#the first one. i am sobbing over it

[lumiereandcogsworth]

they are, indeed, everything to me (x)

[memento-morri-writes]

This is far from my best work, but it's 1:30am, and I needed to get this down before I slept or lost my mind. So here, take a snippet of Rook seeing Zara again for the first time in 3 years.

Trying, and failing, to keep his voice from shaking, [Rook] said “Hello, Captain.” Mouth still open in surprise, [Zara] replied “Well, hello yourself.” The reality of what she was seeing seemed to hit her as she rounded the desk. “Rook, is that really you?” He nodded. “It’s me.” Zara ran towards him, stopping just short of touching him, and said “What did she do to you?” Rook’s heart stuttered and he had to brush his fingers together to confirm Sigmar’s ring was still in place. Could she possibly see through its illusion? But then he remembered what Lanny had said. She knew where you were. His throat clenched and he choked out “Two years.” A wave of grief swept across Zara’s face as she said “I’m so, so sorry.” Rook shook his head vigorously. “It’s not your fault.” Zara ignored him. “It is my fault. I failed you. As your captain, it’s my responsibility to keep you safe, and I failed you.” Rook wanted to say something, to reassure her, but she pushed on. “She sent me letters, told me all the terrible things she was doing to you. I… I let you down.” Those words hit Rook with the force of a dozen cannonballs. Lanny had said that Zara knew Wolf had him, but knowing that Zara had been aware of what Wolf was doing to him… somehow that was more painful than any wound Wolf had ever inflicted. He barely managed to force his next words out around the lump in his throat. “Where were you?” And why didn’t you come? “She said she’d kill you if I came to get you. Or if I hired anyone to get you. You’re standing here because I stopped sailing.” 

(honorary one-time tag for @space-writes bc I remember you enjoyed my other bits about Rook and Zara.)

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

+

[suddencolds]

. not snz

on healing and on fear (tags)

[skitskatdacat63]

2009 Malaysian Grand Prix - Jenson Button(ft. Nick Heidfeld & Timo Glock)

[dangoulains-devotion]

thinking just a bit too hard about how the added depth given to tifa and aerith's friendship only increases the weight threatening to crush tifa after the forgotten capital, she already had so much to carry on her weary shoulders, she's going to have to carry even more when mideel happens, and it doesn't even stop after meteorfall, ohg od oh i love her so much i

[ladysqueakinpip]

not me lying wide awake at 5:30am on a sunday on my day off bc after almost a full year I finally FINALLY realized the implication of the end of remember them from the cyclops saga

[icewindandboringhorror]

The evil slow creep of it being like "haha these will just be quick little side quests, not much effort at all!" and then noticing each one is getting progressively longer than the last, thus no longer being minimal effort.. auGh....

[nowendil]

.

[starlooove]

My fave thing about my vs is subtly changing them to look more and dress more like Johnny over time - give em a day where they go back to their og styles as like a push against it - and then have them settle in more

[nauticalfools]

.

[cheswirls]

magi rambling

idk it jus hit me out of nowhere how much i love magi fic and how sinja is portrayed in such. imo THEEEE best magi fic of all time is works cowritten by galiko and daphnerunning, those two were genuinely on galaxy brain mega dimension level thinking full time, but like less abt magi meta as a whole and more on how the characters are so true to themselves and their flaws

it's been so long that in not gonna be able to remember who all did it but i def remember all of galiko's sinja fic that also portrayed sinbad/judal to some extent, that it was made very clear in the text how differently and on different footing both relationships stood. judal especially in their hands was written so well in a way that changed how i viewed the character in canon to some extent and in every other piece of fictional media. like how can you write someone so pathetic and deceptive and a bastard and it's all perfectly in character

I've never been into sin/ju and i don't think i ever read anything w them in fic seriously or w/o skimming but i did sit thru enough to know how the galiko/daphne pair brought them forth and made it very wanton-ly obvious that sin is always just manipulating judal and leading him on to get what he wants at the end of it all, but in contrast, it's clear that he so deeply loves ja'far in ways mere words cannot express

to see the relationship dynamics compared and contrasted in fic was always such a treat because sin treats almost everyone like they're a stepping stone used to further his own objectives, but then he treats his advisor like a genuine person. shows real care and concern, becomes inconsolable when ja'far is hurt, refuses to quell his rage for any reason when someone has wronged ja'far. his advisor truly is his precious person that he can strip down out of his title as king and just be sinbad around.

and this is even further glorified when ja'f knows but insists he doesn't!!! playa it off bc sin is king and this is uncouth!!! only to have such moments of weakness when anything goes terribly wrong and he's suddenly on the brink of death, terrified of leaving sin behind all alone, letting himself have just as long as it takes to recover the bare minimum amount to bask in sin's unending devotion. they truly do treat each other differently in canon and otherwise and it's so gratifying to see and realize each time as someone who loves sinja so dearly

[acourtofquestions]

Chapter 55 of Tower of Dawn😭

[hecksupremechips]

My ass was trying so hard not to jump up and down with glee playing yttd with my sister and getting to the shin reveal I was like MY GUY MY FUNNY LAD MY SILLY RABBIT

[lilgynt]

my mom found the thing that started the fight that got me kicked out. so i was right. in my fantasies this happens and it’s great in real life im gonna jump her