#the fandom on twitter is going on about this so i brought it here so we’re all up to date

[charmac]

When did you join the Sunny fandom? I mean in general, not just on tumblr

I would consider when I made this blog (Oct 2022) to be when I joined the Sunny fandom, tbh!

Really tried my best to be normal about this show for awhile and keep most of my shit to notes app, private accounts or texts.. but they got the better of me in the end

[yeraskier]

a leak about what it was like working with henry cavill and uhm. if all of this is true, perhaps switching to liam wasnt a bad idea after all.

[3dbillcipher]

HELP ME GIVE MY PUPPETS TO ALEX HIRSCH

(EDIT: I have an address, these guys are going to Alex soon!!!)

Hey guys, 3dbillcipher's creator here.

I have to move to another country in the next 4 months and I can't take my Gravity Falls puppets that I built in 2016 with me.

For those that haven't seen them, these are my puppets:

Right now my choices are:

Throw Bill, Stan and Ford into the trash.

Give them away to any other fan that is willing to take them (hopefully someone who will use them for something fun that can be shared with the rest of the fandom, and not just hoard them in a box.)

Try to somehow reach Alex and send them to him, assuming he wants them. We know that he seems to like puppets, so I hope that he'd want these. I even know that he's seen the Bill puppet at least once, because he retweeted a photo of it one time.

For Alex, I'd be willing to pay for whatever the shipping costs (I know it'll probably be a lot). For anyone else, I'd have to think about it and try to negotiate the best way to get the puppets to them.

Anyway... please boost the hell out of this! If enough people reblog on Tumblr, if it spreads to other social media like Twitter or Reddit (here's the tweet about it, if you want to boost that), maybe I can reach Alex and I can repay a fraction of the joy that Gravity Falls has brought to my life by giving him a little something. And if not Alex, maybe I can find a good home for my puppets with someone else.

[edwinspaynes]

I was angry. I'm still angry. But sadness and exhaustion have overtaken that anger, and I have A LOT to say about this.

Dead Boy Detectives is a very special show to me. It occupies a ridiculously large place in my heart, and it's brought me joy in a way that only a few pieces of media ever have. When I watched it for the first time, Edwin Payne had my heart within minutes. By the end of episode one, Charles Rowland did, too.

It meant a lot to me, seeing such wonderful and nuanced queer characters brought to life in the type of paranormal story I have always loved. In these past months, Edwin and Charles have felt like real friends to me, and to never see them again without a satisfying conclusion to their story is something I have not truly processed. Same for Niko and Crystal and The Cat King - they should be back. But I haven't fully processed it yet, that they're not coming back, and yet I am still aggreived.

@netflix is, at this point, so fucking gagged on capitalism's dick that they're not even pretending to care about art anymore. Dead Boy Detectives is genuinely masterfully made on just about every level. The actors did a phenomenal job and I will be following all their careers heavily. Steve, Beth, and the writing team crafted an incredible tale. The sets, the lighting, the props, the effects were all on point. This was a well-constructed program, and you could tell that everyone involved with the project gave it their all because they cared so deeply.

(Also my heart breaks for the whole cast, but it's hardcore hurting for George since this was not only his first screen role but one he clearly thought he would be keeping as of two weeks ago. He seemed so secure. I hate this for him.)

In addition to being a good show, DBDA had good reception. It's got a 92% on Rotten Tomatoes, was on the Top 10 for several weeks, got 4.7 million views within week one, and was getting daily articles posted on various review sites with NOTHING but praise. The fandom is incredibly active. We trend on Tumblr like five times a week and on Twitter regularly as well.

THE. SCRIPT. FOR. SEASON. 2. WAS. WRITTEN.

What the fuck happened?

Idiot executives at @netflix, choking on the dick of capitalism, probably just thought that they wouldn't get new subscribers for a second season of an existing show that didn't rake in Bridgerton-level cash. That's how they work - people who are interested in it are already subscribers, so who the fuck cares about them? Better to make some other shit, hope new people subscribe, and maybe that'll be a Bridgerton-level hit.

But also, Netflix has fun little trends to look into. And, when you look at the lineup of shows Netflix has canceled, they are overwhelmingly queer. The homophobia of @netflix and their operatives is clearly boundless, and it hits here really badly because this show was clearly made with a queer audience in mind. It was one of the most authentic pieces of queer media I have ever experienced, if not THE most authentic pieces of queer media that I have ever experienced.

It's fucking ridiculous that Netflix canceled a show that they commissioned a completed script of months ago. It sucks that they decided that their existing subscribers, their queer subscribers, did not matter.

Edwin and Charles are ours now. Well, of course, they're George's and Jayden's respectively, but the characters are no longer Netflix's to use and throw out. They're ours now, our fandom's, and we all love them so much.

And we deserved to see more of them, and we deserved to see their love story play out onscreen, but I for one am not going anywhere. Let's give Edwin and Charles - and the rest of the gang - millions of versions of the stories and endings that Netflix deprived them of.

[lexirosewrites]

it’s my two year Steddie-versary today?!!!

(which means I’m gonna ramble emotionally for a little bit)💛

I’m not really sure how to fully describe the last two years of my life and my involvement in the steddie fandom, but I’ll try!

I remember watching season four of ST and really liking Eddie, thinking he was so cool. I’d always liked Steve, but putting them together was a whole different story. And then I recall seeing fanart, finding a couple fics here and there.

I wasn’t aware how deep I’d gotten until I was drafting a fic of my own, eager to join the fun any way that I could. It had been years since I’d written anything of my own, but I was lonely and bored enough to try.

I drafted my first fic “All Through The Night” for a month.

I wrote it. Rewrote it. Edited it. Doubted whether it should stay in the drafts. Finally, I just hit post.

From there, it kept going. I’d write a few non-omegaverse fics based on TikTok prompts. Then, I’d end up delving into the omegaverse trope in a way I never had before.

I started to remember how much I enjoyed writing and I found a community that was kind to me. I made friends in the AO3 comments of all places!

It was a few months before I joined ST twitter in December of 2022, but I was encouraged to hang out and make more friends.

(I don’t need to rehash the bad parts of my experience because I think we’re all pretty aware of what happened. But I don’t want those things to define me or spoil all the good that’s come from this fandom either. Bullies don’t get to take this from me.

I wasn’t super active on Tumblr prior to my Twitter leave because I didn’t really understand the app😅 we figured it out eventually and I am so grateful to have been welcomed here when I was feeling so low.)

I figured out a lot about myself in this fandom! I identified as a cis, bi-questioning woman when I started writing!! That’s insane to me now!

But I found a place to explore and meet other queer people and ask questions that I would’ve never asked!

I was leading worship at a mega church when I posted my first fic. I was freshly separated from my ex-husband and still hurting immensely. I was working through a pandemic as a nurse and hating my life. I didn’t have much that brought me joy anymore.

