#stars rambles

[ilovedthestars]

there really are few emotions i find more compelling in a story than "you should be afraid of me. please don't be afraid of me"

[interstellar-productions]

I simply cannot elaborate at this time but years down the line when Aaron finally makes peace with himself he starts wearing pastels. Like obviously black and darker colors are still a part of his base wardrobe but also his favorite sweater is light pink. His favorite socks are sky blue. The scarf he’s got for when he’s somewhere where it snows (bc he obviously goes to see the other OG foxes play pro exy when he gets the chance shut up) is sage green.

He lets his hair grow out and it flops in his face when he doesn’t have it styled for work.

Just when Aaron finally finds peace he learns to be soft, not entirely and not in the “traditional” way. But he does learn to be softer.

[umbralstars]

Kemetic Influences on Fire Emblem Three Houses (Part 1)

I know I have made a more unstructured post regarding this before; however, I am certain in my assessments that the influence of Ancient Egyptian mythology had on 3H is vast and more varied then I, personally, have seen people discuss. Yes, we know of the etymology behind Sothis and Seiros' names, but I believe these connections go much deeper than the surface level. This will be structured with me discussing what I am most sure in to what is more interpolation on my part. This part about Sothis is so long that it needs to be it's own post entirely. Sothis is based on Hellenistic/Roman period worship of Lady Isis

As we know, Sothis' name can be traced to one of the names of Sirius, specifically the Hellenized name of Sopdet the goddess of said star. However, this is surface level. Sopdet was often syncretized with Isis during the Hellenistic period and in Lady Isis, I believe, there are more clear allusions to Sothis and how she acts as a deity within 3H's world. Lady Isis is an Egyptian deity who was worshiped across the Mediterranean during the Hellenistic and Roman period. Sothis in her mythology, actions, and how she is depicted in-game shares remarkable similarities to Isis. The images and sources I will be using as a reference come from Dr. Andrew M. Henry's (ReligionForBreakfast) video on the topic and FEDatamine for everything regarding 3H.

Sothis and Isis are both "great mother" deities who act as supreme goddesses to their followers.

Even before coming to supreme status in the Mediterranean, Isis was an incredibly important goddess within Egypt. She was the bringer of magic, a guardian of women, a compassionate goddess who wished to relieve all human suffering, and much much more. All of these traits are extremely close if not direct parallels to Sothis. We know that magic within Fodlan is directly connected to Sothis through the visual of all the magic circles (save for Agarthan dark magic) and it can be postulated that, like Isis, Sothis magic was beyond the capabilities of other humans or other deities. Faith magic in particular is directly correlated with the ability to heal and protect, which is one of the main domains of Lady Isis in antiquity and modern day. She was the healer of the sick and injured, so much so that she often traveled in human form so that she could aid those who called out to her. I don't believe it is a coincidence that healing magic was reskinned as faith in this game given that context. And the connections continue beyond that. Consider this text from a temple to Isis in Cyrene:

During the Hellenistic period, Isis' power and prominence grew to wear she became a supreme goddess within these polytheistic societies. She was believed to be the ruler of time and fate itself, and, as stated here, one of the creators of the cosmos who first set time to course. She was often depicted holding a steering rudder or with the planet beneath her very feet as the goddess through which all fate flows.

Next, take this quote from Lucius Apuleius: The Golden Ass a text from a satirist, but nonetheless believed to hold elements of truth to Isis' worship during the Roman period.

Once again, we see the language that would describe a supreme, cosmic deity. Compare to similar wording in The Book of Seiros Part 1: "The goddess is all things. She is heaven above and the land below. She is eternity incarnate. She is the present, the past, and the future. Her eyes see all. Her ears hear all. Her hands receive all."

Due to this language, it is believed by some religious scholars, and presented within the video, that within the mysteries of Isis there was an element of henotheism at play. A philosophy within religious practices where one god is worshiped a supreme deity whilst not denying the existence of other gods, and such a system of worship is what I believe to be happening within Fodlan's religious context. Other gods are known to exist, they are spoken of in the Book of Seiros; however, Sothis is supreme goddess of Fodlan.

Now, I ask, what is Sothis' primary characteristics within the Church of Seiros and as depicted in game? She is the supreme Goddess of Fodlan, who's depicted with having control over time and fate itself (literally divine pulse), spoken of as a savior not only in the past but also through the actions of her vessel Byleth, who created all life (or at least the Nabateans) as "The Beginning", and the arbiter of souls as an explicitly afterlife related deity.

