they are
But back to Bumblebee, things generally aren't super different between this and g1, other than the fact that he and Optimus don't have much of a parent-child dynamic, and that this Bee definitely is on the younger side in canon, though probably still an adult? I'm not sure, but he can't mentally be more than like, very early 20s. But it happening again does reinforce these ideas of Bumblebee as a younger bot
In fanon, I don't know if the TFA side has this much of an issue, at least nowadays? I see him get shipped with Blitzwing and Prowl plenty, and I don't see him as Optimus' kid, other than like one time with the "9 months in my womb" meme, and him being an oplita kid, which might have just been for the joke and also TFA Elita was yellow, so eh. But I'm also not too big on the TFA side of the fandom anyways, so I could be wrong
So before we get to Prime, I just want to sidestep into the movies that were also coming out at the time
Bayverse/live-action movies
Now I can't say much on the writing front with Bee, since I have not seen any of these movies in a hot minute, outside of the first hour and a half of the 2007 movie. I will say though, based on what I saw of Bee there (aka mostly his car shenanigans), that is not a child, that is a sassy little bastard man. Though that could be because Bay was trying to market more to like, teenage boys and trying to make him "cooler"
But anyways, what I wanted to talk about was his design, and how it contributes to the babyfication issue
The Bay movies gave Bumblebee a redesign, looking pretty different from his original design (though that goes for pretty much everyone except Optimus)
The thing I notice most with these movie designs is how round they make him, specifically with his eyes, being so big and round, especially later. While it was probably originally just a reference to bug eyes, it makes him cuter looking, more innocent. I think by Bumblebee, they were trying to capitalize on that in the movie, making him seem cute and non-threatening in certain scenes so Charlie knows he's not a danger. Which makes sense, but it does contribute to the problem here
And in general, he's a lot rounder I think in his design. And while I'm not expert on shape language, I think I can gather that more round shapes leads to him looking more friendly and less threatening and cuter in our minds, and "cuter" leads to "younger". That's why I keep bringing up "cute" by the way, forgot to say earlier. Cuteness tends to be associated with youthfulness and thus younger characters more
And in general with Bumblebee, him being yellow, a bright color more associated with joy and optimism, and thus youth, and generally having a more optimistic and extroverted personality (though not necessarily in the Bay movies, though I can't say for sure) again leads into him being younger. Now it probably came from the fact that bees are yellow, thus he's yellow (and also black), and his personality came from that bright color. Actually the name probably also comes from the yellow color scheme, but you get it. His color scheme and personality lends Bee to being a younger character
Back to Bayverse, it did change Bumblebee's alt mode from a Beetle to a Camaro (again probably to make him "cooler"), and I think since then, Bumblebee's basically always been a sports car, outside of explicitly g1 referencing things. So it does tend to take away the "smaller" aspect of what makes him seem so young, as he's more average sized now. But the youthful connotations don't necessarily go away
This is also (I think) what started the trend of Bumblebee losing his voice, being replaced with either radio/movie clips, or just beeps that the characters can understand. Now while I'm not too sure how this affects him in Bayverse, as I haven't seen much of Bee proper in the movies in a long time (the first half of the first movie is pretty much just car Bee), and since I know he can still talk in some way, it does mean you focus less on his dialogue and how that characterizes him, and more on his appearance and actions (at least in robot mode). Or he just doesn't talk, and you can have your own interpretations of what he's saying. And as mentioned prior, his design tends to make him look cuter, adding to the issue. I'll get more into this in Prime, since I am familiar with Prime, and he doesn't talk at all there
He's also again, I'm pretty sure one of the younger bots, despite probably being an adult. We'll go over that more in Prime
I don't think I have much else to say on these movies, so to go over the general points, this seemed to cause a bit of a shift in Bumblebee's portrayals. He got a bigger alt mode, so he's not tiny anymore, but he got big round eyes that make him seem cuter, rounder features, and he lost his voice, which means you can fill in the gaps in what he's saying in your head
Now, let's get to the real meat of this, and I think the biggest cause of this all:
Prime
I hope I didn't hype this section up too much. But I think this is where all the things conglomerate into the main factors of Bee's babyfication
Bumblebee is not the smallest bot, but the smallest is the female motorcycle bot, as opposed to his sports car, so. He is the youngest Autobot, and bot in general outside of I guess the Predacons, until Smokescreen comes in in Season 2, who is also considered young. He and Optimus have a close relationship, that given their age differences, could be read as paternal. He's got the big round eyes of Bayverse and a generally round design, which we've already discussed as to how it contributes to the problem. He also does not speak at all, only using beeps that we the audience cannot understand, until the finale. His designated human friend is the youngest human companion here, and the most child of them, being only 12. All these factors combine to create the most "baby" Bumblebee so far
(I just added a picture since I felt like I needed to. But there's not much to talk about design-wise that wasn't in the Bay section)
First up, the age thing. I keep saying that Bumblebee is one of the youngest bots in the casts, even though he's technically an adult. This is true, in part because as far as we can see in canon, Transformers don't really have "child" stages, they're just born adults. And they don't really age; or well, they do, it just takes millions and millions of years to do so, so they're functionally immortal. So, they don't really age like us humans, physically and probably mentally too, given they skip the young child years. So I mean like, technically speaking, Bee's an adult, it's not really clear where that translates into our perception, so maybe he's more mentally a child? I don't think I'm making sense here, maybe ignore this section
But he is younger, and particularly in Prime, he's in a team of bots all much older than him. If I were to put them in mental human years, I'd say he and Smokescreen are probably somewhere in their early 20s, while everyone else is probably like, 35+. Bee is notably younger than his peers, and we are made aware of this fact. And this makes him appear even younger than he is
If I were to make a comparison, and maybe this is a bit random, but take Mouthwashing for example. I may never have been super knowledgeable of the fandom, but I am aware that Daisuke is like, 22, while everyone else on the Tulpar is 35+, and that makes him feel so much younger by comparison. He's only just started his adult life, compared to the far more experienced adults around him. And while I didn't see it, I do think I remember seeing people talk about how people kept portraying Daisuke as younger and more innocent than he is when he's a 22-year-old man. I also remember someone comparing the portrayals of Daisuke in the fandom with another character from another series (I think it was Omori?), who was the same age as Daisuke, but because that character is the oldest of the protagonist group, everyone else being children or teenagers, he was portrayed super differently to Daisuke. The other character had to be responsible and make mature decisions, while Daisuke is allowed to be silly and reckless. The point I'm trying to make here is that age, and how a character is portrayed and interpreted, is relative to the characters surrounding them, with the characters on the extremes sometimes getting exacerbated because of it. This is true in real life too, but for the sake of analysis
Bumblebee is the youngest member of the Autobot team (at least until Smokescreen), and thus, he feels even younger as a result. This is probably also helped by the fact that there's no Decepticons around his age either, everyone around Bumblebee is a full-grown adult by comparison. And his close relationship with Optimus, who is meant to be one of the older bots in the group, feels very paternal, which serves to make Bee feel again younger, like he's Optimus' son. Which I like here, but it furthers the issue
And on the topic of him just feeling younger, let's bring up Raf. Bumblebee is again a friend of a human protagonist, but in Prime we have 3 main humans, ranging in ages but all in grade school, and each one has an Autobot they're paired with. And Bumblebee gets Raf, the youngest member at around 12. Due to Raf's youngest member status and technically not being a teenager, he is, as I said before, the most "child" of the group, even if they're all technically children still. I thought he was 10 until I double checked and saw he was 12, and honestly, I feel like he feels younger than Sari did, who was only 8 when we met her. Probably because unlike Sari who had no human friends, Raf does, both of whom are older than him and treat him as such. It's the relative age thing again
But back to Bee, unlike with the other humans and bots, Bee doesn't act as the responsible adult, but more of a friend for Raf, though not nearly as chaotic as TFA Bee and Sari. They aren't causing trouble; they're just having fun and cute moments. There's again, the cuteness factor that probably contributes to the young feeling he brings, but it also serves to make Bumblebee not feel as much as an adult. Arcee is definitely an adult with Jack, and Bulkhead particularly gives me responsible adult vibes with Miko, at least on some occasions where they aren't indulging in fun, reckless behavior and Bulkhead has to get serious with her. They're responsible with the kids, even if they slip up at times, and help them learn things. But Bee doesn't have that with Raf, probably because Bee can't talk and give him the lesson. Raf also doesn't cause much trouble on his own and has Ratchet for that
Which segues me nicely into Bumblebee's lack of voice in this show. This was a carryover from Bayverse, since Hasbro was still trying to have synergy with the movies at that point. But instead of radio clips, he just beeps, with the other bots and Raf just being able to understand him, even though we the audience don't. And because of this, we never know what he's saying, and he also just straight up doesn't have a voice for us to gauge his age with. Thus, it's up to us the audience to fill in the blanks in our imaginations. But with all of the discussed factors of him being cute and young, we can just end up interpreting him as younger because of it. It's also again, probably because he doesn't talk. It's like R2D2 and BB-8, who only speak in beeps, but because they're cute, we see them probably as much cuter than they would be if we knew what they were actually saying (R2 especially)
To maybe go off on a weird tangent, I think child characters tend to be seen more as objects than people, or I guess objectified more, since they don't have fully developed brains and personalities and are less likely to be able to hold their own in a fight. They're things to be protected and loved and angst over, while all they need to do is be there and be cute. I think the lack of voice ties into this in a way, I just don't know how to explain it, other than like, because they took away his voice, we can see him as even cuter and child-like instead of the grown adult he is. Infantalization, that's what I'm trying to say. I think that's term for all of this, but you get what I mean by "babyfication"
Especially because at least for me, when Bumblebee did get his voice back, I started seeing him more as an adult, because he could actually talk and had an adult voice. Yes, him learning to take more of a leadership role in Predacons Rising is also a factor, but him having a voice now is part of it too. But he only got it back in the finale and the movie, so you spend pretty much the entire show with voiceless Bumblebee, and what comes with that
I think that wraps up everything about Prime Bee's portrayal, but now let me get into why I think overall, it was what really caused this baby Bee thing to stick
Like I said prior in the Animated section, the more something's repeated, the more it sticks, and these traits of Bumblebee being the youngest have been consistent throughout the series we've covered. Not to mention, I just think personality wise, this Bee feels the youngest/child-like, though again, it probably has to do with his company and lack of voice. And also, the fact that he's well-behaved, like how people want children to be
So, by this point, this interpretation of Bumblebee is stuck in our minds as how he is, younger than the rest of the team
But I think another big thing is that Transfomers Prime is probably the biggest series in the fandom, at least show-wise. G1 was influential and Animated is still popular, but no show comes close to the amount of popularity I see for Prime stuff, particularly their brand of megop or for their Decepticons in general. The only thing I've seen come close is Transformers One, which is also the newest one and what brought new people in during this wave, so who knows if it'll stick forever. I'm not sure where IDW stands though, because I know that was big too
If I had to attribute Prime's success in the fandom to things, I'd say it's because plenty of people around my age (20s-ish?), who are definitely online and on social media, grew up with Prime (though I will note that Transformers tends to have an older fandom than I'm used to), the fact that for a long time, Prime was easily accessible in its entirety on Netflix, long before the streaming wars (and this is how I watched the show), it generally has good writing and animation, it feels like it had a complete story, unlike Animated which had Season 4 cancelled, and Frank Welker and Peter Cullen were back as Megatron and Optimus, making them feel more "definitive". Among probably other things I'm missing
But the point is, Prime is big, and it'll take a lot to dethrone it, outside of possibly some TF One sequels sticking the landing after the first movie. But that's not certain at the moment
And like I said before, popular interpretations tend to bleed into other series and interpretations, even when they don't entirely fit. There's a reason when people want Knock Out in another show, they basically want more TFP Knock Out, design and character wise, or why Breakdown was in Earthspark without the other Stunticons. Or why people basically try to recreate the g1 backstory when making Skyfire and skystar for their stories, even when I'm not really sure versions of Starscreams would ever be scientists. Why Functionism will show up in fanfics despite something like TF One not really having a place for it outside of the cogless thing. Why people will instinctively ship megop across continuities despite it not working as well in some (*cough cough TFA cough*). Why Megatron and Optimus have largely had the same backstories for ~15 years, with One being probably the most different, but still the same general beats. It happens both in canon and fanon, but it definitely happens
So when Prime Bumblebee is portrayed as young, and probably intentionally, it sticks in our minds that Bumblebee is very young and usually will be. He's like Optimus' son here, especially since he explicitly is younger than him. He's cute and friendly, even if he can get into trouble sometimes. He's just a little guy
And by this point, the franchise was like, 30 years old. There's been a number of series, and a lot of the general staples of the series had been set and remain today. I'd argue Prime is the last of the "foundational" series in this franchise, at least where we are now with it; we could end up going in another direction in the future. So it's gonna be hard to just change how we see the characters here
The shows after
I won't go into each one in detail after this, because let's be real, this is long enough already. And again, I don't think at this stage, anything other than One has left as much of an impact on the fandom/series
We're skipping over RID 2015 since I haven't watched it, but I do think it's one of the shows with the least of this problem. Probably because he is at least initially surrounded by characters his age or younger, so the age relativity isn't a factor
Cyberverse actually has Bumblebee around the same age as Optimus here, not being notably younger, but that holds true for everyone in that series; basically everyone here is the same age, outside of like, Cheetor. I don't interact with the Cyberverse fandom enough to know how it fares with Bee there, but given he's a main character, probably more than Optimus, he's probably doing fine?
Though I have to admit I personally find it weird when Bee gets shipped, because surprise, I too have some amount of the babybee influence on me too. I mention it here because there's genuinely nothing wrong with shipping Bumblebee and Windblade here, if anything it makes so much sense; it's just that I can't get out of my head that Bee is supposed to be younger, and thus, shouldn't be shipped
I know nothing about the War for Cybertron trilogy
Earthspark Bumblebee is another case of being hit with the baby beam the least, which I think is attributed to his role as the Terrans' mentor. Once again, he is put as an older character instead of younger, and even more so than RID because he's the main adult teaching our young child protagonists. The age relativity is working in his favor this time. Most you're gonna get is him being called megop's child of divorce, but those two are old anyways
So far, canon wise, it doesn't seem that bad
But then we get to One, which is where I think the problem is really rearing its ugly head. See, B-127 is never said to be younger than the rest of the quartet, he's assumed to be the same age as them. Heck, you could maybe even see him as a bit older, given his odd knowledge and having been in Sublevel 50 so long. But B is constantly portrayed as younger than the rest, being the child of divorce, but actually more "child" this time, him basically being Optimus and/or Elita's son (Megatron is another parent too), despite no indication of such a bond in the movie outside of just being friends (even less so with Elita, whom he has the least screen time with of the group), or just straight up being made into a child or baby for the rest of the group to parent, despite it taking out a member of the group, especially when again, he is not said to be younger
But it keeps happening to him because it's the new popular series and some are coming in with prior expectations and knowledge of B and his relationships, that Bee must always be baby, and probably because he's very energetic and hyper and probably neurodivergent, which has a history of getting characters infantalized. Not saying everyone who sees him as younger is problematic or ableist for doing so, just that this probably contributes on some level to why it's so widespread
I think I've covered all my points at this rate. Are we finally done? Can I go do my schoolwork? Sorry, just random, I've been here for a while
So, to summarize, why does Bumblebee get babyfied so much?
