#how many times can i beat a dead horse

[interstellar-productions]

So this is probably unimportant to anyone who reads this but i feel like i need to explain my though process here, I’m a psych major specializing in abnormal psych with interest in creative writing and art. Very much an art, science and history girlie. Im saying this so there’s some context to the way I visualize certain things.

I want to elaborate on my view of the foxes in a less scientific and more artistic view, metaphors and imagery.

I see Aaron very much as someone who internalizes his hurts. My brain conjures up the example that as he was growing up he was the type that every time a piece of him cracked off he picked it up, at first perhaps to use as a weapon. Taking the jagged edge and using it to lash out but that only got him bad things growing up with Tilda. (Who I imagine as the embodiment of catholic guilt, she knows what she’s doing is wrong but she’s so consumed by her hatred and bad choices the only way she can internalize it is through violence. Specifically directed at Aaron.) So as he got a little older he took those edges and hurt himself with them.

Aaron would have known from living with Tilda that physical marks raise questions that cause trouble, so it wouldn’t have been the same form of self harm that Andrew and some of the others used. But he i image he would have taken those edges and used them to hurt himself mentally, self hatred and self harm that doesn’t leave lasting marks.

Then Andrew and Nicky and Luther start getting in the picture. Tilda was always to strung out to notice and the men she brought around didn’t care. So Aaron learn to carefully shave the edges of his jagged pieces down, purposefully cutting up the parts of himself that remain and taking tape to stick it all back together. Trying to form some semblance of a human being that wont make people ask questions. The pieces don’t fit right though, some pieces are still jagged, some pieces are too smooth, some he cut down too much to be able to put them back right.

By the time AFTG is taking place Aaron has probably caused himself so much damage by trying to self internalize he issues that he more so resembles a stained glass piece before its soldered together. Just pieces that loosely sort of fit together that might be something one day but could also just as easily smash into a million pieces. 

Aaron lives his life being one step from the edge. A minor inconvenience could send him spiraling, a change in his routine throwing his entire day off. But he barely registers major incidents. Because for Aaron ignoring the big things is how he survives and yet the things that keeps him alive is focusing on the small details. The little things here or there that convince both him and everyone else that he’s perfectly normal. Sort of like how you can take a piece of glass and drop it from a pretty significant height and it’ll be fine so long as it lands in a way that distributes the impact. Where as if you drop a piece of glass from a small height but it lands on the wrong corner it shaders.

Aaron knows that if he can’t be normal, if he can’t convince himself or others that he is, he’ll fall apart. And if his pieces fall apart there will be no glueing them back together. There will be no getting back up. That’s part of the reason why the foxes put him on edge so much. He’s a unsoldered stained glass piece and the foxes are a swinging hammer. If they collide the foxes will survive but Aaron wont.

[i-am-l-ananas]

the poll cake has been baked! halved it as I didn't want to be responsible for that much cake, so it's a half-pound cake

honestly, it turned out pretty decent! a bit bland, and too buttery, but other than that a normal dense pound cake

yes I added a bit of vanilla, just not a pound's worth. I'll consider that the tags contribution.

a pound cake is called a pound cake because, in the classic recipe without other add-ins, you use a pound of each of the four ingredients!

and so yes, while we can't poll our way into making bread, we actually can bake a cake!

well we can't make bread, but can bake a cake?

[elventhespian]

So like... it's a Thing in all fandoms where fans sort of latch onto fanon versions of characters and their dynamics with each other that are actually completely off-base, right? I don't know if this phenomenon has an official name, but I've seen it so many times and it's fascinated me every time. Especially when a character's popular fanon selves don't end up just diluted from their source material, but straight up OPPOSITE their canon portrayal.

So one of my "favorite" variations on this was how the early PotC fandom used to get Will EXTREMELY wrong, especially in comparison to Jack, and it made finding in-character fics SO. DAMN. DIFFICULT.

I've talked about this MULTIPLE times before, as have several other fans. It's a dead horse being beaten. But basically certain prevalent takes on fanon!Will have in the past leaned towards a personality that was very patient and grounded and even demure to contrast against Jack's off-beat personality and Elizabeth's fiery rebelliousness. Because Elizabeth has the drive to push back against social norms, Will became the foil who fell back to his pre-pirate version, reluctant to break rules unless she pulled him into it, even in post-CotBP timelines. Likewise, Jack was the one with the WTF decision making, while Will was more rooted in reasonable decisions.

And by their appearances, archetypes, and certain elements of their world views, you'd THINK that's how it works. When we meet Will in the governor's foyer, Will is so lovestruck and doe-eyed and subservient to the governor, I think that people thought that's just Who He Is. Especially because he often acts as Jack's straight-man foil in the comedic elements. Straight-laced. Rigid. Even boring or timid.

But if you actually pay attention to the movies, it's very much the opposite. In canon, Jack's USUALLY the level-headed one who just happens to have chaos follow him, because of the way he can wield it. He thinks in long run, tries to solve problems with words and as little fighting as possible as often as he can. Ideal situations for Jack are more like a thief--he wants to be in and out of the job as silently and slick as possible. The scenarios he's in are insane, because the way he throws other people around with those scenarios is kind of insane, but he himself remains largely cool and collected.

That's Jack.

THIS is Will:

Canon!Will starts out literally so impulsive and rash, Jack has to physically manhandle him at certain points to keep him from blowing up his plans--and then still gets taken out because he underestimates his listening skills and impatience. Will corners Jack into what is functionally a cage match to the death by sanely locking the door with his sword and very nearly wins. He is constantly at 11, constantly demanding things be done faster, more directly, and at the same time quietly scheming behind Jack's back almost from the get-go. He does flashy jumps and flips off of things because using the stairs is too slow or whatever. He shows up in DMC yelling at Jack to give him his compass at the point of the sword, and insisting he'll get Davy Jones' key by just "cutting down everyone in his path."

Even when Will mellows out significantly in AWE, there are remnants of this contrast still there. Jack's plan for leading Beckett to Shipwreck Cove seems to have been a very reasonable and underhanded effort to deliberately make sure Elizabeth is inside the Cove while Will is on Beckett's ship, in command of the Compass. Meanwhile Will's plan was to leave a breadcrumb trail of vulture-sea gulls feasting on dead soldiers' corpses.

What I'm getting at is, yeah, Jack's a charismatic "rogue" and Will's a "romantic hero" TECHNICALLY. Jack makes quippy jokes, and Will glares and scowls and WTFs back. But not only are they are both more alike than people give them credit for, they are also totally opposite their roles' traditional personalities in ways that the fandom tends to overlook.

TLDR; Jack's crazy, Will's a sweetheart. But Will is also a manic gremlin, and Jack doesn't always know what to do with him about it, so they often end up something like this:

And more fans need to play with this fact, the end.

[shotmrmiller]

Submitting to his dominance part I

Pairing: Simon 'Ghost' Riley x F!Reader

TW: mean dominant, rough oral

18+ MDNI

WC: 1.5k

Being Johnny’s best friend had its downsides. Like how he essentially forced you into ‘guy talk’. Yeah, sure, you liked women too. But having to listen to him rant about his conquests was going to make you tear your hair out. You liked women, you did, but this buffoon going on about what he liked to do in bed was too much. He was essentially your brother from another mother. Ew.

An hour into his stories, you tell him that if you have to sit through any more of his freaky sexcapades, you might just murder him. And that’s how he brings up Ghost. You’ve met him several times— being Johnny’s residential pest. He was a big motherfucker who always had his face covered. You always were a sucker for the tall, dark, and mysterious type but he always seemed uninterested in everything— including you.

“Ye think I’m a reprobate, hen, ye should hear ‘bout Ghost! He’s the freaky one! Telling the lasses he’s with to kneel and behave or will spank them ‘til they cry. Ghost is a skyrocket, I tell ya!” And that gets your attention. 

“What?” you blurt out. 

“Yeah, hen! He’s into the whole collar and gags— boorish if ye ask me.” 

You could kiss Johnny. Having more than dabbled in the world of BDSM, you knew you could handle many things— maybe even more than what Ghost offered. You bite back an ecstatic smile as Johnny continues with his story-telling, but you aren’t listening anymore.

Unbeknownst to Johnny, he’s just given you a way into Ghost’s trousers.

━

You lounge on the couch as Ghost and Johnny sit around the island drinking. By the sound of Johnny talking in cursive, he’s more than a little sloshed. Then he slaps his hand on the countertop, the sound startling you, and declares how he’s gonna go take a piss. You roll your eyes. Charming.

He stumbles away and then it’s just you two in the living area. This is your only chance. Steeling your nerves, you make your move. 

“Hey. Ghost.” 

He turns his head to the side a little, a cue that he’s listening. 

“I have a proposition for you.” Then stand up and make your way towards him, casually leaning against the island. Ghost looks completely lax, but his eyes sparkle with slight interest. 

Now or never.

You summon your courage and say, “Johnny spoke of you being dominant in bed. I want you to dominate me.” 

He looked at you with a hooded gaze, before scoffing. 

“I don’t know what you’re talking about, pet.”

That’s not an outright no. This horse isn’t dead yet, so you’re gonna continue to beat it. 

“Said you like to collar your women. Keep them quiet with a gag. I can crawl on my knees if you ask it of me. I’ll speak when spoken to.” 

Ghost’s shoulders are stiff as he stares around your face as if trying to catch a sign of a prank. He inhales and looks like he’s about to shut you down completely but you talk first.

“My safeword is Pelican. I like to be ordered around, spanked, and tied up. I promise to surrender myself completely. I promise to be a good girl for you.”

Ghost sits there, looking at you in complete silence. Your heart pounds in your ears, your cheeks warming in embarrassment. Maybe he’s not interested. Maybe Johnny had been joking. God, you didn’t even think about it being a bloody joke.

You straighten, getting ready to either run away or curl up and die when two big hands grab onto your hips— keeping you in place.

“You want to be dominated, eh?” and pulls you to stand in between his legs.

“I’m not going to be kind,” and tightens his grip on you, “I’m not going to murmur sweet nothings in your ear. I’m going to use you for my pleasure— like my personal sex toy.” 

One hand moves from your waist to grab your hair in a vicious grip and pulls you down to his eye level, close to his masked face.

“Oh, pet. I’m going to ruin you.”

You swallow hard because you know he is and can’t wait but then the sound of the bathroom door opening brings you back into the present. Ghost lets go of your hair and you jump back, putting space between you. 

As you run your fingers through your hair, Johnny stumbles into the kitchen, tripping over a chair. Positively pissed. You move to catch him, putting his arm over your shoulder, yours around his waist to hold him upright.

“Right, Johnny boy, it’s time for bed.” you chuckle at his drunken mumbles.

After tucking him in, you head back to the kitchen. To Ghost. You watch him put his used glass into the sink before crossing his arms and leaning back. Expectantly. As you’re about to walk to him, he holds his hand up in a stopping gesture. 

“No. You’re gonna be a good girl f’me, remember?” he cocks his head to the side, and with finality in this tone says, “Crawl.”

Oh. Your heart is about to burst out of your chest. It starts now. Your reaction is visceral— dropping to your knees so hard they’ll be bruised tomorrow. Holding eye contact, you slowly drag your body towards him. One hand forward, then a leg. Repeat. 

Reaching his feet, you keep your palms flat on Johnny’s wooden floor and arch your back to look up at Ghost with wide eyes. He looks cool, indifferent. But the bulge in his jeans tells you otherwise. 

You wait for him patiently, continuously holding eye contact and it feels like an hour has passed before he talks. Commands.

“Take my cock out.” 

Your thighs tremble in anticipation, your pussy throbbing at his words. Hands to his waist, you can’t unbuckle his belt fast enough. You hook your fingers into his pants and pull hard enough that you hear a seam unstitch. That earns you a slap across the cheek, hard enough to sting. 

“Careful.” You wish you could say it was a reprimand but the feel of his calloused fingers on the soft skin of your cheeks sends a jolt straight to your cunt. 

Pants down, you stare at his cock. It’s a goddamn sight. Long and so very thick, heavy enough that even erect, it bends downward— foreskin covers half of the head and balls hang low. A masterpiece. 

Another slap to your cheek snaps you out of your adoration. 

“Open your mouth, pet.” 

He tastes of salt and his musk. You could sit here with him in your mouth forever. You go as deep as you can take him and he hisses when you hold him there until you gag and pull back— getting the stringy saliva from the back of your throat onto his cock. Flattening your tongue, you start to bob on his length until he’s properly wet. 

Ghost puts his hand on your head and begins to rock his hips and you start to add a twist with your head on every thrust. Soon, you feel him leaking more salty precum and know he’s close so you start sucking— cheeks sinking in. His thrusts start to get harsher and sloppier and the noises coming from your throat as he fucks it is sinful.

His grip shifts from your head to your hair and you put your hands on his thighs— digging your nails into his skin and he growls out, “That’s it. Come on, pet, you can take it.” 

Then there’s salty blooming on your tongue, cum leaking from the corners of your mouth because there’s simply no more room with his cock in it— dripping down your chin and onto the floor. It’s completely silent apart from Ghost’s stuttering breaths and Johnny’s muffled snoring behind his closed door.

