#the end of the world until i started working 70+ hour 7 day work weeks and mandatory overtime every other day
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ouellette · 3 months ago
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i feel like there is something fundamentally wrong with me and every day i pray that its just the underdeveloped prefrontal cortex and not more mental illness that will continue to prevent me from forming meaningful relationships with people as i grow older and more alone
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ajournalingtrex · 2 years ago
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AND SEVENTEEN DAYS UNTIL PRESEASON OH MY GOD LIFE IS BEAUTIFUL !!!!!!! LIFE MIGHT ACTUALLY REALLY SUCK AND I MIGHT WANT TO D1E A BIT ALL THE TIME BUT PRESEASON IS BEAUTIFUL !!!!!!! I!!!! LOVE!!!!! PRESEASON!!!!!
preseason is a gift. proof that there may be a god and that life may be okay. those invited (our student leaders, our graying athletes, the freshmen who have no idea what they’re getting into—trust me i was one of those kids—on campus faculty, and the football team. ), god what an incredible mix it is. an amalgamation of wonderful delightful people every time. it’s such a quiet campus but you know you’re not alone and 70-80 people are in just the same boat as you and it’s comforting.
((most of them are just starting their summer reading just like me, too.))
we throw ourselves at each other and at our rooms and at our teachers that first day, just how it normally is but easier on the social anxiety. we get the afternoon to set up and then we have meetings to go over the rules so that way they wouldn’t have to give it to us again when the rest got here. it felt like we were the guinea pigs, the men at the birth of time. the ones who knew how everything worked before the rest of the world and were—more often than not—the reason that the rules would be changed for the rest of the group. if you’re lucky, you don’t have practice until day 2. i normally don’t possess such fortune.
practice. the only thing any of us have to report for. for my team, that was 10-11:30 conditioning and 3-4:30 field work every day, and twice in that week we had 7-8:30 to continue our progress. it’s exhilarating, the only way to describe it. but maybe that’s because i’m an addict and my drug of choice is the same as it was when i was 10. sprints are no fun but we’re together and we’re laughing, and i get so drunk off the buttercup yellow and fluorescent green swimming through the air around me that i don’t care about how i’m going to puke up a dining hall muffin or how my shirt is an entirely different shade from sweat or how my ankle definitely didn’t hurt like that before.
we indoctrinate the new people with our questions of your favorite smell and then tossing you the unwashed pennies (even though we’re a team that cheers when you make a bad shot because we just can’t get enough of each other), and we reminisce about the games of old and the teams that brought us to tears last year—how 10 called me a bitch for elbowing them and 4 laughed at me getting carded because that’s absolutely something 4 would do god what a prick but it’s okay i think they graduated—and the injuries that took people out and how they’re just not allowed to happen again.
and the playing. holy shiting fuck. being one of the callout defensive players on the team, i take it as the time to introduce myself to everyone and get my bearings of who i’m working with; who’ll listen to advice and who’ll give me that furrowed eyebrow look for daring to question their stance; who’s a baby deer walking on ice for the first time and how can i help make this just a little bit easier for them; who’s getting of play time and where will coach put them; who am i getting paired with a lot and how can i adapt to their play style.
((since being drafted as sweep, this is my goalie. and after one week of hours on end with each other, both of us with the same goal in every drill and joking beside each other when the offense are being run into the ground. last year, she became my son by day three and by day 5 we scrimmaged in matching bathing suits and i turf burned all down my arm, and even though we didn’t win she cites that as the moment i became her person.))
((this year? i’m not allowed to get concussed because she needs me. she needs me out there. i missed her first season and she told me i owed it to her and that we needed to form the same synchronization we barely brushed last year before the accident. for this one green, sky blue, and red-orange week of the year, that kid is my everything. her thoughts are my thoughts, my calls are hers. i promised her we would have it this year, so whatever may happen to me and my destructive tendencies both on and off the field, i’m giving it to her.))
i get pads and pads of paper and i draft roster after roster, trying to get into the head of my former advisor while giving advice she’ll never hear to as many people who will possibly listen to me. i wave my hands around over orange chicken and jasmine rice and blue gatorade and chick fil a milkshakes and talk only of the future, the school year, the season, my family and my team-family and ways that things are green and shiny and bright.
((something a coach said to me last year will always stick with me. when conferencing with me about my role on the team, she said that during the season but especially during preseason, my eyes never sparkle more.))
my favorite day is when it rains. every year there’s always one. the day everyone dreads but i ADORE. last year the power went out, and it got me out of everything but practice. i didn’t mind, though. i never could on rain days.
we’re all outside going through the same downpour and it’s cold and your tank top is sticking to you in the wind, but the air is hot so it’s refreshing. and it sucks to be out there in the rain with your soreness and your slightly off shots and your feet slipping all over the turf (or getting mud in places you’ll talk about only in the locker room) but your heart is absolutely glowing because you’re doing what you love with amazing people in the greatest place you’ve ever been and even if you eat shit 5–10–20 more times, you wouldn’t trade it for the world. because life is good. there’s something in life to look forward to, and it’s you and your team against the elements: training and fucking up and learning from it to grow and to be the best. your eyes are still shiny and you’re alight with heart fire.
because that’s really what preseason is about: heart fire. finding something that makes you feel good about yourself and feel strong and confident and together to just set you ablaze.
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seijch · 4 years ago
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of slushies and shitty coffees ft. iwaizumi hajime.
🍬 iwaizumi hajime + gender neutral!reader
🍬 1.5k, convenience store worker!reader, vague immortal and reincarnation au
🍬 this was for vee but i think she deactivated 🧍‍♂️ its also the first one i wrote back in october so its ... maybe not my best
"you know what i am, don't you?" + being immortal boils down to 70% loneliness, 20% doing whatever the hell you want, and 10% recurring nuisances that bear an odd resemblance to your first love. 
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To say you hated working the night shift would be an understatement.
Sure, most days it passed with relative ease and allowed you to study on the clock, your studies rarely interrupted. A group of friends with the munchies here, a fellow student in need of a pick-me-up there, and an elderly woman that came in like clockwork at the 4am mark to buy cat food for the strays living nearby. You were well-acquainted with the few regulars of your shift and fond of the night manager, Saeko. On paper, there would be little to hate.
But the classes you had a mere three hours after your shift ended were nothing short of a living nightmare to push through; at this point, you’re sure that your blood is almost entirely comprised of the slushies and shitty coffee you spend your shift helping yourself to.
In fact, you’re in the middle of making yourself one of these slushies when the door opens behind you. “Welcome,” you throw over your shoulder, catching a glimpse of the customer as you achieve slushie-making self-actualization.
Your mouth goes dry instantly.
You’re sure they don’t just let Greek gods walk into the nearest 7-11, but there’s clearly a first time for everything. He’s handsome, with a jaw sculpted from the highest quality marble money could buy. In an attempt to prevent your jaw from hitting the floor, you take a long sip of the slushie. “Fuck!” you hiss, clutching your head as you wait for the brain freeze to recede.
In the time that it takes you to get back to the register, the attractive stranger is about ready to check out. “Just this for you?” you ask, the only noise being the whir of the air conditioning and the scanner beeping at the energy bars. When you don’t get a response, you glance up at him. He’s looking right at you, but there’s something deeper behind it.
It’s like he knows you, that you’re as familiar to him as the beat of his heart, the air in his lungs. It’s both too heavy and entirely too intimate for an interaction that consists of you ringing up his 2AM transaction of three protein bars. ”That’ll be $4.17.”
He pays in exact change. Not another word is exchanged between you, but the intrigue and infatuation you have for the stranger lingers, even into the classes you have the morning after.
The next time you see him, he’s with someone else. A friend, you assume — the man with the perfect brown hair ribs at him as they walk in. Once he makes eye contact with you, however, he falls silent.
You’re beginning to feel like you’re missing out on something, especially when the stranger’s friend pulls him over, saying something in a hushed whisper. Something begins to prickle at your skin, and it’s not (just) the way the AC vent blasts on you from where you‘re sitting.
Thankfully, Saeko has excellent timing, bringing the mop out and greeting the two with a wide grin. “We doing alright over here, boys?” They nod, Mr. Shampoo Commercial saying something about midnight cravings before they make their way to the slushie machine.
”Listen,” Saeko whispers to you as the mop passes your spot at the register, “if those boys do or even say anything strange, you know what to do.” When you’d first started working the night shift, Saeko had been very clear that your safety was her top priority.
(“You college kids remind me of my baby brother,” she’d told you one night as you dusted the shelves. “I know it’d kill me if any of you got hurt.”)
You ring up two slushies: one cherry and one cola. Mr. Shampoo Commercial’s the one paying, and it’s as you‘re returning his change that he decides to speak. “Don’t you remember us?” His voice is smooth, with a dangerous lilt to it.
”Oikawa,” warns Mr. Protein Bar. “Don’t.”
”Why not, Iwa?” To you, Oikawa asks, “It’s been a while, don’t you think?”
”I’m sorry,” you say, trying to keep your voice even in the face of his questions, “I don’t know what you’re talking about.” Your foot is poised to knock over a busted shelf behind you; it was Saeko’s alarm system, something she claimed could be heard from anywhere in the store.
A look is exchanged between the two men. You don’t bother trying to read it; it’s the sea and the storm, roiling with a language only the two of them are fluent in. “Sorry,” Iwa says, taking his slushie and shoving the cherry one in Oikawa’s hands. “Have a nice night.”
You don‘t see Iwa for a few weeks. The next time you do, he’s alone. It’s another wordless exchange; this time, he’s buying two cans of shitty coffee. “Is your friend waiting outside?” you ask. He looks surprised to hear your voice, probably expecting you to give him the bare minimum after your last encounter.
”Actually,” he rubs the back of his neck, sliding one of the cans your way, “that one’s for you. Sorry about what happened last time.” He pops open the tab of his coffee. “Oikawa doesn’t know when to keep his mouth shut.”
You nod, opening your own can. ”What was that all about?” you ask, taking a stab in the dark. You miss, unfortunately: he almost chokes on his coffee, the lines on his face growing more defined as he wipes his mouth with the back of his hand.
”Don’t worry about it.”
It‘s a shitty answer paired with shitty coffee, but you take it.
And if you notice that he almost glimmers with an unreal sheen under the flickering fluorescent light, you dismiss the thought. Nothing else seems very real at three in the morning anyway.
He becomes another regular, swinging by twice a week. Two cans of coffee, paid for with exact change. You don’t have the heart to tell him that as an employee, you could just take from the pot whenever you wanted before you had to brew a new one for the morning rush. At first, he slides the can to you and wishes you a good night on his way out, but he grows more chatty as the weeks go by.
He asks about your day, asks about class, asks about work. Never does he share anything about the life he leads outside of shitty coffee and the four walls of the humble convenience store.
But it comes, little by little, like mismatched pieces forming the mosaic of Iwaizumi Hajime. You see it in the weight of the world trapped in his gaze, the way he rolls broad shoulders as if expecting the bones to crack. Most of all, you realize as you take a sip from your can one night, it’s the way he seems to know you better than you know yourself.
It started simple enough, a nod and a flash of something on his face when you told him what you were majoring in. A knowing chuckle, more to himself, when you mention how the old woman that bought cat food was one of your favorite customers. It comes, little by little, until one piece remains. The only way to get it is to ask.
He beats you to it. “You know what I am, don’t you?” he asks as you’re lifting tonight’s can of coffee to your lips. You spare him a glance before taking a long sip, delaying a response for as long as possible.
“You definitely look too good to be human.”
The corners of his lips twitch. “It’s good to know you never change.” You set the now empty can on the counter.
“Have we met before?” Iwaizumi, at least, has the decency to look sheepish. “Your friend with the perfect hair asked if I remembered you.” He snorts with the identifier you’ve given Oikawa, but you press on. “I don’t. But I think you remember me.”
You wait with bated breath for the final piece to fall into place, but he regards you with a look you can’t read.
You’re about to chalk it up to another swing and a miss, but he pulls out his wallet, a worn leather thing. From it comes a single picture, the color faded yellow, the image predating even black and white photography.
It’s Iwaizumi, looking just the same as he does now. He’s got his arm around the person next to him, pressing a kiss to their forehead. The other person is grinning from ear to ear, and it doesn’t take long to recognize who it is.
It’s you.
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amphtaminedreams · 4 years ago
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Sitting Front Row at...(On a Budget Obvs): Lookbook no.15
Hey to anyone reading!
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And welcome to my fave lookbook I’ve done in a longggg ass time! Yes, that’s partially because it involved making collages and doing the low effort work of scouring Vogue Runway for “research purposes”, but I promise, that statement wasn’t made out of COMPLETE laziness-I am super happy with it too. It’s been a good use of pre-part-lockdown-lift time in the interim between that brief period of Christmas celebrations and eateries finally fucking opening again because let’s be honest, I always knew I was gonna get distracted by oat milk vanilla lattes and veggie all day breakfasts once I could actually sit down with them at my fave local cafe. You could say I was very much operating on a self-imposed deadline.
The “what I would wear to sit front row at...[insert designer here]” TikTok/Instagram reel trend was something I wanted to get on board with ever since I first saw one and whilst the option of doing my own live action take-I really cannot bear the thought of having to edit footage of myself awkwardly attempting to sit nonchalantly in front of a camera for hours on end-was off the cards considering my complete lack of screen presence, I decided a Tumblr text post would work just as well, and if not even better in a way. Given the absence of the time limitations you face when you’re making a reel or a TikTok I thought it’d be cool to present the looks as part of a mini moodboard for each designer which adds a bit of context to each look even if you aren’t familiar with their past collections and establishes the general vibe of the brand I’m attempting to replicate. Not to sound snotty or as if I am the font of all knowledge on anything high fashion related but even with my amateur knowledge I noticed that as the video trend took off and was adopted by big name influencers, it became less about the average person putting their own personal spin on the aesthetic of the labels we can’t ordinarily afford and more about them building outfits that only vaguely resemble the general public perception of the brand around the real corresponding (and often gifted and thus inaccessible to someone who doesn’t makes thousands for a sponsored post) pieces they own SO I thought I’d take the trend back to its roots and get a bit resourceful. All that being said, in no particular order, here are the outfits I would wear to sit front row at Gucci, Vera Wang, Miu-Miu, Marc Jacobs, Dolce & Gabbana, Brock Collection, Alexander McQueen, Etro, Burberry aaaand Saint Laurent based on their past collections and guess what? They didn’t cost a shit tonne of money :-)
-disclaimer: will include an asterisk before any new purchases if from a high street store though to be honest, I don’t think there are any, we shall see! I do include where I got old purchases from in case anyone wants to search anything on Depop/Ebay-
1. Saint Laurent (formerly Yves Saint Laurent)
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-blazer from identityparty on Depop, pleather trousers from Zara, jewellery from Dolls Kill-
I know technically abbreviating Saint Laurent to YSL doesn’t really make much sense anymore given the brand’s name change in 2012, but I’ll always think of it as that in the same way I’ll always associate it with the slightly dishevelled yet simultaneously glitzy rock n’ roll aesthetic. The thing is, whilst YSL hasn’t done anything wildly out of the box for a long time, it’s rare they put a look on the runway that I wouldn’t wear; they never end up being a fashion week standout but the Parisienne take on grunge we’ve seen Anthony Vaccarello establish as his go-to will always have a place in my heart. 
2. Alexander McQueen
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-embroidered leather jacket from Ebay (originally Topshop), harness from Amazon, dress from ASOS, boots from Koi Vegan Footwear-
Alexander McQueen is a brand that is pretty much universally liked, from the historically extravagant and groundbreaking shows the man himself put together to Sarah Burton’s more toned down but still beautiful collections. Obviously I didn’t attempt to do justice to the former, so I tried my hand at putting together a look inspired by Sarah’s blend of delicate femininity and nomadic edge, and it went...okay? Like it’s definitely not my favourite of all the looks because it does give off slightly cheap copycat vibes buuut outside of the context of this lookbook it’s cute.
3. Brock Collection
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-boater hat from Ebay, midi skirt from morganogle on Depop, corset top from ownmode_, heels from amybeckett1, bag from Primark-
Brock isn’t as well known a brand as most of the others in this list but I adore everything Laura Vassar Brock does and I couldn’t pass up an opportunity to try and channel the vision of one of the OG pioneers of the cottagecore vibe through my own wardrobe. I mean fr, this woman’s work as a steady provider of meadow photoshoot worthy dresses and corsets and skirts is v slept on and I will not stand for it. I will sit in front of a camera and then write a paragraph in my blog post begging anybody who reads to give LVB (an abbreviation I acknowledge is unlikely to catch on because Lisa Vanderpump anybody?) some form of acknowledgement for her services to period romance novel inspired moodboards everywhere.
4. Marc Jacobs
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-coat from House of Sunny, white shirt from Retro World Camden, co-ord from Sugar Thrillz, bag from Poppy Lissiman-
If there’s one thing Marc Jacobs always does, it’s COMMITS. TO. HIS. THEME. I just KNOW he has a secret Pinterest with separate boards for every fashion era of the 20th century and he is putting those boards to good use providing us with collections that are as immersive as they are eclectic year in year out. 
5. Miu Miu
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-beret from H&M, hair clips from H&M, jewellery from Primark, coat from mollyyemmaa on Depop, shirt from YesStyle, sweater vest from YesStyle, skirt from Depop, diamanté belt from Brandy Melville, shoes from Koi Vegan Footwear-
We all like to talk about Bratz dolls and Monster High dolls and Barbies as fashion inspo but can we all focus on Cabbage Patch dolls for two secs so as to acknowledge the fact that a Miu Miu collection is basically all their fits grown up? And made boujie as fuck? If I want my fix of Wes Anderson meets Scream Queens (what a combo) inspired outfits, if I want prissy and girlish but also glam, if I want to look like a bratty rich girl whose one redeeming quality is her eye for vintage clothes, I know where to look and that is the Miu Miu section of Vogue Runway. 
6. Vera Wang
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-blazer as in no.1, velvet bralet from catdegaris on Depop, harness from Amazon, skirt from Ebay, knee high socks from Ebay, lace up boots from Ebay-
Vera Wang’s RTW aesthetic, a blend of the ethereal, ultra-feminine bridal designs she’s known for and British style punk rock influences, is something I feel has only become firmly established in recent years but it is everything I ever wanted and more. I always find myself trying to balance the part of me that loves everything girly and delicate and pretty and the part of me that would love to be in a biker gang and Vera’s collections are always an inspirational reminder of just how well it can be done.
7. Burberry
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-coat from charity shop, suit from emmafisher3 on Depop, top from simranindia, shirt underneath from Zara, jewellery from ASOS-
Now I’m not gonna lie, I’m not the biggest fan of Burberry but there have been a few looks over the past few years I’ve really liked and as someone who owns numerous trench coats, high necks and way too much plaid, I thought it’d be an easy one to replicate. Plus, if you can count on Riccardo Tisci for nothing else you at least can rely on him giving you some layering inspo which is very much needed in a country where it literally just snowed in April and where my plans for today have just been cancelled because the iPhone weather app did a Karen Smith and didn’t predict rain for today right up until it started raining so thanks for that one British meteorologists. Your incompetence strikes again.
8. Etro
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-corset from Urban Outfitters, vinyl trench coat from Topshop, boots from Ebay, black slip dress from kaoanaoleinik on Depop, fur trim afghan coat from louisemarcella-
Like with Brock Collection, Etro isn’t a hugely well known brand, but it is always one of my favourites-to add a spanner into the works of any attempts to cultivate a firm sense of personal style, I live for the ornate Bohemian look that Etro does so well just as much as I love both grungy and girly pieces, and so I really wanted to include a brand whose collections go down that route. It was a toss-up between this and Zimmerman, the flirtier, free spirit counterpart to the dark romance of Veronica Etro’s designs; her vision really shines through the most when it comes to the brand’s winter collections, imo, and given that I live in a country where winter or some weather state resembling it does seem to take up 70% of the year, I did decide on channelling her work rather than that of the equally talented Nicky and Simone Zimmermann this time round.
9. Dolce & Gabbana
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-flower crown from ASOS, tiara from Amazon, earrings from YesStyle, dress from alicealderdice1 on Depop, opera gloves from Ebay, boots from Koi Vegan Footwear-
D&G is a brand I felt really conflicted about doing-I don’t include their current collections in my fashion week reviews based on the actions of designers Stefano Gabbana and Domenico Dolce over the last few years because I don’t want to mitigate the collective effort of fashion critics to push them towards irrelevancy. Though people like to claim the brand has turned a corner since Lucio Di Rosa was brought on board as the manager of celebrity and VIP relations last year (they are as prolific a force on red carpet fashion as ever), we haven’t seen any real meaningful apologies or reparations made by Dolce and Gabbana themselves which once again leaves us in the all too familiar quandary of whether or not we can separate the art from the artist especially when it is far too much of a simplification to only credit the two men for their work given there’s a whole design team behind them. There are a LOT of shitty people working in fashion, the whole industry is a bit of a cesspit if we’re honest, but I don’t think that should stop us from at least being able to appreciate old collections if we make sure we aren’t engaging in any kind of promotion of current works whilst doing so. D&G are a brand of high highs and low lows, with looks that range from hideously ugly to showstoppingly beautiful in a single show-when the looks are good, they are GOOD-and their presence in the fashion world is most definitely felt whether we want it to be or not. It would just be shit to refuse to recognise the existence of some real iconic runway moments, the practical work that went into the ornate detail and opulence that helped cement D&Gs place in sartorial history, the styling that’s made goddesses and fairytale queens out of modern day women as they’ve glided down catwalks, the far more extravagant and, let’s be real, sexier version of our world D&G shows have transported us to in the past. Will I talk about D&G ever again? No, and if you Google the scandals their brand has faced over the past few years, there are more than enough reasons why, but just this once I did want to pay homage to some of the collections, the snippets of which I saw on my Tumblr dashboard back when I was about 13, that first got me into fashion.
10. Gucci
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-fur coat from Topshop, clips from Zaful, glasses from Ebay, dress from gracewright246 on Depop, shirt from Boohoo, blazer from charity shop-
Now last but, if you ever read any of my fashion week reviews (the likelihood of someone actually having read one of them and reading this is incredibly, incredibly slim lol, I wouldn’t read me either) you’ll know, definitely not least, is Gucci because Alessandro Michele comes through every!! single!! time!!
The man is truly the king of quirky throwback maximalism and it hurts my heart that a lot of people seem to think of it only as a brand associated with ostentatious displays of wealth. Year after year since Michele was made creative director he has released purposeful, fully-fleshed out collections which unravel themselves to us on the runway like time capsules containing the belongings of the rich and whimsical and yes that can sometimes result in outfits which are *ahem* a bit mismatched but it doesn’t matter because through fashion he manages to take us to a vivid version of the past where people could dress as freely and lavishly as they wanted to, into the wardrobe of a person unaffected by the side-eyeing of others. You get the impression he doesn’t design so much as plays around with some kind of enchanted dress up box and takes inspiration from there and to give that impression is only a credit to his talent-to make outfits so kooky and extravagant look like they were meant to be takes a boldness and genuine love for clothes that I do tend to feel a lot of the big name designers have lost in the pursuit of profit and the necessary placating of the dying customer base that keeps that coming in. Of course I'm not for a second saying Gucci does not care about profit, but at the very least, they have on board a creative director who genuinely has fun with what they’re putting out there and wants to make a statement too and that really shows; you can rest on your laurels and sell tweed boucle jackets to rich old white women for eternity but nobody’s going to mention your brand name and the word groundbreaking in the same sentence ever again unless they’re talking about what it was a century ago, you know (mentioning no names...unless...did I hear someone say Chanel)? That feels like such a shady way to end, lol, but I’m sure said brand will survive-to be fair, they’ve been included in every other What I’d Wear to Sit Front Row At video I’ve seen so although I’m always slagging them off for doing the saaaaame thinggggg year after year, for that same reason their aesthetic is instantly recognisable and so will always be a source of imitation. There are obviously pros and cons to being a brand which constantly reinvents itself but I think it’s totally possible to do that whilst maintaining an overall mission, and Alessandro Michele’s work at Gucci demonstrates that with ease.
Anyway, if you got to here, thanks for reading! I know I’m super behind on this whole TikTok trend and I know a Tumblr post instead of a video is a bit of a cop out but all the real, physically awkward ones out there know that watching yourself back is excruciating lmao, so I hope this does the trick. After this, I’m gonna get back to the reviewing S/S21 collections post though knowing me I’ll probs take a few days to get back into that because I feel like since I left full-time education (RIP me going back in a few months) writing continuously like this for any longer than about 15 mins fries what brain cells I have left. Again, thank you for reading and if you are, sending many good vibes your way! Stay safe!
