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grayson10yearslater · 23 days

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YOU DON'T KNOW GRAYSON: The Construction of Dick Grayson's Identity in Grayson Act I

INTRODUCTION: WHO AM I?

Like many of us, I first heard of Spyral in Dick-centric hurt/comfort fics. In these fics, the focus is often on how lonely and miserable Dick was during his time as Agent 37. How even after he became Nightwing again, his brothers never forgive him for letting them think he was dead. How the relationship between him and Bruce has been poisoned forever because Bruce savagely beat him and forced him to play dead. Usually Jason, Tim, and/or Damian discover Batcave footage of Bruce’s beat down of Dick, find out Dick was forced against his will into going undercover, and shower Dick with the love and forgiveness he deserves (and also probably kick Bruce’s ass a little). I want to be very clear. I eat these fics up for breakfast. Part of the reason I was so eager to read Grayson myself was for the hurt/comfort fodder.

But Grayson, in tone and execution, is nothing like the fanfics I read. There’s whump fodder, yes, but there is also humor and charm and new gratifying heartfelt relationships built within. Imagine my surprise when I read Grayson for the first time and found that Bruce and Dick’s relationship is not strained and bitter, but actually very tender and nostalgic. Both during and after the infamous Nightwing #30, there is so much affection between them. What got lost in fandom telephone? If Grayson isn’t about Dick at his absolute lowest, being the most miserable and alone sadsack to ever sack, what is it about?

The promo material gives us the easy pitch: identity. “YOU THINK YOU KNOW NIGHTWING…” the ad tells us, “YOU DON’T KNOW DICK.” For my money, this might be one of the best DC house ads of all time. It so perfectly captures the theme and the tone of Grayson. It’s in your face, it’s tongue-in-check, and it is so excited to explore Dick Grayson as a character.

But then the question remains: Who is Dick Grayson? The last six pages of Nightwing #30, written by Grayson co-writers Tom King and Tim Seeley, ends with Dick himself telling us.

“Who am I? I’ve been a lot of things. I was a son. I was a performer. An acrobat. A member of Haly’s Circus. Part of a family, a legacy. Then came Tony Zucco. He murdered my parents, and I was alone. I was angry. A sad, angry boy looking for revenge. Any revenge. Then came Bruce Wayne. He found me, and I wasn’t alone anymore. I was his ward. I was a son again. He trained me. Focused me. And I was Robin. A colleague. A hero. Partner to the Batman, the Dark Knight of Gotham. I was part of a family again. Batgirl. Commissioner James Gordon. Alfred Pennyworth. I grew older. I became a hero in my own right. I was Nightwing. I was a teacher. A mentor. To Jason…Tim…Damian…and eventually, when I was needed, I was Batman. I was part of a legacy again. Then came the Crime Syndicate. They put a noose around my neck, and I was alone again. I was tortured. I was put in front of cameras. I was unmasked. I was a plaything. They strapped me to a machine, I was their weapon. A bomb. Lex Luthor stopped my heart. Killed me to save the world. I was dead. Or so it seemed. In secret, I was saved. Who am I? After all that, I wanted to go back. I wanted to be who I’d been. A son. Part of a family…a legacy. Robin. Nightwing. Batman. I wanted to go back. But I can’t. Something terrible is coming. And I have to stop it. My enemy is in front of me and I’m alone. Who am I? My name is Dick Grayson. I’m who you need me to be.”

This monologue lays out the foundation: Dick defines himself by his network of relationships, his family. From Dick’s very beginning, family is an all-encompassing word that holds both his biological family (the Flying Graysons) and his chosen family (Haly’s Circus at large) together. Dick sees the world relationally; he defines who he is by how he is connected to others. Even his time as the solo hero Nightwing is framed through the relationship oriented occupations of teacher and mentor. It’s telling that in his monologue he uses the word “legacy” almost as often as family. It’s not just about the individuals he’s connected to, it’s about having a web of connections at all. A safety net. Dick is a trapeze artist. The trapeze is not a solo act. Grayson dares to ask who Dick Grayson really is when he’s not a legacy, not a member of a team, not the ‘and’ after Batman?

STILL TWO BEST FRIENDS

Tim Seeley: One of the things Tom and I wanted to do, beyond the drama and conflict between Dick and Bruce, was not another story about the drama and conflict between Dick and Bruce. We didn't want to do another story about how the Robins are exploited and used and eventually turn against Batman. This is still about the two best friends in the DC Universe, but they fight and they have to ask each other to do things that they don't want to. But when it comes down to it, these are the two best buddies that there could be. When they have conflict, it's because it's important. It's because it means something. It's not something to falsify the drama.

To understand what Grayson is doing with the themes of identity and partnership, we have to unpack Nightwing #30. I could write a whole series of posts on Nightwing #30. It’s so densely packed and, by my money, one of the most misunderstood issues in fandom. Every time I reread it, I discover something new to munch on. For the purposes of this post, I will focus on how Dick and Bruce construct Dick’s identity.

Bruce frames their fight as a test. “I need to see if they broke you,” he says, “I need to see if you still have the heart you once had.” This is what Bruce and Dick are fighting over: after being tortured, having his identity revealed by the Crime Syndicate, and killed by Lex Luthor…is Dick Grayson still Dick Grayson?

Their fight is brutal. And why wouldn’t it be? Dick’s lost everything, even his life, and Bruce was helpless to save him. Both Dick and Bruce are at their lowest points right now. “I trained you to live,” Bruce yells as he strikes Dick in the face, “and I watched you die!” This fight is one of the most bloody, violent brawls we’ve ever seen between Bruce and Dick. It’s easy to see why this confrontation spread like wildfire in the whump-centric parts of fandom. It’s blood, guts, and tears.

The quote from Seeley at the beginning of this section is so illuminating. Despite the reputation this scene has gained in fandom, it was never intended to be “another story about how the Robins are exploited and used and eventually turn against Batman”. This scene is intended to break Bruce and Dick down in order to build them back up again. So why doesn’t that intention always come through?

I think it’s a question of genre. Both King and Seeley have gone on record as really enjoying superhero comics for their genre conventions. They are not interested in anything hyperrealistic or gritty. When Dick and Bruce beat the hell out of each other across the Batcave, it’s more equivalent to two characters in a musical breaking out into a dance number, as opposed to actual physical abuse. Compare this issue to New Teen Titans #55, where Bruce’s single punch there has more traumatic weight in the narrative than all the punches here combined. The violence in Nightwing #30 is much more a visual metaphor for Bruce and Dick’s emotional states. The emotional fight is the real concern for the plot, not the literal physical blows, a convention we see often in the superhero genre. And the emotional fight is over what Dick’s identity is now, after the events of Forever Evil. Who does Dick need to be next? Bruce needs Dick to be someone stronger, someone who can’t die, someone who can infiltrate Spyral and not be corrupted by them. Dick wants to return to comfort, to family. He wants to, as he says later on in this issue, “be who [he’s] been”.

For Dick especially, the violence here showcases his struggle with his identity in the aftermath of Forever Evil. As Bruce begins to tell Dick about the Spyral mission, he kicks Dick into the glass case holding the Robin costume. Dick is broken and battered, on his knees on the Robin cape, surrounded by shattered glass and the looming shadow of Batman. This is a visualization of what Dick feels internally: that by agreeing to stay dead and go on this mission, he is shattering everything he once was. Batman is killing him. Bruce is killing the person he used to be.

Dick can’t accept that. He outright says no and uses the Robin cape to choke Bruce out. Again, that sounds horrifically violent. But on the page, it just feels like symbolism. Dick chokes Bruce out with the Robin cape, tying them together back-to-back. He doesn’t want to leave Bruce again. He wants to stay together. If Dick understands his identity to be Batman’s partner, what does it mean that Bruce is trying to take that away?

Bruce and Dick are at cross-purposes with regards to who Dick needs to be next. As they throw punches, Bruce rattles off intel as Dick says the names of his family like a prayer. Bruce is acting from a place of terror. He just witnessed Dick die and his coping strategy is what it always is: become the mission. Bruce needs Dick’s identity to be mission focused, and that mission is staying alive and keeping their secrets safe (pointedly, the very same things Dick just failed to do). Dick needs to feel reconnected to his old identity, he needs to return to his family and be with them. Both of them are desperately trying to make meaning out of Dick’s death. When Dick tackles Bruce into the Batmobile, saying that he’s alive, it almost looks like a hug. They are not communicating here, but that does not mean they don’t care deeply for each other. It is the same tenderness they feel towards each other that provokes them into such a no-holds-barred fight. They are desperate; both of them will stop at nothing to not lose each other. It’s just that they have different definitions of salvation.

Nightwing #30 is an argument of ideology. After knocking Dick to the ground, Bruce plays the mentor. “Why do we fall, Dick? We fall so we can learn to get back up.” The Spyral mission is a very real, very urgent threat. But there’s also a part of Bruce that desperately needs to see Dick prove his invincibility again, for the sake of his worldview. Dick, at this moment, refuses Bruce’s lesson. He peels off the mask Bruce gave him. “No,” he says, “No, that’s not true. We fall because someone pushes us. We get up to push back.” Dick’s resolve is iron-clad. He will never just stay on the ground, not when someone pushed him. His desire for justice will always compel him back on to his feet. That desire belongs to Dick Grayson, not Nightwing, not Robin. Even as Dick argues against Bruce, he proves to them both why he is the only option for a long term undercover mission in Spyral.

Bruce continues to preach the necessity of Dick’s Spyral mission, no matter the costs. “After this, Bruce,” Dick tells him as he blocks Bruce’s punch, “after asking this, between us – it can’t be the same again.” Bruce knows. He delivers his explanation of his self-identity:

“I’m hurting you. My family. I’m making that sacrifice. Because I don’t give up. I don’t give in. But what about you? Are you them? Or are you me? After the Crime Syndicate captured you, tortured you, killed you – tell me Dick, my body, after all of this – will you give up? Will you give in?”

While Nightwing #30 has been laying the foundation of the plot of Grayson this whole time, this is the foundation of Grayson’s Act I’s thematic question: Who is Dick Grayson? Bruce here pitches it as a binary question. Is Dick him? A Bat who never gives up. Or is he “them”? The “them” is ambiguous. Grammatically, it refers to the other heroes who would give up and let Spyral use them. But I think it could be argued that “them” means anyone who isn’t Bruce. The Crime Syndicate. Spyral. The dead. Anyone who isn’t relentless and alive. Dick is a pillar in Bruce’s psyche. It’s an essay on its own tracking all the moments throughout canon and elsewhere stories where Bruce loses his grip on his own identity when Dick dies. He frames this as a binary question not out of sadism, but because this is how Bruce’s worldview works. It is just fundamentally more binary and egocentric than Dick’s worldview. Bruce does not construct his identity (or his understanding of Dick’s identity) in the same way Dick does.

Dick constructs his identity through the relationships he has with people, not if they are him or not. It’s a bringing together of people and identities within himself, not a subjugation. Having those identity defining relationships is an action, not an act of possession for Dick. And Bruce is asking Dick to leave those relationships behind. Dick’s identity is in freefall. He’s losing his family. He’s losing his mantle. After all that loss, one thing remains true: he “is not [Bruce’s] boy”. With that mission statement, Dick delivers the knockout punch that has Bruce forfeiting the fight.

This spark of independence is what makes Dick a survivor. This is what allows Dick to define himself through his web of connections without being a hollow person who has no true personality, no true self. Dick is not a child, a boy, who just belongs to someone. Not Bruce. Not Spyral. He is his own man. And while Dick will struggle with not being able to behave as a Bat does anymore once he’s in Spyral, if a Bat was truly all he was, Spyral would break him. Dick’s refutation here further proves to Bruce that he can survive this mission. “I win,” says Dick, just a small figure in a sea of broken, burning childhood mementos. Goodbye, Robin. Bruce embraces him in a sidehug, literally pulling Dick under his wing. “Good,” Bruce says. Their pose mirrors the photograph of young Dick and Bruce in the panel. The visuals here communicate what Seeley spoke of in his interview: despite the destruction, despite the goodbyes, this is still two best friends.

This is the catharsis of Nightwing #30, the resolution to this fight of ideology and grief. This moment is overlooked because it is so brief compared to the length of their fight. And it’s a messy resolution. I imagine that there are many readers who remain unconvinced of the necessity of the Spyral mission as Bruce’s posits, or the depiction of the physical violence, or many other messy things in the issue. But Dick isn’t unconvinced by the necessity of infiltrating Spyral. The next time we see him, he’s all in on the mission, ready to be “who you need me to be”. Bruce tells a horrified Alfred that he’s “fixed it”. Bruce and Dick both understand that they have to be apart for right now, just for this one problem, and then home will return to them. They both understand it as a sacrifice, not an estrangement. I think a lot of Spyral hurt/comfort fics assume that the Nightwing #30 fight was never resolved. It was. Perhaps in a way that feels unsatisfying to some readers, but Grayson does not make sense if one doesn’t accept that Dick has already made peace with Bruce before he left.

Dick’s relationship with Bruce is solid when Helena Bertinelli offers him a job at Spyral. It is Dick’s own personal sense of self that remains in jeopardy. The last three lines of the issue are Dick’s monologue: “Who am I? My name is Dick Grayson. I’m who you need me to be.” In bold red letters, the issue tells us “TO BE CONTINUED IN GRAYSON #1!” It could not be more clear what thematic questions Grayson will seek to explore. Can Dick really be whoever he needs to be? Can Dick really become the agent Spyral needs him to be and the double agent Batman needs him to be, all while still being himself? Will being Agent 37 break Dick Grayson permanently?

DOWNSIDE OF A SOLO ACT

“The downside of a solo act. No one around to see you do the cool stuff.”

The first four issues of Grayson are defined by identity crisis. The agents of Spyral struggle to get Dick to let go of his current identity that is rooted in Batman and become Agent 37 more fully. Dick struggles internally to adapt enough to Spyral’s culture to continue to be a double agent, while not engaging in any acts that break the morals he’s so firmly tied to his sense of self. Dick can no longer define himself by a family who isn’t there, so he has to define himself as the person his family once loved.

Grayson #1 sets the stage. We are dropped right into the action as Dick takes down an enemy on a moving train. He uses a gun, but not by shooting it. Instead, he uses it as a boomerang that hits his enemy in the head. On the last panel of the page, Dick sighs to him and says, “The downside of a solo act. No one around to see you do the cool stuff.” Readers turn the page, heightening the gag. Set-up and payoff: Midnighter watches Dick with a pair of binoculars. “Damn,” he says, “That was pretty cool.” This exchange is peak Grayson. Its snappy humor disguises the work it's doing to contribute to Grayson’s central dramatic question: Who is Dick Grayson when he isn’t Batman’s partner, a solo act? Midnighter, looking every inch like a Batman type, tells us that Dick is not as alone as he thinks. But the leather daddies in black aren’t here to rescue him from his loneliness, they are here as his enemies first. Dick defines himself through his relationships. How will his sense of self be challenged by people who don’t want to form strong bonds with him?

Even as a spy, it’s still Dick’s default to make friends. His first use of Hypnos, the mind control implant given to him by Spyral, is to make Ninel Dubov think they are close friends. He says: “I’m your friend, Ninel. You’ve been lonely and afraid for so long. I just want to help you. And you want to help me. That’s what friends do.” Yes, Dick is literally brainwashing the guy here, but his words are a solid definition of friendship. This is how Dick incorporates his friends into his identity: he’s there to help them. Even as Dick is doing the most Spyral thing in the world, using Hypnos on a target, he is still operating under his old construction of his identity.

But this classic Dick Grayson approach soon backfires. Ninel activates a very dangerous power in order to assist Dick in his fight against Midnighter. When Dick sees that Ninel is at risk of dying, Dick has to drop the friendship act. He goads Ninel into venting his power and completes the mission. In the past, Nightwing would have been able to talk Ninel down with sincerity. Agent 37 does not have that luxury. Dick’s always been talented at manipulation, by his own admission later on in the issue (“I-I’ve always been good at reading people. [...] Never used it – like it.”), but his people reading skills have always been used for the pursuit of justice. Now Dick is using the skills for morally ambiguous Spyral’s benefit. Under Dick’s own sense of self, he should be bad at being a spy. But he’s not. So what does that say about Dick’s identity? Is he really who he thinks he is?

Dick’s struggle to remain connected to the morals that define his place with his family is exemplified in Grayson #2 by Dick’s struggle to remain connected to Batman. Undoubtedly, Dick’s relationship to Batman is crucial to how Dick self-identifies. Over and over again in this run, Dick’s defines himself as Batman’s partner, Batman’s heir. Batman is emblematic of a moral system that is important to Dick’s understanding of himself, the same system that is at odds with Spyral’s definition of Agent 37. But more than that, Batman is emblematic of a person, a history of a relationship, that is critical to Dick’s self-identity. When Dick craves comfort and support, he reaches out to Bruce about their interpersonal connections. He wants to know if Alfred and Barbara are okay after attending his funeral. In order for Dick to feel centered and stable with himself, he needs to know that the people he includes in his self-identity are okay, too.

