#the best part about the episode me thinks

[linya333]

okay i see things like this a lot and I always want to ask the authors: are you asking questions?

A simple authors note at the end of the chapter saying things like (a few examples of possibilities):

Please comment if you liked this!

I would love to hear what your favorite part was

I am crazy about character a please talk to me about them

That new episode was thrilling tell me what you thought in the comments

My favorite color is blue what's yours?

I think character b loves thing c, what do you think they like?

Tell me what you think will happen next chapter!

Please don't tell me anything you don't like, and don't ask me to update - it will happen when it happens. Hearing what you like best might help inspire me though

I have unfortunately seen authors that actively hate on readers for making predictions on their work. I have seen other authors encouraging readers to beg for updates and then those commenter's get yelled at for doing that by others because it's generally considered rude and ungrateful in Fandom. But those readers didn't know - they were new and had seen creators want that. Unfortunately the differences can be incredibly jarring until someone might not want to comment at all because what does this author want? They might just stick to heart emojis - but wait this other author is saying if your comment is only emoji don't bother to comment just leave a kudos. What is a reader/ commenter to do?

A quick cut and paste ending authors note with a few variations can encourage the type of engagement you want. It won't help those with no spoons to engage but those who simple don't know what to say might be brave enough to speak up if they know what kind of engagement is appreciated.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[ktownshizzle]

Love & Lullabies | Part 3

Pairing: Min Yoongi x female Reader

Summary: What begins as a simple favor for your best friend Namjoon soon pulls you into the rhythms of Yoongi’s life—afternoons spent caring for his son, late nights filled with candid conversations, and a connection neither of you thought you needed. You’re just fresh out of a long-term relationship with an ex who didn’t want a family with you, so did you really just stumble into a life you’ve always dreamed of? (Thank god Namjoon isn’t the only one who’s clumsy.)

Alternatively: It’s 2025 and BTS is prepping for their comeback. All members seem to have gained muscle weight from their time at camp. But Min Yoongi has gained a different kind of weight—an 8-pound baby and a fuck-load of responsibility. (Thank god you’re there to help him.)

Genre: Fluff, Angst, Smut, idol!au, Acquaintances to Lovers, Reader is Namjoon’s bestie

Warnings: Yoongi is a DILF (!!!) That’s it.

Chapter warnings: GRAB YOUR TISSUES!, this bitch is a whole ass kdrama episode and it’s gonna hurt before it gets better, happy ending tho!, themes of self-loathing, anxiety, and depression (MC), severe postpartum depression (not MC), it’s monsoon season and namgi don’t like umbrellas, (____) in the rain cliche scene, NAMTIDDIES because I can’t help myself, lastly… watch me morph this into another workplace romance/co-workers to lovers story lmao (real)

Word count: ~7k

Posting date: November 21, 2024

Notes: This is inspired by an ask/prompt sent by @yoongznme. 

I am a clown 🤡 and a liar 🤥 From pretending this is a two-shot, then a three-shot. It has become a chaptered series, atp. There is a part 4 in the works and I fully intend to end it there, but again, I may have just jinxed myself. Anyway! Enjoy, my lovelies~ 💕

Part One | Part Two | Part Three | Part Four |  Masterlist

“She’s Haneul’s mom.”

The words hit you like a punch to the gut.

“What?”

“Sung Kyung and Yoongi… they’ve been good friends for years,” Namjoon explains quickly, his tone almost apologetic. “I didn’t think they were dating. But yeah, she’s his mom. She left for months and when she came back, she'd already given birth.”

You feel like the ground has been ripped out from under you. What Namjoon said made no sense. You clutch the edge of the counter, your mind racing. “What do you mean she left…?” You have never been more confused in your entire life.

Namjoon sighs. “I don’t know all the details. You know hyung, he tells you what he thinks you need to know. The rest, he keeps to himself. But I do know they did the paternity tests and everything, and Haneul’s his, theirs.”

Theirs. It’s easier if Namjoon just slices your heart open at this rate. 

He places a tentative hand on your shoulder. “It’s better to hear it straight from Yoongi-hyung, since you guys are, you know.”

“I– I don’t know. I don’t know what we are,” you say, leaning your weight sideways against the wall to steady yourself. 

Get a grip. It’s Haneul’s day. 

Namjoon stands to shield you from the rest, in case anybody chances to look your way. You probably look like you’re about to puke. You definitely feel like it.

“Joonie…” Your voice is small when you ask, “Do you think she wants to come back now?”

Namjoon lifts his shoulder, lets it sag, “I don’t know. Maybe. She wouldn’t be here otherwise.”

Your chest tightens, a wave of insecurity crashing over you. Of course, she would want to come back now. She’s beautiful, successful, everything you’re not. And most importantly, she’s Haneul’s mother. That’s the kicker. How can you compete with that?

Spoiler alert: you can’t.

When you step back into the living room, the first thing you notice is Yoongi’s mom. She’s standing off to the side, her lips pressed into a thin line as she glares at Sung Kyung from across the room with a mixture of disapproval and barely-contained irritation.

“She shouldn’t be here,” she says quietly, her voice cold and clipped.

“Eomma,” Yoongi grits.

“She abandoned Haneul, Yoongi,” his mom hisses, her tone sharper now. “And she thinks she can just come here like nothing happened?”

Yoongi sighs, his hand briefly brushing his mother’s arm in a silent plea for calm. “Not here, eomma. Please. It’s Haneul’s birthday. Don’t make a scene.”

Of course he is siding with her.

You’re unable to tear your eyes away from Sung Kyung. How can she look so beautiful even if she looks miserable? She exchanges a few more quiet words with Yoongi near the door, her expression alternating between frustration and what looks like regret. You can’t hear what they’re saying, but you catch the way Yoongi’s shoulders stiffen, the way his jaw tightens as she reaches out to brush his arm. You see Yoongi nod, and you’re so curious, what is he agreeing to?

Finally, after what feels like an eternity, she leaves. The door is closed, but for sure this chapter isn’t. Not even close.

You entertain yourself by watching some of the BTS members play some video games. Their antics, as funny as they are, don’t really register. Your laughs are hollow, mind totally elsewhere. It’s a while before Yoongi finally finds you, after he disappeared to his studio after Sung Kyung left and went MIA for half an hour or so.

He corners you near the snack table as you pretend to be engrossed in arranging leftover cupcakes.

“Hey,” he says softly, touching your arm lightly.

You turn to face him, your smile brittle. “Hey. How’s everything going?”

“Can we talk?”

You nod, following him toward the hallway, away from the laughter and chatter. The noise completely fades as you enter his soundproof studio and he turns to face you.

