#the comic page and full color take a bit more time so i want to make sure that people prefer them if im going to be doing that

[invasionaugems]

Just a little heads-up! The next part of the update will be back to the one picture per panel format! Please let me know which one you prefer so i know more which one to lean into in the future updates and posts! Thank you! :]

[lilybug-02]

The Chara Timeline Continues...

Woah!!! Where'd all the color go?? >:(

Part 29 || First || Previous || Next

--Full Series--

I KNOW IT'S BEEN 8 MONTHS SINCE THE LAST UPDATE I WILL EXPLAIN!!!

Hello!

SO. It's a bit hard to describe the feeling of posting only one page to a comic series I've been neglecting for 8 months (which was for a good reason!). I have been intentionally distancing myself from the Undertale and Deltarune communities. Not out of malice or annoyance!!!, more just because I've grown out of it (took me 8 years lol). I wasn't feeling as excited for news updates or gameplay and I realized... I didn't enjoy constantly thinking about the series like I used to. (plus I had little time for other art, comic projects, and real life.)

So I decided to take a loooong hiatus. That was one hell of a smart decision (good job past me). I was able to THINK about other games and shows and interests. I rekindled my love of bugs and nature and SOIL and then I made a full on Hollow Knight comic. And I got to educate people on BUGS (it's been amazing).

But... Today I was reading over the comic for the first time in a long time... and I could see and feel my passion for art literally seep through the page.I remembered how much I tried to breath life into these characters and it inspired me to continue ((literally TODAY)). Because passion pushes me to do what I love :')

COMIC UPDATE:

*cough* Anyways- I wanted to let readers of this comic know that I am still unsure what the future looks like for the series. I have 5 pages scripted and essentially finished. And I do have an end game in mind (even though that may be an extra 30 pages lmao). But drawing this comic takes TIME and A LOT of ENERGY. If you guys know me,,, haha,, I'm really bad at guesstimating times. And I'm even worse at being prepared and on top of things...

I want to submit single pages from now on. AND do minimal coloring. Having multiple COLORED pages was actually wild and I do not know how I did that for so long. I am unsure when the next page will come out (because I am also STILL MAKING MY OTHER COMIC <3), but it will not be out anytime this week.

Thank you guys... From the bottom of my heart. ❤️

[innerfare]

You See His Cabin For The First Time  

Summary: You see their cabin (or in Sabo's case, his bedroom at the RA base) for the first time.

Characters: Luffy, Usopp, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Fluff

CW: None // SFW

——— 

Luffy: He's literally so proud of just his hammock. Insists it can hold the both of you and could probably hold the entire crew if you tried, asks if you want to try, asks you if you’re sure when you say no. Definitely has a couple of dirty dishes that he’s forgotten about, as well as a few wrappers on the floor. Has some fishing poles, a net, quite a few different games, and a bookshelf that’s full of both comic books and snacks so that he doesn’t have to go all the way to the kitchen if he gets hungry in the middle of the night. 

Zoro: Your first thought is, why does it smell so freaking good in here? You expected dirty laundry strewn around and the stench of sweat and maybe a hint of metal from those blades he was always sharpening. And sure, there is a hint of metal in the air, probably more from the many weights against the wall than his swords, but it also smells fresh, like laundry detergent. He has his own wanted posters on his wall- not just the current one, but the old ones, too, all of them lined up in order so you can see his increasing bounty. He also has a collection of unique booze bottles from all over the world, his equivalent of keeping a map with pins in the locations he’s visited. Oh, and there’s an anatomy coloring book and some markers that belong to Chopper that Zoro keeps in his room because sometimes when Chopper is having a bad day, he wants to chill with his dad big bro. 

Sanji: Sparkling clean, and yet, he’ll apologize anyway because the pillows aren’t fluffy enough, the rug isn’t completely straight, etcetera. His closet is very well organized, all of his clothes ironed and properly taken care of (Sanji’s the rare type to actually read labels and do his laundry accordingly). His most prized possession is a book on the All Blue, which he’s poured over countless times, using color coded tabs to flag various pages and writing detailed notes in the margins. He also came across one of Zeff’s old wanted posters in Loguetown, and he keeps it framed next to his own, the closest thing he has to a family photo.

Usopp: You’re surprised to find he has quite a bit of clutter in his small space. He has a collection of different style slingshots and a surplus of supplies to fix them should they ever break, as well as literal boxes full of special stars and ammunition. He has an entire set up rigged on his desk to create more, and some plants in his windowsill to grow ingredients. In addition, his bookshelves are heavy with various collections of fables and tales; he’s working on his own and hopes to publish it one day, but he doesn’t talk about it because he’s worried nobody will take him seriously, and you only learn about it when you see the notebook he left on his bed. He also has a couple of fun hats, crazy sunglasses, and feather boas that he definitely pulls out when the Straw Hats get a little too drunk. Oh, and there’s a picture of his parents on his nightstand. 

Ace: His cabin is pretty sparse because he tends to travel light. He has a collection of animal teeth secured from a menagerie of wild beasts he’s taken down over the years, and he’s very proud of those teeth. He'll tell you about each one if you ask, is practically bursting at the seems with stories. He has way more animal teeth than he does clothing or books. Also has a pretty sick tiger pelt for a rug (he had intended it as a blanket, but he runs so hot he can’t actually sleep with it). He has Luffy’s wanted poster on his wall, and beside it, a note reminding himself to send money back to Dadan on the first of every month. Buried in the chest at the foot of his bed, he has the original ASL flag. 

Sabo: His bedroom at the Revolutionary Army’s base is a total bachelor pad, and when you see it for the first time, it wasn’t planned, so he’s a little embarrassed by the state of it. He has some dirty dishes he forgot about, some dirty laundry on the floor, and a pile of books on his bed. He spends virtually no time there and probably wouldn’t even have furniture beyond a mattress on the floor if it wasn’t provided by the Revolutionary Army as part of his living quarters. That being said, he did pin Luffy’s and Ace’s wanted posters to his wall, and he has a couple of different lotions and skincare products on his bathroom counter. 

Law: You don’t know what you were expecting- would it be sterile like an operating room? You’re surprised to see comic books and a few action figures. He has some records, too- a bit of rock, some low-key emo music- and to your complete and utter surprise, a candy wrapper on his nightstand. And then there’s the coin collection on his desk, tiny pieces of metal he picked up on his many travels. You’re careful not to have a big reaction to his personality showing through for once. 

“I like your action figures.” 

“They’re kind of childish, but-” 

You cut him off before he can dismiss his own interests as dumb. “No, they’re not. They’re cool.” 

Kid: It’s as messy and ostentatious as you’d expect, but he sheepishly tries to fold the leopard-print blanket crumpled on the bed and put some laundry in the hamper, though you quickly deduce he has no clue which clothes belong in the hamper and which go in his closet. It’s shocking to see him care what someone thinks. He has a pile of lipstick and nail polish on his desk and an impressive collection of weapons he’s stolen from various pirates; he could probably open a museum with all the weapons he has. Also has lots of tools he forgot were in there. TBH, he’s probably as shocked as you are by the state of his cabin because he spends most of his alone time in his workshop, anyway. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[sillygoblinantics]

I CANT TAKE IT ANYMORE

I’ve held my tongue for too long about my feelings on madhouse but fucking hell!

Unless by some fucking act of arceus or universe hands me the fucking concept art that went into this horrible webcomic- I got room to rip and tear!

This is:

Goblin’s Valid Autopsy of Lily Orchard’s PokéMadhouse

Before we go forward!

Hi. I’m Gobbo or Bri (pick ya poison), I’m a current student at Savannah College of Art and Design (as for campus I ain’t saying nothing) Im working on my bachelors in Animation and minoring in Creative Writing. My Concentration starting as 2d animation later switching it to Story and Concept in animation (back in 2021). I started in 2019 and it’s… 2024 now. Don’t judge me! I’ve been mentored by comic artist, storyboarders and many more in the industry! I’ve taken storyboarding and a plethora of writing classes to have enough qualifications under my belt to properly discuss the shit writing, lacking worldbuilding, disorganized plot hole ridden lore/arcs and horrible inconsistent art. So let’s not waste another moment and dive fucking in!

Story:

I’m not using Lily’s self review tvtropes to cover this. It’s disingenuous ego stroking at full blast.

We follow the highs and lows that are the “will they won’t they” relationship between the stated as sisters, Lily and her Gardevoir, G (yes that’s her fucking name). In a Sunday newspaper comic page esc structure. With bits and pieces of trivia and lore that rarely comes up if not to push and pull sympathy points for lilys self insert as she gets assaulted and violated in physical and mental ways. An arc being called “Violate” and later following the would be time span for gestation of a baby that would then become the labeled cryptid child.