The downside to this way of being is that if Dick doesn’t have access to those people who are his foundation of self, he grows unsteady. But his Spyral mission, by design, keeps him cut-off from his family, for his and their safety. Bruce must rebuff Dick’s desire for comfort. “Birdwatcher,” Bruce stops and corrects himself, sensing Dick’s vulnerability, “the longer we stay on the line the more likely it’ll be intercepted.” It comes off as a chastisement, and it is, but it’s also Bruce giving to Dick the same comfort he would give to himself: focus on the mission. And Dick tries to. “Right. Yeah. Hey y’know what? I don’t need to know. Because I’m going to wrap this up before the flowers on my grave wilt. Over.” But even as he’s trying to model Bruce’s coping mechanism, his real desire bleeds through. Dick wants to return to his family. By returning to them, he’ll return to a congruent self-identity. When Helena sees Dick after this call, she notes that he looks “rattled”. Until he can return to his connections in Gotham, Dick is trapped in the identity limbo of being Agent 37.

Dick Grayson, however, is a character inclined to change, whether he intends it or not. Batman may be the most important connection in the web of relationships Dick uses to define himself, but he is not the only one, and the web is always growing.

Helena Bertinelli, code name Matron, is that first new connection. She is assigned to be Dick’s partner. As someone high up in Spyral’s food chain, Helena is an antagonistic force to Dick’s mission. Her personality is efficient and no nonsense. Their dynamic in Grayson #2 is reminiscent of the dynamic Dick had with Batman when he was Robin. The stoic, more knowledgeable mentor and the playful, confident student. But that dynamic is purely surface level right now. There is no foundation of trust between Dick and Helena, not at the start. Neither of them are under any delusions about their ability to truly trust each other. But for the mission, they must act as partners.

Spyral sends them to find a bioweapon enhanced stomach of Paragon in Farmington, Leicestershire. Their investigation leads them to Dr. Poppy Ashemoore, who has the stomach implanted into herself, and is now an enhanced cannibal attacking them. Dick’s got a plan to take her down. It’s a very superhero genre plan, he’s going to get her monologuing and then strike. He expects Helena, his partner, to have his back. She doesn’t. Helena orders Agent 37 not to strike. Dick’s confused; this is not how the story goes. “She’s a cannibal, Matron! She killed people and ate them! It goes like this: we knock her down, and we take her to the proper authorities!” Helena reminds him that his old ways of identification hold no value here: “She is not a supervillain. She is an asset who happens to be an incredibly self-sufficient genius.” Dick cannot accept the idea that a murderer may escape justice and be rewarded for it, so Helena uses the code word “tsuchigumo” and knocks Dick out.

After an issue of bonding, it’s a big betrayal. Back at homebase, Helena completes her lecture from the start of the issue about what a Hadrian woman is: “She is unconcerned with righteousness or virtue. She exists only for the prompt and unerring delivery of her charge.” Dick watches from the shadows, sick and defeated. Helena is training the girls, but her words apply to all those who work for Spyral, including Dick. This is the type of person he must become. A strong connection to Helena did not provide him with any relief, just more disconnection. Again, Dick must question his own self-identity.

The issue ends with Dick making a mission report to Bruce again. He’s internalized the need to not linger, but can’t resist one last attempt at re-establishing connection. Helena was a failed partnership, but Batman and Robin never die. This time, he appeals to a value Bruce also shares: nostalgia. They share a sweet memory about Babs and Alfred. Dick may not have his relationships present in his life currently, and he’s suffering for it, but the memories of the love he has for them cannot be taken away. Those memories can stabilize his self-identity for one more day.

But that is just duct tape on the hole in the dam. Eventually, the dam is going to burst. Dick could only juggle being half Agent 37, half his former self for so long. Grayson #3 serves as the ultimate nadir for Grayson Act I. In #3, the struggle between Dick’s relationship-centric self identity and the mission-centric identity of Spyral agents causes the death of two people.

Issue #3 opens with Dick establishing a new connection with a new character: Alia, codename Agent 8. After Helena and Dick are assigned a joint mission with Agent 1 (AKA Tiger) and Agent 8, Agent 8 meets Dick at the shooting range. She isn’t impressed with his shot: “Really? This is how the great Wing-Knight shoots? I see why Mr. Minos has Agent 1 and me bailing you out on this mission.” Dick corrects her. It is both a fact correction and an assertion of his identity. “Nightwing. And you should see me with a slingshot, Agent 8.” Even as Dick asserts his identity as Nightwing, he calls upon the distinctly Robin imagery of the slingshot. Dick’s framing his identity not just as Nightwing, but his time as a caped hero overall. Nightwing isn’t just the Nightwing suit - it’s the entire life Dick’s led up to this point. And that person, he begins with the oath Dick swore to Batman in order to become Robin. Nightwing is the legacy of Robin. And Dick is proud of that legacy. He would rather be good with a slingshot than a gun - that is what keeps him connected to Bruce. This is how he understands himself.

Still, the back and forth between Dick and Agent 8 begins to cross the line into flirtatious. Her body language is clearly sensual as she corrects his form. “But remember, don’t anticipate the explosion,” Agent 8 tells Dick, “Cause the explosion. Can you do that, Wing-Knight? Can you do that for me?” Dick again reasserts his identity. “That’s not my name. My name is…” The next page reveals Agent 8 in bed gasping Dick’s name in pleasure. It’s a cheesy homage to the brazen sexuality of spy thrillers. But even still, it’s revealing. Nightwing doesn’t make up Dick Grayson; Nightwing makes up a part of Dick Grayson. Losing Nightwing does not mean Dick has lost his identity, it just means he’s lost the easiest way to sum himself up. There is hope for Dick’s self-identity, even as we nosedive to his lowest point. He may not be “Wing-Knight” anymore, but he is still Dick Grayson.

After their tryst, Dick continues to struggle with his identity as an agent of Spyral who should be using a gun, vis-à-vis struggling to understand Christophe Tanner, their target for this issue. “I don’t understand these things,” Dick says of a gun. “Going after a guy like this, with a tool like this. He’s in pain. He should stop the pain. How does this stop anything?” Dick’s worldview is so much about soothing hurt. He’s a fixer. Guns don’t solve emotional wounds. But this worldview has no place in Spyral. Agent 8 says so: “What do you know about guns?” But she might as well be asking what does Dick know about this spy world.

Dick, Helena, Agent 8 and Tiger track Tanner down. It goes tits up pretty quickly. Dick faces Tanner down alone. He tries to talk sense into Tanner the same way he’s been talking sense into himself: by reminding Tanner of his relationships. “I know about your boys,” Dick says. “I know you tried to save them, and I know what he did. Haven’t you had enough? Haven’t the guns done enough? We don’t need these to settle this. Tell us where the eyes are, and we all walk away. Think about your boys. Some things you don’t shoot your way out of.” Tanner rejects him and chooses his guns. Tiger comes to Dick’s rescue, but not without chastising him. Dick’s method has failed on Tanner. The worldview on which he constructs his identity has failed. Is it doomed to fail for himself, too?

The consequences of this are severe. Agent 8 blows up at Dick for endangering Tiger, her partner’s, life. She calls him out on a perceived hypocrisy: “Oh, yeah, you noble superheroes. Fire laser beams at people. Arrows. Batathingies. But a gun, no, no, never. God forbid! Not a gun!” Nursing the cheek Agent 8 just slapped, Dick can only repeat what he’s desperately holding on to: guns aren’t “the way [he] fight[s]”. His identity is being challenged at all fronts. He can’t risk revealing how much he holds on to the people of his previous life, so he can only cling on to their teachings. Guns aren’t the way he fights. His explanation only makes Agent 8 angrier. “You’re all like Batman,” she says, “little boys under little masks, crying about their dead mommies.” Dick, acting as both the double agent seeking information and the Bruce Wayne defense squad he usually is, asks, “What do you know about Batman?”

Agent 8 gives an ending argument that hits harder than her slap. “I know he still wears his little mask. What I don’t know is if you’ve taken yours off! You’re not a superhero. You're a spy. With a gun. You’re not Wing-Kinght or Nightwing or whatever. You’re Agent 37.” Here she reveals a flaw at the center of Dick’s identity - if Dick defines himself through his relationships, how can he endanger a partner by not taking the shot? Are Batman’s teachings getting in the way of helping people? But if Dick isn’t Batman’s teachings, who is he? Agent 8 would answer that by saying Dick is Agent 37, a spy who uses a gun. But can Dick really be that?

No. No, of course not. When presented with the shoot or be shot dilemma, Dick does the most Dick Grayson thing he can do: he finds a third option. Dick’s puts together the missing pieces of Tanner’s backstory, tracking him down to the school that his youngest and only alive son attends. He uses the weapon at his disposal that predates even Robin; he tries to talk it out. Dick encourages Tanner to drop the guns and meet his son. “Is that how you want him to see you? With your guns in the air?” Dick reiterates Agent 8’s own defense of guns to him, Dick understands that they “make things go faster”. But, as he tells Tanner, “what’s the damn rush?”

This time, Dick’s words reach Tanner. He confesses he stole the macguffin of the issue because he didn’t want to see his son through the gun. The Paragon eyes aren’t compatible with him, so he gives them to Dick. The two share a touching moment where Tanner is insecure about his looks scaring his son and Dick jokes about Tanner’s chest hair. This is the type of relationship building that is at the core of Dick’s self-identity. But just as Dick wins a laugh from his once enemy, Agent 8 shoots Tanner. Everything goes to shit from that moment on, right in front of Dick’s eyes. Tanner survives the shot and returns fire to Agent 8, killing her. He then falls off the roof and dies in front of his son. The parallels to both Bruce’s and Dick’s parents’ own deaths cannot be ignored; it is salt in the wound. Dick has defined his life by his mission to save people. Now, Dick is left alone on the rooftop, with nothing but blood, a gun, and Tiger’s desperate voice ringing through his coms.

As Tanner’s son finds his father’s body, still clutching his gun, Tiger speaks, “37. 1. Do you have eyes on Agent 8? Repeat. 37, do you have eyes on Agent 8? 37? 37? Agent 37!” Dick raises his head. Grayson artist Mikel Janín’s composition is spectacular here. Dick looks the reader straight in our eyes. “That’s not my name.”

This is the ultimate rejection of Dick’s Agent 37 identity. He will never be convinced of Agent 8’s and Spyral at large’s ideology. All it’s done is make two people dead and a little boy an orphan. This knowledge doesn’t change the fact that Dick’s mission isn’t over. Lives are on the line, in all directions. He has to be a spy. Agent 37 isn’t his name but still Dick must wear this disguise. How will he adapt?

As always, Dick’s ability to adapt is helped by the relationships he forms with other people. If Grayson #3 was about the ultimate failure of Dick and Agent 8’s partnership (and I don’t just mean romantically, I mean Agent 8 as an opposing ideology Dick cannot integrate into his sense of self), then Grayson #4 is the beginning of Helena’s growth into that web. Even though Helena has been tasked by the Director of Spyral, Mr. Minos, to root out the double agent in their midst, she and Dick continue to grow closer.

Grayson #4 starts out with their status quo sunshine-grumpy relationship. Dick is purposefully sucking a lollipop as annoyingly as possible and Helena karate chops it out of his mouth. Dick wraps up the lollipop to send it back to Bruce for DNA sampling, but plays dumb with Helena, who reacts with scorn and disgust. But even after this engineered tiff, Helena immediately tries to comfort Dick over Agent 8’s death. Dick rebuffs her, he knows that death “is part of the job”. He is playing the Agent 37 role that Agent 8 so wanted him to do. Helena isn’t convinced. She tries again to have this conversation with Dick and again is rebuffed. “Don’t worry,” Dick assures her, mistaking what I would argue is Helena’s genuine concern over him with her fixation on accomplishing the mission, “I’m focused. I’m ready. The mission is as good as accomplished.” The status quo is starting to shift between these two, but Dick hasn’t forgiven her betrayal yet.

The rest of the issue acts almost as a breather episode. The Hadrian students decide to raid Dick’s room for his panties. Dick catches them on the hunt, of course. But rather than turn them in for breaking curfew, he starts a cat and mouse game, leading them in a chase across campus. They want a game? Sure, Dick’s happy to play. This moment is silly and fun but it’s so revealing of how Dick recenters himself in his grief. He wants to be with people without having to be vulnerable with people. He wants to be in the air. He wants the chase. This is how Dick self-soothes a wound to his worldview, to his very identity.

Helena, out at night investigating Agent 8 as the potential Spyral mole, catches the group. She sends the girls back to their dorms and Dick to Mr. Minos, where he receives his punishment. He is to become the girls’ gay French acrobatics teacher. It’s pitched as a torture for Dick, and while the Hadrian girls are thirsty af, Dick loves being a teacher. Teacher is one of the ways Dick defined himself as back in Nightwing #30 and of course acrobat is Dick’s very essence. The cover story is framed as a punishment for Dick, but truly this is an opportunity for Dick to maintain his old, true, self-identity.

Helena has another opportunity for Dick’s self-identity too. Later that night, she sneaks into Dick’s bedroom. “I know why you came to Spyral, Dick Grayson.” Dick reacts with confusion. Helena gives an impassioned monologue. It’s a reversal, instead of Helena dragging Dick into the messy spy thriller genre, here Dick inspires Helena to dip her toes into the superhero genre, where impassioned speeches can reach another person’s heart. She says:

“I saw you tonight. Running across those rooftops. There was a joy in your movement. In your eyes. You loved the night. You loved the chase. You loved being the fearless hero. You loved being Nightwing. When you were outed by the Crime Syndicate. Believed killed. You knew you had to remain dead. To reveal that you were alive could endangered those you loved. Set your enemies against them. You had to quit being the hero. Being Dick Grayson. Now, you fear that you might lose who you are.”

Helena reads Dick like an open book. To know Dick’s motivations so well is dangerous, but Helena does not make Dick bleed for it. She simply walks towards the window. When Dick asks where she’s going, she turns and says, “I do not want you to forget who you are Dick Grayson. I want you to remember the rooftops. I want you to remember the night. I want you to remember Nightwing.” She smiles, which on Helena looks more like a smirk, “Chase me.” And Dick does.

For Dick, this is the remedy for the poison from the last issue. Agent 8 wanted Dick to be someone else. In her worldview, Agent 37 can only exist at Nightwing’s death. Dick must forget everything he was before to be Agent 37. In contrast, Helena wants Dick to remember who he is, which includes (but is not limited to) Nightwing. She wants him to be successful in Spyral not at the cost of his previous selves. Dick has to hide so much of his true identity and belief systems right now. But Helena, at least, can offer herself up as the means in which Dick can still feel safely connected to his old, true identity.

Dick started in Issue #1 utterly alone. He ends #4 chasing after someone who is sour, dark, and perfect into the night, a smile on his face. This ending allows Dick to metaphorically be Robin, Nightwing, and Agent 37 all at the same time. He is able to hold that multiplicity of identity within him because of his connection to Helena. Once again, being a partner act keeps Dick’s identity whole.

I HAVE HER

“This can’t…this…you can’t do this…I know you. I see what’s coming. You…you…can’t. I have…my enhancements. I have…powers. Dick…Dick Grayson...what…what do you have?” “I have her.”

Grayson #5 is one of my favorite single issues of all time. It should be part of a mandatory DC onboarding when it comes to writing Dick Grayson. It captures the core of his character, his ultimate truth: the unflinching determination to help people in the face of impossible odds.

The issue starts in media res. Dick and Midnighter are helping a woman deliver her baby as Helena tries to pilot a failing plane to safety. The mother dies. The plane crashes in the desert. The baby is alive and crying. Helena, Midnighter, Dick and the baby are two hundred miles away from civilization. Midnighter does the math: they’re dead. There’s no way any of them can survive the trek.

Dick refuses to accept that. If they die, the baby dies, so they can’t die. It’s just that simple.

Thus far, in Grayson, Dick’s ability to care deeply about strangers has been used against him. A good spy makes people think they care, but they don’t actually care. They exist in order to survive the mission or themselves. Dick’s mission is caring about people; he defines himself through loving other people. Grayson #5 shows us that this isn’t mere naivete. This is Dick’s most dangerous skill. He doesn't have to have special enhancements or powers. As long as he has "her", a person to save, Dick can do anything. His determination arises from his relational approach to identity.

This has been true for Dick since he was a child. Later on in the issue, after Helena and Midnighter have both succumbed to the elements, Dick tells the baby about a dream he once had. The story he tells is a heartfelt and poignant reference to Batman #156, “Robin Dies at Dawn”. “On this world,” Dick says, “I was Robin. I had to save him.” The syntax and order of Dick’s sentences here reveal that he defines being Robin as saving people and he is Robin. In order to be himself, Dick must save people. And he does, even though Dick’s story ends with rocks and darkness, the moral he gives to the baby is bravery in the face of any odds.

For those of us who are familiar with Batman #156, we know that Dick is hit with rocks and dies. Batman, guilty, grief-stricken, and alone on an alien planet with a monster about to attack him, begs for death. It’s eventually revealed that Robin is alive and well, Batman was just undergoing an astronaut simulation. This meta reference highlights Dick’s superpower in this issue. When Batman doesn’t have Robin, he begs for death. When Robin doesn’t have Batman, he finds more people to save. Dick is able to survive the loneliness and isolation that Batman isn’t because Dick doesn’t define his identity by one person or purpose, but by his ability to care for many people. Today, it’s this baby. Tomorrow, it will be someone else. That’s who Dick is. Dick’s devotion to life itself gives him determination.