He exhales deeply, running a hand through his hair. “I wanted to talk to you,” he says carefully, like he’s choosing every word with precision.

“About Sung Kyung.” you offer. He nods, shoulders visibly tense. “Yeah. And Haneul.”

The mention of Haneul makes your chest tighten, but you steady yourself, waiting for him to continue.

“She and I… we were close for a long time,” he begins, his gaze dropping to the floor. “And yeah, there was a point where I thought it was going somewhere. But then she just… disappeared.”

“Disappeared?”

“She left Korea. No warning, no explanation. Just… ghosted.” He shrugs. “I didn’t know where she went or why. She didn’t contact me for months.”

“And then one day,” he continues, “she called. Told me she just gave birth to a son. That it was mine.”

The words hang between you, heavy and jarring. You don’t say anything, letting him get it all out.

“She didn’t tell me she was pregnant,” he says, shaking his head as if he still can’t believe it. “I literally only found out after he was born.”

You feel a pang of sympathy, but then you’re also feeling angry at Sung Kyung. “Why did she wait so long to tell you?”

“She said she didn’t want to burden me. I was already doing my military service and I had that thing… that case. She thought she could handle it on her own.” He looks up at you then, his eyes dark and conflicted. “But after she had him… she couldn’t. She fell into really severe postpartum depression and some other health issues, basically telling me she was diagnosed unfit to take care of him.”

Your throat tightens, and you clasp your hands together to keep them from shaking. “So you stepped in.”

He nods, “I didn’t have a choice. Haneul needed someone, and I couldn’t—I wouldn’t turn my back on him. He’s my son. It was confirmed by a paternity test.”

“And now she’s back,” you say, more a statement than a question.

“Yeah,” he says quietly, dragging a hand down his face. “She says she’s better. That she wants to be in his life now. That she can be. And honestly… I don’t know what to do.”

You study him for a moment, your emotions warring between compassion and your own sense of inadequacy. “What do you want, Yoongi? Not for her, not for Haneul. What do you want?”

“I don’t know,” he admits, gnawing his lip before he says, “I just… I want to do what’s right for Haneul.”

The words cut deeper than you expected, but you force a small smile, nodding as if they don’t sting. “That makes sense.”

Yoongi takes a step closer as he studies your face. “But what about you?” he asks, his voice almost too gentle. “How are you feeling about all this?”

The sincerity in his question takes you off guard, and for a moment, you’re tempted to tell him everything. The ache in your chest, the jealousy you hate admitting to, the fear of losing whatever connection the two of you have built. But instead, you plaster on a smile, shoving all those emotions into a corner of your mind.

“I’m fine,” you say lightly. “It’s Haneul’s birthday. That’s what matters.”

Yoongi doesn’t look convinced, his gaze lingering on you as if he’s trying to read the truth in your expression. But after a moment, he nods, letting it drop. “Okay.”

Finally, you glance at the door, forcing yourself to straighten up. “We should probably get back to the party.”

“Yeah,” Yoongi says, stepping aside to let you pass. But as you reach for the door, his voice stops you.

“Thank you,” he says quietly.

You turn back, your brows furrowing. “For what?”

“For everything,” he says, his eyes filled with something you can’t quite name.

You don’t know how to respond, so you just nod. Because his words—why did it feel like a goodbye?

The rest of the party passes in a blur. You keep smiling, keep laughing, keep pretending everything is fine. You stand by as Yoongi helps Haneul blow out his single candle, snapping pictures of his chubby hands smashing into the frosting. 

You’re wiping stray frosting from Haneul’s cheek when you glance at him and for a split second, you see her. Sung Kyung’s face is right there, faint but unmistakable, in the shape of his eyes and the curve of his brows.

The realization hits you like a freight train. You freeze, the cloth clutched in your hand, staring at this beautiful baby boy who isn’t yours. Who will never be yours.

It’s too much. You set the muslin down, excusing yourself to the kitchen with a muttered, “I’ll grab more drinks.”

You don’t even make it to the fridge. You stand there by the counter, gripping its edge as you force yourself to breathe, to keep the tears at bay. You’ve never felt more out of place in your life.

Namjoon finds you a few moments later, leaning against the doorway with a quiet, watchful look. He doesn’t say anything, doesn’t ask if you’re okay. He just stays there, close but not too close, his presence steady and silent. You appreciate him for that—for knowing exactly what you need when you’re unraveling. He’s your best friend after all.

But even his quiet support isn’t enough to keep the emotions at bay.

Across the room, Yoongi’s eomma catches your eye. There’s something pitying in the glances she throws your way, a faint furrow of her brow that makes you want to sink into the floor. You had the feeling she knows there’s something between you and Yoongi, but now… now it feels like she’s seeing through you, like she knows exactly how small you’re starting to feel.

Because the truth is, you’re nothing.

You’re not Haneul’s mom. You’re not Yoongi’s girlfriend. You’re just someone who helps out when it’s convenient, and now that they have a nanny, you’re not even that. And it hurts. God, it hurts because you thought—maybe foolishly, maybe selfishly—that you were becoming something more. That you were becoming someone to them. That, maybe, you were becoming a family.

But now, as you stand there watching Yoongi carry Haneul to his room, barely sparing you a glance, the truth sinks in like a stone in your chest. You’re not someone. You’re a placeholder. A stand-in.

And pretty soon, just like Jiyong, they’re going to discard you. Because that’s what always happens. You’re always easy to leave behind. Always replaceable. Always useless.

The thought claws at you, and you suddenly can’t breathe. You grab your things and run. The cool night air stings your skin, but it’s nothing compared to the ache in your chest.

The tears come before you can stop them, hot and angry and full of every ounce of self-loathing you’ve tried to bury.

You glance back at the building. Maybe for the last time. You’re on the outside now—of course you are. You’ve been on the outside this entire time.

Namjoon must have noticed you were gone because he texted shortly after:

Joonie: You okay? Joonie: Don’t worry, I told them you weren’t feeling well. Go home and rest. Text me when you’re there.

That night, you ignored Yoongi’s call. You stared at the screen as his name lit up, your finger hovering over the answer button before you let it ring out. He left a voicemail. You deleted it without listening.

The next morning, you wake up to another call from him. This time, he doesn’t leave a voicemail. Instead, he sends a message.

Yoongi: Can I come over?

You stare at the text for a long time, your stomach twisting with guilt and anger and sadness. Finally, you type out a single word:

You: No

You throw your phone face-down on the couch, ignoring the way it buzzes again and again and again.

For the next few days, you ghost him.

It wasn’t easy. Every time your phone buzzes, you feel a pang of guilt, a deep ache that gnaws at your resolve. But you can’t bring yourself to answer. You need time. You need to figure out where you stood in all of this.