I’m gonna be real there’s no point in reading it because the moment something big happens out of the blue there wasn’t a page missing to explain it which god fucking dammit Lily do I need to give you one of those brainframe sheets or outline templates if you decide to write a story? Because I’ll gladly provide them!

How do you consider yourself a fucking writer at all with your fundamental lack of care for lore and story like- for fucks sake woman it won’t kill you!

Characters

Lily

G

Mikayla

Marah

Bonnie

Mismagius

Other hardly seen or used Pokémon that get thrown away out of nowhere

Countless stolen ocs

And Dr Ponytail (yes that’s the fucking name of one of the “antagonists” and I’ve reread it so many times and found nothing!)

Lily has her “antagonists” being either ex friends or partners or someone who tries to call out bullshit! Fucking hell, the way Lily has g written it’s hard to not see HER AS ONE!

You have all these characters and you neglect so many of them to focus on making your favorite Dollies kiss and scissor or do nothing!

You don’t punish actual rapists either like legit what do you do when your Pokémon who’s been raised like a sister your whole life admits to mindfucking you in a weird soul bond type deal (that you wrote the explanation of yourself), then out of fear swaps dna of a Pokémon of her CRITICALLY ENDANGERED SPECIES can match with to save it with your own dna to baby lock you to staying together, what’s the thing you decide to write?

Case in point: stick an entire cactus up your urethra Lily.

I need a break from this… I’m moving on to the art misdirection.

Lily you are the one commissioning these panels from Mikayla. Meaning you are telling her how to draw these making you the literal art director of this shitty comic!

You want my advice?

USE MODEL SHEETS

Like holy shit. I need to copy paste my spiel about what it is one second:

Make a turnaround for your character(s)!

(Excluding front and back you need to make left and right versions of the rest!)

Front

Back

over-the-shoulder

3/4 view

profile

expression sheets

color pallet reference

(if it’s online/digital rgb if it’s for print it’s cmyk)

include the hexcodes for artists if it’s a small production!

lineup for height and scale for comparison to:

other characters

backgrounds

props

etc.

elements of the world + floor plan in small settings

action poses

hair guide (trust me it’s important)

these are the elements every artist who wants to tell a visual story be it animated or comic always needs:

✨A PITCH BIBLE✨

And Lily, if you’re making any story that is

A. Tied to an existing property

B. Has real world/geopolitical/historic relation

C. Needing a basic understanding to science

Do everyone and yourself a favor

AND DO YOUR FUCKING RESEARCH IN MLA FORMAT INSTEAD OF SOMEONE ELSES OPINIONS AND YOUR ASS OF HOLDING BULLSHIT!

Class

Dismissed

Your homework is to get these books:

[bogkeep]

Would you recommend the SSSS comic? I know little of it beside the very beautiful artstyle and premise

to answer the question of if i would recommend SSSS as a comic: yes, yes i would.

a description for those who don't know: Stand Still Stay Silent is a post-apocalyptic horror + adventure webcomic set in the nordics (norway, sweden, denmark, finland, iceland) that have been isolated from the rest of the world and gone back to their old gods. the the world outside of safe zones is full of trolls and beasts - humans and mammals that got infected by a horrible virus and turned into monsters. the story follows a ragtag crew that ventures into the old world (derelict denmark) on an expedition to collect books.

the comic updated every workday until it concluded in 2022, and consists of two Adventures. the creator had plans for many adventures with these characters in this world, but ended it after two when she wanted to take a new direction with her life.

what i love about it:

- the art is GORGEOUS. it's been a huge source of inspiration for me. open any page and it's a masterpiece, and you will ask yourself "how the FUCK did she update this FIVE DAYS A WEEK"

- the characters are wonderful and endearing. i just, i love them so much. i am so thankful lalli hotakainen exists he is one of my #1 blorbos forever

- the world is so cool. the blend of chunky sci-fi and norse mythology fantasy magic slaps. it goes so hard. i fell so hard for this comic when i got to the big ferry ship with a viking style dragon head prow added to it. it's everything

- it really really gets nordic cultures. it's difficult to explain all the dynamics and nuances but it just gets it. it brings me as a scandinavian a lot of joy to read a story that speaks to my heart this way. the attitudes, the language barriers, the cultural differences... it was so refreshing to me in a media landscape dominated by american stories. when the pandemic hit, i decided to reread the comic because i found such an odd comfort in seeing how it depicted the scandinavian countries reacting to, well, a pandemic.

- there's kittycats

what i don't like about it:

- the most glaring and obvious flaw is that everyone in the comic is white. there's not a single character of color anywhere, not even i background shots or the prologue. there's no mention of the saami people (the indigenous people of northern europe), either. i believe this was done in ignorance more than malicious intent, but the implications are Extremely Bad and it's been bothering me (AND MANY OTHERS) since day 1. that is the number one caveat i will give to anyone wanting to check this comic out. i've been in the discourse trenches and i am not going to excuse this. it's just bad!

- you can tell in the middle of adventure 2 that the creator has kind of lost interest in the work, around the time when she found jesus i guess. like, very few people can keep up work on the same creative project for years and years and years and i think it's fine that she wanted to drop it, but it's a bit sad to see the comic dragged to its end like a limp corpse, and feeling like the creator no longer really cares about the characters.

- minna sundberg has said and done some questionable things, presumably gotten somewhat radicalised over time, and has also converted to hardcore christianity which is what her new works are about. there's nothing about this in SSSS - there is a moment of christianity represented in the story in a sort of mythological sense, just like the other religions, but this was written before minna's conversion. her new works... are a Choice. i have much to say about them, and i have, and im not gonna rehash it now.

SO YEAH hopefully this will help you take an Informed Choice! i got into this comic in 2015 and was deep in the fandom and it's for better or for worse part of my soul foundation now.

i also recommend A Redtail's Dream, minna's "practice comic" before SSSS, based on finnish mythology and the kalevala.

[onskepa]

Hi, could I get a fic where the Sully kids + Spider learn through Norm what a wedding is so they organize one for Jake and Neytiri? Thanks in advance.

Ask and you shall recieve! This is such a cuuuuuuuuuuute idea~!! Hope you and everyone likes it! Enjoy~!!

P.S: Cover was done by none other than @jakexneytiri check her page out! Thank you darling for giving me permission to use your art!

---------------------

A wedding? A wedding!!!

Tuk sighs dreamily as she twirls and admires a flower kiri picked for her. Admiring the pretty color as how the sunlight reflects it. It somehow reminds her of her parents' love story, how they met and how they mated. In na’vi standards, it was not ideal but to tuk, it was perfect. Forbidden love? How tragic and romantic! 

Of course she has seen a few small handful of na’vi courting, and heard stories of her friends' parents' romantic paths. Yet she cannot help but wonder, do humans court the way na’vi do? Or is it different? Only one way to find out!

“Tuk, for the last time, I may be human, but that doesnt mean I know every human custom” spider patiently explains to a happy little tuk. Her tail sways in hopes she can  gather as much information as possible. Even with spider’s lack of knowledge, she doesn't give up! 

“What about uncle norm? He is from Earth, maybe he knows” tuk suggests. 

Spider nods in wonder, slightly agreeing. But then he turns back to her, “why are you interested in human customs all of a sudden?” he asks. Tuk isn't one to search for anything human related, she is fine with what little she is exposed to.  

With a happy smile, all too pleased to be asked that question. 

“I know all about na’vi courting, but I wanna know about human courting! Mom and dad didn't do either, so I wanna know!” 

Shrugging, spider seems to see her point of view. 

“Alright, lets go ask uncle norm” 

“I'm busy” Norman says without looking at the kids. They give him an unimpressed look. 

“Reading star wars comics for the millionth time doesnt count uncle norm” lo’ak says deadpanned. Norman stayed silent for a few seconds before putting his comic away. 

“What did spider or tuk eat this time?” he asks with a tired sigh. Both spider and tuk gave him a rather offended/surprised expression. 

“WOW, you really take us for a couple of skxawngs?” spider asks, putting his hands on his hips. 

“Sharing jake’s single braincell, yes” 

“Whatever, we didn't eat anything mysterious, yet, but, tuk wanted to ask you something and now we all wanna know” spider defends while slightly pushing tuk forward. 

Having norm’s full attention, tuk finally asks “How do humans court each other?” 

norm ‘s shoulders deflated a bit, “of all people to ask, you had to choose the most single, and lonely human” 

“Wedding? And the females wear white while the males wear black?” tuk asks as she sees some wedding photos lended by scientists who were married. Norm nods, “thats right. Of course not all weddings are like that, it is traditional but many choose other colors for their weddings” he adds. 

Tuk looks at the various photos of brides, many in odd looking clothing. But all were so beautiful. Different long dresses, each unique to their own. Various flowers tuk has never seen before, and the grooms were also handsome. Wearing similar outfits but also in different styles. The more tuk learned about the concept of weddings, the more she began to form an idea. 

