#the golden brio

[riordanverserpdatabase]

Head Counselor: Kat Carter @cabinseventheaterchick

Apollo's Sacred Cow @cow-an0n

Andrea Rivera @the-golden-childofthesun

Andrew Silas @andrew-champion-of-heartbreak

Archer Penthia @daughterofthesunandtheatregod

Aria Pane @aria-pane

Asher Reid @a-poetic-apollo-kid

Aster Atlas @y0urlocalhalf-bl0od

Audie @lady-ariadne-of-milan

Augustine Emmerson (Free Therapist) @official-therapist-chb

Blaze Daylight @Chaotic-child-of-apollo

Brio (or BJ, or Birdie) @birdie-jay-07

Cameron Flux @thanatoss-favorite-demigod

Camilla Dawn Lewis @one-of-apollos

Cass @daughter-of-apollo7

Dawn Lovelace @dawn-lovelace

Darcy Rivers @mentally-stable-child-of-apollo

Ezra @apollosfavoriteplaylist

Gracie @another-apollo-daughter

Gracelyn Cirillo @rotten-ray-of-sunshine

Hyacinth, (Cinth) @namesake-ofhyacinthus

Irene St. James @iwillsarcasmthemonstersaway

Julie Beaufort-Stuart @lady-of-midnight-son

Kayla @apollos-favorite-child

Kieran @kieran-nolastname

Kofi @yeah-im-a-daughter-of-apollo

Kore @kore-pythia-hayashi

Lathi/Lathu @lathuuuuuuui

Lavender (Thistle) @the-gods-abandoned-us

Lexi @the-amazing-life-of-lexi

Marley Elizabeth Dunne @phrophetic-child-of-apollo

Mino @apollos-child-of-sunshine

Mireya @mireya-the-awkward-extrovert

Onyx Ray Solace @apollos-weirdest-child

Ollie and Miya @apollos-twins

Ophelia @daughterofthesun-chosethemoon

Peisha @peishathedemigod

Penelope @archery-and-musicals

Peyton @peyton-is-cool

Reese @daughter-ofthe-sunlight

Sage Emerson-Soleil Bosley @apollossage

Serene Zhang @arisdaughter

Snow @snow-white-sunlight

Sunshine Phoebe Sinclair @apollos-tone-deaf--child

Taylor Bowen @glowy-cool-girl

Zahra @that-smart-apollo-kid

Zephyr Lourwood @zephyrdaughterofapollo

Graphics are provided by @animatedglittergraphics-n-more

[maveys-baby]

I have a head canon that Mare and Cal have a ton of pets in the future- they've both always wanted pets but Mares main dream was a cat but Cal was allergic so they get teased about that. She has a raccoon though.

Dog (Roz - also an emotional support dog)

Raccoon (Brio - Mare was in the woods one day doing scouting and it just started following her, Cal thinks it's perfect since he always referred to her as a raccoon with her kleptomaniac self- he and Brio have beef though)

Two chinchillas (Dawn and Hesper - Cal always wanted chinchillas growing up because they were one of Julians favorite animals and his love for them carried down to him)

A skunk (Really this isn't an actual pet but it shows up in their backyard and they made friends with it. They call him Badger because Cal thought it was a badger looking at it from a distance at first)

A black cat that doesn't stay at the house but roams around the area of their workplace and Mare always says hi to it (People everywhere call her Sunset - I got the name from a head canon I saw once)

Thoughts? Sorry for all the reading

You are a visionary because a raccoon makes SO MUCH SENSE for Mare omg.

This actually makes a lot of sense because Mare strikes me as a black cat person whereas Cal has golden retriever/puppy energy. I love how you named all of them, that's so cute🥹 Plus Cal mistaking the skunk for a badger is so spot on for his character lmao he totally would. Chinchillas are also right up their alley. I feel like Mare would totally be down for more "exotic" pets like snakes or sugar gliders.

Idk why but now that I'm thinking about it, I could also see them getting a few chicken for the eggs, but Cal is afraid of birds so Mare has to handle them.

[pynkhues]

I know you said you have a lot of GG prompts already but, if you’re feeling inspired, I’m so curious what you’d come up with for brio: 28 feeling for each other in the dark

L for the minifics being: a stolen kiss.