His messages come sporadically at first:

Yoongi: Hey, can we talk? Yoongi: I don’t know what I did wrong, but I want to fix it. Yoongi: Please. Just let me know you’re okay.

You delete most of them without reading too much into them. But then he starts sending pictures.

The first was of Haneul, grinning in his chair, wearing the capybara slippers you’d gifted him for his birthday.

Yoongi: Haneul misses you

The next day, another photo. This time, Haneul was lying on his playmat, still wearing the slippers, holding onto Bora.

Yoongi: Still missing you

Each message chips away at your resolve, but the one that breaks you comes Thursday evening:

A short video clip. In it, Haneul is sitting on the floor, babbling as he clutches Bora. And then, clear as day, he says it:

“Sa-ra.”

Your heart twists painfully. It’s clipped, but it’s unmistakably sarang. Your term of endearment for him, the nickname you’d called him since he started smiling every time he heard it. He’d never been able to say it back—not until now.

And Yoongi knows exactly what he is doing, sending this to you.

You stare at the screen for what feels like an eternity, leaving the video on loop, before finally opening your call log. His name was right at the top, of course. You hit the call button, your hands trembling as you bring the phone to your ear.

“Hello?” Yoongi’s voice comes through almost immediately.

You exhale shakily. “Hi.”

There was a pause. Then he speaks again, and you can hear his vulnerability. “I didn’t think you’d call back.”

You close your eyes, trying to steady yourself. “How could I ignore that video? Haneul… he said sarang.”

“Yeah, he’s been saying it non-stop since yesterday.”

You swallowed hard, gripping the phone tighter. “Yoongi… about… us.”

“Mmh?” He didn’t interrupt, didn’t rush you. He just waited.

“I’ve been thinking,” you began. “Haneul deserves to have a complete family. He deserves to know his mom, to have her in his life. If—if that’s what you both want.”

Yoongi was quiet for a long moment before he finally responded. “But… he needs you, too.”

Before you can back out, “Yoongi, I need space,” you say finally, your voice trembling.

There was a pause, and when he spoke again, his voice was quiet. “Okay.”

It wasn’t a protest. It wasn’t an argument. Just… okay. It’s the most ‘Yoongi’ reaction to things, and you hate it. You hate it so much.

You hang up, staring at the screen until it goes dark. Your chest felt heavy, your heart splintering in ways you didn’t know it could.

You’d told him you needed space and he said okay. The truth is, when you said space, you just wanted him to make room for you. To assure you that you belong with them. That there is a seat, warm and yours. But he didn’t.

You miss Yoongi so much it feels like a physical ache. But it’s not just him. You miss Haneul’s face, his giggles, his sleepy weight in your arms. 

Namjoon has been doing his best to check in. He sends you UberEats nearly every other day, a steady stream of meals you barely touch. The one time he came over, unannounced, he walked into what could only be described as a disaster.

“Jesus Christ,” Namjoon muttered, kicking a stray box out of his way as he entered your apartment. The laundry basket was overflowing, your trash can piled up. You were in a 2-day old shirt, hair a rat’s nest, and you’re slouched on the couch with an empty brain.

Namjoon stared at you, his disappointment radiating off him. “Y/N, you can’t keep doing this to yourself.”

“I’m fine,” you lied, barely looking at him.

He scoffed. “Fine? You look like you’ve been run over by a truck. Twice.”

“So dramatic.” You rolled your eyes, but the truth of his words stung.

Namjoon crouched in front of you, placing his hands on your knees. “Move in with me for now. You know I have the space. You can’t stay here like this. It’s not healthy.”

“I’m not moving in with you, Joon,” you said, shaking your head. “I’m not your charity case.”

He sighed, rubbing his temples. “You’re not a charity case. You’re my best friend. And I’m not gonna sit back and watch you drown in your own misery.”

“I’m not gonna live in your and Soyeon’s sex den,” you snapped unnecessarily.

Namjoon just looked at you, shook his head, before he flopped beside you on the couch. He fed you, forced you to go take a shower, and watched some shitty reality show with you. He eventually left, though you could feel the weight of his disappointment long after the door shut behind him. If he only knew how thankful you were of those visits.

A week later, you find yourself standing in front of Yoongi’s apartment. You didn’t plan this. You don’t even know what you’re hoping to achieve by being here. All you know is that the ache of missing them—missing him—has become unbearable.

You knock on the door before you can second-guess yourself.

Mrs. Kwon opens it, her expression immediately uneasy. “Y/N,” she says, her tone cautious. “You should come back another time.”

“Why?” you ask, your voice sharper than you intended.

She hesitates, her lips pressing into a thin line. “It’s just… not a good time.”

“I need to see them,” you insist, stepping forward.

“My dear girl, please listen—”

But you’re already past her, your determination overriding her warnings.

When you step into the living room–

Fuck.

There she is. Sung Kyung, sitting on the floor with Haneul in her lap, holding a plush toy you don’t recognize. She’s smiling at him, her voice soft as she tries to coax him into playing with it. Adding salt to the wound–Bora, the capybara plush you gave Haneul, is discarded carelessly in the corner near the diaper pail.

Your heart stops, and before you can control yourself, you take a step back, your movement catching Sung Kyung’s attention. She looks up, confused. She doesn’t know you, why would she? 

Yoongi’s voice comes from behind you, and you turn to see him emerging from his studio, his brows furrowed in confusion. “Who rang the—”

His eyes widen when he sees you, but you’re already moving, your feet carrying you toward the door in a blind rush.

“Wait—Y/N!”

You barely hear him as you bend down and snatch Bora from the floor. Haneul’s voice suddenly cuts through the air, his tiny, excited voice calling out, “Sa-ra! Sa-ra!”

Tears blur your vision as you wrench the door open and run, Yoongi’s voice calling after you, but you don’t stop.

It’s raining when you step outside. Great, because this day couldn’t get any worse. The cold droplets soak through your clothes almost instantly. You don’t have an umbrella, but you don’t give a shit. Tears stream down your face mixing with the rain.

You don’t know how far you get before you feel it—a warmth against your back, arms wrapping around you tightly.

Yoongi’s voice cracks as he says your name, his rain-soaked body like a furnace against your shivering frame. “Please.”

He sounds like he is begging, but why? What is he asking? What does he want from you?

You shake your head, your voice breaking. “This was a mistake. I shouldn’t have come.”

“Then why did you?” he asks, his tone desperate, his chest heaving as he pulls you tighter.

“Because I thought… I thought I had a place here. But I’m such a fucking idiot.”

“Don’t say that,” he pleads, his voice barely audible over the rain as he turns you to face him. His hands come up to cradle your face. He was starting to shake too, the pads of his fingers damp against your skin. His eyes search yours, desperate, and before you can stop him—or yourself—he closes the space between you and kisses you.