Because Bee has a long history as being young, he's put around older characters who make him feel younger by comparison, he's got a design that lends him to be seen as cute and young, especially in the most well-known depictions (I mostly mean g1, Bayverse and Prime here), the fact that the show were all of these traits are at their biggest is also the most popular show, and thus influencing people's minds going forward that this is how he should be, even when it doesn't fit so well
And I don't think this mentality around Bee is going away anytime soon, and it isn't necessarily wrong to make Bee a young bot, but I think we should acknowledge that sometimes it's trying to fit a square in a round hole, it just doesn't fit as well, and we need to be mindful of that
#finally I'm nearly done#this went on so long I'm not sure I covered everything#or that I said things the way I meant to say them#and I worry I'm presuming too much#but hopefully this was good and somewhat accurate or at least informative#hopefully I'm not dead wrong here#some weeks ago I meant to post some observations on TFP Bee and how he was at his most “baby”#but it felt like too much complaining so I never posted it#but that tweet got me back into the mentality and made me feel like I could write this actually#I did not expect it to be so long#it is nearly 2:30 I was supposed to do schoolwork today#I also have an event from 6 to 8 so even less time#hopefully I didn't squander the day#but yeah enjoy please#transformers#transformers g1#transformers animated#transformers bayverse#transformers prime#transformers one#since that was the last big point#bumblebee#tf bumblebee#analysis#character analysis#fandom#long post
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Dude ever since badger anon said Dick needs to get his shit rocked… it has been on my mind since.
I feel like Jason definitely gives *almost as well as he gets post pit. They’re close enough in age/weight class that it just fits, of course Dick will always be the oldest, but Jason takes no shit lmao. I’ve had this idea floating around and I was finally inspired enough to actually write it out!
So here is another HC turned drabble for youuuuuu
- Moody :)
Jason ends up tickling Dick like every other time Dick goes in for a hug. They both have to pretend to be irritated of course, Jason with the hug, Dick with Jason’s retaliation. It starts when Jason realizes he hasn’t exactly been keeping up his tough guy reputation.
As Dick got up to leave Jason’s apartment, Jason found himself fighting the urge to get to his feet too.
A Pavlovian response, he blinked at the realization.
He was going to stand up because Dick was about to leave, and that meant Dick was going to want a hug goodbye.
He resisted, somewhat disgusted by his own bodily instinct.
Dick hadn’t seemed to notice Jason’s internal debate, grabbing his belongings around him before carrying them to the counter where his bag sat.
Jason watched him mill about, until finally he had no task left to accomplish and looked up expectantly.
“C’mere,” he nodded his head towards him past the door.
“I don’t wanna get up,” Jason lied, throwing his head back to solidify his pout. “Legs hurt.” Not a lie, he had just been crouched for 5 hours in a stakeout position, but an excuse for sure. Dick didn’t say a word, just wore a sad expression. “Just go, Dickface.” Jason rolled his eyes at him.
To his annoyance, Dick just crossed the room and started to lean down into his space, Jason’s hands were up immediately.
“Cut it out,” he batted at Dick’s hands, but Dick locked his arms around Jason’s middle and planted a kissed to the top of his head.
“See ya later, Littlewing.” He winked before skipping out the door. Ignoring Jason’s curses.
From then on it became a challenge, an unspoken one.
Whenever they were together it was Jason’s goal to leave without being hugged, and Dick’s goal was to tackle Jason over backwards in a bear hug and probably plant a kiss to the top of his head.
Jason had left the manor through a 3rd story window and a fireplace to avoid him. He’d been asked not to return to his favorite pizza joint after sprinting through their kitchen and knocking over a tub of marinara sauce before launching out their back door.
Dick had managed to tackle him through a window on patrol, which they were both scolded for, and pin him to several floors all over the city in an embarrassing display.
He drew the line at running in his own apartment. He needed to make a stand, one his brother would not forget.
Jason had taken a pretty hard beating, officially off duty for a week with a concussion. Dick stopped by a few times, bringing home cooked meals (from Alfred obviously, Dick cannot boil water.) He’d actually let Jason be, signing off each night or early morning with an “I’ll see you tomorrow,” or “call if you need anything,” instead of their latest game of cat and mouse.
So today, as he could tell Jason was definitely feeling better, he opened his arms for a hug before leaving, testing the waters. Jason didn’t put up too much of a fight as Dick wrapped his longs arms tightly around him, he even lifted his own to let him. Dick raised his eyebrows in shock but didn’t hesitate to wrap his brother up.
“See?” Dick smiled leaning further in. “Isn’t this ni-HEY!” He yelped, immediately trying to pull away, finding Jason arms locked around his back, using his long limbs to dig his fingers into Dick’s ribs where he held him.
His immediate reaction was to fight back, but he couldn’t bring himself to take Jason down knowing he wasn’t at 100%. A concussion and bruised ribs hurt more than Jason would ever admit.
“Ha!” Jason sneered. “Take that, asshole! Ruin my favorite fucking pizza place for me,” he muttered, concentrating on spidering his fingers harshly and thoroughly across Dick’s sides.
Dick couldn’t hold back his laughter after being caught so off guard. “L-little Wing!” His knees buckled, Jason holding him up, “you-aH!” He yelped when Jason twisted his hand to grab his shoulder, pinching his fingers delicately into the muscle, and his thumb jabbing wildly into his arm pit.
“This oughta teach you a lesson,” Jason grinned, barely able to contain his own laughter at Dick’s shrieking. He was starting to sink further, making it easier for Jason to let him go completely and then pin the giggling mess to the floor. “About keeping your hands to yourself.”
“Nohoho! Jahay- goddAMMIT!” He huffed after pushing on Jason’s thighs and trying to roll either way to throw him off balance. “Why are you so fucking heavy!?” Jason was just teasing him at this point, poking and prodding him with one finger harshly anywhere he could to watch him squirm and curse.
“I’m built for revenge, DickieBird.” Jason smiled down at him, poking right into his belly button.
Dick’s face scrunched up but Jason could see the sickeningly sweet look just beyond his frustration. “What?” He raised an eyebrow.
Dick grinned up at him. “I-it’s just nice to sehehe-see you smile,” he said so fondly part of Jason wanted to be sick.
Another part wanted to soak in the moment and let his brother profess his sappiness.
He settled for, “likewise,” and grabbed Dick’s knee, squeezing, and sent him into a fit of crying laughter.
“N-not what I meant!” He yelled. “I-iihihi jUST w-wanted a hUUHUHUG! JAY STAHAP!” Dick tried to sit up and reach around his giant, little brother to grab at his arms. Jason easily smacked his hands away and continued his assault.
“No, you wanted to irritate me.” He shrugged. “Mission accomplished.” Dick screamed when fingers pinched behind his knee this time. His legs kicking as violently as they could while being restrained. “I’m just returning the favor, Dickwing.”
His top half crashed back against the floor, unable to hold himself up anymore, he gave into the overwhelming feeling, letting his hands fall to the floor while he laughed himself breathless.
“And stop fucking kissing my head! It’s gross!” Jason added, like he’d just remembered.
“I-ihihit’s swehehEET!” Dick argued.
“No it’s not! I’m a grown man! You have to stand on your tip toes!” He pointed out. “I’m not the Replacement, or the Demon Spawn. Cut it out.” Jason slowed his hands to make sure his brother was actually hearing him.
“You’re all baby birds to me,” Dick laughed out. “Tiny, itty-bitty, ba-AHAHAHAH! O-OKAHAHAY! JAHAHAY PLEASE!” Jason had heard enough, letting one hand latch onto each hipbone and squeezing away. Dick was sent into hysterics, no more words able to form, only laughter and unintelligible cursing filled Jason’s apartment now.
After a few moments Jason let his hands come to a rest and Dick caught his breath. “Lesson learned?” Jason asked, patting Dick’s chest in slight condescension.
The older man was still taking in deep breathes, a goofy grin spread across his face, and he managed to shake his head. “Definitely not, Baby bird. I am who I am.” He shrugged.
Jason narrowed his eyes but didn’t seem surprised. “Yeah, well.” He started to get off his brother, pulling himself to his feet. “I’m happy to remind you, anytime.” He lightly kicked at Dick’s leg. “I have a LOT of revenge to catch up on.” He stuck his hand out, Dick accepted and let Jason pull him to his feet, although he wobbled slightly, still feeling a little boneless. It didn’t stop him from hooking an arm around Jay’s shoulders and ruffling his hair. “Try all you want kid, you’re never gonna balance those scales.”
That was probably true, but at least Jason had new way to mess with his big brother.
(this mightve been long enough to transfer to its own post but i was too lazy lol)
MOODY have i mentioned lately that i adore you. because i do, like omg. badger anon talking about Dick getting absolutely wrecked has definitely been on my mind since then too lol, i'm obsessed with this man he needs to get tickled more!! and as such. i am All Over this drabble of yours sdkjfhf
jason??? fighting back against dick's octopus hugs using tickles??? diabolical and also absolutely showstopping, i'm obsessed. the way it turns into a game of cat and mouse?? impeccable, the vibes are so on point here. Jason is SO ruthless in his tickles jsdfhf and yet, of course Dick won't learn his lesson. they were all raised by The Batman. Of course theyre all stubborn as all hell. (and maybe also Dick is using it as a way to get tickles himself, since he's such a tickle monster most of his siblings know better than to start a tickle fight with him lol, but Jay? Jay can take him now. Jay is an actual threat to the tickle monster Dick Grayson has become lol)
#ask#anon#moody anon#tickle headcanons#tickle fic#dc tickle headcanons#batfam tickle headcanons#dc tickling#batfam tickling#lee!dick grayson#ler!jason todd#ticklish!dick grayson#dc#batfam#dick grayson#jason todd
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Why is the daddy dom characterization so common with pre-nibelheim Sephiroth in fanfics. Does that look like a man who knows how to fuck, to you?
If someone does anything sexy in front of him, he would give them the Seph equivalent of a frog blink. That man is tired.
Lol jokes aside, I suspect for someone who has had his bodily autonomy dictated by lab techs and Hojo for the entirety of his life, he wouldn't be raring to have one night stands with complete strangers in his free time. Sure you could argue that sexual intercourse would be a way to regain a little control of autonomy, but I don't think it's likely when it would be with strangers that - not only never sees Sephiroth as anything but the famed legend (an image he doesn't like btw) which is likely accompanied by unwanted expectations of what he's like in bed, but complete strangers that could've also been sent to like. Assassinate the most important asset that Shinra has?
My point being that I don't think Sephiroth really had any safe space to explore what he likes for something like sex - and since it isn't necessary for his duty as a soldier, and may even count as unwanted distraction and vulnerability - Sephiroth likely discarded any interest in it entirely. That is, if he had any interest at all in the first place. You could also assume he could explore it with people he IS close with (ex. Angeal, Genesis etc.) but in those scenarios he wouldn't exactly know off the bat what he likes, or be self assured in any sense.
Trigger Warning (implication of SA/dubious consent): Of course you could also explore the darker side of this, which is that Sephiroth has experience because he didn't have a say in it, bc the company used him/trained him as an asset in this aspect as well. Which is an entirely different discussion to be had, so I won't go into it any further here.
And I think despite the suggestive shit that post-nibelheim Seph says to Cloud, his mind is not on anything sexual in actuality. He's likely aware of the effect flirtation and innuendo can have on people - disgust or interest or whatever would distract an opponent. Or he's just entirely unaware of - or does not care how else his words can be taken. He's a drama queen, but his goals have been pretty clear post insanity, and they have nothing to do with something as mundane as sex. So his demeanour after Jenova isn't that applicable (also we know that square Enix was like heehee we figured you would like this dialogue, so there is also that).
Basically, while I understand Sephiroth is a cool character for exploring fantasies (valid, go ham) - in terms of if you're trying to be accurate to canon characterizations, fics where he's written as a suave dom/top gets a bit of a question mark from me??
I feel like what makes more sense for ships involving pre-nibelheim Seph (including those sefikura time travel fixits that I'm mildly obsessed with) would be uncertainty. Here is finally someone who he actually feels safe to explore this aspect with, and it's natural for exploration to involve stumbles. And I don't think Seph would rule out submission or bottoming as an option in regards to himself either. Or switching/versatility. As someone trained to be objective or logical when tackling anything really - he would probably go about it methodically. So why not try it all to gather data?
What his and his partners' eventual preferences are gonna be is author's choice of course lmao
Also a disclaimer before I end it here - this post is purely because I find discussion on this interesting. If you disagree, or just wanna write what you wanna see, definitely do that and disregard what I've said. Fanfic is supposed to be self indulgent, so who gives a shit what other people think.
#I don't know if it's actually that common now it's just i've been looking at old fics#btw i posted this entirely by accident my tumblr glitched and now i have to contend with this post existing on the internet#final fantasy vii#sephiroth#i'm gonna tag all the ships i've seen this characterization in#sefikura#sephgen#sephzack
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To Have and to Hold - Penelope and Colin's journey to self-love
Companion piece - or one might say part 2 - of An Ode to Friends to Lovers.
Goddammit this was not supposed to be or take this long.
Ahum. Some time has passed, and after sorting through all my thoughts and feelings, here it finally is, my endless ramblings about two friends in love, but not only.
If anyone asks, no I did not take this long to write this post because of the fact that when taking screenshots to illustrate some parts of this analysis I ended up rewatching whole episodes instead.
So, dearest gentle readers, here's my Bridgerton s3 review, with focus on part 2, but looking at the season as a whole too; the highlights, the let downs, and polin's full love story, let's dive in, shall we?
The one thing I really liked about s3, something the other seasons could not do, is how so much is structured around parallels and callbacks to previous seasons, in the narration and in the visuals, for both Penelope and Colin. It is the advantage of having a main couple who's been here from the start, and with them, many other characters get weaved into their story, more particularly in part 2. I think that's why I personally did not mind the fact we did not get flashback sequences, unlike previous seasons (although I would have loved to see baby Colin and Penelope meeting... perhaps with Edmund and Violet watching them play and noting how they were childhood friends as well...) And what can I say? I'm a sucker for parallels as someone who loves to look at the details and perhaps overthink things.
