#the last two episodes were so good but MAN THAT LAST SCENE IN TODAYS EPISODE HAD ME IN TEARS

[sskk-manifesto]

(｡･ω･｡)ﾉ♡

[cryptidjeepers]

Omitb bringing it back in the last quarter oh my god

[sashi-ya]

a valentine's mini story 𝑻𝑹𝑼𝑻𝑯 𝑺𝑬𝑹𝑼𝑴 trafalgar law x f! reader

🩰 tw: a soft sfw story. spoilers from the last anime episode (not manga). happy valentine's day! 💕 🦢 wc: 923

“I LOVE YOU; I LOVE YOU; I LOVE YOU (NAME)-YA!” “ME???”

If there is something Law has passed are different types of “illnesses”; from amber lead to being feminized against his will. Now, as if that wasn’t enough, the truth serum had been injected into his body and his lips couldn’t get sealed any longer.

Your kneels hit the ground, with widen orbs and opened mouth.

“What- what did you gave him?!” you scream, kicking and trying to be let go. Just two people have fooled you two, and now you are taken hostage by a guy of who knows how many meters tall.

The era of piracy is so full of this random -and annoying- devil fruit users that sometimes it can take you by surprise. Today, was the day a couple of unknown pirates decided to mess with you two.

“Oh, just the Truth Serum. Isn’t it amazing? This fruit came to me like a gift of the Gods!” a lady, quite peculiar, laughs loudly at her victim. Who could have said someone that powerful like Trafalgar Law could be defeated so easily?

Her filthy hand grazes Law’s forehead. He is drenched in sweat, also kneeling down. He is desperate to help you, but her unstoppable tongue can’t stop saying how much he loves you.

And that, to you -but probably not for the rest of the crew if they were there - is surprising.

“He seems to love you, mh? Such good timing for Valentines! Well, then, in order to spare her life, he will cooperate… right? You have those Poneglyph right?” that villainess says, slapping Law’s cheek.

Law feels miserable and absolutely embarrassed; not even his strong Haki can undo the spell of such stupid fruit ability. Or maybe it is also relieving to finally confess to you?  

“Law, don’t- don’t worry- I’ll be fine! Don’t give her shit!” you scream, looking away. You, who are also deeply in love with him but never confessed, can’t look him in the eyes.

“No, I won’t let them touch you any longer. You are mine! I won’t let them hurt you!” he shouts, desperate. Never -and probably ever again- you will hear those words being screamed into the world like the public statement of pure romance.

You dare to cross sights with him, even if in pain as that brute is holding you like a kitten by your shirt collar up in the air. Your gazes are so intense, the world around seems to disappear for a moment. Why it has to be in this situation?

“Law! I am in l-!”

You take a big gasp of air, and when your tongue begins moving, ready to give him your own confession… something happens.

“HAYAAAAAAH!!!”

A big ball of white fur covered in bright orange suit appears to save the day; a strong kick to the back of that villain sends her flying away. Law has enough time to break himself the spell, as well as using a little rock to exchange your body for it.

It doesn’t take much more for Penguin and Shachi to give Law his beloved Kikkoku; a blade he uses to slash -but not hurt- both attackers. They both ask themselves why their heads are floating around detached from their necks, but that’s just a little taste of what it means to mess with a man like him.

Soon enough, and to your amusement, his arm surrounds your waist and quickly he runs away from “the scene”.

A coward? Not really. There was something Law needed to do, now that the truth has seen the light.

“L-Law? Are- are you ok? Stop. Stop!” you demand, asking for him to put you on your feet.

He tries to find the farthest spot; the secluded place possible. It’s enough with you listening to his “pathetic” confession -and the rest of the island too.-

When he finally puts you down, his inked hands run through all of your body. He needs to make sure you are fine. You are, indeed, more than fine… you have just realized he loves you as much as you love him.

“Scan!” he takes Kikkoku to asses your body in depth, but your hand intercepts him from doing so.

“Stop…” you sigh. Again, and as always, he is searching for every single way to avoid speaking about his feelings. “Law… it’s ok, I- I do feel the same…” you murmur, softly pushing the hilt of his katana down.

Law takes a deep breath. He can’t run away. Or he can?

The surgeon ponders the possibility of escaping from there. But wasn’t for his own body acting on behalf of his love, he might have probably done it. Luckily, his hand reaches your cheek, and his feet walk towards you.

“I love you too, Law” you repeat, looking down but still enjoying the delicate touch of his hand. A touch that migrates from cheek to your chin, lifting your head up to encounter your lips with his.

“I didn’t plan for this to go this way, (Name)-ya. I had flowers prepared for tonight… I really planned on confessing tonight; it’s just that my plans always get ruined”

“My sweat Law, when will they let you plan in peace? Did the kiss part came into the original plan?” you ask, coming even closer to his lips.  

“No… I- I actually didn’t think you could-“

“My bad, it seems I am also going to ruin your plans this time. Now please, kiss me and never let me go”

[lunarriviera]

What are your thoughts on the last ep of under the skin...that cant be shen yi right...im seeing a lot of twin theories but thats a weird plot twist honestly 😅

to answer this question i guess i have to get up off the floor first, where i have been lying facedown and motionless since uts2 ended over a week ago. two weeks ago? yesterday? today? i don't know anymore i've lost all track of time, who are you? where are we?

oh right—the s2 ending. you must mean this scene, right? what a great way to end things! du cheng, happy, walking to meet a group of friends at his birthday party! truly wrapped up the whole drama, and left us in such a heartwarming place with our favorite characters!

...oh you didn't mean that ending? you mean there's another one?

[mindless screaming behind the cut AS WELL AS SPOILERS]

[and this winds up being about all of s2 as well as the final tag, OOPS]

so okay listen before i can even address this without the mindless screaming, i have to level with y'all here: s2 was rough on me. there are only like three du cheng stans in all of anglophone cdrama fandom and i'm probably two of them ( @wannings-wontons is the other one, thank god for her). i've written eleventyleven fics from his pov so i am ferally protective of my big stupid hot cop son. this season put him through the goddamn wringer and for my taste there were just a few too many scenes of du cheng looking like he was about to burst into tears while shen yi was smiling winsomely, for all the world as if he were not the one personally causing his captain to experience devastating mortal agony. allow me to demonstrate.

in the driver's seat: unspeakable anguish. literally can't talk.

in the passenger seat: hey nice air conditioner! guess what i have a new friend! i spent the night at his place, talking about infinity and human potential! in a few more episodes he'll be a murder suspect!

(i'm getting to the cliffhanger, believe me i'm getting there, no really i am, we just have to spend a minute dealing with the divorce arc first)

because, while i absolutely adore angst bambi (as @whomst-art-thou-whomst-whomst has immortalized him), and thanks to @elenothar have firmly adopted him as a most beloved emotional support twink (not least because i suspect tan jianci is himself kind of a genius; no triple threat should be this good of an actor), i also honestly not infrequently this season wanted to drag shen yi into the men's room by his pretty hair and flush his pretty little head down the [redacted] until he came to his pretty little senses. because while later in the arc he clearly is, you know, attempting that deep-cover thing, and has to reject du cheng to his face, right in front of Evil Eugenicist Art Critic Weasel Man, in order to gain Weasel Moriarty's trust, etc.—

there are also a bunch of times when du cheng is visibly upset and miserable and in genuine pain, and shen yi just laughs. literally laughs at him. like tan jianci what are you doing, do you want the audience to dislike you? how are you trying to play this?? are we supposed to think, wow shen yi sure knows what he's doing? are we supposed to think he suddenly has the world's worst taste in men? because long before Weasel Man smashes a vase and snaps at his lab assistant and possibly kills someone and has assorted tantrums which start to tip off shen yi that maybe his new bestie is kind of a bag of dicks—long before that starts happening? shen yi just likes that guy. he LIKES him. enough to quote whitman to him (fang kaiyi you take his queer name out your mouth); enough to stay up all night painting the stars with him and we don't know what all else. enough to hang out in his lab for days on end, listening to junk science and pretending to understand the human genome and just what. shen yi. WHAT. he's literally a Bond villain styled like an asymmetric reptile—all this, just because he's tall? and he's gone to the symphony a few times? what, because he negged your painting, and that turned you on? i shouldn't have said any of that, but i did; and now i refuse to take it back. because inside me are two wolves, and they sound like this:

one wolf has been extremely online for many years, and thinks she's very hip and chill and jaded. this wolf talks in memes and laughs at herself, and she's like: “haha fun drama! Solving Crimes Through Art! lol i can't believe this turgid love song playing over a romantic montage, wow it's so stupid.” and also: “lmao divorce arc so hilarious, WELCOME HOME CHEATER lol get it, good joke right?” and: “oh my god why is there another pointless cliffhanger, they will NEVER GET a s3 what are they thinking. this scene is therefore not canon and can be safely ignored, just like the s1 tag turned out to be a ~~~dream."

but the other wolf is lying motionless in her barrow in the darkness flat on her stomach in mouldering leaves and mud head resting on crossed paws staring into the night with her old yellow eyes and she says they stabbed my son and left him alone in his blood and the last thing he saw was a cruel face worn by the boy he has come to love a boy standing at the end of the alley looking down at his phone who then moves past him and keeps on walking

and then, you know. then i lie on the floor for a week! which is fine, i'm an extremely psychologically healthy person who has certainly not at all outsourced her entire emotional well-being to an imaginary public safety bureau criminal investigator on the coast of southeast china.

so what do i think about the cliffhanger? here is what i think about it; and again, sorry for the hatchet job on shen yi but it was relevant:

1. i do think it's a dream, yes. they've already played that game with us—we waited two years to find out who was carving up shen yi's creepy murder-red self-portrait and whomst should it be but…nobody! just shen yi having nightmares about his future fling, apparently. (notice, too, how fang kaiyi GRABBED that craft knife, which shen yi had deliberately left on the easel, and didn't even ask why it was there. he might be tall and elegant and have good taste but he's nowhere near as smart as you are, shen yi. do better.)

2. whose nightmare is it, though: shen yi's, or du cheng's? remember that the first time du cheng meets fang kaiyi, he tells shen yi, "he reminds me of someone: the old you." (and shen yi laughs merrily, even though nothing about that is funny, either the observation or du cheng's immediate mistrust and jealousy. TAN JIANCI WHAT THE HELL ARE YOU DOING). then, later, on the precinct rooftop, after the case is all over, shen yi confesses yet again that there's something in him that's not altogether good, that he has quote "demons," and that if he hadn't met du cheng, he might have gone down some vague unspecified dark path. not quite sure how a portrait artist was gonna become a mass murderer or whatever, but okay i guess. there was something off about shen yi 1.0, and du cheng could see it even a decade ago and he didn't like it then any more than he does now.

given all that, then, the nightmare is probably shen yi's. he's prone to them anyway, and he knows now how badly he's hurt du cheng, and that he came dangerously close to, well, getting into bed with the enemy. i don't think it's even until fang kaiyi is so limpidly nonchalant about zhou shanshan's death that shen yi's inner moral compass comes shrieking back into play (and then it really does; shen yi who never raises his voice out there just shouting that man down).

there's one argument to be made for the case that it's du cheng's nightmare, though, which is the way that he looks up at the camera at the very end of the shot, and laughs. shen yi 1.0 is standing too far away for that to be his point-of-view. so who's standing over du cheng? and who would he laugh at, in recognition, like that? shen yi 2.0, presumably (or 3.5? not sure what version we're on anymore).

either way here's my final observation, and then i swear to god i'll shut up, before the shen yi stans come for me like maenads. i was chatting with @wannings-wontons and she said something that absolutely blindsided me, which is that the cliffhanger literalizes the arc of the series: shen yi did, in fact, metaphorically stab du cheng in s2. why else would either of them dream that? du cheng being badly, even fatally wounded by arrogant young artist shen yi is precisely what happened during the divorce arc. and their reconciliation was so heavily censored as to be, to some of us anyway, unpersuasive. (two cops, talking on a rooftop all night! five feet apart cause they're not gay!) as @wannings-wontons said: "the last scene just reflects how badly hurt he was. and we're left to decide whether he'll recover."

so which is worse, dreaming that your lover stabs you? or dreaming that something twisted inside you stabs the man you love?

tldr, shen yi doesn't need a soap opera evil twin: he's his own evil twin, and he knows this. and what is more, du cheng knows it now too. if there's ever a third season, which seems completely impossible to me, the writers have to know that they have NOT fixed this.

fortunately, we have something censored production companies don't have, and it's called fanfiction. so bring on the episode codas, my friends. bring on the long painful conversations and the shouted arguments (du cheng never even got to yell, except once in a parking lot because he was frantic). bring on the tender reconciliations that can only come after those blowout knock-down-drag-out fights, and are therefore real and grounded, not stilted, wooden, woefully inadequate mockeries of reunion. let people throw furniture and cry and try to explain and plead and confess and even, sure, why not, grab the other person and kiss him breathless, and say I don't want to do this without you, say don't put me through that ever again, say but this isn't enough and I need something different, say okay then let's figure that out together, say i'm sorry i hurt you, you're the most important person to me and that's the last thing i ever want to do.

it's up to us, not to leave them there in the alley like that. but the good news is if it's work, it's only work. and it's our work to do.

[devotioncrater]

"no hints were dropped" ok not to be that person but here are the hints that were dropped regarding Colin and Trent being gay:

1. Colin mentioning Grindr in a joke

2. Trent touching the arm of a man in the background

Here is one of the hints that Keeley was bi (even though I do believe she's been canonically bi since season 1, but not everyone sees it this way)

1. Her desktop background was in the colors of the bisexual flag

Here were some of the hints that Ted was bi:

1. Bisexual flag colored triangles above his head in the hallucination sequence

2. Inverted pink triangle next to him in that same sequence (and you can't tell me the creators didn't know, when the Homomonument is based on that symbol)

3. Countless (countless!!!) comments about men's physiques ("huge muscular thighs all caked in mud", whistling at a picture of Pep, "look at that head of hair", "he's strong", "he looks like a Rodin sculpture in cleats", etc.)