Against the pouring rain, your lips press against each other, clumsy, shaky, unexpectedly urgent. His lips move like he’s trying to say all the things he can’t find the words for, like this is his only way to make you understand. And for a second, maybe a minute, maybe more, you let him.

You feel his ragged breaths as he licks into your mouth, his hair brushing your temple, droplets trailing down your skin. His hand slides from your cheek to the nape of your neck, fingers threading gently through your wet hair. It’s tender and fierce all at once, like he’s afraid you might vanish if he lets go.

But there is a tinge of bitterness cutting through the taste of his kiss. This isn’t enough—not to fix everything, not to erase the doubt clawing at the edges of your mind. Not to prevent the new thoughts from worming its way inside.

Sung Kyung is in his apartment right now. So maybe it’s not just about Haneul anymore. Maybe they’re reconciling. Trying to sort out their own feelings that they put on ice. Yoongi did say he thought their relationship was going somewhere. 

God, you do not want to be some homewrecker. You cannot do that to Haneul. Weakly you try to pull back. 

But Yoongi doesn’t let you. His lips chase yours, teeth gently sinking into your plush and you’re unable to stifle the moan from your mouth at the delicious sting. You open up to him, lips sliding against his as his other hand grips your waist now, pulling you closer until you can really feel the heat of his body through the drenched fabric of his clothes. The world feels like it’s spinning, everything is blending into a dizzying blur, and you don’t know how to stop it.

Your hand hovers at his chest, not pushing him away but not pulling him closer either. Your heart is screaming to hold on just a little longer. But your head is telling you—

“No,” you whisper, breaking away as quickly as you can without slipping on the slick ground. Your chest heaves as you clutch Bora tighter against you.

Yoongi stands frozen, his lips parted as if he’s about to speak, his dark eyes locked on yours. The rain clings to his lashes, his hair plastered to his forehead, and for a moment, he looks completely lost.

“I can’t do this, Yoongi,” you choke out, your voice shaking. “I just… I can’t.”

And before he can stop you, you turn and run again, your feet splashing through puddles as you make your way to the nearest bus stop. By some miracle, you make your way home in one piece. Barring one vital organ that’s discarded somewhere in Hannam.

My tea's gone cold, I'm wondering why I Got out of bed at all The morning rain clouds up my window And I can't see at all And even if I could, it'd all be gray But your picture on my wall It reminds me that it's not so bad, it's not so bad - Stan, Eminem

Your apartment is cold and quiet, the soft patter of rain against the windows the only sound. The mug of tea on your table has long since gone cold, untouched, as you sit curled up on the couch, staring at that grainy selca Yoongi sent you weeks ago. 

You’re startled out of your thoughts by the sound of the door opening. Namjoon steps in, shaking off the rain and holding a grocery bag in one hand, his hoodie slung over his shoulder. He’s soaked to the bone, but he flashes you his dimples anyway.

“You know,” he starts, setting the bag on the counter, “for someone who always claims they’re fine, you sure as hell don’t look it.”

“Don’t start, Joon,” you mumble, pulling the blanket tighter around yourself.

Namjoon ignores you, glancing around the apartment with a disapproving look. “Seriously? It still looks like you just moved in. No decorations, no warmth. This part could be a photo wall or something…”

You roll your eyes. “Alright, Mr. Art influencer.”

“I need a dry shirt,” he says, gripping the edge of his tee and pulling it up and over his head without fanfare.

You’ve never felt attracted to your best friend in any physical or sexual way ever (seriously, ew), but you can appreciate a good physique when you see one.

“Wow, Joonie, are your tiddies getting bigger?” you say as you stand to find a shirt for him from your makeshift closet.

“You’re an idiot.”

Before you can respond, the doorbell rings. Namjoon straightens, wiping his hands on his pants. “You expecting someone?”

You shake your head.

Namjoon strides to the door, glancing through the peephole with a tsk before pulling it open. He doesn’t seem to care that he’s shirtless, which would be awkward enough if it were anyone else standing there. 

But it’s Yoongi.

Yoongi stands in the hallway, his expression strained, his eyes immediately scanning the room behind Namjoon until they land on you, curled on the couch. You clutch the t-shirt you were about to lend Namjoon tighter against your chest, unsure whether to feel relief, anger, or the painful longing that’s been gnawing at you for days.

“I need to talk to her,” Yoongi says, his voice calm but heavy with emotion.

Namjoon steps into the doorway, crossing his arms as he blocks the entrance. “Maybe not today, hyung.”

Yoongi’s jaw tightens, but he doesn’t flinch. “I have to. I need to explain.”

Namjoon doesn’t budge, his voice soft but firm. “Sorry, hyung. Not after everything.”

Yoongi’s eyes flick to you again, desperate. “I just… fuck,” He swallows hard, his voice breaking slightly. “I can’t let her think she doesn’t matter to me. She does. More than anyone.”

Namjoon hesitates for the first time, glancing back at you. His expression softens briefly, but when he turns to Yoongi again, it’s your voice that responds.

“Yoongi.” Your voice is quiet, but it cuts through the tension like a blade. Both men turn to you, and the hope that flashes across Yoongi’s face makes your lungs shrivel.

You grip the fabric in your hands tighter, willing yourself to stay firm. “You should go.”

Yoongi’s lips part as if to argue, but the look in your eyes silences him. He nods once, slowly, his expression crumbling for just a moment before he turns away.

“I’m sorry,” he whispers, his voice so soft you almost don’t hear it.

Namjoon watches him for a moment longer before stepping back into the apartment and shutting the door.

The first step is always the hardest.

Namjoon didn’t sugarcoat anything when he told you to get your shit together. “I love you,” he said bluntly after Yoongi left that rainy night, “but you’re the only one who can pull yourself out of this. No one else is coming to save you. Not me. Not Jiyong. Not Yoongi. Just you.”

You hated hearing it, but he was right.

So you took the first step: you called a therapist. Twice a week, you sat in that tiny, clinical room and talked about everything you’d buried for years. The abandonment issues you’d carried since childhood. The shame you felt after your relationship with Jiyong fell apart. The way you constantly give pieces of yourself to others, just like you did with Haneul and Yoongi, leaving nothing for yourself. Thinking that’s okay.

Session by session, the fog began to lift. Slowly, you started to understand that happiness couldn’t come from someone else, no matter how deeply you loved them. It had to come from you—built piece by piece, nurtured, protected.

You realized that loving yourself wasn’t selfish. It was necessary. And for the first time in months, you began to believe you were worthy of it.