So before we tackle Penelope and Colin individually and as a pair, let's talk about:
Eloise's love for Penelope
Eloise ends up being the catalyst for this second part, when she was mostly an observer in part 1. In many ways, she parallels Colin. Childhood friends with Penelope, betrayed by the Whistledown reveal, and yet still caring and protecting Penelope in her own way, which also paralleled Colin. And because I can, here's a small list:
Eloise distracting Cressida so she does not bully Penelope (s3e1) / Colin refusing a dance with Cressida to dance with Pen instead (s1e1)
Eloise running after her at the Four Seasons ball after accidentally revealing her and Colin's secret / Colin running after Penelope at the ball in s3e1
Colin visiting Penelope to apologise for his comment last season and offering the lessons to help her find a husband / Eloise visiting her to apologise and wish her the best in her endeavour to find a husband
Colin leaving to travel and find himself at the end of previous seasons but staying now / Eloise now travelling to Scotland to find herself
Now that we have the whole season, you can tell that in part 1, she foreshadowed how Colin would react in part 2, he just goes through her whole journey in a lot less time. See the direct parallel at the beginning of e5 as Eloise yells at Penelope and storms out, then Colin swoops in and comforts her, and then the end of e7, where Colin is the one upset with Penelope and after he storms out, Eloise is there, hugging her best friend and telling her everything will be alright.
When one is absent, the other is there for Penelope, because despite everything they love her and they know that through the years, Penelope has loved and supported them as well, even if she was still hiding this big part of her. Penelope makes Eloise feel listened to, and makes Colin feel seen. She was their safe space as much as they were hers.
Eloise is also the very reason Colin learning about Whistledown goes so wrong. She is the one pressuring Penelope to tell him, and also the one who eventually tells her to never tell him the truth when Cressida comes forward and claims to be Whistledown. Yes, Penelope is definitely still at fault as well for taking so long to tell him, but to her credit she did intend on telling him after publishing one last column discrediting Cressida, before being convinced to give it up by Eloise. And then when Cressida manages to publish something, and Eloise is terrified about what it means considering she just broke off their friendship, it is to protect Eloise from her ire that Penelope takes her quill again and sneaks out to publish, which leads to Colin finding out.
Then comes her scene with Colin as he asks his sister how long she's known, where all the parallels come through.
"Have you already forgiven her?"
"I want to. Do you think you can?"
Colin goes on to say Eloise is lucky that she's never been in love, implying that his love for Penelope makes it that much harder to forgive. However, he fails to understand that Eloise is in love as well, perhaps not in the romantic sense, but she is, or she would not have been this distraught for a year over her falling out with Penelope, and yet always somewhat keeping an eye on her. And just like how eventually, as push comes to shove, she finds her way back to Penelope, Colin will do much the same as a looming threat comes their way.
She and Colin are also similar in their insecurity regarding Penelope's love for them, and in turn Penelope spends a good length of the season reassuring them. She constantly tells Colin she loves him, especially after the reveal so he knows that this part of her was never deceiving. She reassures Eloise that their friendship is just as important as her love for Colin and she doesn't want to lose either of them.
The fascinating thing for me about Eloise when taking into account Polin, is that in part 1 they needed her to be away so Colin and Penelope could spend more time together uninterrupted, leading to Colin realising his feelings. This also applies to season 2 actually! While Eloise was in the hunt for LW and distracted by Theo, that's what allowed Colin and Penelope to have a full proper conversation about their purpose, and I'd argue that the moment Penelope said "my purpose shall set me free", something started to shift in their relationship.
In part 2, without Eloise, I wonder if they would have even been able to come together without any more secret between them, if she hadn't been the one to push Penelope to tell the truth, and then the one to support her while Colin was processing his own feelings.
Penelope's ambitions and womanhood
Penelope's journey to self-confidence continues in part 2, this time in regards to Whistledown as she finally accepts her as a part of her, rather than a mask to hide behind. Enters Genevieve Delacroix, the only character in this show who knows what it means to be a woman with a business. It is no coincidence her scene in e6 comes after Portia's talk of "ladies do not have dreams" and after Eloise convinced Penelope to give up Whistledown, because it is just gossip. She directly opposes them.
In part 1, she helped Penelope be more confident by providing her with a new wardrobe that fits her better, and in part 2, Gen is the very reason Penelope learns to be proud of Whistledown, own up to the mistakes, and yet fully claim her as her.
And then, the final nail in the coffin to me: Cressida, in a red "revenge" dress, shows up at the Mondrich ball, and wields the Whistledown name as Confident by Demi Lovato plays in the background. Cressida stands tall and proud despite the whispers, and I think a part of Penelope truly broke then. If Cressida could exhume such confidence for a body of work which is not even hers, then why can't Penelope be proud of what she's accomplished? This past week has been killing her, she admits it to Gen the eve of her wedding, Colin was a great distraction but giving up Whistledown, putting down her quill, it truly hurt her, and a part of her cannot imagine giving it up again. And so Gen gives her the very advice she needed to hear.
"There is no such thing as true love without embracing your true self."
And look at the contrast before vs after her talk with Gen:
Colin, of course, shares Eloise's point of view, Penelope should just give it up, and to be fair, he's more scared for her safety, since he caught her alone in the street at night, and then the Queen just threatened the family again. But Penelope cannot stand for that anymore, she is tired of running and hiding. That is Penelope having the confidence to truly be herself. By the end of e7, she's fully bloomed into the woman she's always been behind her quill. The irony being that Colin was also the one who helped her embrace that in part 1, as he helped her bring out that part of her that he's always been privileged to.
And in e8, we see her take the reins. Do what must be done to protect the ones she cares about.
So let's talk about Portia now, because she may not have a business per se, but she had to essentially become "the man of the house" to keep her daughters safe and the fortune they have intact. I've seen people say her redemption came out of nowhere but I concur that in part 1, as Penelope's confidence starts to grow and she stands up to her family, Portia is already trying to be a better, supportive mother, and in turn, Prudence and Philippa follow her lead. Portia is a practical woman, not a sentimental one, at least she doesn't let herself be, that we have seen since the beginning of the show, that's why she was reprimanding Penelope for being reckless with her reputation by asking for Colin's help, and then was pushing for the match with Debling, because he was a lord, who could offer stability, and who would be away most of the time, leaving the managing of his estate to his wife, to Portia that is (or rather, was) the ideal life a woman can achieve.
I loved that they had Portia learn about Whistledown before the public reveal, because then she has to truly face the fact that she has overlooked Penelope all this time, the daughter who is most like her, and Portia is also the only one who points out that Penelope has written badly about herself. It forces Penelope to face the fact that in many ways, she truly is her mother's daughter as well.
Portia ends up being the driving force behind Penelope's decision to reveal herself as well, I believe. Because we joke about how Penelope hid so much money in the floor boards while her family was going broke but mind you, she had no idea they were having money problems, because Portia tried to hide it to not worry them, the same way Penelope has kept her Whistledown secret in the misguided belief that it was for the better, that she could handle the weight of it all on her own. By revealing herself to the Queen, she could free Colin from her mess, get away from Cressida's blackmail and, if the Queen doesn't behead her, she can save her family's title thanks to her writing and money.
Portia's and Penelope's mending relationship was the highlight of the season for me, the true redemption I wanted to see and am glad I got. And I want to point out a little sweet moment in the last episode:
After the Whistledown reveal, as Portia comes over to praise her daughter, she notices Colin looking in their direction. I personally believe Penelope told her about the annulment, and this is her way to support her before she sends her off to have that conversation with Colin. Portia, who's never been the affectionate mother before, gently caresses her cheek and calls her "My girl", because no matter the outcome she will always remain her little girl.
The beautiful thing about Penelope's ambitions is that they were driven by the women in her life, that's one strength of this season to me. She was inspired by Eloise's strong opinions she so readily shared, Portia's sometimes ruthless ways in the way she protects her family and herself, and Genevieve's smart business endeavours and passion. And so she cannot, won't give that up for a society who is so unfair to women, ironically because the Queen herself is so harsh on debutantes. And isn't it poetic cinema that she ends up revealing herself, in her own terms, during the very ball she fully funded? And after that, it is Philippa, her family she mended things with, who saves her from embarrassment by releasing the butterflies? And then the very same Philippa who during the epilogue, happily declares that her daughter can grow into a successful writer who might not need a husband, just like her little sister?
Side note again but it is also interesting that in contrast we had the Mondrich subplot, wherein Will has to let go of his bar to be accepted in high society (and he's clearly not happy about it), because the London elites do not work, yet here Penelope is, owning a business approved by the Queen.
Penelope's ambitions, in turn, inspire others. Portia, into allowing herself to be soft, Prudence to be more honest (the pregnancy hormones probably helped too), Philippa to readily consider other paths in life, and Eloise into finally doing something and discover a little bit of the world.
And she inspires another Bridgerton as well.
Penelope's bravery and Colin's envy
The thing about Penelope and Colin, and that has been said before, is that their roles are reversed. In romance shows such as these, the man is usually the one with a hard exterior, with secrets he wishes to keep to himself while the woman is the one who encourages him to open up by loving him. That is literally s1 with Simon and Daphne. And even in some ways, it is also Anthony and Kate, the difference being that Kate was not trying to get Anthony to soften up, she was directly confronting him so he fixes his shit himself (I still have beef with Anthony, good for him for becoming a My Wife guy in s3 but man, the journey there was tough).
Anyway. With Penelope and Colin? Penelope is the one with the secrets, who wishes, at first, for a practical match so she may gain her freedom. Colin is the soft-hearted and romantic one, who although offers the lessons, keeps asking her if she likes any of the suitors she talks to. And then, it shifts again. Not in the literal sense, Colin has no secret after he's dropped his rake façade, but he does become a bit colder after the Whistledown reveal, while Penelope becomes the one reassuring him she loves him, and emphasising their emotional bond after she's gained the confidence to do so and accepted that a love match was still in the cards for her. But now, they must overcome Whistledown, the last obstacle she's been hiding behind.
"Well, if she was hiding behind Whistledown, how come Colin calls her brave even before the reveal?"
Well, I'm glad you asked, imaginary person in my head! Let's dial back a bit again.
I am a firm believer that Colin's envy towards Penelope (and him realising his romantic feelings) actually started back in s2, during their talk about purpose. She was the one leading the conversation then, who knew what her purpose would be, and to him, that is bravery, being true to oneself and knowing your place. And we see how in s3 part 1, Colin resorts to adopting a whole new persona, something Penelope does not do, even after changing her entire wardrobe and facing the Ton's eyes, she remains herself (and she is capable of acting! She effortlessly disguises herself as a maid and fakes an accent when delivering the Whistledown papers), and I think Colin noticed that. She has a new dress, and her hair looks different, but she's still Pen, meanwhile he, on the other hand, is pretending to be someone else. And when the scandal about the lessons came out, Penelope still showed her face when people were still preoccupied by the scandal. Debling says it best:
"Well done."
"For being a fool?"
"For stepping away from the herd, even though you risked becoming a target."
Penelope's bravery and honesty are the very reason Debling is interested in her, rather than in Cressida; she knows who she is, and what she likes (whereas Cressida adapts). Sure, he was not looking for a love match, but he was looking for authenticity, which Penelope always had. Because she's terrible at hiding her identity, actually. Eloise guesses it's her after listening to her once! Penelope has never hidden how much she likes gossip. In s2e1 she admits it outright that being a wallflower allows her to hear everything.
Colin rereads her letters and realises, wait, she really is Whistledown, she writes the same way, and although he had mixed feelings about Whistledown, he described her as clever, a quality he's always associated with Penelope as well. She says shit like "it would have been suspicious if she hadn't written about this scandal"... like that girl is not good at hiding herself actually, has never been, it's just that no one really paid her any notice and she was not put into the spotlight until now. I think a part of her unconsciously wanted them to connect the dots because the loneliness was getting to her but she was still scared to own up to it, so she continued to lie.
She's always been true to herself to some degree though, which is its own form of bravery, but she's never had the courage to ask for what she wanted before Colin helped her build her confidence. Colin, on the other hand, may be dense and oblivious, but when he wants something, he is not shy about it, and can even be a bit too impulsive. He's the one who always seeks her out and always tries to protect her and make her happy.
In part 2, as Penelope truly embraces all of herself, just like Colin is learning to be more vulnerable and let go of his ego, the dynamic between them shifts. He's the man, but she got the power.
It started when she gathered the courage to ask for that first kiss, which changed everything, and it solidified when she is the one who seeks Colin at their wedding breakfast. In that instant, he's the wallflower, and she's the one pulling him into the centre and dance in broad daylight.
And this translates in the bedroom too as she goes from following his lead to riding his d-
Ahum, who said that? Anyway, topic at hand. As the dynamic shifts, as Penelope learns to truly be herself and Colin learns the truth, that is when his envy and lack of direction in his own life become too much, and he cannot avoid it anymore. Because he thought he had found his purpose at last, be Penelope's husband, take care of her, provide for her, be the head of their family. But now he learns she's been living a dangerous double life this whole time, that she "mocked" him at the beginning of the season, and she might not even need him to protect her as much as he thought she did because she has money and a prolific career despite being a young lady with minimal agency.
And he had already been struggling before the reveal. In all of part 1, he was grappling with his sense of self, realising that pretending was not worth it if he felt empty and if it meant losing Penelope in the process as well. And in part 2, we already saw him struggling with his writing, only able to write again after Penelope tells him she's loved him for years. And then, he refuses Penelope's help to edit his journals into a book because he wants to prove to himself and to her that he could do it on his own. That he is worthy of her love.
Also note that at that point, Penelope had given up on Whistledown, and wanted to live through him by editing for him as well. Just before, we had the scene where she burned her old Whistledown issues at the same time as Colin was writing, suddenly overcome with inspiration (in this regard, I like that the show ends up allowing Penelope to keep the column and still help Colin with his book, rather than her giving up LW like in the book, where she lives vicariously through him. I know she eventually becomes a romance author in the books, and I hope she also reaches that point in the show, but it is nice she does not have to give up her pen first, you know?)
So when Colin learns she's been a published writer this whole time while he was struggling to find a purpose? Penelope started Whistledown in her first year out after all, at the exact same time, Colin wanted to prove to his family that he can be taken seriously, leading to his disastrous betrothal that season. He had needed to travel to find himself, and even then, it didn't give him the answers he was seeking, and no one was taking his newfound experiences seriously, except Penelope. He's a third son, neither the Viscount, neither the spare, so he had nothing to himself. But Penelope is much in the same situation, a third daughter, from a family less fortunate that his, and yet she has accomplished more than he has. He was already so insecure about his love being unrequited but now that he knows she does not even need to rely on him for financial stability and security? Let's dive more into that, shall we?
Colin's self-worth and ambitions
I've seen a lot of people lament the fact that Colin does not feel as much of a protagonist as Penelope, and while I agree to some degree, such argument fails to take into account the fact that he is the reason the season exists in the first place, not just on a meta level because he's a Bridgerton, but because every action he takes progresses the story. Colin is the driving force of the narrative, while Penelope is the heart of it because he loves her.