This silly gay ship probably saved my life…

And I know I’ve been semi-MIA as far as posting to AO3 the last several months, but I have no intentions of leaving this fandom anytime soon. I will not abandon my fics or disappear. I just need a little bit of a break because I burnt myself out on writing for a year and a half!

God this post went way too long. Oops.

Okay! In summary! Today is my two year Steddie-versary and I love you all!!! I’m grateful for the friends I’ve made and the support I’ve had to share my stories.

(also tbh I cannot believe I tricked this many of you into reading mpreg)

[impactrueno]

ok stop. stop. i'm gonna stop you right there because why in the world are you telling me this? where is this even coming from? what did you see on my blog that would make you come to me with this? i didn't ask ANYONE to justify their feelings about beetIebabes, positive or negative. you don't have to explain anything to me. i don't ship them, and i don't care whether other people ship them or not, or their reasoning why. my ask box is not an open letter column in a magazine, it's part of my blog. i'm a person. this isn't "beetlejuice fandom central" or anything like that.

i already said i do not want any shipping discourse of any kind brought into my blog. respect that.

just know that you're allowed to dislike things. you're good. no one is making you like the ship, i promise. i support you, you're perfectly valid and don't let anyone tell you otherwise. i'm very sorry that happened to your friend, but that's not a "proshipper" thing, that's a groomer thing, and groomers can be ANYWHERE. to see it as an exclusively "proshipper" thing is just going to put you in danger because kids have gotten groomed by shippers of "safe and wholesome" pairings as well. i've seen it happen and it's why i distanced myself from a previous fandom. so please, if YOU are a minor (or just young, adults can get groomed too) please stay on your guard no matter what circles you're in, and yes, even around "safe" shippers. i can't stress this enough.

let me tell you something before i shut this topic down.

this fandom i distanced myself from, i did it because i kept seeing adults pressuring minors to draw certain things. some 16yo kid drew suggestive art of a character under the pretense of a shitpost, and people went crazy over it and demanding more. and kids are always going to give into peer pressure, so of course they continued doing it and escalating the tone of the "shitpost" drawings.

this wasn't a "proship" space, quite the contrary, these were all very "anti" types as you may call it (once again i loathe these terms and shipping discourse is a fucking circus i don't want to involve myself with) the types that enforce safe, appropriate and unproblematic shipping and content. but here they were, hooting and hollering and with a terrifying lack of self-awareness and pressuring the kid to draw more suggestive art. IN PUBLIC. ON TWITTER. everyone thought it was hilarious but i was standing there like "wow! i want to get the fuck out of here" and i tried to remind everyone to NOT give in to peer pressure to do anything you're not comfortable with, but no one was listening because "sexy art of a popular character"

you can be manipulated and peer pressured to do things you're uncomfortable with at any age. especially if you're kind of a people pleaser like i was. people got nsfw art out of me that i didn't want to draw when i was 20. i got used and manipulated by someone who shipped "the correct things" to ship.

you won't realize you're being groomed until it's too late. that's why i insist for kids to stay safe and make wise choices, keep an eye out EVEN IN "SAFE SPACES" and i repeat do NOT let ANYONE pressure you into doing something you're not 100% comfortable with (and even if you are, think it over)

once more: stay safe, guys. no matter who you think your friends are. groomers can use anything to groom you, not just "problematic" ships.

that's all i'm gonna say. don't talk to me about shipping discourse again, please. won't be posting asks about this if i can help it.

[narenohate]

the reckless, the wild youth (WIP)

(since eda and raine's backstory is so different in this AU, i'm pondering a comic about the two of them and just how and why it went so wrong) (infodump.... ramble?? ig down there + design notes on how my progress is going with this project)

Seb's design notes: anyways i've been dancing with the idea of making canis caninam's witches more animalistic. because yeah im just having fun at this point. bonus, sphynx / owl beast design. i'm not a big fan of her canon design, and it's not because i think she's scary.

my current inspo for the witch faces is a mix of good ol' na'vi 3d models, deerchip's s work (they're on twitter!!) and olya bossak's anthropomorphic portraits!! i didn't just want them to be elves who purr, tbh... though more and more as i post this i'm kind of hoping to get harrassed off the fandom for my weird ideas and "forced" to make this into an original story.

ramble on story derived from conversation with Bow (idea beta tester, victim of the circumstances of my hyperfixation, beautiful white hetero man who got here by accident). IT'S A ROUGH, UNEDITED DRAFT. PARTS OF IT ARE DIRECTLY FROM A CONVERSATION. IT'S ROUGH. Eda is born to the Clawthorne family - daughter of Gwendolyn, a healer, and Dell, a toy maker who married into her clan as to escape the hardships of living outside the barrier, amidst bestial demons... and probably something else, smart enough to scare him into hiding, though that usually goes unsaid. She is one of a pair of twins, and, for the first fourteen suns, eleven moons and twenty-nine sundowns of their lives they are inseparable.

It's their fifteenth birthday when Dell gives them an old grimmoire that has been in his family for centuries. Some of its words have been altered with the years, rewritten and repaired by generations, their meaning lost - symbols re-drawn from memory with each unfortunate accident.

Lilith partakes in that tradition - having to repair a page of a long-winded wild-spell meant to be cast by a powerful warlock, after she spills some tea on it.

that night, the two set out to camp with a group of their friends -hyacinth, a selk nobleman who, despite his young age, served under belos as his huntsmaid and personal cook, and his apprentice, darius, a prodigy who'd already been branded for a coven, and who'd been personally selected by belos to be a companion for the golden-haired boy who'd earned his favor.

and, of course, trailing slightly behind, raine whispers. their glasses are foggy and they already smell like the alcohol they brought to the party.

nobody leaves the outermost wall to camp these days, of course, so the bunch of them settle in an abandoned park, before doing as teenagers do when provided alcohol, and getting plastered.

at some point, eda, raine and hyacinth get into an argument of some kind - one that results in eda opening the grimmoire she brought along, and going along with the plan she'd nearly abandoned: using her rudimentary knowledge of the old tongue the tome was written in, she makes a circle out of salt around herself, and reads the spell.

its words are all wrong. whatever she summons she angers, and, at first, nothing happens.

then, as she and raine lay together on her hammock the afternoon after the party and the tiny backyard camping "trip", eda falls ill.

it was fever and it was vomiting. then the lining of her stomach, then her gums and her teeth and her tongue. her skin sagged and it was like she was all liquid inside it.

raine slept by her bedside, singing to calm her down whenever she awoke. lilith laid in the old manor's basement, endlessly brewing potion after potion to try and quell the pain that refused to ebb away.

darius and hyacinth did not go to belos - instead they were stopped at the door by the clawthorne patriarch, and with his help, took a griffin out of the city, found an old thing. it called itself queen of bats, and it was made of wood, and it knew dell very well.