4. About a man (Higgins) and a woman (Rebecca), he had to say: "that's a crowd I don't mind being smack-dab in the middle of"

5. Him checking Trent out in the pub in 2x07 (his eyes are up there, Ted!)

6. "It could go either way", "I contain multitudes" and other comments in this vein

7. Bi lighting as he entered the Yankee Doodle Burger Barn

8. Giving similar looks to the female waitress and the male waiters in that restaurant (including a waiter in a cowboy costume that looked like he belonged in a gay club, who tipped his hat at Ted when greeting him)

9. "That's cause you were put into a box", "That box ceases to exist today", the box in the hallucination sequence breaking into triangles (as in the bi triangles and the inverted pink triangke), "we've been playing too rigid", "our guys need freedom", "fast, fluid, free, with full support", the "box that one needs to break out of" being a prominent motif in season 3

10. Wishing Beard called him pet names ("Honey, is that an ingredient or something you just called me?")

11. His crush on Pep

12. The connection between Ted and Colin: "my whole life is two lives, really", both wearing orange in Sunflowers, "I just want to kiss my fella" (Colin doesn't say "fella" , but Ted says it all the time), Ted just needs to get inspired and Colin's play is "inspirational" after he comes out, as per the commentators

And so much other stuff that, had Ted not self-identified as straight (*cough* put himself into a box *cough cough*) , you could make the case that he was canonically bi.

Here are some of hints that there was a romantic connection between Ted and Trent:

1. They hit a lot of romantic beats, and not in the jokey self-aware way in which Roy and Ted hit them in "Rainbow", but in an organic and sincere way

2. They both checked each other out: Trent checked Ted out when Ted was changing in front of him, Ted checked Trent out when Trent came up to him in a pub and hit him with a pick-up line while his date that looked a lot like Ted waited for him outside

3. Did I mention that Trent was on a date with a moustachioed man who dressed in a similar style to Ted? Let's mention it again

4. In that very bar, during a 50 second long conversation, Trent managed to say the word "love" three times. I searched the word "love" in the transcripts of the episodes. There's no other instance in which its frequency is this high

5. "Love our chats" incomplete rule of threes

6. "Sport, it's quite the metaphor" (implied: a metaphor for love; see also "love's a beautiful game" from the song Ed Sheeran wrote for Ted Lasso), "Also makes for a heck of a nickname", "Good night, Ted", "Good night, sport"

7. The soft, romantic, melancholic song playing in the background of this scene, while Ted and Trent are the last ones left in the office, with lyrics such as "When your words begin to crumble like the sidewalks all around this crummy neighborhood / From the chalky cliffs of Dover / I'd come over, I'd start over if I could"

8. Trent wearing sunflower colors in the episode "Sunflowers" and in the finale; sunflowers symbolize Ted's home (it's not subtle). He's the only character dressed like that. I'm still looking for any other explanation other than "Trent is Ted's home"

9. Their constant flirting and the way they look at each other with incredible fondness

10. The entire episode "The Strings That Bind Us". It's structured around Ted and Trent's relationship, and the way Trent changed because of Ted (in season 2, Ted defined a soulmate as someone who changes your life forever). The red string metaphor. Ted points out that soulmates are connected by a string tied to their little fingers. Ted and Trent both extend their little fingers out in similar shots. They are connected by a huge block of red in their last scene of the episode. Ted makes several comments about other men that apply to Trent ("Look at that head of hair", "Frames his face nicely", "My favorite one, he was clean shaven"). Many more details that lead back to Ted and Trent: Nate tells the restaurant owner to tell Jade he said "Hello". Immediately after, Ted and Trent say "Hello" to each other. The map that Nate's father used to ask out his mom has the number 1.3 written on it and an illustration of two people at a table in a restaurant. Ted and Trent went to a restaurant together in season 1, episode 3. The last scene of the episode mimics a "Race for Love" scene from a romcom, with Trent chasing after Ted. Trent also does not say a word to anyone other than Ted in the entire episode. He is completely focused on Ted

11. "Trent, what do you love? Is it writing?" and Trent ends up writing a book about Ted and naming the manuscript after Ted and he only cares about Ted's opinion on it (he leaves the room when Beard starts reading, but stays in the office after hours just to watch Ted read. "I just wanted you to like it.")

11. Trent's crush on Ted, confirmed by Jimmy Lance (and also obvious in the show, if you ask me)

Now, why would I believe that none of these hints were intentional? Maybe some could be explained away, but all of them? The hints we got for Colin, Trent and Keeley were so much smaller than this, and those turned out to be intentional.

anon i wish i could offer you the response you deserve, but i cannot stop rereading this masterpiece & focusing on the portions of evidence you provided that i didn't even pick up on until you laid them out. holy shit

[kaythefloppa]

Wild Kratts - Chimpanzee and Me - Thoughts

The last of this week's new episode premiere, released online today alongside Salamander Streaming and Bumblezzzz. Will air on TV this coming Wednesday so as always, spoilers ahead!

K, so huge confession but Zooboomafo was the only other show by the Kratt Brothers I distinctively remember watching. I watched a few clips of Kratts' Creatures, but mistook them for WK as a kid. This is most definitely a callback to some Chimpanzee adventure episode in KC that I did not happen to pick up. So it's totally lost on me.

That being said, my prediction of references to previous Kratt Brothers' works reigns supreme (and for those who view all four Kratt Brother shows in one hollistic "canon" here's some ammo for your fan-theories).

Look at those delicious yummy grapes... wonder if they're being saved for later.

I will still never forget when the synopsis for this episode came out about Chris spraining his ankle, as well as when a synopsis for the clip came of him tripping on grapes. The constant memes and reactions omfg /silly

But seriously this man is in PAIN. This season for what it's worth, does a lot of angst and in ways you'd never expect.

I've never sprained or broken a limb, so I'm probably in no place to talk, but from the looks of that frame, Chris bent his ankle pretty damn good. He's definitely gonna be on hiatus for the next few weeks (which could ironically be taken metacontextually since after this episode we'll be on another hiatus until next year when the live show comes)

Ok let's talk about the villain's plan here. He wants to replace his Zachbots with a Chimpanzee he can roboticize to do his work. Here are my many thoughts and takeaways from this, some of which, definitely are just me reaching.

A step up from his dumbass plan in the last episode. Not threatening, but motivations that are actually sensible (but still evil though).

More than once have I seen the theory floating aound where Zach programmed his bots to be smart enough to obey his commands, but dumb enough to where they won't turn against him. I assumed that this episode was going to end with the cliche of Zach's creations turning on him as laser guided karma (hint it doesn't) so it really puts things into perspective.

Considering how we are getting two Zach-related episodes in a row, coming just off the heels of Our Blue and Green World, I like to headcanon that Zach's overall character in this batch of episodes is some form of response or byproduct of the events of that special. Because between Paisley's sudden betrayal, Donita's callous threat of physical violence in the previous episode, and his henchmen's limited intellect, he realizes how much he is fundamentally losing control, both in the villain team, and in his own endeavors as a villain. He's slowly, yet consistently and constantly being knocked down from the pedestal that he views himself on, and by trying to change the status quo with a new animal assistant, he thinks he can keep himself up at the top where he thinks he belongs, completely oblivious to how he's his own worst enemy. Yes, I'm overanalyzing all 3 episodes and I love it.

This is another moment where I HAVE to use my one-video-only-free-card to convey the point across because a certain scene is that good. This is only a 34 second action sequence where the chimpanzees are running from the Zachbots, but holy hell the background music. I had to isolate the background noises just to share it with y'all so you can see my point as to how the music absolutely carries this scene. Pure West has always gone so hard with the scores in this show, but they were absolutely on fire for this brief chase scene. I actually tensed up seeing the Chimp's mother getting torn away from her baby as the music swole up. Yet another reason why PBS should release an official soundtrack for the series, it's so fucking good.

Ok so Chris doesn't activate Chimpanzee Powers, nor does he invent the disc but goddamnit! This entire plot is so cute, and dare I say, the episode actually works better with Chris not being the one to activate the suit.

Now I can use my allotted time to point out how much I love this scene and why it makes this episode very well-liked for most people, myself included. This isn't the first PBS Kids show to educate viewers on non-verbal communication such as facial expressions and sign language, and it's definitely far from the last, but it's a really sweet and sincere moment that's both educational, and really good rep for people who use sign language. It gets its point across efficiently and could very well reach out to any children at home who use ASL. It's magnificent.

Also, Leah is fun, I hope we see her more in future eps.

THE CHIMPANZEE POWER SUIT

Ok I take it back: This is definitely the best designed Creature Power Suit of S7. I remember dreading it because of how alike Chimpanzees and Humans are physically, but oh my god I am so glad to be wrong. It's giving full Season 1 vibes (looks a lot like the Orangutan Suit, total sense), and I am all FOR IT.

And again, I feel like I would/should be angry or disappointed that Chris didn't activate the suit, but again, the plot actually works better without him using the suit, and the design of the Chimpanzee Suit itself is so good, everything just comes together neatly.

Bro is in his peak.

I mean, still peak.

Joss pointed this out better than I could, but there are a lot of varied facial expressions for Zach in this episode. As mentioned earlier, during the hiatus in between Season 6 and 7, new builders and riggers were hired on the animation team for Wild Kratts, many of them likely fans of the show themselves. And again, seeing as there's a 2 year gap between S6 and S7 in terms of development, there's bound to be some slight differences in rigs or models. Which is definitely why we get a lot of moments like this in the episode.

My two cents. I can definitely see why people would be caught off guard, and yeah, at such a high frequency it can get off-putting and requires some getting used to. But at the same time, I kinda dig it, just for the camp factor. It also somewhat reminds me of some of the facial expressions used in the pilot episode, (which has the stronger excuse of different animation + art-style to back it up), but yeah, definitely something that catches the eye.

Zach's hair is defnitely giving Kovu from Lion King 2 and I mean this in the worst. Possible. Way.

This entire scene can be seen as an allegory for two different types of parenting. Zach takes harsh, demanding approaches, speaking without listening for the sake of control, all out of a place of emotional unintelligence and immaturity, which alienates + drives away the child; Whilst Chris takes a more constructive, compassionate, understanding, yet still direct approach to get through to the child/chimp, allowing for a proper solution to the issue at hand. Yes, I'm pointlessly over analyzing even more but in an episode where communication is the main focus & moral of the episode as well as the resolution to the climax, I have to wonder if someone, whether it'd be the writers, animators, or even network execs did it on purpose. Because once again, you could takeaway a really good lesson for kids, and even adults with this interpretation in mind.

Oh yeah, once we get past that stuff, the climax of this episode is like, really fucking hilarious. And Zach getting mind-controlled by his own helmet is still a good dose of laser guided karma.

CONCLUSION:

Cons:

A few of the facial expressions can be a bit jarring. Again, Joss pointed it out perfectly how this episode could've been earlier in S7's development so these adjusted rigs probably can and will get better. I wouldn't even say it as a con, it's just some little thing of the episode that doesn't really lower my overall opinions.

This is a personal nitpick of mine; Not a critique. I think we could've seen more of the chimpanzees in action. I'm talking about face-offs with gorillas (which I think we might get an episode on that in the future, idk), hunting monkeys, leopard attacks! But I do get why it wasn't in the episode, it would've just bogged down time. Frankly, the only reason why I'm putting the cons first is because there is so much I have to say otherwise.

Pros:

The animation overall

The backgrounds

The Chimpanzee Power Suit

The Chimpanzees themselves.

The Background Music

Chris angst!!!!!!

The A plot and B plot perfectly complementing each other, which makes certain writing decisions that could've fallen short, work so much better as a result in execution!

Zach not being a dumb POS like he was in the last epiosde!

The chimpanzee designs!!!!

The very well-handled representation and depiction of sign-language and lessons of communications to its young audiences!

Final Ranking: 9.2/10. Our Blue and Green World and No Name Dream subverted expectations (mainly through Paisley's redemption and the S1 callbacks + the return of the Draco Power Suit). This is the first episode of Season 7 that exceeded my expectations. It is far better than how I thought it would be, and the experimental writing that this season has been hinged upon thus far hit the mark entirely when it came to this episode. So much so that it actually raised the already-high expectations I had for the new season. It is that. Fucking. Good. I'd easily call it a contender for one of the best episodes of the season, but again, we'll have to wait and see.

[melon-kiss]

I know some of you don't speak Polish and we can't afford to translate 40-min-long chaotic interviews for you and I'm a bit bored (meaning: my brain wants a break from writing but I'm stubborn and I want to finish it TODAY), so I thought I'd give you a bit of a trivia based on interviews with the actors and the crew of 1670:

throughout all the interviews, no one really asked if we're getting season 2. I mean, someone did and the response was: "Well, we know nothing" but nobody really asked if they had any IDEA about what would happen in the next season

I'm not sure about the actors but the creative and directive levels went to a series of lectures on how people lived in Poland in the XVII century

they received a substantial funding, especially considering the directors were complete "no-names"

filming took 3 months, December through February 2022 if I recall

they all lived in an open-air museum in Kolbuszowa; in fact, almost all of the building were already there, they only had to build the house, the barn and the forge

there was no delay in filming, which is apparently rare in the industry but that was because they had a very tight schedule and couldn't afford staying longer in the museum

the last episode was filmed on one day and that was the last day of filming and because of technical issues with cameras working in the inn (the short shot of Maciej serving the pig to the Adamczewskis' table had to be re-done 20 times!), they had to completely rearrange the wedding party scenes, turning them into long shots; the entire labor/dancing scenes were supposed to be shot from 13 (!) different perspectives and be arranged in a "music video fashion"

one of the first episodes (if not THE first episode) to be filmed was episode 7

the script was written with Bartłomiej Topa (Jan Paweł) in mind, however, the actor wasn't really convinced about participating in this project and took his sweet, sweet time to decide on it; same goes to Dobromir Dymecki (Bogdan). Topa says it wasn't because he didn't find it good - it was because he was afraid that the project would be underfunded and therefore fail as projects like that usually don't get the attention they need in Poland