“So, man and woman plan a wedding, woman finds a pretty dress to wear, walks down the tiny path to meet her mate, they kiss and marry right?” she reviews, norm nods again. Sensing something is up. 

“Yes….” 

“What are you thinking about tuktuk?” Kiri asks. 

A mischievous little grin forms on tuk’s face. Her eyes sparkling with a devious glow. The expression reminds norm of the Grinch when he has a grand scheme.

Taking the day easy, jake and neytiri hold hands happily as they make their way to the village. They had a rare free day to themselves. No duties to attend to, no training, no meetings, no chasing their kids from death related troubles. None. They were free to do as they like. 

And what they wanted to do for now was stroll in the village, perhaps collect a bit of fruit. Maybe later hunt for a delicious dinner neytiri has in mind. So many possibilities. 

But….

“Woa, is it just me or are the people acting strange?” Jake asks, He and neytiri notice the odd behavior of the people. Many give them happy smiles, way too excited greetings, some even offer special gifts! 

“Is there something we missed?” Jake wonders. Neytiri tries to remember but nothing seems to remind her. 

As they walk further, there was a huddle of na’vi, all their eyes and ears facing the same direction. Jake and neytiri make their way through, and see someone giving them instructions….

“And look for white flowers! Anything will do, oh and those beads will do so nicely! Yes yes, and take the woven clothes over there! That path must be super pretty!” 

It was tuk. 

And she was giving directions to everyone like a tiny, cute boss. 

“Tuk?” Neytiri calls out in confusion. 

Her little one heard her, smiling, tuk makes her way to her parents with a happy squeal.

“Hey babygirl, what's going on?” Jake asks as he picks her up in his arms. Tuk just giggles and snuggles up to him. 

“Planning your wedding! Duh!” she responds as if that was the most obvious thing. 

“Wedding? What?” There were a lot of things going through his mind. 

Neytiri was just as confused. 

“What is a wedding?” she asks. But before tuk can happily answer, the rest of their children returns. With arms full of things. 

“Ok tuk, took us forever but we got what you needed” lo’ak said with a tired sigh. He, neteyam, kiri and spider were holding flowers, beads, baskets full of white colored cloths, and black paint. 

“Kids, what is going on?” Jake asks, more eager to know the answer. Because nothing is making any sense to him. 

“Tuk wants to make a special wedding for you guys” kiri replies as she shows tuk her findings, who nods in approval. 

“What is a wedding??” Neytiri asks a bit loudly. 

Tuk clears her voice, “a wedding is a special mating ceremony for humans. They decorate everything so pretty in white! The female wears a special gown called a wedding dress, and she walks down a flower covered path to meet her mate at the end. Where someone who holds spiritual power blesses them, the mates speak their vows and promises and kiss! Uncle norm showed me!” 

The little smiled so proudly of this knowledge being shared. 

Jake inwardly groans. Damn norm. 

“Tuk, sweetie, is that why are you doing this?” he asks another question. Tuk just rapidly nods. 

“A wedding….” Neytiri repeats, still trying to wrap her head around the idea. 

The sully family returned to their home in need of a family meeting. 

“Why…?” she asks. 

Tuk plays with her fingers, feeling more nervous by the second. 

“Well…..you and daddy tell your love story all the time. How you guys met and stuff. But you never really did any courting like everyone else. Grandma says that courting is very important, to see if the relationship is possible. I thought a wedding would be nice for you two….cause you never courted…” she explained her reason. 

Neteyam was sitting behind her, rubbing her back to sooth her. 

There were many things to go over of what she said. Jake brings tuk over to his lap, releasing a deep sigh. 

“Am I in trouble” Tuk asks worriedly. Both of her parents shake their heads. 

“No baby girl, but you can't do things like this without telling us. Or even asking, how are you sure we wanted this?” Jake pointed out as gently as he could. 

Neytiri turns her head towards her oldest four, “and all of you for not stopping her”. 

“We also thought it was a good idea…” neteyam answers while scratching the back of his head. 

“When uncle norm taught us how humans courted, tuk wasn't the only one to like the idea. And it is true what she says mom. You two never really had the chance to do it right. Why not now?” Kiri tries with calmness in her voice. Knowing her mother is very short tempered when it comes to anything human related. 

Neytiri and jake look at each other, a special communication between them. 

“You did take me straight to the tree after my trials were finished….” jake reasoned. Neytiri rolls her eyes but fondly remembers that night. Yes, she did, she was not going to let him slip away now could she? 

And there really was no room for courting since the war started literally the next day.

Going over her options, Neytiri turns to tuk and jake. 

“How does human courting work…?” 

Whatever pace the people were working at, doubled. By either prayers, or some miracle of Eywa, neytiri accepted to wed in the human custom. Tuk wasted no time and needed back up from the help of uncle norm. Who became her second in command in all of the organization. 

Her siblings become her little servants, repeating her orders to the people. 

And someone had a big role to play. 

“Come ma’ite, we must get you fitted” mo’at say with a bright smile on her face. Gently she tugs neytiri to her hut, kiri and other fellow na’vi woman takes her away. 

“Fitted for what?” neytiri asks, feeling a bit excited for whatever is to come. 

“For your wedding dress mom” kiri replies. Closing the flaps of the hut, the ladies began to work their magic. 

While on the other side, jake was being taken to a different hut, being led by his three sons. 

“Seriously?” jake says while raising an eyebrow. 

“Tuk’s orders” lo’ak grins a bit smugly. 

A few handful of Jake's friends entered the hut with him, with preparations of getting him ready. 

“Oh, and dont forget to write your vows!” spider reminds as he snaps fingers in remembering what tuk told him. 

“My vows?” 

“This is going to take awhile” 

“Oh yeah, its all coming together” tuk says, pride grows in her little heart as the wedding decorations and the set up is nearly completed. 

Norm was beside her, whistling impressed. “Gotta hand it to you tuk, you do know how to design” he compliments. This makes little tuk humph with glee. 

They were at the spirit tree, white veils, flowers, the Atokrinia’s floating around elegantly. Her image displayed ever so perfectly. 

“Ok, it's all set tuk!” lo’ak says as he with kiri, spider and neteyam arrive. 

“Good! So we are good to go!” 

“Almost” kiri teases. 

“We just need one more thing” neteyam smiles, but tuk was panicking a little. 

“Did we forget something? It's the bells, isn't it? Dang it I should have-” she was interrupted mid sentence when she felt something land on her head. 

Looking at what it was, it was a flower crown. 

“A wedding isn't complete without a flower girl” spider says. Gasping in happiness and surprised, tuk shouts in great joy. 

“Come on, we still got time!” the three siblings drag tuk away to have her be the prettiest flower girl pandora has ever seen!

The flutes began to play, releasing harmonic sounds as the notes echoed to the people’s ears. Ninat taking the lead of the melodious choir, her voice and the others balance with the instruments. In tune to perfection. 

The Atokirina floating all around, giving the path a heavenly glow. 

The people sat anxiously, all in rows as they respectfully cleared one long path. 

A path the tuk carefully walks through as she delicately lays flower petals. A flower crown on her head, wearing the cutest light pink loin cloth and pearl like bead top. Tuk truly looked like a flower girl. Behind her was the bride. Her beautiful mother, The one where all eyes go to see. 

Neytiri walks gracefully on the path her daughter leads. Wearing an all white outfit, her loincloth, her top, her head piece, and the veil she wears. All white. Her hair braided loosely behind, flowers decorated on her hair as well. Neytiri never felt more beautiful than she did at this moment. With a bouquet of flowers she holds tightly, her eyes search for her mate. The love of her life, Jake. 

At the alter, at the root base of the spirit tree was Jake. In all of his might glower, wearing a black loin cloth as his warrior armor at the waist, his hair braided in the similar fashion he wore during the war. Feather and bead amended to the braids, and small black paint to enhance his handsomeness. Jake looked so good it made neytiri want to run towards his arms. 

As they reached the altar, tuk took her place beside kiri who was wearing a style similar to tuk. Neteyam, spider and lo’ak beside their father as they admire their mother. 

Jake offers his hand to which neytiri happily accepts. Removing the veil to reveal her beautiful face, jake could help but mutter “beautiful” in awe. Together they both turn to face mo’at who smiles with heavenly joy. 

“Welcome everyone. Today, we gather in great celebration to bring these two wonderful people into union. Through trials and tribulations, these two souls have been challenged time and time again. But their love has pulled them through. Proving to us all that love truly conquers all. That being with your true one, anything can be accomplished” 

mo’at gestures to Neytiri and Jake that it was time to say their vows. 

But as they speak, tuk listened as best as she could. Hearing her parents story over and over never waivered with time. If anything it only sounded better each time. And hearing their vows right before her big eyes, it was adding a whole new perspective. 