Ghost pulls out his softening length and tucks it away, pulling his jeans back up but leaving the belt unbuckled. He then cups your jaw and makes you watch him watch you swallow his cum.

He gives you a light tap on your reddened cheek from his previous slaps and breathily says, “Atta girl. I didn’t even have to tell you what to do.” 

Your knees throb and your thighs burn but his compliment makes every single ache worth it. Any crumb of praise from him, you’ll take. 

He bends down to your kneeled form before saying, “Next week, I’m gonna pass by your flat. Until then, you do not masturbate, you do not come— And I don’t care what you tell Johnny but make sure he doesn’t visit.” and turns to leave. 

Clearing your throat, you croak out, “But you don’t even have my address.” 

Holding the door open, Ghost shrugs. 

“Don’t have to tell me. I know where you live, pet.”  The noise of the door clicking shut echoed through the apartment. With a groan, you put your arse on the floor and slowly extend your knees— hissing at the sharp pain of your knees finally unbending. Ghost is mean. So mean. How does he expect you to not touch yourself when the cum still drying on your chin has you soaking your knickers?

@thychuvaluswife

A/N: ha ha! hes a lean mean machine! i had way too much fun writing this i need help

[not-neverland06]

𝚃𝚑𝚒𝚜 𝙻𝚊𝚗𝚍’𝚜 𝚈𝚘𝚞𝚛𝚜

Pairing ˏˋ°•*⁀➷ Arthur Morgan x fem!reader

A/N: Oh. My. God. I am so sorry this got delayed so many times. This is such an important chapter to me, it plays such a pivotal role in "Y/N's" development that I kept scrapping it and starting over. I didn't want to give this to you guys until it was perfect, and I think I've gotten about as close as I can. I'm predicting one more story chapter and then possibly one short epilogue.

Next Part - Hell Hath No Fury Series

Summary: Arthur's gone and you're own once more. The familiar ache of grief lingers as it always does. But the clouds must always part for light. Through death and grief, you still manage to find yourself.

It always seems to be cold at night, now that Arthur’s no longer there to keep you warm. You curl into yourself, knees tucked to your chest as you smother your face in the thin pillow on your cot. You press the fabric tightly to your mouth, trying to keep the sounds of your crying out of the other’s dreams. 

There should be no surprise that you’re on your own again. Beating a dead horse doesn’t make it move, but somehow, you keep finding yourself tangled in the reins, dragged along by the memory of men who’ve long since let go. You wonder, sometimes, if your life is one bet of many between god and the devil, seeing which one of them can get you to break first.  What you could have done to draw their ire, you don’t know, but you’re not sure how much more pain and loss you can handle. Your lifetime is filled with the empty graves of those you’ll never see again. Now, Arthur’s is just another headstone to add to your endless cemetery.

You worry that you’re too loud on the harder nights. But no one’s ever complained that they hear you crying and you figure they’re all probably too busy mourning in their own way to notice the way you do. 

Abigail is practically an empty shell of herself without John. As much as they fought she doesn’t seem to know what to do with herself. Especially knowing he’s in jail, destined for the noose, and there is nothing she can do about it. 

Karen’s not doing much better. With Sean in jail alongside John, she’s fallen to the drink. She’s adopted a fatalist view that, without Dutch, you are all doomed to die at the hands of the Pinkertons. Sometimes, looking at the depressing faces of those around you, you think she might be right.

Stuck out in the middle of nowhere, with only two rotting cabins between what was left of the gang, you are a far cry from the fearsome outlaws you once were. This is no longer the Van der Linde gang. Now, you’re barely any better than a group of desperate wanderers. 

You know sleep won’t come to you tonight, you’ve been tossing and turning for hours. Any longer and you’ll wake everyone else up. Wiping roughly at your eyes, you slip a blanket around your shoulders and head toward the creaking door of the cabin. You try to keep in mind that one wrong step and the groaning wood below you will alert everyone. 

Barefoot, you walk along the muddied planks of the porch and head towards what’s left of tonight’s fire. It’s not ever-burning as it once was. The gang takes care to ensure if anyone were to come looking for you all, you wouldn’t be such easy targets. 

You sink onto the log before the dying fire, with embers glowing faintly in the darkness. Sparks flicker and leap from the blackened wood, a futile effort to reignite the flame. Their struggle is in vain, though, there is no life left to kindle, no warmth to revive. The fire is gone. 

Light footsteps make their way towards you, but you keep your gaze steady on the flickering struggle before you. “I’m gettin’ real tired of this,” Sadie’s disappointed sigh is a familiar one as she comes to stand behind you. 

“Were you in town again?” You ask, ignoring the glare you feel boring into your back. She stares at you for a while longer before letting out a rough sigh and throwing herself down beside you. The log shifts slightly under her weight and you dip towards her. 

“I was,” she grumbles, something white balled up tightly in her fist. You turn towards her finally, eyes narrowed on the paper in her grasp. Her face is drawn tight, jaw set angrily as something vengeful burns within her gaze. 

“What is that?” You ask, tone inquisitive but not truly interested. Her eyes dart towards you before she shakes her head and tosses the paper to the dying fire. What’s left of it, licks eagerly at the paper, trying its damndest to burn brighter.

“Nothin’, don’t worry about it. Why can’t you sleep?” Her switch in conversation is quick and far from subtle. Your head tilts slightly in curiosity, gaze switching between her and the paper that’s slowly curling up at the edges. She’s hiding something, it’s easy enough to tell from the way she refuses to meet your eyes. Besides, she’s snuck into town plenty of times, you’ve never seen her come back this riled up before. 

You jump to your feet and she startles at the quick move. “Don’t,” she snaps, snatching at your wrist as you rush by her and swipe the paper from the fire pit. Sadie gets to her feet, hand held out with an expectant look as she waits for you to give her back to paper. When you don’t comply immediately, she says your name, voice low and tense, a warning. 

Lips curling up slightly in challenge, you leap back as she lunges for you, holding the paper away from her. “What is it?” You tease, curiosity curling over the lingering ache from earlier. 

She snaps your name again and you flinch back in surprise, “I mean it, don’t look at the goddamn paper.” You’d only been joking with her, trying to focus on anything other than Arthur. Now, there’s a familiar churning feeling of dread as you look at your friend. She’s not angry at you, she’s angry at the thin sheet you’re holding. There’s something on here she doesn’t want you to see, not for her own sake, but for yours. 

Your breath quickens, heart dancing dangerously fast against your ribs as you finally look at what’s in your hand. She hisses your name but you stubbornly ignore her, frowning when you realize it’s a torn-out piece of a newspaper. It’s a smaller article from the local St. Denis paper stand, talking about a ferry being lost at sea. 

“Oh, god,” you whisper, hand coming up to cover your mouth as bile rushes up your throat. You bite down on your tongue until the taste of iron fills your mouth, holding back the nausea. “This is him, isn’t it?”

Sadie lets out a rough sigh, shoulders slumping in defeat. “I didn’t want you to know.”

“You were just gonna hide this from me?” You nearly shout, taking one angry step towards her. Her brows turn down in guilt, mouth settling into a thin line as she shakes her head. “No? You weren’t?” You demand, tone rough with grief. “You were just going to wait until I put the pieces together myself?”

“Dammit, woman, you’re barely holding it together,” she barks out, snatching the paper from you once more. She turns her back on you, shredding it into pieces so small you’ll never be able to finish reading it. “I was going to wait until I didn’t think you were on the brink of completely fallin’ apart. Besides, it doesn’t say anything about the people on the ship, we don’t know what happened.”

“We never will!” The words tear out of you, a sharp, bitter exhale. A panicked smile twists your lips as you struggle to keep yourself upright. “Sadie, your husband is dead, you know that. You have your answer. I never will. I will never know what happened to him. And it doesn’t even matter because he left me!” Your voice cracks, a sob slipping free despite your best efforts to swallow it down. “I shouldn’t care about that goddamn bastard, but I do.” You turn away from her, shoulders caving in as you wipe roughly at the tears streaming down your cheeks. 

There’s a beat of silence behind you. You miss the way her face falls, her hardened exterior falling away just for a moment. She looks at you with something like understanding, pity more likely. She steps forward, her arms winding around your shoulders, trying to hold you steady through the pain. You struggle against her hold for a moment but she keeps her grip firm, forcing you to succumb to the small comfort. 

You sink into her embrace, breath hitching as the grief claws its way up your chest, relentless and unyielding. You can’t keep doing this. You aren’t made to endlessly love and lose, to watch pieces of yourself crumble with every goodbye. It feels as though there should be nothing left of you- no bleeding heart, no raw edges. And yet, every time you think you’ve reached your limit, life finds a way to push you further. 

But life, pain, and the ugly company of grief never stops or goes away, despite how much you wish they would. 

A few weeks later

Physical pains and ailments heal. There may be scars left behind, but for the most part, you can be wholly healed. Anguish of the mind and heart is a different beast to conquer altogether. That sort of pain ebbs and flows. It doesn’t slip away neatly. It comes and goes, sneaking upon you when you least wish for it. 

Distractions can dull the edge. The looming danger of death and the law from any of your multitude of enemies helps. But more often than not, the weight remains a leaden burden on your shoulders and a gnawing ache deep in your chest.

For now, the pain has numbed into something dull that makes you clench your teeth and hiss. But if you force yourself, you can find steady ground to stand on. You can keep yourself calm and sated, if you focus yourself on the anger rather than the grief. 

Anger comes easier than healing. It lashes out at the world and balms over the constant pain, if only for a little while. You find yourself getting into more and more fights around camp. The forgiveness of shared grief has its limits and you’ve been testing them for a while. You’re curious how far you can push before you’re forced out by the rest of them. 

Sadie’s efforts of finding a new place for you all to hide don’t go unappreciated. But this cabin feels like a cage, no matter how far you’ve come from the mud and chaos of the old abandoned camp.  The tight space presses against you, the silence weighs heavy against your chest and constricts around you tightly. You hear the faint rustle of the trees in the wind, but it’s a vacuous cavern inside. 

The memories of Shady Belle plague you like a ghost. The brief moments when you could almost forget everything pressing down, but now, that place, too, is just another reminder of what’s been lost. Memories of nights spent with Arthur or sitting outside and listening to Javier play his guitar are tainted with loss and rage. 

Sadie and Charles provide you brief comfort, but it will never be enough to make this place feel like home. You try to shake thoughts of Arthur, what the gang once was, and everything that came before. You’ve been running for so long, from your past and who you once were, but it feels like you’re being dragged right back. 

Unable to handle the suffocating silence any longer, you take Arthur’s bow out from the chest under your cot. You grab a handful of arrows and jump to your feet. Throwing the door of the cabin open, you stride past everyone lingering outside. A few people give you odd looks, but they don’t stop you from leaving. You’ve become a dark cloud around camp, your presence heavy and actions unpredictable. It’s almost a relief for them when you’re gone. 

Lady’s just as restless as you are, except the dumb beast doesn’t understand that neither of them are coming back. Charles doesn’t know what happened to Diablo or the other horses when he fled St. Denis and you’re not interested in looking for them. She’ll just have to live with the pain, same as you. 

“Let’s go,” you mutter, swinging onto her saddle and leading her out of camp. It’s as if a weight slips from your shoulder the further you get from camp. The tight grip constricting around your chest loosens and for the first time in days, you can draw a full breath as the world opens before you. 

The thick groves of trees thin and give way to sprawling plains of grass and wildflowers that stretch endlessly. Steering Lady off the trail, you ride her hard and fast, determined to put as much distance between yourself and those suffocating cabins. Dirt kicks up under her hooves, flying up behind you as she pushes herself to the limit. 

The world around you blurs into streaks of green and gold as memories and grief slip away from you. You lean forward over Lady’s neck, urging her to go faster even as she huffs beneath you. You’re racing the wind, chasing after a dream that’s been lost to you. The air lashes at your face, the sting sharp and cold. Your eyes burn and you tell yourself it’s the wind, even as wet streaks drip down your cheeks.

Bright beams of sunlight streak across the ground, illuminating the path forward. Morning dew glistening under the light, transforms the earth into a field of stars beneath your boots. You draw in a deep breath, letting the crisp air fill your lungs, and tighten your legs around Lady’s sides, signaling her to slow. Her chest heaves beneath you, each breath a puff of steam in the cold air. You can feel her desire to keep running, that shared, desperate need to escape clawing at both of you. 

But she’s exhausted, and no matter how much you’d like to keep going, you can’t push her until she collapses. You’re tethered, whether you like it or not, you’re always going to be pulled back to camp. It’s a cage and a haven. Though you hate the confinement, deep down you know survival outside of it might be beyond you. You don’t trust yourself not to wither in the wilderness alone. 

The sound of water rushing draws your attention and you turn towards a green hill rousing in the distance. Guiding Lady toward it, you crest the incline and slip off her saddle, letting her graze.

Below, a river carves through the land. Its rushing currents are strong enough to carry something away with no hope of return. You step closer to the edge, peering down as the sunlight dances on the water’s surface. It runs like liquid gold, unnaturally beautiful, almost hypnotic, like the siren call of a sailor’s doom. 