Lauren x
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1962dude420-blog · 3 years ago
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Today we remember the passing of Glen Campbell who Died: August 8, 2017 in Nashville, Tennessee
Glen Travis Campbell (April 22, 1936 – August 8, 2017) was an American guitarist, singer, songwriter, actor and television host. He was best known for a series of hit songs in the 1960s and 1970s, and for hosting The Glen Campbell Goodtime Hour on CBS television from 1969 until 1972. He released 64 albums in a career that spanned five decades, selling over 45 million records worldwide, including twelve gold albums, four platinum albums, and one double-platinum album.
Born in Billstown, Arkansas, Campbell began his professional career as a studio musician in Los Angeles, spending several years playing with the group of instrumentalists later known as "The Wrecking Crew". After becoming a solo artist, he placed a total of 80 different songs on either the Billboard Country Chart, Billboard Hot 100, or Adult Contemporary Chart, of which 29 made the top 10 and of which nine reached number one on at least one of those charts. Among Campbell's hits are "Universal Soldier", his first hit from 1965, along with "Gentle on My Mind" (1967), "By the Time I Get to Phoenix" (1967), "Dreams of the Everyday Housewife" (1968), "Wichita Lineman" (1968), "Galveston" (1969), "Rhinestone Cowboy" (1975) and "Southern Nights" (1977).
In 1967, Campbell won four Grammys in the country and pop categories. For "Gentle on My Mind", he received two awards in country and western; "By the Time I Get to Phoenix" did the same in pop. Three of his early hits later won Grammy Hall of Fame Awards (2000, 2004, 2008), while Campbell himself won the Grammy Lifetime Achievement Award in 2012. He owned trophies for Male Vocalist of the Year from both the Country Music Association (CMA) and the Academy of Country Music (ACM), and took the CMA's top award as 1968 Entertainer of the Year. Campbell played a supporting role in the film True Grit (1969), which earned him a Golden Globe nomination for Most Promising Newcomer. He also sang the title song, which was nominated for an Academy Award.
Glen was born on April 22, 1936, in Billstown, a tiny community near Delight in Pike County, Arkansas, to John Wesley (a sharecropper) and Carrie Dell (Stone) Campbell. Campbell was of Scottish descent and was the seventh son of 12 children. As a child he almost died from drowning. His family went to Church of Christ, and Campbell's brother Lindell became a Church of Christ minister. In 2011 he claimed his mother was Irish, although this was not true. The family lived on a farm, where they barely managed, by growing cotton, corn, watermelons, and potatoes. "We had no electricity," he said, and money was scarce. "A dollar in those days looked as big as a saddle blanket." To supplement income the family picked cotton for other farmers. "I picked cotton for $1.25 a hundred pounds," said Campbell. "If you worked your tail off, you could pick 80 or 90 pounds a day."
Campbell started playing guitar at age four after his father gave him a Sears-bought five-dollar guitar as a gift, with his uncle Boo teaching him the basics of how to play. Most of his family was musical, he said. "Back home, everybody plays and sings." By the time he was six he was performing on local radio stations.
Campbell continued playing guitar in his youth, with no formal training, and practiced when he was not working in the cotton fields. He developed his talent by listening to radio and records and considered Django Reinhardt among his most admired guitarists, later calling him "the most awesome player I ever heard." He dropped out of school at 14 to work in Houston alongside his brothers, installing insulation and later working at a gas station.
Not satisfied with that kind of unskilled work, Campbell started playing music at fairs and church picnics and singing gospel hymns in the church choir. He was able to find spots performing on local radio stations, and after his parents moved to Houston, he made some appearances at a local nightclub.
In 1954, at age 17, Campbell moved to Albuquerque, New Mexico, to join his uncle's band, known as Dick Bills and the Sandia Mountain Boys. He quit high school in 10th grade. He also appeared there on his uncle's radio show and on K Circle B Time, the local children's program on KOB television. It was there that he met his first wife, whom he married when he was 17 and she was 16.
In 1958, Campbell formed his own band, the Western Wranglers. "We worked hard," he said. "Six, sometimes seven nights a week. I didn't have my eye set on any specific goals or big dreams."
In 1960, Campbell moved to Los Angeles to become a session musician. That October, he joined the Champs. By January 1961, Campbell had found a daytime job at publishing company American Music, writing songs and recording demos. Because of these demos Campbell soon was in demand as a session musician and became part of a group of studio musicians later known as the Wrecking Crew.
Campbell played on recordings by the Beach Boys, Bobby Darin, Frank Sinatra, Ricky Nelson, Dean Martin, Nat King Cole, the Monkees, Nancy Sinatra, Merle Haggard, Jan and Dean, Bing Crosby, Phil Spector, Sammy Davis Jr., Doris Day, Bobby Vee, The Everly Brothers, Shelley Fabares, The Cascades, Paul Revere & the Raiders, Wayne Newton, The First Edition, The Kingston Trio, Roger Miller, Gene Clark, Lou Rawls, Claude King, Lorne Greene, Ronnie Dove and Elvis Presley. He befriended Presley when he helped record the soundtrack for Viva Las Vegas in 1964. He later said, "Elvis and I were brought up the same humble way – picking cotton and looking at the south end of a north-bound mule."
In May 1961, he left the Champs and was subsequently signed by Crest Records, a subsidiary of American Music. His first solo release, "Turn Around, Look at Me", a moderate success, peaked at number 62 on the Hot 100 in 1961 but reached number 7 on the Hot 100 in a 1968 Vogues cover. Campbell also formed the Gee Cees with former bandmembers from the Champs, performing at the Crossbow Inn in Van Nuys. The Gee Cees, too, released a single on Crest, the instrumental "Buzz Saw", which did not chart.
In 1962, Campbell signed with Capitol Records. After minor initial success with "Too Late to Worry, Too Blue to Cry", his first single for the label, and "Kentucky Means Paradise", released by the Green River Boys featuring Glen Campbell, a string of unsuccessful singles and albums followed. By 1963 his playing and singing were heard on 586 recorded songs. He never learned to read music, but besides guitar, he could play the banjo, mandolin and bass.
From 1964 on, Campbell began to appear on television as a regular on Star Route, a syndicated series hosted by Rod Cameron, ABC's Shindig! and Hollywood Jamboree.
From December 1964 to early March 1965, Campbell was a touring member of the Beach Boys, filling in for Brian Wilson, playing bass guitar and singing falsetto harmonies. He was then replaced on the Beach Boys' tours by new member Bruce Johnston.
In 1965, he had his biggest solo hit yet, reaching number 45 on the Hot 100 with a version of Buffy Sainte-Marie's "Universal Soldier". Asked about the pacifist message of the song, he said that "people who are advocating burning draft cards should be hung."
Campbell continued as a session musician, playing guitar on the Beach Boys' 1966 album Pet Sounds, among other recordings. In April of that year, he joined Rick Nelson on a tour through the Far East, again playing bass.
When follow-up singles did not do well, and Capitol was considering dropping Campbell from the label in 1966, he was teamed with producer Al De Lory. Together, they first collaborated on "Burning Bridges" which became a top 20 country hit in early 1967, and the album of the same name.
Campbell and De Lory collaborated again on 1967's "Gentle on My Mind", written by John Hartford, which was an overnight success. The song was followed by the bigger hit "By the Time I Get to Phoenix" later in 1967, and "I Wanna Live" and "Wichita Lineman" in 1968, remaining on Billboard's Top 100 charts for 15 weeks. He won four Grammy Awards for "Gentle on My Mind" and "By the Time I Get to Phoenix".
In 1967, Campbell was also the uncredited lead vocalist on "My World Fell Down" by Sagittarius, a studio group. The song reached number 70 on the Billboard Hot 100.
In 1968, Campbell released "Wichita Lineman", a song written by Jimmy Webb. It was recorded with backing from members of the Wrecking Crew and appeared on his 1968 album of the same name. It reached number 3 on the US pop chart, remaining in the Top 100 for 15 weeks. In addition, the song also topped the American country music chart for two weeks, and the adult contemporary chart for six weeks.
The 1969 song "True Grit" by composer Elmer Bernstein and lyricist Don Black, and sung by Campbell, who co-starred in the movie, received nominations for the Academy Award for Best Song and the Golden Globe for Best Original Song.
After he hosted a 1968 summer replacement for television's The Smothers Brothers Comedy Hour variety show, Campbell was given his own weekly variety show, The Glen Campbell Goodtime Hour, which ran from January 1969 through June 1972. The show's comedy writers included Steve Martin and Rob Reiner. At the height of his popularity, a 1970 biography by Freda Kramer, The Glen Campbell Story, was published.
With Campbell's session-work connections, he hosted major names in music on his show, including the Beatles (on film), David Gates, Bread, the Monkees, Neil Diamond, Linda Ronstadt, Johnny Cash, Merle Haggard, Willie Nelson, Waylon Jennings, Roger Miller, and Mel Tillis. Campbell helped launch the careers of Anne Murray and Jerry Reed, who were regulars on his Goodtime Hour program.
During the late 1960s and early 1970s, Campbell released a long series of singles and appeared in the movies True Grit (1969) with John Wayne and Kim Darby and Norwood (1970) with Kim Darby and Joe Namath.
After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol Leif Garrett. He hosted a number of television specials, including 1976's Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976 to 1978 and headlined the 1979 NBC special Glen Campbell: Back to Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including Donny & Marie and The Tonight Show Starring Johnny Carson, where he performed "Rhinestone Cowboy". He also appeared on Cher, the Redd Foxx Comedy Hour, The Merv Griffin Show, The Midnight Special, DINAH!, Evening at Pops with Arthur Fiedler and The Mike Douglas Show.
In the mid-1970s, he had more hits with "Rhinestone Cowboy", "Southern Nights" (both U.S. number one hits), "Sunflower" (U.S. number 39) (written by Neil Diamond), and "Country Boy (You Got Your Feet in L.A.)" (U.S. number 11).
"Rhinestone Cowboy" was Campbell's largest-selling single and one of his best-known recordings, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss' version while on tour of Australia in 1974. Both songs were in the October 4, 1975, Hot 100 top 10. "Rhinestone Cowboy" continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. The main phrase of Campbell's recording was included in Dickie Goodman's Jaws movie parody song "Mr. Jaws". Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.
"Southern Nights", by Allen Toussaint, his other number one pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.
In 2005, Campbell was inducted into the Country Music Hall of Fame. It was announced in April 2008 that Campbell was returning to his signature label, Capitol, to release his new album, Meet Glen Campbell. The album was released on August 19. With this album, he branched off in a different musical direction, covering tracks from artists such as Travis, U2, Tom Petty and the Heartbreakers, Jackson Browne, and Foo Fighters. It was Campbell's first release on Capitol in over 15 years. Musicians from Cheap Trick and Jellyfish contributed to the album as well. The first single, a cover of Green Day's "Good Riddance (Time of Your Life)", was released to radio in July 2008.
In March 2010, a then-farewell album titled Ghost on the Canvas was announced which served as a companion to Meet Glen Campbell (2008).
Following his late 2010 Alzheimer's diagnosis, Campbell embarked on a final "Goodbye Tour", with three of his children joining him in his backup band. He was too ill to travel to Australia and New Zealand in the summer of 2012. His final show was on November 30, 2012, in Napa, California. After the end of the tour, Campbell entered the studio in Nashville to record what would be his final album, Adiós, which would not be revealed until five years later. According to his wife, Kim Campbell, he wanted to preserve "what magic was left", in what would be his final recordings. In January 2013, Campbell recorded his final song, "I'm Not Gonna Miss You", during what would be his last recording sessions. The song, which is featured in the 2014 documentary Glen Campbell: I'll Be Me, was released on September 30, 2014, with the documentary following on October 24. On January 15, 2015, Campbell and fellow songwriter Julian Raymond were nominated for Best Original Song at the 87th Academy Awards.
On August 30, 2016, during the 10th Annual ACM Honors, Keith Urban, Blake Shelton and others performed a medley of Glen Campbell's songs in tribute to him. His wife Kim Campbell accepted the Career Achievement Award on his behalf. Alice Cooper described him as being one of the five best guitar players in the music industry.
Campbell's final album Adiós, featuring twelve songs from his final 2012–13 sessions, was announced in April 2017. It was released on June 9, 2017. Adiós was named by the UK's Official Charts Company as the best-selling country/Americana album of 2017 in Britain.
Campbell died in Nashville, Tennessee, on August 8, 2017, at the age of 81. He was buried in the Campbell family cemetery in Billstown, Arkansas.
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theotherjourney7 · 4 years ago
Text
“I was gonna leave The Week In Tory until Friday the 2nd October but at their current rate it'll be very long by then, and I'm worried about you, mate.
It's OK to get drunk on at 5pm on Monday the 28th of September, isn't it? Well, that's my recommendation anyway. Here goes...
1. In June UK Prime Minister Boris Johnson said to Black Lives Matter protestors: “I hear you”, and acknowledged the “incontrovertible, undeniable feeling of injustice” that “we simply cannot ignore”
So obviously, 40 Tory MPs refused to take part in unconscious bias training
2. The government shut pubs an hour early, seemingly under the impression coronavirus (an inert, sub-microscopic infectious entity with no brain or nervous system) can tell the time.
The government demanded we all follow the rules
The government exempted House Of Commons bars from the rules
3. Health Minister Helen Whately said “people who get drunk and leave the pub to keep on partying should remember their responsibility for the nation’s health”
Helen Whateley, who is *actually* responsible for the nation’s health, was sober when she said this. Presumably
4. After 6 months of world-leading “throwing apps in the bin but taking the cash anyway”, the government finally proudly released an NHS Testing App
It didn't work with NHS tests
Or on 18% of phones
Or in Scotland or Northern Ireland
And a report said only 10% of the us will use it, cos we don’t trust Dominic Cummings with our data
Nor should we: the Data Commissioner said Cummings' proposed changes to privacy law will see the UK barred from sharing global data, and cost the UK economy "up to £80bn"
5. Meanwhile the promise of 500,000 tests per day won’t be reached because, in news that should shock nobody, the government failed to order enough raw materials
So the government stopped releasing evidence of how many are being tested, cos if you don't look at it, it isn't real
6. The government, which only weeks ago was demanding we go back to work or all get sacked, now demands we all stay at home
7. Them the government said the reason the UK had the worst Covid response AND worst economy in Europe is because we are “freedom-loving”
8. And then government freedom-lovingly banned schools from using any materials that criticised capitalism
Not content with this, they also banned schools discussing “victim narratives”, which is going to make it tough to maintain their national anti-bullying strategy
9. And then a leaked report said the government was planning to freedom-lovingly deploy the military on the streets
10. Meanwhile, the government announced only 24% of businesses have done any preparation for Brexit, and only 30% of cross-channel HGVs have the correct paperwork
11. The government finally admitted what they’d been told repeatedly since 2016, and said Brexit would create 2-day queues of 7000 lorries at Channel ports
7000 lorries (at the average 16.5m each) is 1155km. That’s a queue over 70 miles long. Every day.
To solve this, the government announced a new internal border in Kent, helpfully relocating 70 miles of queues to London, Essex, Surrey and East Sussex instead
A month ago, Tory MP Sir Edward Leigh was demanding we “take back” Calais. Now we’re essentially abandoning Kent.
Because we only had 4 years to plan for this, our lovely new border will start on 1 January and be controlled by software that – and you should probably open a second bottle around now - won’t be ready until at least 4 months later
Oh, and border checks won’t be ready in Northern Ireland either
But we might not have a problem anyway: it was revealed there are just 2000 EU haulage permits for our 40,000 UK hauliers. That’s 5% of what we need, for any Govt Ministers struggling with the maths
12. And we don’t even have enough pallets for the goods we import, cos we currently rely on a supply we share with the EU, and have neither the wood nor the treatment plants, nor the required chemicals to make and treat our own
So now the government has to make a 200m border, a mechanism for policing it, an internal passport system, software, admin, buy 38,000 permits and grow enough trees for 700,000 pallets. In 3 months.
It had 5 months to add up some A-Level results, and that went swimmingly
13. I’m sure supply-and-demand won’t force prices sky high, cos it never does when you have 5% of the food the nation needs and a govt which boasts about breaking the law, but it was also announced tariffs will add £3.1bn to the nation’s food bill in Jan 2021
14. As a mark of confidence, Jim Ratcliffe, Britain’s richest man and a leading Brexiteer, buggered off to Monaco
15. And an unnamed minister was quoted: “We are stuck in a bind. If we try to cancel Brexit we destroy ourselves; if we go ahead with it we destroy the country”
16. The London School of Economics reported the long-term cost of Brexit will be 2-3 times the cost of Covid
So Rishi Sunak cancelled the budget, cos once again, if you don’t look at it, it doesn’t exist
17. JPMorgan shifted £200 billion out of the UK and into Germany calling it “a result of Brexit”.
At least 22% of our entire national economy depends on international banks based in the City of London, so when the largest one fucks off, it's a relaxing development
18. Former Prime Minister Theresa May said the government’s bill to break international law is “reckless” and “risks the integrity of the United Kingdom”
19. The Attorney General, who takes an oath to parliament, the Queen and The Bar to observe the law, said she was “very proud” to be breaking the law
The UK is a signatory and legal guarantor of the Good Friday Agreement, which brought peace to the island of Ireland after 3600 violent deaths. The Attorney General, who is sworn to maintain peace, says Brexit will break the GFA, and she is “extremely proud” of that too.
Turns out, the advisory Professor who told her she should go ahead and break the law and endanger peace in Ireland is the partner of Michael Gove’s special advisor. It’s amazing, these coincidences. Almost as if they don’t want to listen to anybody else
20. Speaking of which, UK Prime Minister Boris Johnson’s old friend and unfailingly irrumating backer (google it) Charles Moore, who has spent his life demanding the end of the BBC, and said the BBC causes "human misery worthy of Dickens" (does he mean Mrs Brown's Boys?) is in line to run the BBC
And it was reported ex Daily Mail Editor Paul Dacre, who shouts c*unt so much his meetings are called “the vagina monologues”, and whose paper is banned as a Wiki reference cos it lies so often, is going to be put in charge of Ofcom: ensuring decent and honest broadcasting
Oh yeah, and Boris Johnson tweeted “a free press is vital in holding the government to account”, which is probably why the people holding his govt to account are being replaced with his mates and cheerleaders
21. Tory MP and successful conscience-donor Andrea Jenkins got paid £25k from a thinktank that doesn’t exist
22. And because no list is complete without a disturbing nocturnal visitation from the smirking angel of death, Home Office Secretary Priti Patel was accused of incitement to racial hatred
23. Whilst Patel, Jenkyns and the Attorney General were busy redefining “the party of Law and Order” the rest of the govt took a wild swing at “the party of fiscal responsibility”, when it was revealed the government has wasted £3,895,556,000 since March.
This includes unsafe testing kits; face masks that don’t work; broken tracing systems; useless antibody tests; cancelled ventilator challenge; and inexplicable contracts to sweet manufacturers and dormant companies with no employees, to provide PPE that never arrived!
24. The government, which insisted schools and universities reopened, said it was now vital to lock down students and prevent them from mixing in large groups
And then the government said it was sanctioning class sizes of up to 60 which ... remind me, is that more or fewer than 6?
25. Health Secretary Matt Hancock said “we’re giving up to 11,000 iPads to care homes to enable residents to connect with loved ones”
“Up to” is a bit telling, but even if it’s 11,000, there are 21,700 care homes in the UK. I guess they’ll just have to share. Goodbye forever, nana!
26. And finally, if you feel all alone in despairing at this: you aren’t. Belief in Britain as a “global force for good” has fallen 10% since 2019. I, for one, am shocked to the core....”-Russ
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theorajones · 4 years ago
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youtube
OR IS HE?
I present to you, the Michael Knight Manwhore Index! 
This was shamelessly ripped off from inspired by Sara_merry’s Michael Knight Sex Project on LJ, which tragically appears to have been abandoned after the first 14 episodes. But having a) a ton of spare time on my hands due to the ongoing Coronapocalypse, b) a steadfast dedication to sitting around in my pajamas watching Knight Rider instead of cleaning the gutters or replacing my car’s valve cover gaskets and c) a burning need to know how accurate my estimate of Michael’s conquests was in my last trashy fanfic, I persevered.
Methodology: I assigned each prominent female guest character (and the occasional male and/or regular character) a probability of having gotten it on with Michael, based on my subjective interpretation of how much they flirted/made out/made plans for a romantic getaway/actually went on a romantic getaway. Episodes in which at least one character had a 50% or greater probability (including with characters who were talked about but not seen onscreen) were assigned a value of 1. Episodes with a 49% or lower probability were assigned a value of 0. Values were totaled to calculate each season’s MKMI number.
TL;DR results:
 (# denotes probable sexytimes with someone who wasn’t seen onscreen, * denotes Michael’s participation was most likely non-consensual)
Season 1 MKMI number: 13
04 - Good Day at White Rock 05 - Slammin’ Sammy’s Stunt Show  Spectacular 06 - Just My Bill # 07 - Not a Drop to Drink 08 - No Big Thing # 09 - Trust Doesn’t Rust # 10 - Inside Out 11 - The Final Verdict 13 - Forget Me Not 15 - Give Me Liberty... or Give Me Death 16 - The Topaz Connection 17 - A Nice, Indecent Little Town 20 - Knight Moves
Season 2 MKMI number: 6
06 - Return to Cadiz 07 - KITT the Cat 08 - Custom KITT 14 - Diamonds Aren’t a Girl’s Best Friend 18/19 - Goliath Returns * 23 - Let It Be Me
Season 3 MKMI number: 7
09 - Dead of Knight 12 - Custom Made Killer # 13 - Knight by A Nose 14 - Junk Yard Dog 15 - Buy Out 17 - The Nineteenth Hole 22 - Circus Knights
Season 4 MKMI number: 5
03 - KITTnap 08 - Many Happy Returns 12 - The Scent of Roses 16 - Redemption of a Champion 22 - Voo Doo Knight
Conclusion: Michael is not nearly as much of a manwhore as people think, at least based on what we see onscreen. Although he clearly does have a social life outside of what we’re shown in every episode, so there’s still a world of possibilities...
Detailed episode analysis below the cut:
s1e01/02 - Knight of the Phoenix
Lonnie - Don't seem to know each other very well, no signs of other than professional interest. Probability: 0%
Tanya - Some kind of working relationship as Michael Long, but she doesn't seem to recognize his voice as MK. Plus he was possibly still engaged to Stevie as ML.
T: "I can promise you a very rewarding... *partnership*." M: "Not this time."
Probability: 5% (as ML)     0% (as MK)
Maggie - She expresses regret at not going for him at the end, but also seems more interested in finding a father figure for her son. It's implied that Michael left town before anything could happen. He did say he'd come back and visit. Did he ever? Would Maggie be up for a fling even though she knows he can't settle down? Potentially but not necessarily.
Probability - 30%
s1e03 - Deadly Maneuvers
Robin - They keep things mostly professional during the investigation. Michael goes to his own hotel room. At the end, it looks like he and Devon are leaving together. Michael is wearing a different shirt in the last scene than in the one where he rescues Robin from the munitions range so it's unclear how much time has passed. Theoretically sexytimes could have transpired but there aren't really any strong suggestions that they have.
Probability: 10%
s1e04 - Good Day at White Rock
Sherry - "Keep driving." "For how long?" "Until one of us runs out of gas."
Probability: 95%
s1e05 - Slammin' Sammy's Stunt Show Spectacular
Lisa - She's definitely interested. And he's sticking around for another 3 weeks, so definitely some opportunity. He doesn't seem as flirtatious with her as he was with Sherry but it's definitely a possibility.
Probability: 70%
s1e06 - Just My Bill
Sabrina (offscreen) - Devon breaks Michael's date with her. Not enough info to draw any conclusions about whether it's a first and/or last date. A definite possibility.
Probability: 50%
Senator Maggie - That would have been subversive af, but alas, no.
Probability: 0%
Jane - Doesn't seem that into him at their first meeting. At their breakfast date he asks her how she slept, which presumably he'd know if he'd been there. She does go out to lunch with him and Devon at the end. Possible but not conclusive.
Probability: 25%
s1e07 - Not A Drop to Drink
Francesca - They have kind of a "channel the sexual tension into arguments" thing, but like Maggie in the pilot, she's probably looking more for somebody who can settle down. Another one where he talks at the end about coming back to visit but we don't know if he ever does. Maybe?
Probability: 50%
S1e08 - No Big Thing
The Unnamed 200-Mile Diversion Girl (offscreen) - I doubt he drove 200 miles out of his way just for coffee and friendly conversation.
Probability: 90%
Carol Reston - They have dinner together but seem to be keeping things strictly business. No apparent indication that they're romantically interested, no "Come back and visit sometime."