Our Endless Numbered Days Beth x Rio. NBC Good Girls. 6k words. M. -

For a minute, it’s hard to see the source of the blood, rivulets running down the thin lines of his abs, pooling in the hollow of his belly button. It smears red across too much of him, and Beth has to lean in a little closer until the metallic scent of blood hits her nostrils and it’s all she can smell. She curls her hair behind her ears, traces her gaze until she finds the wound that’s still weeping. A round little puncture about the size of a watch face, a newborn’s yawning mouth, a golden dollar, in the normally honeyed skin at the edge of his left hip.

Beth exhales, and she’s close enough it hits his side, if the shiver that runs through him is any indication, and she shifts back onto the couch as she looks back up at him. -

A blackout rolls over the city and Rio shows up at Beth's in need of a little care. Set post-s4.

[askwhatsforlunch]

Beignets

These beautifully golden, light and fluffy Beignets are part of a favourite dish Dad has cooked for us since we were little. And I distinctly remember Jules and I would fight for the last one! More often than not she'd win, for I'd be inclined to share and halve it, and she would just pick it up and gobble it up. Today, Dad and I made these together, and I'm really happy with the result (and since Jules has returned home, I ate the last one!)

Ingredients (makes about 3 dozens):

1 tablespoon active dry yeast

1/4 cup lukewarm water

500 grams plain flour

1/2 cup caster sugar

1 teaspoon salt

1 tablespoon Vanilla Sugar

2 tablespoons sunflower oil

1 1/4 cup water

1 litre/4 cups sunflower or vegetable oil

In a small bowl, combine yeast and water. Give a stir, cover with cling film, and let sit, 10 minutes, until foamy.

In the bowl of an electric stand mixer, with the hook attachment fitted, combine flour, sugar, salt and Vanilla Sugar. Beat on medium speed until combined.

Add sunflower oil and half of the water in the middle of the dry ingredients, and start beating again, on medium speed, until a soft dough starts coming together.

Add yeast mixture and, gradually increasing speed to high, gradually pour in remaining water (you may not need all of it, or may need more), until you have a smooth and slack batter, a bit thinner than a brio dough. Scrape the sides with a spatula to make sure it's all well-combined.

Cover bowl with cling film, and place in a warm, draught-free place. Allow dough to rise, at least a couple of hours, until doubled in size.

Heat sunflower oil in a large pot.

Pour water in a small bowl.

Wet your (clean) hand in the water, and scoop about a tablespoonful of the risen batter, on the side of the bowl with it.

Carefully drop it in the hot oil. If it rises up quickly, drop a few more tablespoonfuls of the batter, so you have about 6 to 8, depending on the size of your pot (they need a bit of room to expand).

Flip them on each side with a wooden spoon, until golden brown all over. If they colour too quickly, reduce heat to medium. Using a slotted spoon, transfer to a shallow plate lined with paper towels and repeat until all Beignets are fried, keeping those which are ready warm. 

Eat Beignets hot, as they are as a snack, or sprinkled with sugar or Cinnamon Sugar. Or enjoy them as they're meant to, as a side to a fragrant and spicy Bean Sauce!

[patritxi]

Tagged by @eruherdiriel . Thank you so much! 🤗💕

shuffle your favorite playlist and post the first ten songs that come up.

1. Street Life - Roxy Music

2. The Lonesome Death of Hattie Carroll - Bob Dylan

3. Natural Ghost - Ryan Adams & The Cardinals

4. Sister Golden Hair - America

5. Symphony n°5 in C Minor: I. Allegro con brio - Ludwig van Beethoven

6. In My Time of Dying - Led Zeppelin

7. Highway Tune - Greta van Fleet

8. Don't You (forget about me) - Simple Minds

9. Instant Karma! (We all shine on) - John Lennon

10. Won't Get Fooled Again - The Who

Tagging, if you want to play, @lavenderfroggy , @jenster21 , @sweetaprilbutterfly and @cellsshapedlikestars 😉

[werewolvesandaccordions]

Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward structure and making sure the musical components are “functioning” in a logical way. Take the old form, and make something new out of it. Brahms had preferred that view to the newer Romantic school of thought favoring free-form and new forms created by the musical ideas themselves. Because of that, Brahms will always be the old scruffy severe German looking down at you from his wizened beard. Tangential, but I’ve talked with people who don’t like Brahms and they seem to come from this popular image: “Old fashioned”, dull, too theoretical, no good melodies, and (one extreme opinion) not truly “artistic”. But if we ignore the baggage of academicism and the symphony as a serious genre for developing complex musical thoughts, we should be thrown at the edge of our seats from the sound of the orchestra, and the long emotional melodies that people say aren’t there. I’ll take a moment to be more personal: I was surprised to find out that I’d made blog posts about the other three Brahms symphonies, but not this one. It was the first one that I fell in love with way back in high school. I remember listening to it and imagining knights in armor and large gothic castles. Brahms would turn in his grave. I got the idea from the bold and majestic opening movement. It begins with a statement of F-Ab-F, standing for Brahms motto “Frie aber froh”, Free but Happy. Somewhat leaning toward the 19th century trend of cyclical works, this symphony’s opening idea comes back in later movements as well. The motto of free but happy seems to radiate strongest in this opening movement. My favorite moment here is when the music quiets down a bit and teh flutes and bassoons play a an arabesque-like wavy melody over the strings fragmenting the same material, growing into a loud and stormy proclamation with chromatic lines (a very “Romantic” sound from a ‘Classicist”). The andante builds out of a chorale theme introduced in the winds. This more pastoral sound reminds us that this was a “vacation” work written while he was staying by the Rheine in Wiesbaden. The next movement, despite the unassuming title ‘poco allegretto’, has one of the more gorgeous melodies Brahms had written. It sings out of the cello and is punctuated by longing harmonies. Typical of Brahms, these harmonies are written out through counterpoint of fragments based off the contour of the melody. The last movement brings back the heaviness of the opening through a modified sonata. In the minor, it opens with a long and somewhat bouncy melody that could be like a Bach fugue subject. The music builds up energy into more drama, before shifting right into the “happy” counter melody. You could imagine this theme coming back with golden brass chorales. Instead, despite the dizzying effects done with the themes, and the noisy development that doesn’t let up in tension, the piece starts to sizzle up in agitated strings. A soft chorale brings back the opening motif, and then the symphony sighs away into a soft F major chord. Movements: Allegro con brio Andante Poco allegretto Allegro – Un poco sostenuto

mikrokosmos: Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward…

[sewamobildimalang]

liburan ke malang tapi ngga ada kendaraan? ini dia solusinya

Pilihan Rental Mobil Terbaik di Kota Malang untuk Liburan Anda Kota Malang adalah salah satu destinasi wisata favorit di Jawa Timur. Dengan keindahan alam, wisata kuliner, dan tempat rekreasi yang beragam, memiliki transportasi yang fleksibel adalah hal penting untuk menjelajahi kota ini. Salah satu solusinya adalah menyewa mobil dari agen rental terpercaya. Berikut beberapa rekomendasi agen rental mobil di Malang yang bisa menjadi pilihan Anda

Rental Mobil Malang Official Rental Mobil Malang Official adalah salah satu penyedia rental mobil di Malang yang terkenal dengan layanan profesional dan harga bersahabat. Layanan mereka meliputi: Sewa mobil harian, mingguan, dan bulanan. Antar-jemput bandara Abdul Rachman Saleh dan stasiun.

Pesona Malang Tour Pesona Malang Tour merupakan tempat penyewaan mobil yang terletak di Jl Danau Bratan Timur VI No. D25, Sawojajar, Malang. Garasi Angel ini menyediakan berbagai macam pilihan unit, mulai dari mobil yang kecil hingga besar, diantaranya yaitu: Brio, Agya, Innova Reborn, Avanza, Xenia, hingga Hiace/Elf. Kalian juga bisa memilih transmisi sesuai kebisaan dan kebutuhan, tesedia matic dan manual. Untuk mengetahui update tiap harinya kalian bisa kunjungi instagram mereka di @rentalmobilmalangofficial atau @pesonamalangtour dan kalian bisa booking atau tanya-tanya lewa nomor berikut 081359774661. Pilihan mobil terbaru dengan fasilitas lengkap. Driver berpengalaman untuk perjalanan wisata atau dinas.

Malang City Rent Car Malang City Rent Car menyediakan layanan rental mobil dengan proses pemesanan yang mudah dan cepat. Agen ini menawarkan: Mobil-mobil dalam kondisi prima seperti Avanza, Ertiga, dan Innova. Layanan 24 jam untuk darurat perjalanan.