At home, you started small. One night, you finally tackled the pile of laundry that had been haunting you for weeks. Another night, you scrubbed down the kitchen until the counters gleamed. And then one weekend, you went to IKEA and bought a bed frame—not just a functional one, but a beautiful one that made you feel excited to wake up in the mornings.

You even hung up paintings on the walls, little pops of color that made the apartment feel like it was actually yours. Namjoon gave you some from his collection, too.

Running sucks, but it became your nightly ritual. At first, it was hard. Your legs ached, and your lungs burned. But the more you pushed yourself, the better it felt—the rush of endorphins, the rhythm of your feet hitting the pavement, the way your thoughts quieted for just a little while.

Bit by bit, you started to feel lighter. Like you were shedding layers of weight you didn’t even realize you were carrying.

And then there was Yoongi.

He was still a constant name on your phone, though the tone of his messages had shifted over time. At first, his texts were full of apologies and pleas for a second chance:

Yoongi: I know I messed up. Please let me make it right.

Yoongi: I’m sorry for everything. I hate that I hurt you.

Yoongi: I need you, Y/N. I should have told you sooner.

Yoongi: Can I come over? I really want to explain everything.

Yoongi: I’m an idiot.

Yoongi: I’ll wait for you. Just tell me when you’re ready to talk.

Then came the texts about Haneul:

Yoongi: Haneul misses you. Not to one-up my own kid, but I miss you more.

Yoongi: Han said your name today. He kept pointing at the door like he was waiting for you to walk in.

Yoongi: I bought him a new Bora. This giraffe is lame. [image attached]

Yoongi: Han’s been carrying Bora 2.0 everywhere. He even tried to feed it rice last night.

And now, weeks later, his messages had settled into something different.

Yoongi: I was in the studio all day, and Hobi made me take a break. We ended up eating too much fried chicken and now I have a zit.

Yoongi: How was your run today? Namjoonah says you’re joining a mini marathon. Good luck!

Yoongi: Still have boxes of Silver Moon tea. It’s too bougie for my ghetto taste buds. Lmk if you want it. Yoongi: Actually, no need. I'll send it thru Namjoonah.

Yoongi: I fucked up the choreography to our new track at Mubank today like an amateur. I hope you didn’t get to watch it.

They were simple, almost mundane. But Yoongi’s texts had a way of hitting you square in the chest. You think back to that conversation in his home, the one where he admitted how lonely he sometimes felt—how he wished for someone to talk to about the little things, the big milestones, everything in between. Someone to share life with. And now, with every message he sends, it feels like he’s choosing you.

Even though weeks have passed without seeing him, he’s still there. Reaching out. Trying to stay connected. Even when you never reply.

But his messages have become tiny bursts of dopamine in your otherwise quiet days. You’re both surprised and relieved he hasn’t stopped trying, that he hasn’t grown tired of pouring himself into the void of your Kakao.

Namjoon told you recently that Yoongi and Sung Kyung have started co-parenting Haneul. She gets supervised visits twice a month. At first, the green-eyed monster threatened to come out. But your best friend tells you that Yoongi never wanted to rekindle anything with Sung Kyung, which gave you some peace. Maybe if you’d been braver back then, you could’ve asked Yoongi yourself. Maybe if Yoongi had been better at communicating, he would have told you then it wouldn’t have felt like such an uphill climb.

But, he was also having such a difficult time, sorting through his own circumstances. And your insecurities at the time were too heavy, too overwhelming to sift through. You probably wouldn’t have believed him then. The progress you’ve made now—to love yourself first—feels hard-won and necessary. And maybe Yoongi also needed to go on a journey to really know what he wants for him and Haneul.

You’ve come to realize through all this that you don’t really hate Sung Kyung. Maybe you were angry on behalf of Yoongi and Haneul for all the secrets she kept, for the ways her choices hurt them both. There was even a night when you found yourself doing a Naver search on postpartum depression. You hadn’t understood how debilitating it could be, how it could turn even the strongest person into a shell of themselves. It didn’t excuse everything, but it gave you perspective, especially as you battle your own demons.

Still, as you journey forward, there are moments when you imagine the “what ifs” with Yoongi, if Sung Kyung hadn't showed up that day. Sometimes, late at night, your mind drifts back to him. You replay his kiss, remembering the way it felt, the way he tasted. You can still conjure the image of his face under the rain, the way he looked at you in that fleeting, heart-wrenching moment.

You wonder if he thinks about it, too. You know he’s waiting. You just hope that when you’re finally ready to let him back in, he’ll still be there—on the other side, willing to try again.

One evening, Namjoon called, his tone unusually excited. “Hey, I’ve got something for you.”

“No, I don’t need more lube, I’m stocked,” you joked, just to be a piece of shit.

“Shut up and listen,” he said, laughing. “Hybe’s opening a daycare for employees’ kids. They need someone to run it. You’re perfect for this.”

Your stomach flipped. “What? Joonie, I don’t even—”

“Don’t even try to argue,” he interrupted. “You have a degree in early childhood education. You love kids. This was your literal job in the states. C’mon, this is made for you.”

“What if I’m not ready?”

Namjoon sighed. “You are. I’ve seen how much work you’ve been putting in. You’re stronger than you think. Just… apply. The worst they can do is say no.”

You’re quiet, so he added. “...and they won’t. I’ll have each member of Bangtan sign a recommendation letter for you.”

“You’re too much, Joonie,” you laugh. But you surely won’t put it past him to do that. “But ok, I’ll apply.”

So you did. And a week later, you got the call.

Your first day at Hybe’s daycare center feels like a dream you didn’t know you had. The space is beautiful—sunlight streams through floor-to-ceiling windows, casting a warm glow over the colorful toys, tiny tables, and pastel murals. There are only three kids who pre-registered, but you were expecting more to walk in.

Namjoon is there, truly your ride or die, sitting casually on your desk with his ever-supportive grin. “You nervous?” 

“Nope,” you say, trying to sound confident. But the way your voice wavers gives you away.

Namjoon chuckles. “Relax. You’re going to crush this.”

Before you can respond, the door swings open, and in walks Hobi with Yunjin and their toddler, Jeongyeon. The little girl looks adorable in her sunflower-patterned overalls, her tiny pigtails bobbing as she walks toward the play area.

“Jeongyeon, say hi to teacher Y/N,” Yunjin says, gently guiding her forward.

“Hi!” Jeongyeon squeaks.

You crouch down to her level. “Hi, Jeongyeon! You’re gonna have so much fun today.”

“First kid of the day, ayeeee!" Hobi says, high-fiving Yunjin, before she runs to Jeongyeon who is mounting the toy pony. Then he turns to you, “Congratulations, Y/N.”

