#the characters that never

[jewelstole]

sexy things to do near sel : don't be fucking annoying.

[starbuck]

“…to me” is one of the most powerful disclaimers we have on here… is this character analysis accurate? debatable. but it’s real… to me.

[demaparbat-hp]

He's never happy

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[taigarrryen]

Touring the server 🗺🧭

[cronchy-baguette]

double posting this comic bc tbh it deserves its own post.... thinking about how elphie was definitely crying after she runs off to hide somewhere following popular... what do the two of them think about afterwards....

[beebfreeb]

[annabelle--cane]

her pronouns are HE/HIM

[canisalbus]

✦ Bread ✦

[ionomycin]

your last light

[ilovedthestars]

there really are few emotions i find more compelling in a story than "you should be afraid of me. please don't be afraid of me"

[makenna-made-this]

Okkkkkk so where is Chicken Miku?

Anon the way i dropped everything when i saw this

HATSUNE BEAK-U

(based on the Onagadori chicken breed)

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[ekkoh]

i really love it when people here are “not normal” about the things they love. yes!! break down the scene that you’ve been obsessing over for weeks! create incredibly intricate theories based on a few throwaway lines! explain why you love this character so much—458 reasons and counting, and with visual aids! i love to see people putting their heart and soul into not being normal!!!

[liberumalas]

Such a fun duo.

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.