A herd of deer drift alongside the river, their presence serene and almost make the idea of simply drifting away, peaceful. Your foot inches closer to the edge, slipping on the wet grass, and for a split second, the earth feels like it’s tilting forward.  

“You don’t usually ride out this far.” 

The voice snaps you back, and you gasp, spinning around. Charles stands behind you, one hand on Taima’s saddle, watching you with a calm but expectant expression. 

“I can’t stand being there,” you say, moving toward Lady. Your hands fumble with her saddlebag, needing something to occupy them. His eyes flick briefly to the river, then back to you, his gaze sharp and knowing. 

“You’re not the only one.” He strolls to the edge and whistles softly.  “Far drop.” 

You keep your hands busy, pretending to rummage through your belongings. “I’m a good swimmer,” you tell him, voice flat. 

“Not that good.” His tone is clipped, a warning wove into his words.  

You let out a sharp breath and finally turn to face him. “What do you want, Charles?”

He shrugs, resting one hand on his belt as his dark eyes assess you. “Thought you might want some company.” He pauses, his voice lowering. “Or, at least someone to keep you from doing something stupid.”

You wince, knowing how it must have looked. You’re hurt and desperate, but you’re no fool. The river might be pretty, but you’re not looking to drown yourself in it. “It wasn’t anything like that,” you insist, and Charles gives you a sharp, assessing look. “Charles,” you snap, exhaling in frustration.  “Honestly. I just,” you take in a slow breath, shaking your head, eyes downcast. “I need a break.”

“Alright,” he says simply. “We’ll take one together.” He walks back to the cliff’s edge, dropping down to sit with his legs dangling over the side. He glances over his shoulder and motions you to join him. 

Your fists clench at your sides as you take slow, reluctant steps toward him. The dew on the grass seeps into your pants as you sit beside him, hands folded in your lap. Out of the corner of his eyes, you catch his profile, calm, steady, and scarred. 

The aftermath of St. Denis lingers on his face. A fresh scar cuts along his jawline, a reminder of how close he came to joining the others who didn’t make it. Yet, with some of them gone, he seems more at ease. Charles never agreed with Dutch’s grandiose visions, and though he and Arthur had a bond, it’s clear the gang’s collapse has freed him from some invisible yoke. He wears his hair in a braid lately, speaking with nearby tribes and helping them when he’s not in camp. 

If it wasn’t for some odd honor-bound obligation he’s got to you and a few others in camp, you don’t doubt that he’d be riding free by now. Still, he stays with you, and selfishly, you’re glad for it. 

A gunshot cracks through the quiet, echoing among the hills. Birds take flight from the treetops as a hunting group crashes through the grove below. They circle around the herd of deer and let their bullets fly wild. Their hounds snap at the flanks of the animals, jaws clamping around the soft throats of the doe. 

Charles scoffs, shaking his head in disgust. “You don’t kill the does,” he mutters angrily. “Just the bucks. These men... they have no respect for the laws of nature.”

You let out a sardonic huff of laughter, gesturing toward the chaos below.  “Welcome to the future of our country,” Your gaze drifts toward the horizon, where smoke from St. Denis factories smudges the sky. Even this far out, civilization stretches its claws, unstoppable. “The west is dying, Charles. The time of outlaws, of freedom, is being shackled and destroyed.”

You turn to face him, meeting the same burning anger in his eyes that’s been smoldering in your own for weeks. It’s the first time you’ve seen that fire in him so clearly- the shared, silent rage, you’ve both been trying to suppress. “Our time is over,” you tell him, voice low with finality. 

His eyes narrow, jaw tight with defiance. For a moment, he says nothing, but then he rises to his feet, his movements purposeful. “Maybe,” he says, his voice steady, “but not today.”

Without another word, he strides toward Taima, tightening the saddle and checking the reins with precision. “What’re you doin?” You call after him, brows knitting together in confusion. 

He gestures toward the hunters below, his tone sharp. “You want to do something stupid. Fine. But take it out on someone who deserves it, not yourself.” 

His words hit like a slap, and before you know it, he’s leading Taima down the hill. 

You linger in the sharp sting of what he said only for a moment. Jumping to your feet, you rush to Lady, adrenaline coursing through your veins as you mount her. With a kick of your heels, you follow Charles down the path toward the hunters, your rage finally finding a target. 

For the first time in a long while, the weight around your chest lightens. You might not be able to fix the world, but you can make sure someone pays for tearing it apart. And as you ride beside Charles, you remember why he’s still here. He’s not just keeping you alive, he’s giving you something to live for.

Sitting inside the cabin, the smell of venison drifts toward you. After the incident with the hunting party, you and Charles salvaged what you could of the herd. Neither of you liked the idea of anything going to waste. Some materials were given to the local tribe, and the rest have been feeding the camp for days now. 

Last night, you’d scoured the woods for herbs and other ingredients and discreetly left them on Pearson’s cooking table. You were growing desperate for a flavor other than plain meat. Judging by the faint smell of mint wafting through the air, it seems he finally took the hint. 

Propped against your flimsy pillow, you run your fingers along the worn leather of the journal in your lap. For weeks, you’ve toyed with the idea of opening it, of seeing the world through Arthur’s eyes. 

Here, in the rare serenity of a quiet camp, you finally give in. The journal is as you would expect, sketches, details of some of the more pivotal moments for the gang. Every once in a while you’ll find a sketch of someone and a brutally honest recollection of how Arthur thought of them. Some of them are less flattering than you would have thought, you’re almost worried for how he might have seen you. 

You make it through his entries about Blackwater, the sun setting lower in the horizon as the light from the window gets dimmer. Outside, voices grow louder as people gather around the fire for dinner. You force your eyes to stay on the page, blocking out their drifting voices. 

His entries after the mountains are almost amusing. He’s clearly frustrated about something, though, he skirts around directly addressing what it is. Only a few times are you directly mentioned, for the most part, he avoids writing about you. But you catch glimpses of yourself hiding in the pages. A half-finished sketch of your hand holding his, the beginnings of your face abandoned before he can finish. 

There’s an entry a few weeks after you acquired Lady. A sketch of her and Diablo grazing together, their noses nearly touching as they crane their necks towards the grass. Surrounding the drawings are small notes about herbs and foliage he’d collected on his hunting trips. Among those sketches, there’s a small blurb about the horses.  

Diablo seems to be taking a liking to Lady, odd pair, I think. 

An odd pair, you suppose there’s not a better way to put it. Something that never should have worked, a devil and a lady, yet it still clawed and fought to find its way. In the end, though, one of them was always going to be left behind. You can’t help but wish it hadn’t been you.

A rough sigh escapes you, and you flip past the next few pages. Then, you stop. A familiar pair of eyes stare back at you. 

You’ve changed so much since this journey began. Your skin is weathered, your once-pristine hair is now more often than not dirtied and knotted from the wind. Your body has grown leaner, stronger, shaped by the relentless movement and harsh diet. The woman in the red dress from St Denis was already a stranger, someone you couldn’t recognize. 

Even from Arthur’s view, you still don’t know her. The general shape of your face remains. You have the same slope to your nose, your jaw still tilts the same way. But your eyes are so different. He drew them with fire, with life, with a fight you had once thought yourself incapable of. 

You feel invulnerable as you stare down at her, as though her fire can be passed so easily to you. The feeling flickers and fades, replaced with the same familiar ache you’ve grown used to. 

You can’t make sense of it, how he could have seen you so kindly, and yet still walked away. 

“Got that look in your eye again,” Sadie’s voice cuts through the stillness, startling you. She leans against the doorway, one hand lingering on the revolver strapped to her hip. 

“What look?” You mutter, glaring down at the journal. It feels too raw, too personal to keep reading. Torturing yourself with thoughts of him isn’t getting you anywhere. He’s gone. You’ve faced death all your life- mourn, move on. That’s how it’s meant to go.  

“Angry,” Sadie tells you, voice soft and knowing. “Like how I looked after I lost Jake. You ain’t look like that when you lost your husband.”

You shrug, fingers tracing the lines of your face through Arthur’s eyes. “Arthur was nothing like my husband. He leaves something to be mourned,” you tell her simply. She watches you a moment longer, but when you get to your feet, her expression sharpens. 

“Going somewhere?”

“Out,” you reply curly, the cabin walls closing in around you. You’re growing tired of the suffocating way Charles and Sadie hover as if they’re both waiting for you to break again. That moment on the cliff, your grief by the fire, it was all a lapse of judgment, nothing more. You’ve fought too damn hard for your freedom just to throw it away because the men you love always leave you behind. 

“Need some compan-”

“No,” you snap, cutting her off. Your tone leaves no room for argument. 

You step outside, the balmy evening air clinging to your skin as you head toward Lady. You don’t know where you’re going, but that’s fine. You just know you need to figure out how to live for yourself. And you can start by riding. 

The moon hangs heavy in the sky, its light threading through the plains like silver threads. Clouds roll overhead, slowly swallowing the stars. You smell rain in the air, a promise of a storm tomorrow. You’re sure you’ll be holed up in the cabins tomorrow while it pours. 

For now, you have the trail and the night for yourself. You let Lady take the lead, her slow gait a soothing rhythm as you settle into the ride. Normally, you don’t risk staying away from camp overnight. There are too many lawmen and bounty hunters looking to make a name for themselves. Tonight, though, you make an exception. 

A loud whoop cuts through the stillness, yanking you from your thoughts. You pull Lady to a halt, eyes roaming the dark horizon. A lone rider crests the hill, silhouetted against the moonlight, his path set toward something hidden around the bend.

“Must be my lucky day!” He hollers, voice manic. There’s a flash, the sharp crack of a gunshot splitting the quiet, and a scream follows. 

You curse under your breath, driving your heels into Lady’s sides. The two of you round the bend in time to see the rider poking his head into a finely adorned carriage. The driver slumps lifelessly over the reins, blood pooling beneath him.

Grimacing, you draw back into the shadows of the hill. “Alright, ladies first,” the bandit taunts. He reaches into the carriage, his groping hand causing a shrill shriek before he’s grabbing a woman and tossing her into the dirt. You grit your teeth, tucking yourself further out of sight, hoping to go unnoticed.

The glint of his revolver catches the moonlight as he climbs into the carriage. From inside, the muffled sounds of arguing give way to fists striking flesh. The woman lies with her face obscured by her hands. She flinches and sobs with each punch landed and the noises make Lady shift uneasily. Her hooves snap against the dried brambles of a dying bush. 

“Damn horse,” you mutter, eyes clenched shut as the noises momentarily pause. 

“Who’s there?” He calls out. It’s barely a moment before his patience snaps and he fires a warning shot into the air. “You don’t want me to come find you,” he warns, voice low and tight. 

Knocking the brim of your hat down, you let out a resigned sigh and turn the corner, forcing yourself into the open. “Howdy,” you call out, trying to mimic the casual confidence Arthur used to have in moments like these. Bandits, outlaws- they all recognize each other through the ease with which they face situations like this. You only hope you’re a good enough liar. “Just passin’ through, friend, no need for problems.” 

For a moment, his gun dips to his side. Then, his face is twisting into a wide, erratic grin. “Nice trail isn’t it? Perfect for catching big fish,” he says, swinging the revolver toward the woman’s husband. She whimpers loudly and grasps at the slumped-over man. You can hear his shallow, wet breaths from where you sit. 

“There ain’t no need to shoot ‘em,” you tell him, voice steady despite the tension coiling around you. “There’s a fence not far from here, you’ll get more money selling that carriage than you will killin’ them.”

He crackles and it makes your skin crawl. “Where’s the fun in that?” He sneers, cocking the hammer back as he points the gun at the woman. 

This man laughs, taking far more pleasure in tormenting others than in the act of robbery itself. He’s malicious, sadistic—the very picture of a perfect outlaw. For a fleeting moment, he sees something in you, thinks you might be cut from the same ruthless cloth. But he’s wrong, and there’s something exhilarating about stepping beyond the mold your family and husband once shaped for you, discovering who you can be on your own terms.

Your hand drifts to the revolver on your side, slowly easing it out of your holster. His head snaps toward the sound of you pulling the hammer back, but it’s too late. From your spot atop Lady, all you see is blood splatter as his body drops to the floor. The woman screaming lets you know you hit your mark near perfect. 

Opposed to the man now bleeding out in the dirt beneath you, there’s no thrill in the kill, no satisfaction. Just the cold thrum of your nerves, the slight tremor in your hands as you slide off Lady and stride toward the couple. 

With the bandit dead, the woman’s husband seems to make a miraculous recovery. He springs up, blood still streaming along his chin. “Thank God for you, sir-”

He stops short when you tip your hat back. Perhaps his ears were still ringing from one too many blows, dulling his senses, or maybe he was simply too pigheaded to grasp the fact that he’d just been rescued by a woman. You level him with an unimpressed glare. “Not a problem,” you say flatly

“Oh, good heavens,” the woman gasps, whispering your name with a startling familiarity. You freeze, eyes wide, as your blood runs cold. 

Elsbeth Morton. 

You’d know the voice anywhere. Of all the people you could have run into, she’s the last you’d ever want to see. Your tormenter through finishing school. She used to cut your hair in your sleep, stain your dress, and make your life a misery for sport. 