Yes, tuk is a sucker for romantic things. Even if her siblings tease her, tuk won't stop. And seeing this made her love romance even more. 

“And by the great blessing of our great mother Eywa, I can now happily announce, Jake and neytiri as husband and wife! You may now-” 

Neytiri didnt let her mother finish as she dragged Jake down to kiss him like her life depended on it. Jake happily reciprocates. 

The na’vi cheered in celebration. Applause, screeches, everything was heard. 

Tuk sighs dreamily as she sees her parents kiss. 

“I can't wait to get married” 

Kiri: “never” 

Spider: "nope"

Lo’ak: “not gonna happen” 

Neteyam: “over my dead body”

Okie so this kinda became a tuk main story but I like it how it turned out. What do you guys think? Until next time! See ya!

[the-100-days-of-junkan]

Day 82

Another one that I love!~ Gonna be a lot of those from here on if you couldn’t tell!

Junko’s the Ultimate Fashionista (in the english release at least but hey Ultimate Gyaru has to have a little crossover right??), so of course she handles Mikan’s wardrobe the moment she’s allowed to. So . . . Extremely cute scene of her having Mikan try out clothes to see what she does and doesn’t like. 

An opportunity for Junko to pamper Mikan, AND i get to draw Mikan in a sweater???? Heaven. Also like are we all in agreement that sweaters just look fuckin amazing on Mikan?? Like I admit, I think I just like drawing Sweaters on Mikan but they just make her look so much cuter because of how god damn cozy she looks in em. 

Unfortunately that’s all I have to talk about for that topic? I think? So instead let’s shift over to a recent development involving Junkan!

I’m in the midst of working on the Junkan Christmas Eve comic, which hopefully will be getting posted on time a few days after this, and during the process of making there’s been something new with my current abilities.

I have officially hit the point of proper freehanding on these two.

Y’see this probably won’t make too much sense but i’ll do my best to explain. 

So normally when it comes to sketches I’ve done things a bit less proper compared to more professional artists. I usually get a little start on the anatomy, and then just start sketching all the character details and moving out from there. It isn’t often that I do a full sketch for the basic anatomy of a character, I only do it when I really wanna not fuck up a pose. And as you also know up till now only one piece in this event was drawn normally. Everything else is a sketch that i cleaned up and colored, or just a sketch. 

This is because generally speaking I can’t do art using my normal pen tool without a sketch to work off of, it requires a lot more finesse to use the G-Pen both because of the larger shifts that can occur in line width, and the slightly looser feel it has compared to my Pencil Tool. 

That’s all to say that I have drawn Junko and Mikan so many fucking times that I can just, draw them without proper sketches now. I’m at a point where I just need to draw the head, torso, and legs for an anatomy sketch, and then with the G-Pen I can just, draw from there. That’s big for me personally, and also fucked up because god how even??? There hasn’t been a drop in quality either so far, i’m still able to refine the expressions and i haven’t fucked up with the arms too much yet, I’d even say it’s resulted in some of my favorite Junkos and Mikans period.

Now, the catch is that again, this is only Junko and Mikan. I could prooooobably get to this point with Mukuro eventually just because her design is much simpler compared to other DR Characters? I struggle with getting her colors right rather than linework, but that’s about it and still not really useful in my main line of work unless I memorize every character that’s ever existed, and it took like 150 fucking times for Junkan I can’t do that for an obscure RPG character that I might get commissioned once and then never again. 

It’s also not something that I think i’ll apply to my normal Junkan works, because I am a perfectionist to a fault when it comes to pieces I care about and I want to make sure every detail these is exact. I need to be meticulous for ship art like this, every detail is important. And I can maximize that with sketching.

This new skill is basically useful for one thing. Speed. 

I pride myself on my efficiency, even if I have waned over the years due to burnout and overwork, when I get into it I can fuckin move with my art. And so if I need to say, make a 28 page comic in under a month? Being able to mostly skip an entire phase of the art process is very, VERY useful, ESPECIALLY because it’s a comic. Something which generally takes more time than my normal art by nature of it’s format and what it involves. When making the Comic for Day 60 it was all sketches, which was equally fast but could leave small imperfections at the time that either went under my radar or I just let slide because i was trying to be efficient. 

This is basically perfect for having to speedrun a Junkan comic, it’s all the speed with the usual amount of visual quality.

So in short . . . I’m turning into a nightmarish hell machine but specifically for drawing Junkan. I am genuinely curious how much farther I can go up from here, like, what the hell else could I be capable of with this???? Am I just gonna learn how to fuckin beam the art onto the canvas with my brain???

Moral of the story is just get mind numbingly obsessed with a ship and I guess you’ll get better at stuff??? I have no idea, i’m still kind of processing the comedic value of what this year has been because I was desperate for these two to make out. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[comicaurora]

Hi! I'm a big fan of your work. Thanks for taking the time to read this.

 I'm an artist who's been working on a story with a close writer friend of mine since the pandemic. Together we've outlined a webcomic that we're both very excited and passionate about, and it's been a great experience. Late last year we started actually making the comic itself, and a little less than a year later we're 37 pages in. 

I wanted to ask you how you're able to somehow push out three high-quality pages every week? I work full time, and most days I'm too drained when I get home to immediately start working on the comic. Plus all the other stuff I have to take care of to be a functional adult. I'm not even that slow of an artist, but it just doesn't feel like there's enough hours in the day. At my current rate, I get about one page done per week. I'm 24 now, I don't want to be in my 50s still working on this story. Do you have any advice for increasing your output as an artist without completely overwhelming yourself?

Sorry for the wordy question. There's a reason I'm the artist and not the writer.

Oof, that's a tough one!

I mean, to start with, a fundamental difference in our schedules is I don't work full time. Everything I do for a living is very self-scheduled, and I can work far in advance to meet the deadlines I set and take entire days or even weeks off when I need them. Back when I was in college, dealing with outside schedule requirements, I definitely wouldn't have been able to keep up everything I do now.

That said, there are still methods to streamline and speed up the artistic process. I don't know the details of your methods, but I'd recommend sketching and storyboarding larger numbers of pages at a time and finalizing them at a more leisurely pace, rather than taking one page of comic at a time from a total blank to a finalized, polished version. The storyboard can be very basic; many of mine are little more than color-coded scribbles showing the characters and text boxes showing their dialogue. It's just enough to be readable to me so I can go in and edit it for pacing and timing, but it looks like absolute chickenscratch to anyone else. On the production side, that makes it much more feasible for me to work on multiple pages at a time, since I don't need to finish polishing one page before I can start boarding another.

This method can be expanded into a bit of a factory production line, allowing for a two-pronged approach of progress - one for finalizing older pages, the other farther along for storyboarding new ones. And once you have multiple pages done at a time, you can schedule them well in advance, which takes a lot of deadline pressure off and can make it less mentally daunting to work on. This also diversifies the space of things you can work on, depending on your headspace and energy levels - which is a useful option to have when you're wiped from outside responsibilities.

[yosajaeofficial]

AUGUST/SEPTEMBER UPDATE

Heya everybody! We’re back for a double episode of, “The Monthly Jayce Myles Comics Updates”! The reason why August wasn’t fulfilled like normal was due to college and how busy I immediately got when entering in, which is what I figured would happen so I’m not too surprised with it to be honest. I took some time in order for me to make a fulfilling update instead of doing a rushed one to pump out yk? We’re now gonna get to the updates and bonus content I’m gonna show.

Buckle your seat belts, close your eyes and take your hands off the wheel cuz this is gonna be a ride~

THE COMIC

(OFFICIAL W.I.P: PAGES 28 & 31)

The comic’s gotten slower due to college, however, I really needed a break from it in general so I could prioritize my personal life and also refresh myself on drawing what I want to instead of rushing my age physically and turn 78 years old when I haven’t even reached 20 yet. Nothing much to say but showing the w.i.ps because of the slower progress, it’s getting there though. We got to 30 pages! Which means that the first section is sketched out (calculated to be approximately a fourth of the full chapter done, it could go lower or higher in the numbers depending on what I want/vision). I’m hella proud for getting 30 of them pages done honestly. A huge accomplishment for doing this story for a long while.

Ya’ll don’t really know, but I am indeed changing things here and there about the story where I’m shifting small details, doing redesigns, and reboots with other small things overall. I would be honest and say that’s where I’m progressing the most and not the debut chapter, I’m able to have a clearer vision of the story in my head and on paper when doing future chapters yk? I won’t go into details about redesigns or those details being changed since they’re hella spoilerish and a bit unnecessary considering that the JMC hasn’t even debuted yet. Ya’ll will get those details later when the comic functions and I will reveal more in future updates!