Just as they’re leaving, Namjoon nudges you. “By the way, did you know there’s a capybara mascot today?”

“What?” you blink, confused.

Before Namjoon can explain, something soft and warm suddenly envelops you in a hug. You turn to see a capybara mascot wrapping its plush arms around you, its giant head tilted adorably to the side.

“What the…” You laugh, surprised, grasping its arm. “Hybe really went all out, huh?”

Namjoon smirks. “Of course. First-day activations are a big deal here. And look at that, your favorite animal. What a coincidence.”

You grin, stepping back to look at the mascot. “Guess I’m a little biased, but this might be the cutest thing ever.”

The mascot gives you an exaggerated thumbs-up. 

Shortly, Haneul arrives. The moment you see him toddling through the door, all your nerves, all the weight you’d carried for weeks—gone. There’s no ache, no tension. Just pure, uncomplicated happiness.

His nanny, a kind older woman, walks him in, holding his hand as he peers curiously around the room.

Haneul bounds toward you giggling, his gummy smile stretching wide as he lets go of the nanny’s hand and waddles toward you.

“Hi, sarang,” you say, crouching down to scoop him into your arms. He smells like baby lotion and sunshine, and your chest feels full as he buries his face in your shoulder. “I missed you.”

You glance toward the door, your eyes darting around instinctively, but there’s no sign of Yoongi. A small pang of disappointment settles in your stomach before you shake it off. He’s probably holed up in his studio, working on something brilliant. It would have been nice to see him though.

The capybara mascot wanders over, drawing Haneul’s attention instantly. His eyes light up as he points at it, giggling.

“Appa!” Haneul says excitedly, punching the knee of the mascot with his tiny fists.

You laugh, brushing a hand through his soft hair. “That’s not your appa, Haneul. He’s probably in one of the big studios upstairs working very hard right now.”

The mascot gives you a pat on the head, and something about its movements feels oddly familiar. But you don’t dwell on it, too caught up in Haneul’s delighted squeals as the mascot does a little dance for him. It sure loves to shake its ass.

For the rest of the morning, you’re in your element, guiding the kids through activities, wiping tears, and singing songs during circle time. Every so often, Haneul points at the mascot and calls out “Appa!” again, and you can’t help but laugh.

And if the capybara mascot seems to hover a little longer around Haneul, or if it lingers near you whenever there’s a chance, well… you just chalk it up to coincidence.

(One day, much later, you’ll find out the truth. But for now, you’re content not knowing.)

That night, your phone buzzes in your pocket, and you pull it out to find another message from Yoongi.

Yoongi: Congratulations on your first day!

You stare at the screen, your thumb hovering over the keyboard. For the first time in weeks, as you look at your thread of messages from him, you let yourself smile—a small, cautious smile, but a smile nonetheless. And for the first time in months of radio silence, you type up your first reply to him.

You: Thanks, Yoongi. I’m really happy. :)

His reply came almost immediately.

Yoongi: You deserve it

And it may have taken a while, but you finally believe that. So you decide you are also finally ready to do this.

You: Can we talk? Yoongi: giv me 10 mins im cming overr

:)

A/N: 

Alright!! Wheeeew! You good? How are you feeling?!?!? As usual, please sound off in the comments. 💕

I just want to say that am so proud of this chapter. I think I wrote my best, angst work here. Plus - Kissing in the rain? Namtiddies? A taste of smau? Hee hee. 🤗 

If you make it to here, thank you so so much for reading this story, you lovely, beautiful, human! xo

Part 4 is coming uppp and it’s gonna be a doozy~ 🤭

P.S. As some of y’all know I am a mom and I have experienced post-partum depression before. It was nowhere near the severity of how it is depicted here (a condition that is grave and rare because the character also has other mental struggles), but I empathize. I cannot imagine being truly unfit to care for my own baby. So I request that we do not vilify L&L! LSK. She fucked up real baddd, she could’ve involved Yoongi earlier, etc etc but again she is trying to do better. Plusss, it needs to be said, she does not want Yoongi. Gasp. Y’all can rest easy. He’s yours! 💕

& If you want to read more of my work, please check out my masterlist. & If you enjoy my work and want to buy me a ko-fi, I'd appreciate it.

Taglist:

@yoongznme @nnybtitts08 @rinkud @nbjch05 @perfectiondazesworld

@marnz1990 @mxrauds @queenbloody @jadestonedaeho7 @futuristicenemychaos

@direnediane @glossdebut @maryhopemei @theresstardustinmyblood @mggv97

@wobblewobble822 @kam9404 @supernoonanyc @damn-u-min-yoongi @ot72025

@busanbby-jjk @granataepfelchen @jajabro @tarahardcore @marihoneywk

@ryryvna @tea4sykes @mar-lo-pap @lilkittenjenjen

@captainchrisstan @thelittlecatonthecake

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@kookiewithluv @soop-sprite @hyukaluve

[sematarygirls]

      BOYFRIEND!RAFE x DEPRESSED!READER

WARNINGS .ᐟ depression, rafe gives reader a bath, but it's not sexual, fluff, the teeniest bit of angst if you squint at the beginning

NOTES .ᐟ this isn't my best work, but i'm writing it more for comfort than anything else, and i wanted to post it just in case anyone out there is also struggling and could use it <3

Something was up, and Rafe could tell. You were usually so clingy, wanting to spend every moment with him, and he was not complaining by any means. He loved having his girl at his side, showing her off at every occasion, but it had been almost two weeks since he last saw you, which was so very out of the ordinary.

You would answer his texts at first, always coming up with some excuse for why you couldn't see him. First, you were sick. He offered to come over and take care of you, but you'd insisted that you didn't want him to catch whatever you had, so he eventually acquiesced and settled on checking in on you periodically.

But then, your responses slowly became more and more infrequent. Rafe was at a loss. Had he done something to upset you? Why were you being so cold and distant? He couldn't think of any fights you two had recently. Everything seemed perfect until you started pulling away out of the blue.

He texted you to tell you he was coming over, but you hadn't seen it by the time he showed up at your house, all but pounding on the door. He was a little angry, very annoyed, and more than a bit jealous. Were you with some other guy in there? Is that why you hadn't been answering him.

Those feelings immediately dissipated, however, when the door slowly creaked open and you peeked out. Your hair was tangled and greasy, haphazardly thrown up and out of the way. You had dark circles under your eyes and a small frown on your face, your brows pinching when you saw him.

His expression softened as he softly murmured your name. You stepped back, allowing him inside, and he shut the door behind him, his eyes never leaving your disheveled form. "Baby, what's wrong?" He asked gently, approaching you like he would a skiddish animal.