Bromo Holiday Rent Car Agen ini terkenal dengan spesialisasinya dalam paket wisata alam, seperti Bromo dan Malang Selatan. Beberapa layanan unggulannya adalah: Sewa mobil termasuk driver yang sudah memahami rute wisata. Paket khusus wisata Bromo sunrise. Pilihan kendaraan seperti Hiace dan ELF untuk rombongan besar.

Golden Malang Rental Golden Malang Rental memberikan pengalaman berkendara yang nyaman dengan armada terbaru. Agen ini menawarkan: Fleksibilitas pilihan kendaraan mulai dari city car hingga SUV. Layanan antar jemput gratis untuk wilayah Malang Kota. Tips Memilih Agen Rental Mobil di Malang Cek ulasan online: Pastikan agen rental memiliki ulasan positif dari pelanggan sebelumnya. Sesuaikan kebutuhan: Pilih kendaraan sesuai dengan jumlah penumpang dan jenis perjalanan. Tanyakan layanan tambahan: Beberapa agen menyediakan fasilitas GPS, kursi bayi, atau paket wisata dengan driver. Periksa kebijakan lepas kunci: Jika ingin menyetir sendiri, pastikan Anda memenuhi syarat dokumen seperti KTP dan SIM. Dengan pilihan rental mobil yang beragam, Anda bisa menikmati keindahan Kota Malang dengan lebih nyaman dan fleksibel. Pastikan untuk memesan mobil jauh-jauh hari, terutama di musim liburan, agar Anda mendapatkan kendaraan yang sesuai kebutuhan.

[jasasewamobilmalang]

Sewa Mobil di Kota Besar: Solusi Praktis untuk Mobilitas Anda

Pilihan Rental Mobil Terbaik di Kota Malang untuk Liburan Anda Kota Malang adalah salah satu destinasi wisata favorit di Jawa Timur. Dengan keindahan alam, wisata kuliner, dan tempat rekreasi yang beragam, memiliki transportasi yang fleksibel adalah hal penting untuk menjelajahi kota ini. Salah satu solusinya adalah menyewa mobil dari agen rental terpercaya. Berikut beberapa rekomendasi agen rental mobil di Malang yang bisa menjadi pilihan Anda

Rental Mobil Malang Official Rental Mobil Malang Official adalah salah satu penyedia rental mobil di Malang yang terkenal dengan layanan profesional dan harga bersahabat. Layanan mereka meliputi: Sewa mobil harian, mingguan, dan bulanan. Antar-jemput bandara Abdul Rachman Saleh dan stasiun.

Pesona Malang Tour Pesona Malang Tour merupakan tempat penyewaan mobil yang terletak di Jl Danau Bratan Timur VI No. D25, Sawojajar, Malang. Garasi Angel ini menyediakan berbagai macam pilihan unit, mulai dari mobil yang kecil hingga besar, diantaranya yaitu: Brio, Agya, Innova Reborn, Avanza, Xenia, hingga Hiace/Elf. Kalian juga bisa memilih transmisi sesuai kebisaan dan kebutuhan, tesedia matic dan manual. Untuk mengetahui update tiap harinya kalian bisa kunjungi instagram mereka di @rentalmobilmalangofficial atau @pesonamalangtour dan kalian bisa booking atau tanya-tanya lewa nomor berikut 081359774661. Pilihan mobil terbaru dengan fasilitas lengkap. Driver berpengalaman untuk perjalanan wisata atau dinas.

Malang City Rent Car Malang City Rent Car menyediakan layanan rental mobil dengan proses pemesanan yang mudah dan cepat. Agen ini menawarkan: Mobil-mobil dalam kondisi prima seperti Avanza, Ertiga, dan Innova. Layanan 24 jam untuk darurat perjalanan.

Bromo Holiday Rent Car Agen ini terkenal dengan spesialisasinya dalam paket wisata alam, seperti Bromo dan Malang Selatan. Beberapa layanan unggulannya adalah: Sewa mobil termasuk driver yang sudah memahami rute wisata. Paket khusus wisata Bromo sunrise. Pilihan kendaraan seperti Hiace dan ELF untuk rombongan besar.