Her sneer hasn’t changed, though the lines around her mouth suggest her spite has only deepened. “Well,” she drawls, voice laced with faux pity, “I see nothing much has changed for you. Still scrounging out an existence in the dirt, are we?”

Your jaw tightens. “Elsbeth,” you grit out. “You’re welcome.”

She laughs, short and derisive in a way that makes you bristle. “For what? Subjecting me to this humiliating spectacle? Honestly, I think I preferred the company of the bandit. At least he had the decency to get on with it instead of pretending to play the hero.”

You bite the inside of your cheek, forcing yourself to stay calm, but she doesn’t stop. “It’s almost tragic,” she continues, brushing the dirt from her skirts as if trying to erase the sight of you. “You’re still so desperate for approval, aren’t you? Trying to prove you’re something you’re not. What’s next? A big speech about how strong and independent you are?” She snickers, tugging her husband to his feet. “We both know better.”

Your voice comes out low and steady. “You’ve always been good at pretending you’re better than everyone else, Elsbeth.” God hates you, you’re sure of it. If he doesn't, why is she here? Dragging you back to everything you loathed about your former self—the vapid, dependent, hollow shell of a woman who had once believed her worth was defined by the man standing beside her.

“Pretending?” she snaps, narrowing her eyes. “Darling, I don’t need to pretend. You can wear all the trousers you want, but we both know you’re still the same timid little girl, hiding behind a man and hoping no one notices she doesn’t belong.”

Her words cut, but they don’t sting the way they once would have. Instead, they ignite something, a fire born not of anger, but clarity. 

You’re not the man bleeding out in the dirt, killing for the joy of it. But you aren’t the polished girl she remembers, desperate for a man’s approval. You’re something else entirely. Unbound by society, free to choose your own path, you’re a beast of your own creation. And if there is one thing you’ve learned about yourself- you love putting your past in the grave. 

You let out a slow breath, your hand drifting toward your revolver. “Elsbeth,” you call, voice sharp enough to cut through her self-satisfied grin.

She stops, turning back with an arched brow. “What now?” she huffs. “Come to beg for my acceptance? Or just another pathetic attempt to-”

“That husband of mine,” you interrupt, voice cool as steel, “was good for one thing.” You draw your revolver, the barrel leveling with her chest. “Teaching me to shoot.”

Her eyes widen, her sneer faltering as her hand instinctively flies to her necklace.

Your lips curl into a wicked smile. “Now, how about you hand over those pretty jewels?”

She scoffs, but you see the way her grin falters, the slight fear in her eyes. You shoot her a wink and take a step closer, reveling in how she stumbles back. 

“And while we’re at it,” you continue, voice tightening into a sharp, mocking edge, “why don’t you hand over those earrings too?” You laugh, waving your gun recklessly as you shrug with a faux playfulness. “Actually, what the hell, I think I’ll take that dress—seeing as you’ve gone and gotten it all muddy anyway.” You take a step forward, your gaze narrowing on her trembling hands. “Hell, even that hair ribbon. You always did like rubbing your finery in everyone’s face, Elsbeth. Let’s see how you like losing it.”

She stares at you, disbelief flickering in her wide eyes, her hands frozen in hesitation. “You can’t be serious,” she whispers.

“Oh, I’m dead,” you pull back the hammer of your gun with a slow, menacing click. The sound hangs in the air like a threat. Your eyes narrow, and a dangerous smile tugs at your lips. “Serious.”

She moves hesitantly, every motion weighted with reluctance, disbelief etched across her face. You, the woman she used to torment and cow with a simple look, now dismantling her composure piece by piece. The power shift is palpable, and for the first time in your life, you watch Elsbeth Morton falter.

“Go’n now,” you say, your voice cutting through her trembling silence. “Don’t keep me waiting.”

Her husband flinches as she begins to remove her jewelry, her fingers trembling as she unfastens each piece. You hold out your hand, and she hesitates, her face flushed with humiliation as she steps forward to place them carefully in your palm, one by one, like a chastened child.

He glances at you, then at her, his eyes wide with a mixture of fear and disgust as if the sight of her submitting is too much for him to stomach.

Your eyes narrow on him, your hand tightening slightly around the revolver. The smug smile creeping onto your lips says it all—you’ll deal with him next.

You understand, finally, that you’re no longer the woman shaped by the men in your life. The husband who failed you, the outlaw who abandoned you, the society that tried to break you. People will learn that you aren’t afraid to take what’s yours anymore, because for the first time, you’re carving your own path, and God help anyone who tries to stand in your way.

Next Part end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.

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@whimsiwitchy

[bringthekaos]

I'm excited for your thoughts on the new season if/when you share them

It has legit taken me 3 days to come to terms with Act 1. Enough to be able to speak about it. Gunna apologize in advance for the wall of text, and I’m hiding it under a break for spoiler reasons. Also prefacing with these are all just my opinions. All are free to disagree with me and RB with discussions/theories etc. just don’t be a dick about it, I’m not engaging in any discourse.

Ok. So. I have mixed feelings, and I’m aware that this is because I don’t have the whole story yet. So this is all contingent on how the rest of the season plays out.

First and foremost, I’m… wildly swinging back and forth between love and disappointment for Viktor’s arc. So first the negative, and I’ll try to keep it brief because a lot of people have already expressed this and I don’t need to be beating that particular dead horse.

Viktor has had his agency, his bodily autonomy, his original ideas and nearly everything that made him Viktor stripped away. Nothing so far has been his choice. And while this could have worked just fine for an original character, he wasn’t. So there is a massive disconnect between what this character was/should have been. In League, it was all his choice (albeit with a healthy dose of mental illness thrown in, but still). AND it was very heavily suggested that many of the augmentations he performed weren’t as extensive as he lead everyone to believe (namely the controlling/dousing of his emotions). But it appears that whatever the Hexcore did to him, it’s real. He is clearly having a difficult time accessing his emotions, and if he can feel anything, it is limited to the point of him being completely stoic. And the thing with stoic characters is that you obliterate any emotional payoff for the audience. It’s very hard to make an audience feel an emotional connection to a character’s story arc when they themselves don’t feel anything (I have a theory about this though, but I’ll address it a little later in this post). And then there is the issue of Blitzcrank. Blitz was Viktor’s whole world, after his exile. How are they going to swing that? Like, I’m not even asking for Blitz to be in Arcane (that would be great, but I really don’t think they have time). But I stg if they take Blitz away from Viktor, make them someone else’s invention (my suspicion is Heimer or he finds the idea in Sky’s journal)… I’m sorry but no. This was Viktor’s idea, Viktor’s genius. I will genuinely be extremely upset if they take that from him too.

Then there is the whole situation with Sky. First, this girl was fridged. She was nothing but a plot device and continues to be just that. It feels hollow and forced, especially now that he’s hallucinating her as some sort of penance for what he did. (I have seen the prevalent theory that it’s the Hexcore using her image and his guilt to manipulate him, given that it “ate” her, and we have seen it “manipulate” him before when it punished him for trying to destroy it). But back to Sky—he barely acknowledged that poor girl. The reason for that can be argued, whether it’s because he’s gay or because he was just so wrapped up in his one-track minded research. But regardless, there just wasn’t enough setup between those two for this whole thing to have as much weight and meaning as I think it’s supposed to. Honestly to me (TO ME) it reeks of comphet. It feels like that random woman they threw at Poe Dameron to No Homo him. I’m not even asking for Jayvik canon. But the creators were well aware of this ship, after all it’s the second most popular ship in this show and it’s been around since 2012 when Jayce was literally created for Viktor. I’m asking for the bare minimum here—that it’s left open-ended as it was in League, open for interpretation.

Last negative I have is the whole Viktor Jesus thing. The first problem is I am pretty violently agnostic, and messiah narratives have never spoken to me. I don’t enjoy them, they feel weak. The whole “ordained by a higher power” thing is just… stale. Especially when this character originally had no higher power, he gave it to himself through his own hard work and ingenuity. Honestly, Viktor’s original arc is about as far from a Jesus allegory as you can possibly get. And I am absolutely terrified that they’re going to end said Jesus arc the way you’d expect—with him dying for it. Which leaves the moral of his story “disabled man should have just accepted that he was going to die despite the fact that it was the oppression and xenophobia of Piltover that left him out to dry, without proper health care, accessibility, equality, or equity that lead to his terminal diagnosis to begin with.” Which is a very oppressor-centric narrative and we do not need another one of those.

Sorry, I know I said I’d keep the negatives brief, and that was… not. My bad. But moving on!

I’m not saying I didn’t enjoy it, I did. I am working to embrace this new Viktor narrative and work it into my brain in a way that doesn’t ruin the ship for me. So without further ado, the positives.

Jayce.

Jayce.

Jayce.

I’d have to go back and time it, but it feels like he got more screen time in this first act than the entirety of the first season combined, and his character shined for it. It humanized him in ways season one never did. He’s caring, he’s devoted, and he loved Viktor! No matter what kind of love you think it is, it proves he loved Viktor without a doubt. He carried Viktor several city blocks to the lab to save him, and then YES, he broke his promise about the Hexcore because he couldn’t stand the thought of losing him!

And he’s funny! (The scene where he picks up the regular sized hammer in the fight against Renni and made that “this is ironic” face?? And then basically the entire interaction with Ekko? The hand me a tome thing, and then when he basically pulled this when Ekko suggested “so this is all your fault cuz you pissed off the Arcane”:

GOD that shit was great. Jayce’s personality just shined, and maybe it’s too much to hope, but maybe this will douse a little of the hate. Because instead of being a subtle hint at all of those things being true about him, it’s now overt. And when people lack media literacy, the hints have to be overt.

And th-the. The h. The HUG SCENE. I don’t think I will ever emotionally recover from that scene. Starting with Viktor who, despite being clearly emotionally—I dunno, vacant I guess—sounded so lost and scared when he said “what am I?” For me, it was whispers of that scene from The Last Unicorn: “what have you done to me?” And my poor sweet Jayce, who clearly hasn’t left this damn lab except to go to Cassandra’s memorial. Sleeping on the desk and bleeding through his bandages because he doesn’t want to spend a moment away from Viktor while he “recovers.” And his euphoric response when he finds Viktor alive, when he realizes he hasn’t lost him. And I OWE HIM AN APOLOGY, goddamn. I said in a post that “Jayce will not understand.” I thought that was how Arcane was gunna start the divorce. But Jayce genuinely did not care, as long as his lover friend was alive. And just… Jayce being so affectionate through this entire scene. The hug obviously, but also blurting things he thought he’d never get to say to Viktor—“I’m resigning from the council, my place was always here in the lab with you.”

And… the hug itself. I know we’re all analyzing it frame by goddamn frame, but I see exactly what everyone else sees—there is a moment where Viktor very subtly smiles. But it’s gone in an instant, and it turns bittersweet. LOOK AT HIM.

There is something there, it’s just buried. Deep beneath the surface. It seems to say “I want this, I have wanted this for so long.” But then he realizes something, something I don’t think we’re meant to understand yet. Maybe that he doesn’t feel anything about it anymore, and he recognizes that this should upset him and it doesn’t. Or perhaps it’s something more along the lines of “it’s too late.” Whatever it is, I think this is the exact moment he knows he has to walk away. Because he knows he’ll cave to the affection, he said it himself. (Which is another thing entirely. His voice changes when he says that. Something in him is reacting to that word. Maybe he’s fighting against it, or maybe he’s fighting to get it back. But something made him almost growl that word.)

Which leads me to my final thought (for this post anyway, cuz it’s turning into a novel); Viktor is still in there. He can still feel things, I just think they’re extremely muted by whatever the Hexcore did/continues to do to him, or he has to fight to express them. Because he also smiled at the hallucination of Sky after he “cured” Huck. And if he feels nothing, he wouldn’t have been “joyous” at the thought of her being proud of him, approving of the good things he’s trying to do in her memory. He wouldn’t crave that validation, that vindication from her. So I’m hopeful that we start to see this shell crack a little, especially if those visions of Sky are the Hexcore manipulating him through guilt. It will start to erode him, no matter how stoic he has become. And literally the only thing I’m clinging to is that Jayce will see this and try to pull him out. “He’s still in there and I have to save him.” And that maybe it’ll start to work.

[literaryvein-reblogs]

Writing Notes: Cliché

A cliché is an expression that was once innovative but has lost its novelty due to overuse.

Tips on How to Avoid Clichés in Writing

Clichés play such a big role in how we communicate that it may seem impossible to avoid using them in your writing. However, clichés can often be rephrased to convey the same meaning as the original expression. Here are some steps to take if you find clichés in your work:

Think about the meaning of the cliché. Use a dictionary to identify synonyms that could replace the word or phrase that is cliché.

Decide whether or not you need to include the cliché. Often, clichés are unnecessary placeholders in writing and can be deleted.

Rewrite the sentence with new words in place of the cliché. For example, if you’re describing a musical with the cliché “comes full circle,” the description could be changed to say that the musical “returned to the themes with which it started.”