Devotion is not something many call a strength anymore. After all, devotion so easily becomes zealotry. Grayson #5 itself warns us of this. A Saudi couple find Dick and the baby and the wife is overjoyed. “We have prayed for so long for a child,” she says, “And here, god has brought one from the desert.” Her husband disagrees. “What is this? God has not brought this boy. This is no God. Look. This is only a man.”

Dick is not a god. He is not even an enhanced guy with a supercomputer for a brain. He is just a man. But when a man makes serving other people his identity, he can do the impossible.

HEART IS AN AWESOME POWER

“Who are you? What do you hold inside? Is it love? Is that what you believe?”

If Grayson #5 is about Dick proving who he is to the reader, then Grayson #6-7 are about him proving that core identity to Midnighter and Helena.

Grayson #6 opens with Dick and Helena investigating a prison island. After surviving an attack from a robot orca, they find that their targets have already been slaughtered by the Fist of Cain. While Helena uses her Hypnos implant to get information about the issue’s macguffin, the Paragon Brain, from a surviving Fist of Cain member, Midnighter kidnaps Dick and takes him to the God Garden. There Dick and Midnighter finally have the all out brawl they’ve been building towards. As they trade blows, Midnighter reveals exactly what he thinks of Dick. He states as fact of all the worst fears Dick has about himself during the Spyral mission.

“You traded in the supertights for a decoder ring but you think you’re still the good guy,” Midnighter says, “But you’ve changed. You’re just lying to yourself. You’re one of them.”

Dick refutes Midnighter’s analysis of himself. First, by refuting Midnighter’s claim that he’s figured out Dick’s fighting style (“You can do jazz. How are you at punk rock?”). Dick is made up of more than what Midnighter claims he is. It’s easy to read this as a rebuttal against the naysayers of Grayson itself: Dick is more than just his mantles. He can carry a solo title with no masks, just as Dick Grayson.

“Comfort. Trust. Family. I gave that up to become a spy. A spider man. A tsuchigumo. I have changed,” Dick acknowledges. “But I’ll always be Dick Grayson.”

If that’s true, then how is Dick constructing the identity of ‘Dick Grayson’, if not by those ties of family and legacy? Issue #7 will answer that for us in time. Here in Issue #6, there’s still more setting up to do. After Helena is exposed mentally to the Fist of Cain’s plans for mass murder, she awakens to see that Dick is gone. She doesn’t know he’s been kidnapped. The first thing she asks is if Dick left her. Like Midnighter, Helena is suspicious of who Dick claims to be. Is he really her partner? Or will he abandon her the second it suits his goals?

As Issue #6 sets up the fears Helena and Midnighter have about who Dick is as a person, Issue #7 proves those fears wrong. Cue the transformation magic, Dick is about to go full magical girl.

Issue #7 is an ode to Dick’s legacy. As Robin, Dick represented spring: the joy and new life after the cold death of winter. As Nightwing, Dick represented rebirth, the great rebuilder after destruction. The mantles don’t represent those things intrinsically. They represent those ideals because Dick infused them with the essence of his own person, who lives by those ideals. Agent 37 does not carry that Dick Grayson legacy the way Robin and Nightwing do; it carries the reputation of Spyral. As Dick tries to convince the Gardener to let him and Midnighter stop the Fists of Cain, the Gardener calls him out on this. “[...] You, Dick Grayson, represent lies and treachery. The loss of ideals. The desire for power at the cost of innocence.” Here, in this world, Dick is no longer the benchmark of the superhero community, the guy everyone respects. He’s fallen. He’s been corrupted.

But he’s still Dick Grayson. He’s not going to let a fall stop him from saving people. The Fist of Cain plan to use the Paragon brain to make innocent people kill each other. Gardener believes that this bloodbath will serve as an example for all of humanity and help create a better world. Dick can’t physically fight her, so he uses his other skills: empathy and compassion.

He tells the Gardener a story about himself.

“When my parents died, I thought that was the end for me. I was freefalling. I thought that I was going to fall and fall until I hit the ground. But someone came to my rescue. He caught me before I hit the ground. He was my net. He taught me to focus my anger. To stop myself from hating the world. From blaming everyone for the evil of a few. And then, I realized how lucky I was. I realized I had to pay it back. I owed it to other people to be their net. I had to dedicate my life to being there to catch anyone who needed it.”

Dick’s anger is not an explosive, severed heads in a duffle bag kind of anger. After Dick’s parents die, he was never in danger of becoming a thug or a murderer, he was in danger of losing his idealism. Anger takes the form of mistrust, disconnection, and apathy in Dick. It’s “blaming everyone for the evil of a few”. It’s closing himself off from the world and all the love the world offers.

When one is faced with the type of acute trauma young Dick survived, it’s easy for that experience to make you selfish and isolated. Becoming the Robin to Bruce’s Batman saves Dick from this worldview. Robin gifts Dick a world of connections - from the bond he forms with Bruce and Alfred, to the people he saves every night on the streets. This is what Gardener is not understanding. There are evil people in the world. The world itself may even be cruel. But that’s not the point. The point is the friends you make along the way, the people you catch in your net. By limiting his scope to the people he can reach, Dick is able to love the whole world.

The Gardener, moved by Dick’s and Midnighter’s pleas, allows them to teleport to Tel-Aviv and save the day. The Fist of Cain are disguised as the band Sin by Silence; they intend to unleash the power of the Paragon brain at a concert for peace. “But I want you to answer a question Tel-Avi,” lead singer Clutch asks the crowd. “Who are you? What do you hold inside? Is it love? Is that what you believe?”

So far Dick himself has not dropped the L word. He speaks around it, citing family and catching people when they fall - terms and phrases that absolutely do share the same meaning as love, but don’t sound as cheesy when said aloud. Clutch is able to speak directly to the central dramatic questions of this issue on Dick’s behalf: “Who are you? What do you hold inside? Is it love? Is that what you believe?” Notice here how the order of Clutch’s questions directly ties the construction of identity to a belief system of love. Clutch intends to subvert this by proving that the true self of all people is a murderer, but Dick Grayson answers those questions in the affirmative. It is love that he holds inside of him. That is the belief he is devoted to. That is who he is.

Helena is starting to understand that. When Dick comes to her rescue, she succumbs to the power of the Paragon brain and attacks him.“Agent 37.” She corrects for his true identity. “Dick. You—abandoned me! I hate you! Kill you!” Dick dodges her attack and Helena is able to come to her senses and realize the impact that Paragon brain is having on her.

“I’m too angry, Dick. I have too much hate,” she says, confessing to Dick her own construction of identity. “I’ve killed. And I’ll do it again. I can’t…I’m too weak even with the Hypnos to get anywhere near the Paragon brain.” It’s only after Helena tells both Dick and herself who she is that she is able to tell Dick who he is. “But you, Dick Grayson. You have no hate. You would never take a life. Everything you do…it’s...”

She kisses him. It’s an appropriate action for her speech as this is all but a declaration of love. It’s a declaration of Dick’s nobility, the very thing both Midnighter and Helena were scrutinizing in the last issue. Helena says Dick has “no hate” but I think another way of saying that is that Dick is full of love. Kissing Dick “clear[s] [her] mind a little”, freeing Helena of the Paragon brain’s influence. Where once Helena flirted with Dick to assert her identity as the better spy, now she kisses him to center herself as someone who won’t give into hatred and mass murder. She kisses Dick as a way back to her identity, just as she lead Dick back to his identity in Grayson #4. They depart, refocused on the mission.

Dick eventually makes it on stage to destroy the Paragon brain. The brain, in Dick’s own words, offers him up the greatest temptation. “I—I can feel you. Whispering to me. Telling me it’s okay to abandon my code...to let go of my humanity. To fear. To h-hurt. To…k-kill”. And Dick is tempted to give into his hatred. As he recounts later to Bruce:

“I was about to smash the brain on the stage. I hated it. Hated what it had done, what it represented. I just wanted to see it in little tiny bits. But then I realized I’d be feeding the emotions the fist wanted to unleash here. I knew that the people who’d been influenced by its empathic attack wouldn’t stop if I fed it more violence. So I didn’t dash it to chunks on the stage like a guitar. I stopped. And I thought about everything I have. My family. My net. And I changed its mind.”

Dick’s ability to pause and reflect before he acts is crucial here. Even though smashing the Paragon brain to bits is ostensibly a good thing, Dick knows that actions of hatred will only beget more hatred. He has to feed the brain something different, show it a different path. He has to forgive it for making him hate it. He has to teach it about being grateful, about family, about helping people up when they fall. This is Dick’s Moon Healing Escalation moment. This is what has been at the core of his identity, since he pledged to never swerve from the path of justice in the wake of his parents’ murders. His ability to forgive, his ability to love, reminds the brain and everyone in its thrall to do the same.

The issue ends with Midnighter breaking ties with Gardener. “I can’t be surrounded by liars and murderers without becoming one myself,” he says, “I’m not like Grayson.” Dick Grayson is a person who can surround himself with liars and murderers and not become one himself. Midnighter, the man who not one issue ago was Dick’s biggest naysayer is now all but calling Dick incorruptible. Dick’s had to give up a lot of the embellishments that traditionally define him in order to be Agent 37. But he’s kept the core thing that makes him Dick Grayson: his ability to love. The people around him are starting to take notice.

CONCLUSION: SAME OLD DICK

Grayson #8 marks the shift from Act I to Act II. It’s a tying up of loose ends and the opening up of new doors to explore. The macguffin of Act I, collecting the Paragon organs, has been completed. Mr. Minos, the enigmatic boss of the last eight issues, makes his play. He attempts to kill Helena, succeeding only in wounding her. She collapses in Dick’s arms, warning him of Minos’ betrayal. At the same time, Minos attempts to kill Tiger with the newly reassembled Paragon. Dick saves him and they work together to defeat the creature that has the powers of the Justice League. Even the Hadrian girls get to have their hero moment in this fight. Minos’ reassembled Paragon has a flaw the original did not: its heart. The baby Dick saved in the desert still claims the organ as her own. Dick does the one thing he’s been avoiding for the last eight issues: he picks up a gun and takes the killshot. He shoots the creature right where its heart would be. Tiger is astounded. “Agent 8 said you were a horrible shot!” Dick responds as an Agent of Spyral should, “Yeah, well, that’s what spies do. We lie.” This is the triumphant defeat of the villain. In this moment, Dick is able to incorporate Agent 37 into his self-identity without completely shattering the construction of self that came before. Being Agent 37 did not break Dick Grayson; Agent 37 is now another aspect of Dick Grayson. Dick Grayson still endures.

Meanwhile, Minos is killed off by the even more enigmatic Agent Zero. She calls Minos bait, a “cliched bat villain” meant to “attract Grayson into [our] web”. It’s clear she will be our new main antagonist. If Act I asked ‘Who is Dick Grayson?’, Act II will ask ‘Who is Spyral?’ Issue #8 ends with a tagline for Act II: “A NEW MISSION! A NEW PARTNER! SAME OLD DICK!”

Same Old Dick is the best conclusion I can think of for Grayson Act I’s thematic exploration of Dick’s identity. Grayson stripped Nightwing and Robin away from Dick, separated him from Batman and the entire Batfamily, and placed him into a situation that routinely demanded he forsake his own personal morals. And yet, somehow, Dick is still the Same Old Dick.

This is the brilliance of Grayson, its ability to synthesize such contradictions. Grayson is both a tongue-in-cheek parody of the spy genre at the same time it’s an earnest spy thriller. It’s both an interrogation and celebration of DC superheroics. It is a story about mistrust, loneliness, and isolation…but also one about friendship, the importance of the connections we form with other people. It’s a story about Dick Grayson, forced out of his element and into the shadows of espionage, still shining brightly as the heart of the DCU.

#dick grayson #dick grayson meta #grayson #grayson (2014)#grayson meta #agent 37 #DC comics meta #batfamily #Bruce Wayne #helena bertinelli #tiger king of kandahar #Midnighter #grayson10 #nightwing #spyral #monthly mod meta #mod post

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green-eyedfirework · 4 months

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The first key to successful undercover work is to believe you aren’t undercover. To truly inhabit the persona you came up with, to reach for that instead of anything else when scared or angry. To think of real life as a particularly lucid dream instead of reality.

After half a year undercover, Dick thinks he’s pretty much got the hang of it. It helps that the cover is so close to a reality that-could've-been--sent to juvie after his parents were murdered, ran away from his foster family after presenting as omega, on the fringes of society, wandered to Bludhaven and ended up getting in after Wilson's First Son spotted him while bartending and offered him a better job.

Also helpful that the circus never kept actual records, Dick was marked down as 'John Doe' in juvie because he refused to speak to them, and Bruce created his legal identity practically out of thin air, so there are only a handful of people that know the name Dick Grayson in the first place. A combination of boarding school out-of-state and distance from his rich, reclusive foster father meant that he has very little of an online social presence, which of course, makes Detective Richie Wayne a great candidate for a long-term undercover job with the Wilson Mob.

The other key to successful undercover work is to develop a finely honed sense of paranoia, and right now, all of Dick's detectors are on screaming alert.

"What?" he said, staring at Wintergreen's unsmiling face. Usually he didn't question his orders, but usually he wasn't ordered to accompany Slade Wilson to an unspecified meeting.

Every time he was in touch with his handlers, he had to tell them that Wilson was both suspicious and not stupid, it was going to take time for Dick to get close to him, but Bludhaven PD was not known for its patience.

"I said, your job tonight will be accompanying Slade as his personal guard to a dinner meeting," Wintergreen repeated, looking annoyed.

"Why me?" Dick asked, unable to fully suppress the anxiety. Luckily, he was expected to be anxious--Dick hadn't made himself out to be ambitious and he hadn't interacted much with the elder Wilson at all.

"He requested you personally. I didn't care enough to ask why."

"Calm down, Dickie, my dad doesn't bite," Grant snickered, his arm casually looped around Dick's shoulders. "I've told him how well you performed on the Bulgari job, maybe he just wants to see for himself."

Dick turned to give Grant a tremulous smile and wished it was that simple. But Dick had felt Slade Wilson's eye following him around on more than one occasion, lingering on him when Grant made his reports, and giving him casual once-overs that Dick had no trouble recognizing.

The real reason Detective Richie Wayne was sent for this undercover mission--the department had few omega police officers, and fewer that corresponded to Slade Wilson's reported tastes. Of course, they couldn't outright come out and tell him to prostitute himself to the East Coast's biggest mob boss to get them intel, but Dick wasn't naive. The 'hints' had starting becoming more explicit as his handler got increasingly impatient.

And now the opportunity had landed in Dick's lap.

"That makes sense," Dick said, suppressing the tight ball of dread and shoving it down. "I won't disappoint Mr. Wilson."

Grant scoffed at the thought and dragged Dick out to head to dinner. Wintergreen didn't say anything, just continued to stare at Dick with that unnerving gaze until Dick was out of his office.

Dick, for his part, tried to remember how to breathe.

#my snippets #sladick #mob au #omegaverse

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nightwolf1429 · 5 months

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Jason Todd Canon Lore Stuff:

@jashjdh Ask and you shall receive! :D this is sort of part 2 to this post of mine, where I did the same thing for Dick Grayson. Here, since there are so many comics and so much conflicting lore, I read the fandom . com entry for the character and then type out the most important bits of what I learned, both to help myself remember it, and to teach others ^w^

!TW for Batman-like things, such as spoilers, mentions of injury and death, a brief mentions of drug use, a brief mention of sewerslide and r(😬)e, etc)!

•To begin with, a lot of people argue "Jason is the angry Robin!" Or, "Jason ISN'T the angry Robin!" I think for the most part, this misunderstanding happens because originally, Jason was a very calm kid. In his original appearances he had a similar backstory to Dick Grayson(Being an acrobat in the circus) and was much more chill, however in the post-crisis revamp, he became more violent and troubled. In the words of the wiki, "the post-Crisis Jason is impulsive, reckless, and full of rage."

•Jason lived a troubled childhood, with his father being a petty crook. His dad at one point served a jail sentence for his crimes, but even once he got out of jail, he never came back to the family. This left Jason alone, taking care of his drug-addicted mother. He would rip and remove the parts from cars around the city, selling them for cash to make sure they were fed and clothed. His mother eventually died from an overdose so he took to the streets, continuing to take apart cars for cash.

•One night he came upon the Batmobile parked in an alleyway. Batman had just replaced the tires, but had not yet put on his new custom hubcaps. Jason took this opportunity to snag the tires, and managed to get one and out of there before he came back for a second tire. This is when Batman caught him, hence the iconic interaction of him throwing his tire iron at Bruce and calling him a 'big boob' as he ran away.

•Batman tried putting Jason in a boarding school for troubled kids, however this didn't work out either because the owner of the school was actually running a program to train young criminals. When Batman busted the criminal operation, he decided that perhaps Jason's anger could be used for crime fighting, so he took him in because he was worried that if he didn't, Jason would become a criminal. While Jason wasn't an acrobat like Dick, he was strong, and had lots of skills from his time on the streets.

