#the character growth of it all

[bloodtwin]

i think ... maybe perhaps ... after puck gets more comfortable with saying i love you to his partner that he may also start calling them my love ... *curls up into a ball & sniffles*

[poorly-drawn-mdzs]

License to Kitty.

[verdiris]

Here to provide your regularly scheduled MB fanart 😌🤝😌

[callmelinamfsnow]

“I’m family”

“So. is. he”

[lovealwayssay]

I would pay an ungodly amount of money for a Supernatural finale where Dean rescues Cas from the Empty and tells him he loves him too, Eileen comes back to be with Sam, and Jack chooses to live with the four of them in the bunker as a happy family.

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[crabussy]

the psychological horror created by Hasbro’s desire to sell more toys rather than honour the desires of the original creator resulting in an immortal alicorn princess of friendship doomed to watch her friends grow old and die without her is so interesting to me. by trying to cater to children more you have accidentally created a reality in which death of the main characters friends as she lives on for centuries is not just implied but confirmed. idk it’s fascinating to think about

[gaytommykinard]

top ten most gut wrenching heart breaking buckley siblings moments

[leonardburton]

the thing is. juno & nureyev's relationship has been such a major guiding thread throughout the podcast and the major drive of season 5, and the fandom has built itself so much (as fandoms often do) around shipping the two of them.

and yet nureyev doesn't show up at all in the last episode! or, he does, but it's only implied (for all we know it could be like. alessandra strong)(i know it's not but it would be really funny) and we don't hear his voice.

and it's so important to me that despite the room that their romance has taken in the plot and in our hearts, his absence reinforces that the point of juno steel's story wasn't a lady getting his man, it was about learning to grow as person for himself and for his friends (and not just his love interest), and it was about finding his footing in life and being at peace with himself and his place in the world. and he did! his growth and relative serenity is so apparent and just. a balm to the soul

and the fact that his man is back is just a nice add-on, not a necessity for his happiness

[starredforlife]

obligatory butchtober post ig !!!

[gravybasquiat]

Omg i can't believe they just put Klaus and Dave in a cottage, happy and in love, romcom style, that's exactly what we needed

[poorly-drawn-mdzs]

With the end of season two comes a second redraw!

[Nov 2022] [June 2023] [June 2024]

[operationslipperypuppet]

Just realized that Riz taking a new subclass means that the bad kids are all casters now which is dope

[mayasdeluca]

MAYA BISHOP IN EVERY EPISODE OF STATION 19 SEVEN SEASONS (2018-2024) 104/105 EPISODES

[doortotomorrow]

john murphy » portrayed by richard harmon

[jbsrainbowstrap]

^ Lucy squeezing Julien’s wrist so she’d hold her hand ^

Letting yourself be tender / how did you make me do it?

Thinking about how brave Julien was to let herself be so publicly tender throughout the Grammys and all the moments you can see how conscious and proud of her Phoebe and Lucy were and the subtle ways they shielded her and lent her their strength.