"You shouldn't have come," you said quietly, your gaze downcast. You were embarrassed that he was seeing you like this. The whole reason you'd been avoiding him was so he wouldn't see this part of you—the part that struggled to get out of bed whenever a major depressive episode hit.

He ignored your words, stepping closer and tilting your chin up, so he could look at you. "Talk to me, sweetheart," he coaxed softly. "Is this why you've been dodging my calls and texts?"

You nodded slowly, feeling guilty. You hadn't meant to ignore him, but texting people had become a chore as of late. You couldn't bring yourself to do it, to have to explain why you were acting so off. You just wanted to shut out the world and wallow in your misery.

He sighed, his thumbs coming up to caress your cheeks gently. He hated seeing you like this. He wanted to fix it. He wanted to take away all your sorrow and make you happy again. "Why didn't you tell me, baby?"

"I just- I didn't want you to see me like this," you said softly. "I look like shit. It's gross and pathetic..."

"Hey, don't say that shit about yourself, alright?" he said firmly. "You're beautiful, always, and you're not pathetic. You're going through a hard time and that's okay. I'm here for you, baby."

You looked up at him, your eyes glistening with unshed tears at his words. He was so gentle, so understanding and patient. He was perfect, and you were... you.

He leaned down, pressing a soft kiss to your forehead. "I'm gonna run you a warm bath, okay? Gonna wash your hair and get you all cleaned up."

"You don't have to do that," you said quietly. You didn't want to be a burden, for him to feel like he had to take care of you just because you were dating.

"I know that, but I want to, alright? Just-Just let me take care of you, yeah?" He stared at you expectantly, waiting until you gave him a reluctant nod before he took your hand and pulled you toward the bathroom. "Sit," he ordered, pointing to the lowered toilet seat.

You complied, sitting and watching him as he turned the water on, testing the temperature with his hand and adjusting it until it was just the way he knew you liked it before he flipped the drain stopper. He poured in some of your favorite scented bubble bath, waiting for the water to fill the tub.

He turned back to you, kneeling down to take your hands in his. "Okay baby, let's get you undressed and in the tub, yeah? I'll wash your hair for you."

You chewed your lip nervously, looking at him with uncertainty. You were hardly in any shape to be perceived by anyone, let alone your perfect boyfriend. You couldnt remember the last time you shaved your body or did any personal grooming for that matter. You'd just been so physically and mentally drained as of late.

He cupped your cheek, gently using his thumb to pull your lower lip from your teeth. He hated when you did that, always saying you were ruining your pretty lips. "You're always gorgeous to me," he reassured you. "I don't care what you look like. Right now, I just wanna take care of my girl, alright?"

You hesitated but nodded. "Okay," you said softly. You knew he was just trying to help, and you also knew you desperately needed your hair washed before it reached the point of no return. You'd hated how bad you'd let it get, but you couldn't bring yourself to even attempt the attention and effort that detangling and washing would entail.

With careful movements, Rafe helped ease your shirt over your head, revealing your bare skin to his gaze. His expression was non judgemental, his touch reverent as he helped you out of your clothes. "You're doing so good, baby," he murmured, his words soothing the nerves that were bubbling in your stomach. "In you go," he said, once you were finally out of your dirty clothes.

You stepped into the warm bath, the hot water and calming smell helping you relax a fraction. You pulled your knees to your chest with a soft sigh. You were so sensitive and vulnerable in that moment, and Rafe's kindness made your chest tighten and your eyes mist.

He smiled softly at you, the picture of a loyal, caring boyfriend. He would do anything for you. "There you go, sweetheart. Gonna feel so much better after a nice long bath." He knelt beside the tub, running his hand over your hunched back soothingly for a few moments.

He let you get adjusted and relaxed before reaching for your hair tie, gently pulling it out and revealing your tangled hair. You closed your eyes, waiting for some remark about how you need to take better care of yourself or how your hair was a mess, but it never came. "Alright baby, let's get this pretty hair washed for you," was all he said, his tone soft and comforting. "Can you lean back for me?"

You nodded, unfurling yourself from your curled up position and leaning back, letting your hair soak up the water. "There you go," he murmured, making sure your hair was thoroughly wetted before helping you sit back up straight. He reached for the conditioner, coating your hair in an ungodly amount and running it through the strands as best he could to help soften your hair and make it easier to detangle before grabbing a wide tooth comb. "This might hurt a little, baby. I'm sorry, but you'll feel so much better when we're all done."

He worked meticulously, starting at the ends and slowly, carefully working out each knot and tangle, murmuring soft apologies whenever he hit a bad one that tugged at your scalp. He had experience with this kind of thing, having helped Wheezie with her hair a lot when she was a kid. He was so gentle and patient, making sure he didn't pull too hard.

It made you grateful because if you were doing this yourself, you already knew you would've gotten frustrated and started practically ripping your hair out as you roughly yanked the comb through your hair until you were in tears.

The fact that he regarded you with a tenderness and compassion you didn't even award yourself made your heart swell with love, but it also made guilt tug at you. This was the man that you'd been ignoring—this man that was so attentive and loved you so much.

"You're doing so good, baby. I know it hurts, but you're being so brave for me. I'm so proud of you," he said gently, continuing to work through your hair. He didn't show any signs that he was getting frustrated or annoyed, he just continued to hold himself with pure adoration and care for you.

His sweet words made tears well up in your eyes. You didn't understand how you could ever deserve someone like him, someone who loved you completely and unconditionally. His words of assurance were something you'd desperately needed to hear after weeks of listening to your own brain demean and demoralize you.

"There we go, sweetheart. All done. You did so well," he praised you gently as he finally finished up, running the comb through the last of the tangles. He helped you lean back, rinsing the conditioner. He made sure to get all the excess product out before helping you sit back up, reaching for the shampoo bottle.

He squirted a generous amount onto his palm, lathering it in his hands and applying it into your scalp. He washed it out and applied more until it started to froth up, signaling that your hair was finally getting clean.

"I'm sorry," you said quietly as he worked the shampoo into your hair, his fingers massaging your scalp in slow, soothing circles. You felt guilty for a lot of things, for ignoring him, for making him spend his time on you like this, for being this way in the first place. Your brain had convinced you that you were a burden on everyone around you, and you hated the thought of Rafe having to put up with you when he could have any other normal girl.

His hands stilled in your hair, and he tiled your head so you were looking at him. His expression was serious, deadly so, and for a moment, you thought he was mad at you. "Don't. Don't you ever apologize, okay? You've got absolutely nothing to be sorry for. You understand me?"

You nodded, his words and actions meaning more to you than he could ever know. He always knew what to say, what to do to make you feel better. He made you feel important and loved, and you needed that, especially right now. "Thank you."