•On their first official mission together, though, it was revealed that Two-Face had killed Jason's father. Despite the fact that Jason's father had abandoned him, he was still enraged by this and he went on a rampage. However, he showed restraint when he allowed Two-Face to be arrested instead of killing him, which made Bruce very proud.

•As much as Jason was a good, enthusiastic student, he was also a very troubled one. His time on the streets had raised him with a tilted sense of morals, and with the tendency to lash out and get violent when threatened because of his street survival instincts. Because of this, Jason often had the opposite ideals and morals to his mentor. He tended to use excessive force when trying to stop criminals, such as how in one adventure he was asked to 'hold off' some villains, and he immediately shot at them despite Bruce's dislike of using guns.

•The most notable of these times was on the case of Felipe Garzonasa, a man who had r(😬)ed a woman, an event that led to her sewerslide. Jason tracked this guy down, and moments after Jason arrived, Felipe fell to his death off of his apartment balcony. While it was never confirmed nor denied, it's fairly possible that Jason pushed Garzonasa off, breaking Batman's no kill rule. (We love a man who respects women ✊)

•Bruce was so afraid that Jason was going to possibly kill someone, either intentionally or with his reckless actions, that he called Barbara Gordon and asked her to work a case with Jason, in an attempt to figure him out. They did work together, however Barbara could come up with no real way to help him, and simply warned Bruce that there was 'a darkness in Jason'.

•Jason eventually discovers that his mother was not actually his biological mother, so he runs away from home on a mission to find his real mom. He follows lots of leads, but eventually ends up in Ethiopia, finding his bio mother Sheila, working as an aid worker. He's incredibly happy to be reunited with his real mom, but he soon discovers that Sheila is being blackmailed by the Joker, being forced to supply him with medical treatment. Sheila herself has been embezzling funds from the agency, and to keep from getting caught, she directly hands Jason over to the Joker who brutally beats him with a crowbar and leaves him and Sheila in a warehouse with a bomb. Batman is unable to save them on time, and both of them perish in the explosion. Bruce is obviously devastated (and starts going crazy because of this a bit later on), and the bodies are both buried in Gotham City with the cause of death on Jason's death certificate being labeled 'smoke inhalation'.

•Jason is dead for at least a decade, his memory constantly haunting Bruce as his 'greatest failure', keeping Jason's Robin suit on display in the Batcave. Bruce begins to spiral over the thoughts that he himself had failed to train Jason properly, and that he had also failed to save Jason from the Joker. (Personal opinion, I don't know if I actually blame Bruce for 'Not saving Jason in time'? Because the way the wiki framed it, it made it seem like Jason ran away and didn't tell anyone that he was going to do this, plus I don't know how Bruce would've known that the Joker was blackmailing Sheila to begin with? Idk, maybe I'm missing some context here)

•Many years later, while Bruce is fighting with Hush, Tim gets kidnapped. When he confront the kidnapped it ends up being 'Jason', but it turns out that this version of Jason isn't Jason at all, and is just Clayface pretending to be Jason.

•Superboy-Prime, trapped in the Paradise Dimension, alters reality. This shift results in Jason's revival, as he's once again given life. He breaks his way out of his own coffin with his bare hands, and drags himself 12 miles before eventually collapsing (since he still has many lasting injuries from the Joker's beating). He's found at some point and hospitalized, where he stays in a coma for a full year, and even when he awakens he has amnesia. At some point he's recognized by a petty criminal, who informs Talia. Talia brings him to the Lazarus Pit, where she immerses him in the water where her father Ra's is also bathing. This restores Jason's memories and his physical health, however it's implied that the Pit's energy + Ah-Gul's energy messed with his mind and personality (Though it's always possible that these changes really just came from his trauma)

•Jason Todd takes up the mantle of Red Hood, and returns to Gotham City.

•Jason goes to find the Joker (who had been run out of town by Hush), and gives him a beating with a crowbar just as the Joker did to him, though he keeps the Joker alive to use him against Batman later on. He also assumes the control of several gangs, and starts a mini war against the Black Mask criminal empire. His general plan is to clean up the cities violence and drug dealings(probably because he doesn't want anyone to end up like his non-bio mother), as well as kill the Joker for revenge. Because of his intense and violent methods, he has many brushes with Batman. It's around this time that Bruce finds a Robin mask in the Batmobile, one that never belonged to Dick or Tim, but looked like a mask in the style of Jason's old Robin costume. He also realized at this time that Jason's coffin is empty, and that's when he starts to believe that Jason may have genuinely come back from the dead.

•Jason, hearing that Tim had replaced him and was supposedly a 'better Robin' then him, he got angry and broke into the Titan tower to confront him. Wearing a newer version of his own Robin costume, Jason makes quick work of immobilizing the other Titans. He was absolutely furious that there was no memorial for him in the Hall of Fallen Titans (Despite the fact that he was only a Titan for a very short time), Jason demands Tim tell him if he was really as good of a Robin as Jason himself was, and Tim stubbornly says 'Yes' before he passes out. As Jason is leaving the tower, he rips the 'R' logo from Tim's costume. However, it's revealed in the epilogue of that comic that Jason actually holds some respect for Tim now, begrudgingly saying an "I'll admit. He's good." As he ponders how he could've been a better Robin had he acted more like Tim.

•At some point Jason kidnaps the Joker and uses him to lure Bruce to Crime Alley, where they had first met all those years ago. Jason is of course angry that Bruce never 'properly avenged' him by killing the Joker, since Jason believed that Bruce would because the Joker had "Taken me away from you". Bruce explains that it would've been easy for him to kill the Joker, that he continuously fantasized about taking the Joker away, torturing him and eventually killing him, but that he wasn't willing to cross that line (Partially because he wasn't willing to stain the memories he had of Jason [that he clung so tightly to while losing his sanity] with blood). Jason decides on a deal. Either Bruce kills him, or he will kill the Joker. So he holds one gun to the Joker's head and gives the other to Bruce, counting to three. However Bruce, obviously not wanting to kill Jason but also not wanting Jason to commit this crime, uses a Batarang to cut down an object that ends up slicing Jason's throat. The Joker uses this time to detonate some explosives and plunge both of them into the waters. (I don't even know what to say about this part, I have a lot of opinions here. I will say though, I think that if Tim hadn't become Robin, Bruce might've legitimately killed the Joker.)

•Jason shows up again after about a year, now as an evil version of Nightwing. Jason uses this costume to taunt Dick, suggesting the two become a crime fighting team, but Dick refuses because he doesn't want to be associated with Jason's violent methods. Not long after, Jason is kidnapped by unknown mobsters. Dick, albeit hesitantly, saves him, and they team up to defeat the Pierce brothers. After the fight Jason leaves New York and drops the Nightwing mantle, leaving Dick a telegraph that says he has returned to normal, and that he still considers Dick family.

•Jason's kidnaps a girl named Mia, wanting to convert her to his side since they both had somewhat similar pasts and he feels they're kindred spirits. She refuses, so he blows up her high school. (WTF JASON???? 😭)

•I dunno how to explain this one too much, but basically he went on a mission with a Monitor that he called Bob? And he met an alternate reality version of Batman, who had started killing after Jason's death.. And then the Darkseid thing happens and Batman 'dies', which makes Jason absolutely furious (Because he cares about Bruce despite not agreeing with the way that he handled things back when he died).

•Jason, back as Red Hood, tries to take control of some gang wars to calm things down, but it actually makes things worse. Since Batman is supposed to be dead, and Nightwing is unavailable, Tim is the one who has to help clean up the mess. Jason asks to team up, but Tim refuses because of Jason's questionable methods. Due to a combination of some things, Jason gets shot in the leg and arrested. When the gang war is resolved, Tim stops by the prison Jason was in, using a disguise and a fake name to deliver Jason the code that will let him out of his cell because he believes Jason deserves a chance at redemption.

•After his escape Jason is summoned to the Batcave, where he is brought in to hear his part of Bruce's Last Will and Testament for him(Y'know, since Bruce is supposedly dead lmao). He listens to Bruce's final piece as he talks about out of all his failures, Jason was his biggest, and how he regretted not getting Jason actual help or showing much empathy over him hardships, instead dressing him up and having him fight. Unfortunately this heartfelt message is what makes Jason fully snap.

•Jason began dressing up in a Batman-like outfit, leaving slips of paper saying 'I AM BATMAN' where he worked, however he used much more aggressive and lethal forms of punishment on the criminals he fought. Due to the violent nature of his vigilantism, Nightwing and Damian are after the fake Batman. Dick figures put pretty quickly that the imposter Batman is Jason, and after an argument, Jason shoots Damian. Tim is also searching for the fake Batman at this time, dressing up as Batman as well to demonstrate how Bruce would've really acted. Tim finds Jason's fake Batcave, but has to be saved from a boobytrap by Catwoman. Jason returns to his 'cave' and finds them there, impaling Tim with a Batarang. Dick and Jason fight, with Jason thinking and claiming that Tim is dead, while Damian and the Squire are actually busy saving Tim. Dick kicks Jason off a moving train, but when he tries to pull Jason back up to safety(Because he still considers him family, just as Jason does him), Jason refuses his help and falls to his 'death', while claiming they'll meet again soon. This is when Dick becomes Batman.

•When Jason returned, having survived the fall, he decided to become direct competition to Batman and Robin, making it his mission to get to all of the criminals before them and become the new Gotham Hero. He even got his own sidekick, a girl named Scarlet. Jason was very public about this, posting things on social media, talking about how killing the villains was the best way to do it, and a lot of people actually agreed. At one point Jason kidnapped Dick and Damian, locked them up and stripped them both naked(😰), claiming online that if the post got enough attention, he'd reveal Batman and Robin's secret identities. However his plan was interrupted by an assassin names Flamingo, that he and Scarlet weren't strong enough to beat. Dick and Damian escaped and saved them from death, though Damian got pretty seriously injured.. Jason just ran Flamingo over with a truck- Jason was taken into police custody and as they took him away, he claimed that if the Lazarus Pit could revive him, why couldn't it revive Bruce too?

•After Bruce's revival, Jason files an appeal to Arkham Asylum, wanting to be released because the tests show that he's perfectly sane, just willing to kill. He ends up being transferred to a Gotham prison, where as soon as he arrives, the sewerslide rates spike and there are several homicides(Though these mainly occurred in self defense from Red Hood killing people in the prison who attempt to kill him first). On top of this, Jason poisons the food and kills 82 inmates, making 100 more sick. He's immediately taken back to Arkham Asylum, but is quickly broken out by some mercenaries. Jason breaks free from the mercenaries and fights them off as Batman and Robin arrive. At the end of this mission, Red Hood and Scarlet escape in a helicopter, warning Bruce and Damian not to chase them because he planted bombs all over the city months ago, and he's willing to detonate them. Dick doesn't do anything about, deciding that Jason was lying about the bombs, and that even if Jason decides to do better he'll only rejoin the family when he's ready to.

•Jason, trying to reform, forms his own hero team called the Outlaws. He changes the red symbol on his chest to a bat, a sign of his somewhat awkward but slowly-beginning-to get-back-on even-ground relationship with the Batfamily. The costume he now wears also used to belong to Dick. His relationship with Tim is now at least neutral, if not a little friendly, as the two can be seen eating together and making some jokes. However his relationship with Bruce is still strained, and a bit hostile. While he keeps his aggressive and lethal style of fighting, he now only uses it when he believes necessary, and doesn't always shoot the second he sees a problem.

•At some point his team disappears, and he goes back to being a solo hero.

Extra Fun Fact! Because of the Lazarus Pit, Jason no longer ages and he heals much much faster then a normal human!

TAADAA! I might do more if I get the motivation ^w^

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nightwingology · 2 years

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Dick Grayson Reading Guide Part 1: Robin

I got a request to do a Dick Grayson reading guide, so that's what this is. This isn't going to be an exhaustive list of every issue he's in, just stories I think are good and/or important to read to get him. This website is good if you want to know every issue a character has appeared in, at least pre-Flashpoint: https://dcuguide.com/w/Chronologies

These won't be in publication order, but in chronological order for Dick's life. Due to the nature of comics published over many decades, some of these may have minor contradictions or differences in characterization, but they're all worth reading in my opinion. Some of these were unfortunately written by creators who many will not feel comfortable supporting. To that I say, there are ways to find comics second hand, or read without supporting particular creators.

Robin:

Batman: Dark Victory

This to me is the definitive Dick Grayson origin, though he doesn't show up until the second half of the story. That said, it is one of the best Batman stories ever written, and its version of Robin's origin has been repeated in several other tellings.

Batman Chronicles: The Gauntlet

This is a nice little one off story, chronicling Dick Grayson's graduation from training. Batman puts him through one last test to see if he is ready to hit the streets as Robin. It also leads very nicely into the next story.

Batgirl/Robin: Year One

This is actually two stories collected into one trade, with Robin's set first. It chronicles his first year as Robin after running The Gauntlet. Big themes you'll see are Dick and Bruce having a rocky start, and Dick balancing life as a normal kid with life as a vigilante. Alfred narrates, and offers a lot of introspection on whether being Robin is really good for Dick. Batgirl's story takes place next, and while Babs is the main character, Robin plays a major part in getting Bruce to accept her into their war on crime.

Teen Titans: Year One

This is the story of the first time the Titans met and teamed up, and shows their growing pains. It illustrates what each member brings to the table, shows the difference in their relationships to their mentors, and shows the difference between Robin with Batman and Robin with the Titans. Bruce comes off a little harsh in this one, which some might find off-putting, but I think it makes sense for his character. He's protective, and not particularly good at communicating.

The New Teen Titans

This is the oldest book on the list, and a classic. If you're fond of the 2003 Teen Titans cartoon, this comic was the blueprint for it. It tells the story of the reformed team when they're all about 19 years old. At this point, Dick has dropped out of college and is at odds with Batman. His leadership of the Titans provides him with even more opportunities for growth and independence, and eventually he sheds the identity of Robin to become Nightwing, in The Judas Contract (about 40 issues in). You can stop reading after The Judas Contract if you just want to see Dick's last days as Robin and transition to Nightwing.

Extras if you want more:

Lost Carnival: A Dick Grayson Graphic Novel

This is a nice young adult graphic novel that tells a story about Dick when he was still in the circus. The art is phenomenal, and this story shows that Dick already had a lot of the foundations of Robin, and Nightwing, before ever having met Bruce. His parents are actual characters too, which is nice. Dick is slightly older in this than he normally is before his parents die, and it isn't really canon, but it is good.

Robin & Batman

This three issue series is essentially a different take on Robin's first year. It could or couldn't be canon, it's a little vague. Some readers will be turned off by how militaristic Bruce is, and how angry Dick is. However, I think these are both accurate representations of how they would have acted in their earliest days as a team. Bruce wants to be a good mentor, but doesn't know how yet, and Dick is still grieving the loss of his parents. The art is also phenomenal.

Year One: Batman/Scarecrow

This story takes place during Bruce and Dick's early days, but they are a well-oiled team by this point. It chronicles their first encounter with Scarecrow, and has a lot of cute moments between Bruce and Dick. Not required reading, but absolutely a fun one.

Batman One Bad Day: Mr. Freeeze #1

This is the most recent comic on the list, and a very interesting issue. It showcases an encounter between Batman & Robin and Mister Freeze during Robin's early days. It isn't their first time meeting, but Robin is young during this story. It's set around Christmas, and is a wonderful character study of not just Freeze, but also the difference between Robin and Batman, and how Robin brings light to Batman's mission.

Batman/Superman: World's Finest #6

This is a single issue of Mark Waid and Dan Mora's wonderful 2022 series, that focuses heavily on Robin. Technically it picks up where the previous five issues had left off, but all you need to know is that Robin has been lost in time and Batman and Superman have to find him. It's a great showcase of Dick's skills as an older Robin, and features beautiful art by Travis Moore, using Mora's amazing Robin redesign. Fans of Dick's time in the circus should especially check this out.

Robin: The Bronze Age Omnibus

This will likely be the least approachable for some readers, simply due to its age. The Bronze Age omnibus contains a selection of Dick's stories as Robin from the 1970s, while he was in college. It is a product of its time, in that Dick's college experience is VERY 1970s, and concerned with the issues of the time. I think it's a wonderful lead-up to The New Teen Titans, showing Dick striking out on his own as an adult crimefighter, over ten years before Nightwing was even conceptualized.

For those wishing for even more Robin content, I would point you in the direction of the Batman Golden and Silver Age omnibuses, the World's Finest Silver Age omnibuses, and the Teen Titans Silver Age Omnibuses.

I hope you found this list helpful, and I will begin working on a Nightwing reading guide soon.

#dc robin #reading guide #dick grayson #bruce wayne #batman and robin #teen titans

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dannyphantom-justiceleauge · 1 year

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There is only one thing I never understood about the Teen Titans, and I'm talking about the show that isn't a crime against nature and was actually cool. Why was Robin always so serious and moody?? He was supposed to represent Dick, right. Mr. Disco Wing!? The most flamboyant Bat ever?? Circus boy??? Why the heck did they make him so moody and angsty, was he having his teenage emo phase or something!?

Babe dick grayson had a character arc. He started as angry and vengeance seeking when his parents died, then chilled out to be a peppy kid for a couple of years. Then he essentially started to process the trauma and recognize how controlling bruce is vs trying to grow and find his own identity as he outgrew the robin mental. A good chunk of that was dick being highly competent and trained but still getting treated as a child.