the three give her the griffin, and spend four sunsets and three sunrises walking back with their prize - it's a living tether, a wooden owl dell had made as a toy for his daughter when she was very young. filled with the griffin's soul, it was given by its enchantress the mission of tethering its holder.

they arrive to a burning house. darius and dell don't speak of it, but the only time they both see the emperor is when they deliver his selk concubine's mutilated carcass at the throne room, laid at his feet like an offering.

dell lost one eye to his daughter, the other eye and both hands to the emperor.

raine was gone to everyone except the thing that eda had become, a sphynx that spared their life for the price of their song. they land atop a rocky cliffface, a few miles away from the outer border of the bonesborough wall - soon, something finds them.

the owl her father had carved for her followed eda, and raine became sure, at that moment, that she wasn't lost.

lilith and darius compensated for hyacinth's loss, sitting for years at the foot of the throne as the emperor's guards, until belos found it fit to entrust them both to make for him a new selkie servant - they took hyacinth's old heart, a blue stone that ebbed and flowed, and they took the lungs of a dragon, the innards of a maiden, and all the blood they could get from a seal-devil, along with a tiny fragment of bone that had been strapped to hyacinth's old heart.

they spend day and night putting him together - the rough face of clay mixed with blood, the organs gracefully gifted, the bone.

they bury the sculpture. a boy digs himself out of the dirt while they sleep in the temple, curled up together in a mess of ratty old sheets they'd found.

they name him hunter because he was more demon than boy, but had hyacinth's face, and, though something seemed very wrong, he had somehow killed and dragged in a rat to eat by their side during the time they'd spent asleep.

belos allows the name to stay, and grants them both titles and robes of white, and allows them to mary whomever they wish.

lilith secludes herself to a temple and studies every grimmoire she can, and darius takes on apprentice after apprentice, teaching them how to pull the throat strings of a bard out, and how to best slay a sphynx.

hunter looks just like hyacinth, and, despite how strongly he'd imprinted on his makers, they both hate him from just the look in his eyes.

lilith finds the portraits of every other selk concubine, every other golden guard.

it's always hyacinth's face. meanwhile, raine managed to unearth eda - partially.

they bind her to them, and she remembers very little, but she is undeniably herself, and despite the tragedy of her body, or maybe because of it, she seeks to cause chaos. she embraces the life of a wildling, and raine follows in her stead.

a year passes. then two. three, maybe. probably more, considering everything that comes after. what really matters is that, as raine grows more frantic in their search for something that can help her, occasionally coming in contact with the fragmented clawthorne family's matriarch (before finding her treatments too harsh), all in search for a way to stabilize eda's mind and body...

she accepts that fate she was given.

the system of castes and castings and divisions becomes pointless to her, and she eagerly, easily pushes raine to rebellion by her side. the wards around the walls have nothing against her - usually, griffins and dragons don't fly that high.

raine found gwen's attempts to heal her daughter too much - but at some point, more than a decade after the two set out together, a night after raine settles a chain with a golden ring around her massive paw's wrist, they catch wind, through that shared palisman of theirs, that raine's mother has passed.

they leave eda to sleep atop the church, tail around its tower, and enter it to pray.

they meet someone - a who who dances on the edge of being a what - and, in their grief, bear to her their heart, and are offered a deal in return.

all they want in life, for a price, their mind.

eda wakes up, a moon later, transformed, and with every memory made vague, erased except for vague outlines.

naked but for a wedding ring around her neck, in a dark, low chunk of the city, with the body of a beast, she's seen as exotic enough to work the night for a couple years, as she catches up on a life she lost, and takes the name of a harpy, not knowing she's a clawthorne.

… clawthorne health clinic seems so familiar of a name, though. she jots down their contacts. attends every speech given by darius deammonne, head of the carnomantis force, and often borrows from the library books on forbidden magic written or translated by one lilith clawthorne.

it's not familiar.

she feels like it should be, though. so she digs into it all - never takes the name of clawthorne, but as her social standing falls and she teeters ever closer to living outside the walls, the people around her take to calling her the owl-lady.

she eventually takes to stealing from old homes - the abandoned sort, full of hobs and rats and hexes she can easily bypass, with magic as strong (as well-trained, despite the lack of any memory of schooling) as hers.

there's a farm-house, though, mostly burnt, long ago vacated, that feels very familiar when she enters. she tears up despite not remembering her, when she recognizes her twin's face beside her own in a portrait. in the rubble of a bedroom, a large woven hammock still has an old violin sitting broken on top of its torn fabric.

inside its case, the thing she knows she gave up her memories - or maybe something more - for, sits waiting and patient.

... a key to the human realm. she knows a lot about it, and remembers an unbound fascination.

(her one visit goes very wrong, of course - but she can spy through her palisman's little eye, so it's worth it. it's all worth it.)

meanwhile, raine wakes up, married to a woman whose face is foggy to them, with three apprentices who don't know their name but promise they've been there under them for weeks.

whomever wiped their mind didn't bother to take the human-styled wedding ring off their finger.

[what-eats-owls]

I've already gotten a couple nastygrams about this, so I want to address something since that post is breaking containment. (Also, anon asks are off for a bit, sorry not sorry.)

There's a post in my drafts from this morning. It's a reply to someone who brought up Palestine and Gaza. In it, I expressed admiration and respect for the Uncommitted Movement and what they've accomplished, as well as their current stance that while they cannot endorse Harris, Trump must not be allowed to return to power. I started to write about how 46% of registered Democrats in a recent AP poll opposed providing Israel with more weapons, but 30% were in favor, and 20% were neutral. I started to write about how that could be related to the significant generational divide in attitudes towards Israel and Palestine. And how, when 52% of all ballots in 2020 were cast by people over the age of 50, that's whose vote is gonna get courted, whether I like it or not.

I was gonna talk about my parents, two classic white liberal boomers who are appalled at the atrocities the government of Israel is openly and proudly committing. I was gonna talk about how bitter it is to get a female candidate who I cannot give my unrestrained, enthusiastic support to, because her boss's administration has enabled the murder of over 43,000 Gazans and even though I understand the rationale behind trying to please voters on both sides, it's always going to be a stain on this campaign.

And then I took a step back, and asked myself if any of that is going to matter to someone who can't find the correct configuration of buzzwords on the social media platform I use primarily for fandom shitposting, and decides that gives them moral ground to send self-gratifying abuse into my inbox. It wouldn't matter what I said, only that I had provided an opening. (I'm a veteran of YA twitter. I know how this game works.)

So that post stayed in the drafts. But here we are.