He offers the lessons to make up for his comment last season, leading to Penelope gaining in confidence. He interrupts Debling's imminent proposal and chases Penelope's carriage, leading to the engagement. He confronts Portia, leading to her re-evaluating the way she treats her daughters and the Featheringtons mending their relationship. He confronts Eloise and reminds her how obsessed she used to be with Penelope, leading to the reconciliation between the two. He follows Penelope out of worry and learns about Whistledown. When the blackmail happens, he confronts Cressida, this time things get worse (his infamous impulsiveness biting him in the ass once more), but it is still furthering the narrative, leading to Penelope taking things into her own hands and revealing herself in her own terms.
His actions are loud, however his internal growth is much more subtle and we get less scenes of him alone compared to Penelope. And that, I agree, is a weakness of this season. I mean, he spends barely 1/8 of the season upset at Penelope, when people act like he was for half the season. If you watch from the start instead of just looking at part 2, Polin have a lot more happy and cute scenes than angsty ones. Hell! They have more kisses than saphne and kanthony in their own seasons combined, I bet (I didn't count, truth be told, but since they get together halfway through the season, as opposed to in the later half, and had their first kiss in episode 2, I think it's a safe bet to make) (Edit from Star from the future here: so I admit I was wrong. Simon and Daphne have definitely more kisses because they had so many intimacy scenes upon rewatch. I just forgot about them, my bad (mostly, I tend to block out That Scene too, so). Anthony and Kate, on the other hand, were robbed. It's kinda funny Bridgerton built a reputation to be quite spicy, only for none of the seasons after s1 matching the same level lol). I also do feel like a few flashback scenes of him during his travels, waiting for Penelope's letters but getting none as he starts to act like a rake to compensate for the loneliness, contrasted with the lesson scenes in part 1 where he is carefree and silly with Penelope could have benefited his character. I personally do not think he was treated as a "love interest", he carries the season just as much as Penelope, but his emotional weight is lesser than hers, and that was an issue with the writing and pacing.
So here, I must redirect to my other Colin analysis post, as well as this one comparing book vs show portrayal, and though those were unorganised immediate thoughts after watching the show (and vague memories of the book), I still mostly stand by them and so I can also avoid repeating what I've already written.
Colin's insecurity regarding love is a direct result of s1 and, once again, Marina. The parallels between Marina and Penelope are kinda in your face, especially with Colin dropping the entrapment line.
Side note but between Anthony and Colin trying to get with a family member of their future wives first, I sure hope we won't learn Sophie is related to Lady Tilly Arnold or something because otherwise there's a pattern within the ABC bros.
Another thing is that when Marina's lie was revealed, she admits everything else was a lie as well, including her love for him. He was a means to an end, and there's no reason to pretend anymore. But with Penelope? She still tells him she loves him after the fact, and several times after that. Note that, just like with Marina, he learns of the Big Secret while they're engaged. Just like for Marina, he could just walk away now, Penelope even asks him if he wishes to cry off, but he doesn't.
Colin and emotional intimacy
I already made a post about this, but I will reiterate some points anyhow this time, because I need to make some comparisons with Book!Colin, since I've seen a lot of people be upset that unlike his book counterpart, Show!Colin is not physically affectionate with Penelope while still angry at her. So to address this, let's talk about his journals. It is no coincidence that instead of beautiful descriptions of places he's visited, in the show Penelope reads about his experiences with the "women in Paris" and how empty they make him feel. In the book, Colin is older, he is a rake and very much enjoys ladies' company, but in the show, he's only pretending to be one. It's one change they made I liked, to make him different from Anthony and Benedict (when in the books, all these men sorta blend together if I have to be honest). He's the sweet, sensitive brother, who seeks emotional and physical intimacy. Sure, he has experiences, especially after being mocked for being too green, but they felt like obligations, rather than acts of passion (Benedict) or distractions (Anthony). It is also significant that every time someone asks him about his experiences in part 1, he only ever talks about one contessa and never brings up other women, unlike in his journals where, of course, he goes into more details, knowing no one can judge him there.
And then Penelope reads those words, the depths of his mind and his insecurity, and yet she praises him for his writing, rather than mock him for his feelings of inadequacy. That is when it clicks in Colin's mind, although unconsciously, because he flashes back to that scene when he realises his feelings - Penelope is the only other person he feels comfortable enough with to share such thoughts. That's why their first time is such a contrast with the carriage scene, where it was a moment of passion as they get carried (hah!) away after confessing to each other. He was reeling from realising his feelings and narrowly stopping Penelope's engagement to Debling. There was urgency and then relief. Here, it is slower, more tender, because to Colin, this is it, this is where he can prove to Penelope that this was not a mistake, than he can take care of her, bring her pleasure like she could never imagine. He makes sure to tell Penelope how much he loves her, he asks her consent several times, he makes sure she is comfortable. It's a little awkward, unlike the carriage scene, because this is the real and full deal and he sure does not want to mess it up. After all:
That's why I'm not too mad we did not get a montage with them. Their two major intimate scenes are long sequences with few cuts, emphasised by their proximity and the comfort they feel around each other. They're emotional. They're supposed to make the viewer feel like they're interrupting. And Colin does not want to taint these two experiences, that's why the last intimate scene we get is after they reconcile (though we deserved a longer one). So, to quote myself: Colin does not let his lust take over when he's upset, because Penelope means too much to him. He does not want to lay together only to wake up in a cold bed and still be fighting in the morning. He wants to be hers, body and soul, fully and assuredly, and until he accepts the fact he loves her because of Whistledown and not despite since they are one and the same, then he cannot promise Penelope all of himself either. In his mind, he may be afraid that this emotional intimacy he felt with Penelope when they laid together will be ruined, or just simply gone while he is so tortured by the Whistledown reveal. Everything else is a mess right now but that part of their relationship? It was pure and sincere, and he wants to keep it that way.
And not to dunk on Book!Colin again but that man had anger issues and could be violent, he knew he was hurting her sometimes and did not do shit to stop that. Why would you prefer that over Show!Colin keeping a respectful distance and yet still staying close to Penelope, trying his best to protect her despite it all?
After all, the only time he gives in while they're still fighting is when they argue in the streets and Penelope shouts "I love you" to his face. That is the first time she confesses in the present tense. And for a second, Colin's walls crumble. He's a sensitive man, after all, even when he's upset, he ends up tearing up, so the declaration of love answering his "Then what good am I to you?", a question encompassing all of his insecurities in a few words, well, it's the emotional outburst that makes him almost give in, if they weren't in the middle of the street with carriages passing by. They were also both tipsy in that scene lol.
And while I'm at it, let's link back to my post regarding the entrapment line and the annulment. One thing I fail to mention (there already are so much, to be fair) is that Colin throwing an entrapment accusation can also be interpreted as him giving himself an excuse to remain engaged. The previous episode, he was worried they got carried away in the carriage (and then their future home) and that Penelope was changing her mind. As already mentioned, at that point, just like with Marina he could just walk away. They're only engaged, and no one knows they have been intimate. Sure, it would go against his principles as a gentleman but honestly he already broke them several times when Penelope is involved. And he knows that. He never actually intends to back down, he is determined to marry Penelope, as he said in that carriage this is "a feeling that is like torture, but one I cannot, will not, do not want to give up". But in that one moment, he was hurt and angry and knew what to say to hurt, and did not want to admit that he would have stayed either way because he loves her (and frankly, in this situation, Penelope is in the wrong and she kinda deserves to feel bad about wanting to hide such a thing from him, even if the accusation itself is unfair). So he gives the decision some duty, some responsibility. He's a gentleman, so he must do what's objectively right. Because that is easier than looking into the complexity of his feelings.
And that is marriage to me. Marriage is not a happily ever after. It's a choice, to stay by someone's side through the good and the bad times. And in that moment, he also made his choice, and knew Penelope would be his wife. From then on, they learn to communicate. They were in sync as friends, but as a husband and wife? That is different, even if the foundation is similar, they need to relearn how to navigate life together.
Episode 8 is all about them figuring this out.
Take these scenes for example. First of all, this has been pointed out by many already but: Colin may be mad, but he still stays close to her by sleeping on the settee just outside their bedchamber instead of taking another room. That's dedication.
Right away, Colin establishes a boundary between them and asks for some space, however, he still waits for her to wake up to tell her rather than leave without a word and having the servants inform her. She's visibly upset about it, insisting he should stay so they can talk, but he still leaves. Halfway through the episode, the situation is now reversed, Penelope emerges, already dressed while Colin clearly has not slept all night, she tells him she is leaving and giving him the space he asked for, and it is Colin's turn to be upset and realising that, no, actually he does not really like that distance anymore.
Note that until that point, they both were very confrontational whenever Whistledown was brought up, Penelope on the defensive and Colin on the offensive, they're both third children who were belittled so that is how they respond - Penelope by standing her ground and refusing to budge, and Colin by attacking and asserting himself. But here, Penelope listens to Colin's wants, and lets go a little. She gives him the space he needs, all the while she is also planning how to fix all this mess without lying to or hurting more people. And then later on again, Colin is the one who listens to her needs and her plan. That is the beginning of a healthy marriage as they both let go of their egos, as they both take a step back to listen to the other and realising they no longer have to do things alone, because actually, that distance between them was hurting both of them. Penelope accepts she can rely on others' support and Colin accepts that it is not what he can do that makes him worthy, but simply who he is.
People lament that in the Whistledown public reveal, Colin ended up not contributing much, as opposed to his book counterpart, but that is literally what Penelope asked him to do. She does not need a hero, she needs her Colin. Kind, supportive Colin, who reassured her with a simple smile and a nod on their wedding day, and who did the same when she stepped into the light once more at the Butterfly Ball. He gives her courage, by virtue of being there and loving her. Just like she gives him a purpose by simply loving him as well. The very thing Colin envied, Penelope's bravery? Well, he is one of the reasons it exists in the first place.
In the book, Penelope had no idea Colin was planning to reveal her identity, until the last, like, five minutes. He also told Anthony and Simon behind her back. I love the balcony scene but it always bothered me that Penelope's agency in that decision was taken from her. Therefore I love that they gave it back to her in the show. Just like she said in s1e8, Whistledown cannot be unmasked but if one day she shall be, then it would be in her own terms.
(I also want to say though that despite my criticisms earlier, Book!Polin remain one of my favourite dynamics in the books because despite it all, they're one of the healthiest couples. They work together as a team, and it helps Colin learned about LW before he proposed. They discuss Cressida's blackmail, whereas in the show Colin first dismisses Penelope in his need to prove himself capable of protecting her. We see them encourage each other in their writing more than in the show (fingers crossed for s4 though!) and they even discuss how they will keep Pen's Whistledown money for their children. They're a team, through and through, and in the show, we see the start of that, which makes sense, their show counterparts are ten years younger, not as mature as they are on paper.)
All through part 2, Colin stayed true to his confession in that carriage. His love was like torture. He was so insecure about Penelope not loving him as much as he does, questioning what good he even is to her and if she just lied. And yet he held on and did not want to give it up, he embraced it rather than ran from it like the other leads we had so far. He was shattered by the Whistledown secret and yet, he remained, worked through his sense of self, through his anger, through his insecurity, because Penelope is worth it. He was willing to lie for her, to lie to Benedict to get the money needed, to protect her. And Penelope clung to him just as fiercely, always reminding him that she loves him for simply being him. One always has worth. That is the validation Colin has always craved, that is when it truly sinks in for him and that he understands her selfless love for him; he does not need to pretend, he does not need to be useful, he does not need to have everything figured out, he can breathe. Penelope will be there every step of the way. Has always been, in fact, she's always been a constant in his life, and now that he is lucky enough to stand by her side and soak even a little bit of her light, well, he sure won't ever let go again.
And to end this section, not really a point of analysis, but shoutout to my girl Pen whose first instinct when she realises she can touch Colin is to reach for his hair and boy does he melt at the touch. Unlocked his hair pulling kink right there.
This is still a friends to lovers story
Fear not, the romcom vibes are still here! I kept this part for the last to end on a sweet note, just like this season. And this is also the part where I stop pretending to be a reviewer and I just allow myself to be self-indulgent, pointing out how cute these two are.
So, first of all:
They just fucked and what's the first thing they do together? Laugh. In the carriage, Colin did make a joke, prompting the laughing but in the mirror scene? They simply look at each other and start chuckling because they are so giddy upon realising this is real, they're best friends, and they're in love, and they'll be married and they will soon be able to do this whenever they want. Then, Penelope lets out a bit of her insecurity, hoping this was just as good for Colin as it was for her since she knew he was more experienced, and when he reassures her, Penelope grins and jokes about "the women in Paris", which she does again during the Mondrich ball, teasing him about the spicy parts of his journals. She is so secure in their relationship, she feels no jealousy towards Colin's past experiences but bet if anyone ever brings up Debling again, Colin would lose it, and I kinda wish we had at least one scene of Colin properly addressing his one-sided beef with Debling.
During their whole engagement (and before the LW reveal), they're just so incredibly in love, so sweet it might give you cavities, and it was such a breath of fresh air after two seasons and one spin-off of the main couple never really embracing their love until the later part of the seasons. The way Colin makes Penelope smile during the reading bans scene, then when they dance alone in the church, or when Colin adds the twirl (the flourish!) during the dance at the Mondrich ball and then when they laugh at the Butterfly Ball when everything is said and done and they can finally, fully be themselves... They are just two romantics at heart who are thrilled to be in love and miss no opportunity to flaunt it in front of the Ton who's always judged them so harshly. I wish I could include videos in this because posting screenshots would not give those moments justice.
And the comedic aspect of the romcom vibes of this season are still present in part 2, although a bit overshadowed by the Whistledown drama but I mean:
Penelope and Colin finally having a chaperone in Portia, and having no idea how to act now because they never had to worry about a chaperone before (and by that point, Penelope is already pregnant)
Poor Kanthony trying to find the right time to announce the pregnancy but here come Polin, getting engaged out of nowhere
Portia and Violet's tentative beginning of friendship, wherein Violet is trying so hard to be polite when faced with Portia's over-enthusiastic attitude
The whole charade scene with Anthony getting so competitive and glaring at poor Penelope when she gets the answers right.
All the times someone brought up Whistledown's imminent unmasking and Penelope taking psyching damage every time (meanwhile in part 1, it was everyone telling Colin how kind of him it is to help Pen find a husband). Peak "actions have consequences huh". She could not catch a break. Which okay, she was panicking and then fainted but I still find it a little funny because girl, you kinda had it coming.
The whole scene of Penelope revealing the money she made with Whistledown and Colin's, Eloise's and Portia's reactions.
And I'm probably forgetting other parts. It has now been confirmed as well that a lot of the reshoots were to make the season more light-hearted, more romcom, and they had Colin be less angry than he originally was in the script (notably after their wedding breakfast), so even if I resent that dreadful wig they put on my poor man, I'm so grateful the season remains, overall, more romcom than true drama like the other seasons could have been, because at the end of the day, this is the love story of two friends who already cared so deeply for each other. Honestly, I'd argue the true angst of the season came more from Eloise's and Penelope's rekindling friendship (and also Cressida's home life) (the true love triangle).