So at around fifteen he fully left home to life full time with the titans and in new york sometimes. In that time he was constantly foghting with bruce and bruce just picked up a whole other kid and gave the kid the name robin despite the title originally being personal to dick because it was his mothers nickname for him. This would be the time period teen titans takes place. Hence angsy moody hyper competant teen. He's trying his best to prove himself and is also a leader and one of the main smart guys on the team. So his characterization makes sense even if we get very little fun dick.

Eventually dick shifts ti nightwing and moves to bludhaven and starts to establish himself as his own guy. Only for jason to die when he was on a mission to space. This furthermesses up his relationship with bruce. But tim litterally stalks him to convimce him to come back and while dick refuses to go back tobbeing robin (he sees that as a regression) he does make an effort to reconnect with bruce and to be the brother to tim he never was to jason.

The flamboyant circus boy stuff definitely comes through as he becomes nightwing, which is why we got discowong in the first place. But in general i thing reconnecting with his family made it easier for him to be happy go lucky. I also think to some degree he does mask his more negative emotions around tim and later the younger siblings. Hes honest with bruce and never really loses his anger issues. He also keeps his hyper-conpetence.

I think its kind of reductive to make dick purely 'the fun robin'. Like yes being fun and funny and cheerful is how he defined his robin and its very much part of his character, but he was never just that. He has dementions and emotions and trauma. Lots of trauma. He deserves to be shown in all his facets.

It's also just genuinely funny to me that proximity to batman makes a difference in vibes. Like next to captain paranoid doom and gloom, dick is a ray of sunshine, the traffic light, maker of puns. But next to fellow teens hes this anal professional nerd. Like bruces training is shining through in paranoia and ability. But also dick isnt the sunshine kid in this group. Contrast matters.

-hestia

#dc #batman #dick greyson #meta

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dc-sideblog · 9 months

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No Capes AU

Bruce: Dr. Bruce Wayne is a beloved Gotham philanthropist, majority shareholder of Wayne Enterprises, and the sharpest man you'll ever meet. Everything he does is to protect Gotham and honor his parents' legacy. He's had a long string of romances that always seemed like they were going somewhere but never made it to the altar

Dick: Dick Grayson was a circus acrobat whose parents were killed by the mob when he was ten. He was then taken in and adopted by Bruce Wayne. He was an angry kid for a while, became a cop when he grew up and tried to change the system from the inside before Blüdhaven chewed him up and spit him out. He quit the force after the ordeal with Blockbuster and now he's an Olympic athlete/children's gymnastics coach

Jason: same origin as in canon but they just called the police on Ma Gunn. Jason was a happy kid! He graduated with honors and got a degree in nonprofit management. He runs a universal basic income project in Crime Alley and a harm reduction drug center

Cass: instead of the whole child assassin thing, Cass was one of those feral children found living alone in the wilderness at age seventeen. She never meets a magic man who rewires her brain to understand language this time. Cass uses an AAC program on a tablet to communicate. After five years in Gotham, settling in and taking lessons, she successfully auditions for the Gotham City Ballet. She goes on to become the prima ballerina

Tim: Tim was always that kid kinda on the fringes of the Wayne family's circle but then both his parents were tragically killed on a cruise, so Bruce offered to take him in. He knows the kid, after all. Tim goes to summer camp every year and has a tight knit group of friends from it. He graduates school like a normal person while also taking online college classes at night so that he can have a double graduation ceremony, not like a normal person. Eighteen year old CEO of Wayne Enterprises (Drake Industries is now a subsidiary)

Steph: Cass and Tim's bestie! She had a part time gig as the pianist for Cass's first ballet class and that's how they all met. Inseparable now. Steph was working her way through med school. Doc Thompkins is training her to take over the clinic one day when she retires. She did singlehandedly put her father in prison for life by proving he committed his crimes

Duke: lost his parents in a random mugging that Bruce witnessed. He obviously had to take the poor kid in, how could he not? Duke is a good kid, aspiring writer, still in high school but thinking about joining Jason's nonprofit. He gets fav sibling rights

Damian: Damian grew up incredibly privileged and sheltered until he was ten, as the only son and heir apparent of Dr. Talia Head and her many businesses. Bruce was SHOCKED to learn his ex wife lied about losing the baby. Who could've predicted that she would do that given the everything that went down. Anyway Damian acts like a little prince and is prickly and superior at first, but he's got a big heart and he's mellowing out

#dc #batfam

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ritz-writes · 1 year

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please please please please I know nothing I’m oblivious who are these funky little lads that are apparently Bruce Waynes kids

Was going thru my drafts and realized I never answered this ask im so sorry!!

I started writing a HUGEEEE thing explaining as much as I could (ended up being over 4k) but I felt that was a bit much so ill just explain the basics on the bat kids. Just a long paragraph for each. Keep in mind that canon changes a lot and there are different comics and shows and version of the characters. Ill just explain what I know the most

Dick Grayson: First Robin. Now goes by Nightwing. Was a spy in one comic and went by Grayson but we don’t like that one that much. Also got amnesia at one point and went by Ric. We hate Ric, don’t bring him up. Was part of the flying graysons in Haley’s Circus with his parents but they were killed by Tony Zucco during a performance (their line broke). Bruce was in the crowd and made Dick is ward. Dick was 8 at the time. When he was 18 he had a fight with bruce and moved to Bludhaven. Thats where he became Nightwing. Hes the oldest kid

Jason Todd: Second Robin. Goes by Red Hood. He lived in Crime Alley by himself (father was in prison (later died) and mom overdosed). Wanted to make some cash so tried to steal the wheels of the batmobile. Bruce was honestly impressed and took him in. Dick was a bit upset at first (bruce give jason robin without asking. In most comics robin was a nickname dicks mom called him) but eventually warmed up to jason. I could go on a whole rant about how jason wasnt the angry robin most ppl say, but I wont. Bruce thinks he killed someone and benches him. Jason finds out his mom isnt his bio mom. His bio mom is in Ethipoia and he goes to find her. She sells him out to joker. Joker tortures him with a crowbar and leaves him in a building that explodes (also kills the bio mom). Talia al Ghul (daughter of Ra’s al Ghul. Hes the leader of the League of Assassins) brings him back to life via lazarus pit. Jasons story is very long so ill just say he comes back angry, tries to get bruce to kill joker, almost kills tim (hes next), kinda becomes the head crime lord in crime alley, and is hella hella protective of the kids and working girls in crime alley. Hes also a book nerd. Wanted to be an english major before he died. He and batwoman (mentioned in honorably mentions below) use guns. Sometimes he uses rubber bullets, sometimes he deosnt. In his newest reboot he uses a crowbar and has a different outfit. Not a fan of it. in some versions he doesnt work with the batfam, in others he rejoins them. i like the latter more.

Tim Drake: Third Robin. Currently goes by Red Robin. (yes like the restaurant. Yes its a running joke in the fandom) The smart robin. Smarter than batman in some universes (most imo). Figured out batmans identity by himself when he was like 8-9. when jason dies bruce doesn’t pull his punches at all and tim is like “he needs a robin.” tries to get dick to come back, but he says no. so tim basically forces himself into bruces life as robin until bruce relents. Tim has a hella messed up storyline that I don’t know very well. Jason tries to kill him, Damian tries to kill him (hes next), theres one story line where bruce is lost in time and tim is the only one who doesn’t think hes dead. Lots of stuff happens. Bascially all his friends die, his parents die, he loses his spleen- its a mess. Hes also the ceo of wayne enterprise in some comics. We also joke that hes an immortal 17 yr old cuz hes almost always 17 in the comics. Tim is bi and has a boyfriend named Bernard (I ship him more with kon tho)

Damian Wayne: Fourth Robin. Trained as an assassin since birth. He’s bruces bio son. Son of talia and bruce. Becomes robin when hes 9 I think. In one story, the bruce lost in time one, dick just gives robin to damian cuz “he needs it.” damian was very…. Murdery at first. Has a sword. Very talented artist. Very very smart. Can take advanced college courses at like age 7. smart boy. He has the most character devleopment in my opinion. Calls himself “the blood son.” is best friends with superman’s son, Jon.

Stephanie Brown: Steph. Goes by Spoiler now. is kinda Robin 3.5. or 2.5 idk when in the timeline she was robin, but she was robin for like 2 weeks before getting fired. Idk much about her. Her father is Cluemaster (villain). Isn’t adopted by bruce, but is his kid nonetheless. She and tim dated at one point.

Cassandra Cain: Cass. Goes by Orphan or Black Bat, depending on the comic. Was raised to be a weapon by her father. Idk his name. Her mother is Lady Shiva, another world class assassin. Cass was taught to not speak cuz “weapons don’t have feelings.” she knows sign and when bruce takes her in he helps her find her voice. In some versions she can speak, in others she just says one or two words at a time, and in some she just uses sign. Shes other than jason (by like 2 months) but younger than dick. Not sure if shes adopted or not.

Duke Thomas: Goes by Signal. I know the least about him. Also not adopted. His parents were jokerized (got posioned with joker gas and kinda went insane.) He’s a meta apparently? I learned that recently. Has photokenesis: ability to absorb, redistribute, and manipulate both light and darkness. Is the daytime hero I think.

Barbara Gordon: Used to be Batgirl, is now Oracle. (in some version steph and cass were batgirl at one point) Not adopted by bruce. Shes Commissioner Gordon’s daughter. Very very smart. Very very badass. Is the guy in the chair for the batfam. Joker shot her in her spine when breaking into her apartment and paralyzed her. But she can still kick hella ass in that wheelchair. She and dick used to date.

Honorable mentions: Kate Kane, Batwoman. She’s Bruce’s cousin. Lucas Fox, Batwing. Lucius Fox’s son. Selina Kyle, Catwoman. She and bruce r kinda sorta in a relationship. Its complicated sometimes. Kate Kelly, Robin. Shes in a separate universe I believe. Don’t know much about her at all. She uses a slingshot.

And of course, Alfred Pennyworth. We love alfred. He has guns hidden around the manor in canon. Bruce doesn’t like guns. Alfred knows this and says “youll never find all of them.” hes sassy and we stan.

And those r the main members of the batfam! Sorry this took so long to answer. It comepletely slipped my mind. I probably forgot a few details, but oh well.

#ritz answers #asks #shower-man #i love that jasons is the longest #hes the most misunderstood #i have written essays about him /hj #like legit #hes my fav #sorry again for forgetting about this </3

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tonguetiedraven · 2 years

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The Circle of Strife

Part: One, Two (you are here), Three (final part.)

A/N: Per usual, this is going to be a bit longer than anticipated, with a third part getting them actually together, lol.

“What the hell was that stunt, you asshole?!” Ryuuji bellowed the moment Rin’s form appeared in the old dorm he’d taken as his training spot.

“I’m not— you can’t just parade me around like I’m some kind of party trick!”

“I wasn’t, you dick! I told you I had to pass a class and you’re the only guy I can summon!” And now Ryuuji was going to lose control of him and he wasn’t going to pass his class and he couldn’t work with Rin like this. (And Miss Yamada’s statement had sounded like a threat. What were those people going to do to Rin?)

“I don’t care about your class! I—” Rin clenched his hands in angry fists. “I don’t want…”

“What?” Ryuuji huffed, crossing his arms over his chest and trying not to glare. All his books made it sound like he wasn’t supposed to listen to his summons, but he also hadn’t met a Tamer who didn’t listen to their summons. Plus, Rin was obviously upset and yelling wasn’t getting them anywhere, and they were on such a time crunch.

“This… this is fine,” Rin grumbled, looking off to the side like he was annoyed he even had to say it. “Bullshitting stuff and working… it’s fine when it’s just us. You’re not… annoying. But… I’m not some kinda circus act. I’m not a pet to order around or something. I don’t like being ordered like that.” Rin growled a little. "I don't like being trapped."

Ryuuji huffed out a breath. "I know you're not a pet." Even if Rin should be forced to follow his orders with the tamer/summons relationship. Something was a bit… wrong with this one.

"And I'm sorry if that made you feel like some kind of show, but I thought we had an understanding? I have to have your help to pass this class. I'm a shit tamer and you're all I've got for that." He'd never failed a class before, and if he couldn't pass this… he'd lose the option for a dragoon rank.

"You're not a shit tamer," Rin grumbled.

It was almost a compliment, and it had the result of making Ryuuji's cheeks a little warm.

"Gee," Ryuuji muttered back, "thanks so much."

Rin scowled.

Ryuuji took in a deep breath and slowly released it. The other part of Rin's complaint still needed to be considered.

"I don't know why you're being summoned with this circle, and I don't know how to separate you from the containment spell."

Rin slouched more and kicked at the concrete.

"But," Ryuuji added, trying not to think about how dangerous this was, "I'll try and figure it out if you promise to at least pretend to listen to me so I can pass this class."

Ryuuji watched Rin try to decide with bated breath. If he didn't agree, Ryuuji was going to fail and he wasn't sure what would happen to Rin.

"You could just try and summon something else," Rin muttered, but he looked a little soured as he said it.

"I have," Ryuuji said around a laugh that was utterly exhausted. "Some people just… can't." Though, he never had tried to summon a nixie.

Rin scowled. "You'll give me food?"

Ryuuji didn't let himself relax yet. "Yeah, of course."

"And can you make the stuff sound less… ordery?"

"Yeah "

Rin nodded like he'd expected that. "Alright, Ryuuji. I'll do your stupid tricks."

Ryuuji released a relieved breath and let his head hang a little. He could work with all of that.

— — — — —

Rin, as it turned out, also liked manga. Ryuuji's was sitting on his dresser and apparently the artwork on the front had been a bit too hard to resist.

Ryuuji hadn't been particularly attached to that story so he let Rin have it after he did a few simple spells, and now Ryuuji had two things to make Rin (mostly) listen.

There was more talking too, which Ryuuji hadn't really expected, even though it kinda felt like he should have. Even when he was throwing a hissy fit, Rin was talkative.

Ryuuji mostly tried to stay on track, but it was all too easy to get sidetracked by some random question, and more often than not it ended with Rin laughing and calling him a nerd like they were back in Middle School. (If demons even had an equivalent to middle school. He imagined the teasing and bullying had to be as bad or worse than what he’d gone through.)

“Would you stop that?!”

Rin laughed all the harder as he shook his head, rocking back and forth a little from his seated position on the floor. He was showing his fangs in a delighted smile, and it should look ridiculous on him, but mostly he just looked stupidly happy and Ryuuji kept blushing about being called a nerd and he was one. He’d memorized numerous volumes, had top ranks in his top class, and regularly read ancient scriptures for fun. He owned the market on nerd.

But Rin was cackling and his tail was thumping giddily against the floor, and it was making Ryuuji blush and feel entirely embarrassed, and it was a stupid thing to be embarrassed about when he’d been called so much worse, and Rin was right. He did have an enormous book collection. (And this was only part of it.)

“Your face!” Rin cackled, falling onto his back as he over rocked, and even that just seemed to make him laugh harder.

Ryuuji shoved up to his feet, torn between leaving the room, throwing the empty soda can at Rin, or just breaking the circle.

He didn’t quite trust Rin alone, and the can was as far away as the circle, so he stomped up to the circle, intending to break it and the connection to Rin. (Just for a little while. He’d summon him back before the hour was over. The dorm room seemed weirdly quiet now without Rin’s endless rambles, and it was good practice to try and stay focused on his recitations while Rin rambled.)

Rin’s hand flew out and covered the edge of the circle as Ryuuji drew near.

“No!” He yelped, voice still cracking on his own laugh, “I’ll stop!”

“Will not,” Ryuuji grumbled moving his hand to the other side of the circle in a mostly mock threat.

Rin, apparently not thinking it a mock threat, shot his hand across the circle and flopped it on top of Ryuuji’s, pressing Ryuuji’s palm against the hardwood and chalk, stopping him from erasing it.

Despite being on fire, Rin’s touch wasn’t any hotter than a human’s touch. He was solid too, which probably shouldn’t be strange, but Ryuuji hadn’t really expected him to be solid.

“Come on, don’t!”

Ryuuji found himself momentarily forgetting what he’d threatened to even do. He swallowed, staring down at the hand over his and wondering how he’d been summoning Rin so many times and never actually touched him. There were calluses pressing against the back of his hands, claws poking at his skin, and Rin was squeezing, just a little. Not as much as he probably could, and not painfully so.

All Ryuuji could think was you’re real, and it seemed too stupid to possibly say, so he just stared moer than was probably polite.

“Ryuuji?” Rin let go of his hand and tilted his head curiously.

Ryuuji snatched his hand back and stood up to cross over to his desk chair.

“Nothing,” he muttered, wondering why everything seemed a little different when nothing had actually changed. Rin had always been real. He was just trapped in a circle because Ryuuji had somehow managed to summon and trap him in a circle, and he couldn’t figure out which part did what yet.

Turning to his book, he frowned at it. That suddenly seemed far more important to figure out.

“Ryuuji?” Rin asked again, and apparently that ‘nothing’ didn’t quite take.

“Nothing, you dork—”

“I’m not a dork!”