My post about voting doesn't mention Palestine because, in my direct experience, it doesn't matter what cause you're trying to help by withholding a vote, especially not during the general election. If I didn't care about Palestine, why the fuck would I open myself up for harassment to let y'all know that voting abstention doesn't have the effect you want it to? It would be so much easier to let you keep tilting at windmills, riding high on the fantasy that disengagement divorces you from complicity.

Unfortunately for all of us, I actually want more leftist voters engaged in national, state, and local-level civic decision-making, so the Democratic party doesn't win without you. This isn't 4D chess. They pander to the people who reliably show up. That's all.

[tyrantisterror]

I think one of the things that gets lost in the big, endless internet conversation about whether or not heroes should kill their villains is the fact that killing villains off robs you of a lot of story-telling potential. The Joker died at the end of his debut story in Batman - imagine what Batman would be if he stayed dead. No Joker in Batman 66, no The Killing Joke which means no Barbara Gordon as Oracle and no The Dark Knight, no Mark Hamill Joker episodes of BTAS (so many of them were based on his comic appearances, after all - the laughing fish is a direct adaptation of a comic), which means no Harley Quinn and no Return of the Joker, on and on it goes.

Like, you can argue the morality of heroes sparing their villains till you turn blue - god knows this site does it at least a thousand times a day - but on a purely pragmatic story-telling level, the minute you kill ANY character, you kill all the story potential they had. And yeah, it's fiction, you can bring them back from the dead if you really need them, but that's a pretty hard story beat to pull off without hurting your story. You don't want to fill your tale with "Somehow, Palpatine has returned" moments.

And you can just make new villains, sure, but again you have a problem with that - a new villain has to establish themselves and has to stand out from who came before, which means you can't go directly to the storylines you could have had with a villain who stuck around AFTER their introduction. A recurring villain is capable of doing things that one-off villains can't.

I'm going to illustrate this with a character from a fandom I'm not even a part of - I never played the Ratchet and Clank series and am only vaguely aware of it, but one day I saw a supercut of scenes starring one of its recurring villains, Dr. Nefarious, on twitter, and I was like "Oh shit, that's the guy who plays Quark on Deep Space Nine, isn't? This guys a hoot, let's see if we can find more clips on youtube." Which brought me to this hefty video here from one of the more recent games in the series.

And, like, as a person who "doesn't even go here," it's obvious this goofy little fucker has a history. His opening scenes have him ranting about how much it sucks to lose repeatedly - a lampshade on the "flaw" of a recurring villain, i.e. that their threat diminishes the more they come back because, by the nature of their role in the story, it means they've suffered a lot of losses. So how cool is it that as this supercut chugs along you can clearly see this is a theme of the game - that this is a story about the virtue of losing, a story that is enriched by having an antagonist who fans of the series know has lost a LOT?

The true antagonist is an alternate version of Dr. Nefarious who's won every fight in his life so far, apparently with little effort, and I love how they differ on a design aspect. They're both technically mad scientists, but notably, Emperor Nefarious, the winner, has a more imposing and "heroic" build, but a smaller brain-dome for his robot brains. Because winning may make him look strong, but if a mad scientist's real power is their mind, well, which Nefarious is really the strong one here then?

Dr. Nefarious gets this juicy arc about realizing the virtue in his repeated failures that corresponds with the heroic characters struggling to find a way to win against a seemingly invincible opponent, as well as contrasts the true villain, Dr. Nefarious's explicit counterpart and foil Emperor Nefarious, who has never once lost and is a total piece of shit for it. Again, not my fandom, I don't go here, not an expert on Ratchet and Clank, but even as a relative stranger to it who's just watching a big supercut, I fucking love this. This is an excellent story.

And it's one you can only tell with a recurring villain. Without Dr. Nefarious, this story works significantly less. You need a villain with a history the audience has seen to really sell this.

Anyway, I made this post because, ironically enough, I saw another tweet talking about how some fans think Dr. Nefarious should have been killed off in his first appearance, and, like... that's just fucking baffling to me, as a person outside this fandom looking in. Recurring villains deserve more love, man, they give us so much.

[vicvulpes]

hiii guyyss hiii tumblr dbd fandom

I came from twitter and wanna try using tumblr

a couple of days ago I came to dm of my fandom bestie @adskayapanda with a discussion about painland hanahaki au

then I decided that I wanted to describe it in more detail and post it on twitter AND THEN all this shit happened there that made our beautiful jayden revri deactivate his twitter account and want to stop all interaction with the fandom altogether

so I don't want to post this on twitter yet

hope you like it, have a nice read🤍

✨SO PAINLAND HANAHAKI AU✨

it's a dubious idea I agree BUT PLS HEAR ME OUT

I know it's weird considering that the main point of hanahaki au is that the living characters ARE DYING OF NOT MUTUAL LOVE AND HERE OUR TWO JERKS ARE ALREADY DEAD BUT

let's imagine that in the afterlife this works in a special way: for example flowers in the lungs feel about the the same as cat scratches or iron

and in particularly advanced cases of illness instead of death the ghost may simply disappear forever

btw it's worth noting that cases of illness are rare even in the world of the living, not to mention the dead but we all know how "lucky" edwin is for all kinds of suffering

soo just imagine after confessing in hell charles begins to notice how edwin is increasingly abruptly going somewhere perhaps not turning pale like alives but e.g. sometimes becomes slightly transparent and in principle begins to avoid his company

and then he abruptly begins to find scraps of bright red poppies in the office (neatly collected in a bouquet or bag) and thinks that these are gifts from edwin's new admirers or new attributes for spells (if we are talking about bags with petals you never know what they can be useful for charles is not so well versed)

but one day edwin doesn't have time to escape and charles accidentally finds him in another attack

charles did not really believe that people could have hanahaki at all - there were legends about it and nothing more but for ghosts hanahaki does not make sense at all!! they are ALREADY dead! - charles thinks trying to calm down and watching edwin vomit bright red petals

he doesn't recognize these flowers at first..

but when almost a whole flower bursts out of edwin's throat the realization suddenly comes along with a sudden flashback from childhood - charles often ran away from home at an early age when his father raged too much just to the nearest poppy field - and then brought small bouquets from it for his mother

charles's heart sank with realization

it hurts him to look at edwin in such a state and realize that it is entirely his fault that he did not reciprocate such a wonderful man as payne but it hurts even more to think that he will somehow misunderstand his feelings and break edwin's heart

and therefore after charles took care of edwin during the attack it was tacitly decided not to discuss it as always