Bartłomiej Topa said he portrayed Jan Paweł as evil and conniving for the first two weeks of being on the set and the first scene they recorded was the one with the "Adamczycha" sign falling down; only after that time, after one scene in particular (don't remember which one, sorry), he finally saw the true nature of his character and changed his approach to the portrayal

surprisingly, Michał Sikorski (father Jakub), unlike Topa, thought of his character as a silly, innocent man and he changed his mind only after seeing the Aniela-Maciej dance scene where he says Love is peaceful, love is kind, love is... unacceptable - he understood he got to play a villain

the actors were FORBIDDEN to improvise; their lines had to be memorised prior to filming

they shot the barrel-cleaning scene (the thing they do before blowing the magnate's son's head up) for 2h because Bartłomiej Topa and Andrzej Kłak (well, he plays Andrzej) couldn't stop laughing; Topa mentions he doesn't even remember how they managed to get it done

all the mud was brought there ON PURPOSE

Kirył Pietruczuk (Maciej) is a debutante when it comes to film, however, he is the only actor in the crew with an acting degree; not only that - he graduated with honors

when asked about this, Michał Sikorski said: "Well, but it doesn't matter, does it? Because, even thought I haven't graduated, I got to play a nobleman and he... well..." (obv that was A JOKE; he is like the sweetest person ever!)

he also said he wrote a "Maciej's journal" during filming and spent a lot of time creating a backstory for his character; he said it was helping with the a-chronical shooting; he read one of the entries out loud in his interview

he jokingly said his favourite episode is the last one because he got to kiss Martyna (Aniela) there

as mentioned before, casting Maciej's role took the longest. They interviewed about 300 candidates and none of them fit. Kirył recalls it was right after he signed a deal with an agency for the first time in his life and he immediately received a call after his first cinema audition and it was 1670, of course! However, he reports that the process was extremely long - he had to go through several stages, each one of them revealing more and more of the script and he wasn't informed it would take that long

The creators said they looked for someone who'd understand the character and his role in the film - as he is the eyes and ears for us, people from XXI century. "He's basically like a viewer of the events, one of us", Kordian Kądziela (director, episodes 5-8) says. It was important he had a good chemistry with Martyna (she was the first and only "Aniela" he had to do short scenes with and the chemistry was immediate) and was able to break the fourth wall properly - he had to have the talent to comment current events with just one look and I personally think he does it perfectly. The actor was also supposed to be "easily likeable by girls"

The first scene they shot together - meaning as Aniela and Maciej - was the dance scene and Kirył says it's his favourite scene in the entire show

Kirył said the scene with the magnate's son was initially very aggressive on his part, however, after speaking to the directors, he decided to tone it down as it was, indeed, not fit for the character to be this angry

they all said, once they got down to it, they had a feeling they were a part of something special

Feel free to add your trivia or correct me if I'm wrong.

[exaflux]

How good is BTAA Scarecrow at therapy really? (An Analysis) (Part 2)

[Part 1]

Alt title: What the hell is JoyCure anyway?

Now onto the long overdue second part of this analysis series looking at the most ethical psychologist the world has ever laid eyes on. We simply must rate his performance!

I apologeese for the delay on this. Been in my drafts for over a month blegh.

This is a very long analysis compared to the first part, word of warning.

This part contains- more breaking down of psychology approaches some in less detail if covered in the first bit, Harvey almost falling off a skyscraper, and in the conclusion some talks on JoyCure and a talk on how Jon views "trust" (if you're into character analysis)

Disclaimer- I am not a trained psychologist or therapist or anything of the like, I just like psychology as a topic. This writing is purely for fun.

Harvey and Two-face will be referred to seperately in this analysis, but if referring to both Harvey will be used as default. Jonathan is still Jonathan.

Delightfully surprised by all the people who enjoyed the first part by the way! The likes and reblogs are much appreciated~

Session two-

The following all takes place in S2, Episode 7 unless otherwise stated

This session starts out with Harvey and Two-Face talking amongst themselves, focusing on a strange noise they can mutually hear in the background. In his confusion, Harvey asks Jonathan if he's still there, to which he responds: "Yes. I'm right here, Harvey. You can leave your blindfold on until I tell you to remove it, please" (10:37). Immediately responding to the questions of a worried client would help with setting their nerves at ease while minimising the amount of time they'd experience distress, with the added bonus of some trust building. Also Jonathan is so polite here! What a nice man.

That sound that Harvey's hearing, by the way, is explained by Jon as such: "That's Harmony, Two-Face. You've never known a moment of it in your entire tortured existence" (10:55). Reminder that wording matters as it can influence client outlook, especially in a therapy setting. Describing a client's experiences as a "tortured existence" is quite negative and is not an example of a good therapy practice.

A bit further on Jonathan starts advertising his goods explaining why Harvey is hearing weird stuff, claiming "the JoyCure has brought peace at last to your long inner conflict. You simply must trust me. Remember, we talked about trust when you agreed to put that blindfold on for me?" (11:24). This sets the scene as a trust exercise. Not too bad. "You said to cooperate. We cooperated" "Yes, Harvey, cooperation, that's exactly what today's lesson is all about [...] I want you to cooperate with you" (11:36) Never mind. Please do not gaslight your clients then claim you were talking about something completely different when they catch wind of it. 🚩❌ The memory is actually quite suggestible. You can influence a person's memories by both wording used in a question and how you word it. As a psychologist Jon should know this.

Directly following on from Jon's previous statement, Two-Face says he doesn't get what Jon means, so he goes on to clarify "We have oh so many ways we wage war within ourselves every day. You're just an unusually extreme case" (12:01). This is a very interesting thing for Jon to say given his tendency to negatively describe his clients' situation, and at a blush I almost said this was within acceptable therapy practices. Almost. See, here he establishes that everyone suffers from inner conflict, and Harvey's situation is just a step above that. It's notable enough to comment on, being "unusually extreme" but it's still very much kept within the realm of normal behaviour. Imo the language use here ("extreme") doesn't necessarily have a negative connotation but is an observation, but your mileage may vary. This sounds good, right? But then you have to ask- why is Two-Face needing to ask about this to begin with? This session has been set up as a trust exercise already, and these have to be discussed and agreed to beforehand. It's ethically necessary. This tells me that Jonathan has completely neglected to explain the how and whys with Harvey before all this stuff was set up for the session. He broke ethics.

"I am going to take off your blindfold now, and then I'd like you to tell me how irrational you believe your fear of high places to be" (12:42). Always good practice to give clear and easy to follow instructions to clients if you're doing an exercise with them. After Harvey removes the blindfold, finding himself standing outside of a skyscraper window, Jon wants to know his thoughts- "Tell me how do you feel?" (13:18). Again therapy stuff. Therapists ask questions on how their clients feel about certain experiences, and in identifying a feeling clients can then work towards learning why they feel that way.

We find out that Harvey finds himself unbothered by how high up he is, and later that this is due to the drug he took, JoyCure. Immediately after being asked whether he'd like to look at the view alongside Harvey, Jon responds "Thank you, I'll stay here inside where it's safe" (13:40). As if it isn't obvious enough already, standing outside a skyscraper window isn't exactly safe. Therapists, don't ask your clients to do this either. Jon throughout most of this segment doesn't sound too bothered by his own breaching of ethics, in fact he sounds like a kid who just got told they'll be getting $50 worth of Robux after class for peak gaming. Maybe it's because he's still a therapist and considers all this as progress in his client? Who knows. Either way, Jon slowly gets Harvey to do increasingly more and more dangerous things on the ledge outside the window: "In fact, you might even dance a jig on that narrow ledge if I asked you to" (14:30), "[...] you would walk to the end of that flagpole if I asked you to, I bet" (15:07). Again, this is dangerous. At the very least he's just suggesting this. It's not like he's telling Harvey (who's still relying on others to make decisions for him at this point) to walk that flagpole, right? "Yes, I want you to show me you can walk it like a tightrope [...] Walk to the very end" (15:22). Ah.❌ At the very least he's celebratory of his client's achievements, exclaiming "Congratulations Harvey!" (15:56) when that flagpole does get walked like a tightrope. Nice.

"Now this next part is very dangerous. When you're ready, turn around and come back" (16:06)- Once again, wording matters in therapy settings. Stating that the next part of the exercise is dangerous would definitely not help with putting client's worries at ease.

Neither Harvey Two-Face nor Two-Face Two-face can make heads or tails cough cough of what they've been told to do. "What do you mean when we're ready?" "Simply discuss it amongst yourselves. When you mutually decide you want to come in, turn either to your left or alternately turn to your right and come back" (16:15). Jon again making his instructions clear to his client. Two-Face becomes uneased at this response however and wants Jon to tell him what to do, with Jon declining to (16:39). This is still within the realm of normal therapy practices as Jon can't do this exercise for Harvey.

Also, at this point it'd be good to mention that despite me characterising this whole thing as a "trust exercise" up 'til now, that isn't strictly the only thing it is. This whole scene is actually an example of exposure therapy. This form of therapy is performed normally on people to help treat phobias and various anxiety conditions, OCD and PTSD. As the name suggests, this is done through presenting the client with whatever thing is a trigger to them in feeling anxiety and over time through exposure they'll (in theory) feel less anxiety over the trigger. One caveat though- you're still supposed to talk about this with a client beforehand, understand how comfortable they feel with doing the exercise and be completely willing to stop the exercise if the client no longer wants to do it. It's apparent already that Jon hasn't done this. There's multiple types of exposure therapy, this one is called gradual exposure, or systematic desensitisation. With this version of the therapy a client is supposed to make a tier list of what things give them least to most anxiety called an (exposure hierarchy), then they work their way up at their own pace. Jon here seems to be calling the shots though much more than his clients on how much they "face their fears" as it were, especially given Harvey can't make any decisions for himself.

In fact, to make things even worse again, Jon increasingly makes the exercise more anxiety-inducing than it needs to be. He presents Harvey with more and more decisions ("Come on, Harvey. Turn right or turn left. Then once you've turned, do you lead with your left foot or your right?" (16:53)) then plays dumb about knowing that Harvey can't currently make decisions on his own, "Ah, but you're without your coin. I'd forgotten." (17:11). Of course he's BSing about forgetting, especially when you notice how he suggested walking the flagpole earlier ("you would [...] if I asked you to, I bet" (15:07)) which makes one wonder if he was wanting to see to what extent that Harvey would actually do what he was told. Hmm... Either way though, he's being a twat and deliberately causing distress. ❌❌❌

This part is the juiciest bit of the session- Harvey tells Jon that he's afraid, and Jon talks about the drugs, JoyCure, he put Harvey on. Unfortunately, the details on JoyCure will be left for the conclusion as it is too juicy. But, about Harvey being afraid, Jon has this to say- "Your real fear isn't high places. The fear your feeling right now? That's the fear that defines you, Harvey. The fear of having to make a decision [...] No coin. No counsel. Just the two of you." (17:34). To recap everything that has went on so far, Jon tried to make out all this was a trust exercise (and according to Two-Face, he was just told to co-operate) and then it turned out that all this was actually an attempt at gradual exposure. But now we find it actually isn't, because the fear that that therapy would have treated isn't actually a fear anymore due to JoyCure. Instead, Harvey has been dunked directly into his real fear, making a decision, which is closer to a different type of exposure therapy: flooding. Flooding (unlike gradual exposure) is basically the theraputic equivalent to throwing you in the deep end of whatever you're made anxious by. It's a valid therapy technique, but is only used in particular circumstances and again with the consent of the client first. Do we think that Jon got permission from Harvey to do this type of therapy? Probably not.

If it's all too much info to understand, here's a simplified diagram:

At this point the session devolves more and more into being a train-wreck. There's hardly any actual therapy going on.

As a rundown:

Harvey wants off the flagpole. Jon's immediate response is to faux panic about Harvey slipping before mocking him with a fun fact, "Did you know a baby's first instinct is a fear of falling?" (18:02). ❌

Two-Face threatens Jon with a "I'll kill you!" and Jon barks back "You said "I"! That's a breakthrough! One of you is taking charge!(18:10). A breakthrough is another word for a milestone in therapy. But really him calling it a "breakthrough" I don't think should be taken at face value for... Obvious reasons here. ❌❌

And finally, right before the session ends, our world renowned psychologist says "Come on now. You simply need to agree upon a strategy before it's too late" (18:24). Which I mean, he's making light of the situation and how easy it sounds (in theory) for Harvey to have both his halves work together. Definitely not an empathatic approach like you'd want from a therapist.❌❌❌

In conclusion:

Just as with his first second? session with Harvey, Jonathan demonstrates good skills as a therapist, but misuses those skills repeatedly. Again, he ignores ethics and purposefully causes distress to his clients, being even worse about it than the first session somehow. At least in the first session you could argue that he made some attempt to follow standard therapy room procedure up until a point. Here though? Definitely not.

In fact just to overview everything that happens in the session, because it's a bit much to process all at once:

Harvey goes to do this exercise blindfolded, not being told what's happening until he's already outside the window. Jon goes on this whole "trust me" spiel and Two-Face points out they were told to co-operate.

Jon talks about his drug JoyCure and how it's stopped Harvey's conflicted feelings. He then tells Harvey to remove the blindfold and report how he's feeling.

He then suggests/outright tells Harvey to do increasingly dangerous stunts. You could argue this is gradual exposure therapy, but done in the worst way possible.

After he gets Harvey to walk the flagpole, Jon tells Harvey he can come back whenever he's ready. During this he's very vocal and clear on what Harvey should do. Harvey can't make a decision, Jon knows this.

Harvey shits the bed because it turns out the real fear he has is over making a decision for himself. Jon knew this the whole time, and knew that JoyCure wouldn't help with that. Suddenly the method of therapy used has shifted to become flooding therapy.

Jon absolutely refuses to assist Harvey during any of this when it comes to overcoming his fears. The session only ends because Jon's secretary calls him.

So what can we get from this beyond our wonderful analysis subject being absolutely atrocious as a therapist? Well two major things stand out.

Firstly, that Jon knew from the beginning how everything would play out. He knew how JoyCure would affect Harvey and to what extent it would. He knew that "the fear that defines" Harvey was decision making, and he most likely figured this out this from as early on as the first session if one remembers how that went. Everything from beginning to end was elaborately set up in the session to make Harvey face his defining fear head on. This plays out very similarly to the first session- Jon steered everything in the direction he wanted it to go in just to make Harvey acknowledge his fears.