Common Clichés to Avoid

There are a number of clichés that are so overused that they should be avoided like the plague (including that one). Here is a list of clichés you should avoid.

“The wrong side of the bed.”

“Think outside the box.”

“Loose canon.”

“A perfect storm.”

“Can of worms.”

“What goes around comes around.”

“Dead as a doornail.”

“Plenty of fish in the sea.”

“Ignorance is bliss.”

“Like a kid in a candy store.”

“You can’t judge a book by its cover.”

“Take the tiger by the tail.”

“Every rose has its thorn.”

“Good things come to those who wait.”

“In the nick of time.”

“If only walls could talk.”

“The apple doesn’t fall far from the tree.”

“The pot calling the kettle black.”

“The grass is always greener on the other side.”

“Beating a dead horse.”

Example: “As red as a rose” —a universal descriptor for the color red that is now commonplace and unoriginal.

Other examples of clichés include demarcations of time, such as “in the nick of time” and “at the speed of light.”

Clichés also include expressions about emotions, such as “head over heels” to describe love, and the phrase “every cloud has a silver lining” to express hope in difficult situations.

The word “cliché” comes from French.

It was first used to describe a stereotype: a metal plate used for printing an image.

Both the words “cliché” and “stereotype” derive from printing jargon but now have negative connotations.

Why You Should Avoid Clichés in Writing

Overused clichés can show a lack of original thought, and can make a writer appear unimaginative and lazy.

Clichés are often specific to language and cultures and may be a communication barrier to international readers.

Some old clichés have been repeated for so many years that the original reference is archaic and irrelevant.

When it’s OK to Use Clichés in Writing

There are a few instances in which the use of a cliché as a literary device is acceptable, but clichés should always be chosen wisely. Here are some examples of admissible usage:

To sync with a readership. Clichés of idiomatic phrases and slang words can work for specific audiences. If you’re writing for a baby boomer audience, the cliché “back in the day” would make sense. By contrast, millennial readers would be familiar with the cliché “the struggle is real.”

To simplify. Clichés can be used to explain beginning level concepts. For example, a how-to guide for expectant mothers might use the phrase “Remember, you’re eating for two!”

For characterization. Writers might have a character use clichés to demonstrate that they are not an original thinker.

A thought-terminating cliché is a phrase that offers a reductive answer to a complex idea.

The term was popularized in the 1961 book Thought Reform and the Psychology of Totalism: A Study of ‘Brainwashing’ in China by physiatrist Robert Jay Lifton.

They are also known as semantic stop signs or thought-stoppers.

Here are some examples of thought-terminating clichés:

“To each his own.”

“You win some, you lose some.”

“I’ll cross the bridge when I get there.”

“Take it or leave it.”

Source ⚜ More: References ⚜ Writing Resources PDFs

[eowynstwin]

Omg that last addition to the AC 141 was so cute!!! It just makes me wonder how badly they would freak out when their human misses when trying to catch a tarantula or scorpion and passes out from the sting… high risk high reward

previous

Soap rushes to the museum cafe when it happens, and finds the old lion at a corner table enjoying a cappuccino to some smooth jazz.

“Captain,” he pants, hands on his knees, “the human got stung.”

Price is unperturbed. He blows a little stream of cool air over his mug, eyes closed with pleasure. “Happened before, Soap. Just needs a little medicine, remember? They’ll be fine.”

“No, sir,” Soap gasps, “scorpion.”

A beat. For a moment, he thinks Price won’t react. He remains completely still, expression totally neutral—

Suddenly the lion flings the mug away, splashing an arc of coffee across the table, and then he’s moving fast, sprinting past an indignant, sputtering Brewster, and it’s all Soap can do after his mad dash to the museum to keep up. He doesn’t know exactly how Price knows which direction to run, but he figures it has something to do with the smartphone Price gave you when you first arrived—it hardly matters. They come upon you quickly, on the south side of the island, lying facedown in the grass and attended by Ghost and Gaz.

“Captain!” Gaz barks, visibly panicking. “They won’t wake up!”

Ghost is less flustered than the young wolf but equally distressed. “Price, we gotta do somethin’ fast, humans don’t take well to venom.”

“How the bloody hell did this happen?” Price growls. He gets on his knees to turn you over; you’re out cold, but still breathing easily.

“They were…” Gaz trails, looking bemused.

“Chasing it,” Ghost finishes. “With a net.”

Price blinks several times. He looks between the bear and the lion, and then at the horse. Soap raises both hands.

“What, are we supposed to stop them?” he demands. “You said we gotta let humans be humans, boss, sometimes they’re—well, er, they’re…”

“Mortally stupid,” Price supplies, bushy brows lowering. “Alright. Help me get ‘em home. They should be comfortable at least, while we figure out what to do.”

He says it perfunctorily, as if he’s ambivalent to your life or death, but when Price lifts your shoulders it’s the gentlest any of the 141 have ever seen him touch another living being. Ghost gets a hold on your legs, and between the two of them, with the younger animals following behind, they make it to your front doorstep.

Then—the moment they reach your door, like magic, your eyes suddenly pop open. It startles everyone so badly, Gaz and Soap jump back with shock.

“Price?” you say, blinking. “Ghost?”

“We’re here,” says the lion. “How do you feel, kid?”

“I’m fine,” you say. “What’s going on?”

“You passed out,” Ghost says. “We saw it happen—don’t you remember the scorpion?”

“Gave us a bloody heart attack!” Gaz cries.

“Ohhhh yeah,” you say. “Oh, I’m okay, guys. It’s not the first time it’s happened.”

Dead silence. Soap’s mouth drops open. Price is as still as a statue.

Ghost lets your feet drop to the ground. “Bloody fuckin’ hell.”

He turns away and stalks off, muttering under his breath. If you’re shocked by the profanity (a violation of another of Price’s many rules), you don’t show it.

“Thanks for bringing me home,” you say, looking innocently up to the lion. “I wanted to change my outfit anyway.”

Wordlessly, Price sets you down. You wave to the three remaining animals, and disappear inside.

“My house,” the lion says wearily. He appears as though he’s aged ten years in five minutes. “Someone get Ghost. I’m breaking out the whisky.”

[thegnomelord]

I was talking with some friends and kinda came up with an original story idea where you're the new groundskeeper for a wealthy Victorian gentleman who is definitely not some kind of eldritch abomination.

Here's some touch and go snippets of what I thought of, lemme know if y'all want to see me turn this into an actual story.

CW: NSFW at the end, gay, homoerotic pining, Victorian gothic, mentions of murder.

Now I'm thinking ab a dark gothic Victorian gent who is *definitely* not some kind of eldritch abomination who marries wives who mysteriously disappear or die soon after and you're the new garden keeper who moves to work there because your old man is ill and the Victorian gent lets you live there and through no fault of your own you catch his interest and the way you smile as you handle the newly born lambs makes his, definitely not dead, heart beat.

----

You'd snuck in a 'friend' from the local brothel after your friends badgered your ears off about being a 'real man'. The night had gone poorly, she was a pretty woman, yes, but you just couldn't bring yourself to have sex no matter how hard you tried. You had to beg her not to tell anyone about your problem before paying her and sending her on her way yet. . . you can't find her anywhere.

It's as if she'd dissapeared in thin air (or was dragged by the carpets down into the maw in the basement) — Don't question the thing in the basement, you don't have to worry about that and it's probably just rats. Besides the door for the basement is never where you last remember it to be.

You could have sworn it was down the hall past the master's study but when you go to look all there is is just another grandiose painting, this time portraying the whore of Babylon riding on the many headed beast. And the master of the house appears before you can recognise the face of the whore, asking if you can fix the old light in his study that keeps flickering

---

You notice the master starts asking for you or going out of the house more often, usually to go horse back riding through the wide hunting woods you maintain behind the house. You're never sure why most of the animals shy away from the master like a devil from a cross, but there is one dove white steed that is the master's favorite. It's the only one who doesn't shy away, the one that you're not sure was in that empty paddock last night but you'd rather not lose your job by telling him you'd probably lost his horse and it came back.

The horse is sweet to you but you've seen it try to bite the other farm hands that get too close. Maybe it's just a temperament thing, animals feel more than you do after all, but. . . Hmm, where's that new farmhand that had slapped your ass gone to? And was the horse's muzzle always dyed red like that? Eh, someone must have just fed it some strawberries.

____

You get bullied by the chamber maid into helping her with cleaning the numerous bedrooms because the other two have come down with the seasonal flu and you were *sure* the nth bedroom you go to clean is empty, you'd checked it twice, but somehow when you pass through the very same door you enter the master's private bedroom and he's there in only his sleep clothes smiling at you and you can only stutter out weak apologies with your face a flame while your eyes stare at the other man in a way that would get the old town's priest rolling in his grave.

Oh yes, your ma and pa were extremely religious, dressing you up in your Sunday's best, taking you to church every Sunday regardless if it's rain or shine. You remember seeing the new master of the house when your parents were allowed to attend the previous master's seventh wedding. The master's family has long since supported the church and the local community, gaining favour from everyone despite the, erm, eccentric decorations and continuous wife deaths.

But death in child birth or from disease can happen to anyone, and what is a peasant like you supposed to understand the gentry?

Besides, the current master knows best what the wealthy people invited to his party expect from a man servant that you were commandered to be this evening. And if the young lord decides to tug off your cross necklace in favour of tying his own tie around your throat, slowly tightening it until the knot sits firmly at your Adam's apple and his ungloved fingers brush against your skin, and his smiling face is inches away looking at you like a man should not look at another man while purring how dashing you look tonight, who are you to argue?

----

The dairymaid had asked you to go get some honey from the beehives they keep. The door slowly budges open as you're forced to use more strength than you should, as if the house refuses to let you out this early in the morning, you were certain you'd oiled the hinges but it's an old house, it's bound to happen.

You go to the hives and for some reason the bees are not as violent as you remember your pa telling you about them being. They just buzz around you lazily as you carefully remove the frames with the honey.

You're nearly given a heart attack when you turn and the lord is there, behind you, staring at you with eyes you swear glint like the surface of an oil spill after a rainstorm but that must just be the light.

"Let me try some?" He asks, closing in, as if you have any ability or want to refuse.

He reaches out to grip your hand. Your fingers are still sticky with honey and for a second your blaspheming mind thinks he'll lick the honey off your fingers (god smite you down for that thought, you don't even know how many 'hail Mary's you'll need to recount for that).

He dips his fingers in the honey, rivulets of the golden liquid trickling down his knuckles as he slowly brings them up to his face and sticks them in his mouth. You know enough of the gentry and their weird customs to know this would be seen as unsightly, but you're neither gentry nor do you find yourself caring when he keeps his gaze locked on you even as his lips part, pink tongue swirling around his fingers to lick up all the honey in a way that makes you think it's purposeful. (It can't be, he's the lord for crying out loud, you can already hear your ma reaching for the lord's word to bash those sinful dirty blasphemous thoughts from your skull)

He pulls his fingers from his mouth with a loud sound that goes straight from your ears to your chest and down to where it shouldn't. Your hands itch to grab the cross around your neck and hold it but you only now remember the lord still has it, his tie still loosely wrapped around your neck. His eyes sparkle like stars "You should try some." He says, and he's tugging you by the arm before you can even start spouting your excuses about how it's not your place for such things.

----

Getting down on your knees in prayer, only for him to appear and gently grasp your chin - murmuring lowly how worship can be done later, that he needs you to do one more task before you pray and head to bed

That 'one more task' turns out to be a simple fix that for some reason takes longer than it should. The house does not want another's name to be spoken by your tongue and isn't above petty childish ploys of constantly flickering the one light in the lord's private chambers regardless of how many lightbulbs you change. The lord doesn't mind despite your growing emberassment, he likes the sight of your muscles tensed to stay balanced on that rickety ladder and how, despite your annoyance, you still treat the house - him- with care.

And it's late at night when you finish, so late everyone is asleep and there's no point in waking everyone up by trying to maneuver through the dark house with a candle.

"Stay the night." He says, order clear even without his hands tugging on your shirt. It's improper to sleep in the lord's bed in your work clothes after all, and you swear you see his eyes harden when he noticed that cross you'd managed to find, but it's soon discarded when he pulls the shirt over your head, cross dropping to the floor to be quietly swallowed by the carpets.

----

The only prayer he allows to be uttered in his house is the one you mutter when you fist your cock, squirreled away in your tiny room in the house. The only time he allows you to pray to your god is when his name is right next to Jesus and God the father, asking them for forgiveness for your sinful thoughts while you rut your cock into the sheets and moan his name as quietly as you think you're able to get away with.

He's learned not to 'stumble' on you in such a state, humans and their privacy, you were stone cold like a nun for a month when he'd did that once, and he'd missed the sweet prayers you sing him late at night when you think he's not listening.

[twola]

might i add damsel in distress with reader never having seen arthur angry before and certainly never seeing him beat the shit out of anyone but witnessing it for the first time when he saves her 🤭

Bloodied

Arthur Morgan x F!Reader Smut (18+), MDNI

➵ Fic Masterlist ➵ AO3 Link

You slide down the back wall of the saloon, wild eyed and terrified at the scene unfolding before you. The neckline of your blouse had been torn, buttons askew and your curve of your breast barely hidden by your chemise. The curls you had pinned your hair up into fell limply and messily over your shoulders.

