#the denial duo
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chemble · 2 years ago
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Misclick? Trial? I think you fell to hard on your head, Juanaflippa is living happily with her parents that definitely love each other =]
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inedibleteff · 1 year ago
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Almost as if it wasn't meant to be
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kadextra · 1 year ago
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“You are important.”
“I’m really worried about you. You need to take care of yourself, because you’re not okay, we can see it. are you drinking water and eating?”
“You’re scaring me. cause I know that you’re not okay, but I can do nothing.”
“Every day I hope to find something about the eggs because I can’t stand seeing q!Bad sad anymore”
“He’s changing every day, turning into something like a ghost… I’m so worried, it’s like at any moment he could just disappear.”
“I feel powerless. I think q!Bad is suffering a lot, but he doesn't admit it. I really want to help him, I've been thinking really hard about how to help him”
“He took me around, we hang out, he helped me a lot and gave me items. He is my best friend. I don’t know what I should do…”
ough q!bagi. every time she talks about q!bad it makes my heart break, she is so kind. they’ve known each other a week, but she says with her whole chest that this is my best friend and I Will find a way to help. she is the only person q!bad has straightforwardly admitted not being ok to. I’m so….
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hephaestuscrew · 7 months ago
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“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens
TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).
Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc
Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 
With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.
***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***
Detective duos
Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 
Romantic assumptions
Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:
When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)
When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)
Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)
When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)
Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…
Proposal via door plate 
The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:
CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)
Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:
She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 
Anniversaries
In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 
When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”
“Miss Clara Entwhistle, my partner”
I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:
FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)
Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 
“Her ridiculous detective.”
When Clara fears for her life at the display of the Lanterns, the narration tells us:
“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 
The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 
Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.
Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.
“Settled”
When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:
"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 
By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.
I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.
As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 
FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.
I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.
Inseparable 
Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 
"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)
Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.
Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)
“Like a friend might?”
At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.
“Maybe it'll just be my good luck charm.”
CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.
In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 
That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…
Thank you for reading all of this!
If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!
#victoriocity#clara entwhistle#inspector fleet#archibald fleet#high vaultage#I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept#I just enjoy digging into that interpretation#I don't have any lived experience of QPRs myself#I'm just an aro who occasionally yearns#which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs#I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this#because I deeply dislike that outlook#That's not what I'm getting at here#Friends can be that important to each other without being in a QPR#I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent#Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments#in S3 or High Vaultage#I’m sure I would still love their dynamic if they did explicitly take it down that route#I’m sure it would be done well#But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally#A related thought to that bit on romantic assumptions is that under amatonormativity#even the denial of romance/attraction is so often treated as evidence for it#which can mean that there's no way to escape that implication#so that's another reason why I enjoy taking characters at their word#when they express discomfort over a dynamic being interpreted as romantic#I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol
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fernlessbastard · 6 months ago
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Basically a summary of it's us that made this mess (especially the first chapters which are Q POV) tbh
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ender1821 · 13 days ago
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afterglow
chapter 3 posted on ao3: read here!
Rebuilding is a much more daunting task than Gem had once taken it to be.
— — —
(This fic is now a part of the @multidimensionbb MCYT WIP Purge event!)
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dartalias · 2 months ago
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Im re reading Rise of Kyoshi again and i just read the talk Lek and Kyoshi have after Xu
Now is the time to stop reading and live in denial for a while
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tunababyyyy · 11 months ago
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btw slimeriana are like a binary star system made to always orbit each other, born of the same cold dust, destined to destroy each other in a beautiful explosion of matter and energy and light. if you even care.