Probability: 0%
s1e09 - Trust Doesn't Rust
Rosalyn and/or Rosalie (offscreen) - "What's wrong with a little 'companionship'?"
Probability: 90%
Bonnie - They almost kiss after defeating KARR, but mutually think better of it. Presumably the moment passes and stays passed for another few seasons of UST.
Probability: 0%
s1e10 - Inside Out
(This ep has a higher than average amount of sexual innuendo, including KITT's breathless response to Bonnie adjusting his components, Michael commenting that Bonnie knows how to turn KITT on, KITT straight-facedly giving Michael an accounting of Bonnie's measurements after Michael wonders whether there's a real woman under her jumpsuit, and Michael & KITT's "Maybe I can get something from the girl"/ "I wouldn't touch that line with a 10 foot driveshaft" conversation. "Don't worry, I'll distract her."/"I'll bet." "What was that all about?"/"Biology.")
Linda - WTF was up with him grabbing her in the woods like a skeezoid rapist when he just wanted to give her dinner? She doesn't kick him in the balls so I guess that counts for something. They hug after a conversation in her room later, hold hands and smooch before she goes off to do... something mission related. She saves his ass and helps him drop off the bad guys at the prison. Do they celebrate later? Maybe.
Probability: 70%
s1e11 - The Final Verdict
Cheryl - They're pretty touchy-feely when he visits her in jail, and she gives him a pretty good kiss at the end. Odds are good that they had/will have a romantic relationship at some point.
Probability: 90%
s1e12- A Plush Ride
M: I wanna search Margo's room. K: I've heard that one before. M: It'll give you something to brood about during the night.
Margo - (spoiler alert) She's a terrorist. They get physical when she catches him searching her room but it doesn't turn into anything more than fighting. He kisses her (in front of everybody, wtf) after she (supposedly) saves him from being murdered by Jacobs. But the next time we see the two of them together, she's taking him prisoner. She's pretty touchy-feely with him while he's tied up but there's no time for her to do anything (and presumably he wouldn't be into it if she did, what with her being a terrorist and all).
Probability: 0%
Bonnie - Uncharacteristically flirtatious, appears to be a bit tipsy. No real implication that anything happened, though.
Probability: 0%
s1e13 - Forget Me Not
Maria Elena - They're flirting up a storm in their first scene. And their third one. And fourth one. Also she's frequently scantily clad around him. Michael to KITT in the last scene: "See you in two days, buddy." Oh yeah, he was planning something.
Probability: 95%
Micki - She's a little flirtatious too before she loses her memory (although he starts it by fake-flirting with her). And also feels comfortable enough to just run around in Michael's shirt and little else after she loses her memory, although she says she doesn't just meet guys at parties and go home with them (she thinks). He tells her she's a nice lady but doesn't seem that romantically interested in her.
Probability: 10% Until...
Maria Elena & Micki - They've become fast friends by the last scene and both kiss him on the cheek at the same time after he brings them both flowers (at KITT's instigation). Why do I get the feeling "Anybody wanna cruise a hamburger joint?" was as close as they could get to implying a threesome on 80s family hour tv?
Probability: 60%
s1e14 - Hearts of Stone
M: KITT, don't fall in love with one of these beautiful cars and run off on me, huh?
K: I wouldn't dream of it.
Angie - She's with Roberto. Also (spoiler alert) a scam artist criminal.
Probability - 0%
The blonde lady at the bar - They flirt and she tells him she hopes to see him later, but no indication that she ever does.
Probability: 5%
Devon - Oh man, the way he's eyeing Michael up in his hotel room. And if we're still in the pilot universe, Michael is a dead ringer for a young Wilton, whom I will never be unconvinced Devon wasn't either secretly in love with or a relationship with, s2 Devon Miles Heterosexuality Minutes be damned. We never really get any indication that Michael swings that way, though (at least with non-automotive males, *wink*).
Probability: 0%
The nurse - In the novelization she flirts with him and kisses him, but no indication of romantic interest in the actual episode.
Probability: 0%
s1e15 - Give Me Liberty... Or Give Me Death
Bonnie - He tries to ask her out, but she's busy spending the night with KITT. :D She also doesn't seem very impressed with his Liberty drama.
Probability: 0%
Liberty Cox - When she shows up in his room, he seems a lot less interested in her than she is in him, but he doesn't exactly fight her off when she starts kissing him. He tells KITT he went to bed and she went back to her room, but she's sure more pissed about not getting to ride along with him the next day than you'd think she'd be if all they'd done was smooch. Also she's back at FLAG HQ at the end so maybe she's spending some time in town.
Probability: 90%
Dorothy Ackridge - He tries to be flirtatious but she has no time for his shenanigans. she's grateful when he saves her life but doesn't express any romantic interest in him.
Probability: 0%
s1e16 - The Topaz Connection
Lauren Royce - She takes half the episode to warm up to him but they have fun in Vegas. "You do the cake, I'll do the champagne, and we'll see what else comes to mind." "Deal." Things look like they might be headed in a steamy direction as evidenced by the romantic music playing but they get cockblocked by Bob. They smooch before she gets on the bogus plane. In the last scene they kiss some more and she tells him they have some unfinished business.
Probability: 95%
s1e17 - A Nice, Indecent Little Town
KITT: Michael is... indisposed. Devon: Oh. That means he's either with a young lady or in jail.
Jobina - He's definitely turning on the charm. She helps Michael escape from jail (with KITT's assistance). "Is there anything this car can't do?" "I think a woman would be a better judge of that." "I beg your pardon?" I don't even know what that's supposed to mean but I want to believe it's something saucy. Not actually much indication onscreen that anything happened but in the last scene Michael says he hopes Jobina will stay in town and Bonnie asks if that's so he'll know where to find her. Michael responds, "Yeah, that's a thought." Possibilities here.
Probability: 50%
s1e18 - Chariot of Gold
Dr. Charlene Litton - He chats her up at the party, but it's in the line of duty. She's kind of condescending to him. She does break away from the creepy IQ cult and help Michael foil their plans, but isn't seen again.
Probability: 0%
Bonnie - They do their usual UST thing, and dance at the party until Devon cuts in. He's extremely protective of her. He talks her out of her brainwashing by telling her "We're a team, we love each other." He makes her breakfast and brings her a rose at the end. Still, no overt indication that anything beyond camaraderie happens.
Probability: 0%
s1e19 - White Bird
Stevie - Presumably they've gotten it on in the past but there was too much going on in this episode for anything to happen. Also presumably Wilton didn't do any renovations below Michael's neck so if they'd gotten it on she would have known with 100% certainty who he was.
Probability: 95% (as ML)     5% (as MK)
s1e20 - Knight Moves
Terri - He asks her to go dancing. She turns him down but finds him likable/trustworthy enough to let him give her a lift home. They seem to be bonding but when he goes in for a kiss she says goodnight and goes in the house (alone). His little smile afterwards suggests he's up for the challenge. After he saves her life and her other driver threatens to quit she tells him she really likes him and hugs her but doesn't push it further than that. She tells him the next day that it was the first time she ever wanted to kiss a man (but that she had before anyway D: ). At the end they do go dancing (and she puts on a dress because heaven forbid a tough woman should ever fail to embrace conventional femininity immediately upon being found attractive by any halfway decent dude) and it's a reasonable assumption that they did more than just *dance* until dawn. I kind of want to roast Michael a little for not being more aghast about the fact that she's kissed dudes she didn't really want to and for encouraging her to give up her Tomboy Terri persona but it was a less enlightened era and at least he didn't hit on her when she was vulnerable which is more than a lot of dudes of his time (or this one, for that matter)  would have done so I'll cut him some slack.
Probability: 90%
s1e21 - Nobody Does It Better
Connie - He's checking her out on the tennis court but (spoiler alert) she gets murdered.
Probability: 0%
Flannery Roe - Things are off to a rocky start. She seems to take his "do you like to play?" at the club as a come on, pulls a gun on him (not entirely unjustifiably) when he corners her in the cul-de-sac and has him arrested on suspicion of being a stalker and/or rapist. She warms up to him a bit after he provides a comforting hug when she finds Connie's body but still gets a little shirty with him at the restaurant and turns down his offer of a ride home. She's antagonistic toward him when they meet again at the club. He saves her from the bad guys and for some reason she's back at the Foundation HQ at the end but they don't do any huggy-kissy stuff so odds are minimal.
Probability: 1%
s1e22 - Short Notice
K: Since you haven't asked, I'll tell you. It was demoralizing, demeaning. M: What? K: Police impound. M: Oh. You had me worried there for a minute.
Nicole - She keeps him at arm's length initially (understandably since she's hitching). Turns out she's another single mom, so her main preoccupation is getting her kid back, and she doesn't really care if she dicks Michael over in the process. He does get along well with her kid when they find her so that probably gets him a few points in her eyes. They hold hands after he beats all the bad guys in the western town and hug at the end but don't kiss. She's probably looking for a new dad for Natalie. He tells Natalie he hopes they'll see him again but nothing conclusive.
Probability: 10%
s2e01/02 - Goliath
Rita Wilcox - Another one where there was possible interest but probably wasn't time for anything to happen. She spends half the episode either pissed off at him or faking a relationship with Garthe, and then they're busy trying to take out Goliath. They hug after Garthe and Goliath are out of commission but don't kiss. At the end she's on her way out of town. It's unclear how much time has passed between that and the last scene but when she implies he should look her up if he's in LA, he doesn't mention that the Foundation's home base is in SoCal (or so it appears)? I don't think he's the type who wouldn't go for a woman he was interested in just because she'd hooked up with his evil twin (even if he was a little judgy when he found out she was shacking up with Garthe again), so maybe he's just not that into her.
Probability: 25%
s2e03 - Brother's Keeper
Lisa - Things aren't exactly off to a great start when he kidnaps her. She warms up to him a little by the end and they give each other a fairly chaste goodbye smooch. He says they'll see each other again and she says she hopes so. Maybe?
Probability: 30%
April: He's on a kidnapping spree and drags her to the beach at the end. Still, no real indicator that anything romantic is going to ensue.
Probability: 5%
s2e04 - Merchants of Death
Camela - They seem to keep it professional except for a goodbye kiss. Not even a "We'll see each other again." Odds are minimal.
Probability: 5%
s2e05 - Blind Spot
Julie - She's in some kind of platonic lifemate relationship with John, which may end up being more than platonic thanks to Michael's yenta-ing.
Probability: 0%
s2e06 - Return to Cadiz
Jennifer Shell - They have dinner together and she seems to open up to him but it isn't overtly romantic. They have a spat but hug and make up when he finds the secret treasure cave. She kisses him after he rescues her from the bad guys. An undisclosed amount of time has passed before they have dinner and he heads out but they do the "Will I see you again?/count on it" thing before she kisses him goodbye. It's possible, maybe even likely.
Probability: 50%
s2e07 - KITT the Cat
Grace - She's definitely flirting with him when she invites him to the party. And then tries to convince him she's not the burglar by making out with him. At the end he kisses her goodbye pretty interestedly while promising to keep a closer eye on her. Odds are good.
Probability: 85%
s2e08 - Custom KITT
Suzanne Weston - She's pretty overt about her interest in him, but when she shows up in his room he seems relieved when KITT beeps him on the comlink. She tells him he knows where to find her if he's ever in the mood for something other than "good, clean" fun, so by implication he hasn't been.
Probability: 0%
Carrie - She's into him enough to get jealous when she thinks he hooked up with Suzanne. "If our plan works and the thief tries to steal KITT tonight, you can thank me." She kisses him first, but then he kisses her and tells her that's "very close" to his way of wanting to be thanked. The implications aren't particularly subtle. They enthusiastically hug after catching the bad guys. When she wins the car show, they smooch with more "I don't know how to thank you... but I'm sure I'll think of a way" innuendo. He tells her he'll see her later, and I think it's a strong possibility that he will.
Probability: 90%
s2e09 - Soul Survivor
M: Devon, I felt something in here... I don't know, a presence... KITT's presence.
K: Oh Michael, do I look just dreadful? Be honest. M: KITT, what matters to me is who you are, not what you look like. Sure we don't have the car. So we can't turbo boost. So we can't go over 200 miles an hour. It was all icing on the cake anyway. It wasn't you. K: It wasn't? M: No, the car was fantastic but if you break it down it was steel, rubber and glass. We can always make another one. But you, you are a lot more than silicon chips and fancy circuitry, You're my buddy. You're my partner. KITT, you're one of a kind. K: Thank you, Michael. The feeling's mutual.
K: What was it like, Michael? M: What, KITT? K: Seeing my body functioning without me? Or you? M: A little spooky, let me tell ya. K: Did it seem like me? M: Yeah, it did and it didn't. It looked like you, but somehow it just wasn't the same. K: I don't understand. M: It didn't have your soul, KITT. Without that, it could never be the same. K: Thank you, Michael.
Adrianne - She techno-roofies him and the way Randy sticks his head in the door and then guiltily ducks back out as she's leaning over him on the couch kind of suggests he's walking in on something he knows he shouldn't see. Still, Michael appears to be fully clothed when he wakes up in a ditch. Adrianne is totally a creepy douchebag and/or rapist (as we will see more of in Goliath Returns) but she was probably too preoccupied with stealing KITT to do anything in this ep.
Probability: 20%
s2e10 - Ring of Fire
(This is one of two eps where Michael utters the phrase "come on, baby" to KITT while trying to get out of a jam. Obviously NBC's censors had to ruin our fun because it never happens again after this season.)
Layla - She's still married. Doesn't really express romantic interest in Michael and the hero of an 80s family hour tv series probably wouldn't have gotten it on with a married woman no matter how much of an abusive dick her husband was. They do kiss goodbye at the end and he tells her if she ever decides to leave the bayou, she knows where he'll be. If anything ever happens, it's probably in the distant future.
Probability: 5%
s2e11 - Knightmares
M: Whoa, you are hot! K: Quite true, Michael.
Cara - She tries to look out for him after he gets amnesia, but not a lot of indication that she's romantically interested in him, and he's too busy trying to figure out wtf is going on to hit on her. They hug after he rescues her from drowning but we don't see any more of them together.
Probability: 5%
s2e12 - Silent Knight
Marta - No real indication of romantic interest on either side. We  don't see what they're doing as Tino is saying goodbye to KITT but considering he offered her a handshake and not a kiss or even a hug, it's probably safe to say nothing happened.
Probability: 0%
s2e13 - A Knight in Shining Armor
Katherine - She's a little young for him (Michael tells her the treasure was supposed to be her 21st birthday present so presumably she's legal but the fact that she's still in prep school makes her seem younger). Also this is another episode where he begins their acquaintance by first rescuing, then kidnapping the female lead. They don't particularly like each other at first, but hug after his "if nobody can hurt you, then nobody can love you" chat with her, again after he rescues her from the bad guy (again) and after escaping the cave collapse. It seems more friendly than romantic, though.He takes her hand in the cave but it comes off more as sharing a moment than a romantic overture. They kiss at the end but he tells her goodbye and leaves. No indication that they're going to see each other again.
Probability: 5%
s2e14 - Diamonds Aren't A Girl's Best Friend
Lauren - She makes out with him when he first shows up as part of her cover story and he clearly doesn't mind. He's pretty committed to maintaining their cover in subsequent scenes. In the last scene she tells him she'd like "to do it for real" but she's pretty clearly referring to kissing, not *it*. By implication they haven't done more than kiss at this point but when she asks if she'll see him again, he tells her "unless you change her name and move to Okinawa." Future potential.
Probability: 50%
Lauren's boss - She's kind of flirtatious with him when they first meet but no indicator that anything happens.
Probability: 0%
s2e15 - White Line Warriors
Cindy - She's with Ron, who is apparently pretty understanding since he doesn't seem to object to her giving Michael a thank-you kiss at the end.
Probability: 0%
s2e16 - Race For Life
April - He's emotionally supportive and her niece has been introduced to Michael and KITT but no significant indications of anything romantic.
Probability: 0%
s2e17 - Speed Demons
Sabrina - He comes to her rescue when Wade is harassing her at the party, They hug after she talks to him about Kelly. They give each other a chaste goodbye kiss but no real indication of romantic interest.
Probability: 0%
s2318/19 - Goliath Returns
Adrianne - This one gets an asterisk, because whatever happened in Garthe's creepy dungeon after the cutaway to a scandalized KITT didn't look consensual on Michael's side. She pretty obviously went down to there to sleep with him, and the way she staggers out in her bathrobe the next morning while Garthe bitches about how she slept in pretty strongly implies that she actually did, but Michael really seems the opposite of into her and her basically telling him "please me [in bed] and maybe I'll make sure my psycho boyfriend doesn't murder you" is rape by coercion if not by force. Did he grit his teeth and do it just to hedge his bets? Maybe.
Probability: 80%*
s20 - A Good Knight's Work
Gina - He's obviously interested and kisses her before he goes to MMM, but (spoiler alert) she's playing him. Except maybe she's not so bad because she lets him talk her out of shooting him and then they hug. They kiss goodbye at the end but she's going into witness protection and there isn't really any indication that they'll see each other again or that anything romantic transpired.
Probability: 10%
s2e21/22 - Mouth of the Snake
Joanna - She was more interested in Dalton. I deeply want to believe Dalton's invitation to Michael to hang out with them at the end was really an invitation to join them for a threesome because it's the only thing that would make this episode interesting, but Michael takes a rain check and heads out of town.
Probability: 0%
s2e23 - Let It Be Me
Stevie - She's still pretty broken up about her boyfriend's death. He kisses her when they go back to her apartment and she tells him she still dreams about him. The next scene they're wearing different clothes and seemingly some time has passed so maybe something happened after the cutaway?
Probability: 50%
s2e24 - Big Iron
Lucy - She was the woman who was coming out of the hotel room at the beginning. He seemed to be checking her out in that scene but obviously he's not going for a married woman even if she didn't have some other drama going on.
Probability: 0%
s3e01/02 - Knight of the Drones
Bonnie - They hug when he shows up at the university and he makes the "You can sail with me anytime" comment to her at the marina at the end and they link arms to walk to the boat, but not really anything more romantic than that.
Probability: 0%
Margo - She fakes romantic interest in him and he plays along, but (spoiler alert) she's setting him up to be murdered.
Probability: 0%
s3e03 - The Ice Bandits
Bonnie - They walk arm-in-arm into the diamond place, but Michael was making innuendoes about other women when she was sitting right next to him in the car 30 seconds previously so probably nothing really going on.
Probability: 5%
Jody - She's engaged to Charlie. Michael tells Charlie "She's not the one I'm interested in, it's *you*," with his standard flirtatious grin and god, that's hot. Spoiler alert: Charlie is a crook. Even after she finds out the truth she doesn't really express romantic interest in Michael although she does paint his portrait.
Probability: 5%
s3e04 - Knights of the Fast Lane
Diane - He's too preoccupied with Stacy's case to flirt. She hugs him after he rescues her but we don't see them together again.
Probability: 5%
The random cheerleader - She seems interested, but we don't see them together again either.
Probability: 5%
s3e05 - Halloween Knight
Bonnie - He's very protective. Tinhats would probably make something of the fact that her costume is Scarlett O'Hara and his is Rhett Butler. Still, nothing too overtly romantic.
Probability: 5%
Esmerelda - She'd probably put a love spell on him in a hot minute but I think he finds her a little terrifying.
Probability: 5%
Denise - She's friendly but not overly flirtatious. Also she gets murdered before anything can happen.
Probability: 0%
s3e06 - KITT vs. KARR
Mandy - She's with John. No indicators that they're interested in a threesome.
Probability: 0%
s3e07 - The Rotten Apples
Marilyn - They're hardcore flirting and she says she hopes to see him again. They kiss after he wins the mechanical bull contest, but then she catches a bus out of town. She kisses him goodbye and he does this "oh yeah, I still got it" move but we don't get any strong evidence that anything else happened.
Probability: 10%
Rebecca - Not a lot of flirtation, and the kids are always around cockblocking.
Probability: 10%
s3e08 - Knight in Disgrace
(I was almost too distracted by KITT and Michael in this ep to pay attention to the GOTW, lol. KITT's hurt confusion when Michael leaves and him being a total bitch to Michael's would-be replacement and the way he goes with Michael even when he thinks he's on the wrong side of the law, I'm *dying* here...)
Linda - She comes onto him and roofies him at the bar and he wakes up with his shirt undone, but she's Boyd's girlfriend and (spoiler alert) another hapless single mom so she probably didn't do anything untoward, assuming he was even conscious enough by the time she got him home. After she gets to know and trust him she doesn't make any moves on him and they don't smooch or anything at the end.  
Probability: 5%
s3e09 - Dead of Knight
Cindy - It's not entirely clear what their relationship is. At the beginning it looks more like he's trying to pick up on her than they're actually dating. He's obviously really invested in helping her but he'd undoubtedly do the same for anybody who was in mortal peril because of him. At the end in the ambulance he calls her "baby" and says they have a date. In the last scene Cindy is leaving for Broadway soon but they're all together at the Foundation and it's unclear how much time has elapsed. Not conclusive but suggestive.
Probability: 50%
Renard's girlfriend -  She's putting the moves on him while he's feverish and loopy and somehow his shirt has gotten unbuttoned but there's a guard in the room so probably nothing happened.
Probability: 10%
s3e10 - Lost Knight
"If I may be so bold, what on earth were you *doing* down there?"
(LBR, Michael is too busy angsting about KITT to try and get laid in this ep.)
Doug's mom  - In a relationship, although at the end she decides to break things off with her boyfriend so she can focus more on her son. She and Michael kiss goodbye but it's improbable that there's anything more than that since she just said she doesn't need another man around right now.
Probability: 0%
s3e11 - Knight of the Chameleon
Tonie Baxter - They seem to know each other from a previous case. He kisses her on the forehead at the end of their first scene. They don't really seem to interact romantically during this episode. Michael gets distracted by KITT's contest winnings before they have a chance for a goodbye kiss.
Probability: 10%
s3e12 - Custom Made Killer
Unnamed Dancer (offscreen) - Devon: "You've been rather difficult to reach lately. Particularly last night." Michael: "I got a weakness for dancers." HIs protest that they're "innocent girls working their way through college" leaves little doubt about what kind of dancer this was.
Probability: 95%
Joan - No evidence of romantic interest. Also (spoiler alert) she's collaborating with the bad guys.
Probability: 0%
Debra - He flirts at the end and she kisses him goodbye. Lewis says "He'll be back" and she gives a suggestive eyebrow raise. Possible but not conclusive.
Probability: 25%
s3e13 - Knight By A Nose
M: KITT, how close are you? It's getting stuffy in here. K: Any closer and I'll have to marry this limo.
Maxine - They hug and he calls her "sweetheart" when he shows up. Devon accuses Michael of being biased because Max is attractive but he describes her as "a very, very close friend." Yet we never actually see them kiss. Maybe they really are just friends?
Probability: 25%
s3e14 - Junkyard Dog
Fran - He's too preoccupied with KITT to do much flirting for most of the episode, but they're having a picnic/makeout session together in the semi, seemingly alone, at the end. It's a reasonable assumption that things escalated at some point, even if they didn't want a scandalized KITT watching and commenting at that particular moment.
Probability: 80%
s3e15 - Buy Out
Mel - They keep it professional for most of the ep but after he catches the bad guy he tells her she's attractive without her welding mask and they kiss. We don't see them together again but it's possible that more happened.
Probability: 50%
s3e16 - Knightlines
Janet Morgan - She's recently widowed and not in the market yet. No romantic interaction.
Probability: 0%
s3e17 - The Nineteenth Hole
Daisy: Is that thing blown? KITT: I beg your pardon?
Jamie - After they fake being married at the hotel she kisses him before the race. Not a lot of other romantic interaction but he and Bonnie and Devon do seem to be sticking around to watch the race so something could happen.
Probability: 50%
Daisy - He flirts with her a little at the meetup but no indication that it goes beyond that.
Probability: 0%
s3e18 - Knight and Knerd
Allie - She rides off into the sunset with Elliot.
Probability: 0%
Receptionist at Gifford's - He flirts but no indication that it goes anywhere.
Probability: 0%
Vanessa Sutton - Apparently he gives a really good massage but she's (understandably) pissed off that he wasn't who she was expecting the massage from. Also she's a villain and is too busy setting him up to get murdered for anything to happen.
Probability: 0%
s3e19 - Ten Wheel Trouble
M: Hey, are you hungry back there, partner? K: Perhaps a little lonely, Michael. But rather enjoying my independence.
Sally - He turns on the charm when they first meet but things go south rapidly when he talks her brother into going to jail. By the end he's back in her good graces and she likes him enough to steal a kiss from him before he says goodbye. You know her hormonal teenage brain is thinking about it but for reasons that should be obvious, he isn't going there.