(but edwin of course has already studied everything about hanahaki and knows what it leads to, but he tries (unsuccessfully) to calm himself with thoughts that, at least, this is not hell and that he did everything that depended on him - confessed his feelings)

and as a result, it turns out that boys "live", solve cases, and charles literally watches edwin fade away - his body is becoming more transparent, more and more often he turns into a ball shape in order to imbue himself with at least some energy and delay the moment of the inevitable even a little bit, but this is not enough for a long time

and edwin despite feeling as bad as possible tries to hold on as best he can and gets so many cases that there is not thes lightest extra second to think about his tragic situation

and charles understands the horror of the situation (and finally realizes his feelings) when e.g. edwin suffering from a particularly severe attack goes without warning for a week's treatment to some hermit sorcerer in his wilds for a rare ritual that promises to at least alleviate the symptoms of hanahaki and prolong the existence of a ghost and at most to completely cure it

and charles thinks that he is gone forever (cause just the day before while investigating another case leafing through the book "magical diseases" he came across a chapter about hanahaki among ghosts where some main points were highlighted in blue pencil and edwin's hand as well as repeated handwritten notes - edwin obviously studied for a long time and tried to do everything possible to improve his well-being. and in the end of page the inevitable scary result DEATH is emphasized and at the bottom there is a footnote that death for a ghost is a conditional removal from the universe he generally will cease to exist)

and this is the very moment when charles realizes everything - that he simply cannot exist without his edwin and that the feelings in his heart are not just friendly

at first when charles doesn't find edwin he thinks that he just left on business as often happens

then when he conditionally doesn't return in the evening charles begins to worry

BUT WHEN EDWIN HAS BEEN GONE FOR 2-3 DAYS CHARLES STARTS PANICING AND LITERALLY GOES CRAZY

he can't find peace worries panics tries to do something find edwin convinces himself that everything is fine AND THEN CATCHES HIMSELF THINKING THAT EDWIN MAY NEVER COME BACK (AND ALL BECAUSE CHARLES DID NOT RECIPROCATE IN TIME AND NOW IT'S TOO LATE!!) AND HE'S HAVING A TERRIBLE TANTRUM

and when edwin arrives a week later CHARLES IS ALREADY ON THE VERGE OF MADNESS AND AFTER HE SEES EDWIN HE CAN'T DECIDE WHAT HE WANTS MORE - TO KISS HIM RIGHT HERE AND RIGHT NOW WITH NO WORDS OR KILL HIM A SECOND TIME HIMSELF

(after all he doesn't do any of this just hugs and sobs on his shoulder choking in tears wailing how he was afraid that edwin had disappeared forever)

then charles sits edwin down on the couch and interrogates WHAT ACTUALLY THE FUCK WHY THERE WERE NO WARNINGS OR NO NEWS FROM HIM

and edwin rather casually replies that he felt unwell and went to be treated by some sorcerer who promised to rid him of hanahaki (here he adds that his stupid feelings initially interfere with both of them and charles's heart feels like it's splitting)

(wow edwin looks noticeably better, - thinks charles)

and then charles's already nonexistent heart suddenly sinks into his heels - it seems to him, judging by how well edwin looks and holds himself that he succeeded

which means only one thing - he managed to stop loving charles - just at the moment when charles finally so acutely realized that he loves him back, that's so unfair!

having received this realization charles abruptly gathers up wipes his tears pulls away slaps edwin on the shoulder congratulates him on his recovery and begins to leave

and then edwin who bitterly thinks that charles is making such a mockery of him breaks through: tears flow like a stream his voice breaks and trembles and in his eyes there is a mixture of doom fear resentment impotence and PAIN

with tears in his eyes, he explains that even the promised "wonderful" weekly ritual of that sorcerer could not rid him of these painful damn feelings that spoiled everything from the very beginning and no matter how he tried to get rid of them nothing works

charles turns around in shock and sees how because of all these painful emotions edwin twists another attack of hanahaki

bright red poppy petals fly to the floor again

charles hesitates for just a second and then instantly flies up to edwin falls on his knees in front of him gently grabs edwin's face with both hands forcing him to look into his eyes and in an incredulous whisper clarifies: "so you still love me?"

edwin's eyes start running again counting every red petal on the floor just to avoid meeting the deep brown eyes looking at him such hopefully

charles has enough barely audible "sorry" to immediately start covering edwin's entire surprised face with happy little kisses saying between them how much he loves edwin what a fool he was how scared he was that he might lose edwin forever how he wouldn't let go anymore and a bunch of other sugary nonsense

from that very moment on bright red poppies began to appear in their office only in beautiful carved vases reminding of something personally important for these two dead idiots..

thanks for reading!!🤍

and one more: english is not my native language so I'm so sorry if smth is written incorrectly

[jeonscatalyst]

I noticed that jkkrs on tumblr seem to be more than tkkrs on tumblr. Our posts usually get hundreds of likes too while tkkrs’s only manage a few dozens. Why do you think that is even though tkkrs dominate other platforms like twitter, instagram, TikTok and YouTube?

That’s a great question anon and just like you, I did notice that too.

My answer may seem a little biased since I am a joker but it is what I really believe based on everything I’ve seen after being in this fandom for so many years.

Jikookers love to discuss and have long deep conversations about Jikook and ships in general which helps them understand things better. Taekookers love screenshots, especially those they can take out of context to either create moments for their ship or drag Jikook (the ship and Jimin). Twitter, YouTube, TikTok and instagram aren’t social media platforms that allow long, deep creative discourse with enough context to help people understand things better so they thrive by posting edits and screenshots taken out of context and they get thousands of likes more than jikookers while many tkkrs don’t seem to be very interested in actually going deep into conversation about ships because they already believe what they believe and don’t want anything to change that.

You see anon, Jikook spaces used to be more healthy and peaceful than they have become in the last couple of years and I feel like Jikookers actually had a good basis to start shipping Jikook unlike other shippers who mostly start shipping because of aesthetics or just cute edited moments of the ships. I think out of all BTS ships, Jikookers were one of the very first ones who brought discussions about ships to tumblr and many Jikookers loved having those conversations here while other shippers preferred Twitter, YouTube and the rest for more fast paced and less detailed discussions.

If you notice, it is quite hard for a jokers to beat the cult in an argument on Twitter and when I say beat them I don’t mean by being right or wrong but instead in the term of likes and interactions. A tkkr could post a very obviously fake or twisted edit or screenshot and they would get over a dozen thousand likes. A tkkrs could post an out of context screenshot to drag Jikook and they get thousands of likes and replies but it’s rarely the same for a joker on X but on tumblr when we have our little conversations with enough context, we get tons of interactions than the cult because many more jkkrs actually love to discuss about Jikook and not just rely on edits or out of context screenshots.

The tkk blogs I’ve seen on tumblr are in my opinion some of the nicest tkkrs I’ve ever come across and this is saying a lot because I don’t even think they are that nice. I just think they are nicer than what I am used to seeing on other apps and they could be a little less delusional even though they are still very very delusional and just like their brothers and sisters on X and the other platforms, are so good at taking things out of context. A good example of how they take things out of context or twist things to fit their narratives is that article from Bang PD from The New Yorker. I was so shocked that not a single one of them actually got the context right. All of them interpreted what Bang PD said about the group members taking trips to be about Jikook just because we just watched AYS recently even though he was actually specifically referring to Katseye, plus BTS as a group and other groups under Hybe/ Bighit have been on multiple group trips throughout their years as idols yet they decided to make it about Jikook since that was a way they could feel better about AYS since apparently they didn’t like what they saw in the show. Just like the blind leading the blind with not a single person to direct them to the right path.