And speaking of truly knowing one another, let's go back to the one thing that brought Colin and Penelope together: the letters.
Note how loosely bound Penelope's letters to Colin were compared to the other pile, because he has kept them with him during his travels this past summer and kept rereading them when she did not respond back. And just like the letters (or lack thereof) were the first clues that something had shifted in their relationship and Colin realises how much he misses her, her letters also become the reason he reconciles Penelope with Whistledown because oh yeah, the writing is the same, clever, sharp, and beautiful, just like his Penelope. As he rereads them, he realises how he himself overlooked Penelope for so long, how he was compelled by her quill, how powerful it was that they made him feel more confident and how their absence made his sense of self crumble. The same way, upon his return, Whistledown calling him out, shattered that new self he had tried so hard to build. Penelope was the reason he found his confidence, then lost himself when she did not respond, and the reason he had to look inward when, through Whistledown, she saw through his facade.
But also isn't it sweet, that he unknowingly always praised her writing? Of her letters obviously, but of Whistledown as well. For all his negative feelings about the gossip column, one thing he always admitted is how clever Whistledown is, hence why he did not even believe Cressida could actually be her. Deep down, he's always admired her writing, even if he did not realise it was her yet. He was so attached to her letters after all.
And speaking of writing? Penelope becomes his muse.
That is him writing about Penelope's debut, proving he's always paid attention to her, between this, him being the one to bring up how they met, and recalling all the times Eloise kept bringing up Penelope in conversations. And he's writing all of this after the church dance scene! After Penelope's declared her love for him and how she's loved him for years! He was lamenting that love made him so simple he could not write a single word, but it is love that fuelled his mind once more and broke his writer's block. And then in the epilogue, he is so proud to say Penelope helped him edit his book, he who, a couple of episodes earlier, was so determined to do this on his own to prove himself, now his pride is that he worked together with his wife and they are building a family, and a writing empire, together.
The season ends as they kiss in front of the very window Penelope often sat in front of, overlooking Bridgerton house, hoping to catch a glimpse of Colin, who now will always be looking at her first. They also now have the heir to the Featherington barony, and they inherit the very house with the garden where Colin first broke Penelope's heart, then mended it by offering his help, then where they shared their first kiss. It is theirs now.
And it's just! They're so in love! I have no other words (also this post is so long, I am getting tired myself I probably sound like a broken record by now).
Conclusion
I think Bridgerton s3 has officially become a comfort watch. I'm never one to really rewatch shows, but this specific season has joined the small list I have. As already mentioned, when it comes to romance, friends to lovers has always been a favourite and Polin is such a good depiction of the trope. They're the gigglers on the side of balls, the ones who did not so much seek the centre stage but were thrown in the middle of it, which fits so well even on a meta perspective because Luke and Nicola admitted they sure did not expect their season to come this early either. They won't be the most popular couple, perhaps, but my God, they are mine. Despite the length of this post, I think I probably still forgot some points but oh well, gotta stop somewhere and I'm sure people more eloquent than I made posts as well.
This season was not perfect, I have a lot more gripes about it than this long post makes it sound like (although they're mostly non-polin related or something about the production), but I like to focus on the positives. And for all its flaws, s3 sure knew how to deliver a sweet romance between two outcasts who found their home with each other.
And with that, dearest gentle readers, this humble author - or rather, this person who fancies themself an author at their lost hours - finally lets their old keyboard rest, and hopes you have enjoyed this long read into a mind with too many thoughts about a gentle, kind man who has a lot of love to give and a fierce, passionate woman who wants to be loved.
(The sweetest little parallel to end this on, ever since s1, he's always seen her <3)
#THIS IS A LONG RIDE YALL GOOD LUCK#bridgerton#bridgerton spoilers#bridgerton thoughts#colin bridgerton#penelope featherington#polin#eloise bridgerton#peneloise#yes im tagging them too!#portia featherington#character analysis#long post#star.txt#the beginning of this post is lowkey just me arguing peneloise is as canon as polin /j#also posting this as pride month ends but just know polin are demisexual in my heart
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1 and 30 for the fic questions!!
Thank you for the ask!!
Fic Writer Ask Game
1. What fic of yours would you recommend to someone who had never read any of your work? (In other words, what do you think is the best introduction to your fics?)
Hmmm. I think it really depends on what you’re there for, because I have two completely different versions of Bruce Wayne living in my head.
fool me thrice is a good introduction to how I write Batfamily dynamics, my characterization of the Batkids, how I develop a plot across scenes, tackle questions in my writing, and write an abusive Bruce Wayne while still maintaining his internal life and not demonizing him. This fic is pretty characteristic of my Bad Parent Bruce Wayne fics, and my writing style in general. If you want to read my Bad Parent Bruce Wayne fics, I’d recommend this as a starting point for how I see things playing out.
Olive Branch, on the other hand, is the introduction I’d recommend for Good/Okay Parent Bruce Wayne. It shows how I deal with misunderstandings, uncertainty, and at least somewhat unreliable narration (which is very common in my fics). Like fool me thrice, it involves extended dialogue and relationship work, but unlike fool me thrice, it is a single scene. In general, the writing style and the way I portray Jason’s internal thoughts vs what he says are a pretty good example of how I normally write.
But honestly, unless it’s in a series, any work is a good starting point I think!
30. Have you ever written something that was out of your comfort zone? If so, what was it, and how did it affect your approach to writing fic thereafter?
I routinely try to push my comfort zone in small ways, such as by trying to write a romance fic or write two characters who I haven’t written interacting before. But I think the second farthest outside my comfort zone I’ve written is actually my most recent multichapter fic, once you cross the line (will you be satisfied?), which is on 2/5 chapters. It’s a TimSteph fic—which is outside my comfort zone due to being romance and not a pairing I’ve read a ton of—but it also contains frank discussions of sex and birth control and on-screen making out. No on-screen sex (I am unwilling to research how people having sex works in practice) but still the only fic that I’ve ever rated M for sexual reasons. I think writing this fic has made me open up a little bit to including more sexual elements in my stories, and it’s also made me think more about tagging practices on AO3.
Surprisingly, the farthest outside my comfort zone I’ve gone was a complete accident. I wrote a fic that was supposed to be dark and kind of messed up, but the first draft fell off the deep end. I decided I couldn’t post it, because I’d unintentionally added subtext. And if I could see that subtext, other people definitively would.
The fic underwent extensive edits. Some of these edits were really, really stupid, such as the Find and Replace incident. In hindsight, I would’ve done it differently, but at the time I was just happy that I brought the fic back into my comfort zone. This story became Graveyard, which doesn’t quite manage to say what I originally intended it to, but at least it doesn’t say anything I didn’t intend it to.
This fic actually did inspire a change in my writing process. Before I write my fics, I now lay out every way I think the fic could be interpreted and decide which interpretation(s) I am okay with and want to explore. And then I develop a plan for how I am going to emphasize the interpretation(s) I intend to emphasize while de-emphasizing alternative ones. Obviously, I can’t control how people view my fics, and people could easily be misinterpreting them. But incorporating this calculus into my writing process at least means I’m not blindsided and can avoid another Graveyard incident that messes up the fic.
This started out in an anxious way, but now it’s more for clarity’s sake. When I write, I have something I want to communicate. Sometimes there’s ambiguity in that, but only specific, intentional ambiguity. But I don’t want to have cracks in my stories (or poems) that lead to validating misinterpretations of my original message. I’m a lot more intentional about what I write now. So overall I think this incident has improved my writing.
#asks#ask game#ask games#i love rambling#dc#batman#dc comics#dcu#batfamily#batfam#writing#fanfic meta#fanfiction meta
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✮⋆˙ 𝐅𝐋𝐘 𝐇𝐈𝐆𝐇. 𝐈𝐈
⤷ hq boys x any!reader . . . pt. 2



masterlist
part 1 part 2
⊹ ࣪ ˖ fandom | haikyū!!
✧˖°. includes | shoyou hinata x reader headcannons, overall cuteness, fluff, established relationship, basically just hinata and reader having a happy week <3
⊹ ࣪ ˖ key | y/n: your name
✧˖°. in which | cutie patootie hinata is guaranteed a minute of volleyball with reader for every question he gets right, hinata being taught english by reader.
⊹ ࣪ ˖ a/n | my fav cutie baby of hq!!!! i’ve been so unmotivated this month, but mori’s tsukki hcs got to me, and now i’m writing for a bit again <33 everyone, say thanks to mori! and!! tysm to mori for helping me out with this fic + giving me most of the ideas I included <3
“sho, come on! it’s easy to understand if you really want to.”
he keeps grumbling about it, as you try and teach him.
“easy for you to say, your volleyball future isn’t depending on one test,” he frowns.
you chuckle, and give him a kiss on his cheek.
he usually settles down for a maximum of five minutes, before getting up to stretch or walk around. attention span? he’s never heard of those words before.
you randomly catch him staring at you, when you’re trying to teach him something.
“okay, what’s the answer to 9 then, since you’ve been paying so much attention?”
he snaps out of his reverie and scratches his head and squints his eyes at the paper, concentrating hard on the question.
“Is it ‘I would like some water?’”
and the second you tell him he answered a question correct, he slowly begins drifting off topic.
“mm, you know how they had no water in the hunger games? must’ve been hard.”
and then he yaps about the hunger games books for the next two hours, and you let him.
no matter how much you talk, he definitely does still study and loves that you’re there to encourage him and keep him on track!
he knows you, and he knows that you’re always going to be there to help him.
you promise him that for every question he gets right (which he makes a note of, by the way), he’ll earn a minute of volleyball-playing with you.
you’re a very good setter, but since there’s no girls club for volleyball, you don’t play at school.
a few days later, he gets a B on his english test!
he runs to your class during the next break (which is right beside his), and as you’re walking out, he tackles you with a hug.
“I got a B!”
“baby, that’s amazing!”
and to celebrate, you go to ukai’s shop to buy some of your favourite snacks. you head over to one of your houses and binge watch cheesy romcoms of both of your choices, and finish up all your snacks and drinks.
you end the night with cuddles on the couch, obviously <3
✰ hq taglist | @anyas-shitposting69 @serendipitous-girl @iheartgirlzn @fizzywashere87
kozumesphone © 2024 | don’t repost my works onto other platforms, or edit and post them even on tumblr, without asking me first • don’t steal my works, steal my heart instead • reblogs and comments are more than appreciated !
#skye's cafe ~ ⋆.˚#⭑𓂃 skye’s haikyuuverse !#skye.jpg🧸—#hinata shoyo#shoyo#hinata#haikyuu!!#haikyū!!#hq#oneshot#fluff#x reader#hinata x reader#hinata shoyo x reader#volleyball#anime#anime oneshot#anime x reader#haikyu x reader#fem!reader#male!reader#gn!reader#any!reader
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starchild’s competition
18+ Minors, DNI.
summary: dustin’s noticed your odd behavior and takes it upon himself to figure out what’s going on. little does he know, you’ve fallen in love with the dungeon master of his dnd club.
pairing: eddie munson x female!henderson!reader
cw: almost smut? implications of sex, kissing, etc. bit of fluff / bit of smut
word count: 5.1 k
a/n: this is one of my favorite things i’ve ever written, definitely thinking of making a pt. 2… also apologies for the spacing on this one, it didn’t like me pasting my writing from wattpad to tumblr lol
masterlist
i do not consent to having any of my works republished, translated, or posted to any other site except here. if you see my works anywhere but tumblr, it has been republished without my knowledge, consent, or permission.
—
dustin henderson never snooped... okay that was a lie, he only snooped when he knew he needed to, like today
you and dustin had grown up as close siblings. without your dad in the picture, moving to hawkins when you were 14 and he was 9, and living with your single mom, you knew you had to take care of each other
obviously, you two had run-of-the-mill spats with each other as every sibling has with one another, but you two still loved each other very much
even the times when he's tackled you in order to get the last pop tart, in which you would snatch it back from him, just for him to say 'no collarbones' to tug on your heartstrings and you'd end up giving it to him anyways
but these past few weeks had been very different, you were different
you were always out late, and if you weren't already out late, you were pretending to go to bed early just to sneak out of your window to be out late
you were never really in the house anymore, and when you were, there would be an odd smell coming from your room
dustin was became confused on why you never had much time to drive him to hellfire or bother steve together at family video anymore, and he was confused on why you would always finish dinner quickly then go straight to your room or why you'd always have some metal song playing in your walkman (a genre he didn't even know you owned cassettes of)
but little did he know the reason why was because you had accidentally fallen in love with one of his best friends and the dungeon master of his dnd club... eddie munson
and truth be told it was an accident.
you and eddie had always inconspicuously flirted with one another. it occurred whenever you would drop off dustin at hellfire, or when eddie would come up to the kitchen during one of the campaign's breaks to see you before the rest of the party would come up from the basement of your house
the two of you would talk, laugh, make jokes, and much to dustins knowledge, he knew that neither of you would try anything, i mean you couldn't right?
wrong. after a few weeks, eddie formally asked you out. it was for a nice romantic picnic out by lovers lake. you said yes, seeing as the cute metalhead in front of you already had you wrapped around his finger, and one date couldn't hurt...