Probability: 0%
s3e20 - Knight In Retreat
KITT: Of course, there is one other possibility. Devon: What is that? KITT: The lady of the retreat. She's quite attractive. Of course, knowing Michael the way I do, it would strictly be in the line of duty.
Bianca - She seems to find him physically attractive, and maybe if she hadn't been so busy torturing him she would have tried to have a little fun with him. But considering what he suspects her of, he probably wouldn't have gone too far unless he absolutely had to.
Probability: 0%
Monica - She flirts with him at the bar and comments on what a waste it is to kill him, but nothing is likely to have happened due to both time constraints and her being Bianca's henchwoman.
Probability: 0%
s3e21 - Knight Strike
Sheila - She acts jealous when he makes the date with Tyler but he seems more exasperated than romantically interested in her. They kiss before he goes into the warehouse but it's fairly short and chaste. At the end, she goes off with O'Malley.
Probability: 0%
Tyler - She makes a date with him at the gun range but it's just a distraction. He flirts with her but it's all in the line of duty.
Probability: 0%
s3e22 - Circus Knights
Bonnie: I have to admit, Devon, he looks fantastic. Devon: Yes, in spite of that ridiculous costume he's wearing. Bonnie: No, I'm talking about KITT!
Terri - They keep things professional at first, although when they're in the car together she asks if circus-folk camaraderie is the only reason he's interested in helping her. He says he's be lying if he said yes and presumably she reads it as him being interested romantically. After his near-murder in the ring they have a heart-to-heart talk and kiss. At the end he tells her to call him if she needs anything. *Anything?* Hmmm...
Probability: 50%
Tiger - She hits on him but he's not into it.
Probability: 0%
s4e01/02 - Knight of the Juggernaut
K: I'm asking you how I look. M: You look great, same as always!
Marta - They have some chemistry in their first meeting. He asks her out when they get back to her apartment. But (spoiler alert) she's part of the conspiracy to steal the cernium and sets him up to get murdered (twice). He cools it on the flirting after the first incident (understandably, since if he takes her story at face value she was assaulted and possibly worse) although he still acts protective of her. After she helps them get the bad guys she's hanging out with the Foundation crew at the end but we don't see any more romantic interaction.
Probability: 25%
Jennifer - No overtly romantic interaction. They're antagonistic for most of the episode although they make up at the end.
Probability: 0%
s4e03 - KITTnap
Karen - She's doing her doctoral thesis on KITT and spending a lot of time with Michael in the progress. Judging by the way they're holding hands in their first scene and then making out at her apartment, there's obvious romantic interest. And she clearly has more than academic interest even after (spoiler alert) she gets held hostage by the bad guys so it's a reasonable assumption that if they weren't already banging they're going to at some point.
Probability: 95%
s4e04 - Sky Knight
Bonnie - He's pretty touchy-feely at the airport and they hug after saving the day but no overt romance.
Probability: 5%
s4e05 - Burial Ground
Susan - They keep it professional for most of the episode. He tries to hit on her at the end but she's in a relationship with Eagle. That doesn't stop her from giving him a goodbye kiss but no indicator that it goes any further than that.
Probability: 0%
s4e06 - The Wrong Crowd
Ann - She spends most of the episode being menaced and/or held hostage by the bikers and we don't really see them interact with each other in a non-case-related way.
Probability: 0%
RC - Michael is very tenderly concerned when he finds him knocked out by the side of the road. But probably neither of them swing that way.
Probability: 0%
s4e07 - Knight Sting
Gaye - She seems young. And also kind of annoying. He hugs her in the hospital but it doesn't look particularly romantic. No evidence of interest on either side.
Probability: 0%
Bonnie - He flirts with her when they're planning the operation and she shows him her dress. The rest of the episode they're too busy with the mission for any shenanigans.
Probability: 0%
RC - He's clearly been raiding Michael's closet for that sweater. But Michael is cool with it. No overt indication that they're more than bros, though.
Probability: 0%
s4e08 - Many Happy Returns
Amy - He's flirting up a storm but whoops, Devon is cockblocking and she's actually there with a mission for him. However, it's not all business and she surprises him with a birthday cupcake and some birthday smoochin', until duty calls again. She makes some innuendo about "getting to adolescence and maturity later" as he's leaving so she's obviously willing to take a rain check. She's back in the semi with them at the end and Michael invites her on vacation with him. We don't see her answer but it's a safe bet it's a yes.
Probability: 95%
s4e09 - Knight Racer
Elena - At first it's all business but they seem to be having fun dancing at the reception. They have a heart-to-heart talk in the parking lot until the hit man shows up. They hug after the big reveal about Elena's dad and the fight with Wayne's partner but don't kiss. Maybe Michael would think twice about getting involved with a friend of Bonnie's.
Probability: 10%
Unnamed track bunnies - Michael says it wasn't easy ignoring all those trophy queens and their phone numbers, implying that he did indeed ignore them (maybe more because he had to get back to the office than out of disinterest).
Probability: 0%
s4e10 - Knight Behind Bars
Julie - He agrees with KITT that she's cute, but they don't really express romantic interest to each other beyond a hug after he tosses Nelson into the ocean. Also at 20 she's a little young for him.
Probability: 0%
Gymnastics instructor - She flirtatiously tells him she's free the rest of the day, but he isn't. No indication that they see each other again.
Probability: 0%
s4e11 - Knight Song
Bonnie and/or RC - They're all playing hookie together and conspiring to keep it from Devon. Shenanigans?
Probability: 5%
Sanford - No indication of romantic interest, also she's a villain.
Probability: 0%
s4e12 - The Scent of Roses
K: I'm sorry, they don't allow cars in hospitals. I would have been closer. M: I know you would.
Stevie - They appear to have been staying at the beach house together so it's a safe bet, even if (spoiler alert) they never got to consummate their marriage.
Probability: 95%
s4e13 - Killer KITT
"Not now, Michael. I have a headache."
Bronwen - She and Michael barely interact, plus she's probably Berio's girlfriend.
Probability: 0%
s4e14 - Out of the Woods
Sam - He's flirtatious when they first get reacquainted but too busy working on the case for anything to happen before it's revealed that (spoiler alert) she's a villain. He does hug her when she surrenders at the end but I assume that trying to murder him is a dealbreaker.
Probability: 0%
Ellen - No real evidence of romantic interest and she says goodbye with a handshake rather than a kiss.
Probability: 0%
s4e15 - Deadly Knightshade
Bonnie - She's more preoccupied with Templeton. He does give her a swan in his magic act at the end.
Probability: 0%
Nancy - He's too busy with the investigation to even do much flirting.
Probability: 0%
s4e16 - Redemption of a Champion
Miss Cooper - Michael obviously has a hot date that most likely would have ended with some lovin' if he hadn't once again been cockblocked by KITT and Devon. At the end, Michael is dressed up for Date Night, Take 2, but gets called back to the semi again. Does she give him a third chance? I mean, *I* would...
Probability: 50%
Nurse Tremount - He flirts with her to get info and comforts her after she breaks down and confesses to the scam but no indication that it goes further than that. Plus she’s in an adulterous relationship with the villainous doctor.
Probability: 0%
s4e17 - Knight of A Thousand Devils
Claudia Terrell - She's a villain. When she makes a pseudo-date with him it's just to set him up.
Probability: 0%
Agent Jonas - They bet dinner on the arrest and Michael seems to be taking his death extremely personally. Juggernaut slash ships have been built on less. If he were a chick I'd say "extremely probable" except for the fact that Jonas was married with kids. Not that it stops some people, but it would most likely stop Michael.
Probability: 0%
"Ana-Lucia" - She keeps him up all night working on her car and he says he's going to come back after the race is over and demand equal time. Her response: "You won't have to demand." Plot twist: She's actually a Federale. We don't see her again after they apprehend the bad guy so it's questionable whether their flirtation was still valid for her real identity.
Probability: 10%
s4e18 - Hills of Fire
Sandra Rusk - Barely any interaction and also she's a villain.
Probability: 0%
Tess Hubbard: No significant romantic interaction. Probably too busy with her charitable work to go chasing after pretty-boys.
Probability: 0%
s4e19 - Knight Flight to Freedom
Lisa - Too busy dealing with a revolution for any shenanigans.
Probability: 0%
s4e20 - Fright Night
Karen - They keep things mostly professional but she buys him lunch at the end. No real indicator that it ends in anything romantic, though.
Probability: 5%
Liz - They flirt a little when he interviews her ("I appreciate your interest." "I'm interested!") but it doesn't really go anywhere.
Probability: 5%
s4e21 - Knight of the Rising Sun
N/A - No female guest characters and nothing particularly shippy with Bonnie.
Probability: 0%
s4e22 - Voo Doo Knight
Harana - She's a little flirtatious at the party. When she puts one of her zombifying earrings on him, she gets a little touchy-feely and tells him they could have had a future together but there are two of her goons in the room and she's sending him to the soon-to-be-demolished building so she probably doesn't have time to take advantage of him even if she wanted to do it with an audience.
Probability: 0%
Elizabeth - Michael nudges Devon into letting her stay an extra few days, and she seems pretty good with that. We don't see them kiss but they're engaged in a pretty intense hug at the end.
Probability: 90%
...at least he got to go out with a bang?
22 notes · View notes
papermoonloveslucy · 3 years ago
Text
NEW LIFE IN LUCY
July 20, 1952
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By WILL JONES, Minneapolis Tribune Staff Writer 
WITH HER SECOND BABY on the way and her second career in its peak, Lucille Ball is busy trying to make the facts of real life jibe with the facts of TV life. 
The complications are going to affect all fans of the nation's No. 1 TV star -  particularly those in Minneapolis. 
Her pregnancy may delay the return of her TV program, "I Love Lucy," to the air this fall, for one thing. 
And it has already meant, for sure, that she won't be in Minneapolis for the Aquatennial. (1)
"I Love Lucy," now off the air for the summer, is supposed to resume Sept. 8. Miss Ball and her husband and co-star, Desi Arnaz, are trying to stall the starting date until sometime in October. (2)
Exactly what good that will do when her baby isn't due until January is one of those facts of TV life that will take some explaining. Miss Ball explained a few things to me in Hollywood last week, and I'll try to pass them long. 
Movie studios have been known to speed up shooting schedules of single pictures to accommodate motherhood. But Miss Ball can't shoot 39 films (3) in a hurry, before her condition begins to show. It already shows. 
BY THE TIME I had my talk with Miss Ball, the full Impact of the news had already hit her and her organization; They already had decided - with kibitzing from the Columbia Broadcasting System, the sponsor, and other interested parties - one big point: 
Miss Ball's unborn child, come winter, is going to have to be part of the act. 
They were in the midst of working out some of the details. Scripts for all of next season's "I Love Lucy" programs already had been outlined when Miss Ball discovered her condition. The outlines have been set aside, and the writers have been told to think up some funny new slapstick routines for an enceinte heroine. 
Fortunately, "I Love Lucy" is a Mr.-and-Mrs. program. Its family comedy, while often outlandish, has been accepted by its fans as still being pretty true-to-life. 
There should be enough funny situations involving expectant couples to keep the subject from getting tiresome. 
IMPENDING PARENTHOOD isn't a new subject for comedy, but there has been little of it on TV, there hasn't been much on radio and it's been rare in the movies. 
And there's never been an expectant mother quite like Miss Ball. 
Even if it were possible to hide her condition - other actresses have accomplished it with the aid of special costuming, trick lighting and such devices as keeping partially hidden behind furniture and bushes - Miss Ball would be against it.
"If I turned up one week suddenly standing still behind some camouflage, it wouldn't be me," she said. "It'd be a fraud. I've got to move around." 
Miss Ball had just come from a visit to her doctor when I saw her at her orange ranch in the San Fernando valley, about an hour's drive from Hollywood. (4) She had been discussing her condition with CBS executives, as well as with her doctor, on the same visit to town. 
"The doctor told me the baby's going to come a little earlier than we expected," she said. "He says about Jan. 15. (5) He also told me I could work as long as I feel all right. 
"At first we thought I might have to quit work in October. Now I don't know."
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WORKING BEFORE the cameras while with child isn't entirely a new experience for Miss Ball. She was pregnant when she made the "I Love Lucy" audition film that won her and Arnaz their present contract with the network and sponsor. 
But her year-old daughter, Lucie Desiree, was born before she had to go on the air with the new series. 
Five of this fall's programs are already filmed. ("I Love Lucy" normally is shot five weeks before it goes on the air, so Miss Ball and Arnaz were five programs ahead before they started their summer vacation.) (6) They plan to resume shooting in a week or so. That will put them 10 programs ahead by Sept. 8, the date they're scheduled to return.
If they get to postpone the program a month they'll have a 14-week backlog of films by the time it starts. Some of the best of last year's programs will be rerun during the weeks Miss Ball won't be able to work. (7) Just how much of a part the baby will play in "I Love Lucy" after it arrives is matter that hasn't been decided.
"I ASKED THAT QUESTION down at CBS this afternoon, and all I got was blank stares," said Miss Ball. 
"I'm sure we won't have a situation involving the baby every week, though." 
"You could have a funny baby sitter for a character," put in a her publicity man, Ken Morgan who also is her brother-in-law. "You could build a very funny program around a funny baby sitter." 
"I'm sure we could," said Miss Ball. She glared at him with mock ferocity: "And what do I do while the baby sitter is being funny?" 
Arnaz, a real-life rumba bandleader, plays a rumba bandleader named Ricky Ricardo on "I Love Lucy." The plots usually Involve the wacky things that happen when his wife, Lucy, tries too hard to help him get ahead. 
Although the names have been changed, and the Amazes' private life isn't anything like the Ricardos'. TV life, followers still associate the performers closely with the roles. 
As long as they're forced to bring one child Into their TV world, I wondered If they might not try to get their TV life in line with their private life. 
"That's another question I asked at CBS this afternoon," said Miss Ball. "They didn't have an answer for that, either, "Everybody's been on vacation. We haven't even had a chance to sit down and talk these things over yet." 
THEY'VE TALKED over a few things, of course. Miss Ball showed me an "I Love Lucy" baby - a doll set with clothes, feeding equipment, soap, gadgets, etc. - that has been put together by a toy manufacturer in anticipation of the event. The set includes a letter about the baby from Lucy and Ricky. (8)
"It blows bubbles, wets its pants, everything," said Miss Ball proudly. She also played a record, "There's a Brand New Baby at Our House." ("...she's changed our happy house to a home..."), sung by Desi. He wrote the music when Lucie was born. A friend, Eddie Maxwell, wrote the words. (9)
Desi hasn't made any records for a long time, so nothing much happened with the tune. The recording companies are after him again since the success of "I Love Lucy," however, and "Brand New Baby" may be his first new record. (10)
The sudden success of "I Love Lucy" - in one season, it topped Arthur Godfrey, Milton Berle and Red Skelton (11) in all popularity ratings - has left the Amazes amazed. 
I was sitting in Morgan's office when he got the news that "Lucy" had hit a rating of 70 - an unheard-of-high figure in one of the TV popularity-rating surveys.
Arnaz came into the office at that moment Morgan told him the news. 
ARNAZ LOOKED WORRIED. "You're kidding," he said. 
"That crazy Cuban is scared," confided Morgan after Arnaz had left the office. "He doesn't know what to make of all this. He thinks of all those people tuning in, and he worries." 
In 20 years as a movie star, Miss Ball never had the acclaim she's had in one year on television. 
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"People stop me on the street and talk to me now," she said. "That never happened when I was in movies. I was in Ohrbach's this afternoon, and I had to ride up and down four times In the elevator just listening to people tell me about the show. 
"The only time people In the street bothered to talk to me before was when I made ‘The Big Street.' (12) But It was nothing like what's happened In the past year. And Desi and I are the two most grateful people in the world. 
"You have no Idea what It's meant to us. We're real hams, you know." 
BESIDES GLORY, "I Love Lucy" also has meant shorter hours and a happy home life for Mr. and Mrs. Arnaz. Before TV, Lucille had to get up at 5:30 or 6 every morning to go to the studio. She didn't get home until 7 or 7:30 p.m. and she was exhausted. If Desi wasn't on the road with his band, she had to go to a nightclub to be with him In the evening. 
Their marriage almost broke up because of the schedule. Lucille once filed for divorce, but never followed through. (13) In the movies, Miss Ball had to work five or six long days a week. Now she puts in four eight-hour days. 
Arnaz, who Is president of their company, Desilu Productions, has to attend to production and business matters in addition to his acting. That usually means a 10- or 12-hour day for him. But he, too, insists on a three-day week-end. 
"We don't think about the show we don't even mention it from Friday night to Tuesday morning," said Miss Ball. "They wanted me to look at the scripts a week ahead, so they'd have more time to work on the clothes. I design all my own. But I wouldn't even do that, for fear I'd start worrying about next week's show over the week-end." 
AS VICE PRESIDENT of Desilu productions, Miss Ball gets a chair on the set with "Veep" printed on back. Occasionally she signs some papers. "But may I say that I don't know what I'm looking at?" she said. 
Desilu now is producing the TV version of "Our Miss Brooks," starring Eve Arden, which will go on the air this fall. (14) As executive producer, Arnaz has had to be on hand during much of the "Miss Brooks" filming this summer. 
"But all I hafta do," said Miss Ball, "is go over and pat Brooksie on the shoulder now and then and ask her where she got those clothes. She comes in with some wonderful things." 
"Our Miss Brooks" is being filmed exactly the same way as "I Love Lucy." It's a combination of movies, TV and summer stock, a system worked out by Desilu. 
The Amazes are especially proud of it because, before they started, everybody told them it wouldn't work. Nobody figured a couple of actors could run a complex producing organization. 
They film their shows in an independent movie studio that was all but abandoned before they moved in. (15) Now the place is bustling with other TV people, including Burns and Allen, who are copying the Desilu system.
BLEACHER SEATS for 300 people were built into one side of the sound stage. Part of one wall was cut out to make a street entrance for the audience. A small sign, “Desilu Playhouse," hung on a wrought-iron support outside, adds to the summer-stock atmosphere. 
The schedule goes roughly like this: Tuesday is devoted to learning the script, which al ways runs more than 40 pages. Miss. Ball sketches her clothes and gives the designs to the dressmaker. 
There are rehearsals Wednesday. The program is rehearsed straight through, like a play. Thursday there's a full dress rehearsal, with cameras and lights. There's a bull session afterwards, with the writers present, to weed out the weak spots. 
When the program started audiences were invited to the dress rehearsals, but Lucille and Desi found they got all worked up and gave better performances Thursday night than they did on Friday, when the program is actually filmed. 
NOW THEY RELY on the laughs of the crew on Thursday nights to tell them what to keep in and what to change. 
Three movie cameras, moving in and out among the actors like TV cameras, record the Friday night performance. The program is played straight through, the only stops being for costume changes. The audience is allowed to whoop it up as much as it wants. Audience laughter is recorded and used in the final soundtrack. 
The photographer, Karl Freund, a roly-poly man with a thick German accent, was all but retired when Miss Ball asked trim to film their show. She liked the way he had photographed her at MGM. ("We fought like cats and dogs, but when it came off on the screen, I never looked lovelier.") 
He spent a week in New York studying TV methods, decided everybody there was all wet, and dreamed up his own system. (Freund was the first Hollywood cameraman ever to move a camera during a scene, mounting it on a rubber-tired arrangement known as a dolly. Without his invention "I Love Lucy" now would take two or three times as long to shoot. Many inventions now incorporated in Hollywood studio cameras are his, too.) 
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ARNAZ' STUDIO CHAIR has "Prez" painted on back. (When Freund wants him, however, he Just yells for "Young man with old face!" Arnaz' black hair is shot with gray that doesn't show on TV.) 
William Frawley and Vivian Vance, the character actors who play the couple next door, have special chairs, too. Frawley's is labeled "William Frawley, Boy Actor." Miss Vance's label is "Vivian Vance, Girl Actress." Their work is admired so much around Desilu that they got a raise before they ever asked for it. 
"I don't know how long they're signed up for," said Miss Ball, "but by God if it isn't for a long time, I'll have to speak to Desi." There's a sign in the Desilu rehearsal hall: "anyone that enjoys work can have a hell of a good time in this institution." Everybody, apparently, does. 
There's a board with names of the cast members painted on it. There are gold stars stuck behind the names. Anybody who gets off a good crack, goofs, or otherwise relieves the tension that, comes with the hard work gets a gold star. 
ON SHOW NIGHTS, Arnaz, cook and gourmet, serves everybody in the crew a big dinner in the rehearsal hall. The Amazes have a bungalow on the lot in which they live during the day. The living room is decorated with water colors of and oil paintings by Miss Ball, who goes in for landscapes when she paints. (16)
There's also a large dressing room and a bright yellow kitchen. They stayed there over night during Los Angeles' floods a few months ago, (17) but otherwise they go home to the ranch every night. 
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"I hate to get up in the morning in the same place I'm going to work all day," said Miss Ball. 
An extra project is under way at the Desilu studios this summer. The TV show has caused so much talk that people in non-TV areas have demanded to see what all the conversation is about. 
Three of the best "Lucy" programs from last season have been selected for showing in theaters in areas not yet reached by TV. They're being tied together with a story about a couple who have trouble getting tickets to the program. (18) (That's a real problem. Handling tickets got to be such a headache that Desilu turned over ticket distribution to CBS. Now the people at Desilu often can't get their friends in.) 
The "I Love Lucy" feature movie is being put together by Ed Sedgwick, a director who used to make some of Miss Ball's movie comedies. I've never considered Lucille a comedienne." Sedgwick told me. "She's a comic. There's a difference." 
SUCCESS OF "I Love Lucy" has opened the way for all kinds of other sidelines. Desi wears smoking jacket. Tailors want him to spearhead a campaign to revive the smoking jacket. Other clothing men spotted the narrow lapels on all his suits, and want him to endorse Desi Arnaz narrow lapels. (19)
Manufacturers want Miss Ball's clothing designs. There's a line of Lucille Ball blouses being readied. Now, of course they're talking maternity dresses, too. (20)
Another outfit is ready to put out Desi Arnaz bongo drums. (21) "Ethel" (Vivian Vance) wore an old-fashioned kitchen garment known as a swirl on one program. Now there's, a merchandising tie-up for "I Love Lucy" swirls. (22)
Even before word got around about Miss Ball's upcoming maternity, doll manufacturers were proposing deals. So there's going to be a red-headed Lucille Ball doll. (23)
Since one-third of the pro grams fans are figured to be small fry, the doll is expected to be a popular item. Morgan, a native of Devil’s Lake, N.D. looks after most of such details. And then there's talk of an "I Love Lucy" radio program. Miss Ball was on the air with "My Favorite Husband" a few seasons ago, but radio acting is a new experience for Desi. 
THERE'S A POSSIBILITY the sound tracks of old TV programs may be used for a new radio program, with some narration to fill in what the audience can't see. (24)
So, with all the success, has come more and more yearning to get away from on week-ends. 
The Amazes figure they see enough of each other during the week. So, although they're homebodies, they do quite a bit of getting away from each other on week-ends. 
Miss Ball usually sticks to the ranch, a quiet, five-acre place lush with vegetation. The orange groves are there because they look nice. "You know, I've never eaten one of our oranges," said Miss Ball. "I tasted one once, and it was so sour I couldn't finish it. We get our oranges at the market." 
They have a deal with the Sunkist people, who tend the crop, harvest it and keep the place in shape in exchange for the oranges. 
Arnaz, who has a mania for fishing, spends all or part of every week-end on his 35-foot fishing boat. He doesn't shave when he's fishing. He was away on the boat when I visited the ranch. 
MISS BALL was out back, in a cluttered yard she calls "the farmer's market," sitting in a wooden lawn chair. She looked tired. Her face, in the evening light and against her shocking-pink hair, looked paler than it probably was. Her mother, Mrs. Desiree Ball, was looking after Lucie, who was toddling around the edge of the swimming pool. Three frisky spaniels bounded up to meet me. 
Miss Ball called them away sharply. "They stink," she said. While we talked, she watched nervously to see that they didn't knock the baby into the pool. 
Presently Mrs. Ball said good-by, and headed for the house with Lucie. "Tell Ethel I want a demitasse!" Miss Ball called after her. "And tell her I want it to get rid of the garlic she put in the meat!" (25)
After she settled down with the coffee, she said: "There's one thing I really like about television. I don't have to worry about glamor any more. Well, my hair is still combed. But I don't have to worry if it isn't." 
From her chair, she started conducting a visual tour of the place, pointing out behind her an overgrown shelter with lawn furniture Inside. ("It's some kind of a Cuban hut that Desi built. I think they call it a bohio.") She pointed, too, to a huge outdoor fireplace. ("Desi built that, too. But we found out it's too far from the house. We don't use It any more.") 