To put everything in short, tumblr is favored by fans who enjoy deep, creative engagement, while Twitter and the others attracts those who thrive on fast-paced, real-time interactions. This alone should pretty much explain how most jkkrs are and how most tkkrs are.

Hope this answered your question anon💜.

[utilitycaster]

not episode related but related to that post earlier today re: actual play fandoms whining for things other than D&D and then rejecting anything that isn't D&D but: I've noticed an uptick in this and I don't know if it's just that my following has grown to the point where more people see my posts so it's happening to me, or if it's people from Twitter/Reddit who have different norms than I do, but I've gotten multiple "I don't know about the topic this post is about, but here's a long-ass response" reblogs.

Do not do this. Do not ever do this. In my decade and change on Tumblr I have never once, to my recollection, seen someone who was actually the one genius who brought a new outsider perspective to a longstanding gripe. Every single time it's been Some Fucking Guy (gn) who doesn't know what the fuck they're talking about and like 99% of the time they didn't read the post they're responding to in full either. If you find yourself reblogging and saying "I don't know about this at all and have no investment" that is your own words hinting very strongly to you that you should delete that draft and go get a nice beverage of your choosing. I will not see your stupid words in my activity and call you stupid for them! you will not get called stupid! you get a nice beverage! everyone wins, and the secret is you saying "wow, this post is in no way directed at me, a person whom it is not about, and therefore it does not demand anything of me and I shall not think of it any longer" instead of "TIME FOR MY (WRONG AND UNINFORMED) OPINION." The power is yours.

[nu-carniviva]

A censored version of Nu: Carnival is coming to the app store... Which is not good

When this was first brought to my attention, I honestly didn't believe it at first. I mean, why would I? Nu: Carnival has advertised itself as an adult-only game since it's release. I rarely go on Twitter since it's a total shithole, but that's how I found out that the rumors were true. Nu: Carnival - Bliss, they're calling it. The overall plot, events, and gameplay will be the same. But many crucial changes will be done to the dialogue, CG, and audio. Long post ahead, but I'll be ranting about it below

Why is this a bad move?

There are multiple reasons as to why making a censored, teen friendly version of Nu: Carnival is a horrible decision. I might not get them all, but here are a few I can think of off the top of my head:

It is literally impossible to separate the nsfw from the source. Whether the devs like it or not, they made an nsfw game. After the first half of the prologue, the game opens with porn. You are introduced to two characters at the time — Aster and Morvay. That right there is already an issue. Morvay is an incubus. He is a sex demon who wears leather lingerie. While there is certainly more to his personality, his is very existence is sex. Sex is what keeps him alive and fed. Morvay is very open about his sexual desires and the topic of sex as a whole. He doesn't find it shameful or taboo. So... What are they going to do with Morvay? He can't be removed since he's bonded with Aster. Censoring him will have him take a MAJOR hit. Now that leads me to the second part of this bullet point: sex is a crucial part of the plot. Essence is what keeps Klein stable. Eiden and his clan's job is to use their essence to fix the gem altars so said altars can keep the essence regulated throughout the continent. While there are several ways to replenish one's essence, the most effective way is through sex. Sex also plays a crucial role in expanding on the plot and the characters. Sex scenes aren't just there for entertainment, there is genuine lore within the dialogue. Through sex, Eiden bonds with his clan members in the most intimate and personal ways. He sees his clan members at their most vulnerable moments, and through that they share a deep connection. You can see when sex scenes go from Eiden and whoever the clan member is having sex just to have it to having sex because they genuinely care for each other and want to physically bond. I could delve deeper into this topic, but I'm sure you all understand by now what I'm trying to say. Sex is not just an accessory or perk. It's part of the worldbuilding

Minors will not be able to escape nsfw within the fandom. Since the game's release, the fan base has been entirely made up of adults. Since we are all adults, we freely talk and post about the nsfw parts of the game. You go on any social media platform where Nu: Carnival is discussed, and you will see nsfw. It's a very casual topic in the fandom, and in a way it's something that bonds us together… As weird as that may sound. My point is, making a censored version of the game is pointless, because the source itself in inherently nsfw and the fan base is full of adults making nsfw content which is usually uncensored since the artists expect for anyone in the fandom to only be adults

Minors in fandoms often bring drama... Hear me out on this one. Not to sound like one of those "grr minors dni I hate minors" people, but kids in fandoms often bring drama and discourse. As aggravating at it is, I have to admit that it isn't entirely their fault. When you're in your early teens, you're starting to discover yourself. You become very opinionated and defensive over your beliefs because you're trying to figure out who you are and where you stand in life. You're trying to gain independence and autonomy. It's normal... But it's very draining. Since Nu: Carnival has an all-adult fandom, there isn't a lot of drama at all. Sure, you're going to have stupid people saying stupid shit to start drama, that happens everywhere, but those people are typically ignored because it isn't too common. With kids coming into the fandom and starting unnecessary drama, it'll be so much harder to avoid. Not only that, but kids don't have as much media literacy as adults do. It's not an insult, but simply a fact. Nu: Carnival delves in a LOT of heavy themes in the game. Some of which are stated outright while others require you to read in between the lines to pick up on them. Since the fandom is all adults, it's easier for us to handle these topics and discuss them maturely

Why are the devs doing this?

My guess? Money. The devs are part of a company after all. At the end of the day, all companies want to make money. By making a game they can put on app stores, the game becomes more visible to a broader audience. People who have never heard of Nu: Carnival before will see what appears to be an innocent anime game when it's far from that. All it will take is a simple google search for people to see the the game is very much nsfw and not something minors should indulge themselves in. It's dangerous for both parties involved, both the minors and the adults

But hey, whatever's bringing in the money, right? Sigh...

[nilboxes]

I didn't know who to say this too but i was about to explode thinking about this and you are one of the few people in hsr fandom that i trust to understand ratio so my apologies to be dumping this on you all of a sudden but... I think Ratio's technique is so interesting in a way and speaks more about him than people give it credit for. Like...creating a fake version of himself that aggros the enemy is already very meta of how hsr fandom tends to see him, esp with the number of people that started hating him after that "betrayal" scene in 2.1 xD And it makes me wonder about his voiceline where he says something like "im fine with showing my true self if it helps me teach students/cures patients but i find that doing so is counterproductive most of the time"...wdym "true self" sir...and why are your character details completely devoid of any details from your own pov...and why do you get so evasive when anyone tries to ask about your past (going by that one interview when someone asked him what he was like as a child and he's just like "what a silly question, i was a normal boy")...it seems to me the princess is hiding something...