Golden Malang Rental Golden Malang Rental memberikan pengalaman berkendara yang nyaman dengan armada terbaru. Agen ini menawarkan: Fleksibilitas pilihan kendaraan mulai dari city car hingga SUV. Layanan antar jemput gratis untuk wilayah Malang Kota. Tips Memilih Agen Rental Mobil di Malang Cek ulasan online: Pastikan agen rental memiliki ulasan positif dari pelanggan sebelumnya. Sesuaikan kebutuhan: Pilih kendaraan sesuai dengan jumlah penumpang dan jenis perjalanan. Tanyakan layanan tambahan: Beberapa agen menyediakan fasilitas GPS, kursi bayi, atau paket wisata dengan driver. Periksa kebijakan lepas kunci: Jika ingin menyetir sendiri, pastikan Anda memenuhi syarat dokumen seperti KTP dan SIM. Dengan pilihan rental mobil yang beragam, Anda bisa menikmati keindahan Kota Malang dengan lebih nyaman dan fleksibel. Pastikan untuk memesan mobil jauh-jauh hari, terutama di musim liburan, agar Anda mendapatkan kendaraan yang sesuai kebutuhan.

[sewamobilkotamalang]

Pilihan Terbaik Rental di Kota Malang

Pilihan Rental Mobil Terbaik di Kota Malang untuk Liburan Anda

Kota Malang adalah salah satu destinasi wisata favorit di Jawa Timur. Dengan keindahan alam, wisata kuliner, dan tempat rekreasi yang beragam, memiliki transportasi yang fleksibel adalah hal penting untuk menjelajahi kota ini. Salah satu solusinya adalah menyewa mobil dari agen rental terpercaya. Berikut beberapa rekomendasi agen rental mobil di Malang yang bisa menjadi pilihan Anda

Rental Mobil Malang Official

Rental Mobil Malang Official adalah salah satu penyedia rental mobil di Malang yang terkenal dengan layanan profesional dan harga bersahabat. Layanan mereka meliputi:

Sewa mobil harian, mingguan, dan bulanan.

Antar-jemput bandara Abdul Rachman Saleh dan stasiun.

2. Pesona Malang Tour

Pesona Malang Tour merupakan tempat penyewaan mobil yang terletak di Jl Danau Bratan Timur VI No. D25, Sawojajar, Malang. Garasi Angel ini menyediakan berbagai macam pilihan unit, mulai dari mobil yang kecil hingga besar, diantaranya yaitu: Brio, Agya, Innova Reborn, Avanza, Xenia, hingga Hiace/Elf. Kalian juga bisa memilih transmisi sesuai kebisaan dan kebutuhan, tesedia matic dan manual. Untuk mengetahui update tiap harinya kalian bisa kunjungi instagram mereka di @rentalmobilmalangofficial atau @pesonamalangtour dan kalian bisa booking atau tanya-tanya lewa nomor berikut 081359774661.

Pilihan mobil terbaru dengan fasilitas lengkap.

Driver berpengalaman untuk perjalanan wisata atau dinas.

3. Malang City Rent Car

Malang City Rent Car menyediakan layanan rental mobil dengan proses pemesanan yang mudah dan cepat. Agen ini menawarkan:

Mobil-mobil dalam kondisi prima seperti Avanza, Ertiga, dan Innova.

Layanan 24 jam untuk darurat perjalanan.

4. Bromo Holiday Rent Car

Agen ini terkenal dengan spesialisasinya dalam paket wisata alam, seperti Bromo dan Malang Selatan. Beberapa layanan unggulannya adalah:

Sewa mobil termasuk driver yang sudah memahami rute wisata.

Paket khusus wisata Bromo sunrise.

Pilihan kendaraan seperti Hiace dan ELF untuk rombongan besar.

5. Golden Malang Rental

Golden Malang Rental memberikan pengalaman berkendara yang nyaman dengan armada terbaru. Agen ini menawarkan:

Fleksibilitas pilihan kendaraan mulai dari city car hingga SUV.

Layanan antar jemput gratis untuk wilayah Malang Kota.

Tips Memilih Agen Rental Mobil di Malang

Cek ulasan online: Pastikan agen rental memiliki ulasan positif dari pelanggan sebelumnya.

Sesuaikan kebutuhan: Pilih kendaraan sesuai dengan jumlah penumpang dan jenis perjalanan.

Tanyakan layanan tambahan: Beberapa agen menyediakan fasilitas GPS, kursi bayi, atau paket wisata dengan driver.

Periksa kebijakan lepas kunci: Jika ingin menyetir sendiri, pastikan Anda memenuhi syarat dokumen seperti KTP dan SIM.