Across the swimming pool she pointed out a strange lath structure, also built by Desi. "We never found out what he had in mind," she said. "We've never used it for anything." 
We walked across the lawn to inspect one of Arnaz' more practical bits of carpentry: a place they call a bathhouse, which is really a huge cottage used for parties. It has a long rumpus room, finished in dark pine, with a film projection room at one end, and a behind-the-bar kitchen that's exclusively Desi's. It's fitted with a large, black, old-fashioned gas oven, another barbecue and outsize copper utensils. 
Miss Ball peered suspiciously into a huge copper kettle on the stove. "Desi uses this for soup, she said. "He spent three years getting the recipe from Antoine's."  (26)
When Arnaz cooks, he always makes a large mess. He never cleans it up. 
"I enjoy spoiling my husband," said Miss Ball, "and he enjoys spoiling me. I don't expect him to clean up." She thought a moment. "I don't know what he doesn't expect of me." 
She pointed out a mounted marlin of which he's proud, some built-in seats he designed and constructed, and then led the way to the house. It was dark outside now. 
"Be careful," she said. “There are wires on these trees, and people are always falling down." 
INSIDE THE HOUSE, in a long tile-floored room facing the yard, we came across a third barbecue. 
“Desi isn't happy unless he has a barbecue at his fingertips," she said. Another thing the Amazes are well supplied with is TV sets. They have four, including the one in the bathhouse. 
"We always watch our show," she said, "usually with friends. Monday is our canasta night. Sometime we're over at the Charlie Ruggleses, sometimes at the Dean Martins. (27) Wherever we are, we stop for a half hour to watch." 
We took a fast walk through the house. "It won't take you long to see this place," said Miss Ball, leading the way through the long early-American living room, the bedroom, Desi's study, Desi's dressing room, and then down a long corridor, past an enclosed patio, to the nursery wing. 
"Desi built this, too," she said. "We keep a carpenter here full time to help him. Since we started the show, Desi hasn't had any time for building, but we still keep the carpenter busy." 
THE NURSERY - a three-room affair designed to accommodate two children - cost more than the house itself. The center room Is a gleaming-white, clinical-looking place Miss Ball calls "the laboratory." 
It's loaded with sterilizing equipment, kitchen equipment and laundry equipment. The Amazes keep a nurse, as well as a maid-cook and the carpenter. Desi's mother and Mrs. Ball both live nearby, and look in frequently, so Lucie gets plenty of attention when her parents are at the studio. 
Miss Ball has taken her to the studio for visits, but never takes her in for a day when she's working. Arnaz's band appears on one out of about every four "Lucy" programs. It's pretty much the same one he started with in Florida. He formed it after he broke away from Xavier Cugat in the '30s. 
The band doesn't travel or make public appearances any more, but the musicians are as glad that Arnaz has settled down as he is. They have a family life now, too. 
They work around Hollywood, playing at the movie and recording studios and at various clubs. And they're always on call when they're needed for "Lucy." 
Miss Ball and Arnaz planned to come to the Aquatennlal on the way to New York for a series of magazine interviews. One of the things that had convinced them was a two-page wire from Arthur Godfrey singing the praises of Minnesota and of Cedric Adams, who would have been their host. 
WHEN THEY found out about the baby, they still planned to come. Then Miss Ball's doctor ordered her not to. He ruled out the New York interviews, too. They went to Sun Valley instead, for a rest, but cut their visit short when they found themselves the center of attention from other guests. (28)
The act they planned to do here was one they had to dream up in order to prove to CBS that they could do "I Love Lucy." Before the program started, one of the big objections they got went like this: "Nobody will believe that Lucille Ball and Desi Arnaz are husband and wife." 
Arnaz had a simple answer: "We are." But nobody paid much attention to him. 
The two made a theater tour with a Mr.-and-Mrs. routine, just to see if audiences would accept them that way. It clicked. That's what made CBS decide to go along with their first notions about TV.
#   #   #
FOOTNOTES FROM THE FUTURE
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(1) The Minneapolis Aquatennial is an annual outdoor event held in Minneapolis, Minnesota, during the third full week of July. Originating in 1940, the Minneapolis Aquatennial celebrates the city's famous lakes, rivers, and streams.
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(2) Instead of September 8th, the second season of “I Love Lucy” began on September 15, 1952, not in October as was first considered.  It kicked off with the now iconic “Job Switching” (aka Candy Factory episode), which had been filmed in late May 1952, before this article was published. 
(3) Although season one of “I Love Lucy” had produced 35 episodes (the most of any “Lucy” sitcom), season two only clocked in with 31 new episodes. If their original goal was 39, they were 8 short.  
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(4) Before her Beverly Hills mansion, Lucy’s dream house was in the San Fernando Valley. Desilu Ranch, as it was called, was a ranch-style home on five acres at the intersection of Devonshire Street and Corbin Avenue in Chatsworth. The home was demolished in the mid-1970s to make way for subdivision development.
(5) Lucille Ball gave birth on January 19, 1953. Because it was a Caesarean birth, Ball had some leeway with the date. Naturally, she opted for a Monday so that her real son and her TV son could be born on the same day, making television history in the process.  
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(6) The five shows that were already ‘in the can’ for Fall 1952 were:  "The Anniversary Present" (filmed May 9, 1952), “The Handcuffs” (filmed May 16, 1952), “The Operetta” (filmed May 23, 1952), “Job Switching” (filmed May 30, 1952), and “The Saxophone” (filmed June 6, 1952).  Although “Job Switching” was filmed fourth of these five, everyone knew it was a knock-out hit, and it was aired as the season 2 premiere.  This explains why the photos that accompany this article are glimpses from two as-of-then unaired episodes: “The Anniversary Present” and “The Operetta.”  
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(7) Desilu also came up with Flashback Intros (filmed without Lucille Ball) to introduce repeated episodes. Fred, Ethel, and Ricky would open the show with a “remember the time...” premise and then a repeat episode would be aired. These were not included in the syndication prints, but some have turned up as DVD extras. 
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(8) The ‘I Love Lucy’ baby doll was a big seller for Christmas 1952.  The doll’s gender was deliberately kept vague until after the birth of Little Ricky in January 1953, after which a new infant doll branded “Little Ricky” was released. There was also a Little Ricky puppet baby doll.
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(9) “There's A Brand New Baby (at Our House)” was first sung on “I Love Lucy” in “Sales Resistance” (ILL S2;E17), the first flashback episode after Lucy went into the hospital to have the baby.  The lyricist Eddie Maxwell was the real-life husband of Eve Whitney from  “The Charm School” (ILL S3;E15).
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(10)  After the above episode aired on July 26, 1953, announcer Johnny Jacobs promoted that the song (he calls “The Baby Song”) was available on Columbia Records (a division of CBS, naturally) with the “I Love Lucy” theme song on the flip side.
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(11) Arthur Godfrey’s show “Talent Scouts” was “Lucy’s” lead-in on Monday nights. Godfrey himself promoted the show, asking viewers to ‘stay tuned.’ Red Skelton had a variety show on CBS, competing with NBC’s “Ed Sullivan” on Sunday nights. Milton Berle hosted “Texaco Star Theatre” on NBC, another variety program. If Monday nights belonged to Lucy, Tuesday nights were owned by Uncle Miltie. All three performers guest-starred on “Lucy” sitcoms.  The above 1953 TV Guide cover makes it clear who is top of the TV totem pole. Red Skelton is not depicted. 
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(12) The Big Street was released in August 1942. If people were stopping Lucy on the street, it may have been to compliment her performance in what was her favorite film. They may have also been curious about performing in a wheelchair. 
(13) Lucille filed for divorce from Desi twice. The first time was in September 1944, citing infidelity and incompatibility.  Ball returned to him before the interlocutory decree became final, nullifying the divorce.  The second divorce, in April 1960, stuck. 
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(14) “Our Miss Brooks” had been a big hit on radio starring Eve Arden and Gale Gordon, who would repeat their roles on television. Although not formally produced by Desilu, it was produced at the same studio and used many of the same actors (Gordon, Richard Crenna, Mary Jane Croft, Frank Nelson) that would appear on “I Love Lucy,” including, in one episode, Desi Arnaz. The show started one year after “Lucy” and ran one year shorter. 
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(15) General Service Studios was located at 1040 North Los Palmas Avenue, in Hollywood. It started life as a movie studio in 1919, and was variously known as  American Zoetrope, Hollywood Center Studios, and now, Sunset Las Palmas Studios.  Desilu outgrew the location in 1953, and moved to larger digs known then as Ren-Mar, now Red Studios. 
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(16) Not much is known about Lucille Ball’s painting pastime.  We know that she signed her paintings ‘Balzac’.  
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(17) From January 13 to 18, 1952 heavy rains hit the Southern California area. On January 18 alone, 3.17” of rain fell in Los Angeles in a 24-hour period. The storm was responsible for eight deaths due to flooding in Los Angeles.
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(18) The “I Love Lucy” Movie consisted of three episodes edited together: “The Benefit” (ILL S1;E13), “Breaking the Lease” (ILL S1;E18) and “The Ballet” (ILL S1;E19). New scenes were filmed to help connect the three episodes into one cohesive whole. Also, new wraparound segments were filmed. The opening segment shows the studio audience filing in for the filming. Desi Arnaz welcomes the audience and introduces the cast as he typically did before every filming. In the closing segment, Arnaz thanks the audience and Lucille Ball and the cast take their final bows. The film was given one preview before it was shelved. It may have been pressure from MGM, who had their own “Lucy” movie in the works, The Long, Long Trailer, or it may have been felt that the film diluted the television programs value. Either way, it was Lucy and Desi’s final call to shelve the project. It has since been released on DVD. 
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(19 & 20) Merchandising was a big part of selling “I Love Lucy” to the public.  When actual items were not mass marketed, patterns for the items were available. Advance had the license for “I Love Lucy” patterns. 
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(21) The Desi Arnaz Conga Drum (not Bongo drum) was made in 1952 by A & A American Metal Toy Company of Brooklyn, New York. It was nineteen inches high. It is one of the rarest of the original “I Love Lucy” collectibles valued at $2,000 to $5,000! 
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(22) Swirl was a brand of house dress that often buttoned up the back, had pockets, and a tie belt. Vivian Vance wore several designs by Swirl on the show, including one of her famous arrow Swirls advertised in magazines and newspapers. 
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(23) Long before Mattel made their Lucy Barbie, there was a Lucy Ricardo rag doll. The doll had orange hair, blue eyes, bow lips, and an apron with heart-shaped pockets, just like Lucy.  It  was given away by their sponsor Philip Morris in 1953.
(24) On February 27, 1952, a sample the “I Love Lucy” radio show was produced, but it never aired. This was created by editing the soundtrack of the television episode “Breaking the Lease”, with added Arnaz narration (in character as Ricky Ricardo).
(25) It sounds as though, quite coincidentally, Lucille Ball’s Chatsworth cook / maid was named Ethel!  Either that, or Ball is joking. 
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(26) Antoine’s Restaurant was also mentioned in Eleanor Harris’s 1954 book The Real Story of Lucille Ball. 
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(27) Charles Ruggles (1886-1970) was a character actor who appeared in over a hundred films. Like Lucille Ball, he made the transition to television with a series called “The Ruggles” (1949-52). He was married to Marion LaBarba. Dean Martin (1916-95) was a singer and comic actor.  He appeared as himself on “The Lucy Show,” in one of Ball’s favorite episodes. From 1949 to 1973 he was married to Jeanne Biegger, who appeared as herself on the “I Love Lucy” episode “The Fashion Show.” 
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(28) Sun Valley, Idaho, was a favorite getaway location of the Arnaz family. It is a is a resort city where tourists enjoy ice skating, golfing, hiking, trail riding, cycling, tennis and (of course) skiing. The world’s first chair lift was erected in Sun Valley in 1936. Lucy and Desi set a 1958 episode of “The Lucy-Desi Comedy Hour” in Sun Valley, and even went on location to film. 
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caitybug · 4 years ago
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(Also sorry you are working on sads and feel blegh) maybe Rain is too "mundain" as far as prompts. 5? 7? 8? Any of those sound fun? 😂
5. Typed kisses.
7. Kisses after decades apart.
8. Kisses after dark.
Birdy, bc I love you, I’m going to try to do all of these haha.
(Shoutout to @adamarks​ for looking this over to make sure I wasn’t going insane.)
(1:35): Good morning! 
(1:35): Snow, it’s 1 in the morning. 
(1:36): Why are you messaging me?
(1:36): It’s 7:30 here.
(1:36): It’s still morning, though. So my original text stands. 
(1:37): Good morning, Snow. 
(1:37):😘 😘 
(1:38): XO. 
Day 2:
(10:03): Let me know how your appointment goes. 
(10:03): XO.
(10:04): My what?
(10:04): Your check-up.
(11:05): You forgot about it, didn’t you?
(11:10): I’m here, I don’t know what you’re talking about, Baz. 
(11:12): You’re an idiot, Snow.
(11:12): 😘 😘 love you.
(11:13): I love you too, XO. 
Day 3:
(15:03): Do you think the milk is still good?
(15:04): When did it go bad?
(15:05): It says it went bad a few days ago.
(15:06): But the date says best by…
(15:06): So it just means it isn’t at its BEST right?
(15:07): How does it smell?
(15:07): Not good.
(15:08): Then don’t drink it.
(15:09): What if I just don’t know how milk is supposed to smell? How often do I really smell milk?
(15:10): Snow, just get more milk. I think we can spare the money it costs.
(15:10): But I’ve already started cooking. 
(15:12): I’m just going to try anyway. 
(15:12): It’ll be cooked anyway, right?
(15:13): I want it known I believe this to be a bad idea. 
(15:14): You also said that subscribing to three different butter services was “unnecessary and excessive”
(15:15): I stand by that, Snow. 
(15:15): How can one person eat that much butter each month?
(15:16): I can’t believe you would doubt my abilities like this. 
(15:16): I thought we were in a loving and supportive relationship. 
(15:17): I love you and support your health.
(15:17): Which means cutting back on butter sometimes, darling.
(15:20): I’m going to use the milk. 
(15:22): I wish you the best.
(15:22): 😘 😘
(15:23): XO. 
Day 5:
(7:40): How is your stomach?
(7:45): Better.
(7:45): I told you to buy new milk. 
(7:47): I think there is a stomach bug going around.
(7:47): Probably that.
(7:49): Sure, Snow.
(7:49): That’s why you spent yesterday regurgitating the entire contents of your stomach.
(7:50): Yes, it is.
(7:52): Have a good day.
(7:52): I miss you.
(7:52): 😘 😘
(7:55): I miss you too.
(7:55): XO.
Day 8:
(20:46): The people above us are pounding it out again.
(20:47): Earplugs are in my bedside drawer.
(20:47): If you were here I’d just try to compete.
(20:48): You certainly would not.
(20:50): I bet we could beat them.
(20:52): Come on, Baz, I know you’ve got a competitive streak. Don’t let Richard and Shelly show us up.
(20:53): You’ve got two hands, Snow. I’m sure you could manage something.
(20:54): Oh? Good idea.
(20:54): Talk later.
(20:55): 😘 😘
(20:57): I regret so much about this conversation.
(20:57): XO.
Day 13:
(14:05): YOU COME BACK TOMORROW!
(14:07): Please stop yelling at me.
(14:07): But yes, I do. 
(14:08): 😊 😊 😊
(14:09): I love you.
(14:14): I love you too.
(14:15): Can we facetime?
(14:15): In a couple of hours, Snow.
(14:15): I’ve got one more meeting.
(14:16): 😔
(14:16): Alright.
(14:17): XO.
(14:18): 😘 😘
Day 14
I get through security. It’s always a painful even, especially in America. Have to practically strip just to stand in a machine that tells everyone what I’ve already known. 
No gun here the machine says with a green light and a beep.
As if I’d need one. 
It’s been delayed several hours for a reason I’ve yet to figure out. The weather looks clear, planes are moving in and out. People on other flights are still departing on time. 
The only reasonable explanation I’ve come up with is the airline is incompetent. 
“Snow,” I say, putting a finger in my right ear, trying to ignore the man screaming at the poor help desk person. “I may not be back until tomorrow.”
I look at the clock. Even if we left now I wouldn’t get home until midnight.
“What? Why?” He asks. His voice sounds frantic.
I hate worrying him.
“This airline work flew me through is set upon ruining my life,” I growl under my breath. 
The service representatives have been berated enough, they don’t need me coming after them as well. (Even if I want to.)
(Crowley do I want to.)
“Right now it doesn’t have us leaving for another two hours, so at earliest I won’t be home until 3 in the morning. With the trend of how this has been going, I won’t be surprised if it gets canceled altogether.”
He huffs.
“I miss you.”
It comes out as a whisper, any quieter, and I would have missed it.
It’s not that he’s ashamed of saying it. We’ve said it a lot over the past two weeks.
He’s sad. I am too. I was supposed to be home by dinner. We were going to order takeaway and watch a movie, kiss and makeup for lost time.
Ignore all responsibilities of the world around us for the evening. 
“I miss you too.” I face the large windows, looking at planes that aren’t mine leaving the runway. 
The blasted airport is under construction too. Everyone said to fly in and out of La Guardia because it is easier, but I’m wondering if I should have taken JFK. 
“I’ll be home as soon as I can.”
“You better. Preferably before I drink more spoiled milk.”
“Stay away from all dairy products until I return,” I chuckle into the phone. 
An announcement comes over the intercom.
“They’re announcing another delay, I’m sure,” I groan. “I’ll send you a text.”
“I love you,” he says from the other side.
“I love you too,” I respond, ending the call and slipping it into my pocket. 
(14:36): I hope you get home soon.
(14:36): Threaten to suck their blood, or something.
(14:36): I’m sure that would work.
(14:36): 😘 😘.
(14:37): You’re an idiot, Snow.
(14:37): XO.
Day 15, 4:16
I turn my key in the door, trying to quietly walk into the flat. My suitcase softly rolls against the wood behind me as I pull it in, letting it sit next to the door.
Unpacking can happen after I get at least fourteen hours of sleep. 
I place a brown paper sack of scones on the kitchen table.
I couldn’t resist. The shop next to us had just opened, and I knew it would make him smile. 
I continue down the hallway, stopping only to take a piss.
In our room, still blanketed in darkness apart from the street lights coming from the road beside us, Simon softly snores. 
He still sleeps on his side of the bed while I’m away. It makes my heart feel softer than I’d like to admit. 
One hand rests next to his head, his wings spread out across the bed.
I change clothes, relieving myself of all the feelings of travel before softly lifting a wing to get under the blanket and allow him to cover me again.
I don’t have long to process the fact that I’m with him again before I feel something wrap around my calf. 
I pause for a moment before I remember.
The tail.
He is, for all I can tell, still asleep. Meaning it’s recognized I’m here and is saying hello in its own way.
I rub it softly with my other foot.
It dislikes not getting attention, you see.
Simon’s mouth is open as he breathes deeply. I think his pillow is a little wet.
I’d call it disgusting (it is, truly), but I missed him so much that I can’t help but smile.
I risk moving closer and kiss his cheek softly, trying not to wake him up.
I know he hasn’t slept well without me.
(I haven’t either, without him.)
Side effect of sleeping for so many years in that tower. We both got dreadfully used to hearing the other breathe, the way we each navigated and slept.
At this point, I think even his snoring lulls me to sleep.
(I still complain about it, however.)
An arm wraps behind my back and pulls me close.
He takes a deep breath, and when I pull back I see one eye open.
“Hey there,” he says, voice hoarse with sleep. 
“Your breath smells.” I lean in, kissing his forehead. 
“Well your hair is greasy,” he replies, pulling me into a kiss, his hand moving to my hair. 
“You don’t seem to mind it.”
He hums in response.
I pull him tighter. I need to feel this. Everything. 
His lips.
His hands.
His chest against mine.
“And you don’t seem to mind the morning breath,” he states, smiling at me as we break for a moment.
I open my mouth to retort but he puts a finger to my lips, shushing me.
“No talking, only kissing,” he whispers. “I’ve not kissed my fiancé in decades.”
He leans in but I pull back for a moment.
“It’s been two weeks, Snow.”
“Decades,” he states matter of factly. “Each day was like five years passed. It’s been 70 years. I’ve gone grey and wrinkly, waiting for you to return.”
I laugh, being shut up briefly by another round of kisses.
I should sleep.
But this is so much better than sleeping. 
I feel something wet hit my cheek.
Backing up, worried there is a leak from the ceiling, I realize why. 
It’s Simon.
“Love,” I say.
What’s wrong?
“It’s fine; it’s fine,” he says, wiping a stray tear from his cheek. “I’m just tired, and I missed you.”
Another tear drops from one of his eyes, and I brush it away with my thumb.
I open my mouth to say a response, to comfort, but I feel a stinging in my own eyes.
(My eyes have been open for too long, you see. Couldn’t sleep on the plane. I’ve been up far too long to be able to control any tears that fall.)
I lean in to kiss him again.
We kiss, and kiss, and keep kissing. Hands roam, trying to remind our brains of what it feels like to have each other again. 
It was dark when we started, but soon an orange haze comes over the room as the sun rises.
The tears start, stop, start again.
Laughter rings out a few times.
“You did WHAT to our oven??” I shout at one point. 
He lays now with his head on my chest. My eyes are closed, fingers scratching his head lightly.
His hand is softly rubbing my stomach.
“Wait,” Simon says, jumping up and looking at me.
I blink a few times, trying to fight off the sleep that was about to overcome me.
“Did you get?” He asks, question incomplete.
I search his eyes for a moment, frowning, trying to comprehend before I realize what he is saying.
“Yes, they are on the table,” I laugh softly.
He jumps up and starts to go to the door. 
He pauses, looking back at me, clearly wracking his brain with a question. 
“We can eat them in bed,” I say, knowing where his mind is trying to go. 
He smiles and continues his run to the kitchen.
I look out the window and see the sun hit the windows of nearby buildings.
It’s good to be home.
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crimehathnofury · 4 years ago
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Hey there crime lovers, I have an interesting case for today. My personal favorite guy to study. His crimes were many and were really horrible. One of the world’s deadliest killers. How deadly you ask? Well let’s get to it and you'll find out.
Luis Alfredo Garavito Cubillos was born January 25th, 1957 during a tum. He was the eldest of 7 children. From what I gather he had a very troublesome childhood. His mother was a prostitute and his father was an alcoholic and said to be very abusive. To my knowledge Luis’ father forced him to watch as his mother was with her clients. Those clients also ended up sexually abusing Luis. As the children grew up their father turned his abuse on them. Whenever his father would come home, the children would hide in fear. Luis’ father prohibited him from making friends at a school where he was already unpopular. This made him a target for bullying as well as his glasses and timid personality. This sparked a violent rage from within causing him to lash out aggressively. At 11 years old Luis was forced to quit school and get a job to support the large family selling many different things. From 12  to 15 he was tortured and raped by a lot of his fathers friends. He did not tell out of fear that his father wouldn’t believe him. It was also around this time Luis started to molest his siblings. As well as kill and mutilate small animals. If you don’t know, which I suppose you guys might, killing and the torture of animals is a part of the homocidal triad. At 16 Luis was arrested after getting caught  molesting a boy at a train station in Bogota. When he was released he was no longer welcome at home so he then became one of the countless homeless youths and wandered the streets of colombia after the war. In 1984 he had lost a job at a bakery due to his increasing alcoholism. He had claimed that he was hearing malicious voices in his head. So he sought psychiatric help. He however didn’t tell them about his pedophillic attraction to boys or his sexual sadism. When he was discharged he took a job at a supermarket and began a relationship with a woman named Claudia. During his 2 hours lunches breaks he would go to remote areas lure little boys with candy and rape and torture them with razors. Never trust strangers giving candy. Later he would go to Pereira and would go on to date a woman with a teenage son. I would like to note that Luis never harmed the kids of the women he dated. Interesting right? 
To avoid his female partners, he would go from town to town looking for work and sending money to them. In all reality, he was really going around in search of homeless little boys to prey on. The locals would always see how friendly he was with the children and so they nicknamed him Tribilin which means goofy. They didn’t see the beast that he really was. In all retrospect when they saw him walk off with kids while he was drunk that should’ve raised suspicions and even if they did no one cared to intervene. On October 2nd 1992, Luis killed his first victim. Teenage Juan Carlos walking passed a bar and no second guessing Luis Garavito followed. He blamed it on the moonlight. He said it awoke something evil in him, and it drove him to murder. The boy’s body was found 3 days later, clear signs of torture like missing teeth torture, and mutilated genitals. It only took a week until he killed again. And his kills grew more violent. He would prolong the torture by stabbing the boys with knives or screwdrivers in non-lethal places of their bodies. By the time he got back to Bogota he had 10 kills under his belt.  It was easy for him to get away with his crimes. You see, the violence in Colombia produced all kinds of victims so people were less likely to notice the deaths of impoverished boys always on the fringe of society. Some thought that the mutilated bodies pointed to satanic cults, or that the missing children were taken by human traffickers, or that the murders of homeless drug users and alcoholics were due to political reactionaries. 