but more dates did occur- watching corroded coffin play at the hideout, sneaking out to smoke at his house, making out in the back of his van with music blaring in the background, and having him over to study since you two "had the same history class and were made partners by your teacher" - which is what you always told dustin
you couldn't help it, the two of you just naturally gravitated toward each other, but you still didn't tell dustin, or really anyone for that matter. you loved your little bubble that you built together over the past couple months and the fear of scrutiny from other party members, especially your little brother, would burst it
but nonetheless, dustin grew suspicious of his sister, suddenly acting secretive and dodgy
you had left to go to the mall with nancy and robin earlier in the evening and it gave dustin his opportunity. he quietly walked out of his room and into yours
he closed your door quietly behind him, and he scanned your room. he didn't find anything out of the ordinary at first, till he noticed some cassettes and a piece of paper on your dresser
intrigued, he walked over and picked them up. there were four cassettes you had sitting there, metallica's ride the lighting, dynasty and love gun by kiss, and heaven and hell by black sabbath
he picked up the piece of paper that looked a little crumpled and opened it up to read
here's a couple of my favorites, i hope you love them too... p.s., I'm dedicating track no. 1 on dynasty to you -starchild's competition
"starchild's competition? what the fuck does that even mean?" he said out loud to himself
out of curiosity, he took the dynasty cassette and decided to play track number one, seeing as it was dedicated to his sister by a random guy competing with someone named starchild
little did he know, it was a stupid inside joke between you and eddie
you two were smoking in his room and you had briefly mentioned your huge crush on paul stanley from kiss to eddie, to which he decided to tease you with, saying he was in competition with the huge star for your love and affection
at the time you didn't realized he signed the note with that, being a little too busy as you were high out of your mind, and he shoved the note and his cassettes into your bag for a cute surprise when you got home
dustin heard the familiar tune of 'i was made for loving you' ring through your room and he gagged
who is dedicating songs to her? he thought
continued to look around your room, finding a photo album peaking out from the side of your desk, hiding under a couple of school books
but his actions were soon interrupted as your door opened, and you spotted him
"what are you doing in my room" you asked with an annoyed tone
"oh uh... your stereo turned on and i was going to turn it off for you... good song choice by the way" he said stiffly as he awkwardly shuffled out of your room and into his
you shook your head at his weirdness and shut your door. you tossed the shopping bags you had onto your bed and shimmed off your jacket, tossing it onto your desk
you caught a glimpse of yourself in the mirror, a few hickies on your chest were showing that your jacket covered earlier
that was a byproduct of going over to eddies a few days beforehand. the two of you were going to try and do some homework but that soon turned into you on eddie's lap as the two of you feverishly made out
but it was soon interrupted by wayne who wanted to make sure the two of you had a proper dinner to "keep your studying energy up" so the two of you had to pull yourselves together and go eat the dinner wayne graciously made before he left for work
but, you were a little grateful for the interruption since it gave you an opportunity to buy a new and exciting piece of lingerie to surprise eddie with
-
the next night, you did your usual eat dinner fast then run back to your room routine, which you did in order to call eddie and talk to him
you two surprisingly never ran out of topics to talk about, and he never failed to make you laugh, which would end up with him wanting to see your "beautiful smile in person" and you would arrange for him to sneak into your room after your mom went to bed
the two of you were well into your honeymoon phase but neither of you minded
this particular evening, dustin and your mom were watching some movie and eating some ice cream for dessert when he heard a loud giggle from your room
"i'm going to go see if y/n wants some ice cream" dustin said, setting his bowl down and walking down the hallway
his steps were slow and quiet, your voice getting only slightly louder as he got closer to your door
"no baby i cannot tell you the surprise, you're gonna have to wait" he heard you giggle causing him to make a disgusted look on his face
okay, she clearly has a secret boyfriend which is why she's been acting so weird, he thought to himself, but he wondered who could it be for her to not tell anyone about
you're usually open about boys you like, especially the celebrity crushes you had which seemed to change every other week, so what's so special about this guy that she can't talk about him?
"mhm, yeah try and see if that works this time, cause it worked sooo great last time" you said with a sarcastic laugh
dustins ear pressed a little too close to the door causing it to creak open a little bit, catching your attention
he stood up straight and cleared his throat, knocking lightly to make it look like he had just got to your door. you muttered a "hold on" and lightly pressed the bottom half of your phone to your chest
"yes?" you questioned, and dustin blinked his wide eyes
"oh uh do you want ice cream for dessert?" he said and you smiled "sure, I'll be out in a sec, don't eat the rest of the chocolate please" you told him
he responded with a smile and nod, and closed the door to the way it was before and he heard you say a "it's my favorite flavor! it's not boring!" followed by another giggle
-
the next night was friday night
your mom had some PTA meeting and dinner meaning she would be out till late and dustin said he was going with lucas and mike to the arcade and then to mike's for a sleepover
you invited eddie over while the two of you were standing next to your locker
"yeah and my mom will be out all night at some PTA meeting and dustin's going to sleepover at mike's house, so it'll just be me... all alone... in an empty old house," you dragged the last part out causing a smirk to arise on eddie's face
"oh we can't have that now, can we?" eddie responded, taking his pointer finger and hooking it gently under your chin to pull you in for a kiss
"get a room you two" robin said arriving next to you
"its already booked" you rebutted back with a chuckle
you stayed there near your locker for a good few minutes, continuing to talk to robin who was just about to leave to catch her evening shift at the store. eventually the two of you said goodbye to her, walking out into the parking lot from the school
you drove home separately from eddie, telling him to come over at 5 and to park down the street not to draw attention and he gladly agreed
the clock was ticking down to 5 pm when your mom headed out the door
"i won't be back till late, bye sweeties!" she said as the door closed. now all who was left was dustin, standing next to you waving goodbye
"don't you have a sleepover at mikes or something?" you questioned
"yeah but i'm in no hurry to get there, i'll leave in a few minutes" he said when you noticed eddie's van drive past your house in order to park down the street causing your heart to drop
"you sure? didn't you guys want to go to the arcade too?" you asked, wanting him to leave already
"we're going but lucas can't meet us there till 5:15 so i have some time" he shrugged, sitting down on the couch causing you to mentally groan
your eyes widened as you saw eddie start to walk up your drive way
shit shit shit you said to yourself as he knocked on the door
dustin sat up "bet you 5 dollars mom forgot something" he joked, going towards the door before you even stepped your foot out
he quickly opened the door to reveal a very handsome eddie munson standing there with his dio t shirt and usual black jeans
"eddie? what are you doing here?" he asked. eddie looked like a deer caught in headlights. he quickly looked to you then back to dustin
"oh i uh just came by to uh... borrow your sisters history book... uh.. i lost my copy and we're partners for the class so..." he stammered out
dustin seemed to buy it as he let eddie into the house, and eddie gave you a smile
"well since you're here and i don't have to leave for a few minutes, can i ask your opinion on my new campaign?" dustin asked sweetly. eddie shrugged and muttered a sure before he was motioned to go down the hall to dustins room
you gave a sympathetic smile to him, and decided to head to the kitchen to get some water while you waited
you heard talking from the two of them down the hall, a few laughs here and there, when eventually the two of them emerged from dustins room, the clock reading 5:25
"oh shit I gotta go- hey since you're just here for a book and you're probably about to leave anyways, could you drop me off at the arcade? my bike should fit in the back of your van" he questioned and you could see the mental groan in eddie's eyes
"uh yeah sure" he said, looking to you. you giggled and walked past the boys, grabbing a random book from your desk and walking back to the living room, handing it to eddie
"thanks" he said. you could tell he was annoyed dustin was cockblocking him, and you tried not to laugh
"c'mon eddie i'm already late" dustin exclaimed, swinging a bag over his shoulder
"coming" he grumbled, looking at you once more before walking out the door, book in hand
you saw the two conversing as they walked down the street to where eddie's van was parked, dustin walking his bike next to him. you saw this as a chance to go change into your outfit for eddie's return.
you happily skipped into your room, shutting the door behind you. you went over to your underwear drawer where you stashed your new lingerie set, the red lacy fabric soft in your hands
you normally wouldn't wear a bright color such as this cherry red, opting for blacks since its what you felt most comfortable in, but you figured it'd be a nice change and such a surprise for your boyfriend
you quickly changed into the lingerie, taking a look at yourself in the mirror
"damn" you muttered out, feeling a new sense of confidence wash over you. you touched up the little bit of makeup you were wearing, and decided to fix your hair down, your hair cascading to your shoulders.
slight waves in your hair emerged from the bun you had it in earlier but you didn't mind since it added some life to your hair. you applied some of your favorite perfume to your wrists and behind your ears, and once you were satisfied with your look, you threw back on your sweatshirt and shorts.
you heard knocking at the front door, signaling eddie was back from driving dustin
you walked out of your room and opened the door to reveal an annoyed eddie. "that little fucker" he mumbled, walking in past you
"well hello to you too" you said jokingly. eddie turned to face you.
"hey sweetheart" he breathed out, before continuing his little rant
"he kept asking why i was parked so far from the house, so i told him it was cause i didn't want to block your driveway, then he asked why i had an English textbook if we were doing a history project together," he continued, handing you back the book you had previously handed him
"then he was annoyed when i said i was busy tonight and couldn't come to the arcade with him and his friends and he just kept on questioning everything i-" you cut him off by kissing him, catching him by surprise
"eds, calm down, he's gone now, its just the two of us, and it's not his fault he doesn't know what's really going on" you soothed, trying to calm your amped-up boyfriend
"you're right I'm sorry, it's just i wanted to be here with you like an hour ago but that little cockblock-" you cut him off by kissing him again, this time actually shutting him up
the book you had in your hand dropped to the seat behind you causing a thud. you wrapped your arms around his neck, pulling him closer. his hands slid under your shirt and up the sides of your torso, his rings were cold against your warm skin causing you to gasp, and eddie took this an opportunity to sneak his tongue into your mouth
you moaned in to the kiss causing him to smirk, when he started trailing his lips from yours down to your neck sucking on that sweet spot behind your ear
"eds" you breathed out, "yeah?" he mumbled, continuing to leave his mark on your neck
"my room" you stuttered out and he pulled away
"lead the way princess" he said with a smile, extending his hand for you to walk past him. you giggled, still stuck in a little bit of a haze, lacing his hand with yours in the process of walking past him
"did you bring it?" you asked as you entered your room. "condoms or weed?" he asked, shutting the door behind him and leaning against it
you giggled, "the weed but good to know about the condoms as well," you said with a wink
the two of you got into your usual positions, eddie sitting at your desk rolling a couple of joints while you lit some incense to cover the smell in case your mom came home early
once situated, you laid on your bed, side by side, passing the joint. you watched as eddie brought it up to his lips, and carefully sucked on it, lighting up the end, and breathing out the smoke
you watched his plush pink lips form in to an 'o' shape as the smoke blew, and you were mesmerized
and you stayed like that, smoking, staring at eddie, talking, but eventually by the end of the second joint, you didn't need anymore
"eddie" you whined, sitting on his lap, rolling your hips in attempts to get some friction for the heat pooling in your pants
eddie knew you had levels of being high, it would go from chill to giggly to horny to sleepy, and right now, he knew that all you cared about was him fucking you senseless
"yes baby?" he purred, hands gripping onto your thighs, your faces almost touching
"i need you" you whine again, starting to kiss his neck, and you moved your hands up the sides of his torso, lightly tugging on his shirt to get him to take it off
he loved taking his time with you while you were in this state, taking it as an opportunity to tease you. he loved making you a whining, moaning mess, hungry for his cock
he slowly moved your head from his neck so his lips met yours, kissing you with passion, his tongue fighting with yours
you broke apart for a second, taking off your shirt and tossing it across the room
"jesus christ y/n" he breathed out, absolutely enamored with the sight in front of him
"oh i forgot about that" you giggle, "you want to see the rest?" you ask in a sultry tone
he nods furiously and then gulps as you manage to wiggle off his lap
he watched intently as you flicked on the stereo, 'lick it up' by kiss blaring through your speakers as you moved your hips along to the beat of the song
"holy shit" eddie said, his eyes widening
you continued to move to the beat, flipping your hair and turning around, moving your body around in the most sexual way you know how
you dropped the shorts, tossing them beside you, and he smirked at the full sight of you
he sat up a bit as you started to slowly crawl onto your bed towards him, and he bit his lip in anticipation
you laid down next to him, and he took his opportunity to kiss down your neck and onto your collarbone, taking his time to leave his mark all over your chest and your neck
his hands traveled down your thigh, gripping your your backside as you grinded again his hard bulge
"i think you're wearing too many clothes" you said, lips almost touching
"yes m'am" he said with a light laugh and kissed you before he got up from the bed
the song had changed a couple times from the one you put on, and your speaker was blaring the chords of 'all hell's breakin' loose'
eddie tried to move his hips around in the way you did, but failing miserably causing you to laugh
he whipped off his t shirt, tossing it in your direction, and you watched intently as your boyfriend tried to give you a lap dance
he undid his belt, tossing it to his left side, and slowly undid his zipper
he looked at you, as you were holding back giggles as he was purposefully trying to be bad at this
he finally pulled down his pants and stepped out of them and kicked them over before jumping on to the bed next to you
"maybe we should stick to you performing on the stage and me performing in the bedroom" you giggled as he scooted closer
"yeah maybe that's for the best" he laughed, pulling you in to a deep kiss
he was on top of you and you were a moaning mess underneath him until you finally found the strength to flip the two of you over, wanting your turn to leave a few love bites down his neck
you knew everyone would see you together, see the hickies, and put two and two together but in this moment, you honestly couldn't care
you grinded down on his lap as you kissed the sweet spot behind his ear, causing a delicious moan to emit from those beautiful pink lips
——
"shit!" dustin yelled in an annoyed tone. he was in mike's basement with lucas, mike being upstairs grabbing a couple of snacks.
"what?" lucas asked towards the frantic curly haired boy
"i forgot my toothbrush" he said, grabbing his jacket
"where are you going?" mike asked walked down the stairs, arms full of junk food that would soon cease to exist, at the threat of being in front of three hungry teenage boys
"i need my toothbrush" dustin said, putting on his shoes
"just skip tonight, it's not a big deal" mike shrugged and dustin shook his head
"not a big deal? i just got these pearls and you expect me to not take care of them?" he held a hand up to his chest in offense
"just let him go, it'll only take him like 20 minutes tops" lucas said, opening a can of coke
"whatever but we're starting the star wars marathon without you" mike said and dustin looked at him with annoyance
"oh damn! it's not like i haven't seen the beginning of a new hope like 50 times" he said sarcastically before running up the stairs
he briefly told mrs. wheeler where he was going and that he was going to be back, and out the door he went, grabbing his bike
he started on his way to his house which wasn't too far from mike's, enjoying the cool breeze on the oddly warm spring night
he finally made it to his driveway, hearing the crickets outside and music coming from inside the house
dustin made his way up the stairs and opened the door which he found unusual since whenever you were home alone, you always made sure to lock everything up as you knew the only people who should be entering would have a key
the music traveled from your room and down the hall and he shrugged, assuming you were just listening to music loudly but then he smelled that oddly familiar smell wafting from your room
he went to the bathroom, grabbed his toothbrush and toothpaste and shut the door when he figured he should at least ask you about it
-
"oh fucking hell, you are so perfect" eddie muttered out as you licked the spot on his neck you had finished working on, proud of your accomplishment
one of your hands traveled down his hips and to the waist band of his boxers, starting to palm his rock hard bulge and he moaned, his fingers digging into your ass and thighs
your lips met his once more as you went to pull down his waist band, and you were so drunk on him, you couldn't focus on anything else
"hey y/n what's the- JESUS CHRIST" you heard a scream from your door way, causing you and eddie to jump apart
"dustin what the fuck are you doing here?!" you yell, grabbing your sheets to cover yourself up, eddie attempting to do the same
"what the fuck are you doing??" he screamed again
"what's it look like? now get out!" eddie yelled, throwing a pillow at him causing him to immediately step back and shut the door
your heart was pounding and your breathing was unsteady
"oh god" you groaned, leaning into eddie's chest
"well at least now he knows?" eddie said with a laugh
—
dustin, horrified at the sight, ran out of the house, toothbrush in hand and ran to his bike
he believed it was a record for how fast it took him to get back to mike's house from his
out of breath, he stumbled down into mikes basement seeing both mike and lucas staring intently at the movie
"why are you so out of breath?" lucas asked with concern
"i just saw my sister having sex with eddie" he managed to get out, still trying to catch his breath
"what?" mike asked
"I JUST SAW MY SISTER HAVING SEX WITH EDDIE" dustin screamed, repeating himself
"what the fuck?" mike asked again
"wait what so what did you even see?" lucas asked dustin
"i went to get my toothbrush and i heard music from her room and there was some smell so i decided to ask her what the smell was and i knocked- a few times, and she didn't answer so i assumed her music was too loud so i opened her door and i saw them half naked kissing on her bed!" dustin said with disgust
"jesus that's rough" lucas agreed
—
you finished putting back on your shorts, sitting on the edge of your bed with a gnawing feeling in your stomach
after what just happened, neither wanted to continue your plans for the evening so the two of you calmly got dressed and turned off the music.