Thing is though, this premise has some... Interesting implications if one looks at what Jon talks about at the start of the session. Now granted I did try saying that Jon was speedrunning therapy last part of this analysis series. That idea still stands imo shitposty as it is. But to add to it though, to focus on how Jon apparently "talked about trust" before the session began. Two-Face responded that they were told to co-operate though rather than trust, and unless it's a situation where Harvey Two-Face misinterpreted something that was said, chances are he was just told to go along with it not that he has a choice. Trust was also mentioned first session too, where Jon explains that establishing a bond of trust would be the best way for him to help Harvey, and that translates to him removing Harvey's coin. Hell, Jon even tells Harvey "I think we're gonna make excellent progress if you just put your trust in me" as early as their first meeting (S2, E4, 33:04).

So what might this all mean? Just going off of the two sessions observed so far, Jon's method of doing therapy is to seek out what main fear makes a person tick, then try and get the person to acknowledge and/or face it head on whether they'd like to or not. His idea of "trust" is just having a person be unable to (or at the very least, not likely to) resist. As for his intentions about all this... That's honestly up for discussion. But! I'm hard pressed saying that none of it is him actually wanting people to overcome their fears. Not downplaying how terrible he is mind, but it'd be perplexing that a psychologist who would be only focused on traumatising clients (who can also uncover what a client is frightened by so rapidly too!) would still choose to try and get the client to recognise that fear in themselves rather than just, ya know, not telling the client their deepest fears and scaring the heebie jeebies out of them. He even goes as far as to set up a session on a skyscraper to make an elaborate point about Harvey's defining fear. He tells Harvey beforehand what he needs to do in the session, and it isn't just doing everything he says: "I want you to cooperate with you". If Jon talks about "trusting him" it's bad news. He asks whether Skids trusts him during the infamous Stabberscotch scene too, again a moment where the person he's asking to trust him is forced to co-operate (S2, E4, 5:06), reinstating the point. That said, given Jon's belief that "fear sets limits on courage" (S2, E4, 4:15), I don't reckon that him wanting to see people overcome fear is out of any streak of benevolence as much as him just wanting to see how far that person's fear goes. The possibility they might be able to overcome the fear might be the real enticing thing for him.

Second major thing that stands out, that this JoyCure thing he put Harvey on. It stops Harvey from feeling his fear of heights but not his fear of making decisions. As for why, I wager it's because JoyCure is a drug that causes feelings of euphoria and dulls basic fear caused by instinct, but it doesn't help at all with fears you actively think about.

If you're really confused right now by what I mean I don't blame you, but it'll make sense.

At the beginning of the session, Jon uses the co-operation talk to segway into rambling about conflict. According to him, everyone feels conflict, and Harvey is just a step up from that. Conflict is caused by fear, and "When what we know is false coincides with what we fear is true, that’s a conflict and there are casualties." (12:13). Harvey is on the drug, and he seems hunky-dory, not arguing with himself, but then again he doesn't have to: Jon is giving him instructions rather than making him do anything on his own. His fear of heights seemingly vanished, he doesn't feel even slightly nervous being asked to dance or walk a flagpole so high up. But, again, he's being told to do this. In fact, remember I mentioned earlier that Jon gave a fun fact, "Did you know a baby's first instinct is a fear of falling"? That's the thing, Jon is saying here (whether intentionally or not) that a fear of heights is hardwired into us from birth. Harvey's fear of it isn't unusual at all, but JoyCure prevents him from feeling that instinct anyway. And to elaborate further, "When what we know is false coincides with what we fear is true, that’s a conflict", but Harvey is scared of heights, scared he might fall off because the height will harm him, and he's on a skyscraper so it's true. There is no inner conflict in knowing his feelings are unfounded, because they are.

So overall, if I'm right with this idea anyway self-preservation while on JoyCure goes functionally out the window. You'd normally get nervous putting your hand near a hot stove tops for example, knowing you'd get burnt, but if you took JoyCure you wouldn't feel any nerves at all about it. To again quote Jon, "Fear is a furnace which must be fed. What I have done is empty your mental coal tinder" (14:22) talking about how the drug works, that whatever "tinder" is there (in this case instinctive fear) is emptied. So, I suppose, consciously fearing is the equivalent of adding tinder again? I mean, Harvey starts feeling fear because he consciously has to make a decision, he has to think about it actively and worry actively, rather than just have the fear be reflexive like it would be dealing with something dangerous. I imagine because of this the drug also wouldn't work as a treatment for anxiety disorders. Very Sadge 💔

FINAL SCORE FOR THE SESSION:

🎊 1/10 🎊

How the hell Jon got worse than first session I have no idea but here we are. The extent of his therapy here is using psychological theory to prove a point to his clients that they're terrified of making decisions on their own. Elaborate and impressive! He probably spent more time planning how this session was gonna go than actually doing what's expected of him as a therapist.

This man does not care about ethics, client's feelings or whether his sessions might kill a man.

In fact he knows his sessions might kill someone. He plans them out after all:

"When what we know is false coincides with what we fear is true, that’s a conflict and there are casualties"

[lurkingshan]

Things That Have My Attention in 4 Minutes Episode 4

Congrats to the Dome is Tonkla's brother truthers!

Let's talk timelines again. I still think we're working with two timelines, but I no longer think they're cleanly separated. Because if they were, you could not have some of these things happening concurrently. If we only had an Original timeline and a Redo timeline, then everything Great changes should be part of the Redo timeline. But in this episode Great saved Nan in the same timeline where Dome was dead, which we know because Great got Nan's location by getting Korn trashed after Korn fought with Tonkla over his abandonment in the aftermath of Dome's death. These things are all connected, so we can't cleanly sort events into one timeline or the other.

Which means it's most likely that the two timelines are bleeding together, making things unstable. This would explain Great's experience of overlapping moments last week, and Tonkla seeing Dome briefly before things went all weird and he disappeared at the end of today's episode.

By the way, it turns out those cold opens are not of the future--Tonkla has already done the murder in the same timeline where he's messing around with the cop. ETA: @my-rose-tinted-glasses pointed out that this is not necessarily true if the scene of Win getting the fingerprints and the phone call is also in the future. So back to square one on that!

Speaking of, what is up with Win? He is fully engaging in an affair with a murder suspect and doesn't seem to be investigating Tonkla at all. And I cannot let this pass without comment: why on earth did Win not put his pants back on during the long scene of him listening to Tonkla and Korn?! Was this really an appropriate situation to Winnie the Pooh it???

The flashback to Tonkla and Korn's beginning gave good context for why Tonkla thought he might be able to have more with Korn. I appreciated the details there: Korn was giving him money before they even had sex the first time and was lying to him about his intentions from the start, while Tonkla had zero experience when they met and didn't know how to recognize the signs of Korn's lies. Korn basically groomed this kid to be his sidepiece and has strung him along for years.

Tonkla definitely feels like a tragic character heading for a bad end, though perhaps he will also be saved eventually by the timeline shifts. In the timeline where Dome is dead and he's fucking Win, Tonkla is being incredibly reckless. I couldn't believe he just moved a new man into the home Korn pays for, he's gonna get caught.

I was grateful the show did not actually go all the way with Korn assaulting Tonkla, but it was clear he would have if Tonkla had not managed to distract him.

I continue to find the emotional tenor of Great and Tyme's scenes kinda weird. I don't understand why Great is so willing to betray Korn to help Tyme after just meeting him, I don't understand why Tyme revealed his face only to run away and then accused Great of being in on the conspiracy after already confirming he's not, and I don't understand why they were acting all blushy and awkward in that sex scene rather than leaning into the adrenaline high for a more sultry tone. They have been on one (1) date so the emotional investment is not really tracking for me for two experienced adults, but I can't tell if I am supposed to find this all weird and confusing or just go with it. It feels like the show just wants me to accept the shortcuts and buy into them as a serious romance, so okay I guess!

Speaking of betraying Korn, Great's plan was abysmal. He steals the information from Korn's phone (so considerate of him to spell out his criminal conspiracy including names and locations in one convenient text chain), tells Tyme everything without any knowledge of what his brother did, then walks right into an active hostage situation in his designer whites and shows his face to all Korn's goons. Korn is gonna know you did this, bro! Do you care?

It seems that Nan has a friend who was killed in a similar fashion to Tyme's parents, though I'm still curious how they connected and came up with this plan.

I still got nothing on this Lukwa connection. Why are she and Great the only two experiencing this phenomenon, and why did they see each other in this liminal space?

Also noting that there were several sex scenes this episode and no condoms or lube anywhere. I guess this show only depicts safe and realistic sex when they have a sponsor paying them.

[thebadjoe]

BAD JOE'S DRDT CH.2 CRIME SOLVING THEORY PART 6

Wow! It's been a long while, but it's finally here! DRDT Chapter 2 is back with part 2 starting since more than a week ago!

...Oh? What's that? There's some reveals that is damaging my theory and I should get to fixing? Awwww, man.... what a drag.... I am so doomed... nanchatte!

Anyways, hi! It's me, the dude who makes-overly-complex-and-ridiculously-long-theories-in-the-hopes-of-trying-to-solve-the-murder-case-that-not-many-people-agree-with-for-more-reasons-than-my-theory's-word-count. (Okay, the last part about the reasons is probably not true... yet!)

I am back yet again with some more updates regarding my theory.

NOOOOO!!! NOT AGAIN!!! PLEASE, I DON'T WANNA READ ANOTHER GODDAMN DICTIONARY LENGTH OF A THEORY POST!!!!

Woah! Calm down, imaginary self that is under the impression that some people were way too overwhelmed by my latest part of the theory post! You have nothing to worry about!

It would be silly of me to rewrite all of it again with some small changes. I will of course link up my part 5 later as source of reference, but really, all I'm gonna be doing here today is point out the newest problems with my theory ever since episode 12 and 13 and give my personal thoughts on those.

Also, to make sure that people hasn't forgotten what I've been all about since the beginning, I will do a short recap of my theory, displaying only what's most relevant to the murder case.

Besides, ain't no way I'm writing something this long ever again (except for maybe trying to solve the future chapters, but that's a matter for the far future).

With that said, I feel obliged to point out that this is spoilers for the fangan Danganronpa Despair Time Chapter 2, up until episode 13.

With that out of the way, let's get to it!

Hey look! I still remember how to use that show more button again, hurray! (I'm really sorry again to @1moreff-creator and everyone else who's been reading my very first posts last year that didn't have a show more button)

So, first things first, I'd like to apologize in advance because as amazing the episode 12 and 13 were, I will not be doing a reaction post of said episodes. I think I'm just too lazy to actually display my whole stream of consciousness through two whole videos and I think it is safe to say that practically all of us had a very similar reaction to those episodes.

What was the common reaction, you may ask? Well, it's simple, really... it went something like... OMG, THIS IS SO FUCKING HYPE! OMG!!! THAT WAS SO INSANE!!! THE DRAMA!!! DAVID BEING DAVID!!! THE LEVI REVEAL!!! THE FLASHBACK PART 2 SCENE!!! OMG, WHAT IS EDEN DOING?!! AREI IS HOLDING DAVID'S HANDS?! WE'RE FINALLY TALKING ABOUT THE MURDER METHODS?!?! OMG, SO GOOD!!!

...right? Yeah! I thought so! :D

Although I may not be showing proper and precise reactions to these episodes, if you're interested, I'd definitly recommend reading @venus-is-thinking 's, reactions on episode 12 and episode 13, @1moreff-creator 's reactions on episode 12 and episode 13 and @accirax 's reactions on episode 12 and episode 13. They're pretty good reads (and no, I'm not just saying this because they all believe that Eden is the culprit, I swear!).

And for those who are totally blind or new to my shenanigans, yes, I do believe that Eden is the culprit behind this murder case.

There is indeed a few problems that arose ever since the latest episodes, so to make sure that everyone is up to speed with what I'm gonna be talking about, I'm now going to be doing a short recap of the events, according to me.

--------------------------------------------------------------------

THE RECAP

DAY 1 : The day where everyone receives their mixed up secrets and explore the second floor. DAY 2 : The day where the attempted murder on Ace happened. DAY 3 : The day where Whit suggests David to chill for the evening in the relaxation room. DAY 4 : The day (morning) of the body discovery announcement.

Ever since Arei bullied Eden who then cried and exited the playground on DAY 2, that was what triggered Eden to decide to commit murder for the sake of escaping this hellish killing game. Knowing that her secret is that she kissed a girl, I deduced that she's probably trying to escape because she misses her beloved dearly.

So while she was off screen during most of that day, she spent time making plans for the murder set up and narrative, which is why she decided to share Arturo's secret (as seen in the flashback).

During the evening of DAY 2, Ace was working out in the gym, then he hears a conversation happening between David and Arei in the relax room. The conversation that Ace was quietly listening to did not happen in the evening of DAY 3, but rather the evening of DAY 2. Ace lied about when he was listening to that conversation.

At some point during the conversation or perhaps even after the conversation, Eden sneaks up on Ace and knocks him out with the turpentine that anyone could've gotten access to that day. Ace is Eden's chosen murder victim.

Sometime later, Eden eitheir used a letter or called out Arei's name to lure her into the playground or somewhere close to knock her unconscious with that very same turpentine. She then moves Arei's body into the relaxation room to lock her up inside because of the specific nighttime rules regarding that room.

Eden also brought old spares of clothing to cover Arei's body to make sure she doesn't get stained with starch from the water misting formula from the relaxation room.

During the night of DAY 2, she prepares the murder mechanism in the gym with some needed tools from the storage room and some wire that she took out from possibly a grandfather clock that she may have in her dorm. I deduced it as such because of Whit's description of everyone's dorms being suited to their needs.

I also deduced that there is actually a switch to turn on and off the fans, which is important since the attempted murder involved the fans. As Eden finished setting it up, as she was about to clear up with evidence, she heard someone using the elevator.

She hid in the dress up room, then Nico enters the second floor, looking for Ace to kill him. As Nico explores the gym, Teruko shortly enters the elevator to get to the second floor as well.

Teruko, looking for her spares, runs into Eden, who was hidden in the dress up room. After some talk, they heard a loud noise coming from the gym, which they both take a look inside.

Upon seeing this mess of a crime, Eden realised that her murder plan failed and that she needs to come up with a plan B really quick. So while she is taking time to "process this emotionally", Teruko was investigating.

Eden finally comes up with a plan B and figured that she needed to get her hands on the roll of tape ASAP. She managed to do so with a sleight of hand when Ace "suddenly wakes up", knocking Eden out of the way, distracting Teruko in the process.