Luis had started to keep trophies of his kills, but in 1994 he had been killing so much that he started to leave his trophies with his sister Ester. Now in 1995 Luis took a very bad fall that left him with a broken leg. That led him to be begging on the streets. Now the leg didn’t heal properly which of course led to a limp. Still even with all that, his urge to kill was still as strong. He had taken to disemboweling his victims, even decapitating them. Such as four boys he had killed in Valle in 1996. Their bodies were left in the open only partially hidden by tall plants. In 1996 he had also arrived in Tunja northeast of Bogota. There he found a boy named Ronald Delgado. The boy’s body was found decapitated and showed signs of rape and torture. People had told the investigators that they saw the boy in the company of Luis. So they took him in for questioning and Luis managed to convince them it wasn’t him. So he got away. In 1997 a few children, in Pereira, found a horrifying discovery. A mass grave containing 30 corpses of little boys. All of them showed signs of rape and torture. They had been stabbed, some at least 46 times. Some of the bodies were so mutilated that they could not be identified. Again some people thought it was the work of satanic cults or trafficking. Then a few months later in 1998, another discovery was made in Buga. A boy bearing the same mark of all of Luis’ other victims had been found. There was ashes surrounding the scene meaning there was a fire the night of the murder. Also they found red glasses scorched on the left side. There were empty bottles of cheap brandy, a screwdriver, and some documents. Including some money and a note with an address as well as a pair of mens shoes. The glasses gave them an idea. The glasses meant that the person was suffering an eye condition that only affected men around 40-45 years old. The shoes were heavily worn, more so on one side. Now this means they were looking for someone with a limp. 
Around this time Luis was on the suspect list. Leading him to flee Colombia and go to Ecuador. Though that didn’t stop him from killing. Still they suspected him more seeing as he was a foreigner. So with that in mind Luis returned to his native land. Meanwhile a task force was arranged to track down La Bestia, known to have killed in over 70 different places in both Colombia and Ecuador. One investigator used the note they had found in Buga to track down Luis’ sister. Finally they had him. On April 22nd 1999, Luis Garavito lured 12 year old John Ivan Sabogal away from a park in Villavicencio. He tied the boy up and tried to rape him. However, a homeless teenager walking passed saw what was going on. He started to throw rocks at Luis so that he and John Ivan could run to a nearby junkyard. Police arrested Luis, and once in custody he tried to use a different name. Though DNA evidence proved it was him. After the investigators revealed all their evidence against him. He fessed up and told them everything. So with him helping the investigators find other locations of his victims he only got a 30 year sentence. From what I’ve recently read Luis Garavito is getting out some time this year and he wants to be an advocate for children's welfare. I don’t know if him being out is good. It’s said he was a model prisoner. He did however have to be kept away from other prisoners for fear he would be killed immediately. He said he wouldn’t kill anymore but how are we to believe that? In any case hime wanted to work with children kind of creeps me out. Although with the way his childhood was I kind of understand why. Maybe if he is telling the truth he wants to help others to not be like him. So they would have a chance at a normal life. They wouldn’t be abused and possibly have a safe place to stay. I don’t know, only time will tell. I know it took me a while to post and thank you guys for being patient. Anyways let me know what you guys think? Is Garavito being released a good idea? Or not? Let me know. Bye for now. I’ll see you guys next week.
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occult-castiel · 4 years ago
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The Rules: It’s time to love yourselves! Choose your 8 (ish) works you created in the past year (fics, art, edits, metas, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome work!
Me?? Getting tagged by my all time favorite author @duckyboos-blog ??? This is the best thank youuu 💙💕💕
1. I think the number one thing I'm most proud of is my Destiel Hallelujah AMV. I spent about 60-70 hours over a few days learning how to work video editing software for the first time. I think it turned out great!
2. I loved writing Leave A Message (After the beep!) Its a suuuuper happy, joy-filled one shot written before 15x18
3. I'm doing a s13 baby jack long fic!!! A thread with no end. I'm still writing it three ish weeks in. The newest chapter is currently late, but I've forgiven myself since it's the holidays.
4. Pressing the issue. It's a one shot, last night on earth s15 canon divergent I wrote before the hiatus ended. Dean and Cas use their words, because s15 was all about doing that until the finale that didng happen
5. Honestly??? Havent done anything for gomens in a while, but this collabrative crack fic Year of The Rat: Cheesus Christ was so much fun to make! It's full of fun jokes and I enjoyed my part in it. I'm still grateful for @joyfulomens for organizing that, it was great
6. Speaking of gomens, this Globe theatre romeo and juliet one shot Just As Sweet was the first time I felt proud of something I'd written. And I love that I can see how much better I've gotten since then
7. Tangerine, tangerine. This is the start of a destiel memory loss fic, post series. I just really like the start! I hope to do more with it, but its had to go on the back burner for now unfortunately.
I'd do eight, but the few I'm thinking of I cant find on my blog, so seven it is!
I'm tagging @goindowninablazeofglory @one-more-offbeat-anthem @tearsofgrace @starrynightdeancas and @idonthaveacleverquip
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helgaw321 · 4 years ago
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Takeru’s 155 Q&A
To start off things, let me share (again) one of my most satisfying works from last year, that is Takeru’s Q&A section from his 30th birthday anniversary book. Looking back, I think I worked on this one for almost one week, and It felt really satisfying to finish it on Takeru’s 31th birthday ❤️
Once again, enjoy!
(Disclaimer: All translations are done by myself, pls don’t repost without permission, thank you!)
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These are the questions sent by fans through Takeru's official LINE account. Thank you for all of your participation!!
1. Is there anything you would like to do or achieve in 2019? I'd like to do anything good for my body
2. If there is one day you're not Satou Takeru anymore, what will you do? Go to sauna
3. If there is one day you become a girl, what will you do? Sing Sheena Ringo's songs in the original key
4. If you can travel back in time, when would you go? Middle high school
5. If you are being reborn, do you want to be yourself again? Not really
6. If there is an "Anywhere Door", where would you like to go? The world's best views
7. Do you think aliens exist? Not in this solar system I think
8. 10 years from now, what kind of father do you want to be? I want to avoid using weird emoji
9. If you move abroad, which country would you choose? Maybe America or Canada
10. If you got the chance to direct a film, what kind of film and who are the casts? Horror. Because it seems difficult to explain, I'll do it myself.
11. If you have to become one of the characters you've played before, who will you choose? Shishigami Hiro
12. Among of the movies created in the past, is there any movie you like to have acted in? (Anything from) Ghibli
13. Who would you like to meet the most right now? And what will you ask him/her? Hanyu (Yuzuru)-kun. "Do you want to join Amuse (Takeru's agency)?"
14. Anything you want to overcome in this year? Coughing out when sleeping
15. If you can go with your mom on a trip, where would you like to go? I don't know. I'll go where she would want to go
16. When you see food with the name you see for the first time, do you dare try? Or you tend to play safe? I tend to take the challenge.
17. If you can meet your 20-year-old self, what would you like to say? Nothing in particular
18. What kind of present you would like to receive in last year of Heisei-era? Speakers that can be used in bathroom
19. Where would you like to go on honeymoon? The world's best views
20. What would you like to do in your last day of your life? I don't want to know that day is the end of my life
21. If you can take a long holiday, what would you like to do? Watch movies. Escape room games.
22. I love Takeru-kun's singing voice. If someday you get to sing in your next project, do you want to do it? I don't mind
23. If you weren't in the entertainment world, what would you do? I imagined myself to study something related to science-field in university, but I don't know what to do next
24. What else you like in sushi other than Kohada (gizzard shad)? Between tuna and salmon, which one do you like? Tuna. I also like squid and uni (sea urchin). And also button shrimp
25. If you become an invisible person, what would you want to do? State secrets investigation
26. Favorite movie? Kimi no Na wa (Your name)
27. Do you like sweets? I like it but I rarely snacking
28. Favorite smell? Morning forest
29. What do you like in osechi (traditional Japanese new year food)? Kamaboko (fish cake)
30. Favorite manga? Tenshi na Konamaiki (Cheeky Angel) (note: he said in Yakai before that his first love is the heroine from this manga XD)
31. Do you like to go to onsen? Yes
32. If you have your own favorite/most disliked body parts, please tell us! I won't say because it's embarassing
33. Favorite color? Navy blue
34. Favorite kind of noodles? Cold soba
35. Favorite season? Winter
36. Do you like horumon (cuisine made from pork or beef offal)? I like it more than average people
37. You went to lots of places during filming or doing promotion for movies, do you have favorite region? Also please tell us if you have a must-eat food there! Hitsumabushi in Nagoya
38. If i remembered correctly, you've said that you like your home, is there any other place you like? I also like hotel
39. Any recommendation for foreign drama? Friends
40. Favorite novel? Shigatsu ni nareba Kanojo wa (also titled April Girlfriend - by Kawamura Genki)
41. What do you usually add when you eat medamayaki (fried egg)? Salt and pepper or Shoyu
42. What do you usually add when you eat freshly cooked white rice? Karashi (spicy) mentaiko
43. Please tell us your order of eating sushi! Omakase (literally meaning "I'll leave it up to you", a special course when the customer leaves it up to the chef to serve)
44. What are your memories of doing Kamen Rider? Commuting in a crowded train
45. Please tell us a happy episode from filming Den-O! We sometimes would go to Jojoen near Oizumi Studio
46. Who is your favorite Imajin from Den-O? Ura(taros)
47. If you act as (Nogami) Ryoutarou right now, what kind of person you think he will be? I think people will not change that much
48. If you have a child, what name will you give him/her? I think 2 letters would be nice
49. Among the actors-actresses you haven't co-starred with, who would you want to work together with? Fukatsu (Eri)-san
50. Among all of your projects, which role is the most fun/memorable? Rookies was fun
51. Do you still continue to learn English? Yes
52. Among all of roles you've played, was there a moment when you think it resembles yourself? Probably no
53. Is there any place inside Japan you want to go? Never-visited islands
54. Is there anything you want to learn right now? I want to learn to dance
55. When you first meet a person, what is the first thing you will look at? I got this question a lot and until now I don't know the answer. I wonder what I will look at first
56. What role you want to try this year? As a runaway child
57. Among all of your projects, is there anything you wouldn't want to watch? Basically I don't want to watch it. I don't watch most of it.
58. If you can do a sequel, is there a work you want to do? Rurouni, Kanouso, Gibomusu
59. Is there any villain role from movie/drama/manga/novel that you want to do? I'd like to if there's any (interesting roles)
60. Before you do a crying scene, how do you usually spend your time? Depends on the scene
61. What is your description of "Kakkoii"? Taking the initiative in what people hate, and don't show off your action
62. You said that you didn't like saba no misoni (mackerel with miso), was it because you didn't like mackerel itself? When I saw "saba no misoni" in school lunch menu, I would be very dissapointed. I like mackarel though.
63. If you got an offer for main cast in Taiga drama, will you take it? I like that kind of question where you don't think "If it's the main cast for Taiga I'll definitely do it"
64. Something to do to keep you healthy? Sleep 12 hours
65. Do you have any actor friends? Everyone that gave their comments in this book
66. How do you feel when you work in Rurouni Kenshin kiri (` ・ω・‘) (note: this is the actual answer (i only changed hiragana to romaji/alphabet), kiri/kiru is to cut/slash in japanese, so maybe he just felt like slashing ppl all the time XDD)
67. Something that makes you feel "I can die peacefully after doing this"? Become Ajin
68. What is the scariest thing in the world? Please see video original version of "Ju-on"
69. Have you seen Aurora? No
70. When you take a bath, what part of the body you washed first? Head
71. In what moment do you usually can be yourself the most? I am myself mostly everytime
72. If fans reach out to you in your private time, how far can we go e.g handshake/photograph? It'll be embarassing to take a photo, so only handshake is good
73. We always see Takeru-san in the acting side, do you ever think of creating a movie? If I create a movie, I also want to act in that movie
74. You showed us for a short moment in Horoyoi ads, but I want to hear more of your singing voice! Recently, is there any song that you will definitely sing in karaoke? Marigold, no I'm lying. I don't have such song.
75. You always give your best during promotions for dramas/movies, but was there any tough times? Ehh you're so kind.
76. You said that you want to take a break in this year because you've worked hard in last year, did that feeling change? It's not like I want to take break, but I think my exposure level is decreasing compared to last year
77. In Kanouso, during the moment when you weren't supposed to cry but tears suddenly fell down, how to control such emotion? I looked at her (Riko) face
78. Is there any actor/actress you admire? If I tell you, you will be more aware of that person, so because I don't want you to have such thought, I won't tell you.
79. How did you spend your time during 2019 new year? I watched Unnatural with my family at home
80. What is your special skill? Othello
81. Do you use perfume? I don't usually use it but because we're making it (as anniversary goods) this time so I'm using that.
82. When thinking about Takeru-kun, your image is strongly tied with solving riddles, how did you get into it? Also how much time did you spend in 1 day? My first time was when my friends invited me to play escape games. As long as time allows me to do it, I can do it all day.
83. Among all of Hanbun, Aoi cast, who is your best friend? Kan-chan (Suzume's daughter)
84. If you meet a person that you want to befriend, are you the type who reach out to him/her, or wait? Reach out
85. Regardless of gender, what kind of person you're not good at? People who makes mistakes
86. What is your decisive factor when choosing a project? Whether I want or I don't want to do it
87. By any chance, is Takeru-san the type of genius person with photographic memory? I'm not that kind of person
88. What do you sing when you go to karaoke? Radwimps
89. Do you do any muscle training? I do but depends on the timing
90. When you go out with somebody you like on a date, in what situation do you like? Autumn leaves
91. Has anybody said to you that you resemble someone (in entertainment world)? Shouhei's wife (Kiritani Mirei) (note: why he won't say her name directly XDD)
92. Do you have any age restriction for marriage? I'd like to do it in my 30s if I can
93. Why do you become "a man lost in love"? What a good word to express it. Love is not something you experience several times, isn't it?
94. What kind of hair type do you like for girl? I like natural, not shaped ones
95. In what moment do you think girls are cute? When you see they are excited when I choose her in SUGAR
96. When you found a girl you like, do you actively "attack" her? Of course if I like her
97. Do you like a woman who will casually do body touch, doing upward gaze, and sort of the aggresive type? I don't like it at all
98. In what moment you think you can't help but liking a girl? When she casually do body touch, do upward gaze (note: so which one do you actually like LOL -- refer to Q97)
99. Between older and younger woman, which one do you like? I like both
100. What kind of girl do you like? Girls with narrow "strike zone"
101. What is the minimum requirement for your partner to marry you? I no longer have such requirement
102. As a man, what do you think of a man who keeps looking at his phone, keeps looking at the clock when dating a woman? It's not a good thing to do, it's like he doesn't care about his partner.
103. What do you think about a fun and easygoing girl? Girls with good sense of humor are good
104. When you have a girlfriend, what kind of homemade food will you make for her? Miso soup
105. What kind of make up do you like for girls? As long as she doesn't overdo it
106. I have a person I can't forget even after so many years, Does Takeru-kun have that kind of experience? Yes for a few years, but I don't know what will happen for 10+ years
107. I called my nephews and nieces with nicknames. Does Takeru-kun have any nicknames you want to be called with? I like Takeru-san rather than Takeru-kun
108. What sound do you use as your alarm ringtone? Default settings
109. You have a really beautiful skin. Do you have any advice for it? Moisturizing
110. Any activities you've been into lately? Alternate baths (also called contrast bath therapy) (note: a kind of bath therapy where you alternate between hot and cold baths.)
111. Where do you usually go? Most recent is gym
112. Do you still hate caterpillars? Sorry, but yes
113. Do you cook? Do you have any specialities? Nope
114. Where and how you usually memorize your script? I usually memorize it with my costars moments before shooting in the set
115. For Takeru-san who loves reading, how do you usually choose books to read? I'd usually pick friends' recommendation
116. When you sleep do you prefer to turn on or off the lights? Turn off. I can't stand even the lights from humidifier
117. In what moment do you think it's nice being an actor? When people are being nice to you
118. Things like clothes, bags, shoes, is there anything that you have to make sure it's in good quality before you buy? Towel
119. If you have one full day with your beloved cats, what will you do? Cuddling its cheek
120. If you are being reborn as a cat, who do you want to take care of you? Do you want to play together with Kochirou and Puchirou in Satou's family house? Yes. (note: Kochirou and Puchirou are his beloved cats currently living in his parents' house)
121. If you can have one more cat, what name will you give? At least not names in katakana
122. Are you a dog person? Cat person? Cat
123. As a cat-lover, which part of a cat do you like? Face
124. What is your favorite Kochirou and Puchirou's pose? When they become rounded like a ball
125. If you can have a dog, what kind of dog do you like? Shiba-inu
126. Beside cat, do you have any other animals you'd like to have? Dolphin
127. Where do you want to live? Shiodome maybe
128. Have you give your mom presents from home bakery? Yes. I think you can also make mochi with those
129. If you're doing a solo trip, where will you go? Canada
130. How do you get along with Nobu-san (from Chidori)? We were working together in a variety show and I ask for his phone number
131. You were famous among the older people from long ago, what do you think about that? I don't really care about the age as long as I still got the "waa" and "kyaa"
132. In what moment do you feel happy? When I solved a riddle
133. What is your favorite song from Takahashi Yuu-kun? Hachigatsu Muika (August 6) (note: he sang this song in his 30th birthday event)
134. If you have to give a score for your acting career up until now, how many points out of 100? 60
135. In the future, can you create an event where fans can meet you directly? Yes
136. You've said before that because you can't tidy your room up so your mom had to visit your house to tidy things up, is it still the same now? I've become independent now
137. I'm still a kid, an elementary school student. When I talk about Kamen Rider, there are some kids who get along with me, but there also kids who call me weird. Is it alright that I still love Kamen Rider? Please tell me. I was also called weird by my friends in my school days so it will be alright
138. Do you plan to go to Kyoto in this year? I already go there few times
139. In what moment do you feel the happiest? I can't decide between the moment when I saw at Ruroken's (sales) performance or when I managed to clear an escape game challenge, or when I was in elementary school when I got into Yu-Gi-Oh, I got Summoned Skull from a booster pack.
140. Was there a moment when you cried while watching a movie? Usually I cried watching touching movies
141. Between the roles you've played almost simultaneously, such as Ritsu in Hanbun, Aoi, Mugita in Gibomusu, and Kazuo in Oku Otoko, which one is the most difficult to play? Kazuo
142. Recently, is there a moment when you laughed so hard? I was hitting my knees laughing while watching Aiseki Shokudou (Chidori's show) at home
143. Please tell us an episode from Kouhaku! When I hesitated to wave my penlight, but then I saw Nomura Mansai-san was waving his so I decided to follow
144. Please tell us your recommended places to visit from "Rurouni-hon Kumamoto e". Nature is always recommended. Negative ions are good for the body. (note: "Rurouni-hon Kumamoto e" was a book about Takeru doing a trip in Kumamoto, promoting places especially those which were affected by Kumamoto earthquake. A portion of the sales were donated to support Kumamoto recovery)
145. You said in the past that you couldn't sleep for a long time, how is it now? Hm it's complex but I think my internal body clock feels off
146. When telling our thoughts about your movies/dramas, do you have any preferred ways that makes you happy? When you shared it in the internet
147. My son is telling me that he wants to be a voice actor and wants to go to a vocational school. As a parent, should I support him? Did Takeru-kun get your parents' support when you want to be an actor? My parents had no objection at that time. It didn't cost me any money. By the way, do professional voice actors learn in vocational schools? I support him to become a voice actor, but I'm not sure if it's the right decision to enroll in a vocational school to become a voice actor.
148. Among all the places you've visited during your work or private trips, do you have any recommendation for us? Salar de Uyuni (note: he went to this place for X photobook)
149. When you watch a movie, do you prefer to read the original story first or straight to the movie? If I want to enjoy the movie, I'd watch the movie first. If I want to enjoy the book, I'd read the book first.
150. Can I hug you when I meet you? Maybe no
151. Do you use washing machine for drying your clothes? What will happen to your clothes after that? Wrinkled
152. What is the most important thing or person to you? People who put their faith in me
153. Are you looking forward to expand your career overseas? Rather than wanting to work in a Hollywood movie, I prefer to think more on how to make Japanese movies more visible to the world.
154. Is there anything you'd like to do in your 30s, any target or resolution? I have a few in mind, but I'll tell you when I manage to accomplish them
155. Please tell us about your vision of living your life from now on! I hope I can do more of what I want to do.
(pic: https://satohtakeru.amuseblog.jp/blog/2019/03/30th-anniversar-1c47.html)
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godofplumsandthunder · 5 years ago
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This was written for @the-ss-horniest-book-club​ Freaky Friday Drabble Friday! I barely made the deadline, but am super happy with this idea. Like the title suggests, it’s a body swap theme. So naturally I did a body swap with Bucky Barnes and Lance Tucker. I hope y’all like this as much as I did while writing this. Every page break represents a shift from Bucky to Lance or vice versa. 
James Buchanan Barnes, a.k.a Winter Soldier, Bucky, and Lance Tucker were household names. Everyone knew the assassin, best friend of Steve Rogers, Captain America. Everyone also knew Lance Tucker. Cocky, egotistic, gold medalist who is always seen with countless women. His life seems like a never-ending party.
Bucky Barnes knows who Lance Tucker is. He covets his entire life. For Bucky, Lance represents everything he's not. Bold, socially outgoing, loved, worshiped. Sure, Bucky knows that he has you his trustable girlfriend, but, wouldn't it be better, more fun, to be with hundreds of girls, instead of just one? Wouldn't his life be so much better if he had all of this?
Lance Tucker, who on the outside his life would appear to be wonderful, hates his life. Sure, he has fame, and countless women, and is always seen at a party, but what happens when the high wears off? The easy shag goes home? He's left alone. With no one, he can trust or love. Because Lance learned from a young age that when you are famous, people only get close to using you. Lance hates his life, but in his mind, it's too late to change it.
Both men, secretly wanting each other's lives. But realizing that their wishes will never come true. Or can they? Cause, after all, the universe might have its own agenda.
=======
Bucky feels different. He wakes up without remembering a nightmare. This should have been his first clue that something was wrong. He also wakes up and his left arm isn't hurting. It has not not hurt for over 70 years. This is sign number two. He rolls over a finds some young blonde laying in your spot of the bed. This is when he loses his shit.
"Who the fuck are you?" Bucky starts to go into full Winter Soldier mode, grabbing the baseball next to the side of the bed. Definitely not his bed, he notes.
"Really, we literally just fucked like 2 hours ago, and you can't even remember my name? The news was right about you. You really are a grade-A dick. No one wonder no one wants to be with you. Don't even bother with breakfast." The young blonde, who Bucky still doesn't know how she is, gathers her items, put her clothes on, and slams the front door shut behind her. Bucky needs a long shower, and a nice cup of coffee, if he wants any hope of making sense of what's happening.
=====
Lance wakes up with a body wrapped against him. Not in the "I just fucked the god of gymnastics" way. Rather in a way that radiated love. He looks down at you, and he can tell that you look different than the blonde he invited back home that night. At least Lance thought it was a blonde. He slips out of your arms, determined to figure out what the hell was going on. As he slipped out of your arms, you let out a little grunt, rolled and spooned his pillow. Not wanting to let the scent of him to fade. And this is what confuses Lance the most. Not once, in all of his conquest has a woman, or for that matter, a man reacted how you did when he left the bed. Like they were glued to his presence. Rubbing the sleep out of his eyes, Lance finds the bathroom and looks into the mirror. That's when he noticed he was missing an arm.
"What the fuck happened to my arm?" Lance yell woke you up. It would have woken up the whole complex if it weren't for the noise proof walls, made to withhold the screams of a certain super-soldier. You come rushing over to see the love of your life confused. And this worries you. Bucky hasn't had a really bad day for a little while now.
"Bucky, are you okay?" You thought that maybe your voice and your presence would calm him down. But it didn't, it made him worse.
"Who the hell is Bucky?" This scared you. It's been a REALLY long time since Bucky's had problems with his memory. So you did the only thing you could have down in that situation.
"F.R.I.D.AY., initiate the 'Bucky's lost his marbles' protocol." Terrible name, Stark chose it, but it will get the job done. Gas started to fill the room where Lance was in. His vision started to blackout, and his body went limp.