"you okay?" eddie asked, sitting next to you and you shrugged
"i feel bad for having dustin find out about us that way" you said, playing with the hem of your shorts
"i know but now that it's out in the open you can always actually talk to him about everything tomorrow" he said and you nodded
"yeah i guess, plus i hate the fact that my surprise was wasted" you said, and he wrapped an arm around you as you leaned your head on his shoulder
"i wouldn't say it went to waste because jesus it definitely surprised me" he lifted your head gently to make eye contact with you
"i love you y/n and we'll have plenty of more opportunities for you to show me that, i already forgot all about it, you were wearing something blue right?" he joked and you laughed
"i love you too eddie" you said, wrapping your arms around him. you cuddled into each other, enjoying each others company. you also felt an insane amount of sleepiness wash over you and eddie could sense that
"you seem tired, so i should probably get going" he said with a sigh and you shook your head, pulling away from the hug but keeping your bodies pressed close
"no please, i want you to stay" you said to him and he nodded, tucking a piece of hair behind your ear
"what about your mom?" he questioned and you smiled
"i'll just lock my door and if you'd be so kind, sneak out my window in the morning and come round to the front door, tell my mom you're taking me to breakfast" you suggested and he smiled
"god you're smart" eddie responded, kissing you softly
"and i have some extra clothes of yours from a few weeks ago for tomorrow" you said, getting up to the dresser and pulling them out
you had washed and dried them for him, planning to return them soon but thanking yourself you didn't
"thanks baby" he said, getting up and wrapping his arms around you
"you know i was actually wondering where this shirt went" he said and you giggled
the two of you decided to change out of your clothes, you sleeping in another one of eddie's shirts you had 'borrowed' and him changing into his clean boxers from the dresser
the two of you brushed your teeth in the bathroom, smiling at each other with toothpaste filled smiles. eddie left the bathroom back to your room, and you finished up washing your face and applying some moisturizer
once you made it back to your room, you admired the sight in front of you
eddie was laying on top of the sheets, legs spread and one arm on top of his head, showing off his tattoos
"take a picture it'll last longer" eddie smirked when he noticed you standing by the door
"might have to, you're too pretty" you said, shutting the door and locking it behind you
you walked over to your bed, crawling in, the only light emitting was from your lamp, the other lights eddie turned off for you
you snuggled close to him, his arms wrapping around you right and he reached up and turned off the light
"i love you y/n" eddie whispered, kissing your neck lightly and you smiled, rubbing his arms lightly
"i love you too eds" you said, falling asleep in his arms
fin.
#eddie munson#stranger things#dustin henderson#munsons-melody#eddie munson smut#eddie munson x you#eddie munson x female reader#eddie munson fanfic#eddie munson blurb#eddie munson imagine#eddie munson angst#eddie munson fluff#eddie x y/n#eddie x you#eddie stranger things#eddie x henderson!reader#eddie munson headcanons#eddie x reader#eddie munson x reader#eddie munson x y/n
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Hi, another idea. Delaware made a post talking about how Mina was anti gadget on the sport festival (she faced Aoayama who was wearing one, note how he doesn't anymore after that... maybe he does and I'm mistake) it was an Answer for an ask.
But it was noted how she think less of Aoayama and how no one in UA seems to care for Aoayama as a student till the big reveal.
It makes me think if Izu had a gadget...people would.hate on him. Many fics love make BK ruining his gadgets and I can see it but Mina went straight to the gadget (one may say that was a clever move on her part but it felt as if she was bullying him) so...I think if Izu was to use gadget ...he would be even more an odder duck.
I say this bc in my TTau. I want to have Izumi to wear gadgets to prevent her bones to shatter and we see A1 being shitty friends, ofc. Karma is coming to them.
Izumi sees how UA has no care in teaching how to use quirks and many heroes are content in use the basic. Mirio learned how to control his quirk alone (nighteye gets no credit here as he didn't lift a finger) and wonders what's the point in being a hero? Why do we need a hero anyway?
Hi @mikeellee 👋
I don't think mina is anti-gadget or she isn't anti-gadget on purpose, that is.
What I mean by this is that mina aimed for yuuga's belt because she thought it was the easiest way to take him out. Now, this is only fair as it definitely was the quickest way to win that fight as the problem with yuuga is that he is DEPENDENT on that support item and therefore he can't do much without it.
You can argue that her aiming for his support device is unfair, but that argument falls flat when the whole premise festival is to do whatever to win as long as it's not outright killing your opponent. The argument then falls flat again when you put this in a real-life villain vs. hero type of situation where people will do whatever, however cruel or nasty it may be, to win.



The thing is, yuuga still does wear his support item, but it blends in well with his hero costume, which is the only time he actually uses his quirk. The support item sticks out like a sore thumb when yuuga is in his sports kit, so maybe that's why you got confused.



I don't ever remember seeing mina stating or thinking that yuuga is less than her or anyone else because of his use of a support item.
Also, I think the lack of focus or care for yuuga before the traitor arc was both intentional and somewhat of a writing issue. Horikoshi deeply neglected the traitor plot surrounding yuuga, and because of that, we don't get much of yuuga or foreshadowing to his character arc. I also like to think that yuuga probably had a strong internal conflict within him due to the role he had to play and how he could never be who he wants to be due to the connections he has with AFO. Due to feelings of guilt and not wanting to cause harm by staying ignorant, yuuga probably tried and failed to distance himself from class 1A.
The argument kinda ends up falling apart when you do realise that in Canon izuku does have a gadget. Remeber the support item that Melissa made for his arm, yep izuku has that and he constantly wears it with his hero outfit and we don't see much comments on that.
All mights point to izuku was to not rely on support items which he has a point when it comes to that but does end up coming off as harmful advice if you take into account how All Might is as a character.

Again, I think it depends on the type of gadget that izuki would use for people to exploit it. Something such as his arm bands are okay because he can function without them, and honestly, the arm bands aren't easy to reach at all, not without izuku punching or hitting someone.
The TTAU sounds like a great way to tackle some of the issues that the narrative has. I do think that you should introduce a nuanced conversation when it comes to support equipment. Leading izumi to such a conclusion is also interesting because heroes are supposed to help, and hero schools are supposed to help you improve and strengthen your quirk, but ua does it with almost no direct support given to the students.
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Creepypastas comforting the reader
except some of them arent particularly good at it + as per usual jeff ben and toby are written as platonic everyone else can be seen as either or writing a silly little thing before i tackle in on requests, falling into the same vibe as the "hugging/kissing creepypasta characters" post from last week since i do enjoy rating these lads on thing ehehehe obligatory "these style of posts go over my personal character limit but since this is writing for the admin he bends the rules a bit" anyways uhuh totally dont give me ideas for these eheheh winks
SLENDERMAN:
not much of a talker in general, and i think that remains true in scenario where you're upset/crying. but he does make it clear that hes here for you... just... in a general sense. you know? refuses to leave you alone unless you directly ask him that you need space; more so watches out of concern rather than his usual curiosity. i think he would make you a warm drink and let you vent to him. more of a logical approach than an emotional one; better at giving solutions rather than giving comfort.. though i like to think that his tentacles will pull you close if you want to lean into him, will let you cry into his shoulder with no judgement. 6/10 low score simply because sometimes one needs comfort in the moment instead of solutions, you know?
SPLENDORMAN:
i think hes the opposite of slenderman. hes all emotions first, logic later. if he already knows you comfortable with it, i think he would come in and scoop you up in a hug.. hell he might even cry with you, or do the equivalent of it (admin is still on the fence of whether or not he has eyes or not! torn between them being actual eyes or markings) will make you your favorite snacks and drinks, all the while letting you cry and vent to him. gets mad on your behalf if someone had done you wrong, does not make your feelings feel small or invalidated. if he could he would confront the person who treated you unfairly.... and in fact he might, who would ever believe the person that they came face to face with a ten foot tall monster? though... this can lead to him being a little quick to make choices that might have big impacts... 7/10 love this man need to write more for him and develop my hcs
EYELESS JACK:
you know now that i think about it, given how much i write for EJ, i swear ive done a similar prompt at some point. regardless of it i did and if my hcs are the same, im going to go ahead and drop my hcs. i think hes very similar to slenderman in terms that hes more of a solutions > emotion person.. though i do think hes more likely to join you in any shit talking if someone did you dirty... do i think he would target that person next when hes going to go 'hunting'? no... unless the person did something truly awful and unforgivable, then he would definitely consider it.. probably wont go through with a harvest, though.. but thats it whole other thing. more of a talker than slenderman, so at least he has that going for him. lets you sleep in his bed if youre venting to him in his cabin 7/10 one point higher than slenderman simply because he talks more n stuff
LAUGHING JACK:
im gonna be so real i think he can go either way if hes going to be good at comforting you. on one hand hes too silly and might not take it too seriously; or he might try to make you laugh.. which COULD work but other times makes it look like he doesnt care about your feelings. on the other hand i think he can give some solid adivce, but thats only based on the fact that i love it when unhinged hyper characters suddenly drop the most valuable info. shrugs. i mean if you need a distraction, i think lj is your man to go to ! he was literally made to entertain so i dont think its going to be too hard for him to take your mind elsewhere. i think he would offer to cook you something but i also think hed probably be banned from the kitchen because he cant cook for shit. has probably set water on fire somehow level shit. so instead you guys just sit together talking... mostly its him leading the conversation, though. doesnt leave you be until you at least give him a smile... 6.5/10 only because i dont know how to rate him here
MASKY/TIM:
oh not at all emotional. well no thats a lie but hes not very emotive. thats the more correct word. look if we're talking about masky, hes probably going to be really bad at comforting you unless your means to be comforted involves being watched... though i do think he would fall into the act of service hole.. does all the chores and such for you so you dont have to worry yourself about cleaning a pan thats been in the sink for two days now. tries his hand at cooking, but i dont think masky is the best cook.. TIM on the other hand.. but we'll get into that in a minute. probably ends in you guys ordering something but hey its the thought that counts. if someone made you upset you notice over the course of the next few weeks that person starts outright avoiding you and overall seems anxious. weird. probably unrelated! 7/10 only because im badly overworked irl and the idea of someone taking charge sounds like a dream
tim i think would be similar, but hes more expressive for you... will cook for you but if your favorite food happens to be really specific or something else, hes probably going to run out and get it. torn on whether or not he would tell you before he goes, or if he sticks to keeping it a surprise.. i think he would tell you just so it doesnt feel like hes abandoning you when youre down..! not much to be said here other than him being supportive 8/10 i would KILL for some white cheddar popcorn rn
HOODIE/BRIAN:
i think he would put you to bed. actually i think both of them would but to keep things clear im still going to divide this like masky/tims. i think hoodie is going to keep you in bed, even if youre not particularly tired. dont bother trying to fight him on it, hes only allowing you to get up for the bathroom. let him take care of things! very similar to masky, picks up on a lot of the chores. i think he can cook, though, definitely better than masky but i dont think hes like. top tier. likes making you little snacks, or food thats generally deemed as comforting (mac and cheese, cornbread, ect). doesnt talk (sign) much but will occasionally sign to you asking how you're feeling 7.5/10 love this man, so mad kid me used to sleep on hoodie
very similar, but an even better cook than hoodie so be prepared to eat good. communicates with you more than hoodie and makes small talk while cooking. i think he would keep the chat lighthearted and on a different topic rather than tackling your feelings, unless you express that you want to vent then hes all ears! not because he doesnt care more so because he doesnt want to seem prying or nosey and wants to give you the choice yourself. sometimes makes jokes about stuff in order to try to get you to smile. feels victorious when he succeeds 8/10 mad i slept on him too
TICCI TOBY:
i think he might actually be TOO strong and in your face when asking you what happened. only one who outwardly offers to krill someone if someone were to make you upset. but thats just because i think toby can occasionally get protective of you. i mean youre one of his best friends (only friends) and here you are upset! if you dont want him to do anything hes going to try to contain himself. he strikes me at the type to retreat to the roof and look up at the stars... i think he would offer to do that with you; but if youre too scared to climb then he can lay out a blanket for you so you guys can go sit on the grass! surprisingly a very good listener, though very emotionally driven and reacts a lot when you tell him the details of your day.. but its nice, i think, reassures you that hes is in fact listening.. 7/10 gives off brother vibes
JEFF THE KILLER:
ohhoho so this is an interesting one, because i like the idea of jeff still acting like an older brother every now and then even after everything. but he also has that attitude of "i dont care about anyone around me and im better than everyone".. more of an actions than words guy. he wont really say it.. you know? one of those "if he actually didnt care then he would bother giving you the time of day, much less break into your house at night with his arms full of your favorite snacks and drinks". good luck trying to vent to him though, i think its rare that he lets anyone vent to him since he also holds the "ew yucky feelings" thing ben has.. though once in a blue moon i think he would let you and give some decent advice... though every now and then that advice involves punching someone 6/10 is fair i think...
BEN DROWNED:
kind of reminds me of how younger siblings will give their older siblings know they like. kind of like the "my brother saw me crying and asked me what my favorite color is... he gave me things in that color" post/image going around that i cannot for the life of me find but i know it exists because it made me cry. i think its like that. except since hes in your phone he already knows what your interests are.. probably pulls up what your comforts and likes are in an attempt to cheer you up. i dont think he would bluntly speak with you about your feelings, but thats just because he thinks heart to hearts are yucky and cringe/lh. uses videos, art, stuff like that. ehehe silly phone ghost 7/10 because as simple as it is, if someone tossed my cc at me i would feel at least a little better for a moment and its the action itself you know?