Later that night, Eden proceeds with her plan B by making a murder mechanism in the playground. She also took the rope from the storage room. Once it's all properly set up, all's left was waiting for the relaxation to unlock at 8:00 AM on DAY 3.

In the morning of DAY 3, she retrieves Arei's unconscious body and proceeds with murdering Arei. Then, she proceeds to conceal the body somewhat behind the curtains in the relaxation room. She also grabs her glove, her monopad and the necessary materials in the dress up room for the next step of her plan.

She spends the rest of the morning to prepare her disguise trick. Then during lunchtime, Eden spends a short amount of time disguised as Arei to hide the actual time of death.

Once lunchtime is over, she returns to eitheir her or Arei's dorm to remove the disguise, spend time cleaning up, relax, power nap, etc. Then, during the evening of DAY 3, she spends time with Hu to fabricate her perfect alibi.

Later that evening, David explores the relaxation room. That's when he notices something wrong with the room and becomes the first person to discover Arei's dead body.

For some personal reasons, David brings the body back into the playground and hangs it by the swingset. Eitheir he or Eden (earlier in the morning) balls up the clothes and hides it in the closet of the dress-up room. Then, in the morning of DAY 4, David grabs everyone's attention to the fact that Arei is missing right before the secrets reveal. Then fast forward a bit, then we get the BDA of Arei

--------------------------------------------------------------------

And there ya go, that's my recap regarding how I believe the murder case happened. Pretty short, eh?

HELL NO!!! THAT WAS STILL PRETTY LONG!!! AHHHHH!!!!

Eh... I guess I couldn't really make it that shorter, my bad! If I tried to make it any shorter than that, it would've been extremely confusing.

Ah! Speaking of which, if you're confused in the sense that it feels like none of this should work at all, and there's a lot of contradictions and whatnot, then I would heavily recommend reading my actual theory post. I am not going to spend time refuting with people in the comments about points I've already pointed out in my previous post.

However, if there are things that are unclear to you, things that you do not understand and want to know what I'm talking about, please, feel free to ask away! I will help in any way I can.

With that out the way, I guess I can now start with pointing out the pr-

HAH! THERE IS A MAJOR ISSUE WITH YOUR THEORY!!! BASED ON EPISODE 12, THE MURDER COULD'VE ONLY HAPPENED IN THE MORNING OF DAY 4 BECAUSE OF THE BODY SWING! YOU'RE DONE FOR!

Ah... yeah... that! Of course! That's not a problem!

!!!

Let's talk about it first, shall we? :D

--------------------------------------------------------------------

AREI'S BODY SWING : CONFIRMED TIME OF DEATH???

I'd like to come clean with something, everyone. Ever since I came up with the theory that murder happened at a totally unexpected time, there was something that was constantly bothering me.

That's right, I was very well aware of the body swing happening during the BDA ever since the beginning.

HUH?! Then all this time, you wrote all of this despite knowing that?!

Correct! I'm really sorry about that, but please, understand that I had a very good reason for it. For you see... everytime I saw it, I was often under the impression that this was simply an eerie effect / animation, to give a more dramatic intensity towards the BDA, without meaning anything. I legit thought it could be a thing, I swear!

But despite all that... I couldn't help but feel uneasy about it. Deep down, I felt like that maybe there was an actual meaning to it, maybe it was an actual clue that I shouldn't disregard. But I figured that because of my theory beliefs, then it would be rather unlikely that it would be used as evidence.

But alas, I was wrong about that. The body swing plays a very important rule in determining what happened in this murder case. I cannot deny that fact, especially since Teruko brought it up, plain as day. Despite it seeming like it damages my theory, I'm thankful that the dev finally cleared that little doubt I had since then.

Then you admit it, the murder actually happened in the mor-

Oh, not so fast! Let's not jump to conclusions just yet, alright? Arei's body swinging by the swing set doesn't quite exactly prove that the murder occured during the morning of DAY 4. The body swing only proves that someone messed with the body by the swingset.

W-What?! That doesn't make sense! The murder clearly happened in the morning of DAY 4!

Nuh-uh, not quite. You believe it clearly happened in the morning because that's what the cast concluded on top of Charles pointing out that the culprit could've clearly fake the time of death by saving the fishes for later.

But unless we have decisive evidence that the murder happened in the morning, we can't be 100% sure that the murder happened in the morning of DAY 4.

From the looks of it, you just seem very desperate, if you ask me.

At first, when episode 12 released, I kind of was... up until I figured out a fairly logical solution to it. That's right! I have a way to explain who made the body swing and why.

You're not going to suggest that David did all of what he supposedly did in the evening of DAY 3, but instead in the morning of DAY 4, right?!

Nope! Not at all. Disregarding the facts that it wouldn't really make sense and that he'd have to move the body out of the relax room anyways before nighttime (because of the water misting rules), David actually has an alibi in the morning of DAY 4.

(As does Veronika too as she was with them in the cafeteria)

With all of these reasons mentioned above, as much as I initially wanted to make it somehow possible that David came back to the crime scene to mess with the body somehow, it just isn't possible.

So instead, someone else did it.

Then out with it already, you staller! Who is it?!

There is only one possible candidate that would make the most sense in that scenario : Eden. Eden is the person who messed with Arei's body in the morning of DAY 4.

WHHAAAAT?!?! WHY WOULD SHE DO THAT?! THAT'S SO RISKY!

That's what I initially thought at first, not gonna lie. But then... something hit me : Eden doesn't have an alibi for the morning of DAY 4 eitheir.

I thought that there would be absolutely no need for Eden to come back to the crime scene a certain short amount of time before the BDA, so instead, I needed to reverse my way of thinking.

What could she possibly aim to do that would prompt her to come back to the crime scene last minute?

Considering the facts (based on my theory, mind you) that she killed Arei in the morning of DAY 3, hid the body somewhere in the relaxation room, built up an evening to night alibi with Hu and that David was the first person to discover it during the evening, there is a simple explanation behind it.

Arei's BDA was meant to be triggered much earlier than the morning of DAY 4. The original intent behind this whole scheme was to have the BDA trigger during the evening of DAY 3.

That doesn't make sense!

No, that's wrong! It does make a whole lot of sense. Think about it. Let's say you were a participant in this killing game and were in David's shoes during the evening of DAY 3... you come across a dead body in the relaxation, what would you do?

!!!

That's right, you wouldn't just mess with the body and move it somewhere else, now would you? Aside from freaking out, the most natural and human thing to do would be to gather help.

If it were anyone else than David who discovered the body in that exact scenario, they would cry out for help, tell everyone that they found Arei dead inside the relaxation room, which would then result in a body discovery announcement.

But what if the person who found the body were to personally ask for Hu's and Eden's help, wouldn't that ruin her plan since it wouldn't trigger the BDA?

There's an easy solution to that. Eden could've simply decided to find more people to share the news to meet up with the corpse. This wouldn't ruin her plan in the slightest.

Quite the opposite, actually. If the body were to be discovered and trigger the BDA during the evening, it would solidify her air tight alibi even further as she wouldn't have any possible timeframe to commit murder in the evening as she was spending time with her friend Hu.

Ugh, so what? It didn't really happen anyways because of David being David! That doesn't change anything!

Actually, it does change things considerably. If you put yourself in the culprit's perspective where the whole intent was to have the body discovery happen in the evening of DAY 3 and that during the whole night, nothing happened, you would certainly find that very strange.

The culprit would be clearly confused, yet really curious to find out what even happened.

Couldn't she have taken a look much later during the night?

Perhaps, but she figured it would've been pointless. The reason why is that if she thought that nobody found the body, then the body would've still remained hidden in the relaxation room which would then be currently locked away because of the water misting.

So instead of checking it out during the late night of DAY 3, Eden decided to investigate during the very early morning of DAY 4, sometime past 7:30 AM.

But the relaxation room is still locked up until 8:00 AM! Why not wait until then?

It's simple! She just wanted to be there a little bit in advance to make sure she can enter the room as early as possible. And so... while she is waiting for the relaxation room to unlock, she probably figured that she should take a look around the other rooms, why not?

And thus, that leads to Eden finding the body being hung by the swingset, alongside fishes scattered around the floor for some reason.

To reconfirm, I still believe that David is the first person who discovered Arei's dead body in the relaxation room and that he's responsible for hanging her body alongside placing those fishes by the playground.

Okay, Eden discovers that the body has been moved to the playground? What now? Everything's already in place, so what could she possibly do with the dead body?

Well, since the BDA was not triggered on the evening of DAY 3, she figured that she may as well put Arei's monopad back into the corpse's pockets.

But what about her missing glove? Why didn't she return that as well if she wanted to return her monopad?

That's a good point, that's for sure. But there are two easy fixes to this counter argument. First one being that she simply forgot about the gloves. No one's really perfect, after all. She was so concerned about the body not being discovered yet that this completly slipped her mind.

The second fix would be that it would've been way too risky to try to retrieve the glove. Maybe initially, Eden, after she removed her disguise, she placed the clothes and the glove back into Arei's dorm. So if she wanted to retrieve the glove, she'd have to return to Arei's room, unlocking it with a monopad that isn't her own.

Would she really risk that again after making this much progress without getting caught so far? Like imagine if she tried to take that risk one last time only to get caught, that would be quite the devastating result, wouldn't it?

Ok, fine. Nevermind the gloves. Is that all she did?

Pretty much, yeah. She returned the monopad back into her pockets, which moved the body somewhat.

...

Well, it's also possible that she tripped and moved the body even more by accident. Or perhaps she felt like she was in such a hurry to avoid getting found out that she accidently bumped into Arei's dead body.

...Are you kidding me? There's no way that's gonna be enough to move the body for this long!

Well... maybe her being there at exactly 7:30 AM is not the exact time. She could've been there a couple minutes before 8:00 AM, which could make this possible.

But that's ridiculous! There's no way Eden is strong enough to make the body swing that way. To make the body swing for a good amount of time, she'd need more than just accidently bumping into the body! It needs considerable force.

And I'll stop you there. If you've read my last theory post, you should know by now that I'm a firm believer that because it's a work of fiction, anything that seems unlikely can become possible.

The main thing we should take from Arei's body swinging during the BDA is that at some point in time during the morning, someone messed with the body, proving that someone was there during the morning of DAY 4.

And there you go, that's my whole explanation as to how Arei's body was swinging during the BDA that doesn't necessarily mean that the murder occured during that exact morning.

If you're not quite convinced yet, there is a certain part of my theory that begins to make a lot more logical sense with this solution in mind. Take a look at this!

Thanks to the solution I suggested, these two lines become a lot more fitting to my updated theory. Here's why!

If Eden were to explore and find the body hanging by the swing set during the morning of DAY 4, she would know that at least 1 person found the body, but not who exactly.

Because of Whit's silly comment, Eden immediatly thought of the body in the playground and jumped to the worst conclusion : Whit is the person who found the body first.

So if they were to open the door to the playground, the BDA would not trigger since Eden is the culprit. So in a moment of panic, Eden uttered : "Teruko, wait--".

It is still pretty much the same as what I had in mind according to the previous part of my theory post, except that it works a whole lot better now that Eden personally saw the actual state of the dead body in the morning of DAY 4.

So there you have it. This seemingly major problem for my theory actually turned out to be very beneficial for my theory after all! Ah, the joys of making logical sounding deductions! My theory should be saf-

HAH! YOU THINK YOUR THEORY IS SAFE FROM HARM YET?! WRONG!!!! IN EPISODE 13, THEY ACTUALLY SHOWED HOW THE MURDER MECHANISM WORKED! NOT ONLY IS EDEN TOO WEAK TO OPERATE IT, BUT THEY PUT FISH WATER INSIDE THOSE JUGS! SINCE THEY REVEALED THAT MURDER METHOD, IT HAS TO BE THE SOLUTION. YOUR THEORY IS RUINED! GOOD DAY SIR!

Oh, you mean this?

Oh no, this murder mechanism is different from mine and this one requires a certain amount of strength that Eden possibly doesn't have! And the fishes! Since they brought it up, then there's no way my theory can work! Whatever shall I do??? It's joever.... just kidding!

I don't mean to alarm you guys, but the current proposed murder mechanism idea actually has flaws. Let's talk some more about the murder mechanism in the playground, shall we? :)

--------------------------------------------------------------------

TERUKO'S CURRENT MURDER MECHANISM IDEA : RIGHT OR WRONG???

Before I get into it, I'd like to remind everyone that just because we've been shown how the murder may have been done for the first time means that's how it actually happened. Let's not forget that they spent so much time arguing and discussing about the secrets that they barely ever talked about the murder case in itself.

So if anything, episode 13 is practically just them beginning their actual work! Mistakes are bound to happen. We shouldn't jump to conclusions just yet. Besides, there is actually a problem with this murder mechanism.

I'll present it to you in pictures to show you what I'm talking about.

The taped up wrists. This was practically the decisive proof that this wasn't a suicide nor could it have been an assisted suicide. So now that they've introduced a murder mechanism in an actual episode... what's actually the point of the taped wrists in that scenario?

If the culprit used exactly this kind of murder mechanism, then there would be absolutely no need to tape up her wrists together.

Maybe it was to stop Arei from trying to struggle?

Nope. If that was the case, we would've seen much more signs of struggle coming from Arei. There may be scuffs on the ground, but there's absolutely no other form of injury on Arei aside from her broken neck.

Well, I saw a theory where the accomplice was Levi and he could've easily overpower her!

(I believe that was something that @1moreff-creator theorized, if I recall? At least, that was the theory pre part 2)

It used to be borderline possible, but not this time anymore! Thanks to the first two episodes of part 2 of chapter 2, it seems extremely unlikely that Levi wanted to work with the culprit as an accomplice.

Not only because of what we find out regarding his secret, what kind of character he is, but also because of something he said in episode 12.

I don't know about you, but this doesn't look like something an accomplice would say at all, right? If the culprit was someone who didn't have an alibi in the evening, it would be a different story, but the most fitting theory for having Levi work as an accomplice is to work for Eden, who happens to have an alibi in the evening as you already know.

So since we gotta take Levi out of the equation, then we don't really have much other possible candidates who could've easily overpower Arei to the point where taping up her wrists would've helped better on that regard.