Thank you for your ask OP! It's really interesting to think about your question, and I'm humbled by your trust! I hope whatever I cook can satisfy you in some way. It's going to be a bit long!!

Let's start by saying I do operate under the belief that we know a lot about Dr Ratio and at the same time we only know what he wants us to know, which I find incredibly interesting to his character.

It can go many different ways. A lot of people use this mysteriousness to hint at the following:

1. something sinister (I am not necessarily saying you are doing this)

2. suggesting that he is more than who he is, like he may be more than who he presents to be (may or may not be evil in alignment but just more)

3. he really just thinks divulging further personal information about him is pointless and he values his privacy as an individual rather than a prominent figure

Let me now unpack the most wrongest [sic] take, number 1, which I find to be antithetical to his character, because Dr Ratio has always been aligned with doing good. He isn't your typical good person, but he is morally pushing for good (eradication of ignorance, people finding and reaching their potential etc), and he rather he reminds me of a very stern but nonetheless kind educator who genuinely demands good be brought into the world through one's aptitude and ability (just like himself) and not relying on others to solve problems for you

Number 2 is a little tricky, since we cannot really confirm nor deny that Ratio is no longer truly following Nous after he realizes he will never be acknowledged, he may be aligned to another Aeon or none entirely! I personally dislike the Mythus/Fictionologist take, because again it is antithetical to who he is as a character. Fictionologists will rewrite history and twists facts in order to create the possibility of uncovering more, but this is akin to something called accelerationism, which is in plain words to incite chaos (bad) in the slim chances that from the chaos a great good might emerge/ be produced/discovered etc, a practice and ideology I feel Dr Ratio as he is characterized now would be extremely against. Now I do subscribe to the fact that Dr Ratio may not be following an Aeon at all or we aren't privy to who they are yet, but this is a possibility that there is a facet to Dr Ratio we have not seen yet and will down the line so...

Number 3 is where I am at now, I really, genuinely think Dr Ratio just thinks of himself as some guy who was gifted with the equivalent of 8 genius brains but it isn't anything exceptional. From how he acts, he feels like some guy who had a rather normal childhood (if not really lonely, which I talk about in my twitter thread here) and grew up to be exceptional except in all the ways he wanted/was taught to want/thought he might want.

So I operate on several headcanons about Ratio just genuinely being so smart in a planet that is presumably the remnants of the civilization in the Laurel Wreath Galaxy where a Philosopher King/Philosopher Union was mentioned. This headcanon is heavily colored by this excellent theory a fellow fan made and I have to admit I can scarcely distinguish between mine and theirs while I turn him around in my brain so do give them/their thread a read too when you can, but I do also subscribe to how Ratio must have been exceptional in a civilization that prizes scholarship and enlightenment.

Knowing this, I presume he grew up with a lot of expectations placed upon him, particularly that of gaining the gaze or glance of Nous and ascending as a genius society member or more! That is a lot to place on an individual, especially someone like Ratio who is very much hinted to have grown up very fast due to his vast knowledge and while it's a stretch to say he was forced into growing up fast, because he def wasn't, he was nevertheless seemingly not really given much opportunities to be a child, as the push for him to start university very early could suggest that his aptitude and potential were so valued that it overridden any other needs he may have. If we wanted to ask about his childhood, he would have very dull things to say too, so to speak. I imagine it wasn't eventful at all, but filled with just studies.

Where am I going with this about his statues? They are called Mold of Idolatry! Idolatry meaning the extreme adoration or love of someone. That Dr Ratio makes the statues of himself never seems like the narcissistic sort, that would imply he holds himself in an extremely high regard to the detriment of others, but Dr Ratio isn't narcissistic, he would be a vastly different character if he was. The key to narcissism is that there is a great need, to the point of detriment, for admiration.

Now, look over to how Dr Ratio presents himself to us in his 1.6 quests. He wears his plaster head as not to be recognized by others, to remain incognito if you will, and is content to sit at the sidelines nudging things along in the background rather than swoop in and take the credit as the hero when Duke Inferno was trying to wreak havoc on the Space Station. His heroic deeds are never realized by the people he saved from being spaced, that is not an action of a narcissistic man who would gloat about saving other people. No, he sees his job is done and he walks away without fanfare, without even so much as seeking a thank you from the people he saved. That's one of the clearest and most well-thought of character introductions/demonstrations in the game and a solid proof that he isn't a narcissist (again self-centeredness is different!)

With that in mind, what does the statue imply?

Dr Ratio operates by redirecting attention not to himself so he can freely move in the background. That it looks like him in funny poses speaks to a silliness I feel he never really gets a chance to let loose too often, so his "art" is his outlet. That it directs enemies to attack that instead of him, I can't help but feel like there's a sense of "look at this 'image of me' others have built up, pour your love/expectations/wants/aspirations (and the extreme opposite of that maybe?) to that likeness of me instead, and let me be free from that to be who I could be without all of that baggage"

tl;dr -- it's not that deep but it is?? I feel like Ratio just wants to be left alone to do his thing and that's what the Mold of Idolatry represents.

I hope that satisfies you, anon! Thank you for your question, since I do have more insights to Dr Ratio now. I think I'll also find a way to condense this into a Twitter thread sometime.

[under-lore]

About "Tweets aren't canon"

One misconception that one seems to be nearly guaranteed to see brought up by someone whenever discussing Undertale/Deltarune lore with people who are not particularly invested in it is that "Toby Fox said tweets weren't canon".

And, when you first hear it, it actually sounds quite convincing, because this tweet is in fact real and does seem to say that.

So... What's actually going on here with tweets and with this one in particular ?

The actual status of tweets

Before mentioning what's really going on with that specific tweet, i'd like to lay some groundwork first.

For instance, regarding the fact that this tweet dates back from November 2016. And that if the tweet were to be taken seriously, it would mean that no tweets especially after that date are to be treated as canon.

Something that is rather explicitely not the case.

There are several examples for this, although the Gaster tweets which introduced us to Deltarune and directly link up to the game's "Goner Maker" introduction sequence are i would say prime offenders.

Here in these tweets, we are not yet connected, then we are given a way to connect.

Then, we pick this back up where we left it in Deltarune, where we are then asked wether the connection was a success.

This has of course been pointed out to Toby (although he never responded to those messages), and yet it did not prevent him from re-doing the exact same thing a few years later for chapter 2.

In short, the situation is that, to this day, Toby Fox still purposely uses tweets in order to provide important canon-accurate information about his games, with the Spamton Q&A as recently as last year.