======
When Bucky went to go take a shower, he was met with one hell of a surprise. Most people aren't ready to look into a mirror and be met with someone else's face. Even Bucky, the former fist of Hydra, who saw pretty much has seen everything, was surprised. Until he realized who's face was looking back at him. It was the one and only Lance Tucker. The world-renowned gold medal gymnast, playboy, and partier. Sure, Bucky should have been worried, but he saw this as his chance to finally have the life he has been coveting for the longest time. Y/N and the other avengers will figure out what happened and fix it promptly. But in the meantime, Bucky, or should he say Lance now, was going to have a fun time.
Bucky gets dressed in some tight and gaudy tracksuit. He grabs the keys to some overly priced car and drives his way to the closest open bar. He's really gonna have fun with this, Bucky thinks to himself.
=====
Lance wakes up with a pounding headache and handcuffed to a hospital bed. He searches the room and sees you, sitting dutifully in the chair next to the bed.
"Oh, good, you're awake Bucky. I have someone that's here to talk to you." She steps outside and brings in a grandpa, of all people.
"Hey, pal, do ya remember me?" Lance's confused face was answer enough to the elderly man. "I guessed you probably wouldn't. I look a little older than the last time you saw me. But it's me. Stevie. Steve Rogers. And you're Bucky, James Buchanan Barnes-" The old man continued to talk, but Lance drowned him out. He wasn't in his body. He wasn't Lance. He was Bucky Barnes. Reformed assassin, and new avenger. "And this is your girlfriend, Y/N." The old man manages to get Lance's attention again with that simple sentence. Lance should probably have been freaking out. But he's been wishing for a new life for the last few months, being sick of what his life consisted of. And it seems that the universe had answered his prayers. He'd deal with the consequences later. But for right now, he'd gladly accept your love and Bucky's life.
====
Bucky probably overdid himself on the alcohol. It was the first time in 7 decades that the alcohol was actually affecting his body. He's been bar-hopping for the last 5 hours or so. Getting absolutely wasted on any substance he can get his hands on. Bucky's currently trying to convince another skinny, fake, blonde to come home with him.
"Come on baby. Don't you want to know what's it like to bed the famous Lance Tucker? You know gymnastics isn't the only event I got a gold in?" It was a terrible pickup line. For most sane people, it wouldn't have worked. But for the blonde, the bragging rights were reason enough to sleep with Bucky, well Lance. So that's how Bucky found himself behind the wheel of his car, extremely intoxicated driving his way back to his bedroom to finally taste that blonde.
Finally, Bucky thought, he was living.
====
With Lance finally realizing what was going on, he was able to convince Steve and you that "Bucky" had his memories back. How he was able to fool Steve was beyond him, but it got him out of the hospital. You called into work saying you were sick so you would be able to watch after "Bucky". He looked fine in the hospital but you wanted to make sure he was really okay. So that's why you planned a Harry Potter and cuddles marathon.
Lance was watching Harry Potter, with you cuddled into his side. His right arm around your shoulders. Sure, this technically wasn't his girlfriend, but he liked this. This felt more comfortable than some cheap hook up from the bar. It felt domesticated in a good way. Halfway through the first movie, you look up to your boyfriend, which talk about dreamboat, and say, "I love you Bucky. I hope you always know that."
Lance, knowing in part that he had to keep up appearances said, "I love you too, Y/N". But even as he said it, as foreign it might have seemed, it truly felt right saying it.
=====
The body-swap continued on for another two weeks. And Lance was loving every single moment of it. He felt love, real love, for once in his life. It was nice knowing that he had friends and a girlfriend who was with him to be with him. Not to worry whether the people who surrounded Lance were with him because they wanted to or if they wanted something. Lance felt like he died and gone to heaven. And he wishes that this will never end.
Bucky, on the other hand, was living in hell. And after the high of newness and excitement of the newness of this situation wore off, Bucky realized that he's the loneliest he's been in quite a long time. He's soon realized that as soon as the buzz wore out, and the dame he picked up from the bar left, he was alone. And this hurts Bucky. He doesn't get to wake up to your beautiful smile in the morning or hear your heartwarming laugh. Hell, he's even missing the stupid memes that Sam would always send to him.
One night, after having one too many drinks, Bucky finally snaps. "God, or whoever is out there, please give me back my life. I've learned my lesson. My life was good. Please," Bucky sobbed himself to sleep, wishing that he was back in his own body and longing for your warm embrace, once more.
=====
The universe has its own plan. And often, it is a way for us to learn something. The next morning, Bucky and Lance woke up in their own bodies again. Bucky woke up with a new dedication to his girlfriend, who very soon will hopefully become his fiance, his friends, his teammates, and even his own body. He recommitted himself to being present and realizing every single blessing in his life.
Lance, on the other hand, woke up with a dedication to change his life around. He would work hard for it because he learned that drinking his way through life was no way to live. He would work hard so that he could have a wife, and a family to come home to after a hard day at work. And, thankfully, Lance would have that one day.
The universe has its own plan. We might not know where we fit in it, but every single one of us is where we are for a reason. Some, like Bucky, need to be reminded of that every so often. Others, like Lance, need to find their own place. The place of true happiness will always be shown if we are willing to look and work hard for it.
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bobasheebaby · 5 years ago
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100 Roseanne Prompts
I usually try to stick to quotes that can work for everyone but some of these were too good to skip. Break at 15 like always. Request a show
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1 “Hey, all our lives suck.” — Roseanne
2 “Here's why you can't trust your kids 'cause they're stupid. That's why we don't give 'em cars or booze.” — Roseanne
3 “Etsy is like a yard sale except online because nobody can afford a yard anymore.” — Darlene
4 “All of your relatives died from alcoholism. The ones that didn't drink were killed by the ones who did.” — Roseanne
5 “Did all of your children's deliveries go according to your birth plan?” “Um, they found their way out, if that's what you mean.” — Andrea & Roseanne
6 “You gotta pick your fights in life.” — Roseanne
7 “Okay, he doesn't have to wear pants, but he's gotta wear underwear.” — Dan
8 “It is not my fault that I just happen to be a charismatic person who's always right about everything.” — Roseanne
9 “Why are you picking on me? What, did I take the last doughnut, or something?” — Darlene
10 [Person B is embarrassed after walking in on Person C nursing her baby] “Oh, now, NAME. It's not like you've never seen breasts before.” “NAME’s my friend. As far as I'm concerned, she has no breasts... It works for me, okay?” — Roseanne & Dan
11 “The car has heated seats? Thank God, I thought I was going through the change.” — Roseanne
12 [stoned and laying the bathtub] “Is this the sink? Am I shrinking?” — Jackie
13 “In this house, I'm in charge and father knows squat.” — Roseanne
14 “What's up? I smell fear. I love that smell! But what's up?” — Roseanne
15 “Do you have anything sharp I can stick in my eye?” — Dan
16 “You are really, really gettin' on my nerves today, man! I mean more than usual!” — Dan
17 “Well, you think you can stop me from seeing NAME, huh?” “I think I can stop you from seeing tomorrow.” — Mark & Dan
18 “You were always trying to push us apart. You were always putting me down!” — Mark Healey
19 “My marriage is not based on me listening!” — Roseanne
20 “Why don't you just kiss my butt?” “Well, haul it on over here, Jumbo!” — Becky & Darlene
21 “You are just evil!” — Jackie
22 “Oh good, go for the guilt. You better take a looong, hard look at yourself, NAME, 'cause if you are this obsessed with my life, there is obviously something missing from yours.” “Just figure that out?” — Jackie & Roseanne
23 “I thought you were just gonna go over there and scare him/her?” “Well, it started out that way.” — Roseanne & Dan
24 “Being your own boss isn't that great of a deal. Last week I sexually harassed myself.” — Dan
25 “Hell, even I don't hate her that much.” — Dan
26 “Oh my gosh, I'm so nervous.” “Just don't shoot any milk out of you nose, and you'll be fine.” — Becky & Roseanne
27 “Please, NAME, I don't want you to help me, I just want you to leave me alone ... Please.” — Darlene
28 “Don’t toy with me, NAME.” — Roseanne
29 “We, have had a fight, and we're not speaking to each other.” “Oh, well, what was the fight about? Maybe I can take a side.” — Roseanne & Jackie
30 “He/She wanted to do something; I didn't feel like it.” “Yeah, well, so what are you going to do?” “Nothing.” “That's what you did last weekend!” “Yeah, well I'm not finished.” — Darlene & Roseanne
31 “No, NAME always was the bad influence.” — Roseanne
32 “Talking - it's like yelling, only not as loud.” — Roseanne
33 “Yeah, but you know what they say, NAME. They say, ah, when you really love something you should, you know, make it go away or get rid of it, or whatever.” — Roseanne
34 “You're acting like a crazed psychopath.” [snorts] “Well the voices in my head disagree.” — Dan & Roseanne
35 [on getting married] “I always thought it was the smartest thing I ever did. You obviously don't agree.” “No, I do agree with you, it was the smartest thing you ever did, but we're talking about me now!” — Dan & Roseanne
36 [Person A and Person B bury the hatchet] “So, I guess we've finally approached the end of Bitch-Fest YEAR.” “Oh what a time we had!” — Roseanne & Darlene
37 “You can't tell NAME what to do. She's a big girl!” [snarls] “Compared to who?” — David & Roseanne
38 “What kind of list is he/she making? Not that it's any of my business.” “A hit list.” — Beverly & Dan
39 [feeling for pulse] “I think he’s/she's dead.” [steps back] “Check again.” “I know how to count to zero.” — Roseanne & Dan
40 “What was the second thing you noticed about me?” — Roseanne
41 “Aw, get off the sympathy wagon, NAME; there were plenty of guys/girls standing in line for you to treat 'em like dirt. I was just the lucky one.” — Dan
42 “You are rotten rotten kids, and I can't even believe I'm related to you two!” — Jackie Harris
43 “You'll just do something stupid that you're going to regret later.” — Roseanne
44 “I'm your husband/wife. That's my right.” — Dan
45 [finds present] “You're not going to open it, are you? It's two days away.” “Yea! Well I need time to practice pretending like I like it.” [pulls something ugly from the box] “Oh man, I should'a opened it a week ago.” — Jackie & Roseanne
46 “Oh, this is going to be soooo great!” — Darlene
47 “What's the catch?” “No catch, can't we do something nice?” “I don't know, you never have.” — Roseanne & Becky
48 “Oh my God. You're kidding me!” — Roseanne
49 “Save your breath, NAME, you're not gonna talk me into dropping this lawsuit.” “Well, maybe I can talk you into begging for your life.” — Fred & Roseanne
50 “I'm way more powerful than any law!” — Roseanne
51 “Well NAME, I guess you're just not the man/woman I thought you were ... and I wasn't too happy with that one!” — Roseanne
52 “We should've known, NAME, men stick together no matter how butt headed their argument is.” — Becky
53 [about Person b and person c’s sex life] “You're kidding? You guys have a night?” “Yes, we have a night. It's not only Wednesday, but it's always Wednesday.” You have a time too?” “Yeah. Twenty minutes, or until he gets a cramp.” “Well, you should make him wait half-an-hour after he eats.” — Jackie & Roseanne
54 “Oh, c'mon. Just because you guys aren't having "Wednesday", doesn't mean he’s/she's out ... "Wednesday-ing" somebody else.” — Jackie
55 “What's the matter with you, boy/girl? Can't keep your pants on?” — Dan
56 “Damn women! Who the hell do they think they are!” “We are sugar and spice, and everything nice. So bite me!” — Dan & Roseanne
57 “Have you met NAME?” — Roseanne
58 “Gee, I'd love to NAME, but I'd rather stay home and drill some screws into my toes.” — Darlene
59 “Remember one thing, NAME, I'm your worst nightmare!” — Jackie
60 “You always say how you want better things for us.” “Ah, yea, but I was talking about me and your Dad. You kids already got it too good.” — Becky & Roseanne
61 “You are a controlling bitch!” — Dan
62 “Boy I'll tell you, I wish I had never m - -“ “What? Say it.” “Nothin'.” “Well that makes two of us.“ — Dan & Roseanne
63 “Ooohhh, we all know what this is about, don't we? You're just jealous because I've made something of myself.” “Yeah, an ass ... And where do you get that hoity-toity accent anyway? You're from PLACE!” — Ronnie & Roseanne
64 “I can't believe that I wasted TIME hating you for something as stupid as a wedding, when there's a very good reason to hate you. You're a bitch!” [gasps] “I'm a bitch? Hah! I bow to the queen of all bitches.” — Roseanne & Ronnie
65 “Look me in the eye and tell me it was an accident. And remember ... I can tell when you're lying.” “It was an accident ... could you tell?” — Roseanne & DJ
66 “I could go for something to eat.” “Yeah? Well, then go.” [motions toward the door] — Arnie & Roseanne
67 “You're going to flunk marriage if you can't pass the oral ... oh my God ...” “We know too much, we know too much.” — Dan & Fred
68 “NAME, where'd you get those jelly beans?” “From the bin at store.” “NAME, I told you, you gotta finish eating them while you're in the store, 'else it's stealing!” — Roseanne & DJ
69 “I never thought I would say this ... I'm too depressed to drink.” — Dan
70 “Let's just cut the crap, okay. You're talking to NAME’s mother here, the mother of all mothers and she is majorly mad.” — Roseanne
71 “NAME, NAME, NAME. I have raised two of the best damn liars in the free world. Don't embarrass yourself.” — Roseanne
72 “This is for the pain.” “Owwww. Make it a double.” — Nurse & Jackie
73 “I hate to see you laying here in pain like this.” “Well actually, ever since he/she gave me that shot, I'm feelin' kinda neat.” — Gary & Jackie
74 “I want someone who will love me and support me no matter what. Just like NAME does for you.” “Are you insane! You know how many years I had to put into NAME? You think he/she came out of a box like that!” — Jackie & Roseanne
75 “What do you think your punishment oughta be?” “What do you mean?” “NAME told me everything.” “That little rat.” “But I told him/her I wasn't going to do anything until I get your side of the story.” “Well first we, wait a minute, uh, uh --“ “You're getting good.” — Roseanne & Becky
76 “I worked it out with NAME, he’s/she's gonna stay here and babysit and I'm gonna go out.” “Why would he/she do that?” “I have dirt on him/her. “ “What kind of dirt?” “Now if I told you, I'd have to stay home.” [person a leaves] — Darlene & Roseanne
77 [Person A is acting like a hunchback] “I brought the baggage master, where do you wish me to put it?” “Just put it anywhere Igor.” “Maybe later you and me.” “We'll see.” You're so kind.” [ kisses hand] — Dan & Roseanne
78 [about child’s behavior] “NAME you did stuff like that when you were NAME’s age right?” “No, the boy's odd.” — Roseanne & Dan
79 [offering to the family] “Hey, I got one more pancake.” “I want French toast!” “Well, you better move to Europe.” — Roseanne & DJ
80 [Person A, angry, grabs keys and leaves the house] “Oh God. This is really bad.” “Yeah, I know.” “Oh no. I mean, this is really bad. I'm parked behind him/her.” — Jackie & Dan
81 “Yeah, I do. And we're not going to put him/her through that again, are we?” — Dan
82 [comes in through the front door] “NAME, you all ready to go?” [whining] “I don't wa-haant to-o-o-o! I feel like a used piece of gum that somebody stuck under the table, just waiting for the excitement of drying up and hitting the floor.” — Jackie & Roseanne
83 “You HAVE to take this job ... you're the only one that applied!” — Marsha
84 [grabs the syrup bottle and comes up behind PERSON B] “Remember me, NAME?” [look of terror] “Not Mrs. Butterworth ... please not Mrs. Butterworth.” “Remember how your brother/sister NAME told you how I came to life at night in the cupboard? Remember how I would chase you around even though I have no legs? Well I'm back and I just want one more sticky kiss!” [PERSON B screams] — Roseanne & Jackie
85 “I hope I see you later, I mean, a lot later.” — Roseanne
86 [after the birth] “I didn't call you any horrible names back there, did I?” “No more than usual.” — Roseanne & Dan
87 [about kid dressed as a lawyer] “That's the scariest costume all night.” — Roseanne
88 [going through the candy bowl] “This is all sugar in here.” “Not true, there're chemicals too.” — David & Roseanne
89 “You should be giving children the stuff their bodies need.” [gets fruit from the kitchen] “What the hell is that?” “Wait a minute, honey, I've seen this before, it's food that doesn't come in a wrapper.” “That's unsanitary.” — David, Roseanne & Dan
90 “Did you see the Great Pumpkin last night?” “No, NAME wore pajamas.” — Jackie & Roseanne
91 [discussing Person C] “She's rude and selfish.” “I know, but, inside she's just a ... scared little girl.” Yeah, and I know what's scaring her, the raging bitch on the outside.” — Dan & Roseanne
92 “I'll be back later to give you your present.” “Why can't I just open it now?” “I haven't bought it yet.” — Jackie & Roseanne
93 “And don't you ever feed my dog!” “If I get drunk enough, I'll fight your dog!” — Roseanne
94 “I really don't think it's wise for anyone in this family to be giving away livers.” — Beverly
95 “Say 'I'm not taking any crap from anyone'.” “I am ...” “Stop! It's not 'I am', it's 'I'm'.” “I'm not taking any... do I have to say the C word?” “Yes you do, NAME, because that's the most important word.” “I'm not taking any crap from anyone.” “That was good but are you serving tea, NAME? Get mad and say it.” [louder] “I'm not taking any crap from anyone!” “Good, now personalize it, make it your own.” [louder] “I'm not taking any damn crap from anyone!” — Roseanne & Doris
96 “Hey, where's my 'My other mug is a shot glass' mug?” — Roseanne
97 “Why are you gettin' so mad at me?” “Because you are making me defend NAME.” — Becky & Roseanne
98 “I am not sexist. I'm much too frightened of women to be sexist.” — David
99 “Get me a beer.” “Get it yourself, slob!” — Mark & Darlene
100 “I can't believe you're jealous over this.” “Why not? It's very typical of me.”
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bonesgadh · 5 years ago
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My take on Arya Stark’s ending in Game of Thrones (a.k.a why I firmly believe she is going to return to Westeros eventually)
Disclaimer: I still don’t agree with the way D&D chose to end Arya’s arc—and probably I never will. However, I wrote this very long-ass meta because I’ve been trying to find a meaning behind her ending, and in case you are still in denial as I am I hope this helps you get some closure.
Let’s begin (as I just said a very long-ass meta coming right up, I promise it’s the last one):
The last two weeks have been rough. Now that my mom™ has given up on GOT I’ve been forced to keep my theories and headcanons to myself (although I’ve shared my rants with you it’s not the same because it’s not a proper conversation with actual feedback). I’ve spent a good portion of my days thinking about how shitty the GOT finale was and how stupid it was for Arya to leave her family and her home behind just to sail into the unknown. I know there’s people out there who are pleased with her decision, saying that Arya was always a free spirit and is not meant to be bound to one place for long, and that she is destined for greatness and a life of adventures. There’re also others out there (like me) who are not happy at all because even though Arya is a free spirit, she is not a lonely wolf. She is fierce and independent but she also has strong bonds with her family and her home and there’s no way she would give that up to follow a life of uncertainty away from those she loves. Anyway, everyone is entitled to their own opinions.
That said and in case you haven’t noticed, I’ll proceed to make the following statement: I’m a complete Arya Stark stan. Arya is one of my three favorite fictional characters ever and I have loved her ever since I first saw her on screen ruining her embroidery. I love how she talks, the things she says, how she thinks, how she loves and feels. I love the way Maisie Williams portrays her and speaks on her behalf in interviews and bts videos; she gets Arya in a way no one does and that’s what a good actor is supposed to do, to become its character’s custodian (like Carrie Fisher was Princess Leia’s).
I have spent years studying Arya. Profiling her, analyzing her, trying to get inside her head to understand her motivations. “What is Arya thinking in that scene? What motivates her to do what she is doing? What are the real reasons behind her actions?” I’ve used all my training as a psychologist to get to know her better, to love her more. When I study a character I like to pretend we are in therapy; I’m their therapist and they are my patients.
Now, why didn’t I support Arya’s decision to go find out what’s west of Westeros? Because for the first time since I started watching GOT I couldn’t understand why she wanted to do it. I couldn’t. Obviously because her leaving brings a sad end to the Stark rhetoric of “the lone wolf dies but the pack survives”, but also because I just didn’t get why someone who had finally embraced life would embark in such a suicide mission. I was left speechless (and yeah I know she mentioned wanting to make that trip before but she did it once and at a time of her life when she thought she was alone in the world).
As a Gendrya shipper I didn’t like her rejecting Gendry’s proposal but I understood her reasons. I knew she had something else to do, besides she had never been drawn to the life of a lady because that’s not her (even though I strongly believe changing your mind about something you said when you were a child is completely valid and it doesn’t mean you’ll become a different person but whatever). Besides it made sense after what Maisie said about Arya being torn between life and death. It hurt but I knew why she did it. That didn’t happen to me during the last episode.
Arya leaving to see what’s west of Westeros didn’t make sense to me because it seemed as if she was embracing her “no one” persona again. What makes you ‘”someone”? Your home, your family, your friends. What makes Arya Arya? Winterfell, her siblings and those she holds dear (besides her family, Gendry is the only meaningful relationship she has now that the Hound is dead). Arya choosing the life of a reckless adventurer meant giving up her home, her family and her friends. I couldn’t stop scratching my head at the thought of Arya going back to being no one because it pretty much destroyed her entire arc from at least seasons 6, 7 and 8 (her returning home after years away, reuniting with her loved ones, finally embracing life and recovering her humanity).
Arya’s decision has haunted me for two entire weeks. I couldn’t stop asking myself: “Why?” Well, after sleeping for approximately 70 hours over the last fourteen nights I think I finally have the answer:
Her choice goes beyond wanting to see what’s west of Westeros, beyond a longing for an adventure that she gets to choose for once, beyond living wild and free.
Arya is looking for the meaning of her life.
For years, Arya‘s list worked as a lifesaver. She held on to it as tightly as she could and it’s what helped her survive all the shit she went through. In “Man’s Search for Meaning” Viktor Frankl says:
Those who have a ‘why’ to live, can bear with almost any 'how’.
When you lose whatever gives meaning to your life (your partner, your children, your parents, your job) you suffer the most serious existential crisis of them all.
Arya’s entire existence revolved around getting revenge, about avenging her family and making those who had hurt them pay. However, with her list gone, Arya has now lost the “why” Frankl talks about. Chances are she can’t stop asking herself what happens next, followed closely by:
”Who am I without my list, a list that gave meaning to my life?”
For those at Winterfell she is a hero, the slayer of the Night King, the savior of the world. For Gendry she is the woman he loves, the one he wants to marry. For Jaqen and the Faceless Men she is a girl, a girl that is no one. For those who have known her for most of her life she is a lady.
But Arya rejects all of the above. She said it herself to the Hound: she doesn’t like heroes. She doesn’t see herself as one even though she is. She rejects Gendry’s proposal because she is not interested in being a Lord’s wife (although she has feelings for him she doesn’t want to live in a man’s shadow). She rejects the identity set on her by Jaqen because she knows she’ll never be able to let go off her thirst for vengeance. She rejects being a lady because that’s not her.
It seems to me Arya is very aware of the things she is not, but she doesn’t know what she is.
In that case, who is Arya Stark? What is her?
“Who are you?” is probably the hardest question you can ask a person to answer. My guess is Arya doesn’t even know it herself. That’s why her whole plot with the Faceless Men makes sense and it’s not really about her learning cool skills, it’s more about her trying to learn who she is. Even though she knew she was Arya Stark of Winterfell what does that even mean? Strictly speaking it’s nothing else besides her name and the place where she was born. However, things with the Faceless Men would never work because if there’s one thing Arya knows is that she is not no one. She defended her right to her identity until her last day in Braavos.
I mentioned earlier three of the things that make you you are your home, your family and your friends. Let’s break them down:
Home
A crucial part of Arya’s overall arc was her constantly trying to return to Winterfell, her very long road back home. However she abandoned her quest and went to Braavos instead, and for a while she seemed to have forgotten her earlier wish. A year and a half later she told Jaqen she was going home after she decided to leave the Faceless Men, but she wasn’t planning on going back North. She only decided to head there after she heard her family had recovered Winterfell. She told Nymeria she was going home because at that moment she thought the North was her home. 
But then why did she leave without saying goodbye after the Great War? Perhaps she didn’t want to worry her family by telling them what she planned to do, or maybe (and for the record I don’t agree with what I’m about to say) the months she spent there made her realize Winterfell was not her home anymore—or it didn’t quite feel like home yet—. When she and the Hound were inside the Red Keep and he told her to go home, my guess is Arya had no idea where to go. The place she believed to be home was not anymore, so where was she supposed to go? That’s why she didn’t really abandon King’s Landing after she rode away on the white horse—she only used it to leave the immediate destruction but chose to return to check on Jon, because she had nowhere else to go.