Therefore, the most logical solution would be that Arei was knocked unconscious with the turpentine. But since that's the most likely scenario, then what's up with the taped wrists?

If the taped wrists weren't used to prevent any remote chance for Arei to try to get out of this situation, then it must've been used as part of the murder mechanism.

But since the murder mechanism as shown by Teruko doesn't explain the taped up wrists whatsoever, then this becomes a discrepancy. Therefore, that can't be quite the correct answer to solving the how this murder mechanism works.

And since this murder mechanism idea is flawed, it also means that there's no guarantee that the jugs contained fish water inside, they could've simply gathered water somewhere else or perhaps there jugs were already filled with clean water to begin with.

Because this murder mechanism idea is flawed, there's no guarantee that the culprit used this method which required some unknown amount of strength, but an amount of strength regardless (unless the author wants to pass it off as anyone could've done it since it's easier to do it by spinning it, I'm not sure).

Because of that flaw, my theory isn't affected by the murder mechanism idea that Teruko suggested since there is no guarantee that this is the correct answer.

So yeah, there's no problem whatsoever! Also, as far as I'm aware, since the release of the latest episodes, I have a very logically sound reason to explain the taped up wrists as shown in part 5 of my theory.

To give you a small reminder, it was for something like this!

(Whole murder mechanism not properly shown in the drawing because I'm lazy as heck, but just take a close attention to the arms)

By having Arei's arms go between the pillars of the seasaw, you can make it so that she can't get out of it by taping her wrists together, which plays an important role in the murder mechanism. Not going to elaborate further, if you want to know more, you gotta read the big post right there!

And there you have it! Those were the two main concerns that could've negatively affect my theory, but fortunately for me, it doesn't. In fact, it supports it even more than before.

Especially regarding the David / Arei conversation flashback (shown from David's memory's perspective). This conversation told us a lot more between these two, do you know what that means?

That's right! It means that Ace is full of shit! There's no way he didn't hear anything else. The only way he could've not hear anything else is if he gets snuck up from behind and gets knocked out with the turpentine, but it could've easily simply been Ace witholding that information to make David look more suspicious.

Therefore, if he lied about this, he could've also easily lied about when he actually overheard that conversation for his own selfish gains!

There's also a few couple other points that could further support my theory, but I don't feel like going over every single little detail as of now. I mainly wanted to solve these two issues and nothing else.

So, DRDTers, I need to ask you the following : Do you still believe that I am delusional with this overly complex theory of mine? :)

Thanks for reading another one of my big posts, as usual!

Edit : Go read the finale of my theory next, it's worth it!

[lias-writings]

The making of The Last of Us

pairing: bella ramsey x fem!reader

warnings: kissing, established relationship, pet names, fluff, mention of hickeys, little jealousy

summary: just a few cute moments shared between you and your partner bella during the filming TLOU<33

a/n: hi! so sorry I couldn’t pos this sooner but here we are, I had a really hard week and i finally managed to finish this today anyway thanks to everyone who voted it was helpful, I hope you have a nice day/night and im going to sleep, love ya, enjoy!! <3

masterlist

before you two started dating:

you and bella were the only people around your age during most of the filming a spending 3 months together filming and still had like 8 more to go you just grew closer and gained sort of feelings for each other. both of you were too shy to admit something and the fear of making things awkward wasn’t really handy.

when pedro after weeks finally made bella confess to you, you couldn’t be happier, you were about to spend another months with your now partner working on a tv show you’ve grown to love- what a dream, right?

~~~~~~~

“get a room”

you were sitting on the grass, near the set, enjoying the sun. you haven’t seen much of it while working in canada so you were grateful for every sunny day.

re-reading your lines for scene you were supposed to film next and making sure you remember them correctly you heard footsteps behind you. you didn’t even had to look and you already knew who that is.

feeling two hand wrapping around your waist made it even more obvious to you.

“hi.” bella whispered in your ear gently. you could swear you heard his smile.

“hey.” you said back.

“what are doing love?” they asked while you turned your head to face them

“just reading the lines.” you answered holing eye contact with her and after few seconds of looking at each other with heart eyes and stupid smiles you felt his lips kissing your and you kissed back, almost immediately.

little kisses turned into a make out session but you two still held a little back, knowing anyone could be walking around.

after few seconds you felt bella’s hands back on your waist so instinctively put yours around their neck.

“jesus! seriously, get a room, you two are making single people cry.”

and that was all it took you and bella to open your eyes and almost jump from each other (you would if y’all weren’t sitting ofc).

“pedro, I swear to god, grow up!” you yelled with a smile creeping on your face. bella just chuckled and shook her head in amusement.

“yeah, yeah whatever, now get up we have a work to do, you can make out later.” the man said and started walking towards the set, which was few meters away.

~~~~~~~~~

me? jealous? never!

a/n: lily’s not an actual actress from tlou I completely made her up for the story !! she/her pronouns used for lily :)) oh!! and bcs the 2nd most voted was jealous!bella hear is a short one and longer, better, is on its way !!!

so you and bella have been dating for a few months and everything is great. a few weeks ago you started filming new episode, which means new people on the set. you got friends with a girl named lily, who’s playing a background character and it’s going good so far.

you would never claim yourself as an oblivious person, you always could tell when people tried to hit on you, but this time, you were completely blind.

lily had a crush on you even before you started filming but seeing you in person made her fall for you even more. she knew you were in relationship with bella (I mean you two made it really obvious) and she knew it was wrong from her to like you but she couldn’t help herself.

she started with just small talks with you during the breaks or between each takes, she would even became friends with bella.

after few days she asked you to hang out, you being a perfect gf obviously told bella, who didn’t really mind because lily seemed nice to them as well.

after few weeks of your friendship with lily bella finally figured out what’s all this about but he didn’t want to seem possessive so she haven’t said anything.

they even wouldn’t if you weren’t completely oblivious and didn’t keep on hanging out with lily.

you of course noticed that bella has been more affectionate when people were around and that they haven’t been as nice to lily as they used to. (not that lily was nice to bella, she sort of ignored them whenever you were around)

“don’t you see that? she’s totally into you!” bella said not really calmly after you confronted her about her behaviour.

“what are you talking about? bella, she’s my friend.” you answered confused.

“she doesn’t wants to be friends with you, the way she looks at you, touches your arms whenever you’re around, or when she’s flirting with you? in front of me? that’s not friendship.” bella says back as if it was completely obvious. (it was)

“bella i-wait, are you jealous?”

“me? jealous? never.”

and that’s when it hit you. bella might be an amazing actor but they can’t lie (at least not to you). you also realised that he was right the whole time. looking back you couldn’t believe you were so blind, maybe you wanted to believe that she’s your friend so bad, you didn’t see the rest of it.

in the upcoming time you made sure that lily gets the hint that you are not interested in her and that you would never choose anyone over bella. (i mean who would, it’s bella)

bella also made sure that lily gets the hint by covering your neck (not just the neck but mainly) in blue and purple bruises, not that it was handy while filming ( your makeup artist wasn’t happy and you better believe that) but it fulfilled its purpose.

a/n: btw!! I might do something like this in future again, i had fun writing it!!

[multifandomfanficss]

You Really Gotta Get Better At Lying

Adrian Chase/Vigilante x Reader

Featuring platonic!Peacemaker, Goff, and the rest of the 11th Street Kids

Adrian Chase Masterlist

Prompt: You’re a civilian with a superhero boyfriend. It was working out pretty well for you both until one day when you’re hanging out in his best friend’s trailer and you get stuck in the crossfire. This is based on episode 6.

Warnings: Mentions of guns, Cannon compliment jokes, language, and violence, joking references to m-preg and daddy kinks (this is Adrian and Chris we’re talking about and it’s based on the butterfly interrogation scene lol), Angst with a happy ending

A/N: Hey Guys! Cannot believe this is my first full fic I’ve been able to finish since last August…11 months! This year has been pretty nuts for me, but I miss my man :)))) ❤️🧜‍♂️❤️ (Also the part in italics is a flashback if that’s not clear.)

“Come in Adrian!” You heard a voice coming from the trailer as your boyfriend knocked.

“How did you know it was me?” Adrian asked.

“You knock in a very annoying way. Hi, (Y/N).” Chris said as you walked into his place.

“I’m sorry.” You placed a hand on Adrian’s shoulder.

“Well I think it it’s cute.” You smiled at him. He smiled down at you, breaking into an infectious smile. Your own smile only grew. “Hi, Chris.” You said turning to look at Peacemaker. Today was your day off and Adrian wanted to get wasted at the trailer. Despite not always getting along, you were pretty good friends with Chris so you loved going to his place with Adrian to hang out. When you got there he was in his super suit. This was no surprise to you. Adrian had brought his as well. Usually a day at Chris’ meant at least an hour would be spent doing target practice or what you liked to call watching your two favorite idiots fuck around.

You had learned about Vigilante not too long into dating Adrian. It wasn’t hard to figure out. You loved him, but he was an awful liar. One slip up lead to another and suddenly it was 3am and Vigilante was knocking on your door. You’d had a nightmare and called Adrian because you knew he was a night owl. You woke up hyperventilating and sweating, too scared to go back to sleep. You just wanted to hear his voice, but you weren’t gonna complain when he said he couldn’t sleep either and was on a late night walk by your apartment. You didn’t question how weird that sounded, you just wanted to be with him so you said he could come over. What you didn’t know was that he was actually on patrol on your side of town. He meant to change, before reaching your door, but somehow he was in such a hurry to get to you he just forgot. He didn’t realize when you screamed upon opening the door, already shaken up from your nightmare and now confused as to why the news’ least favorite costumed crime fighter was at your apartment. He screamed back at you.

“What are you screaming about?!” Vigilante asked.

“What am I screaming about?! What are you screaming about?!”

“Okay! Stop screaming! I am really confused right now!”

The more you thought about it the more you realized you knew that voice.

“…Adrian…”

“Of course it’s me! I know it’s late and it’s dark, but is it that hard to recognize me? I think you might need to check your eyes again, Bug-a-boo.”

One of those silly nicknames you loved. It was Adrian.

“…mask…”

You saw his eyes go wide behind the tinted red visor. His gloved hands went up to touch his face. He’d forgotten.

“Oh shit…” He said under his breath. “I- I don’t know who Adrian is…who’s that? I’m sorry I scared you, innocent civilian. I was just out doing my patrol duties and I-“

“Adrian…” You started to tear up.

“I told you I’m not Adrian. I’m Vigilante. Common mistake. Both names sound like super similar actually-“

“Adrian…” You cut him off again, bursting into tears, hugging him. He sighs.

“You’re okay, (Y/N). I’m here. Everything’s okay.”

You stared at a jar on Chris’ table. It had some sort of bug in it. It was a species you’d never seen before.

“What’s that?” You asked.

“You kept Goff?” Adrian questioned.

“Is that like the name of the bug or did you guys name it?” You keep staring, confused. It almost seems to stare back at you.

“That’s his name. We found him in a shitty politician.” Adrian answered. In him…? You didn’t want to know so you decided not to press as the boys continued to argue about keeping Goff as a dangerous pet.

“Why is he dangerous? Is he invasive?” You questioned.

“You could say that!” Adrian joked.

“Where is it from?”

“I don’t know, but I don’t think they came from our solar system. I feel like NASA would have figured that out by now, but I wouldn’t be surprised if they were fucking lying to us.” Chris said on the verge of telling another conspiracy theory.

“What…?” You finally broke your gaze from Goff.

“Don’t even fucking get me started on the moon landing and-“

“No, I mean this- this is an alien?” You cut off Chris. You turn to Adrian. “You’re fighting aliens?!��

“Yeah! How cool is that?!” His face lit up.

“So fucking cool!” You started nerding out with your boyfriend until your attention was drawn to Goff who was drawing a peace sign on the jar in some sort of weird goo. The three of you, after taking about a minute to freak out, sat on the couch to investigate. You sat in between Chris and Adrian. You were hoping this would keep them from arguing, but it did nothing of the sort. Before you knew it your head was resting on the back of the couch as the two guys argued above you. “Will you guys just kiss and make up already?! Jesus! Get a room! Chris you gotta have more patients and at least try to see his point of view. Adrian, baby, we have to ask yes or no questions because Goff can’t speak to us verbally and we don’t have an alphabet for him to spell things out with.”

“What if we got like an ouija board and just let him move the little triangle thing around?” Adrian wondered.

“I think that’s a great idea, but we don’t have one right now, so just while we’re limited on time we gotta keep it to yes or no questions, alright? Think of it like that pendulum thing I showed you. It can only swing so many ways like how Goff can only tap so many times.” Adrian finally seemed to understand. One of your favorite things to do together was info dump about your interests. Not too long ago you’d had a really big hyperfixation on ghosts, which is probably where he’d gotten the idea for the ouija board in the first place. It wasn’t that he was stupid, he was often just running a marathon in his head to find different solutions to the problems everyone else had already given up on. While he was trying to figure out a solution, everybody thought he was an idiot for even trying. That was one of the many reasons you and Adrian worked so well together. You both understood how the other person’s brain worked.

“Okay. Goff, are you here to put babies in us like in alien?”

Two taps: No.

Adrian sighs.

“Dude, you’re upset about that?” Chris asks.

“Well how else am I gonna experience motherhood?” Your boyfriend asked sadly. You rested your hand on his knee.

“I’m sorry, baby. But you know what? Maybe one day you can be a really incredible dad to our kids.” You blushed.

“You think I’d be an incredible dad?” He asked in awe.

“I think you’d be the most incredible dad.” You kiss him as Chris gags.

“Now it’s my turn to say get a room and not one in my trailer. I don’t want you guys fucking roleplaying your daddy m-preg shit in my bathroom.” Chris rolled his eyes.

“Oh my god that is not what I meant! Please can we just get back to the alien bug sitting on your coffee table?!” You exclaimed.

One tap: Yes.

“See! Even Goff agrees you’re being ridiculous!” You tell him.

“I am not!” Chris started to argue like a toddler.

Two taps: No.

“You’re acting like a toddler.”

One tap: Yes.

“Woah! It’s like Goff’s on (Y/N)’s side.” You smiled at Adrian’s amusement.

One Tap: Yes.

“You are not helping me here.” Chris whispered in a harsh tone to the jar.