You could tell a bruise was going to form where he had hit you across the face when you tried to push him away. You barely got a scream out before he slammed you back against the wooden wall, one arm pinned across your collarbones and the other one moving to hike up your skirts - evidently this man hadn’t taken kindly to your flattery trying to empty his pockets. The arm against your collarbone moved south and the tearing of your pretty blouse echoed in the night, while the man’s dirty, rough hand brushed against the inside of your knee.

You readied your lungs to scream again - but before you can, your attacker was ripped from you and handily thrown across the alley between the two buildings.

As you catch your breath, you clutch at your torn shirt as you take in the scene in front of you. Indeed, your mark was thrown into the dirt by a hulking, shadowy figure that it only takes you a moment to recognize the black gambler's hat and worn leather jacket. It's Arthur, who had come along with the group into town.

Arthur strides with heavy, measured steps over to the crumbled body of the man, reaching down with one hand to grab his collar. He hoists the man partway up, his shoulders lifted off the ground, and slams his other fist across his face. You gasp at the noise the man makes, but Arthur pays no mind.

The outlaw brings his fist across the man’s face again. And again. And again. Blood bursts from his mouth and his nose cracks out of alignment. A tooth falls out of the man’s mouth as he loses consciousness.

You huddle against the wall as you watch Arthur beat this man, blood staining his knunckles as he continually slams his fist into the man’s face. You knew, obviously, that this line of work likely required this kind of skillset from Arthur, but it was a different thing entirely to see it in action. Terrifying actually.

After so many blows you’ve lost count, and are unsure if the man is dead or not, Arthur drops him to the ground, a bloody pulp, as he wipes his knuckles against his pants and turns toward you, completely nonchalant.

Arthur holds his hand out in front of him, offering it to you. You take his hand and allow him to pull you up, stumbling slightly as you try to hold your blouse up to salvage at least a bit of your dignity. Arthur immediately pulls his jacket off and lays it upon your shoulders, winding an arm around you to help you walk toward his horse. You curl into his body, large and warm and strong.

He’s gotten you up to his horse, lifting you as if you were nothing.

“Y’alright?”

You nod, still thunderstruck about what you witnessed before. His hands linger on your hips, one of his thumbs rubbing a comforting circle. How is this man the same brute that beat that other one bloody?

“Sorry you had to see that, I know you ain’t used to seeing it.”

“It- it's okay.” You mumble, pulling his jacket around you tighter, your gaze wrenched away from his, falling upon a bloody spot on the collar of his blue shirt. Your hand unconsciously moves to wipe at it, but his hand catches yours midair.

Your eyes slowly make their way back to his. Arthur’s large, rough hand places yours gently upon your thigh.

"Ain't no need for you to be gettin' any blood on you on my account."

"But it's alright for you to get bloody for me?"

He tilts his head down, his eyes hidden by that hat, and he taps your hip before letting you go. You immediately miss the warmth of his hands on you.

"Always, darlin’. ”

[namikawa]

— [the perfect host]

featuring: s. geto, s. gojo

cw: smut, implied threesome, cunnulingus, implied m/m, phone sex (?), daddy kink (ofc), established relationship (reader & gojo), fingering, fem reader, chubby reader, getting “caught” masturbating, use of the word cunt (sorry lol), aftercare, not proofread fr, anything else i forgot lolz, pet names (mama, baby, pretty, sweetheart, love). wc: n/a.

notes: this is actually a fic my friend wrote (never published) & i re did it with two diff characters & finished it for her cause she never did… so if yall like it GO TO HER BLOG ILL TAG HER. this wasn’t my og idea i just wrote the smut and tweaked & added. but enjoy pls, sorry i haven’t posted in so long life has beat me up. @nvmjccnluv !!!

“so explain to me why i’m watching her again, she seems completely capable of staying in your apartment alone yknow.” suguru questions over the phone. it’s not that he hates you, but what if he was busy? he wasn’t, but gojo didn’t need to know that, he didn’t even ask to be fair. quickly dropping you off after handing the long haired man a small bag of your things.

on the other end of the phone gojo lets out a huff of laughter. “had a few things to finish up, she gets too lonely when i leave her at home so i didn’t want her getting into things. you know how it is.”

“i actually don’t, but okay man.”

“anyway, she doesn’t like many people but she didn’t seem to mind you the last time we hung out, you seemed like a safe option.” gojo continues, sounding a bit strained.

“okay, whatever, fine.”

“where’s she at anyways? if she was with you she would’ve jumped your bones to get to the phone.”

walking toward the the closed door in the hallway, geto chuckles before reassuring his friend. “relax dude, she’s in the room taking a na- holy shit.”

-

“what happened??”

the dark haired man places his ear on the door to make sure he’s not hallucinating, not saying that he’s hoping to be.

muffled moans greet his ears, but not muffled enough evidently. no, you wanted him to hear. he would have to pass by your room anyways, given that you two would be sharing a wall for the night. but him being on the phone with your boyfriend was just a coincidence, an extremely embarrassing one.

he listens to your soft whines and high pitched whimpers for what feels like days, though its hasn’t even been half a minute, paying no mind to the man yelling at him on the phone.

“SUGURU? ANSWER ME! IS SHE OKAY? I SWEAR IF SOMETHING HAPPE-” at this point geto tries to think as hard as possible to come up with a lie that won’t get him killed by his friend.

snapping out of his daze, he finally gets enough courage to respond, “yeah um i’m pretty sure, maybe i’m wrong, i think she’s uh masturbating.”

“oh, oh okay” suguru can basically hear a smirk he knows all to well forming on gojos mouth. “don’t be a rude host, go help her out man.”

what the fuck is he talking about help you out? he can’t be understanding that this is his girlfriend he’s talking about, right? on top of that, shouldn’t he be asking you for consent as well.

“are you insane man? i know you’re into all that weird shit, but her? she’d probably kill me before i even got close to the bed and throw my dead body out of my own apartment.” as nice as it sounds he didn’t know if you’d be okay with any of this. he wasn’t going to just walk straight in, right?

there’s a loud howl that comes directly from the other end of the phone. “are you really being this much of a pussy right now? i’m giving you full permission to go help my girl out, and you wanna whine about how she might kill y-”

“shut the hell up man, i didn’t say anything about being a pussy.”

“alright, then there shouldn’t be an issue with you helping her out. don’t sit up on your high horse and act like you haven’t thought about it before, i know just how those perverted thoughts of yours work, don’t you rememb-”

“okay okay shut up satoru, im going.”

pushing open the door, the first thing geto notices is your hand rubbing lightly between your soft thighs and how your wetness soaks the bed, clear evidence of how needy you were. how long have you been at it?

gojo can hear you so clearly over the phone, he might as well be in the room with you, “shit, is that her pussy i’m hearing? whats it look like?” he questions, but unfortunately for him he receives no answer.

suguru is too busy enjoying the view and listening to the pathetic little sounds coming from your cunt. his sweatpants are slowly starting to fit a little tighter than before, but he doesn’t make any movements yet, just in case you don’t wanna play this little game.

almost immediately your soft eyes flutter open and lock into his, and he swears he just came in his pants.

“sugi, please, it hurts so much,” you whine out to him, desperate for his veiny hands on you. your own hand never seems to falter though, only moving in more erratic circles around your sensitive clit; while your other hand is busy touching your nipples, trying to get the most stimulation possible.

knowing that you were just as needy for him as he was for you made the man’s confidence peak. he gives you a light smile as he walks closer to the bed, softly sitting down next to you. he leans over you a bit, close enough to where you can smell the minty, almost overpowering, scent of his shampoo. half his hair loosely tied up in a bun, the other half falling past his shoulders as he looks down at you.

“something wrong, pretty? those fingers not doing enough for you, right? don’t ‘cha wanna wait for your boyfriend to come back so he can help you out, he’s on the phone you know.”

his soft hands begin to work at your thighs, but it seems like it’ll never be any more than that. continuing for a little longer, he presses the speaker button on his phone, handing it over to you as you pull away from your core.

“can you hear me, sweetheart?” gojo asks, now finally getting some time to speak to you after being ignored for so long. “i gave sugi permission to help you out, okay? does that sound alright to you?” he utilizes the small nickname you’d given his friend, innocently coercing you to be good.

you give a small “mmm” in agreement. then, opening your legs, you grab at suguru’s hand and place it between your thighs, just barely touching your cunt.

gojo continues, smiling to himself on the other side of the device. “‘kay. i’m gonna talk you through it, just so i know you’re treating my girl right. take two of your fingers and stuff it inside of her, she’ll clench up at first but just keep working at it and she’ll open up, okay? maybe if you do good, you can have something too.”

geto lets out an annoyed breath, short, but just long enough for gojo to catch it. he knows what that means. what’s even stopping him from fucking you in first place? it’s not like gojo would know. but as he looks into your pleading eyes he realizes he’d do anything to make sure you’re content and happy.. even if that means listening to satoru’s perverted requests.

his fingers slide down to rub at your clit just a bit, before burying his pointer and ring finger deep into your cunt, you clench so tight around him, it makes him feel like he’s dreaming the way your teeth suck at your bottom lip attempting to hide your whines.

“cmon pretty, open up for me. promise i’ll make you feel good, okay?”

a throaty whimper slides from between your lips as geto’s fingers work you open. “‘s good sugi, please like that more.” you scoot down a little more, chasing his fingers to get even just a little more stimulation.

“next you’re gonna press on her clit, just a little though she’s a sensitive little thing.” gojo groans out, it’s obvious he’s taken a break from his work to focus on… other things.

“yeah yeah, i know how to use my fingers, asshole.” suguru voices, clearly annoyed. although, he still abides by the instructions and moves his thumb to press on your clit just a tiny bit. your back arches away from his fingers almost immediately, like a natural instinct, he grabs your plush hips with his other hand, pulling you back down. “nuh uh, c’mere sweet girl, you wanted my help you’re gonna get it.”

his delicate fingers curve upward into you and you feel as if you’re floating on cloud nine, the way he flicks them at just the right speed while managing to hold you down and deepen his movements. it’s all too much for him you.

the sound of gojo’s voice breaks geto out of his daze, “fuck, i gotta go suguru. i know you’ll take care of her. i’m gonna have to cut this shit short, i’ll try to come back later tonight instead of tomorrow morning. love you guys, love you baby, be good for sugi okay?” geto’s eyes immediately flicker to yours, and you see just a little bit of what you think could be fear, or excitement, in his eyes.

“bye daddy, love you too.” you whine out, hearing a quick click before the call ends.

“daddy?” he questions. “knew he was into some shit, didn’t know you were too, sweet girl. you’re too pretty and innocent, or at least you put up a good act.” his fingers slide out of you as he snickers, not ignoring the way you pout at the loss of stimuli.

“nah, not gonna leave you here all needy don’t worry mama, just gonna do it my way, that sound good to you?” geto grabs you by your hips as you choke out a small “yea”, pushing you closer to the headboard of the bed. he fully removes his hair tie and throws all of it up into a bun, swiftly grabbing your underwear and pulling it off.

you look down at him as he crawls closer to you on his stomach, wrapping his arms around your thighs and closing them around his head. you feel his fingers spread your cunt apart, licking a long stripe onto you. your body tenses up, and on instinct your hand finds its way into suguru’s hair, tugging lightly. his head perks up at you, smiling, but eventually just deciding to leave you be.

his tongue swipes over your clit, taking small breaths occasionally as he tastes your cunt. neither one of you know who this is really for at this point. he’s supposed to be ‘helping you’ but with the tent growing in his sweats he might as well be doing this for his own pleasure instead. you continue to take harsh pulls at his dark strands, so unfamiliar to you. mostly with satoru you opted for scratching at his shoulders or gripping at the sheets due to the length he kept his hair, but this, this was something you could get used to.

“sugi please, m so close, want it so bad, need you to make me cum.” you cry out, loving the way his nose rubs against your clit as he licks.

he doesn’t say anything, he can’t really, but you know he understands. he grips your thighs tighter, licking the same way as before, occasionally sucking at your clit, and before you know it you’re squirming all over his face as that familiar feeling rushes over you.

the only thing that suguru could make out of your cries were “thank you”, “so good”, and “daddy”? he wasn’t sure if you were calling him daddy or if you wanted gojo, but at this point it didn’t really matter to him. he pleased you and that’s all he needed to make him feel better.

as he lifted his head up from your pussy he could already tell how tired you were getting, he immediately grabbed you a change of clothes that gojo had packed and cleaned you up with a wet washcloth. “everything okay, mama? need anything?” your eyes strain open and you smile at the man standing above you, “i’m okay, thank you for your help. will you stay?” you could tell that he genuinely cared for you, and was worried he had done something wrong by the tone in his voice. him staying was more for him rather than yourself, not that you were complaining.

he pulled off his shirt as he crawled into bed next to you. grabbing his phone from the bedside table he saw that gojo had sent him a message.