Dengan pilihan rental mobil yang beragam, Anda bisa menikmati keindahan Kota Malang dengan lebih nyaman dan fleksibel. Pastikan untuk memesan mobil jauh-jauh hari, terutama di musim liburan, agar Anda mendapatkan kendaraan yang sesuai kebutuhan.

Selamat menjelajahi Malang dengan nyaman!

[buxberg]

Après avoir obtenu son diplôme d'études secondaires, Washington a fréquenté l'Université Fordham, où il a d'abord étudié la médecine, puis la biologie, puis s'est intéressé au journalisme et enfin au théâtre

Denzel a joué avec brio dans de nombreuses productions de la troupe étudiante, l'un de ses meilleurs rôles étant celui d'Othello dans la production de la tragédie de Shakespeare.

Le talent et le travail acharné de Washington ont été reconnus par la bourse qu'il a reçue, qui lui a permis de poursuivre ses études à l'American Theatre Conservatory de San Francisco, malgré le fait qu'il ait obtenu un diplôme en journalisme en 1977.  Cependant, n'y ayant pas étudié pendant un an, l'acteur a quitté l'école et depuis lors, le seul endroit où il a perfectionné ses talents d'acteur était la scène de théâtre et le plateau de tournage.

Le premier rôle dans un grand film fut la comédie "Copie en négatif" de Michael Schultz (1981).  Après le succès de "Glory" (1989), Hollywood a breveté Washington comme héros d'action positive et de drame.  On avait le sentiment qu'à l'écran, Denzel ne pouvait exister que sous deux formes : soit en bon flic, soit en combattant pour les droits de l'homme. Le travail dans le film "Hurricane" (1999) est devenu une étape importante dans la carrière de l'acteur.  Le rôle en filigrane du boxeur Rubin Carter, surnommé "Hurricane", qui a passé près de vingt ans derrière les barreaux pour meurtre, qu'il n'a pas commis, a valu à Washington un Golden Globe Award, une nomination aux Oscars et le prix du Festival international du film. à Berlin pour le rôle du "Meilleur acteur".

[lesailesdespapillons]

Mémoires d'une geisha de Rob Marshall . Adaptation fidèle et transcendante du roman éponyme de Arthur Golden. La photo, la scénographie, la musique, les costumes tout y est retranscrit avec brio ! . Le destin de la petite Chiyo dans un Japon en pleine mutation, où la modernité menace les traditions, et où les traditions tentent de dépasser la modernité d'une nouvelle société commerciale et qui tend à s'occidentaliser. . La jeune orpheline aux yeux gris perle deviendra l'une des dernières geisha, artiste complète et incarnation de la grâce et de la retenue. . Quelle finesse et quelle beauté ! #cinema #film #movie #cine #realisation #acteur #actrice #play #music #souvenirsdelectures . #Repost @nordicsamurai • • • • • • “Geisha are not courtesans, and we are not wives. We sell our skills, not our bodies. We create another secret world, a place only of beauty. The very word "geisha" means artist, and to be a geisha is to be judged as a moving work of art.” Mameha (Memoirs of a Geisha) #memoirsofageisha #sayuri #geisha #zhangziyi #michelleyeoh #arthurgolden #cinema #film #cinephile #moviequotes https://www.instagram.com/p/CihZUx_qInY/?igshid=NGJjMDIxMWI=

[pynkhues]

What's a brio au concept that you wish someone would write? Also what is a trope that you wish you would see more in fics in general?

Since seeing this, that's really what I want, anon, haha.

I don't know if I have specific concepts that I want to see, but I definitely wish there were more period AUs for Beth and Rio. I think their dynamic lends so well to it, as in many ways their dynamic is most interesting, at least to me, because of the way it tangles up with gender and race and how that informs the way they both move through the world.

Dropping them into different time periods I think creates such fun opportunities to explore those themes, plus you have the added charge of breaking considered social etiquette, which is something I especially have fun with in my pirate au, haha.

But yeah, I'd love to see a Golden Age Hollywood AU, or a noir AU, or a post-WWII America AU (I toyed with one for ages with Beth as a telephone operator in a loveless marriage and Rio trying to rebuild his life after the war). There's so many stories to tell!

Trope-wise - - I pretty much like everything if it's done well, haha, but I always want more slow burn and huddling for warmth. How about you?