In light of that, using that one tweet to say that any information coming from tweets is invalid just can't be right... So one might wonder :

But then, why did Toby say that ?

The problem comes from the fact that this quote is usually cropped like this when people try to share it around :

Which is greatly misleading !

Obviously, Toby Fox's popularity comes mainly from Undertale and later Deltarune. Due to this, and due to the majority of the fandom nowadays being teenagers, many in the fandom are not aware that ever since his own teenage years, Toby Fox has been for the lack of a better term, a massive shitposter. A habit that only started to die out after Undertale's release and in the year that followed. (Though he still shows glimpses of it from time to time)

I mean, we are talking about the person who kept on posting memes on twitter for nearly a decade and who made "a goast poot on u" at the end of the Earthbound Halloween Hack, his first semi-serious game project.

Why ?

Because he's just that kind of "funny guy" and felt like it. His words, not mine.

This was, up until not so long ago, the kind of person that Toby was online.

When taking all this into account and looking back at the un-cropped version of that quote, it becomes pretty obvious what's going on here.

Toby Fox found a bootleg nursery rhyme video of Undertale characters, found that hilarious (As the "funny guy" that he is), and decided to make a shitpost about it. Joking about how this weird thing that he found, right here, was the peak of official Undertale material and might just be more canon in his book than the kickstarter or tweets were.

The post that started this whole thing in the first place was just that, a shitpost, a joke, not something that Toby ever actually meant. Which honestly should have been pretty obvious in the first place, i mean, this is still a post about Toby trolling bootleg nursery rhymes, people. It wasn't meant to be taken seriously...

Besides, that tweet's statement would have been self-contradictory anyways. If tweets weren't canon, then this tweet would not be canon either, etc... Leading to one of those silly paradoxical loops rather than to an actual statement about tweet canonicity.

So then, that brings the question : Why ?

Why do so many people still claim that tweets aren't canon ?

The reason is likely the same as the reason why this misconception was created in the first place : It is a rope to cling on to for some people to defend certain headcanons that Toby had debunked via tweets.

Because yes, between late 2015 and late 2016 Toby used to once in a while answer a question about the lore of the game on tweeter. Leaving some people with their headcanons turning out to be wrong.

(A few examples of headcanons that Toby denied on twitter were that Undyne killed the green soul human, or that ghost monsters used to be humans, for example.)

It was some of those people, in the first place, who started cropping this tweet to make it seem like their headcanons were still on the table and started the mess in the first place.

This rumor, at its origins, was not just a mere misconception but rather a deliberate attempt at misinformation from some fans that weren't happy with the way Toby had taken the game, which is unfortunately still being shared around to this day due to how sensible it seems at first sight.

[fourswordsannotated]

akira himekawa are unbelievably cool.

soooo here's the thing. i was looking at akira himekawa's website on a whim and found a public blog, with posts that go all the way back to 2009. many hours of google translating later, and i've developed an even stronger admiration of these two women and their exceptional career as manga artists. they share so much in these posts about the creative process, their thoughts on social justice, their connections with nature, and their most major original story, gliding reki, which seems to have always been a passion project in the midst of commercial work.

from what i could gather, reki is unique in that they were determined to do it in full color. and they did it, because after reading about their career, it's clear to me that when these women set their mind to an idea, they make it happen. see also: they just recently produced and distributed their own art book, because no publishers were offering to do it in a way that pleased them.

their stated goals for reki were to make something more adult than their previous children's manga, taking place in a city, involving a lot of mechanical art, and featuring stronger romantic and self-described erotic subtext. good for them. before i get into the four swords-related stuff, i'm sharing what i could find on the internet about reki.

more under the cut, because there's quite a bit to discuss :)

not much that i could find on the blog specifically references four swords, but they have many fascinating insights about nintendo, the zelda fandom, and the franchise as a whole. i can't know for certain because this information was surmised from translated text, but it seems as if their manga with chibi link made them feel a little stifled, which is why they took a long break before returning to do twilight princess. it's not lost on me that even a work like four swords, which they may regard as not their favorite or best, still has inspired and brought together so many passionate, creative, and diverse people. this is especially sweet because it seems as if they met each other, and formed their creative partnership, because of a shared fandom interest of their own.

honda and nagano have shared their thoughts and feelings on this blog for more than a decade, and they have a lot of thoughts and feelings. throughout their entire career they've made commentary on work-life balance, their experiences as women in a male-dominated field, and their desire to create original art while simultaneously enjoying some commercial work as well. they are passionate about social justice, particularly re: women and indigenous people, and offer insights on aspects of culture and history and the state of the world that really could resonate with anyone. and they really seem to appreciate fans of their work, and emphasize repeatedly the care and thought they put into their manga in the hopes it will inspire and bring catharsis to readers. they love animals (especially wolves), being outside in nature, being nerds about art they enjoy, a certain subgenre of romantic manga that appealed to and empowered female readers in the 90's and 2000's, and traveling around the world to partake in activities like horse riding and falconry.

the coolest part is, they're still updating the blog to this day :) in fact they seem to have recently returned to it, reflecting that twitter is not their preferred manner of sharing things online. they seem very familiar with and fond of older-school blogging culture.

there's a lot more i could say here about my findings, some of which do pertain to... certain ships 💜🖤 . but i don't want my genuine appreciation for these authors to be overshadowed by that kind of conversation. in addition to a link to the blog itself, i'm including a few translated posts of interests, which you can interpret and incorporate into your perception of the media however you please. at the end of the day, it's a really cool gift that these artists have chosen to share so much over such a long period of time. by making their personalities, beliefs, and insights more visible to fans of their work, i hope it brings new context to the stories we already love.

a modern-day insight:

re: the zelda mangas. these are from several points throughout their career. please note that they have so many fond things to say about zelda as a franchise and their work on the mangas, especially regarding the way they've affected fans. i encourage you to look for yourself, on their blog and their other socials!

re: gliding reki

re: the creative process (and in the latter two, the fandom that seems to have inspired them!)

re: their two goofyass adorable tiny dogs that they dress up in outfits while also loving wolves like a lot, they love wolves (both domesticated and wild), they really love wolves

re: wolf day (every day is wolf day,)

re: indigenous rights

re: painting serious works on commission vs their manga. i can't know for sure exactly what it means, but it really does kinda hit

re: a fan and manga artist in training bringing them art and a note

and a moment from a twilight princess manga interview i found very sweet :)

okay. you've made it to the end. i know you're wondering. here you go. please remember that this is and always has been a public blog, and these posts are actually from 2009 and 2010. also please remember that the point of this post is not to cause or fuel fandom discourse, but to appreciate these authors and the things that they choose to express.

(also, this is the column they were referring to in image 1. it's FASCINATING. give it a read if you'd like!)

the dots are there. you're welcome to connect them.

thank you for your beautiful work and insights, honda and nagano. please never change.