Also, last month Jae, no you haven’t drawn the turtles yet. However, we’re close to their debut for the chapter so keep strong! You’re doing great! :3

BONUS CONTENT: Jayce Myles Over The Years

Many of you know that Jayce Myles, whose name is in the title of the series, is our protagonist for this ROTTMNT comic! She’s my OC that I’ve had when going through my senior year of high school. We’re gonna be getting into a deep dive with her as a character and how their designs came to be during the process!

This is the first ever drawing of Jayce that I’ve done, the day I made it is so vivid in my head because I was going through it… I was in my Pre Calculus class and I had failed another test after multiple attempts through the school year. My initial idea was to cry (which I did) but then I just started doodling on my phone and I created this drawing, then from there it was history. This was in 2022, not too long ago. I became a Rise fan a couple weeks after the movie came out (which I didn’t know at the time, it was a pure coincidence) and I wanted to create a Rise OC for a while. So that day in Pre-Calc, I was able to take advantage of my mathematical suffering and create my magnum opus (exaggerated). She didn't have a name at the time so it was actually a stand in for me. Jayce got their full name until a couple days later.

EVOLUTION OF JAYCE MYLES

(October 2022- February 2024)

As you all can see, Jayce did indeed have lots of designs and ideas being sketched out while I created her as my official Rise OC. I had ideas for them to have an androgynous look from the start based off of my own self! I knew they were gonna have a Rise comic, but there were ideas for them to originally come from the 2012 TMNT universe with their "serious demeanor". It was quite interesting but there isn't much media of those ideas since they were cut a bit early on.

(Older Renders of Jayce from 2022)

Their signature color looked like it was gonna be this denim blue for quite a while but then I scrapped it cuz I thought it wasn't showing their personality like how I want it to. There was also another scrapped concept where Jayce's demeanor would be more monotone and "soft" (as in a blank slate, which doesn't give her a true personality). It was cut because it made me think that I wasn't giving her the best potential as the protagonist then I should've been giving them. Jayce was more introverted and quiet, but now they're much more expressive and full of personality. Ya'll will see in a more better light when the comic debuts, I'm not holding back with Jayce's personality anymore.

("Issue 1: Graffiti" Panels from page 1. The only page that was completed until the plot got scrapped.)

There were lots of pitches and concepts for the JMC over the years too, where lots of storyboards got drafted and one of the first of those drafts got their first page completed. However, I'm pulled a Richard Williams and kept being like "No, I don't like this" and kept going back to the drawing board. I like to look back on these old drafts especially after seeing the older interactions and how different they're gonna be in the official comics. I for sure was learning over 2023 and 2024...

Now finally, we're gonna touch on the last thing for this update~

JMC'S FINALIZED PILOT (ADDITIONAL CHARACTER)

We are going to talk just a teeny bit about the debut chapter but I'm able to become vague without spoiling too much since lots of the older pitches were scrapped. But yes, this was when I came up with the idea, "What if Jayce had a job?"

That's where the idea of Jayce working at a deli joint came from. Where she would have to get a 9-5 and possibly fired, it was pretty funny when doing the drafts since I never knew how a real deli worked and my dumbass just used my mom's experience at Denny's as referenced (she walked out and quit after almost a year).

Thus, our pilot was born.

You can go read a non canon comic I did that touched on this concept when it was fresh in development right here! [Jayce and Mikey Phone Call] & [Splinter/Randall and Jayce Interaction]

The shop itself was based off of a friend's film back in junior year. He made a FNAF parody called, "Five Nights At Fernando's" and it was such a stupid assignment but that gave me the idea of making use of the dumbass "Fernando's Shop" and make it a reality. So then Fernando's Taco Shop was created and we had the shop Jayce worked at. We already talked a bit about Archie and his deal in the first JMC Monthly Update and I can't say anymore due to spoilers but he was also involved of the creation of the pilot.

The older pitches had a cashier or a manager be like some NPC ahh character that never was gonna be brought up ever again but something in me thought it would be a cute idea to create an actual character for this manager that wasn't a stupid bossy ass hoe. It was very sweet in the drafts so I thought I could create more with that concept in mind.

Introducing: Rogelio Andazola!

(Rogelio Andazola Evolution: 2022-2023 | Still Not Showing The Finalized.)

His design is one that is the most consistent when compared to the rest of the roster, I guess that I hit the nail with his because I couldn't imagine him any different. There are only minor changes like his gray strands disappearing (bro reverse aged) and his facial expressions are much more expressive after I played around during the soft reboot. Once again (and as annoying as it is), you will all see where I'm coming from when the debut chapter releases! Rogelio as a character has also altered his personality, he's based off of my grandpa, can't wait to show you how that comes into play in the story!

Thank you all so much for sticking around for this very heavy update! I worked way too much for the photos to be sent on here and dug up lots of my old art in order for this to become a reality! It was actually insane that I kept lots of it instead of making it turn into lost media, I'm happy I got to show lots of it instead of having to make it the fuck up by memory (which I wouldn't have done in the first place and is an exaggeration). The comic is slaying in the runway and I'm working on it here and there at my own pace. Maybe next time I can finally show ya'll the turtles in the next W.I.P in the comic section. Have an amazing day/night everyone and we're on the way to victory!

[eregyrn-falls]

Organizing a Stan Twins-centric Multi-Artist Lyric Comic!

There's a song I've always wanted to see as an AMV or a lyric comic for the Stan Twins, and years pass, and I've never been able to tackle a project that big. So, I wanted to try to organize it as a multi-artist lyric comic!

The song is "Trouble", by Avicii. (See below.)

What is a multi-artist lyric comic? One where people sign up, and each artist is assigned a line from the song. Artists will then do 1 page for their line, and at the end, it's all put together. Here is an example from GF fandom in 2018. (Here is a video version that someone put together with the music.)

This song has 28 lines of lyrics, but it also has some instrumental breaks, and I've thought of a way to fill those that would allow more people to participate (particularly if someone was unsure if they could take on a full page).

Here's the song:

There's a lot of details to go into, so to keep this post from taking up too much dash real estate, I'm going to put more detail below a read-more.

Here is a link to a Google form you can fill out to indicate interest. (But we do urge you to read over the details below!)

The goal would be to complete this in time to make it public on August 31st or Sept. 1st, 2023 -- in line with the actual last days in-story of the show. Therefore, the due date for final art will likely be around August 15th or 20th.

I hope folks will find this intriguing! I think it could be a lot of fun!

@mercury-falls and I are the point-people for this, at the moment!

All right -- the way I've always seen it, the first verse of the song is very Stan-related, and the second verse is very Ford related.

Here is a Google Doc with the lyrics.

My idea for the instrumental breaks was to have people contribute smaller pieces of art that look a bit like Polaroid snapshots. If we can get the lyric comic combined with the music, think of the collection of Polaroids accumulating the way they do at the end of the show's opening credits.

There are two main ways artists can contribute to the project:

For lyrics, full landscape illustrations (which include color, lettering, and a background)

For instrumental breaks, polaroid-style illustrations (smaller, simpler pieces in square format). We will use these in a video edit of the comic and have them accumulate like the show’s intro during the breaks. (We will also figure out a good way to display them in the lyric-comic post itself.)

Your art should be canon-compliant, and can depict any time period of the Stans’ lives (past, present, and near-future)! Do with your art as you best see fit with your lyrics, but keep the focus on the Stans and their relationships with each other and other GF characters. Both original content and screenshot adaptations are welcome!

We also welcome collaborations between artists on full pages! We encourage every artist in the project to help and support each other if they are comfortable. On the interest form, you can tell us if you are interested in volunteering to help others with inking, coloring, or creating backgrounds! Or, you can tell us if you think you will need help.

On the form, you can indicate your preference towards the Stan or Ford verses. But once we have the team of artists doing lyrics chosen, we will randomize the list and then contact people in order, to ask about preferences for lyrics. If you aren't chosen for one of the full pages, we would still like to have you involved for the Polaroids! (And you can indicate willingness to be called on to do a page if others drop out.)

We will have check-in dates through the summer, with goals for people to report on the subject of their piece; to have a sketch or layout ready to show; and to show progress closer to the end.

We will be setting up a Discord server to help share information, and to allow people to post WIPs or just generally discuss things, and keep motivation going. If you really don't use Discord, though, and don't want to sign up for it, that's okay. We will put whatever instructions and details we have in a Google Doc, and will share that link for reference. And we can always communicate via email.

I (Eregyrn speaking!) have been involved in a LOT of fan projects over the years. One of the key things to ask of people who sign up for a project is: communication. That is, if you're having difficulties, just let us know! If you need to drop out, just let us know! Don't feel guilty that you signed up and then had to drop out. The thing that is hardest on organizers of projects like this is when people sign up, but disappear and don't answer DMs or emails. Believe me, I've been in that position where you feel guilty and don't want to admit that you have to drop out -- but it's always much easier on the organizers if you just let them know, instead of keeping them guessing! This is just something to keep in mind when you're signing up -- life happens! It's okay! But please try to let us know if something comes up and you have to bow out.