“i’ll take care of you both when i’m back, cause i’m betting you didn’t take anything for yourself. see you both soon ;)”

suguru chuckled to himself at the message from his friend, looking down at you peacefully sleeping on his chest. maybe he could get used to something like this? but for now, he’s content.

[dumbbitchenergy17]

Where the Wild Things Are - Chapter 14

Chapter Fourteen: Save Who You Can Save

Plot: Wild men or monstrous infected creatures, the world is wild and ravaged by Cordecyps but some are raised in it and flourish becoming a wild thing.

Word Count: 2.4K

Pairing: Joel Miller x Platonic!Teen!Reader, Ellie Williams x Platonic!Reader

Warnings: canon-typical fighting/violence, injuries, harsh language, tw: CHARACTER DEATH, description of intense injuries, trauma from abusive mother, description of child neglect/abuse

—————

Joel...save who you can save.

“Be glad I gave you the family reunion you were so desperate for,” Her finger rests on the trigger and you’re unsure why you aren’t afraid. Maybe you’ve expected death for a while, whether from something simple or by infected. To be executed by your mother in front of your father wasn’t how you thought it would go.

A loud guttural cry pieces through the night pausing your inevitable death as it grows quiet for a moment. You feel the ground rumble under your cheek like something large moving. Another familiar screech that sends fear in not just Jacksonians but Raiders alike.

“Infecte—” A man shouts but is bodyslammed by a runner who beats his face in. It’s complete chaos you see something jump over you and you watch your mother get tackled hearing the sound of gunfire and screams filling the air. Someone grabs you and you see it’s Joel shouting something at you but a high-pitched ringing from the sight of your mother being mauled. Tommy appears with a rifle shoving another weapon in Joel’s grasp as they try pulling you away and defend themselves at the same time. Your vision catches a clicker enter the stables and your mind runs clear only one through.

Lila.

You shove Joel away and he screams your name watching you disappear amongst the chaos. He would have gone after you if a clicker hadn’t rushed him forcing him to defend himself. It’s a bloodbath of either infected or humans dropping like flies. You were surprised to see the sudden resurgence of Jacksonians joining the fight to stop the raiders and infected. Rushing into the stables you hear screams and see Lila under a table out of Red’s pen her legs kicking at a clicker trying to grab her. With a roar, you jump the clicker stabbing it in the neck as it screeches before falling dead. She cries rushing into your arms and you pick her up. Her back is wet with blood and you see the dead man’s body and a smear assuming she slipped on it.

“We gotta go!” You yell rushing to Red’s pen opening it fully pulling the horse out. Placing Lila on the saddle before climbing on top holding her close to your chest. “Hyah!” Red bursts out of the stables into the chaos, a building is on fire, and gunfire from every direction as you guide Red out the main gate. Some infected try chasing after you but you fire your rifle at them mowing some of them down as you disappear into the night.

It took hours and many dead men and women to finish off the raiders and infected. The main gate was heavily damaged from the invasion and they lost many brave men and women as well as many innocents. A large pyre was built in the middle of the town to burn the bodies. Many were outraged they couldn’t bury their dead but the council couldn’t tell who was killed by raiders or by infected so they had to be certain no one was going to turn. Joel stared grimly at the flames still caked in blood and grime along with the many others, Ellie tucked in his side tears in her eyes at the many they lost. Joel catches his brother’s eyes across the pyre a conversation needing to happen.

“Ellie,” he squeezes her shoulder, drawing her attention, “Go join Maria in helping settle the children.” Many homes were destroyed or ransacked, so currently, there is a sanctuary at the church, where many of the injured are being taken care of since the clinic is way too small to house so many. Ellie nods before heading off, where Dina and Jesse join her. Tommy stands beside his brother, still in grime and blood from the night before.

“We haven’t found her b—” Tommy speaks his voice heavy.

“She’s not dead.” Joel’s words are final as he continues watching the flames. After you disappeared within the chaos he never saw you again. You and Lila left no trace besides the stables missing Red and the dead body of a raider and clicker. Your mother’s body was almost missing so they weren’t sure where she went off to which didn’t settle his nerves knowing she was seconds away from killing his daught–

“She’s alive,” Joel says glancing at his brother, “She knows how to survive, she would have lived tonight. Where would she go.” Tommy grows quiet, he knew your places here in Jackson. Where you went to be alone or avoid people he knew those hiding spots. But outside Jackson.

“She’d head back to the cabin,” Tommy says and Joel looks over at him. “Ever since we brought her here that’s the only thing she’s asked for. After that, I’m not sure where else she’d head to, knowing her most likely North to more desolate areas.”

“Then we head back to the cabin.”

You didn’t realize how close Jackson was to the cabin, it’s harder to tell directions during the winter but with it all melted into spring and life brought back you recognized familiar landmarks once covered by snow. Guiding Red out of the dense forest over the small hillside there was the cabin. The snow had long melted and the bodies that once there seemed disposed on the outside. The hole was still in the roof but you were surprised to see it standing. You expected the Raiders to have burnt it to the ground. Lila is fast asleep on your lap as you guide Red to the pond where she eagerly drinks water. Sliding off with Lila in your arms you pat Red’s coat.

“Thank you, Red.” You whisper before adjusting your grip and heading inside. The place was completely deserted as you rested Lila on the destroyed couch before checking to make sure the area was secure. Returning to Lila who was still asleep you take in her feverish complexion resting your hand on her forehead feeling how hot she was. Opening your pack finding your canteen and a rag you drench it in the cold water before placing it atop her forehead. Looking over her you freeze seeing a slight muscle spasm in her hand. You rub your eyes hoping you're just imagining it from the exhaustion but then you see it again her hand full twitch before falling limp. She seems almost lifeless in your grasp as you pull up her sleeves not seeing anything, peeling her collar back and her skin though dirty but clear, you grab one of her legs pulling up her pant legs and there’s nothing, you grab her other leg feeling your hand grow damp from blood as you pull up the cuff.

“Oh god,” You fall back covering your mouth with your arm at the sight, of her leg with a clear bite mark and the infection spreading strongly deep red and black veins protruding from it. You feel sick at just the sight of it taking in the young girl who looks peacefully sleeping but is transforming with every second. Why didn’t you check more thoroughly for the bites, you could have done more. You could have gotten her to Ellie maybe she could have turned her immune if that’s even how it works.

“Y/n…?” Lila slurs out like she is woken from a groggy nap but it was the infection taking over.

“Hey, I’m here,” You rush forward pushing back strands of sweaty hair that stick to her forehead. “We’re safe okay we got out.”

She smiles, “Did momma and daddy get out?” She asks and you grow quiet and you see the twitching in her hand before it dies down.

“Yeah, they did…but we got separated,” You feel a burning in your throat as you speak the next words, “We’re gonna go see them soon though.”

“I can’t wait to see momma and daddy!” She says happily though still weak and you smile those tears burn at the back of your eyes. You look up forcing them back before clearing your through.

“y-Yeah..me too.”

You clean Lila up when she falls asleep again her energy drained from just a simple conversation taking the time to trash your old bedroom to let out the rage and sadness inside of you. When Lila reawakes you’re sure she can see your bloodshot eyes. Taking her outside she smiles at the vast amount of fields and flowers that surround the cabin.

“So pretty,” She slurs as you sit amongst the grass as she plucks flowers. You can see it’s taking over more and more and you know keeping her like this is wrong but you can’t get the strength to do this. She holds out a flower for you as her hand violently twitches, “For you.” You smile placing it in the pocket of your flannel being careful with your rifle still slung over your shoulder not to let the strap crush it.

“Thank you, honey.” You say before looking at your pack lying beside you and on top of it the pistol. You glance back seeing the twitching only gets more frequent as you feel sick.

“Lila sweetie,” You call out to her, “You wanna see some fish?” You try to keep your tone light but you’re too choked up to fake it. She doesn’t seem to notice whether her oblivion or the one induced by the infection.

“Fishy!” You tuck the item in your waistband before coming and helping her to her feet as you two stand guiding her over to the pond. She giggles at the colorful fish swimming around and the frogs hop across the lily pads. You crouch down to her height placing a kiss on her temple and letting yourself rest there for a moment. Before you rise take a few steps back to admire her the beautiful and innocent of her ever as this deadly thing takes over something so pure. Your hands shake as you check to see the gun has a bullet in the chamber, cocking it back the noise fills the air but Lila doesn’t pay mind to it.

“li-Lila…” Your voice cracks as you call out her name and she doesn’t turn to face you, “I love you.” Your voice drifts through the wind as her waning attention is still focused on the pond.

“I love you too Y/n.” She says and tears streaming down your face as you raise the pistol to aim. Closing your eyes your finger pulls the trigger. A loud crack fills the air before the sound of a thud. Your knees hit the ground your face pressing into the dirt as you sob. Your fist bangs against the grass and dirt as you cry into the earth cursing it. For bringing you into this world, for making you find such pure thing to love, for making you be the one to end its suffering.

“Y/n..”

A slurred voice calls out and you whip your head up to see a person standing a few feet away from you. She was covered in blood and grime, her clothing ripped and tattered, but you could see the multiple bite marks that littered her from her neck down to her legs. She twitches erratically her eyes bloodshot and shifty as she moans in pain.

Your mother.

Her gaze moves from you to the body that lies behind you and she with the dwindling mind left in her as the pieces connect. She screeches rushing towards you with flaying arms and you raise your rifle firing at her legs. She hits the ground and this anger you’re not sure you’ve felt before overtakes you. Retribution for all the pain and suffering she put you through, every tear shed, every drop of blood bled, for the pain she put Jackson through, the pain she put Ellie through, for Tommy and Maria, the pain she put Lila through, the pain she put Joel through. You let it take over as you used her as your punching bag. Your rifle fires multiple shots at her arms when she tries crawling leaving her writhing and screaming in pain. You jerk the empty clip out fill a new one and hold the trigger as you spray her with bullet holes, her screams pierce the serene atmosphere, and you reload another clip. She stares up at you with tears in her eyes, with the last bit of humanity whether for mercy from your wrath or to finish her off and end her suffering. But you didn’t want her to die, you wanted her to feel exactly what you thought. You scream pressing on the trigger as she is painted in bullets, you don’t care that she isn’t moving anymore. The rifle stalls empty of bullets and you throw it to the side with a roar pulling out your handgun and shooting her in the head her skull fractures open more, and your gun jams. You scream pulling out the knife as you fall to the ground stabbing her blood and spraying it on your face pulverizing her brain matter as you sob and scream. You embed the knife deep into her coming through the other end into the ground as you fall to the side emptying your stomach. Your throat burns from the acid as you hack and cough up practically a lung as you cry. Pushing back you look at the scene you left behind your hand scrambling for the pistol. Opening the clip you see only one bullet left and your mind goes numb. Reloading the singular bullet you rise to shaky feet stumbling over to Red who paces at the event just happening. Untying the reins you let them fall from your grasp.

“Go Red,” Your voice hoarse as she doesn’t move pressing her snout against your shoulder and you shove her away, “Go away Red!” You yell smacking her rear and she rushes off and you watch her disappear over the hillside. Dragging your feet back to between the corpses of your mother and sister you let yourself fall to your knees draining it all. Pulling the crushed flower from your pocket a few petals fall as you bring it to your nose taking a deep inhale of the earth. The last good thing you can say you did. Sat and smelled the flowers before you died. Raising the pistol not even flinching at the cool metal gracing your temple your finger undoing the safety with a click. Your finger rests on the trigger looking at the small beauty left in this fucked up world.

“Y/n!”

And you pull the trigger.

Where the Wild Things Are Tags

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If your name is crossed out tumblr won’t let me tag you for some reason. Sorry :(

[katerinaaqu]

A question about visual arts this time

Do you have any favorite classics artwork(s) that is Iliad related? Like ancient potteries of Homeric heroes, mural arts, paintings during the medieval Europe, etc?

Oh my that is a very good question! There are so many pottery painting and murals of later years that portray so greatly the epic cycle that is so hard to choose!!! But I believe one of the old masters is definitely Exekias! As you remember from my small analysis on the preparation of Ajax suicide. He creates some amazing pasterpieces with the Iliad protagonists and he is very detailed in his style. See for example the famous depiction of Ajax and Achilles playing a board game:

His lines are very bold and his work is very detailed and not only that he includes even thematics that are lesser known such as the preparation of the suicide instead of the act itself or this board game that ellegedly happened in the middle of a battle. Of course we also have the so-called "Siren Painter" with the amazing depiction of Odysseus resisting the sirens songs from the Odyssey

But to focus more on Iliad as you requested (or the general aspects of the war) One of my favorites is definitely this Kylix that was drawn by a painter named Douris. here's an image of Odysseus approaching mourning Achilles (his arms are hanging from a wall which is a very interesting detail)

This Kylix involves the sharing of the arms of Achilles and the medalion in the middle depicts Odysseus handing over to Neoptolemous the arms of his father while holding a boetian-style shield instead of the well known shield of the homeric poems (and it is interesting given how most Neoptolemous depictions involve him killing Priam -he seems so innocent here doesn't he?!-):

A roman wallpainting from Pompeii is definitely one of my favorite Patroclus representations along with of course the infamous scene with him being taken care of by Achilles in a Kyllix

The fight over the body of patroclus in the black-figure style is also amazingly expressive:

The Berlin Painter has definitely one of the most expressive depictions of the battle between Achilles and Hector:

This depiction is around the neck of a crater, the figures are named and I loved how Hector is bleeding profoundly while untouched Achilles is going for the kil with his spear. Euphronius painter also has a very brutal scene of Achilles slaying Troilus:

An Amphora mostly black but for one red figure seems to be depicting Antilochus and is a really rare one from one I can tell!