All of these traits are direct parallels to Lady Isis, and I am not even finished listing all the similarities. First take this quote from The Book of Seiros Part 2: "In the beginning, amid the great cloudless ocean, Fódlan came to be. At the end of a long journey, the goddess glimpsed that land and there alighted. Upon that sacred ground, she breathed life into the world and created all of the creatures upon it.

By the goddess's hand, plants took root, birds took to the sky, and animals roamed the land. Last of all, she created humanity." Within multiple Egyptian creation myths one of the prevalent and constant features is the primordial ocean of Nun. It was place of nothingness and chaos all at once, a "cloudless ocean" if you will. And from that ocean came the first land, the benben, and from there any number of gods created all life. This includes Isis, who within the inscriptions at Philae, is described to have created all life and the cosmos itself (Žabkar 1988, pp. 134.): "Indeed, she is the Lady of Heaven, Earth, and the Nether World, having brought them into existence through what her heart conceived and her hands created..." Both of them are related to the afterlife and are explicitly called out as deities of fate. Once again from the story of Apuleius:

Lady Isis' connection to the afterlife as she who guides the soul to it's fate goes back even further in Egyptian texts and she has been a funerary deity all the way back in Old Kingdom Pyramid Texts. Take that in context with Rhea's line of Sothis being the "arbiter of souls" and much of her cosmology in-universe revolving around the afterlife you have another link between them. Isis was said to be able to prolong a person's life if they were to follow her mysteries as she knew the lifespan of all people and could manipulate it with her magics. She also typically interacted with her followers via dreams. This is something Sothis is shown to do constantly with her appearing in Byleth's near death moments, within their dreams (at the beginning of the game and later during her speech regarding Fodlan's plight. And can I say, Sothis being aware of the blood being split and awakening Byleth to explicitly put it to an end is a very much like a savior goddess). Then, in Rhea's backstory, she said that she heard Sothis' voice within the Holy Tomb (or within Enbarr) and that is what lead her to take up the name of Seiros and begin to fight against Nemesis. Sothis inspiring the creation of the Adrestian Empire through Seiros, and Byleth's place to chose the fate of Fodlan, directly correlates to Lady Isis' role as a goddess of kingship. Her protection was explicitly called upon both during the defense of Egypt and during campaigns of military conquest, and that she alone was comparable of armies of soldiers. Isis and Sothis both are also transparently related to nature. They are callers of the rains (cited in the Philae Hymns for elsewhere and in-game for Sothis) and related to bounties of the harvest. In this way, Sothis may also cross into the sphere of Osiris who was more explicitly a fertility god and the ruler of the dead/judge of souls. An interesting similarity can be called to the myth of Osiris' death and dismemberment at the betrayal of his brother Set, Isis' incomplete resurrection of her husband, and Horus' becoming king of Egypt after contending with his uncle where he avenged his father; with how Sothis herself was killed and dismembered for her power, then Seiros' creation of Adrestia (where he also chose the first king) to avenge her mother, and her inability to resurrect her due to Sothis' body being scattered and incomplete (at least, until her ib/Creststone was placed within the intact khet of Byleth). But that is an aside for now. I want to finish this off with a look of the physical similarities between depictions of Isis and Sothis. Once again from Apuleius:

"Firstly her long thick hair in tapering ringlets was loosely spread over her divine neck and shoulders, and her head was crowned with a complex garland of interwoven flowers of every kind. At the centre, over her brow, a flat disc like a mirror or rather a moon-symbol shone with brilliant light. Coiled vipers reared from the right and left of her coronet which was bristling with erect ears of corn. Her multi-coloured robe was of finest linen, gleaming here pure white, here a saffron yellow, there flaming rose-red, with a woven border flowing with flowers and fruit, and what dazzled me most of all was her jet-black cloak with its full sheen, wrapped gleaming about her, slung from the left shoulder, knotted at the breast, and sweeping over her right hip. It hung in sweetly undulating complex folds down to a tasselled fringe, and along its borders and over its surface fell a scatter of glittering stars, round a full moon at the centre breathing fiery rays. And she bore a host of emblems." To me, there are some similarities between this and the depiction of Sothis plus how Rhea dressed and Byleth's Immaculate One outfit. The floral motifs of lotus flowers, the crisp white of Sothis' mural appearance and those of Rhea and Byleth, the crowns of flowers and star motfis, the way Isis bears many emblems around her, much of it bears some similarities to Sothis. But this is not the only depiction of Isis, let me show you some visual representations. Let us compare this mural of Sothis to some depictions of Isis:

Here are two of Isis from Pompeii with one being a mural and another a famous reconstruction of a statue:

Again, while not 1:1 there are some visual similarities in design. The white linen of her dress and the cut of it are fair similar, as are the wings that are associated with nearly every depiction of Isis. To show and example from Egypt:

The fact that Sothis is shown with feathered wings in particular feels important given her other similarities with Lady Isis. Plus the throne hieroglyph that represents Isis and often often seen above her head looks exactly like the throne of Sothis as seen in the Holy Tomb. Lady Isis is also known as the "Lady of the Throne" just like how Sothis is called the "Girl on the Throne." The amount of connections between them does not feel like coincidence to me. If you want to take the Romance into account as well, both Sothis and Isis are associated with floods in that case, especially with floods that are said to be caused by their sorrow. Sothis is a savoir deity who protected and saved from Fodlan from the destruction of the Agarthans; she is said to have caused a flood in the one, possible, Agarthan account we have. Her name is Sothis, transcribed from Sopdet, lady of the blue star, who was syncretized with Isis who also became manifest within Sirius. I think I will make one more note: the Rite of the Goddess' Rebirth is transparently related to Wep Ronpet, the cosmological new year in Kemetic religious practice. Both take palace in late July (or into early August for some dates of Wep Ronpet), both are related to the rising of a particular star (the Blue Sea Star is based on Sirius, this fact), both are related to the rebirth of the world and the gods, and both are a day of celebration with family and friends. As one final aside: in Kemetic practice, worship of the gods has always been an intimate and close affair, both in antiquity and in modern practice. Gods are active and immediate presences within the world, and they are presently felt within physical parts of the world. Ra, Aten, and other solar deities are all the sun, Nut the sky, Shu the air and wind. Various "truths" about natural phenomenon could all be true at once and created a multi-facted view of existence. So Sothis having the Blue Sea Star as her "home" are acting as her spiritual double entirely makes sense within this framework. Sothis' laws are also fairly similar to the Laws and philosophical underpinnings of Ma'at; however, delving into that is outside the scope of this post. So I will need to leave things off here.

[brokenstar-s]

Angst Lu fic idea here-

Wind dies on his first journey and only Tera survived. Ayrll has already been saved but it was the finale battle which Wind didn’t make it out of. This of course leads to many things, but every night Aryll dreams of her brother and her on the beach talking.

Aryll of course can’t see ghost, but Wind, being granted a gift of maybe becoming apart of the wind because of his hero title, is in the wind around the island. Always with Aryll as a reminder.

However one day a ship comes with eight hero’s looking for another which isn’t there. Of which the story can go two ways, one where Aryll tells them the truth and they get awkward or Aryll tells them that she’s the hero(she’s 12 just like her brother was!) and the wind comes with her (Wind teaches her everything at night so Aryll isn’t in danger too much) but refers to the wind as her brother along the trip. This causes many conversations and confusions+ some good old angst.

[starryblueeyesandstarryblueskies]

Can Milo manheim release his own music so I don’t have to be a grown ass woman listening to the zombies and journey to bethleham soundtracks? Pls and thank you

[starsandspacefog]

starting to think I should learn how to write good so I can fill the rasey shaped hole in my heart

[cosmiicblink]

( okayokayokayokay whole and love interest do we all agree )

[inkingstars]

GUYS PLEASE I NEED JIMMY TO WIN, I HAVE SUCH A COOL ANIMATIC PLANNED FOR IT (and if Impulse/Tango wins), PLEASE I BEG OF THE WATCHERS!!

I need Jimmy to win also what do you think he’d be? I think he’d be Venus or Mercury.

[incorrect-staytiny]

Tumblr live only just became a thing for me, how do I get rid of it

[starinthegarden]

definitely not thinking about making an au where the Watchers are a group called the Universe and the Listeners are a group called the Stars, and the Universe wants what’s best for the Servers, but their methods are questionable, yet they aren’t big bad evil guys. And the Stars want power because they believe they’ve been overlooked for too long, and their goal is to exterminate the Universe and care for the Players, and whilst their main goal isn’t the best at least their methods are better than the way the Universe does things. And some of the Universe find out the Stars want them gone and so they protest that they fight back, but the higher tier Watchers refuse. So then they’re overthrown by their own citizens and the Watchers are now corrupt by a handful of their own who wish to be rid of the Stars. And now the Servers aren’t being looked after properly so some fall into disarray, and some Watchers begin to hide themselves in Servers and take care of them outside their main realm, away from the corrupt governors that their homeworld now has. Now the new monarchy of the Watchers want a war with the Stars and so they make the Life Series, where they can toy with Players, and they know the Stars hate that. And so the Life Series are a constant war, where two sides are stuck, with a singular Watcher and and a fully fledged Listener among the battlefield.

and this is definitely not inspired by those little life series poems i’ve been writing btw. no way

[starsinoursystem]

Need to draw Gillion in a sparkly blue dress with lace. Yes

[interstellar-productions]

So this is probably unimportant to anyone who reads this but i feel like i need to explain my though process here, I’m a psych major specializing in abnormal psych with interest in creative writing and art. Very much an art, science and history girlie. Im saying this so there’s some context to the way I visualize certain things.