Here is the link to the Google Form, that you can fill out to indicate interest.

[genericpuff]

Hi! Maybe this is a difficult question with no answer, but as a fan of Rekindled who might want to start their own comic, what do you suggest to avoid burnout? Do you start wiht writting the script right away, you doodle a bit,..? Thanks for reading, I love how you draw big noses, makes me more comfy with mine!

no fr my dark secret is that i've been experiencing burnout with my main original project that I've spent the last decade working on for literally a year now. this isn't the first long hiatus i've taken, the longest one i've ever been on has lasted two years, and it's undoubtedly not the last i'll experience because the lump of salt and fat and tissue that is my brain often overworks itself into exhaustion like a big dummy

rekindled has been my reprieve from the burnout. it has been my vacation from years of working on the same project, meeting the same deadlines, drawing the same characters, over and over and over again since before i was in college.

if there's anything working on rekindled has made clear to me, it's that i'm still capable of drawing comics. the comic-making isn't the problem. it's just that when you work on the same project for years and trap yourself in an uphill battle, eventually your climbing gear is bound to break.

if there's another thing that rekindled has opened my eyes to, it's the insanity that i put myself through prior to rekindled that led to my burnout in the first place.

i get people telling me that they couldn't imagine doing what i do, that even before i had my assistant helping me out, i was still able to put out 30-40 panel updates every week.

but before that, i was putting out 70-90 panel episodes of my original work. every week. full color. full spread action scenes. no assistant. very little financial gain aside from a couple patrons on patreon and one dedicated viewer on twitch, which i was also streaming on 2-3 times a week.

and now that i've been working on rekindled and even finding myself often crunched for time with that, i have zero clue, no idea, a complete lack of comprehension of how i pulled off 70-90 panels a week for months on end. there's a reason it resulted in burnout and i know that now. this comparison is not for the sake of a flex - this comparison is to make it clear that much of what i do isn't the norm and isn't exactly a healthy standard. case in point, i sneezed while sweeping up yesterday morning and it caused a muscle strain in my lower back/hips and i've been working out of my bed since, i'm in a lot of pain and it might mean i don't make any money this week if it's not better by the time i have to do my appointments at my day job on thursday. my need to create my personal passion projects is often at odds with my bad habits of not taking care of myself 。゜゜(´Ｏ`) ゜゜。

when it comes to tackling burnout, your guess is as good as mine. really it just comes down to rest. when burnout - real, true burnout - hits, it's not just "man i'm bored of working on this", it's "i can't even think of looking at this thing let alone working on it", it's basically akin to depression and it's an awful thing that i wouldn't even wish on my worst enemy (even with Rachel, I don't want to psychoanalyze her mental health but it does seem like she's possibly been experiencing burnout with LO for years now and that really sucks for her if that's true). so the solution is just as complicated as the cause, it's not something that you can just rest from for a week and come back from, it takes real long-term healing.

when I found my way out of that 2 year hiatus, it was in spring of 2019 and I decided to just work on a random comic page that wasn't even in the comic I was working on. and then suddenly it was like a switch flicked back into the on position and i didn't even finish what i was working on, i just went back to my original project and i kept working on it until it was finally finished at the end of 2021. as suddenly and randomly as it had set in, it was gone. but i can't just do the same thing this time, it just doesn't work that way.

that said, through all this, i've learned that my need to create is not restricted to any one tangible thing, i'm not doomed or designed to stick with the same words, the same faces, the same ideas until the end of time. while i do try to keep up healthy routines for myself to ensure i'm looking out for my future self and their deadlines and their upload schedules, sometimes the heart wants what the heart wants. and in my case, the heart wanted to take a break from the self-reflective psychological analysis dark fantasy weebo stuff and just draw some pink and blue characters a little less ugly. the self-reflective weebo shit will still be there when i'm done with the pink and blue stuff, and i'll surely have loads of new things to unpack through it once i return.

there are still times when i'm working on rekindled and i'm feeling the creeping hand of my routine destruction digging its claws into my back. the reality is that 30-40 panels is still a lot for someone like myself who's doing this entirely for free, but my definition of normal for a while was so insanely inhumane that even what's still considered a lot by most people's standards feels sane and normal to me after what i put myself through.

i've learned to be more gentle with myself, and to loosen my own expectations of what i'm capable of to ensure i don't do anything like that to myself, by myself, again. i give myself room to create without expectations or the pressure of eyes watching when i can, and i remind myself that even if burnout rears its head again, and again, and again, the will to create is not gone. it's just tired, and resting, and growing, and healing as i am.

anyways that turned into a self-reflective essay post, to answer your question about making stuff ahead of time, i find that's more helpful with just like, planning out a structured story (so you don't write yourself into a corner) but whether or not it helps with burnout kind of depends. because it can just as also easily be the cause of the problem because constantly seeing the stuff you wanna be drawing so far away can be just as much of a morale killer as a motivator. some of the stuff i'm super psyched to write and draw with time gate is years away and that timeline grows longer the more the burnout goes on which makes the struggle feel even more overwhelming and pointless and defeating. so plan ahead, but keep it all within your means if you can. i find what works for me is planning out just general beat-to-beat plot structures (to ensure i at least have a plot skeleton going on so i know where i'm going) then i leave the finer details to when the actual episode i've planned gets closer to fruition and i can get myself in the headspace to write it fully.

also remember that just because you're really excited and motivated to work on your comic doesn't mean you should work yourself into exhaustion - it's a good thing if you're going through the mundane of your daily routine and the whole time you're hyped af to work on your hobby/personal project/etc. because that's what will keep you moving forward, so don't spend all that hype in one place by working and working and working until you're exhausted, because that hype is REALLY hard to get back after you've spent it all.

long post over! hope that helps! best of luck in your projects! ( ´ ∀ `)ノ～ ♡

[forestlingincorporated]

I’m pretty new to Megaman, so I haven’t gone through all of the canon media yet but I am enjoying your comics so… what’s NOVAS, what’s up with, and why is it bad?

Aaah, Novas Aventuras de Megaman....

Novas was a licensed Brazilian Mega Man comic book developed by Estúdio PPA and published by Editora Magnum in the 90s. It's well-known for being... bad. The kindest words I can use to describe Novas is "edgy" and "unprofessional."

I'm interpreting this quesion to be not just "what is Novas" but also "WHY is Novas" so I did a little bit of research to get you a full answer, and not just my horrified reaction to it.

The book was published not long after the Ruby Spears cartoon. Apparently the book's early writer and editor, José Roberto Pereira and Sérgio Peixoto had been in touch with Character Toy Trade, who licensed Capcom products to Brazil. Upon hearing of the Ruby Spears release, Pereira and Peixoto pitched a comic to Editora Magnum.

Apparently, they wanted to do this so badly that, to convince Magnum's execs to enter a publishing deal, they offered to work... for free, earning nothing for the first ten or twelve issues.

While it's not unusual for a comic run to use multiple artists and contain varying art styles throughout, most of THIS title was drawn using unpaid labor from fans solicited through the magazigne it was published in, Animax, and it shows. Readers were prompted to submit their art tests to the publishers, and out of those the best of the lot was selected. To participate, the candidate had to send 6 pages of comics, 2 in pencil, two finished art and two colored. Contributing artists were compensated with a copy of the published issue to use in their portfolio. Quite literally working on spec for exposure.

Most of it is, simply put, not the quality you expect from a publisher. Fair is fair, though, and I would be remiss not to aknowledge that some of these artists went on to be very well-respected comic artists, such as Daniel HDR (who did MM2 and 16, and has now worked for Marvel, DC, Dynamite Ent. and Image Comics, was the winner of DRAGON AWARDS 2020 - BEST GRAPHIC NOVEL for Battlestar Galactica: Counterstrike, and is the CEO of Dínamo Estúdio art School in Brazil) and Érica Awano (who got her start with MM4, and now known for her works related to the Tormenta universe and has recieved the Troféu HQ Mix).

The art... is the least of their issues, though. I've read plenty of webcomics where the art began, let's say, amaturish, but the story and writing more than made up for it. I can't say the same is true for Novas.

It's baffling that Pereira and Peixoto fought to have this book, given neither of them appeared to give a single shit about the source material. My understanding is manga and anime was very popular in Brazil at the time. I'd call it a cashgrab, but they weren't paid for most of it. Editor-in-chief Sérgio Peixoto admitted neither he nor Pereira had ever played a Mega Man game before and all they knew about the story was some information they got from someone who played the games. Further more, despite the first two issues including promotional art from Ruby Spears and official art from the games, including a large centerfold poster that remained for two additional issues, Pereira believed Ruby Spears was "very bad." He didn't think much of the games' plot either, what little he knew of it.