“—I’m just thinking about some things.” He only had a few more days before the summoning exam. He could focus on which part had Rin stuck once they passed. (Though, he wouldn’t have a reason to summon Rin after that, would he?)

“Ryuuji?”

And apparently Rin was still not buying it. Ryuuji rolled his eyes and grabbed one of the packets of gummies off his desk. He tossed it to Rin (was it just his imagination that Rin’s hair looked a bit… translucent?)

“Eat up. We got some more stuff to do.” And I still haven’t figured out how to let you sustain yourself off my energy.

Rin eyed him like he still didn’t quite buy it, but he ate the gummies anyway. His hair seemed to solidify again, and something a little guilty squirmed in Ryuuji’s gut.

He didn’t quite want to stop summoning Rin.

— — — — —

“Tomorrow?” Rin asked, bouncing from foot to foot because he had a ludicrous amount of energy before Ryuuji had started bribing him into work with sugar and caffeine.

“Yeah. Tomorrow.” Ryuuji went over his notes a bit nervously. “You—”

“Relax!” Rin laughed. “I know the drill. I’ll do the stuff and you’ll pass. Just don’t make your tone all bossy, ‘kay?”

“I’m not bossy! And you’re sure you got it?”

“Yeah!” Rin exclaimed, all teeth as he smiled. “Think there’ll be some kinda fight?” He bounced from foot to foot again, raising his fist like he was going to box. “Think I’ll get to show off my moves?”

Ryuuji couldn’t help a snort. “No, you dork. This isn’t some Pokémon training. All they should be looking for is if we respond to each other.”

“What?” Rin asked, dropping his hands and blushing a little.

“Pokémon? It’s a game. Never mind. They just want to see if we’ll work together. If we’ve got a good rapport.”

Rin, still looking a bit pink and purple, scrunched his nose with confusion. “Rapport?”

“If we’re able to understand each other and communicate?”

“Oh.” Rin toed awkwardly at the floor. “Okay.”

Now Ryuuji was the one feeling awkward. It seemed so strange that he had reached the point where tomorrow was it. He would summon Rin and then…

“I promise I’ll leave you alone after tomorrow, and… Thanks. For working with me.”

“Leave me alone?”

“Yeah. I’l break the circle tomorrow and… And that’ll be it. You won’t have to see me again.

“Oh.” Rin’s smile faltered a little. “So this is it?”

“Yeah. I’m sorry you got roped into all this, and thank you for helping me anyway.”

“Yeah,” Rin toed at the ground again. “It was… fun.”

Something in Ryuuji’s chest loosened and relaxed. Rin hadn’t really had a choice, and Ryuuji had tried to not be a jack ass, but knowing Rin had enjoyed some of the time was an enormous relief.

Ryuuji offered Rin as broad of a smile as he could, feeling like it didn’t quite sit right before he just let it drop.

“Tomorrow.” Tomorrow and then no more Rin.

“It’s gonna go great,” Rin promised, and Ryuuji hoped it would.

— — — — —

Ryuuji made the circle as hastily as he could, not really wanting Miss Yamada to look at it too closely and figure out where the difference in his circle and the proper one were. Rin seemed tied to those changes and he didn’t quite want her to be able to summon him. Rin deserved to just be able to chill in Gehenna. (Even if that sounded awful to Ryuuji.

With the circle complete, it only took a moment to drop a few hairs and rice. (Apparently Rin couldn’t really taste the first offering. It was only once he appeared that they started to have flavor, so Ryuuji went cheap on the first.)

Rin appeared, a bit translucent, but with a less aggressive stance than he’d taken last time.

So far so good.

Ryuuji gave him a small smile and pulled out a pack of strawberry pocky and tossed it to Rin, careful not to step through the barrier in front of his teacher.

Rin’s eyes went a little wide before he was prying the packet open and popping one in his mouth.

“Rin, I beseech you to create a ball of fire for me.” He’d agreed to use more formal language because Rin thought it made them both sound cooler.

Rin snapped the pocky between his fangs, swallowed it, and gave him a sharp smile. Then, raising his hand, he formed a ball of fire.

Yes! Miss Yamada saw that Ryuuji had summoned, and that his summons could follow an instruction.

“Spells? Which spells have you two mastered?”

Mastered? They’d had two weeks.

“Rin, please heed my prayer and grant me a fire slash.” Ryuuji bowed a little for that one. He would swallow pride to get an A.

Rin beamed and summoned a sword of flames from his hand. Then, with a sweep of his sword in a sharp arc, he sent a flare of fire in an arc across the entire room. They weren’t hot, and did no damage.

Miss Yamada’s eyes narrowed. “Well, he certainly seems responsive this time. I suppose you’ve tamed him?”

Rin’s posture stiffened.

“We have a contract,” Ryuuji said, confirming but not using her wording. He hadn’t tamed Rin. He was pretty sure Rin couldn’t be ‘tamed.’ Ryuuji certainly wasn’t capable of it. It was a damn blessing that he’d even gotten Rin to show up.

Rin seemed to relax a little.

“I’m impressed, Suguro.” She said, and Ryuuji did a small victory punch in his head.

The victory punch died after class when he was getting ready to dismiss Rin for the final time.

“You’re taking my course next semester?”

“Err…”

“Because if not, I’ll expect the details on your modified circle. This demon needs further investigation.”

Ryuuji could feel himself going pale. Further investigation? What did that mean? What was she going to do with Rin?

She nodded her head. “Yes. Very impressive. I look forward to finding out just what all we can make him do.”

Fuck.

— — — — —

“What are they going to do to me?!” Rin demanded, flaring with frightened fire. He tried to make it look intimidating, but Ryuuji recognized the wild way Rin went when scared.

“I don’t know. I gotta—stop that. I gotta think.”

“Well think quicker!”

“It ain’t something you can just do on demand!” Ryuuji huffed and pressed his fingers against his temple, trying to ease some of the tension.

“Well?” Rin asked after all of three seconds.

Ryuuji inhaled slowly. “You’ve never been summoned before?”

Rin blushed purple past the flames. “No,” he muttered. “I already told ya that. You’re… It’s only happened like this.”

Rin was an unknown and unregistered demon then. Ryuuji didn’t know a lot about that, but it would mean that Rin was going to need to be tested, and the section they’d covered on testing in this class didn’t sound like a whole hell of a lot of fun. They sounded torturous. Intense and endless and painful. There might even be testing with arias and sutras.

It could be torture, and it would be entirely Ryuuji’s fault. He had forced himself into Rin’s life and irrevocably changed it, and…

There was really only one thing to do. Well, only one thing he could do with anything like a clear conscience. Doing anything else would be wrong. (He’d already learned Rin had favorites and liked manga and struggled with reading and bounced to rock and though Ryuuji was a nerd, and he was warm and solid when he was touched because he was entirely and frighteningly real and alive.)

Ryuuji had summoned Rin, and in doing so, he automatically assumed responsibility of what happened next. Rin had to respond to the call. He was (annoyingly) innocent in this.

Ryuuij stood straighter and gave Rin a determined look. “Get comfortable. I gotta figure out how to get you out of that damn circle if I’m taking her class next semester.”

Rin drew back. “What?”

Ryuuji shrugged and took his seat. “I got ya into this mess. I’m not going to leave you hanging. We got a contract, right? You helped me and I help you.” He’d gotten his passing grade and got out of taking the class again. Hell, he’d passed enough to qualify for the next course.

He looked back up when he realized Rin hadn’t answered. The demon was giving him a look like he had never quite seen Ryuuji before.

“What?” Ryuuji demanded.

Rin shook his head. “Anyone ever tell you you’re cool?”

Ryuuji scowled. There was no need for Rin to make fun of him when he’d just made the sacrifice of taking another semester in a subject he hated.

“Shut up!”

Rin grinned goofily, looking entirely happy as his tail wagged. “Alright, Ryuuji. Whadda we do first?”

“You shut up,” Ryuuji threw a pack of rice crackers at him, hitting him square in the chest, “and eat.”

Rin did as he was told, grinning in that stupidly happy way and making a constant thump thump thump as his tail wagged and beat against the circle.

Ryuuji really didn’t want to take this damned class, but as he spread out his notes on the circle and started to read to the sound of Rin’s ludicrously loud chomping and happy thumps, he figured there were worse things he could get stuck doing than partnering with Rin.

— — — — —

“Hey!” Rin appeared the moment Ryuuji’s blood hit the circle. He appeared so quickly that he nearly clocked Ryuuji in the nose. Ryuuji drew back with a colorful curse and promptly scowled.

“Would ya watch it?!”

Rin had never appeared like that before. It always took a lot more than blood.

Rin grinned sheepishly. “Sorry. It’s kinda hard to control the speed I come in at.”

Ryuuji found himself immediately and annoyingly fascinated. “You can change the speed?”

Rin shrugged. “Yeah? I was dragging my feet at first. Still had to come, but I could make it take longer.” The demon paused, eyes going a bit wider when he saw the the rice in Ryuuji’s hand. “Was that for me?”

“Yes. But you don’t need it?” Had he been wasting money on that all this time? Was the blood all he needed?

No. That didn’t work. He’d summoned Rin with just blood before, but he hadn’t been strong enough to come all the way over. Why had it worked now?

Rin scooped up a mouthful of rice. “Need it?”

“To get over here.”

“Oh,” Rin stuffed more rice in his mouth despite not having swallowed the first bite. “I don’t know. I just heard ya call.”

Ryuuji’s cheeks turned pink and he wasn’t sure why. “Heard my call?”

Rin swallowed and stuffed twice as much rice in his mouth. “Yeah.”

Ryuuji looked down at his notes feeling strangely flustered and warm. “Oh. Okay…”

He looked back up at Rin, still blushing, and found Rin had already been looking at him with a small smile.

"Uh," he stuttered, clutching his papers a bit too tightly as Rin's smile seemed to grow. "We--books."

"Books?" Rin teased, and Ryuuji was pretty sure his ears went a bit pink to join his blushing cheeks.

"Shut up!"

Rin just laughed.

#bonrin #ao no exorcist #blue exorcist #my tumblr fics #bon x rin #ryuuji suguro #ryuji suguro #rin okumura #bon suguro #ane #aoe #aoex #bonfire #i am making up stuff about tamers and putting my own head canons in this #it's not canon to some of the stuff we know in aoex #but also #it's not like we've got a lot of info on tamers yet

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musicfeedsmysoul12 · 2 years

Text

IZMS: The Social Media Experience 1

Summary:

Across a universe, various social media posts come from a group of siblings and their friends. It tells the story of a young boy and his family, a young boy who will one day become a symbol of hope. AKA: Izuku's dad sucks, he's got a lot of siblings and he likes to tease them online. ON AO3

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Why do Pro-Heroes who have Reddit don’t worry about people finding them?

SecretNoteBook

For me it’s because I do keep a lot of stuff vague and I actually don’t talk about myself in public. You’d know me since my name is out there but most don’t connect it with my family. My dad’s worthless and his last name doesn’t match mine or most of my half-siblings.

It’s really surprising what changing out of your uniform does at times. People just don’t recognize you. So me sitting here behind a screen is just another version of that. I know not a lot of people believe I’m a hero but I don’t mind.

GreenMightBoy

It is HILARIOUS how few people realize who you are until you tell them. Remember last week?

PolkaDotAfro

HA! Oh god her FACE. Realizing she’s been bragging about dating YOU when you’re right there?

SecretNotebook

Yeah that was fun.

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What made you cut your parent off?

SecretNotebook

I’ve been very open about this numerous times but my dad is a dick. He’s a populationist, homophobic and generally a jackass. I’m his eldest child and he’s had six/seven more with four other women after my mom. (My latest stepmother is pregnant. Me and the siblings I talk to are betting on WHEN she’s gonna divorce him.) he dislikes me for being intersex and infertile due to it, and has never made it secret. I was raised by him since I was around four. I went between two stepmoms and then stayed with the first when he left Japan. I barely had contact with him.

I’m a hero and he loves using that to look good. His fifth wife tried to call me up and I basically ripped apart her worldview of him. She divorced him after that and speaking to my sister and my third stepmom. I’m nice enough just to say: I don’t get along to his business partners. But my dad knew not to push after his that.

I fully cut him off and threatened to tell his business partners everything when he cut child support in half for my brother. Why? My brother is bisexual. I actually threatened to do it unless the child support went back up anyway. He did and we haven’t spoken since.

GreenMightBoy

My dad found out I’m bisexual and he cut child support in half which threatened my place in a safe school for my Quirk status. My older brother blackmailed him, and we all cut him off. Though my sister cut him off earlier. She won’t tell us why.

PolkaDotAfro

I never will.

-0-

Siblings of ProHeroes: What is the hardest part?

RunnerBoy

The worry my brother may not come home one day, or I may seen his last fight on the news.

PurpleCatBoy

I have an uncle who’s a hero. Every time I see him on the news I get nervous because of the fight but I also get angry since he has an extreme mutation and he gets a lot of hate due to it.

GreenMightBoy

The thirsty fan girls are going to KILL ME. MY BROTHER ISNT THAT HOT. HE WEARS A MASK. YOU HAVE NEVER SEEN HIS FACE. I HAVE SEEN HIM SHOVE ICE CREAM COVERED IN HOT SAUCE INTO HIS MOUTH. HE IS NOT MARRIAGE MATERIAL

SecretNotebook

Wow, thanks bro.

PandorasBox

Whenever I see my elder brother on the news, I worry over his health, if he’s eating enough, if he’d going to get enough rest.

PolkaDotAfro

If I have to stumble upon his fanmail ONE MORE TIME. I DO NOT WANNA READ THAT SHIT BRO.

SecretNotebook

Stop snooping in my apartment.

-0-

Dear Redditors; what is something crazy that you actually did [Serious replies only]

PolkaDotAfro

I ran away and joined the circus with a guy I met a month before. It’s been nine years and we’re married now.

SecretNotebook

You still haven’t given us the full story

GreenMightBoy

Tell us already!!

BlueScars

How about no?

-0-

Who is who in the superhero fandom

By KissMeYouFool

… on to Reddit, we have three big names.

SecretNotebook; a proclaimed hero who is just branching out as his own hero after YEARS of being a sidekick. He often is on Reddit giving hints and tips to hero hopefuls while sharing stories of some more vague events. He is open about a lot. Along wth him we have his two siblings: PolkaDotAfro and GreenMightBoy. PolkaDotAfro is a proclaimed circus performer and is married to the Reddit user BlueScars who rarely posts but appears from time to time. GreenMightBoy is a young teen who posts analysis and also taunts his brother along with their sister…

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This is a story for a bigger universe I have where Izuku's dad was a piece of work and he had a lot of kids. The eldest of these kids is Kamui Woods (SecretNotebook). I didn't want to do a traditional intro to this world and instead came up with this. We have OTHER siblings to, so far an OC named Hana/Hannah (PolkaDotAfro). Izuku (GreenMightBoy) thus has a vastly different upbringing. We have other characters appearing to, a lot being related to heroes in someway. Some may be easily guessed, others less so. Have fun guessing if you want! Those who want to respond as if they are commentators on the media posts in the comments are welcome. I don't plan on this being to long? It's just world building and having fun honestly. But I hope you like!

#bnha #bnha au #many siblings of izuku #izms #izuku's many siblings #izuku midoriya

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tonkisat · 2 years

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New magic window toy

#New magic window toy cracker#

#New magic window toy tv#

#New magic window toy cracker#

Insurance claims will likely be filed by the senders of my lost and destroyed items, and I await powerlessly for the return of my money. Item Description: Translate description 1 1/4' x 2' series B 58 duplicate of 5, 24 are complete series To see all lots from Cracker Jack Toy Collection enter 'CJT' in the search catalog box. If we file a claim with UPS, they will likely take the broken item (and then just toss it - ugh). Adding to the delight herein, the visual effects wizards at Industrial Light & Magic help bring the toys to life. I just got off the phone with the seller, and we discussed the possibility of getting it repaired. I'd be angry but all I really am is disappointed.Īnd so my collector heart breaks just a little. And it almost certainly cannot be repaired. Long story short - this amazing piece shattered en route to me. Well, I sent off the last of my big payment for this big treasure and last week the giant Magic Window "Wall Decor" was shipped.Īs I'm signing with the UPS delivery guy, he notes, "What's with the sand in the box?" Sand in the box?!? That changed last month, as a former Wham-O employee was willing to sell his to me through a dealer I'd had business with. I'd been able to verify their existence, but never had a chance to own one myself. An amazing piece, and about as rare as they come. They were reportedly 3' x 3' square, mountable on a wall and able to be spun on a center axle. I'm a collector of the fun 1970's Magic Windows, but for years I've heard of the "giant" models that were apparently given to employees or VIP's of the company. Within the same week of finding one of my "Holy Grails" in the Marathon bar, I found another - A Wham-O Magic Window "Wall Decor". on the 10 interactive learning globe and experience new places, languages, cultures. These included episodes from Tales of the Riverbank, Felix the Cat, and a series called "Let's Be Friends" which introduced viewers to a child from another city or country, sharing their culture and lifestyle.My Collectors Lament Part Two - Wham-O Giant Magic Window - Shattered!Īs I said in my Marathon bar entry, it's been a rough six weeks for my collecting joy. LeapFrog Magic Window Adventures Globe (Interactive Learning Toy). The puppets would help out by opening the curtain to the screen on which various featurettes were shown. The heart of the show was Betty Lou teaching kids a new craft each episode (using kid-safe items such as construction paper, safety scissors, and cellophane tape). For all but the first three years of the show, it was hosted by Betty Lou Varnum, another pioneer in central-Iowa broadcasting.īetty Lou Varnum, who is best known for The Magic Window, but was versatile enough to host such other shows as a teen dance party, election coverage, and a call in 'issues' show, hosted the show, along with a cast of puppets such as Gregory Lion, Dusty the Unicorn, and Catrina Crocodile. For that season the show was 15 minutes long and aired 5 days per week. During the second season, she became the sole host of the program. FOR SALE Vintage 1970s WHAM-O MAGIC WINDOW Sand Art Toy. Joy co-hosted the show with Craighton Knau for the first season (1951-1952), which was 30 minutes long and aired 3 times per week. The Magic Mixies Potion Game is based around the amazing Magic Mixies toy where you add ingredients so a Mixie magically appears in a cloud of mist from a Magic. WHAM-O MAGIC WINDOW Sand Art Toy 70s Vintage Blue & White Whamo Toys Original - 125.00.