I want to elaborate on my view of the foxes in a less scientific and more artistic view, metaphors and imagery.

I see Aaron very much as someone who internalizes his hurts. My brain conjures up the example that as he was growing up he was the type that every time a piece of him cracked off he picked it up, at first perhaps to use as a weapon. Taking the jagged edge and using it to lash out but that only got him bad things growing up with Tilda. (Who I imagine as the embodiment of catholic guilt, she knows what she’s doing is wrong but she’s so consumed by her hatred and bad choices the only way she can internalize it is through violence. Specifically directed at Aaron.) So as he got a little older he took those edges and hurt himself with them.

Aaron would have known from living with Tilda that physical marks raise questions that cause trouble, so it wouldn’t have been the same form of self harm that Andrew and some of the others used. But he i image he would have taken those edges and used them to hurt himself mentally, self hatred and self harm that doesn’t leave lasting marks.

Then Andrew and Nicky and Luther start getting in the picture. Tilda was always to strung out to notice and the men she brought around didn’t care. So Aaron learn to carefully shave the edges of his jagged pieces down, purposefully cutting up the parts of himself that remain and taking tape to stick it all back together. Trying to form some semblance of a human being that wont make people ask questions. The pieces don’t fit right though, some pieces are still jagged, some pieces are too smooth, some he cut down too much to be able to put them back right.

By the time AFTG is taking place Aaron has probably caused himself so much damage by trying to self internalize he issues that he more so resembles a stained glass piece before its soldered together. Just pieces that loosely sort of fit together that might be something one day but could also just as easily smash into a million pieces. 

Aaron lives his life being one step from the edge. A minor inconvenience could send him spiraling, a change in his routine throwing his entire day off. But he barely registers major incidents. Because for Aaron ignoring the big things is how he survives and yet the things that keeps him alive is focusing on the small details. The little things here or there that convince both him and everyone else that he’s perfectly normal. Sort of like how you can take a piece of glass and drop it from a pretty significant height and it’ll be fine so long as it lands in a way that distributes the impact. Where as if you drop a piece of glass from a small height but it lands on the wrong corner it shaders.

Aaron knows that if he can’t be normal, if he can’t convince himself or others that he is, he’ll fall apart. And if his pieces fall apart there will be no glueing them back together. There will be no getting back up. That’s part of the reason why the foxes put him on edge so much. He’s a unsoldered stained glass piece and the foxes are a swinging hammer. If they collide the foxes will survive but Aaron wont.

[umbralstars]

Making a Sefikura playlist is wondering how many Evanescence songs I'm legally allowed to put in there

[brokenstar-s]

If Time falls, so does the chain

(Little Time analysis because why not)

If Time ever falls(not just getting injured in a fight, but dying, getting mind controlled or infected) the chain is going to follow in his footsteps. They are going to lose the strength of a leader and teamwork, the "dad" of the chain. But theres more to it then that.

If Time falls, then the chain does too. It’s not just that Time is the leader, what the boys look up to being. Not that he is a legendary hero, but that he holds the chain together. That if he falls in battle, the chain isn’t far behind to fall apart either. They can all lead, all pull together if they have to, but they’ve never been a part of a team like this(expect Four). Brothers who fight with them and never leave. They’ve never had someone bleed next to them and not leave or let them face their own battles. They are there to patch the wounds and help the nightmares at night. They are stronger than alliances or friends, they are brothers, and time keeps that together. Bring them together. But there's more to it.

Time is what holds the chain together. 

Time is the oldest, the wisest, and most of all, he's the one who made a life for himself. Time is a symbol to them. He shows how even after everything they went through, all the horrors and traumas and loss-that you can still live a life after. He has a home to go back to. Time shows them that they can still have happiness and safety as a hero, not just those they protect.

So if Time falls, so does that life. So do the dreams of being able to have something for yourself.

[starryblueeyesandstarryblueskies]

I don’t get people who don’t ship buddie

Like how straight do you have to be to watch them interact and not know that they’re in love

[starsandspacefog]

I'm bored too curious for my own good and wanna figure out how polls work so