Pereira's distaste for American media and adaptations is painfully obvious within the text of Novas, which takes the time to address the audiance to soapbox about imported media. This is, in part, done in a self-depricating sort of way, but seems to be the driving force behind the decision to even make Novas. Peixoto admits Character offered them "the original Megaman manga" (the Shigeto Ikehara "Rockman" manga, I believe) but he turned it down to do a Brazilian-made book. They wanted Megaman to be drawn by Brazilians and in the manga style - very fixated on being a "manga" rather than a "comic." Despite apparently knowing the product is low-quality, Peixoto appears to be proud to have "made 16 editions of the first manga magazine created entirely in Brazil, using a world-famous character."

I suppose that's the tipping point - "a world-famous character." No care for Megaman, no, but care that he's famous. Pereira apparently had every intention to have his own OCs take over the book after Megaman got readers in the door - apparently intending to kill off the megaman characters in graphic ways - but he left the project after #5, citing that he couldn't actually write his "own" story and... well, lack of payment. Peixoto wrote number 6, and Orlando Tosetto Jr. was brought on to do 7-16.

The desire to provide opportunities for local writers and artists is admirable... in theory... but... hardly anyone got paid and it's not exactly a book I would be proud to have my name on.

But enough about Novas' unpaid labor, quesionable motivations, and poor research. The writing is just... bad.

The plot is all over the place. There are so many dropped plot threads, tone shifts, continuity issues, and retcons in only 16 issues, it'll make your head spin. It reads like a 15-year-old boy made a megaman comic because he thought there should be more swearing and naked girls.

The least of the writing's issues stem from the fact that they barely knew the plot, so character backstories, personalities, relationships, etc. are all over the place. Forte/Bass is named "Slasher" and he takes on a Protoman-type role as a Light bot and sibling, while Protoman is implied to be this mysterious mastermind-type character pulling strings behind the scene, Roll used to be human and is super special for some reason, Rock's an asshole, and X is a horny whiney pissbaby asshole...

It's crude.

It's bloody.

It's horny.

Sometimes downright disgusting.

And one can't ignore the incest.

There are... MUCH more egregious panels, I'm trying to keep it tame. There's a LOT of pointless nudity, including a scene near the end where they're kidnapped and tied up but only the women are stripped naked... for no discernable reason, I can't even say it's because their kidnappers are being disgusting, because they're not, even X is behaving himself for once.

I'd love to say the incest was an accident, but it's not, they actively call each other brother and sister.

Occationally the comic veers into dark topics, but the ever shifting tone and oversexualization makes it hard to tell how I - the reader - am supposed to feel about it. While I'm busy being horrified, I can't help worrying someone's getting off on child abuse and murder.

Maybe this kind of misogynistic gross-out shock-value was funny at the time. I've seen a few people remark on this comic's run fondly, saying they liked it when it came out. I can't imagine ever thinking it was good.

If anyone would like to know more about Novas without subjecting themselves to reading it, Mechanical Maniacs does their best to summarize.

[neogandw]

I figured I should show some quick comm/intro presentation cards, now that the bluebird app is having issues.

I meant to upload this yesterday, but for some reason Tumblr didn't let me.

Please share and reblog around as that helps me far more than just a like. If you're so kind, please recommend me to people.

Sketch style is best suited for silly doodles, quick character studies, comic pages or even character design, which I've done plenty.

This style is quick and dirty, meant to be done rather fast, loose and experimental.

Basic style ranges from outlining to flat coloring and shading, basically a step above sketch in quality, best suited for quick renders or when you're making an asset that does at least need a bit of color.

All-Out means I do everything in my power to make the piece stand out, best suited for major graphical assets (such as stream layouts, live2D pieces, profile pictures and emoticons) or full on posters, thumbnails or character renders.

A brand new style I've been practicing a lot lately, the pixel art tier includes tilesets, single sprites, animations or even whole sprite sheets (as I've done multiple Make a Good MegaMan Level costumes, if you want a reference there).

Making a sprite sheet can be time consuming, but the more is done, the easier and faster it is to put together as it gives me chance to iterate on previous sprites to make new ones.

On the subject of time: all work is timed with software and screenshotted as evidence of work is provided, the final price is decided upon a rounding of how many hours it takes to make the piece multiplied by the tier cost.

Ex: 1 hour to make an All Out Emote, would be 20, 30 minutes would be 10, 1 hour and 30 minutes would be 25.

On the subject of flexible payments: not all of it has to be paid on a single go, if the price is too high, a payment plan can be discussed and adjusted to the needs of the client. Once its paid in full, the piece is provided, if its multiple pieces in one go, the pieces are provided as they are paid.

Other notes:

- The initial pitch sketch is not timed, its on me until the idea is decided upon, at which point the timer begins.

- Error and corrections are also not timed, I'll do the fix ups without adding to the timer.

- Evidence of work will be provided periodically.

- The usual restrictions apply: no political, overtly violent or erotic content will be drawn.

- I'm down for drawing whatever otherwise (stream assets, personal drawings, attempting specific art styles, etc.) but I reserve the right to refuse a work for whatever reason I deem fit (for instance: modifying someone else's work without permission).

- Number of characters, backgrounds or size does not affect pricing, only the time it takes to make them.

- I'll strive to be as transparent and ethical as possible with the process. So bear with me there.

[deepdreamnights]

Against the HydraSaurus!

Or what goes into a monster...

I'm not gone, I've just been working on a big project and hadn't gone through the process of setting up my queue. So here's a sneak peek of a panel from a (planned for) eight page TyrannoMax story.

And here's (most of) what went into it:

Full(er) Process Under the fold.

I am missing a few gens that I used to get the rocky landscape and a few that were used for DeinoSteve's hands and foot-claws. And every gen here represents a stack of alternate takes and prompt dead ends.

Neither Midjourney nor Dall-E 3 is up to creating a complex scene with consistent characters and any degree of control. So any panel that isn't just a talking head requires multiple gens, and even the talking heads require editing.

For my process, I figure out what what I want from the scene, and start building a stack of gens to work with. Once I have some material to choose from, I start scaling and compositing the base images together into some semblance of the finished piece.

Generating uncolored B&W art doesn't produce the look of vintage comic art, so I remove the colors and extract the black outlines, at which point I start re-inking to get the right details, the right levels of detail, and to fix errors and blend the various pieces.

As shown here with DeinoSteve:

Here we start with the base gen. I liked most of the pose, but I wanted a balled up, spider-man-y leap, so I borrow the leg, head, and hands from other gens, correct the number of fingers and toes, add the big velociraptor claws by repurposing, fill in the missing tail, and then do basic inking.

Then, whoops, the image is too detailed for the size it will be in the final image, so I go in and erase details to make it more authentic to 1970s inking and printing, and thicken the lines throughout.

Once I have the image fully re-inked, I can go through the process of doing coloring, the newer old-fashioned way, using colors sampled from the 1982 DC comics pantone set. This panel, as a showpiece scene, gets a bit more love than others in the story, but even so DeinoSteve and PteraDarla are too small to get much color detail for a book from this apparent time (1977)

And once the image has its post-processing for the printing artifacts and the yellowing of the paper (this is a Q&D version, final will have several more tricks), you can see more what the scene would look like in print, lower saturation, slightly faded colors, slightly yellow newsprint, and some natural blurring from the benday dot patterns.

There were at least 11 prompts used, probably more.

[cartoonistcoop]

ShortBox Comics Member Interview: Xulia Vicente

Throughout the month of October, the Cartoonist Cooperative will be sharing interviews with members of the Co-op who have a new comic available at the ShortBox Comics Fair 2024! 

NOTE: The Cartoonist Cooperative is not affiliated, associated, authorized, endorsed by, or in any way formally connected with ShortBox.  

Today’s spotlight is Xulia Vicente a.k.a @takitakos and their new comic for ShortBox, Clair de Lune.

Tell us more about your new comic?

XV: It’s called Clair de Lune, and it’s basically about two music students, in a bit of a futuristic setting, that try to summon a mysterious kaiju-like creature through a secret song. It explores what it’s like to experience perfectionism, art and competition at such a young age.

I’ve drawn quite a bunch of comic pages at this point, but for this fair; I’m putting out what would be my longest solo comic so far. It’s also the one that feels more personal, since I’m basing it both on experiences and anecdotes from my music school years, and personal struggles with art. Overall, I feel it’s a bit of a milestone for me and a step up in my personal journey of finding my own voice.

Tell us about your creative process; how did you develop this comic and what are the steps you took to bring it to the final stage?