Family
Now, let’s compare Arya’s position in the finale with that of her siblings:
Jon left to live with the wildings, the people he loves and who love him in return. He is meant to be with them and maybe even lead them, Bran kind of hinted at this during their goodbye after Jon apologized for not being there for him when he needed him. I don’t remember the exact quote but if my memory doesn’t fail me he said something like “You were exactly where you were supposed to be”, and that’s what gave Jon the idea of permanently leaving with the wildings.
Sansa was crowned Queen in the North. She is officially the leader of the pack and the alfa, and her new mission is to protect and guide her people. Thanks to her the Starks recovered Winterfell, she fought for independence and the northerners love her.
Bran was elected King of the Six Kingdoms and he will help rebuilt the realm after the war’s atrocities and prevent everyone from reprising their mistakes.
Strictly speaking her siblings don’t need her right now, the three of them are relatively safe and they have all found the meaning of their lives and their place in the world. Arya, on the other hand, hasn’t. Her list gave her a meaning for years, but now that it’s gone for good she is trying to find a new one. You would think killing the Night King would give her some sense of purpose, but I honestly believe finding out you were born to save humanity would give you an even bigger existential crisis than anything else.
”Hey, but didn’t the ending already establish finding out what’s west of Westeros is the new meaning of her life?” You might ask.
The answer is no, it didn’t. The way I see it, Arya wanting to know what’s west of Westeros is like an item from her bucket list. A few weeks ago I found a very good post that said it would be great if Arya replaced her killing list with a “living” list full of things she wants to do. “Seeing what’s west of Westeros” definitely sounds like a bucket list item to me.
Also just take a look at each of the Stark’s endings by the time the credits roll:
Jon, Sansa and Bran’s endings are very “final”, sort to speak, while Arya’s was the most ambiguous of them all. When you get exiled you get exiled for life; if you are King or Queen you are until you die. However, a journey is, by definition, a temporary thing. Arya can’t—and won’t— spend the rest of her life travelling to nowhere. A person that has been as hurt as Arya has needs stability, something safe to hold on to, and living an errant life is the exact opposite of this.
Besides she is Sansa’s heir. Even if Sansa is young too we can’t know for sure if she’ll ever get married and have kids and therefore it’s way too risky to make their entire lineage depend on her. That’s why a King or Queen’s siblings try to have two-three children themselves, just in case they come in hand.
Goodbyes
GOT is a show that puts a lot of emphasis in goodbyes. When they wanted to close a storyline, most of the times they gave those involved a closure scene (this doesn’t include Gendrya because their final scene didn’t give them closure at all, but that’s another story). The ones I can remember now:
Daenerys never got to meet Rhaego and still she was able to say goodbye to him and Drogo during her vision.
Davos giving the wooden stag to Shireen.
Sansa telling Ramsay to his face how much she hated him and how his house would go extinct after his death right before giving him to his own dogs to eat.
I would dare to say the scene where Talisa and Robb talk about their baby right before they are murdered during the Red Wedding serves as a goodbye between them.
Theon and Yara’s final scene from 8x01. 
Jaime and Brienne’s conversation before he left for King’s Landing.
Obviously the Hound and Arya’s moment at the Red Keep when he encourages her to save herself.
Tyrion thanking Jaime for being kind to him before helping him escape
I was pissed we didn’t see Arya saying goodbye to Sansa. They wasted a good two minutes on Tyrion rearranging furniture but they didn’t give us the Stark sisters wishing each other good fortune? I call bullshit. Nevertheless I now believe it was probably a good thing we didn’t (if you are a Gendrya shipper this applies to them as well).
The reason why we saw Sansa, Arya and Bran saying goodbye to Jon was because it was meant to be the last time the three Starks would see their half brother/cousin. However we didn’t see Sansa, Arya and Bran saying goodbye to each other because they will definitely reunite in the future. Theirs is not a permanent goodbye while the one with Jon was, and that’s why they showed it during the episode (besides Arya’s exact words were: “I’m not going back North” but she didn’t say she would never return. The way I see it she meant: “At this moment I don’t intend to go North.”)
Some parting thoughts
I don’t know if what I wrote makes any sense and no matter how much I try to understand it, I’ll never agree with D&D’s decision of sending Arya away and giving her that ending. However, because I think I know her I want to believe she chose to embark on her little suicide mission because she needs to clear her mind and gain some perspective about what she wants to do with her life. I’ve seen some people refer to it as her taking a gap year before college, others say she just went on sabbatical, I personally like to call it a Rumspringa-like trip around the world.
As I mentioned in a previous meta, sometimes we forget Arya is still a very young woman because she is such a badass. She is only 18 years old and she has her whole life ahead of her. She will use her journey to see what’s west of Westeros—which apparently is Asshai in the books’ canon—to discover who she is, instead of what she is not. A recurring theme in Arya’s arc has been her being forced to repress her own identity (pretending to be Arry instead of Arya; pretending to be a boy instead of a girl; pretending to be a mason’s daughter instead of a Lord’s; pretending to be no one just to be accepted into the House of Black and White; pretending to not being scared about potentially dying). But now, she’ll get to construct her identity at her own pace, without being constantly afraid of everything being taken away from her. 
She will arrive at Asshai and discover the known world is round, but she’ll decide to travel across Essos instead of simply turning back. She’ll visit Qarth, catch a glimpse of the Red Waste, go to Dragon’s Bay and stay at the cities Dany was in. She’ll sneak a peak of the Dothraki Sea and Vaes Dothrak, and then she’ll sail for the Valyrian Peninsula. She’ll go to the Red Temple of Volantis and the red priests and priestesses are going to be delighted to meet the person who ended the Long Night. She’ll travel north to Myr, Pentos and Braavos and finally, after a year or two of backpacking through Essos she’ll reaffirm Winterfell/Westeros is her home, and she’ll be ready to return to her family and loved ones as a healed new woman *If you are not a Gendrya shipper you can stop reading right now* First she’ll go to Winterfell to catch up with Sansa, then she’ll go to King’s Landing to say hi to Bran and finally she’ll make her way to Storm’s End.
And Gendrya will get the soft epilogue they were denied in the final episode.
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sheonvinyl · 5 years ago
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the snl standby line ~experience~
um. wow.....
so i’m making this post mostly for myself and to have a documentation of these memories while its all still pretty fresh in my brain, but i figured i would share it on here too just in case anyone wanted to read it or chat about it all w me. (side note: if u were in the line too PLS hit me up we MUST discuss)
basically, long story short is my friend and i slept on the streets of nyc for three nights in below freezing degree weather, got standby tickets for the live show and were able to get in......like i was THERE. for the snl LIVE taping. 
feel free to keep reading below the break if you want an extremely detailed description of the whole ordeal and my personal experience that no one asked for dsjkhfksdjh
to be frank our journey did not start out as we had originally planned lmao. when harry announced that he was doing double duty my friend and i immediately were like. let’s start planning bc we’re 100% going. that resulted in a lot of amazon prime orders and reading up on blogs about tips and tricks in order to plan. we were trying to gauge how far in advance we were going to have to get in line in order to have a good chance. we got a lot of our info from a twitter account/blog run by these three women who have been to every show this season and been in the standby line every week so we trusted their advice. they have been so many times that they apparently have a relationship with the security ppl and are in contact with them. and obviously since it was harry this week, there was a lot more buzz about it and higher stakes of actually getting a ticket. people had been tweeting about lining up on MONDAY in order to be in the front of the line. this account reached out to people and nbc and said that security didn’t want anyone lining up before thursday and if people did, they would be asked to leave and not allowed to get back in line again. finding this out made us panic a bit bc we didn’t want to get thrown out for breaking the rules or anything like that. we originally decided to finish up our days at our internships on wednesday, head back to our apartment, gather up all our supplies and head to 30 roc around 10 so that we could be ready to get in line at midnight aka when it would officially be thursday. 
however, when i woke up wedensday morning amidst all the news about harry’s tour dates etc. there was an update that there were ~20ish people in line already. and that set us into a panic. we were confused if they were going to be thrown out or not bc they lined up before thursday, but periodically as we checked throughout the day security didn’t seem to be doing anything about it. so we made the decision to get to the line as quickly as possible after work. not sure i’ve ever moved faster in my life than i did when i got home and immediately threw anything i thought would be remotely useful into my duffle bag. the state of my room right now? despicable.
we make it to the line a little bit after 8 pm and after an initial assessment, we were around #70-80 in line. and based on that, we decided to stay and set up camp bc we thought our chances were pretty good. (for reference: when the standby tickets were handed out on saturday morning, we were 86th and 87th in line so the number definitely fluctuated based on when people counted us and people maybe being in the bathroom during the count etc.)
everyone around us in line was super super super nice and the ppl we met thru it will def be homies for life. we went through too much together not to be bonded for life ksjdhfksdh. shout out to aisha @teafull​ specifically !!!! we really did that luv......miss u and kristina already babes xoxoxox
wednesday night was definitely the worst sleeping-wise. our set up originally was a waterproof tarp on the ground and then a yoga mat that my friend used as a bed and then our two camping chairs next to the yoga mat. for the first night, i slept in the camping chairs using one to sit in and having my legs propped up on the other one. we each had two blankets and were wearing more layers than i could ever count. we bought a shitton of feet warmers, toe warmers and hand warmers in preparation, but we didn’t really get the hang of using them until the second and third night lol. i woke up probably every hour and a half on wednesday night bc i was either uncomfortable or just so unbearably cold. every time i woke up i made sure to move my toes around bc i was so paranoid i was going to get frostbite lmao. 
thursday was better. we actually got the hang of the hand and feet warmers!! we figured out that if we were wearing shoes they didn’t really work because they were being suffocated and they needed to be in open air to work properly. they worked exponentially better if we didn't wear shoes bc they were exposed to the cold air and heated up really well so that’s a useful piece of information out of this i guess?? sdjhkds. at this point i think there were about 150 people in line. the line wrapped from the back of the nbc building on 6th ave/avenue of the americas around to w 48th street as far as the nintendo store which ends right at the today show plaza (and it got even longer over the next two days). 
one of the worst things about the whole experience would probably have to be the incessant comments from passerbys on the street. they would look at us and speak about us as if we weren’t there. they would also film or take photos of us in the LEAST discreet ways possible which was very irritating. and made me feel like a literal zoo animal on display. i heard comments like “they know the show is on SATURDAY right?”, “they’re doing all of this for that one guy from one direction?”, “do your parents know you’re doing this?”, “you’ve got to be kidding me”, “they’re going to freeze to death for not even a guaranteed ticket to see this guy” and by far the absolute worst one and most offensive thing i heard, “they’re like the modern day homeless”. i could go on a whole separate tangent about this because it makes me so FUCKING angry, but i was very close to confronting some people because of the impeccably inconsiderate, insensitive and blatantly classist comments people were making straight to our faces. additionally some people in line were being harassed by people from radio stations (or people posing as employees of radio stations) that clearly had the agenda of making it seem like fans of harry are dumb and unaware of world issues etc. you can read a more well-written and detailed account about it all on aj’s blog here. but i’ll reiterate that they definitely chose the wrong group to mess with!! the issue was dealt with in record time and i’m proud of and thankful for all the people who stood up to that asshole and put him in his place. he deserved it.
i slept the best on thursday night into friday. probably because i finally had the common sense to buy GLOVES (someone lmk why i thought it was okay to come without them ??? ) as well as buy an extra blanket at a barnes and noble nearby. one of my roommates was also kind enough to bring me her yoga mat and two extra pairs of pants to add to my layers. those two extra layers 100% made a difference. not much happened in the line on friday besides a little bit of drama between a couple of girls at the front of the line who apparently left for 10+ hours that day and (to my knowledge) weren’t kicked out of the line. i don’t want to speak too much on it because i wasn’t directly involved in any of it and only heard it by word of mouth. however, i will say i think there was definitely some suspicious activity from some people that were in line who were for example, using lawn chairs (which are specifically prohibited on the snl webpage) and abusing their break times. 
at 7 pm on friday, the line was shifted so that the beginning of it started at the doors to the nbc studio. i think they do this mainly so that the pages who hand out the standby tickets have easier access to the line? but i’m not positive. our new area was now on 6th ave, smack dab in front of the rear end of 30 roc, basically where the line had originally started. with the amount of people in line (probably around 200 or so at this point on friday) it STILL wrapped around to west 48th even after the shift. and then not even 20 minutes after they moved us was when snl interns came down with CARTS of slices of WATERMELON and CHERRIES !!!!!!! when i tell you i lost it.....
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i didn’t get a good picture of the cherries but you get the idea. one of the interns giving us info about what was going on said that harry “was very specific about giving you guys cherries and watermelon” sjkdfhksdjh. and because of his previous behavior w the kiwis i was like....well he’s not playing watermelon sugar then we’re just going to have to prepare for something else. and let me tell you, i have never been more happy to be wrong in my entire LIFE. 
additionally, a couple of men, who i believe worked for snl or nbc, came around with carts of soup for all of us. they didn't confirm or deny that harry sent them (which makes me think he probably didn’t), but the two options were either chicken and sausage or split pea. yes, that’s correct. SPLIT. PEA. when they told me that, i shrieked in their faces, “YOU’VE GOT TO BE JOKING” and they just looked at me so weirdly and go, “......no? like which one do you want......” skdjhfkjsdh. they definitely thought i was absolutely off my rocker (which i certainly was, but that’s besides the point). i’m pescatarian so i chose split pea, and if there’s one thing to know about me it’s that i absolutely ABHOR peas, but i ate it anyway. i had to use all of the oyster crackers as well as some pretzel crisps that i brought with me as a snack in order to make it bearable LMAO. however, regardless of if harry sent it himself, it was a really nice gesture and i’m thankful that they were kind enough to provide us with some food. the snl staff also sent down hot chocolate and coffee and pizza over the course of the three days which was very much appreciated as well!
we were a lot less separated in our new spot on 6th ave so everyone in line was able to hang out with each other a lot more which as really fun!! a girl near us had brought cards against humanity and a group of 7 of us played for what felt like over an hour or so which was really good time. aisha won and no, i am not salty about it at all !!!!!1!1!11!11!!!! 
it was really difficult to sleep that night as well because we were on a much busier road with a lot more lights. it also felt colder and windier despite windscreens that staff put up around our barricades (see the poor quality pic of my friend and i with one of them below LOL). i think everyone was really on edge for the next morning so i’m sure that didn’t help with sleeping either. we settled down to go to bed a little past midnight and i woke up at least three times throughout the night to readjust my blankets and sleeping position or check the time.
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finally saturday morning came. my friend had to shake me awake at 6:30 am bc i was finally able to doze off again, but the panic in me immediately activated and i was UP and ready to go. we still hadn't come to a full decision on if we were going to choose dress rehearsal or live yet so we were definitely on edge. we basically wanted to wait until the pages came to us and ask them how many people chose live vs. dress so that we could choose the show we were more likely to get into. however, deep inside i know that we both desperately wanted tickets to the live show. we had been keeping track of other people who were farther up in the line via their socials and seeing what they were choosing too. surprisingly (at least to me), a lot of people ahead of us decided to choose dress rehearsal rather than live. in theory, it makes sense because you’d hopefully get to see more sketches that might get cut for time as well as “spend more time” w harry. my friend and i (who is probably the biggest snl fan on the planet, no lie) would’ve been happy with either, but we both definitely wanted to witness the show that everyone else was going to watch on tv. 
when the pages got to us we found out that it was basically split 50/50. an equal amount of people decided to do live vs. dress. for either show we chose, we would’ve been in the 40s for our standby ticket number. and because of that, we decided to SEND IT and sign up for tickets for the live show (and partly because all our friends in line were also sending it w the live show too!!!). we were tickets #41 and #42 and we honestly felt really really good about it, but we didn’t want to discuss it too much or get our hopes up in the event that it didn’t end up working out. 
after that, the actual standby line experience was basically over. we IMMEDIATELY grabbed all our stuff and ubered back to our apartment. our roommates were already up and they greeted us with lights up blasting through our alexa akjhfkdfh. saturday was also conveniently my university’s homecoming weekend, and as seniors in college, my friend and i felt that it was important for us to go. i won’t go into too much detail about it bc that’s not really the point of this whole post, but my friend and i REALLY had ourselves a DAY on saturday. i actually don’t know how we pulled this off. we ended up showering for probably 40 minutes each to scrub the grime off our body and then day drank from 11:30 to maybe 5 pm........like??? whomst???? luckily, i was able to squeeze in a nap before we had to start getting ready for check in at 10 pm back at 30 roc, but i was 110% hungover when i woke up. 
we got to 30 roc at around 9:30 and were told to go to the nbc store to check in. from there they cross-checked the name on your ID and name on your ticket and then lined you up in order based on your ticket number. i don’t think i realized how many people actually ended up lining up for the standby line until we were there....people had ticket numbers all the way up #267 or something. that’s CRAZY!! after a bit of waiting (maybe half an hour?) a security guy came out and told us that they were going to starting bringing the group up into the corridor and get the process moving. he made it clear that this wasn’t a guarantee to get in. the first 40 were taken and then after about 5 minutes they sent probably the next 40 or so (including us in the front of that second group). from there, we did a security check and waited in the hallway outside the peacock lounge (anyone who’s been to a taping of snl, jimmy fallon or seth meyers might know what i’m talking about). while waiting there we saw a few people trickle in and go through a security check as well. those people included zoey deutch (!!!!!!) - who was rocking this INSANE red plaid suit combo as well as the cutest bob i’ve ever seen - as well as GLENNE aka jeff’s wife who was also serving looks™️ with her outfit. 
security then moved us farther down the hallway closer to the elevators and this is where we all started getting really nervous. i had no concept of time bc my phone was running out of battery and i turned it off bc i was paranoid if they saw it they would ask me to leave skdjhfs. it was only a matter of minutes before we knew if we were going to make it in or not. the staff had us line up two by two and kept counting and recounting us. then one of them grabbed a stack of wristbands and counted us one last time before he stopped at ticket #30 and said “congratulations all of you have a seat in the show”. the energy in the room was SO CHARGED. he was handing out their tickets and was urging them to put them on as quickly as possible and then they were ushered into the elevators. side note: there’s rumors that lorne michaels (creator and head of snl) reserves 30 seats specifically for the standby line. so that might be why he originally stopped at ticket #30.
my friend and i were holding each others hands as if our lives depended on it bc it was really make it or break it at this point. a couple minutes later he goes down the line again while counting us and stops after maybe 15-20 people behind us and again goes “congratulations, you have a seat in the show”. my legs literally almost gave out. my friend couldn’t speak to me bc she was trying so hard to hold in her sobs. i had to put on her wristband for her bc her hands were shaking so much LMAO. they quickly usher us into the elevator and as soon as the doors close all of us in the elevator start screaming and cheering bc WE MADE IT!!! but we quickly quiet down because we had been told beforehand that if we were excessively screaming during the show that we would be removed. i’m pretty sure that during dress rehearsal the staff said someone was shouting distracting comments at harry during the pauses and they were kicked out. someone else was also kicked out for drinking which......blows my mind. but anyway.
when they elevator doors open we are ushered SO FAST into the studio and into seats. i almost got split up from my friend bc the page tried to sit me in a single seat and i was like “no no no, i’m with her”. luckily they were able to sit us together on the back wall of the section that was facing front. they weren’t actual seats, but rather a large cushioned bench. most of our standby line peeps were sat in the right-most section of the studio which was sad that we couldn’t sit next to everyone, but also glad that my friend and i were sat together. 
the taping started no more than 10 minutes after we got there. it all happened so quick and i don’t think i’ve really fully processed everything that happened. i won’t talk too much about the sketches because you can all just watch them yourself but i’ll talk a little bit about some of the behind the scenes things that we witnessed. 
1. the way in which harry RAN between scenes and sketches was INSANE sdkfjhsdkjfh. right after the monologue he basically LUNGED off stage. a staff member (i think its a woman who does wigs for the snl cast) was moving so fast past the main stage after the cameras cut that from what i saw, the way harry had moved so quickly made her TRIP and harry IMMEDIATELY scooped her up basically DRAGGED her backstage skjdfhksjdhfdjkshk. it all happened so fast i still can’t tell if i imagined it happening or not but it was crazy. either way, harry was on the MOVE. 
2. one of my fav sketches by far was the lamaze class one. harry did SUCH A GOOD JOB SFKHSKJDHFSD especially w the accent????? (he actually did so many accents throughout the show i’m so proud of him). he broke a little bit during the lamaze one but as far as i remember that’s the only time he broke?? which??? that’s honestly impressive, especially for the sketches/jokes they were doing (don’t even get me started on the Sara Lee sketch....). also i wasn’t openly jealous of heidi gardiner because of how harry was holding her and caressing her but i was jealous. i will not speak more on this topic.
3. the slow/ballad version of lights up.............BREATHTAKING. there was not a sound in that studio literally everyone was so mesmerized by it. it was honestly gorgeously performed and the back up vocalists did SUCH and amazing job!! the music stage wasn’t really near us but we still had a good view of harry himself and THAT OUTFIT. it was......chefs kiss.
4. when the ballerina photos came up on the screen there was an audible GASP that ran through the audience. i shrieked. i almost grabbed the woman’s hand whom was sitting next to me and i did not know. that is all. 
5. WATERMELON SUGAR !!!!!!?!?!?!??!?!!!!!!!! y’all. have i got a story for you. when the drums hit right before the first “high” my friend and i went FERAL. we were on the edges of our seat the WHOLE song. i had such the urge to stand up and dance but we couldn’t out of fear of getting kicked out ksjhdfkjhs. the entire song we had our hands in the air grooving to it, i was flailing my limbs as MUCH AS I POSSIBLY COULD to jam out to it. additionally, if you watch the performance back you can actually see that harry’s hands are shaking and he’s fiddling with his soundbox on his back during the beginning of the song. we’re pretty sure that his earpiece wasn’t working so he was freaking out a bit. he started to dance a little, but you can kind of tell that he was a bit stiff, maybe because of nerves. then at one point, he looks to someone off stage to his right and he smiles at them and laughs a bit to himself. after that, he starts looking around at the audience up above and there are times that harry looks over to his left EXACTLY in the direction of where my friend and i were sitting/dancing. my friend who has literally ANALYZED this performance from watching it so many times claims that 2:15 is the exact moment that he looks over sees us flailing our entire bodies. and right after he looks over is when he really starts moving and grooving himself and appearing to look a bit more comfortable. while we don’t know FOR SURE if he really did see us or started dancing bc he saw us jamming out, i do want to mention that we were literally the ONLY people in the studio moving like that. we were in the back corner by the sound guy and one of the exits and sitting next to a middle aged married couple who were looking at us like we were certifiably crazy. we had a view of almost everyone in the audience because we were in the last row and as far as we could tell, we were the only ones that were jamming out as hard as we were. so take with that what you will. but from this time forward, i will go on with my life believing that my uncontrollable bodily reactions to hearing watermelon sugar LIVE perhaps made dear harold feel a little less nervous and more comfortable to do his thang :-)))))
i don’t think i’ve clapped harder for anything in my life than i did when he finished performing watermelon sugar and when he signed off the show. i teared up watching him go around to his band and all the cast members giving them the BIGGEST hugs. you can clearly tell that every single person on that cast had the best time with him this week. heidi and cecily both mentioned in their instagram posts about how agreeable he was to everything and how he has to come back to host again. it was clear that he had SUCH a fun experience and he did SO WELL!!!!! i have no doubt in my mind that he is going to host (or do double duty) again at some point in the future. so to those who were in the standby line and didn’t make it in to the taping for live or dress, don’t lose faith. there will for SURE be another opportunity to do this whole thing again. i am so so proud of everyone who was brave enough to face the elements for even a chance to get a standby ticket over these past couple days. you’re all so strong and such warriors. this is certainly not the last time he’ll be doing this. 
as grueling and testing as the whole camping out on the streets and standby ticket experience was, i would do it all over again in a heartbeat. i’m a senior in college and was privileged enough to be able to skip some classes and call out of work in order to do this. i figured that this time in my life is probably one of the only chances where i’ll be able to actually drop everything and sleep on the streets for three days to see one of my favorite people in the world. and in the end, it was all worth it. i couldn’t be prouder of harry and what an amazing job he did last night. this journey is something that i will cherish forever (and will definitely be telling my kids about in the future).
feel free to message me or drop in my inbox if you have questions or want to come chat about it all ! thanks to anyone who actually had the patience to read this whole thing. i’m so sorry for how unbearably long this was dkjfhsdkjhsdk. much love to you all. treat people with kindness :-)
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