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thedarkladyofthenight · 1 year ago
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Misclick duo is like juanaflippa, they never die forever they just keep coming back more fucked up
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a-dumb-sarcastic-bisexual · 6 months ago
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A long list of Clone Wars headcanons just cause
Sometimes Ahsoka will get the zoomies and how she handles that energy is roughhousing with Anakin who's more than willing to participate 
It becomes a show for the 501 because seeing the small togruta tackle the lanky ass nightmare that is Anakin Skywalker to the floor is hilarious 
They are both guilty of not knowing their strength so some people (cough cough Obi-Wan cough cough) caution them against it they don’t really listen tho which has resulted in some pretty hilarious injuries 
One of those injuries happened when they were playing around and Ahsoka shouldered Anakin so abruptly that he fell back on him tailbone and got the wind knocked out of him she sat by his side laughing her ass off
It took her an unreasonable amount of time to realize he was in pain and when she did she started apologizing like crazy she still gets embarrassed when people bring it up and still apologizes years later
There was another time when Ahsoka turned her back to Anakin when they were roughhousing and he pushed her so hard that she almost fell off of the landing platform they were standing on
He snatched her up by the stomach while muttering “I’m so sorry” and then he started frantically checking to make sure he didn’t seriously hurt her while Ahsoka laughed so hard she swears to this day that she pulled something 
Unfortunately when the laughter stopped she did realize she managed to sprain her wrist and when Anakin found he helped her wrap it
You’d think that they’d learn from these incidents but nope they still play fight like two big dogs 
Even tho Anakin and Ahsoka’s place is pretty clean it’s never really quiet there’s always gotta be some kinda noise 
Sometimes it’s Ahsoka’s music playing loudly in her room, sometimes it’s a holomovie in the living room, and sometimes it’s just them bickering in the kitchen
It doesn’t matter what it is it’s never truly quiet even at night there’s a small amount of noise from Anakin’s snoring (which he denies) and Ahsoka’s purring thing (which she also denies) 
As crazy as it sounds the people closest to them will admit that their noise is strangely comforting  
Anakin and Ahsoka are so freaking similar that it turns heads sometimes they’ll say something the other said but they’ve never heard like “This is where the fun begins” 
It’s stopped Obi-Wan in his tracks before it kinda freaks him out and worries him a little bit but it also puts a small smile on his face when the duo says the same thing at the same time
They’re also able to predict how the other will react once Ahsoka was teaching the clones tricks with her saber and they broke it they felt terrible but they were also terrified about Anakin’s reaction 
Ahsoka was the only calm one in the room and explained to the group that Anakin would pretend to be pissed for about an hour but then he’d “calm down” and ask for the parted to fix it and by that time rolled around she’d already have his favorite holo prepped and food from Dex’s
They listened to her with a healthy amount of skepticism and were happily surprised to find out the next day that she was right  
There was another time when Anakin and Obi-Wan decided to buy Ahsoka her favorite boba to soften the blow that she wasn’t gonna go on a mission Anakin told Obi-Wan that she’d be happy for a minute before asking what happened and he was right 
When Ahsoka got closer to Anakin the clones and everyone else she showed her secret passion for acting like she doesn’t know them in public when they piss her off
It worked a couple of times and one of those times Rex almost got arrested because the officer didn’t believe that they were the commander and captain of the 501st Rex didn’t blame the dude because he couldn’t prove it without Ahsoka’s help and she refused to back him up
Ahsoka finally dropped the act when the cuffs came out but she was still kinda reluctant
She did agree to take a break from that prank and she stopped doing it entirely when Obi-Wan had to bail Anakin out of jail (she bought a lot of boba for a very long time to make up for that one)
They will reference the prank occasionally by asking each other at random points in the day “Do I know you?” 