#New magic window toy tv#

( Bozo's Circus technically had a longer run however, it was made in many different local markets by different producers.) Producer Dick Hartzell and WOI TV artist Joy (Ringham) Munn developed the show as an educational children's program, which featured handicraft activities, news items, and birthday recognition for the children viewing the show. With a run of 43 years, it was the longest running children's television program in American history. The Magic Window (also known as The House with the Magic Window) was an American children's television program broadcast on ABC affiliate WOI-TV in Ames, Iowa from 1951 to 1994.

#New magic window toy

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kkusuka · 4 years

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HQ poly Headcannons pt. 2

Poly Headcannons <3 part 1

pairs: Oikawa & Ushijima, Hanamaki & Matsukawa, Suna & Osamu, Kita & Aran, iwaizumi & Kyotani, and Oikawa & Kageyama

nsfw and sfw

Oikawa Tooru & Ushijima Wakatoshi

Sfw

This was an interesting match up

Considering the fact that Tooru can barely stand sharing you sometimes, they seem to make it work!

You were most likely Ushiwaka’s girlfriend, and Tooru just couldn't stand for that

Well at first he didn't really know that fact

He met you in the stans after an Alders game that he 100% wasn't there to spy on Toshi or to see how much better he got, no way

But luckily, you the beautiful angel of light, sat next to him to cheer for Waka’s team!

So after the game when Tooru was flirting with you and you completely ignored him to go to your boyfriend, Oikawa was more than let down

And you ignored him for the brick wall???? He just didn't understand.

Now he wanted you more than he did when he saw you, even more so that you belonged to the bastard Ushiwaka.

After almost 8 months of befriending you, he finally weaseled into your relationship! And Ushiwaka was so whipped for you he let it happen!

But at that point, he was so whipped for you that he didn't even care that they shared you!

Your guy’s dynamic is a bit twisted and hard to get a good understanding of.

Where Tooru makes it painfully aware to everyone that the two of you are dating, Wakatoshi is like a silent predator

He’s silent but deadly, and you’ve known him for far longer. That means he knows what you really like.

It's simple, he let’s tooru take you on extravagant dates and all that meaningless stuff.

But Ushiwaka is always there waiting at home to cuddle and watch a ton of movies with, he even lets you climb on him and cuddle him like a big teddy bear

Nsfw

This is one of the pairs that I think you're fucked in

It’s a silent competition of who can wreck you worse

Unlike some other Oikawa pairs, I truly believe that Oikawa would top

But Wakatoshi is also a top, a big man who has big needs

This ends up with you most likely with a two cocks one hole situation

If not that, it's the classic split roasts or Eiffel tower!

Oh to have Ushiwaka reaming you with Tooru in your mouth, yeah it's not as peaceful and soft as it sounds

But it’s still worth it

It starts softly! Then they go harder to try and beat the other! Then they really just treat you like a fleshlight.

Thankfully Tooru knows good aftercare techniques

But you still can’t walk for a while

“You can cum for me, show Toshi why you like better, go ahead”

“You stretch so good for me, even after Tooru’s turn, you're always so tight”

“Look at her little clit, did Ushiwaka not pay enough attention to it? That’s ok! Tooru’s gonna make it all better for you!”

Hanamaki Takahiro & Matsukawa Issei

sfw

Let's be real here, you met them at a spencers or a sex shop in a mall.

But it was a cute meetup!

After that, you guys just seemed to keep bumping into each other and became close friends

The initial relationship was started by Makki, he was the more open of the two so it made sense

And it’s been smooth sailing from then on

The amount of inside jokes you guys have is almost ridiculous, everywhere you go in the city you have a joke

You guys spend almost every waking moment with one another

One of their favorite things is to take you shopping, so you can do a little fashion show for them with anything you want to try on!

As in them make you try on revealing outfits for them

Dates normally would include random dinners at restaurants them a movie night/ sleepover

Like you guys would just stay up an fool around for hours on hours

They literally have no problems sharing and are always making sure you're perfectly ok with everything they do.

Nsfw

As expected you guys are very adventurous

Daddy Matsun got you and Makki covered

Well that's when Makki isn't trying to ream you into the couch

They both like toys, like a lot, a lot

Punishment is where the toys really shine, but you can't really call the toy punishment, punishment because you feel really good during it.

And it the most repeated thing you guys do

Mattsun’s the punishment dealer, so he’ll give you the biggest dildo that you guys have, no lube, he’ll tie your arms up and make you try to get down on it

BUT if he’s feeling a bit more punishing, he’ll set up a vibrator and set it to your little clit and turn it ALLLL the way up

But if that isn't enough, he will either let Makki in your ass, or the fuck machine will come out

They really love watching you try to get off, it does two things

1- it gives them new ideas

2- it shows how much you need them, and their cocks in your little aching holes

This lead to them having you wear plugs in public, which moved to wearing a vibrator

Sometimes, they make you wear a mask, but under the mask

(come here)

(closer)

They make you wear a ball gag under your mask

Good babies do what their daddies tell them too <3

“Look ‘Kawa, her hole is so tight she can barely fit both of us, just relax baby. They’ll get in, we’ll make sure of it”

“Makki, spread her legs wider, don't let her his from this”

“Don't make me gag you brat, you’re lucky Makki is in good mood, huh?”

Suna Rintaro & Osamu Miya

The way you got together was like love at first sight

For both of them too

You met Osamu first, you were seated next to him at an Italian cooking class

You guys had joked around and he was so impressed by your cooking that he got your number!

(he won't tell you but he had already sent pictures of you to Suna, and he was doing it allllllllll night)

He immediately invited you to Onigiri Miya, where you met Mr. Rintarou

Who was already practically in-love with you just from pictures.

You were clearly drawn to them, they were so cool!

They made a big scene of asking you out too

They both took you to one of the best restaurants in the city and had a private balcony dinner

After dessert they took both of your hands and asked you, in sync nonetheless, you do wonder how long it took for them to figure out how to do that

Clearly, you said yes, and that was the first of the many great memories you have with the two!

Since they both have pretty busy schedules they can't always come to you, so you go to them!

Even if they assured you that you didn't have to work, that never stops you from taking up shifts and Onigiri Miya on Monday and Fridays, (sometimes on Wednesdays if Osmau relents)

Even when you do work, you make time to make and bring Suna lunch every time he has all day practice

(you make them both lunch every day, but they can get it themselves, they are grown men, and you serve no one)

Traditional dates are less common, you guys mostly just like to hang out with each other

Like 3 am cooking challenges and asking to get ice cream from the shop down the road

You guys also, when you can, just spend hours cuddling in your bed or on the couch just in each other's arms

(can you tell i’m uwu-ing)

Nsfw

For having a busy schedule you guys sure do have time to fuck

A common theme is having Samu fuck you when Suna watches

God, watching you fall apart around his best friends dick will never get old, so so pretty when you're all fucked out and begging for him too

Sometimes hell have you suck him off, but he isn't unstable he can wait his turn~

Osamu works just as hard as he does, he has to let oust some stress and, you're just so good at making them feel better

Remember the cuddling?

Yes, that's a guise to cockwarm you, let them relax you always feel so good and today was s stressful

I can tell you saw this coming but, Suna likes to put whipped cream all over you, it gives him an excuse to eat you out for hours and Osamu and excuse to have you naked and able to eat as much whipped cream as he wants

Do they like double penn.?

Yes, very much so ma’am.

Just know that you are stuffed at any available moment they can manage

*cough* whipped *cough*

“look she’s grinding into like a circus whore huh ‘Samu? go harder”

“look into the camera baby, tell them all the things you’d love for them to do to you”

Iwaizumi & Kyoutani

This was an interesting one for sure

A senpais pretty girlfriend thing too

Iwaizumi knew Mad Dog had a crush on you before he did, and he did everything in his power to deny the accusation

The entire team could see how the second year was calm and behaved when you were around, so taking the high road

Iwaizumi came a with a plan: bring you and Kyotani as close as possible

All with consent firm you and knowing he was ok with anything that would happen

Suddenly inviting him to hang out with the two of you

Then it was letting him have you in his lap while you watch movies

And that progressed into letting him cuddle you after bad days, never without Iwa of course

Everyone on the team could tell the effects that it was having on him, he was calmer and easier to get along with.

He even started listening to Oikawa when he spoke, it was like a miracle.

And k\Kyotani finally got enough courage to tell you!

(you had pretty much known, but wanted him to say it himself)

Thus began what I would call that “Kyotani learns how to love” saga

Dates were first, they both took you to a small field of flowers to have a picnic and when it got dark out you guys set up a sheet and watched a movie!

For the both of them being temperamental, they got along really well

(mostly because Kyotani hangs off nay words you or Iwaizumi say)

You also make the both of them lunch and some afternoon snacks for practice!

(and if anyone who sees you guys, they’ll never mention how odd the two angry boys look next to their sweet little princess)

Nsfw

Sir Iwaizumi holds the torch

He’s the main dominant force, though Kyotani tries oh he does

Yeah, hate to say it but you bottom for them, every time.

A big thing is when he lets Kyo get you alone (while he watches)

Yeah maybe he lets kyo take over every once in a while, he’ll let him have you

Iwaizumi love having you under him, putting you in the mating press while Kyo watches from a chair a vibrator tied to him, just watching until Iwa finishes and leys Kyo try and breed you

You guys have also dedicated hours to getting you stretch enough to take both of them in one hole, but if not that then one hole for each of them will do

As you could imagine, they both love marking you up

You always come out of sex looking beat up

Most of the bruises are on your neck and inner thighs, but the bites on your nipples and the curve of your ass beg to differ

Now the real question is when Kyo is being bad!

Feathery kisses all over him, that's not where he wants your mouth, lower go lower

Don’t leave him!

He always learns his lessons after hours of waiting Iwa breed you

You being bad?

No cumming for a week, they can play with you but unless you want the time to get longer you don’t even think about orgasming.

“Calm down Kentaro, it’s too early to break her, we just got started.”

“Yeah i let Hajime have you but you still belong to me too, don’t forget that”

Kita Shinsuke & Aran Ojiro

This was the perfect girl next door story!

Middle school aran was so thankful to have you calm him down after yet another Miya twins episode

So as the two of you grew up it was natural that you became friends with his friends!

Namely his bestfriends- Kita!

Who was practically at your feet the second you met

From first to third year, they both grew to REALLY like you

They were both ready to spend the rest of their lives with you and were prepared to share if you wanted that.

The day you guys all got together was when they lost to Karasuno at nationals

You guys went back you the hotel room and just sat, cooing how well they did and how great they were no matter the outcome

It wasn't out of the normal for them to be all over you, both of them got a hand, but Aran was nestled into your lap and Kita was snuggled into your chest

Nothing was planned either, at that moment they knew that it was their chance!

The look on their faces when you said that you felt the same!

From then on you were treated even more like a queen

Every Monday before school one of them gets you a bouquet of flowers for the week and the other comes up with a date idea!

You're involved in the dates cycle and that now have a pile of stuffed animals that you got them from things like festivals or the mall

Since your relationship started with a cuddle, it's a favorite between you guys

A movie and some take out. Making fun of the Miya twins, and when Kita won’t admit it, you guys watch a rom-com, where you and Aran laugh at Kita's confused face when he doesn't understand the joke

Even with all of that, the real favorite between you guys is staying after practice and just having fun while cleaning up.

They just wuvvv uuuuuuuuu <3

Nsfw

Even if Kita is the commanding voice, Aran id the driving force

Kita likes when you two put on a show for him

Not that it's hard, even if Aran wasn't half as good as he was, your faces could satisfy him until his dying days.

Speaking of shows, Kita is a dictator, which means punishments

One of his favorites is having you finger fuck yourself in front of him and Aran until you can't move

Another is tying you up at having you watch the both of them jerk off to seeing you try and get off by grinding on the sheets (which does not work)

Aran, whether he admits it or not, he took a page out of Suna’s book

His entire hidden photo album is of you either being fucked by him or sucking Kita off

He also has an entire recorded version do you guys fucking that he and Kita watch when you aren't home

When Kita does have you to himself he takes on the Dom/Sub kinda thing

Aka borderline pet play

You sit and listen to him and what he says like a good pet, and you get a reward!

He dresses you up in little white dresses and he has you kneel in front of him and cockwarm him while he works

When Aran has you alone he takes the chance toooooo

….

…

Breed you!

Like a good little girl!

You take his cum so so well, don't you!

Yes yes, you do!

“Don’t let her walk all over you Aran, breed her like a good cow” (i had to, I really did)

“You look so pretty stretched around my cock, you're a good breeding whore, right? Yes, you are!”

Oikawa Tooru & Tobio Kageyama

This was a classic “in love with my senpais pretty girlfriend” kinda thing

Kags didn't mean to

He had known you from middle school and had a huge crush on you, but he knew that was as far as it would go

But when you came up to him after the game with seijoh and told him that he would have better luck next time

It was the hug that got him and in true Kageyama fashion he just couldn't help the words that fell from his mouth

“Thank you, you're still really pretty, and I've always loved you!”

Silence………………………………….

He couldn't even apologize because Oikawa was already on you yelling at him about never letting you near Kageyama again.

Yeah you had calmed both of them down, telling Tooru that he was overreacting and Kageyama was harmless to your relationship

After a few days of silence, you had invited Kageyama to have a “talk” with you and Oikawa

It was really just talking about feelings and ultimately Oikawa admitting that he was willing to give it a try, but you were his first and foremost and that won’t change

But you were quick to realize that they were actually really good together

The rivalry between the two always kept you on your toes and fueled both of their superiority complexes

Dates were always happening all the time, anther constant competition for you to like one of them better than the other

It's mostly movies and take out but its a date nonetheless

One thing they love to do is try to teach you how to play, all the time they try to get you to hit their sets

Even if you're awful at it, they appreciate you trying to learn more about their greatest passion.

You also try to go to as many of their practices as you can manage, they really love having you there to cheer them on!

Nsfw

Ok so at first Kageyama had absolutely no idea what to do, so some exploring was mandatory

Finding out he was a switch was a happy surprise!

That leads to things going two ways!

You could have Tooru taking his throne in the bedroom and he commands his two peasants to do exactly what he wants them too

This can include just regular soft sex with your little tobio gazing and longing for him, while tooru watches

Tooru will have the two of you grinding, Tobio with a cock ring and you a strict order to no cum until told.

Or maybe he’ll have the two of you ride dildos, tied up and making a pretty show for him

Or you could have Tobio dictating both of you

This is mostly having you ride him while Toru watches, but he can't touch

It also might be Tooru eating you out and kags in your mouth, fucking your face. <3

Whenever either of the boys wins something you take all the time in the world and worship him as he deserves!

“Aw! Tobio I know you can go faster than that! Oh ho ho, ~ y/n I know you aren't about to cum! I didn't give you the go-ahead! Hold on, baby!”

“Tooru you look so weak. You haven't even touched her and you're ready to cum.”

“You look so pretty under me, Tobio~ let me and Tooru take care of you!”

1K notes · View notes

cipheress-to-k-pop · 3 years

Note

Hi, I absolutely adore your writing and it’s quite inspiring and making my imagination go WEEWOO!

Could I request something for YJ With Dick? So like a headcanon or one shot (which ever you prefer queen) where the reader is quite reserved, snarky and can get angry real fast. They have feelings for Rob and they are especially snarky to him to hide their feelings, but they eventually start to open up more and during the events of episode 24 (you know, the one at haly’s circus), they open up to him and they confess? And he does the same?

Flower Language

Pairing: Dick Grayson as Robin x Reader

Warnings: Blood and injuries and plant death.

Word Count: 3.8k words

A/N: This is kind of my take on the Hanahaki disease, kind of. This was so much fun to write honestly, I didn't realize I like all this floral stuff so much. It also reminded me of another 'True Love's Kiss' trope I wrote for Dick Grayson as well. Also I changed the episode this was based on because I’ve already done something based on the episode with Haly’s circus @hanbedumbaf I really really really hope you enjoy it! Sorry it was so late, I finished it a month back but it was in my queue.