One Tap: Yes.

You laughed. “Goff, do you wanna be friends?”

One Tap: Yes.

As you and Adrian continued to argue with Chris, much to Goff’s amusement, Adrian’s phone started to ring.

“Who is this…Vigilante? I- I don’t know that person. That’s um- is that even a name? I’m- sounds Italian and I’m- I’m- I’m American, so I can’t even-“ Chris ripped the phone from his hand and you gave him a sympathetic look.

“Babe, you really gotta get better at lying.”

“I’m great at lying!” You gave him a smile.

“Okay, honey.”

“I am!”

“A month after we started dating you showed up at my door fully suited up, completely forgetting to change after patrol.”

“That’s because I wanted to. It was my way of telling you.” He was obviously lying again

“Okay, honey.” You smiled as Chris shushed you. He was panicked, far more panicked than usual.

“What’s happening?” You questioned, starting to get nervous.

“The entire police force of Evergreen is outside right now. This place is fucking crawling with cops.” Chris whispered, opening his sunroof.

“Are we gonna fucking crawl up there?!” You whisper yelled, trying to keep your voice down. You were a civilian and despite hanging around superheroes you had never been in on the action yourself.

Adrian grabbed your hand. “It’s gonna be okay.” He tried to give you reassurance, despite not quite knowing what they were up against. “I need you to promise me you’ll stick by me, okay?” You stared at the roof in fear. “(Y/N), I need you to promise me.” Adrian looked at you desperately searching for an agreement.

“O-okay” You stuttered, your mind barley able to process what was happening. Chris climbs through helping pull you up as Adrian lifts you through the hole. You were so scared you didn’t even really notice Adrian had Goff tied to him with duct tape. Chris started climbing in a nearby tree. Adrian pushed you towards it. You shook your head at him, giving him a face that said ‘There is no way in hell I’m doing this’.

“I’m not gonna let you fall.” He promised. So much for that. Not long into climbing Adrian himself fell out of the tree. Usually you would find his clumsiness cute, but now was not the time. Chris put his free hand over your mouth to stop you from screaming.

“Oh fuck…I’m okay…” He said, a little out of it, just having at the wind knocked out of him. Of fuck. Goff. This is when you fully process the glass jar taped to Adrian’s back…the broken glass jar. Chris quickly helps you get down. You run to Adrian.

“Are you okay?!”

“I’m okay, I promise.” Adrian reassures you.

“DON’T MOVE!” The police detective yelled, pointing her gun at you. Adrian rested one hand on his hip, close to his knife and the other on your back so he could push you underneath him in a second if bullets started flying. You were terrified. You didn’t even notice Goff flying towards the woman until he started to fly into her mouth. Now you knew what Adrian meant by in the senator. Blood started pouring out of her mouth.

“What the fuck?!” You yelled in shock as Chris and Adrian started pulling you up from the ground. Everything was happening too fast. Suddenly you were running through the woods. Bullets were flying. Knives were being thrown.

“At worst, he’s paralyzed!” Adrian’s voice barley broke through to your clouded mind. You could see a clearing up ahead. Just get to the clearing. You can do it. Just get to the clearing. You saw Chris stop in front of you. He had a gun pointed directly at him. Then another. You and Adrian stop behind Chris. You’re surrounded. Adrian keeps you close. Then one of them falls to the ground. You grab onto Adrian’s back, not wanting to limit the movement of his arms. He reaches behind himself to put a hand on you. You turned to see another policeman had shot the guy who was pointing a gun at you.

“What the fuck?!” You yelled, trying to keep your panic down.

“Do you wanna ask stupid questions or do you wanna live?” He asked you as you hid behind Adrian again.

Chris and Adrian pulled you away from the scene as the man shot the defenseless low level cops on the ground. He mocked their cries as he shot them. Chris and Adrian brought you to a car the man had told you about. A getaway car that was waiting for you just down the road at the edge of the woods. Adrian shoved you into the car. You sat in the back seat with him as he continued to argue with Chris, even throwing his phone out the window at one point. He kept an arm around your shaking body. Eagly was squawking in the passenger seat. It was all too much.

“SHUT UP! BOTH OF YOU PLEASE.” You started to cry. “I LOVE YOU BOTH, BUT PLEASE! FUCK!”

Adrian placed a kiss to your forehead gently starting to rub your arm. “I’m sorry.”

“No, it’s not you. Usually I wouldn’t care, but what the fuck is happening?! Is the detective fucking dead?! Like is that what they do?! Just like fucking drill into your skull through your mouth and play Ratatouille?!”

“They can go through your butt too…” Adrian said quietly.

“Oh great! So glad! That must be so much more pleasant!” Adrian went to open his mouth, but you knew what he was gonna say. “Yes, I’m being sarcastic!”

“Okay. Thank you for specifying. Let’s just breathe. Can you do that? Can you breathe with me?” Adrian asks, starting to exaggerate his breathing for you to follow. He knew you were starting to get worked up. You always got upset when you were confused, but this was an entirely new level with an added sense of extreme terror and danger. You try to follow his breathing. “In and out. Good job.”

“Forget about the aliens I wanna know what the fuck was up with that one cop!” Chris questions from the driver’s seat, now done using Adrian’s phone to call headquarters.

“You mean you didn’t fucking know that guy?!” You question.

“No! Why would I just know a crazy fucker at the police station?!” Chris yells.

“I don’t know! Maybe the fact that he gave you a car?! You know some pretty weird fucking people! I’ve never met King Shark!” You scream, letting out a sigh, leaning further into Adrian’s touch as he kisses your forehead again, still trying to calm you.

The rest of your short drive to headquarters was mostly spent in silence. You had never been there, but you knew where it was. You were the only person Adrian told everything to. You walked into headquarters quickly, not wanting to be seen stashing the getaway car.

“What the fuck just happened?!” Chris yelled bursting into headaquarters.

“Who’s the civilian? I don’t think I have to remind you of the privacy of this mission.” A man who seemed to be in charge asked as you tried to make yourself small feeling scared and embarrassed. You think you remember Adrian saying his name was Murn.

“They’re my partner.” Adrian told the team.

“You have a partner?” The man who was absolutely John Economos asked. He was even taller than you imagined.

“I told you I had a partner. You knew about them.”

“Yeah, but I didn’t think they were real.” John laughed at his own joke.

“Um…hi. Sorry. Very real partner over here, what the fuck is happening?!” You interrupted. They all exchanged a series of looks you couldn’t read before one of them spoke up.

“Hi my name’s Leota. Why don’t we go talk in the other room for a bit?” You didn’t answer her, you just squeezed Adrian’s hand, not wanting to be separated from him.

“It’s okay. You can go. I’ll just be a few minutes. I promise you can trust her. Eagly does!” Adrian smiled at you.

“I guess he’s pretty good judge of character.” You joked, giving Adrian a smile.

“It’s okay. We’re safe here. Here, take this.” He reached for the back of his chair and grabbed a sweater he’d accidentally left there. He wrapped it around you. He knew how much you loved to wear his clothes. You were happy to be surrounded by his smell. You sighed, calming a little bit. “I won’t be long and I’m not gonna leave the building. I promise.” You nodded, reluctantly following Leota.

“Harcourt you handle this. Peacemaker, Economos in my office now.” You heard as you walked up the stairs. As Leota was answering some of your questions Harcourt and Adrian were downstairs having a very difficult conversation.

“You don’t look so happy. I thought you loved violence. I thought you said it was awesome.” Harcourt started, her voice thick with sarcasm. Adrian missed it yet again.

“Not when they’re involved.”

“Well maybe you shouldn’t have involved them then.”

“I didn’t mean to! I’m not normal. I know and usually I don’t care, but they are the only thing in my life that makes me feel normal- the only part of my life that feels normal. Even…even when I’m just Adrian Chase, the busboy at fennel fields, everybody acts like I’m a fucking freak or some big burden. But not them. They let me be myself. They like me! They’re separate from all of this. I should be allowed to have this one thing.”

Harcourt’s face softened. “You should be and I’m sorry…but that’s not how this life works. I know you want to keep them safe. It’s only gonna get more dangerous from here. You know what you have to do, right?”

“I’m not doing it.”

“Look…” Harcourt paused taking a deep breath. “Adrian…I’m sorry. Doing what we do- it isn’t easy.” She used his real name. He thinks this might even been the first time she’s really called him anything other than Vigilante, psycho, or dumb shit.

While they were talking downstairs you were upstairs asking all sorts of questions to Leota about the butterflies. She was answering as much as she could until Adrian knocked on the door. “Can I have a minute alone with (Y/N)?” He asked.

“Of course. Let me know if either of you need anything.” She smiled at you on the way out.

“She’s nice. I’m sorry I freaked out earlier. I think I finally have a handle on everything now.” You smiled at him, but he wasn’t looking at you. His eyes were glued to the ground. “Ade, what’s wrong?” You asked.

“I’m breaking up with you…”

“Yeah haha very funny. Now, what actually happened downstairs?” He stayed silent. “You’re serious? Adrian, you’re not breaking up with me.”

“Yeah I am actually.”

“Why?”

“Because I don’t want to date you anymore.”

“That’s not true. You’re an awful fucking liar, so look at me and tell me why you’re breaking up with me.”

“I already told you why.” He was starting to get choked up.

“Adrian, I love you.”

“I love you too-“

“Then don’t break up with me!” You cut him off.

“I have to!”

“Why?!”

“I need to keep you safe!” He raised his voice at you. He’d never raised his voice at you like that before. You started crying.

“Why don’t I get a choice?! What about what I want?! Shouldn’t it be my choice?! Adrian, I don’t give a fuck if it’s dangerous! Before I met you my life was awful! I was a freak! You are the only person who makes me feel like I can be my fucking self! You are the only person I don’t feel like a fucking inconvince around! The only one who understands me! Why can’t we just have this one fucking thing?!” You yelled.

He laughs through the few tears that had just started falling down his cheeks. “That’s what I said.” He sighs, sitting on the couch, wrapping you in his arms. “I’m sorry.“

“Please don’t leave me. You’re my entire world.”

“I may be your world, but you’re my sun, I live for you- because of you. There would be nothing without you. Nothing.” He kisses you on the forehead.

“So, don’t break up with me.” You were pleading quietly through your tears at this point.

“I’m sorry. I don’t wanna say I was eavesdropping, but I was totally eavesdropping. If you’re worried about them being safe I think I can help.” Leota entered the doorway again.

“How?” Adrian asked.

“Well, I have my wife set up in a safe house right now while things are a little extra sticky. Sometimes things get lonely. I bet she’d love a new roommate.”

“Adebayo, are you serious right now?”

“Very serious, Adrian.” She smiled.

“Oh my god I could kiss you.”

She laughs at his comment. “Don’t kiss me. I’m married. Go kiss your partner who you’re not breaking up with and don’t tell Harcourt about this.”

“I won’t.” He smiles.

“Okay, now I think you should really take her advice and kiss me.” You smile up at him, kissing him.

“Okay, lovebirds. I’m gonna go distract buzzkill 1 and buzzkill 2 downstairs. I’ll let you know if you’re needed.” She smiles, leaving you to alone.

“I can’t believe you almost broke up with me.”

“Yeah that would have been stupid.”

“Really stupid.” You added, both laughing. “I love you more than anything.”

“I love you too more than anything.” He said. You both smiled, kissing. You snuggled deeper into him and started a discussion about the logistics of how you would navigate this new adventure.

[chemicallywrit]

Happy Audio Drama Sunday! I heard so many good shows this week, let’s goooooo

🥃 I started listening to @breakerwhiskey this week, and I’m on episode 21 (which is nothing, it’s microfic), and it is so compelling. Lauren Shippen said in episode zero that she misses the improvisational feel of early audio dramas and that really comes through in this show—the wandering of the story reflects the wandering of Whiskey herself. I can’t wait to see what happens next.

🎵I am not alone in my reaction to the new season of @hellofromthehallowoods, which I think goes something like, “Wh—who—but—Arnold?????” (Seriously, Arnold???) but I love a mystery, and I love how linear this season is starting out. I’m sure that it’ll all get more complicated soon.

💔 Have you all heard Josie’s Lonely Hearts Club? It’s a call-in advice show from a fictional radio station and it is HILARIOUS. Until this last episode, which got SAD. It's a partially improvised show, so the whole thing feels so incredibly human and it always hits. Please listen, more fictional advice shows all around.

🐺 The Midnight Burger/The Amelia Project crossover was exactly as delightful as I expected. We got two shows that love historical figures and putting people in the deep freeze. What could go wrong! Absolutely nothing. With a crossover episode I always wonder if there will be enough character interaction to slake my insatiable character dynamic thirst and for this one I definitely think there was.

🍺 Inn Between dropped an episode of Dragon’s Rest on their feed this week, and I'm here to say that we did that because it's frikkin hilarious. This last episode was so good, especially with Shax trying to talk to a bartender and the bartender getting mad that Shax was complaining about her friends and not having a professional business conversation. I love you, southern-sounding bartender, and I love you Shax.

🩸Hemophobia continues to scare the heck out of me. This series, Camp Havenside, ended exactly how I expected it to, with the extra twist of that horrible half-possessed state Sam is in. Lordt. Listen to this show. Mind the content warnings. Then like, message me about it, it has taken permanent residence in my brain.

🎭 Oh Malevolent, you never disappoint me. I adore the twists the season finale took, and the real danger Arthur and John were in had me on the edge of my seat. How are we gonna get outta this one boys! Frikkin Kayne.

💎 As it ever is, @kingmakerpod was a blessing visited upon my podcatcher. Oh man though, Lucas Lando, what a scuzbag. Like maybe the worst villain yet in this series for me, and I'm including the psychic child. Lando's just unsavory. The action scenes in this episode were excellent, and I love the use of Pocket Cinnamon. For a minute when they were looking for things in the barn that don't conduct electricity, I was very worried for the cows. Honestly now a little surprised they didn't explode a cow. Hey guys, why didn't you explode a cow?

🌈 I've been listening to this actual play, @ourstoriedinsight, and it's about all the typical actual play stuff--a party of misfit adventurers, thrown together by circumstance, trying to stop the end of the world. What stands out about this one is its wonderful sound design and its tone--it's so introspective and kind. The characters are great too. I would die for Vishakapar. If you like an actual play and you don't want to wait for it to get really good, please check out Our Storied Insight.