Like sometimes they’ll be out and Anakin will ask “Have we met before?” most of the time Ahsoka will answer “No actually we haven’t” (this girl is wearing his cloak he’s wearing one of her headwraps and his arm is resting on her head) 
Sometimes Padme will make a big deal of taking Anakin and Ahsoka out to do something just the three of them
Whenever Padme and Anakin show the smallest form of affection towards each other Ahsoka makes a big deal about gagging Anakin makes a bigger deal of “evening it out” 
Like if he kisses Padme and Ahsoka gags he’ll grab her and give her a big smooch on the forehead and then like the little shit that he is he’ll whip his lips calling her greasy
She gets him back by whipping the spit off her forehead with his robes (and also backhanding him which Padme kindly ignores)
Padme will sometimes tease her too like if she grabs Anakin’s hand then she’ll link arms with Ahsoka and make a small comment like “There now you’re even”
Sometimes Ahsoka will get them both back in the moments when they check on each other first she’ll make a big deal about saying “Well kriff me I guess” even if she doesn’t have a scratch on her 
Both Anakin and Padme will make a big deal about checking her for injuries with a couple of comments like “Oh my poor little padawan you have a scratch from training last night how did you cope”
I said in my first post that Ahsoka and Anakin have a playlist and I love the idea that they have different titles for them like “Obi-Wan’s least favorite playlist” “get ready to kick seppie’s ass” “the council pissed me off again” and stuff like that 
It’s all in good fun but they’ll never let anyone else see those titles because they know it’ll get a good scolding from Obi-Wan
The moment Obi-Wan knew Anakin had formed an “unnecessary attachment” wasn’t some big life-or-death moment on the battlefield 
In hindsight it was a pretty funny moment that was caused by Anakin’s stupidity cause he had broken a glass earlier that day and he thought he got all the pieces so he didn’t feel it was necessary to tell Ahsoka
Next thing he knows the poor togruta is gasping in pain and when he goes to check on her she’s sitting on the kitchen floor while the mother of all glass shards is sticking out of her foot 
Now you might be asking “How did Anakin miss a glass shard the size of his hand?” he honestly couldn’t give you an answer but he could tell you was in that moment he realized that he forgot to restock the med kit even though Ahsoka had reminded him about it earlier that day
All Obi-Wan got to see of this was a blur of Anakin holding his profusely bleeding padawan while yelling at the top of his lungs “Move she’s bleeding out!”
No one can really blame the man for dropping everything he was doing to chase after his former padawan and they also can’t blame him for assuming the worst like her being stabbed or shot
He didn’t know what he was expecting when he walked into the halls of healing but it wasn’t an embarrassed Anakin standing over a cackling Ahsoka as the healers scolded him for causing a scene
He makes a silent note to give Anakin a small lecture about keeping his emotions under control before checking on his giggly grand padawan
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andyling · 2 years ago
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Alright so session 6 was . . . a lot . . . but we have a tradition here so repeat after me guys
TEAM RANCHER ISN’T DEAD THEY’RE JUST BEING SILLY
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eliseotano · 7 months ago
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so tech is gonna be in the finale …. right?????
fingers still crossed that the Zillo Beast eats Hemlock
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rottenr0ckets · 1 year ago
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Tw: mentioned suicide
Lies, fake news, this is fake he didn't. He took tommy, tubbo, and Micheal to Utah so they could escape and live happy lives [/nsrs]
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theupsidedownguy · 1 month ago
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OK OK HEAR ME OUT DENIAL BY JAMES MARRIOTT AS A MISSCLICK DUO SONG???
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mayhasopinions · 2 years ago
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lynxthewolf1 · 10 months ago
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//Spoilers for Taking it Down Fable Smp Sherb Lore
"You're never alone, friend" WHAT IF I CRIED ACTUALLY
This is a rambles lore thought that might only make sense to 12am me but thats fine
The way Icurus mentioned how quiet it is and someone in chat described it as a empty kinda alone feeling while Icuruas has bad experience with obby and taking it down alone. Them seeing centross spefifcly when taking the obby down just to be told you're never alone it feels fitting. They may be taking down the obby wall alone but not going the greif alone. They aren't going through it alone even if its just the chat, fable, or there friends unknownly theres someone there helping them get through the hard times when needed. Never alone, not again they aren't trapped alone to think with obby again, not anymore I don't think anyone including Icuras themselves will let that part of history repeat itself
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