I love how his long, wavy hair is arranged under the helmet and his obviously youthful appearance (he is a great source of inspiration for my Achilles and Antilochus story). I also love the Triptolemous Painter for making this depiction of the council of Achilles:

Not only do I love the cheeky pose Odysseus has; trying to transfer his ature through painting! Not only do we again see the arms of Achilles to the walls but also we have old Phoenix to the background with his hair tonred up with white color (thankfully rescued by passage of time) with his long hair thugged with the hair band and all!

Kleophades Painter has one of the most brutal scenes of the murder of Priam I have ever seen!

This seems to follow the line of the myth that Virgil speaks of in Aenead; Neoptolemus kills Astyanax before his grandrather before killing him too. In here he seems to have laid the dead baby to his knees and almost seems like either repeatedly stabbing him or beating him to death while Priam tries to shield his head. The baby also seems to have been repeatedly stabbed as well! And blood splattered everywhere!

For Diomedes this is definitely one of my favorites; the stealing of the horses with Odysseus

One can see his youthful appearance compared to Odysseus as they drive the horses away or the exchange of the weapons with Glaukus

I love his youthful appearnce and the thin features and yet the stout body to show his warrior status and the way he receives the shield with care in this, shows much on his personality really.

*

Oh there are so many different depictions by ancient art alone! I would be more than happy to elaborate further with specific images on specific heroes if you want on future reblogs because honestly the category is huge! Even scenes like geometric time paintings seem to be quoting Homer and either the funeral of Patroclus or Hector:

Thank you for the intriguing question! Made me remember many of these masterpieces!

[vaguelyaperson]

the more i think about it, the more i like that izuku becomes a teacher as a quirkless adult, and that he supposedly never takes on full-time hero work

... it just wouldn't feel like such an odd ending if it wasn't such a sharp turn from the themes of the story.

it would beat a dead horse to get into such themes: the insistence that izuku could be a [pro] hero too, save to win win to save (implication of bkdk as hero duo), go beyond to achieve your dreams, ect. others have commented on this eloquently enough. i want to contemplate how 430/431 are a valid ending... if the story matched the conclusion.

bnha has themes that could've been developed to make 430/431 make more sense. there's the excellent theme that average citizens can be heroes through 'mundane' actions, and a suggestion that an ideal future would be one where heroes have too much free time (ie, pro heroes overall would be a defunded profession). i personally adore these themes, and was disappointed that the ending didn't explore more of what a better quirk culture should look like beyond 'uraraka reforms quirk education classes.' those themes (plus the commentary on villains) suggested an eventual overhaul of the current quirk culture - which we didn't get. which sucks. because these themes, properly developed, would make PERFECT sense of a protagonist who decides to be an 'average citizen.'

yet these ideas weren't quite attributed to izuku's character. he's the protagonist. he was set up for the big flashy future, right? which is why it feels like such a sudden slap to so many fans that he was supposedly content working as a teacher for eight years, that he wouldn't jump at the opportunity to become a full time hero.

now, a good bit of this can be attributed to story medium. bnha was skewed in the beginning to function as a standard shounen (boy has powers, boy works hard, boy achieves big dreams), and that it wasn't until about the last hundred chapters or so that horikoshi dug his heels in about writing the story he wants to write. so clearly if the story's endgoal changed in his mind (which stories often do, and manga is extremely restrictive in that an author can't rewrite the full story to make the plot consistent), then he only had so much leeway to lead to the eventual ending of a quirkless citizen izuku without taking the hardest turn from the standard shounen tone at the beginning.

but even then. even then, that's about a hundred chapters that bnha could've introduced the idea that IZUKU could be a hero in ways unrelated to professional heroism. that it's so unhealthy for this kid to sacrifice so much of himself that it would actually be better for him to pursue a different career.* or that it was even a valid career path for someone who initially dreamed of being a pro hero.

like, take lemillion; izuku's literal mirror. the story could've kept togata functionally quirkless, could've explored the full grief of such a big dream lost, could've explored the sheer injustice that this KID was put on the front-line and thus his quirk and dream were snatched from him... and then introduced a way that togata could use his skills to help people in a different career.

or take all might; izuku's mentor and cautionary tale. maybe have all might talk to izuku about grappling with being quirkless again. maybe have him find who he is beyond being of service to others (which is clearly these two born-quirkless fuckers dealing with massive self-worth issues, trying to justify their existence with heroics), and find relief in that. maybe have him wonder aloud if it might have been better for him to choose such a profession outright from the beginning, rather than repeatedly almost DIE as a pro-hero. maybe have the two revisit that conversation from the first episode, that being a [quirkless] hero IS dangerous, but that there is genuine fulfillment in other work - as all might has found in teaching.

then when it happens to izuku, it wouldn't be such a shock to the audience. and even if we don't see him change over those eight years of the epilogue, it wouldn't be such a shock that he turns down full-time hero work. we'd get it.

*because continuing off this point: the story very much established that izuku CAN'T be trusted 'unsupervised' as a pro hero. that ofa is almost a curse. how many fuckin fanworks reference an adult izuku who never stops putting himself into harms way, who keeps nearly fuckin dying (or does die) cause he never thinks of himself? the story could've EASILY built on this to the point that it would feel like a blessing that izuku loses ofa and can't become a pro-hero.

(instead of it being played in this.... extremely weird.... grieved not grieved, katsuki's sobbing but izuku 'started out quirkless' so it's fine??? like??? the tone??? is in shambles???)

instead, the story said "you don't have to fight alone, izuku, cause your friends are here." most especially that katsuki inserted himself as izuku's primary protector and competitor. that katsuki developed a whole ass power-up that could MATCH ALL FOR ONE'S power, that he CAUGHT UP to izuku as a hero. at large, class a showed the fuck up, more than once, to throw down on izuku's behalf. the story said, yes izuku is recklessly selfless, and ofa only exasperates this, but his friends are so determined to work hard to make sure there's always someone at his back. this will be the new generation of heroes.

... which... should've led to a completely different story conclusion. one that would've been just as valid as 'izuku finds more stability and meaning in being a teacher.' it would just need to be an ending that would have fit the established themes. i would've loved that ending too.

in conclusion! there's more to being a hero than flashy heroic acts. izuku is a selfless maniac who's probably safer in the classroom tbh. manga is a restrictive medium that can't be rewritten into a more consistent plot. nevertheless, given the amount of chapters horikoshi had to play with the story he wanted to tell, there was time to develop pre-existing themes that would better anticipate the conclusion we got. 430 and gods 431 especially - despite being arguably a valid ending for the characters - didn't have to feel like such sharp left turns.

... and despite learning to appreciate izuku turning down katsuki's agency offer, i still don't like 431. lmao

[ladykailitha]

The Last Dragon Slayer

This is what my brain gets up when I'm sick and can't sleep.

Enjoy!

~

50 years prior there were a rise in dragon habitations and to combat what the humans saw was an infestation trained dragon slayers.

But the profession is dying out as most of the evil dragons have been slain, and those that try are beat back by their own kind.

In a small kingdom the evil King Richard wants to get rid of the dragon that has taken residence in the mountain nearby.

So he hunts around to find that all the dragon slayers have died or retired long since.

All but one. Sir Steven of Harring's Town. He is a disgraced prince whose mother was eaten by a dragon shortly after his birth and has vowed to find and kill the creature.

The King almost turns him away when he arrives. He is thin, almost too thin to hold up his armor, his horse is on its last legs. His sword is chipped with many battles and held together with leather and tattered silk.

It's clear this man has not known a decent meal in a really long time.

But the dragon must be dealt with.

So the king feeds Sir Steve up for a couple of days so that he at least has the strength to draw his sword and sends off, pointing in the direction of the beast's mountain.

The dragon, Edgewraith, is black dragon with red eyes, claws, and underscales.

He is quite fearsome to behold.

He watches as this piteous creature stumbles off his aging horse and struggles up to the cave entrance.

"How desperate King Richard must be," Edgewraith hisses, smoke and spark spilling from his mouth. “To send me you."

Sir Steven pulls off his helmet and throws it to the ground. "I am the last dragon slayer, monster. All I ask is a shift death and that you mount my head on a spike in front of your cave announcing my demise."

Edgewraith is startled but before he could even form a response, the knight faints.

Two weeks later Sir Steve wakes to find the most beautiful man standing over him with a cup of broth. He has long dark curls and reddish brown eyes. Sir Steven falls in love almost immediately.

Eddie, as the man introduces himself, tells him that no one will come looking for him, as the dragon has spelled a skull to look like his visage and done as he asked.

Sir Steve is dead as far as the world knows.

Steve cries in relief.

The two slowly get to know each other and fall in love.

But before they can make love for the first time, Eddie reveals himself to be the dragon, Edgewraith.

Steve replies that he figured it out a long time ago and didn't mind. He took care of him when no one else would. Of course he fell in love with him.

Eddie knows that they can't couple, because of how hot he runs but one day a stray ember hits Steve in the leg but he doesn't call out in pain.

He picks it up and tosses it neatly into the fire. Once while making dinner for them both, Steve slips with the knife, but he doesn't bleed.

So Eddie starts pressing Steve a bit more about the dragon that supposedly ate his mother. All the villagers had described it as breathtaking. Bright bronze scales on top and warm brown eyes, claws, and underscale.

Eddie knows who this is and sends out the call.

Mirrorsong arrives and when she sees Steve instantly transforms.

"Mother?" Steve cries because the castle had paintings of his mother everywhere and he even kept a miniature he had painted himself with him at all times.

She runs to him and tells him the truth.

She fell in love with his father and married him. But when she gave birth to Steven, her insides burned the midwife's arms, nearly killing her. When the king learned this he banished his wife and raised her son as a dragon slayer.

Steve learns that while he can't change shape like Eddie and Mira, he cannot be hurt and he will live a long life. Maybe not as long as Eddie, but they have centuries instead of decades now.

The old king dies and the new king is kinder.All the kids like to go up to the mountain to play with the two strangers who protect their town.

And everyone lives happily ever after.

[mirchloe]

#psychonautssecretsanta2024

ho ho ho! it's the middle of november! that means, once again, it's time for the secret santa! last year went off without a hitch (if you just ignore how my main was shadowbanned for sending out the giftee assignments, which caused me to finally make a side blog lol), so i'm back once again with this event i've happily hosted since 2016.

hate to beat a dead horse because this is the same shtick as last year and the year prior, but i'll be tremendously busy in december. i will be more hands off and ask that all participants follow the timeline. without further ado, here's the timeline along with the rules!

TIMELINE

the application will be open from 11/15/24 starting at 4:00 P.M. PST and close on 11/25/24 at 11:59 P.M. PST. if you miss the sign up period, please message me immediately because i will begin pairing people up promptly.

between 11/27/24 through 11/29/24, i will send out giftee information to the account/username (twitter or tumblr only) that was provided, so please keep your eye on your dms. if i can’t reach you on tumblr, i’ll send an ask asking you to open your messages to everyone. that way, i can pass along your giftee to you.

as always, 12/15/24 is the check-in day. i will be going around messaging people asking for progress updates. this doesn’t have any specification as people work differently, so if you haven’t started, that’s also fine. it just helps me know where people are in their progress, or if they might need an extension. if you want to reach out first, that helps me mark you down faster!

speaking of extensions, please let me know before 12/22/24 if you will need an extension. life happens, and i know that from experience, so don’t hesitate to reach out. also, if you believe you’ll need to drop out, please let me know before 12/22/24 as well, so that i can find another santa for your giftee. you will still receive your gift!

gifts are due between 12/24/24 through 12/28/24. please tag your giftee, and use the hashtag psychonautssecretsanta2024, so that i can keep track of who posted. (of course, in addition, you can always use the relevant game, character, and pairing tags!) i’m very excited to see what everyone will create!

for those who asked for extensions, and for the santas who took on an extra gift if someone dropped, those gifts are due between 1/4/25 through 1/8/25.

RULES

adult/minor pairings and incestuous pairings are not allowed. requesting them in your application will result in you being removed from the event entirely.

keep your content PG-13/keep the t rating of psychonauts in mind. nsfw material is not allowed in order to be inclusive to everyone. to clarify, please do not request nsfw material that is graphically sexual or violent in nature.

be respectful of your giftee’s wish list, and do not share them. over the years, i have mostly partnered people based on similar interests in characters, pairings, etc., but there will always be different interpretations of aforementioned characters, pairings, etc.

i mentioned it in the above form, but please don’t give me any usernames that are for ao3 or discord to prevent any confusion. this event is also NOT associated with any personal secret santa events on any discord. this is strictly for tumblr (and maybe twitter).

not really a rule, but any received questions about the event will be answered and added to the reply section.