As for personal news, boy oh boy am I working hard on the Dead! Pray for our recording schedule these next couple weeks. As for Inn Between, we'll be putting up an episode this week that is a true banger, I hope you like it.

That's it for me this week! If you like what I do, send me a tip!

[lady-of-ocs]

hey babe guess who finished season two

I DID! I DID!

I’m HYPED AS FUCK TO SEE THE SHIRATORIZAWA MATCH. And disappointed to discover there’s only ten episodes this season. I’m already half done with the series help-

I mentioned that I’ve been on my winter break and haven’t been posting my reactions, but I’ve been watching! And oh, OH OH OH, I HAVE THOUGHTS.

Let’s get my favorite scene from today’s episode out of the way:

Please observe the cuties. I love them, each and every one. Someone fucking sedate me. lmao look at Kags fighting demons back there.

So I scrolled back through my notes and read through to get my big points or exclamations. In order of the episodes since the one after Daichi’s death:

THE SCENE WHERE UKAI FUCKING THREW TAKEDA OFF THE BENCH TO SAVE HINATA FROM CRASHING WAS A DELIGHT TO WATCH. Look at that man fly! How much do these benches weigh because I know at my high school they weren’t super heavy but I’m pretty sure you usually grabbed them from the middle at least (just to balance the weight). I don’t know. He’s just a good coach and I appreciate him. RIP Takeda say hi to Daichi for me

Daichi lives!!! Obviously I knew that already but it was good to see him back! I wasn’t totally sure how many matches he’d be out for, but I’m glad he was back for the Seijou match. No shade to Ennoshita but I don’t think Karasuno would’ve won without Daichi. Also RIP the rest of Daichi’s body because Suga and Nishinoya fully attacked him when they saw he was okay

The Seijou-Date Tech match was wild to see too. KOGANE!!! I know you only vaguely but I love this giant boy already. He’s trying his hardest, alright! And it’s always good to see Aone! This man is one of my favorite giants in the show. He’s a silent sweetie. But anyway, the match itself was ooooooh. Not Asahi calling Oikawa a “cool cat” in the English dub- I love this man. I need to marry this man. I obviously knew Seijou was gonna win but PIERCING THROUGH THE IRON WALL HOLY SHIT. IWAIZUMI HAJIME THE MAN THAT YOU ARE-

As I’ve mentioned several times, I’m a Tsukkiyama enjoyer. But that Tadashi and Yachi scene was adorable, alright. Bless my babies and the hands that drew them into existence. I love my anxiety children, they just like me fr fr

OH ALSO I FORGOT ABOUT THIS AND IDK WHAT EPISODE IT’S FROM BUT THE LITTLE MOMENT WHERE THEY SCORE A POINT OR SOMETHING AND ASAHI LIFTS HINATA UP LIKE IT’S NOTHING? I need to lie down.

I love how Seijou is this big shot team with seemingly no-nonsense players but they are entirely unserious. That one guy trying to get Yachi’s attention by tossing a ball in her direction and then running after it? Comedy gold. Hajime and the other two third years picking on Oikawa about his serves? Friendship at its finest (I love them). Mad Dog not listening to Oikawa for almost the entire match? Only respect for my rowdy king who I now ship with Seijou’s number six. I read a fic for them last night and enjoyed it very much, thank you. Iwaizumi being the only person (until 6 confronts him) who Mad Dog respects because he’s the only one who can beat him? Love this pack dynamic. They’re so unserious and they seriously grew on me in this match (and the last one, but that was lessened by them beating Karasuno).

Serious expressions >:| Except for Noya because of course not. An agent of chaos. A short king

I spent a lot of time in the Seijou match just screaming and flailing about. There were some wicked cool plays in this game. Asanoya did their own attack (Noya setting to Asahi and him spiking it), Tsukki had some incredible blocks, Daichi was digging up balls all over the place, Kagehina and their fucking quick attacks, just Hinata on his own, SUGA’S BIG PLAY OH MY GOD, Tanaka had a lot of great moments and I was right there screaming with Saeko, aND WE CANNOT FORGET THE BOY HIMSELF: MY DEAREST YAMAGUCHI AND HIS MANY SERVICE ACES. I WAS SO FUCKING PROUD OF HIM LOOK AT HIM FUCKING GO OH MY GOD. He brought us back from the dead and I was HYPED. AND HE AND SUGA WEREN’T THE ONLY ONES WITH GREAT SERVES. ASAHI GOT HIS SERVICE ACE TOO LET’S GOOOOOO!!!

*singsong voice* Oikawa’s serves fucking scare me. And while we’re at it so do Mad Dog’s unholy spikes. Nah but seriously. Oikawa would go up to serve and I’d be sitting here like “I hear boss music. Why the fuck do I hear literal boss music.”

There were some really great Tsukki-encouraging-Yamaguchi-but-in-the-way-that-only-Tsukki-can moments in the last few episodes. Like, my Tsukkiyama heart aside, he really pays attention to Tadashi. He knew how hard he’d been working. He actively encouraged him multiple times. And Yamaguchi really gets him and they are so BEAUTIFUL. SLAMMING MY HANDS DOWN ON THE NONEXISTENT TABLE

A quote from my document: “They really cut my son off like that- Hajime I love you but HEADS GONNA ROLL” But Yamaguchi’s serve was legitimately ART. If Iwaizumi were even a fractionally worse player, Yams would have nailed that point and it would’ve been over. But unfortunately, Iwa’s an excellent ace

I was literally just vibrating through those last two plays. Shaking me to my core, my heart was racing, the whole thing. This match was bad for my health. That being said, OH MY GOD KAGEYAMA’S SETTER DUMP AND THEN HINATA GETTING THE FINAL POINT AND MANAGING TO GET IT PAST OIKAWA BECAUSE OF SEIJOU’S OWN BLOCKERS- AHHHHHHHH

nah but Seijou being so broken up over the loss actually hurt me a little. Where do I find the scene where they’re in a gym and Oikawa walks up and thanks them for the three years before everyone starts crying? Is that next season somewhere? I know it’s not in season 4 because the animation matches seasons 1-3. Also Iwa being upset at himself and his friends just smacking him on the back in silent encouragement and comfort (literally just hug each other like normal people. Fucking MEN am I right /j) just- Hajime is my favorite on Seijou. I think Oikawa is the fan favorite for them, but I like Iwazumi Hajime. That’s my guy right there.

THE GROUP KARASUNO HUG TURNED INTO A BIG PILE GOD BLESS. They have to end up in a pile once a season I guess. I also loved how much everyone was supporting them. Saeko’s enthusiasm was delightful to watch (speaking of, lucky Yachi if you know what I mean- ). And then all of those students and teachers sticking around to celebrate their win!! My boys are getting the recognition they deserve! Except from the news but that’s not surprising.

I have ten episodes to become endeared to Ushijima and Shiratorizawa (aside from Tendou who I already love). We will see how I feel. But when that confrontation between Ushijima and Oikawa happened I was just like YOU FUCKING TELL HIM TŌRU. GET HIS ASS. NOW STRUT OFF LIKE THE BAD BITCH YOU ARE- YEAHHHHHHH

I love the fact that Hinata and Kageyama stayed to practice more. That’s just so very them. Thems my idiot sons. And Yachi is just a victim to their magnetic enthusiasm. And the little fist bump at the end!!! They’re so cute. Besties. Boyfriends, even. BOYS THAT CONFRONT USHIWAKA TOGETHER STAY TOGETHER WOOOOO

Idk if I’ll make another of these immediately but I’ll definitely make one when I finish season 3! Good seeing you all! Be back soon!

[wanderlust-in-my-soul]

Oh this is going to hurt... a lot.

I should be worried if the first thing I do after an episode isn't open Photoshop. Normally, I would now recall the best scenes of the series and decide on a set… But not today, even though I have the time. I once wrote that when a series can no longer catch me, you can tell by the fact that I stop making gifs… Okay, sometimes I just don't have the time. But today… I wouldn't even know which scene to choose, because there was nothing that got me, nothing that excited me and nothing that I felt emotional connected to. Instead, I have a lot of thoughts in my head that all want to get out somehow.

After the over-emotionalization of the last episode, I had actually already given up on Last Twilight. And that really hurts to admit. I loved the series from the very first second and I just thought it was so good! The problem for me was that they tried to just touch the audience's tear triggers, their emotions, all of them. And they forgot that too much of a good thing is simply not good. For me, episode 11 was right on the edge of what was bearable and I still don't think Day did the "right" thing. You're allowed to argue in a relationship and hold different opinions and then talk about why you hold a certain point of view, for example. If the other person can't deal with it, if you can't find a compromise, then you have to take the consequences, yes. But that wasn't even done here.

Day insinuated that Mhok pitied him, didn't listen to Mhok's side and today we learn that Mhok really only felt pity? Really? And that he is happy Day broke up with him so he could grow? Really? That is so fucking stupid. Day has problems with pity, that's understood and ok, but it's also ok for Mhok to make his own priorities in life and decide for himself not to want to leave, but to stay with the person he loves. But Day took that decision away from him. They could have talked about it. Different perspectives can also make a big difference. But no. Day pushes Mhok away and Mhok lies to Day… But back to tonight's episode. I was actually done with last week (yeah nope, I know). You can see that they tried to find a highly emotional ending that everyone seems to agree with and can cry into their handkerchiefs. The number of fuck yous I hurled at my laptop today shows me that the trick didn't work on me. It was all so over-emotionalized that it just felt fabricated and fake. And that's so sad, because the show felt so fucking real until episode 10. And now it was a weird cliché-ridden cringe-fest.

Honestly, if I had been dumped like Mhok and then ignored for three years, the time I spend thinking about that person would be really wasted. I'd be so fucking angry (probably not anymore after three years, I just wouldn't care). But Mhok immediately starts flirting. They pick up where they left off, but there's three years and thousands of kilometers between them. Unrealistic for me. And then Mhok just carries on, whispering to Day about what's happening and what's going on and just acting like his boyfriend again, holding his hand, helping him get dressed, showing him where everything is. I was a bit surprised that he didn't feed him. And Day is confused and just smiles. I think as a viewer I was the only person who was angry at the end. There were no bad emotions. Nothing. And that felt so fucking wrong!

And then comes the wedding and talk of second chances and of course Day says no because he's too scared someone will take pity on him. Yeah, fuck man, shit happens. and Mhok can't or won't give up. An emotional chase begins and the bride and groom leave their own wedding for the two of them and I lost faith in everything. And of course the plane is gone and of course they're all checked in because the passport was scanned and of course Mhok turned around and went back and of course he clued Night in and of course they end up doing the same dance they did back then and of course the family watches them get back together. And of course the series ends with a bunch of sugary sweet scenes from "call me mom" to sunset and let's repeat this most beautiful and heartbreaking moment from the past epsiode without any emotional impact. It was so predictable and so, I'm sorry, so bad. I'm so angry! And of course he gets his sight back. After all, what kind of a message would it be if Day remained blind? Is that possible? That a blind protagonist can find happiness and love and lead a successful life? No, it's not possible. He has to be able to see again. He has to become normal again in order to lead a normal life. What a shitty message! Damn!

Sometimes less really is more. Not everything has to be perfect and normal. At least that's the lesson I thought I should learn from this series.

If anyone has any gif requests, my inbox is open, but I don't think I'll be making any on my own. At least not today and not with this anger in my stomach.

[windybreeze12]

I am so very late sksksksk but you have asked, and I shall provide. Welcome to today's episode of A Fangirl's Analysis of DBD and today we have:

Edwin and The Cat King

okay now listen to me. I love payneland so much. I think they're amazing both romantically and platonically. BUT GOD THESE TWO.

I am very sick and tired of people trying to hate on this pair because honestly it's like we didn't watch the same damn show. Yes he's old beyond comprehension and yes he is very much attracted to Edwin (and to an extent vice-versa) but yall are completely overlooking the fact that without the Cat King and his infatuation with Edwin, most of the things that happened in DBD wouldn't have happened. Dare I say, all of the events of DBD.

Yes, it was the Cat King who was also the reason for the boys to go through all the events both good and bad but can we please stop forgetting that he also actively (actively) tried his best to help Edwin (and Crystal and Charles by association).

And can we also please stop overlooking the fact that even though Edwin is a teenager in a physical sense, he is very much emotionally, mentally, and in every other way, a hundred years old. Now, if Edwin were still as emotionally mature as a 16 year old, there would some ethical issues but we can very well see that this is not the case.

I find the Cat King to be a wildly interesting character. A fun sort of anti-hero if you will. A mischievous, fun-loving, playful and flirtatious character who's pining led to his boo being sent to hell (which honestly i find hilarious). Despite his sort of unpredictable nature, he still has a strong moral code and follows through with it. And we can also see that he is actively trying to woo Edwin like mans is showing up with vital pieces of information and saving Edwin just so he'll like him back. He's absolutely pathetic and I love him.

I love love love the last interaction we get between Edwin and the Cat King when he gives Edwin the lilies in honour of Niko. In that scene, it's subtle but clear that both characters have changed. It's obvious that Edwin has changed but it's also obvious that the Cat King has changed. Rewatching that scene i just keep finding new things and UGH. One important thing that stood out for me were the increasingly soft smiles he gave Edwin. These were less flirtatious and more understanding. Like he had already come to terms with the fact that Edwin would be leaving and mostly likely would have a different romantic path (maybe Charles) than him. Yes he is still very much a flirt and still trying to woo Edwin (because characters dont change like that overnight) but he does so with respect and boundaries. When Edwin didn't go in to hug him, he backed away. It's also super fun noticing how the Cat King kept freaking glancing at Edwin's lips when he was talking about how lonely they are.

And at the very end, when Edwin told him that he forgot to count himself, the smirk the Cat King gives Edwin is much less flirtatious and much more like the kind of smirk that someone would give when seeing someone as an equal.

Overall, I find Edwin and the Cat King's relationship to be extremely intriguing and very interesting to talk about and your honour, I love them.

Wanna see more interest dynamics like this? WATCH DEAD BOY DECTECTIVES!!! It's got dynamics like this and more and it DOES NOT deserve to be cancelled so please please PLEASE go watch it <3