[dariaandjanelanefanboy]

Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward structure and making sure the musical components are “functioning” in a logical way. Take the old form, and make something new out of it. Brahms had preferred that view to the newer Romantic school of thought favoring free-form and new forms created by the musical ideas themselves. Because of that, Brahms will always be the old scruffy severe German looking down at you from his wizened beard. Tangential, but I’ve talked with people who don’t like Brahms and they seem to come from this popular image: “Old fashioned”, dull, too theoretical, no good melodies, and (one extreme opinion) not truly “artistic”. But if we ignore the baggage of academicism and the symphony as a serious genre for developing complex musical thoughts, we should be thrown at the edge of our seats from the sound of the orchestra, and the long emotional melodies that people say aren’t there. I’ll take a moment to be more personal: I was surprised to find out that I’d made blog posts about the other three Brahms symphonies, but not this one. It was the first one that I fell in love with way back in high school. I remember listening to it and imagining knights in armor and large gothic castles. Brahms would turn in his grave. I got the idea from the bold and majestic opening movement. It begins with a statement of F-Ab-F, standing for Brahms motto “Frie aber froh”, Free but Happy. Somewhat leaning toward the 19th century trend of cyclical works, this symphony’s opening idea comes back in later movements as well. The motto of free but happy seems to radiate strongest in this opening movement. My favorite moment here is when the music quiets down a bit and teh flutes and bassoons play a an arabesque-like wavy melody over the strings fragmenting the same material, growing into a loud and stormy proclamation with chromatic lines (a very “Romantic” sound from a ‘Classicist”). The andante builds out of a chorale theme introduced in the winds. This more pastoral sound reminds us that this was a “vacation” work written while he was staying by the Rheine in Wiesbaden. The next movement, despite the unassuming title ‘poco allegretto’, has one of the more gorgeous melodies Brahms had written. It sings out of the cello and is punctuated by longing harmonies. Typical of Brahms, these harmonies are written out through counterpoint of fragments based off the contour of the melody. The last movement brings back the heaviness of the opening through a modified sonata. In the minor, it opens with a long and somewhat bouncy melody that could be like a Bach fugue subject. The music builds up energy into more drama, before shifting right into the “happy” counter melody. You could imagine this theme coming back with golden brass chorales. Instead, despite the dizzying effects done with the themes, and the noisy development that doesn’t let up in tension, the piece starts to sizzle up in agitated strings. A soft chorale brings back the opening motif, and then the symphony sighs away into a soft F major chord. Movements: Allegro con brio Andante Poco allegretto Allegro – Un poco sostenuto

mikrokosmos: Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward…

[tinas-art]

Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward structure and making sure the musical components are “functioning” in a logical way. Take the old form, and make something new out of it. Brahms had preferred that view to the newer Romantic school of thought favoring free-form and new forms created by the musical ideas themselves. Because of that, Brahms will always be the old scruffy severe German looking down at you from his wizened beard. Tangential, but I’ve talked with people who don’t like Brahms and they seem to come from this popular image: “Old fashioned”, dull, too theoretical, no good melodies, and (one extreme opinion) not truly “artistic”. But if we ignore the baggage of academicism and the symphony as a serious genre for developing complex musical thoughts, we should be thrown at the edge of our seats from the sound of the orchestra, and the long emotional melodies that people say aren’t there. I’ll take a moment to be more personal: I was surprised to find out that I’d made blog posts about the other three Brahms symphonies, but not this one. It was the first one that I fell in love with way back in high school. I remember listening to it and imagining knights in armor and large gothic castles. Brahms would turn in his grave. I got the idea from the bold and majestic opening movement. It begins with a statement of F-Ab-F, standing for Brahms motto “Frie aber froh”, Free but Happy. Somewhat leaning toward the 19th century trend of cyclical works, this symphony’s opening idea comes back in later movements as well. The motto of free but happy seems to radiate strongest in this opening movement. My favorite moment here is when the music quiets down a bit and teh flutes and bassoons play a an arabesque-like wavy melody over the strings fragmenting the same material, growing into a loud and stormy proclamation with chromatic lines (a very “Romantic” sound from a ‘Classicist”). The andante builds out of a chorale theme introduced in the winds. This more pastoral sound reminds us that this was a “vacation” work written while he was staying by the Rheine in Wiesbaden. The next movement, despite the unassuming title ‘poco allegretto’, has one of the more gorgeous melodies Brahms had written. It sings out of the cello and is punctuated by longing harmonies. Typical of Brahms, these harmonies are written out through counterpoint of fragments based off the contour of the melody. The last movement brings back the heaviness of the opening through a modified sonata. In the minor, it opens with a long and somewhat bouncy melody that could be like a Bach fugue subject. The music builds up energy into more drama, before shifting right into the “happy” counter melody. You could imagine this theme coming back with golden brass chorales. Instead, despite the dizzying effects done with the themes, and the noisy development that doesn’t let up in tension, the piece starts to sizzle up in agitated strings. A soft chorale brings back the opening motif, and then the symphony sighs away into a soft F major chord. Movements: Allegro con brio Andante Poco allegretto Allegro – Un poco sostenuto