PUPPETEER:
i thin hes similar to jeff in regard that he tries to play things off but deep down he does care, and that tends to show more through his actions... though i personally think if you were to actually cry then he might lose it a bit, because who DARE? i gotta admit, im still trying to figure out how i want to write pup and what hcs to give him, but i think.. this is an okay take.. might 'confront' anyone who made you upset, with or without your approval which might make some issues between the two of you.. more ready to let you vent to him though, might slip out some mean insults and words about whatever's got you upset regardless of its a person, chance, or object 7/10
#creepypasta x reader#creepypasta x you#creepypasta headcanon#creepypasta imagine#slenderman x reader#slenderman x you#splendorman x reader#splendorman x you#eyeless jack x reader#eyeless jack x you#laughing jack x reader#laughing jack x you#masky x reader#masky x you#hoodie x reader#hoodie x you#ticci toby x reader#ticci toby x you#jeff the killer x reader#jeff the killer x you#ben drowned x reader#ben drowned x you#puppeteer x reader#puppeteer x you
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Why Post Game AUs Hit Different
Hear me out, okay? Post-Game AUs in the sense of Danganronpa hold a special place in my heart. They’re what first brought me into the fandom space, they’re some of the first fics and fanart I made, and yeah, I know it’s kind of weird, but there’s just something about them that I can’t shake.
When I first sat down to write this, I stared at a blank screen for hours. I really wanted to talk about this topic, especially since no one else seems to have tackled it in depth before. But I was stuck. At first, all I could think was, "I want the V3 cast to be happy and alive," and, "I love angst."
However, after re-reading some of my favorite post-game fanfictions and really reflecting on them, I realized there’s so much more to this AU than I initially thought.
Post-game AUs are so compelling because they dive deep into themes like healing, found family, rediscovering happiness, self-identity, and the truth about fame.
These themes are what make the stories emotionally impactful and really connect with readers. They make you think, and they allow the audience to resonate with the characters and the world they inhabit.
For example, when I read about Kaede digging her nails into her neck, desperately trying to pry off the chain that dragged her to her execution—a chain she never actually wore—it makes me stop and think. It makes me feel something.
Or when I read about Maki having nightmares about killing people and being tortured, even though she never actually did. Those moments resonate deeply, and I find myself thinking about them long after I’ve finished reading.
Then there’s Kokichi, atoning for his past mistakes and opening up, allowing himself to be vulnerable. And when I see Ryoma discovering that there are people who genuinely care about him, it hits so hard.
It’s like watching that final, epic battle in a movie that everything’s been building toward. It’s satisfying, and it gives you an ending you can feel content with.
I know a lot of people complain about V3’s open ending, but honestly, if there had been a definitive conclusion, we might not have gotten all the creativity that’s poured into post-game fanfics and fanart. The beauty of that open ending is that it left so much room for fans to craft their own narratives—nothing feels too absurd because there was no ending at all.
And I’m not going to talk about every single post-game fan art or fanfic that’s completely changed my view and perception of post-game, but some of these fics have inspired thoughts that go beyond just the post-game world For example, It’s Just Showbiz got me thinking about the reality TV side of fame and made me start headcanoning Tenko as a trans woman, which I hadn’t considered before.
Here Comes the Sun shifted my perception of Kiyo, showing me a different side of him that I hadn’t thought about in the context of the original story.
The Friends We Used to Know led me to a rabbit hole of exploring platonic Chabahara, which opened my mind to new dynamics between characters.
These fanfics didn’t just change how I think about post-game—they expanded how I view the characters and their potential after the events of the original game.
There are so many vastly different takes on what happened to the V3 cast after the events of the game. (Well, all the casts, but V3 is the most prominent in the post-game space, followed by SDR2.) Some interpretations focus on the survivors struggling with guilt, forced to carry the weight of everything that happened. Others bring back the dead students in different ways—some with injuries reflecting how they died, some as puppets controlled by Team Danganronpa for publicity, and some just living happily together in a one-bedroom apartment.
Some fics depict V3 as the final game, while others frame it as just the beginning of something even bigger. Some characters signed up willingly; others had no idea what they were getting into. Post-game AUs are completely open to interpretation, with no right or wrong answer. Sure, you could say the same for Hope’s Peak, non-despair AUs, or even pre-game stories, but there’s something about post-game that just hits different. Maybe it’s the characters. Maybe it’s the themes. Maybe it’s the perfect balance of angst and healing. I can’t fully explain it—but it works.
Post-game AUs are more than just a way to keep the story going—they’re a way to explore what happens after the cameras stop rolling, after the killing game ends, after the characters are left to pick up the pieces. They allow for healing, for growth, for alternate interpretations that make us rethink everything we thought we knew. And maybe that’s why they hit so hard.
No matter how many versions exist, no matter how different the interpretations may be, post-game AUs will always be special to me. They take everything I love about these characters—their struggles, their resilience, their ability to change—and push it one step further. They remind me why I fell in love with Danganronpa in the first place, and why I keep coming back.
I love post-game aus so much and I can’t wait to see what other incredible stories and art will come from this space, because if there’s one thing I know for sure, it’s that post-game AUs aren’t going anywhere.
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saw your post abt epic & music theory! Are there any interesting time signatures (non-4/4), key signatures, or tempo changes in epic?
and/or something similar?
Yes!! Charybdis is actually in 5/4!!
For the normies out there, the “4” on the bottom refers to the fact that the bar is counted in Crotchets (or quarter notes if you’re American). The number on the top refers to the amount of them that there are- i.e 5/4 being five quarter notes. Most music you hear is gonna be in 4/4, but another song you might know that have 5/4 time is “tolerate it” by Taylor Swift.
Now Jorge has said many times that one of his main influences in writing Epic is videogame music. I recently watched a video about time sigs in music for nintendo games- linking that vid here (part 1, part 2)- and one thing I noticed is that the “weirder” (translation: more awesome) the time sig got, the more often it was used in a boss battle. Charybdis DEFINITELY feels like a boss battle.
“I told myself I’d never write a song in 5/4 […] And the one idea that kept coming into my head was this idea that Charybdis throws Odysseus’ balance off. The same way 5/4 initially threw my balance off.” - Jorge, in one of his videos explaining how he made Charybdis’ music. Now what’s special about 5/4 specifically, is that it’s SO CLOSE to 4/4. SO CLOSE to what our brains are accustomed to hearing, to what sounds “right” and “natural”, but it’s just that one extra note that throws us off.
At this point in the story, Ody has lost everything. He’s back after 7 years on Calypso’s island, and he’s changed. I love how with each progressing Saga the music gets darker and wilder (re: my post about Scylla being my all-time fav in Epic in terms of music production and composition). The fact that this is the only song in non-4/4 makes it stand out. It throws us off.
Also, the little intro bit to the song (before the electric guitar kicks in)- it’s hard to tell but I believe it’s in 4/4. This is showing that it’s before we meet Charybdis.
What’s interesting to me is that after Ody survives Charybdis and sees Ithica again after 20 years, his instrument switches back to his gentle nylon-string guitar, but the music doesn’t switch back to 4/4. It stays with that extra beat. Odysseus is still shaken.
Even though he’s home, he will always be looking over his shoulder at what’s behind him. He will always be flinching at every noise. He will always see the faces of the men he was responsible for in his nightmares.
It could just be that Jay didn’t wanna have to write the melody in mixed meter, but I prefer this interpretation.
In music, we often count odd time signatures in smaller chunks, which can differ depending on the way that it’s phrased (e.g 10/8 could be counted as “one two three, one two, one two, one two three” OR “one two, one two three, one two three, one two”). What’s interesting about this specific use of 5/4 is that it’s counted as “one two three, one two”. In the video I referenced earlier, Jorge explains his struggles to get a song in 5/4 to be “catchy”. The way he tackled this was to have each instrument + the vocals highlight this rhythm. So even though Ody is being thrown off by Charybdis, he is still in control.
Let’s look at how the melody in the verse reinforces this:
The first four beats of the bar are completely conjunct (moving in steps)- staying within three notes of the root note (1st note in the scale). Then on the 5th beat (the one that throws you off) goes lower than the root:
1 2 3 1 2
You be Her men
must who mes
tioned-
This solidifies the feeling of being thrown off, showing not only how Charybdis but this whole voyage has shaken Odysseus, which makes Poseidon’s appearance afterwards even more terrifying, because we as listeners are completely disorientated by this effect.
#epic the musical analysis#music theory#epic ody#ody epic#charybdis#charybdis epic#epic charybdis#epic fandom#epic the vengeance saga#epic the musical#epic odysseus#odysseus epic#odysseus epic the musical#epic the musical odysseus#epic poseidon#poseidon epic the musical#poseidon epic#jorge rivera herrans#vengeance saga#the vengeance saga#epic vengeance saga#epic the musical vengeance saga#epic the musical the vengeance saga#5/4#epic the concept album#epic memes#jay herrans#charybdis epic the musical#epic the musical charybdis#get in the water
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askbox question because i've never thrown like, a 'request/idea' offering sorta post out there:
what do you want to see in tough and sweet? like, specific dates you'd like to see the boys go on, certain tropes covered, different kinks/nsfw scenes, scenarios and convos tackled, idk literally anything!
i'm curious because i used to brainrot about it lots here before i started actually writing it but then i stopped so i wouldn't spoil things, and while i'm ofc writing what i love and want to write, it's fun to know what readers wanna read, and to try to incorporate those things where i can. :-) but also my list of scenes to include is So Long i feel like so many ideas will already be in my drafting doc LOL <3
i have the whole fic plotted out, but lots of room for little things in between the bigger plot points, so! no promises obvi, but i'd love to hear your thoughts. the main one i get asked for in comments/asks is about writing a gale pov oneshot, which i'm most definitely doing– sooner than you think. >:) lmkkk, anon is fine!! if i don't reply, i promise i read it, i just have 100+ asks rn and too much to do irl but i appreciate each one soso much :'))
#tough and sweet fic#genuinely have been crying over the kind asks about TAS these past two months. my heart is so so full i'm so thankful#i hope i'll have a day to just sit and reply to them all soon bc i feel so bad just letting them sit there </33#i read them almost every day tho i'm so srs. i can't even express how much i cherish anyone taking the time to write such kind things <33#still hiding from comments on ch7 bc i have to get brave enough to open my inbox every time i post a new chapter SHJGDK <3
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Update January 2025
sorted by word count/series
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Mutual Attraction 94k , pre ASiP, different first meetings, casefic, pining
The day when a homeless drug addict and a suicidal ex-soldier met was the beginning of something until then unheard-of: Mutual Attraction. Of course, not all was what it looked like in the first place but the days of boredom, loneliness and lack of purpose were history. A case had to be solved, lives had to be saved and a developing relationship had to be tackled.
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The Curious Case of the Casablanca Killer 56k, canon compliant and set post THOB, established friendship, pure casefic
Deemed a three at best, the case of an invisible burglar in a historic cinema who stole nothing only caught Sherlock’s attention because he was bored. Also, he wanted to do John a favour. In the end, this proved to be a real stroke of luck. Otherwise, Sherlock would have missed an intriguing mystery that quickly ramped up in complexity.
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Take My Broken Love 48k, tarmac scene goes differently, lots of emotional and physical hurt before and during Sherlock's mission, happy Johnlock ending, written for whumptober 2024
Standing on the airfield's tarmac and about to fly off to a suicide mission, Sherlock says what he had always wanted to say to John but never had. His words drastically changed the course of events.
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Here I Am -series, the pornwithoutplot which evolved into pornwithplot with feels and whump
The Toe that didn´t belong 6.9k, Part One
Every time John thought back to the occasion the funny thing was that the first thing he had noticed to be out of place had been a…toe.
The Embers still glow when I´m sober 14,5k, Part Two
When Sherlock woke up the morning after he actually felt good. Which was completely unexpected. Although he was sort of anxious about John´s reaction when he would notice that the punk who did not belong in his bed and who had coaxed him into having shameless sex last night was still there.
Gravity is missing from everything 23.5k, Part Three
People bumped into him, cussing and throwing death glares. Blocking their way, Sherlock stood frozen in a throng of commuters. “Are you high?” one shouted into his vacant face. Funnily enough he actually was not. This was all John´s fault. Inflicting a date on him. To have dinner.
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Learn My Scars, 38k, written for whumptober 2022, Serbia and the aftermath
After being thrown down and strangled, Sherlock leaves John in the restaurant, angry and deeply hurt. When John follows Sherlock to 221b, he learns that Sherlock’s scars have not been acquired by “gallivanting around” for two years.
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The 13th Book 26.5k, a magical realism AU with demon Sherlock
Summoning a demon was actually quite simple if you could avoid getting killed in the process. Therefore, only the powerful, the desperate or the stupid would attempt it. John Watson was likely the first, definitely the second but hopefully not one of the third kind.
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Wretched and Divine – series punklock and doctor John
Wretched and Divine 5.1k, Part One
Dr. John Watson is on call at the A&E when he attempts to treat a very special patient. Instead he finds himself a very special treat.
The Aftermath is Secondary 19.5k, Part Two
Will John and Sherlock really go on the agreed date in the infamous punkrock club “The Misfit”? Will their sexual tension finally be resolved? Is it really going to be dangerous? And will Sherlock really wear the promised fishnet top? (Oh God, yessss!)
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Sherlock’s Secret Laboratory Journal 6k, my outlet for writing cracky hilarious Sherlock, will become a series with adding a chapter for each new experiment
What does a helplessly pining but absolutely clueless Sherlock do in order to woo an oblivious John? He turns to the internet for advice on the art of seduction and notes the experiments in his secret laboratory journal.
Oyster and Mushroom Soup 9k, Sherlock’s latest attempt at seduction, Part 2 of the Secret Lab Journal series
Sherlock’s second try to win over John involves a lot of special cooking recipes.
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A Minor Detail 12.5k, different first meeting AU after ASIP, funny idiots in love with mutual denial of pining, written for FTH 2024
Sherlock has found the perfect flatmate for sharing 221b Baker Street. If only there would not be that minor detail in the small print of the lease agreement. Now, John has no other choice but take part in Sherlock‘s scheme.
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White Pony Tattoo 10.8k, different first meeting AU in a tattoo shop, happy Johnlock ending, written for calaisreno's may prompts 2024
John Watson needs a tattoo covered up. Sherlock Holmes of "White Pony Tattoo" is one of the best artists in London. He's also difficult and brilliant and beautiful as John is about to find out.
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The Perfect Place 10k, different first meeting AU, a cringefest with lots of fun and happy Johnlock ending, a.k.a. The Bed Shop Boys AU, written for calaisreno's may prompts 2024
Sherlock needs a flatmate and already has the perfect person in mind. Now he only needs to convince his object of desire to move in and also find out if he desires Sherlock as well.
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Slowly Suffocating 9.5k, TLD fix-it, written for whumptober 2023
Getting suffocated took some time. Enough time for Sherlock to ponder what went wrong. Hopefully also long enough for John to arrive and rescue him. Culverton Smith applied more pressure, impatient to turn Sherlock into a dead thing.
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Winning a lost bet 8.2k, pole-dancing at the XMas party
A lost bet makes Sherlock and John perform a pole-dance in costumes at the Yard´s Christmas party. It was supposed to be humiliating but instead the couple nailed it.
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Until the final breath escapes 1.9k, spooky Halloween fic
In a world turned hostile they hold onto their love until the final breath escapes.
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Sherlock Ficlets for Writing Challenges series/collection of my ficlets of under 1000 words for Sherlock challenge, may prompts and lots of limericks
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