Adrenaline was a common feeling to you. A little too familiar. The life of a superhero puts you in peril more times than you would like but it was the only life you had known. You knew the familiar feeling of sweat forming on your skin and your heart pounding so loudly that you could hear it in every step you took.

However, when you heard the pounding, it was because there was a supervillain, usually hairy, chasing after you and determined to get your head on a stake.

Although, feeling your heart jump to your throat was becoming more familiar whenever you were around a certain someone. Robin annoyed you to no end, whenever he was around you couldn't help your face from growing warm and your lips from tingling to form a permanent smile on your face.

Having a crush was irritating, you couldn't think or even function without thinking of him. It was frankly humiliating, you were always so gung-ho about being bold and to the point and yet whenever you were around Boy Wonder, you couldn't help but bend your personality to something you felt like would appeal to him more.

Sometimes, you couldn't even stand yourself.

And so, as a pathetic act of rebellion, and maybe as a clear-cut sign that you had no idea how to handle emotions or anything similar to it, every time your heart got just a little soft, your tongue got a whole lot sharper. Probably not the best way to win a boy’s heart. But you weren't here for a romance story.

It was also a true sign that you had no idea how to flirt, thinking that borderline insulting witty banter was the way to go. Or perhaps it was a way of controlling your emotions, since being bitter and snarky was the thing that came easiest to you.

You seriously needed better tactics.

It was also your oblivious mistake thinking that Robin only saw what you wanted him to see. He was raised to be a detective, of course he was more observant than that. Papa (or let's be real, Alfred) didn't raise no fool.

You made the mistake of thinking Robin saw you as strong and independent and bold, just as the rest of them did. But he saw much more than that.

Robin was distressed by the number of crying faces around him, the kids were inconsolable which was understandable because of just how many things went wrong in the past couple of hours. To be quite frank, Robin was a couple seconds away from having a fit himself.

"Shh, little one," He heard distantly and his neck practically snapped. You were crouching in front of the few who were crying, with a small nurturing smile. It was the first time he had seen you out of uniform, usually referring to you as Antheia, named after the goddess of flowers, but this wasn't she.

"I know you're scared, my flowers, but I promise, we will find your parents." You soothed, gently wiping away their tears. They still looked up at you apprehensively and with uncertainty.

"I'll show you a magic trick." You began, grinning as the kids began to smile back at you. You pulled a seed out of your pocket and held it between closed hands, using a bit of your powers and felt it grow in your palms. When you revealed what you were holding, they collectively gasped.

A bud of a flower now rested in your hand. You smiled at their innocent eyes and held it to them, "Now I'm going to need your help for the next part. Everyone has to blow on the flower."

They nodded eagerly, crawling around you and on the count of three, everyone followed your instructions. And low and behold, the bud bloomed into a beautiful blossom right between your fingers.

One of the girls clamoured into your lap to hold the flower herself and you chuckled, wrapping your arms tightly around her, "You know what this flower means?"

They shook their heads, "It means faith, and hope. If you have faith and hope in us, then you'll get something beautiful in return."

For once, they look contemplatively and you chuckled, feeling pride at the fact that you managed to sow some wisdom in their minds. The girl that had been sitting in your lap turned in your grasp, with the flower in her hand and then reached up to tuck it behind your ear.

"For me?" She nodded happily and you smiled widely, kissing her cheek, "Thank you, petal."

Satisfied that you were able to calm them down, you gently placed the girl back on the floor before moving away from the group. Just as you were about to join the others, you ran into Robin. You didn't know he had just seen the whole thing.

Pulling the flower from behind your ear, you handed it to him, "You know in some cultures, this flower means to pick up the slack and stop looking like a confused chicken." You snapped.

Business as usual.

Robin looked back to the flower you had slipped into his hands, you had said it meant faith and hope, and you had given it to him. He looked back up to see you shuffling away from him quickly, a blush on your face. He smiled.

You were more nurturing and kinder than you let on, it was like it was programmed into your personality and yet you never showed it when you knew they were watching. That wasn't the only part of yourself that you were hesitant to show them.

And the more Robin observed you, the more he realized that you used flower language to depict a lot of your emotions. It was a silent way of letting them out, without having to tell other people what's really in your heart.

You thought you were sly about it, but nothing went under Robin's radar.

Everyone was watching a movie on the flat screen in the rec room. You hadn't realized you were so tired, the movie was boring, something that M'Gann had picked and you hadn't slept the night before, busy patrolling your city.

Your eyelids began to droop before you could even understand what was going on, your head lolling as you drifted in and out of consciousness.

Robin hadn't realized that he was napping through the movie until he felt a weight on his shoulder. He nearly jumped awake and glanced to his side to see you sound asleep, breathing gently. He nearly chuckled, was this what you looked like when you weren't scowling at everybody?

His heart skipped a beat, god, were you beautiful. The smell of flowers vaguely hit his nose and he noticed the red gardenia plant growing steadily in the corner of the room.

'Red Gardenias means a secret love,' Robin recalled from a book he had read, 'It's a secret way for someone to say I love you.'

He glanced back at you still sleeping peacefully, face completely relaxed and briefly wondered if your powers were taking the lead on your emotions and making gardenias grow around the cave. Or were you dreaming about something?

Something in his heart grew, here you were sleeping against his shoulder, making symbols of a secret love grow around the room. This had to be a sign of something, right?

Before he could contemplate it any further, you squirmed and then began to stir. Your eyes fluttered open, hazily taking in your surroundings before they landed on the boy beside you and widened in size, skin darkening with a blush.

"Why the fuck didn't you wake me up?" You snapped and turned on your heel to stomp out of the room without even waiting for a response from him. The others who noticed the way he was just staring at the place you were in surprise. You always do such a 180 when you're around him and conscious.

"Wow, sunshine's crabby in the morning." Wally commented from beside him. When he didn't get any response, he looked over to see Robin with a silly smile on his face.

Dick couldn't stop himself from grinning. The gardenias were still blooming.

***

"Antheia, do you think you will be able to stop the plants from growing any further?" Batman turned to face you, only to find you staring at him with a hazy, blank expression.

"Antheia?" Robin called but you didn't even flinch, your eyes were locked onto the holo-computer, seeing the thick vines that were twisting and turning. Their call was overwhelming, you could feel them grow even beneath your feet. It was like a siren was blearing through your head.

You couldn't tell what they were trying to say, it was like they were muffled. It was confused and lost, following Ivy and it was happy listening to her. And yet, it was feeling pain, the Justice League was busy pruning her as we speak. It was scared, crying out for someone to help them and you felt obligated to help. Your mind was getting heavy, throbbing with an oncoming migraine.

"(Y/N)!" Your eyes snapped open and focused onto the boy in front of you. Everyone was staring at you in concern and you blinked, suddenly not able to remember what the hell was going on. You were just trying to focus on something other than the screams and cries of the plant.

"......What?" You asked a little dumbly, noticing the concern on Robin's face. The plants were still crying. You couldn't get the painful sound of their screams out of your mind. You felt like curling up into a ball and crying.

"Batman asked if you would be able to stop the plants?"

"Oh, um, no." You answered in a distracted way that made his face pinch with worry. His hands were still grasping your shoulders tightly, keeping his face in close proximity to yours. You didn't even realize, too out of it to even notice.

Robin on the other hand felt his cheeks get uncomfortably hot the more you stared at him with those innocent, beautiful eyes of yours. If Batman hadn't been breathing down his neck, he was sure he would've kissed you in the moment.

Unfortunately for him, his dad always knew how to ruin the moment. And he would continue to for the rest of his life. Until death do them part. Even after the two of you grow up and live together, the Batman would find some way to interrupt your fun.

"Robin?"

"Huh?"

"The mission."

Oh. Right.

***

"Robin!" You screamed when one of Ivy's plants wrapped around his neck and slammed him against the trees. They didn't let up curling tighter around his throat. Fear struck you as he began choking from breath and you knew you had to do something.

Suddenly murderous intent took over you and you glared at Ivy who returned it with a smug smirk of her own. Oh, how you'd rip that smirk off her face.

"Okay Ivy, you wanna play? Let's play." You ground out, slamming your hands against the vine around Robin's neck and it began disintegrating beneath your fingers. He fell to the ground, gasping for breath and you tuned out the sound of the plant crying as it died beside him.

Ivy heard it just as loudly as you had, she screamed and more plants lunged towards the both of you.

"Go help the others! I'm about to snap this twig." You spat at Robin, using your powers to kill the roots as it reached you. It was working slowly, your powers weak to the pain of the plants around you. Even as every cell of your body told you not to, you clenched your fingers into fists and watched as the creeper feel to the marsh, dead.

You engaged in battle with Ivy. Plants were screaming for mercy all around you but you couldn't stop for even a second. Life around you was trembling but you had to keep fighting the villain in front of you because if you hesitated for even a second, many more would die.

Thorns scratched your skin, drawing blood and curled around Ivy, sinking barbs into her skin.

"Face it girlie! You're never going to overpower me!"

"Oh, I'm not trying to overpower you, just distract you long enough for Robin to get rid of the control system." You replied, just as smug as she had been at the start of the fight. Now you got to see her face melt into one of panic just as Robin jumped over her head and to your side with a grin identical to yours.

"Cover your ears!" He sang, wrapping an arm around your shoulder and ducking, covering your body with his own. You were grateful for it; you weren't sure you could even keep your body upright at the moment.

Then you heard the explosion and your heart stopped. Every single fibre of your body burned red hot fire as you heard screams and cries around you. Bile was crawling up your throat and your breathing got thin. They were sobbing a heart-broken wail and your eyes misted at the mere sound.

Without realizing it, you were gripping onto Robin's hand, brows furrowed together. The sound of the explosion cleared, the Injustice League was captured and he pulled you up to stand with the others.

It was silent for a moment. You had won.

And then the consequences of your actions hit you.

Everyone's necks snapped towards you when you let out a heart-wrenching sob. Robin, who was standing right next to you caught you just in time before your body hit the ground. Pain exploded in your chest as you began wailing against him.

"(Y/N)? (Y/N)! What's wrong?!" He panicked but you didn't respond, crying into his chest as you gripped his cape in an iron fist. Everything hurt and all you could feel was sorrow and guilt.

The other heroes crowded around you but your eyes were screwed shut, tears making your eyes sting. Robin held onto you tightly, pulling your body against his as you continued to cry.

"What's happening?" Artemis murmured, looking around to see the environment change before her eyes. Everyone else followed her lead to see how leaves began rotting, then the trees. The smell was pungent. Thorns and weeds were crawling up the dying trees, pulling them into the swamp.

"(Y/N) please, what's wrong?" Robin whispered in your ear but you couldn't hear him. The sounds of plants screaming and wailing was echoing through your mind. How they begged you to save them. How they begged you to stop.

And then it got hard to breathe, your chest constricted and you were wheezing. Robin had to watch in horror when petals and blood poured from your mouth. You were choking, throwing up and sobbing in his arms, and he was unable to do anything to help you.

"Flash get her to the Batcave." Batman said gruffly, he was shocked and worried for you but didn't say anything, not wanting to scare his son more, "Sending you the coordinates now."

"Alfred prepare the med-bay."

Dick watched with a sinking heart as he handed you into Flash's arms. It took him a few seconds for his mind to stop whirring, he was still kneeling in the swampy marsh when the team huddled around him.

"It's gonna be okay." Wally murmured, wrapping an arm around his shaking body.

"We just have to hope for the best."

***

When the others had gotten back to the Cave, you had just been moved there, after being looked over by Alfred. He joined you in the med-bay, wanting to keep an eye on you. But as of yet, you still had to wake up.

Dick wasn't supposed to be listening to the adult’s conversation, but he couldn't help himself, he had to know if you were going to be okay.

"The situation is undeterminable, sir. But as of now, the flowers that are clogging her respiratory system keep growing. If we don't find a cure for this, it's inevitable that she will suffocate and pass."

His heart stopped. Die? You couldn't die, not when he still had so many things to tell you. For so long, he hadn't told you of his feelings, wanting to keep the relationship between the two of you professional. But now more than anything, he wished he had said something.

There were so many things he didn't get to do with you yet. You had yet to give him a bouquet on your first date. He wanted to lay in bed with you, smelling fresh flowers as you told him what different plants symbolized. He had yet to see moments where you can't control your powers and make plants grow around the cave.

He hadn't even given you a flower yet.

"Rob listen, I did some research on this 'disease'." Wally said, falling into step with him, "It's called the Hanahaki disease."

"That's fiction Wal—"

"But that's the best we've got right now." Came his curt reply and Dick's heart clenched.

"Hanahaki disease is a fictional sickness that only occurs when someone is suffering from unrequited love. The victim will cough up flower petals that symbolize their love. This disease is only cured when the victim's feelings are romantically returned." Wally read off his phone before turning to Dick with a smile.

He raised a brow, "What?"

"You have to kiss (Y/N)!"

"What!?"

"Yep! You have to return her unrequired love!"

"Wally that's ridiculous, kissing someone doesn't cute anything."

"Well, it's the only thing we have. And for (Y/N), we need to try anything." He said, pushing him towards the med-bay. His voice was tight and tense, like he was holding onto his as his last hope and Dick prayed that it would work when the door of your room came into his sight.

You were asleep and if he hadn't known any better, he would've thought you were healthy. Wally closed the door behind him, leaving Dick alone with you. The only sound in was the beeping from your heart monitor and your light wheezing. It was getting harder to breathe.

Dick inched his way closer to you, watching as your eyelashes fluttered gently in your sleep. Leaning over the bed you were lying in; he pressed a gentle kiss to your forehead before moving his head in line with yours.

"God, please let this work." He whispered and your bottom lip was caught between his. It was feather-light but yet, electricity was buzzing through his veins and fireworks went off in his mind.

For a minute, nothing happened and his heart clenched in his chest before he kissed you a little harder. This had to work because they didn't have any other lead. Dick felt you exhale feebly against him and he almost gave up hope.

But then you took a deep breath, stealing the breath from his lungs and he pulled away quickly to see your eyelids fluttering open. The colour was returning to your cheeks and your eyes were sparkling up at him. You smiled gently and he blinked away tears of relief. Thank goodness.

'His eyes are blue' You thought, staring deeply into them. They were beautiful, alluring. You didn't know why but just looking into his eyes was addicting. Was this what it felt like to be so deep in love? That even his eyes were enough to captivate you?

"I'm so glad you're awake." He muttered, cupping your cheeks firmly and planting another kiss on your lips. You giggled lightly, heart overjoyed to find the boy you had been in love with for so long had returned your feelings and you responded to the kiss eagerly, placing your palms over his hands and leaning into him.

With your regaining strength, you felt a flower materialize in your hands. The stem between your fingers brought you comfort just as the scent of the flower brought you back life.

When Dick pulled away, you delicately slipped it into his hands and he turned his attention to it, blue eyes softening when he recognized this particular flower in his hands.

"It's an Aster." You whispered quietly, lips brushing against his and he chuckled. It was the only flower you thought of when he came to your mind, "Get it?"

Dick turned his eyes away from the blossom and looked at you again. Your heart jumped, noticing just how much love he held in them. Eyes you could swim in, overflowing with love for you. Suddenly you were overwhelmed, feeling adoration and attraction. You needed to be closer to him, even though he was pressed against you.

Your fingers curled into his collar and pulled him closer to you, slanting your lips over his in an open-mouthed kiss. Dick gasped against your lips, startled for no longer than a second before sinking against you and wrapping an arm around your waist to pull you closer.

Your lips moved gently against his, the blushing flower trapped between both your bodies. The smell of fresh flowers clouded Dick's mind with everything that was you. Your hair, your smile, your lips. If you kept kissing him like that, he was certain he'd forget his own name.

And then you pulled away and Dick noted that you were as beautiful as a fresh flower. Your skin was glowing with life and your tired eyes were twinkling. You smiled sleepily at him, eyes closing shut and he lowered you back to the bed. Immediately, you slipped back into slumber, exhausted from the day's events.

He watched for a couple seconds, making sure you were able to breathe without any problems before realizing he should tell the others that you were okay.

He slipped out of the room quietly, stealing a final glance of you sleeping peacefully in the bed and a huge smile grew on his face, "She's awake."

It was only then he noticed just how colourful the room had gotten in the few minutes he was with you.

The walls were covered with vines and roses of different colours, camelias and carnations of different shades. It littered the room, not leaving a single inch of the wall untouched and scattered petals all over the floor like confetti.

Different creepers hung from the ceiling, dusting all the superheroes with sparkling pollen and colourful petals. Not to mention there were stems crawling up the Justice League members, flowers hugging their ankles lovingly.

Batman looked a lot less intimidating with petals in his cape and a rose stuck behind his ear. Robin blushed at the sight of everyone giving him knowing smiles.

"We noticed."

Aster: This flower became a symbol of love when in Greek mythology it was placed on the altars for the gods. So now, when you send a bouquet featuring this vibrant bloom, the message of "Take Care Of Yourself For Me" is implied. It conveys deep emotional love and affection for someone.

Forever Taglist:

@simonsbluee

DC Taglist:

@emmacata

@p--e--a--c--h--e--s

@sometimeseverythingsucks

@sokkas-honour

@unstable1902

@lostgirlheart

@missdisapear

@tadpole-san

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