mikrokosmos: Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward…

[hushilda]

Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward structure and making sure the musical components are “functioning” in a logical way. Take the old form, and make something new out of it. Brahms had preferred that view to the newer Romantic school of thought favoring free-form and new forms created by the musical ideas themselves. Because of that, Brahms will always be the old scruffy severe German looking down at you from his wizened beard. Tangential, but I’ve talked with people who don’t like Brahms and they seem to come from this popular image: “Old fashioned”, dull, too theoretical, no good melodies, and (one extreme opinion) not truly “artistic”. But if we ignore the baggage of academicism and the symphony as a serious genre for developing complex musical thoughts, we should be thrown at the edge of our seats from the sound of the orchestra, and the long emotional melodies that people say aren’t there. I’ll take a moment to be more personal: I was surprised to find out that I’d made blog posts about the other three Brahms symphonies, but not this one. It was the first one that I fell in love with way back in high school. I remember listening to it and imagining knights in armor and large gothic castles. Brahms would turn in his grave. I got the idea from the bold and majestic opening movement. It begins with a statement of F-Ab-F, standing for Brahms motto “Frie aber froh”, Free but Happy. Somewhat leaning toward the 19th century trend of cyclical works, this symphony’s opening idea comes back in later movements as well. The motto of free but happy seems to radiate strongest in this opening movement. My favorite moment here is when the music quiets down a bit and teh flutes and bassoons play a an arabesque-like wavy melody over the strings fragmenting the same material, growing into a loud and stormy proclamation with chromatic lines (a very “Romantic” sound from a ‘Classicist”). The andante builds out of a chorale theme introduced in the winds. This more pastoral sound reminds us that this was a “vacation” work written while he was staying by the Rheine in Wiesbaden. The next movement, despite the unassuming title ‘poco allegretto’, has one of the more gorgeous melodies Brahms had written. It sings out of the cello and is punctuated by longing harmonies. Typical of Brahms, these harmonies are written out through counterpoint of fragments based off the contour of the melody. The last movement brings back the heaviness of the opening through a modified sonata. In the minor, it opens with a long and somewhat bouncy melody that could be like a Bach fugue subject. The music builds up energy into more drama, before shifting right into the “happy” counter melody. You could imagine this theme coming back with golden brass chorales. Instead, despite the dizzying effects done with the themes, and the noisy development that doesn’t let up in tension, the piece starts to sizzle up in agitated strings. A soft chorale brings back the opening motif, and then the symphony sighs away into a soft F major chord. Movements: Allegro con brio Andante Poco allegretto Allegro – Un poco sostenuto

mikrokosmos: Brahms – Symphony no. 3 in F Major (1884) Despite how often people say Brahms was a conservative (which is true to a point), I think a lot of people underestimate his intensity of expression. The volume, bombast, and sometimes theatrical or operatic drama, are all underscored by the more traditional minded attitude toward…

[jasasewamobilmalang]

Sewa Mobil Terbaik Di Kota Malang

Pilihan Rental Mobil Terbaik di Kota Malang untuk Liburan Anda Kota Malang adalah salah satu destinasi wisata favorit di Jawa Timur. Dengan keindahan alam, wisata kuliner, dan tempat rekreasi yang beragam, memiliki transportasi yang fleksibel adalah hal penting untuk menjelajahi kota ini. Salah satu solusinya adalah menyewa mobil dari agen rental terpercaya. Berikut beberapa rekomendasi agen rental mobil di Malang yang bisa menjadi pilihan Anda

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