XV: The first months of this year I was working a part-time job, so I was only able to take notes of the kind of stuff I wanted to do for the fair. I’ve had the idea of making a comic around a music school for years now; I even had the first scene pictured in my mind. However, I needed to simplify that story to be able to complete the comic in time. When I finished the part-time job and started working full-time on the comic, I wrote a new story in what felt like a fever dream, mixing my new notes with the original ideas for the music school story. Writing is usually the biggest struggle for me, and takes the longest. 

I then took some time to design characters and put together a little pitch to test the interest and charm with trusted friends. It helped me build motivation and confidence in the project too. Since I was against the clock, I scheduled the phases of the project and made some decisions to make them as functional as possible. I drew the storyboard and cleaned it up so that I could both sketch shadows and use it to trace pencils.

From here on, I work traditionally and start going faster. I trace the pencils, then rework them a bit and then ink. After that, I scan, edit, letter and finish with both the grayscale pages and the color ones. This is all a lot of work, but once I’ve taken the time to make all the decisions in the pre-production phase, I have a clear course to follow and it becomes easier for me.

Read the rest of Xulia's interview HERE!

[sakarrie-creates]

It’s that time of year! Here’s my 2023 art summary! After two years of having to include non-colored pieces, I finally did enough ‘full’ pieces to fill my art summary template! I did have to get a bit creative with the months since I was able to draw a LOT more during the summer, but I’ll take it! Sorry it's a bit blurry. I'm not sure if that's just for the preview or not, but it was a smaller file than normal and since these reflections are 99% for my own interest, I decided it wasn't worth trying to change.

As usual, I got rambly so reflection questions are answered under the cut. The template I used is available here in case anyone else wants to make their own! My fic summary will be coming in a week or so, so stay tuned for the stats and round-up there. :)

What events did you participate in (with art)? Player Appreciation Week, Fandom Trumps Hate, Dear Fellow Traveler (Animatic), Weird People (Editing), SPN Comfortably Queer Zine (dropped), and lots of zine applications for page artist, merch artist, comic artist, and spot artist roles!

What was your biggest challenge this year? While time, like last year, was still a challenge, I think my biggest challenge was a mix of low motivation and an intense perfectionistic mindset. At the start of the year, I got super into TOH and was super hyped about all the zines with apps opening. I really REALLY wanted to get into them and figured I should apply for art too just cause it would increase my overall chances of getting in. After the finale, I did a screenshot redraw that ended up being absolutely fantastic for where my skill level is. I went deeper into rendering than ever before, and somehow it worked for me. 

That probably was the start of my unreasonably high expectations, and I got it into my head that maybe if I could make a whole portfolio of artwork at that quality level, I actually stood a chance at getting into a zine as an artist. From then on, I was hardcore crash-coursing perspective, rendering techniques, and generally trying to improve without allowing room for mistakes. While I do think it helped me grow a lot, it burnt me out so I struggled to work on stuff past summary (when all the zine apps were) and even dropped from the SPN Comfortably Queer Zine cause my imposter syndrome was so strong. (Though that was also partially because it was a ‘sign-up and you’re in’ zine, so they never saw my art during the application process and had no way of knowing if I was good enough.

What was something you were surprised by? I’m pretty sure I discovered the perspective tool is CSP this year! CSP has so many tools I’m not aware of (despite watching tons of tutorials and guides), so it wasn’t super surprising but it was nice. I have to say, they’re a serious hassle to work with and require a higher understanding of vanishing points and such than I currently have, but I could see it being very useful for future scene art pieces.

Did you try anything new this year?

Yes! This year I kicked down the door to the merch world and have been collecting and designing throughout the year. Though the designs have mostly just been for zine app portfolio’s, everything has worked out really well for me and I hope to produce charms for my collection as I improve my skills. Where do you think you most improved? Definitely my confidence in rendering! And probably my rendering itself too. I did a ton more pieces with it this year and it’s definitely a favorite part of the art process for me. I think I’ll have a lot more fun with it this year too, since I’m trying to keep it lower pressure, so I can experiment more to find out what brushes and styles I like most. What are you most proud of? I think I’m most proud of how ambitious I was with my zine apps. Though I didn’t get into any for art and it burned me out a fair bit, I did a lot of hard work and made pieces I can be mostly happy with. As for specific pieces, I’m very proud of my animatic clip for the Dear Fellow Traveler MAP (which is what the Belos art from the summary is from). My portion was about 5 seconds with 24 fully colored and shaded frames. A few of those were moving frames too, so the end result is the closest thing to actual animation I’ve done. I also really like the rendering on the Huntlow Epilogue art and generally how the Steve&Matt hug turned out.

How’d this year compare to your 2023 goals? I honestly couldn’t remember what my goals were, but all things considered, I didn’t do too bad! Thankfully past-Sakarrie was wise and made it a bullet list so I can just check things off. Met: -Player Appreciation Week -Add to zine portfolio -Apply to at least one zine as an artist (fine if don’t get accepted) -Keep experimenting with backgrounds and shading -Pull out some old WIPs -Build more consistency of style

The checked off ones I definitely met, so good for me! This was a very zine-focused year, so I way exceeded those goals. The last two I did do, but they’re a bit subjective. Specifically, I think the ‘WIPs’ I was referring to were old sketches, but most of the old WIPs I revisited were already colored and I was either adding rendered or cleaning them up for zine usage. As for style, I’m REALLY bad at telling haha. That said, my characters seem reasonably similar when I draw them, so I’m going to tentatively count it. Kinda: -One fully colored piece per month

I’m gonna give myself a half check on this one. I didn’t have a fully colored piece every month, but I did have over 12 fully rendered pieces in the end, several of which had backgrounds. So while I didn’t meet the letter of the goal, I feel like I met the spirit of it.

Did Not Meet: -Finish Huntlow comic -30 minutes animatic digitalize rough draft -Maybe make some fanart of my favorite fics

These don’t shock me. They’re all personal projects and this was a very external-goal-driven year for me. The Huntlow comic is a big love of mine but it’s definitely ambitious for where my skill is. I’ve got the whole thing messy-sketched and most of it has been clean sketched, but the jump from that to lineart is gonna be hard, and I have no idea what I’d be doing with color since the panels don’t have a background. That said, I do feel like it’s some solid work and I adore the angst vibe of it, so maybe I’ll get it done one day. I could also see myself posting it as a messy lineart comic so that others could enjoy the concept being executed in case it never gets finished.

As for the 30 Minutes animatic, I still 100% intend to complete it eventually. I love the way it fits to the music and I’m so proud of the thumbnails. Even if it never becomes a full animatic, I want to digitize the frames and line it up with music so I can share the concept I see in my mind with others. My brain was somewhat overtaken suddenly by TOH this year, so now that that’s settled and I’m hoping to follow my muse more this year, maybe this will be something I can get excited about again.

The fanart for favorite fics is no surprise since it’s kinda the tack on. With low motivation and projects with deadlines that needed my focus, personal art like this was buried way below other priorities. It’s a nice though for sure though.

Alrighty then, now it’s time for 2024 goals!! Oh goodness, I really don’t know what to expect of myself. I definitely am going to try to allow for more personal projects with lower pressure, but I do still have some goals. Hopefully most can be accomplished without applying big pressure though.

2024 Goals:

-Number One Priority: Create for my and don’t put myself in a place to get crazy burnt out and still have requirements. If I meet this goal, then it’s okay if I don’t meet any of the others. (It would be sad.... But I would still count it as meeting overall goals.) -Participate in Summergen and PAW Week (Art or Fic) -Design Handplates charm as anniversary gift (November) -Design CS Charm -Have a fully usable Zine Portfolio (Currently need more merch samples and rendered pieces with backgrounds) -Apply to new TOH Zines or other loved fandom zines. If I end up getting into any, I can pull back, but since that doesn’t seem likely, I want to get into the habit of always being ready to apply with what I have. -Make an ongoing project list to pin to my tumblr. This applies mostly for fics, but that way people coming to my page can see what fandoms I’m actively creating for and what they can look forward to (as well as have an opening to ask questions if they’re interested). -Post more (at least 10 times throughout the year) and add my best pieces to instagram (8+ pieces by end of year). -Do ONE of the following:     1. 30 minutes digitized so it can be shared with music      2. Open Up Your Eyes fully thumbnail      3. Fanworks for other people’s fics      4. Participate in an extra bang or exchange with art      5. Design and manufacture a pin -Play with different brushes and rendering styles -Draw something from scratch every month, no matter how small -Not exactly art, but I want to have a finalized long-term merch display plan for all my items Overall, how’d the year go? I think I did well! I didn’t meet all my goals and I pushed myself too far, but I learned and improved a LOT this year. All things considered, I made pieces that last year me would be blown away by, so I think that’s an automatic win. I’m pretty uncertain on how this next year will go (even more so than last year, which is surprising since I was changing schools last year), but I’m hoping to enjoy what I do and create art semi-regularly. Here’s to 2024!