His gaze softened, a gentle smile spreading across his handsome features. "You don't need to thank me, baby. Caring for you is the easiest thing in the world. I just wish you could see yourself through my eyes—so beautiful, inside and out."

After throughly massaging your scalp, he washed out the shampoo, applying a final layer of conditioner to ensure your hair stayed soft and retained moisture. "Do you wanna wash your body, or do you want me to?" He asked gently. He wanted to make sure you were as comfortable as possible, and if you would be too embarrassed with him touching you like that, he respected it.

"I can- um- I can do it," you said quietly. He had already done so much for you already, and as much as you loved being doted on and cared for, it didn't erase the nerves and insecurity that were swirling through your mind.

"Okay, sweetheart. Take your time. I'm right here if you need anything at all," he reassured you. You washed up and rinsed the conditioner out of your hair, the water uncomfortably cold by the time you were done since detangling had taken forever.

Rafe was ready with a towel by the time you were finished. "Come on, baby, let's get you out. You're probably freezing," he said, helping you up and wrapping the towel around you, rubbing the material against your skin to help warm you up before grabbing a separate towel to help you dry off your hair.

You let him take care of you, drying you off before steering you to your bedroom to get dressed. He knew your drawer set up by heart, having helped you put your clean clothes away more than once. "You really don't have to do all that," you mumbled, watching him carefully choose some comfortable, clean clothes for you.

"I already told you that I want to," he said firmly, plucking out your favorite pajamas. "Now, we're gonna get you dressed and settle in on the couch because we gotta get you out of this bed. It's not good for you to stay in it all day," he told you, helping you into your clean clothes. You felt a little silly being assisted getting dressed and undressed, but you were so appreciative that he cared enough about you to help you like this.

"Sorry for the... mess," you said, wincing as you glanced around at your dirty room. It looked like a disaster area, and you only just now seemed to clock how bad it was.

"I already told you to quit apologizing," he gently scolded you. "We can clean it up later, together, but right now, we're going to go watch some TV and get some food in you, okay?"

You nodded, mustering a small smile. "I love you, Rafe," you said, wrapping your arms around his waist and burying your face in his chest.

"I love you too, baby, so so much," he murmured. His strong arms wrapped around you, pulling you closer to him as he rested his chin on the top of your head. You inhaled his scent, a smell that was distinctly his and always seemed to calm and relax you, his tight grip on you serving to ground you in that moment, reminding you that there are people who cherish you even in your darkest days.

tags .ᐟ   @starkeysprincess / @cometmultiverse / @iheartjjmaybnk / @all4l0vee / @kissesfrmriri / @xoxohoneymoongirl / @bradshawed / @fallbhind / @rafeslittleangel / @bakugouswaif

[swampjawn]

So I stitched together the rotating camera shot from episode 7 of Dandadan. Youuuuuu might have to zoom in a bit though.

This sequence was almost completely anime-original, and it's a great example of why this episode took the show to a whole new level and made me sob into my iced cream.

In no small part, thanks to Shuuto Enemoto (榎本柊斗) who was animation director, and for the first time (?!) did storyboards for this episode. Which is insane because, well, see above.

The manga only spends about 2 pages with the little girl, the anime really basks in this montage of beautifully mundane moments for a full two and a half minutes.

Dandadan is at its best when it's drawing from cinematic influences and thinking about how a real camera could be used to tell its story. The simulated camera rotates slowly around the small apartment and tells the story of this girl and her mother's life together through simple, but touching scenes. This technique isn't as common as the dolly-zooms they've used a few times, but it reminded me of this sequence from "Hunt for the Wilderpeople" (2016) that makes brilliant use of its rotating camera and some cleverly placed body doubles to show the passage of time and development of the relationship between its two protagonists as they're hunted for weeks through the forests of New Zealand. (there was also a really cool and expertly choreographed one in the Showtime series "Kidding")

And it all culminates in this cut where we rotate around a birthday cake and the warm glow from the candles brighten both of their faces. The enchanting, gliding camera movement puts us on the girl's level, and makes the cake look huge and wondrous.

This type of sequence may not be technically difficult in the same ways as it is in live action (though I'm sure it does pose its own technical challenges in animation) but it' shows it's just such a brilliant way to portray this story.

And that's just one of many bits that took this episode above and beyond! I go into way more detail on the animation in this video. Go watch it.

(two videos in a week, who am I, XQC?)

[usomads]

Finisher // Roman Reigns x Reader (Pin Me Pt. 2)

Author’s Note -> Hiiii everyone! So many of you requested a part two to Pin Me, which again thank you so much for all the love on the first part. I honestly didn’t think of making it multiple parts when I first wrote this, but here we are and here it is lol! Happy reading!

Plot -> After pinning the Smackdown Women’s Champion in your mixed tag-team match with Roman Reigns, you gained popularity and with that your first singles title opportunity. You’ve never been more nervous for anything in your life, so your Tribal Chief helps ease your nerves before your match…

Pairings -> Roman Reigns x Fem!Reader (Y/N)

Warnings -> Cursing, Oral Sex (Fem!Receiving), Fingering, Gagging, Implied Smut, Not Proofread, MDNI

Word Count -> 3.0k

(time skip to the first Smackdown episode after Saturday Night’s Main Event)

“I’ve been your Smackdown Women’s Champion for nearly five months now, and since becoming your champion I have proved that I am the irresistible force and nobody can take this title from me. Not Bayley, not Naomi, not Tiffany, and esp-” Nia’s promo was cut short by your entrance music hitting, the crowd rising to their feet and popping loudly for your theme. Since pinning Nia at Saturday Night’s Main Event, you had taken the WWE Universe by storm; your social media following went up, more and more people were recognizing you in public, you had gotten exactly the recognition you wanted all along- and it was all thanks to Roman Reigns.

Since last Saturday and your “celebration” post-match, you’ve grown closer to Joe. You were getting to know each other better, spending more time together, and what you initially thought was a one-time thing in the heat of the moment was clearly not. Joe got his hands on you every chance he could, it didn’t matter where or when, if he wanted you he was going to have you. And who were you to turn down your Tribal Chief? 

Now, you two hadn’t defined your “relationship” just yet but you both were perfectly fine with the way things were at the moment- taking things slow and really getting to know each other (among other things) before making anything official. You were doing pretty well for yourself; you were gaining more traction than before and you had a fine ass man to go home to- you had zero complaints with how your life and career were going at the moment.

You emerged from backstage, microphone in hand, as the crowd roared at your entrance. You signaled for production to cut your music, walking confidently to the ring as you spoke. “Now, Nia, I know damn well you didn’t come in the ring to talk all this mess about ‘no one can beat me’ after last week… did you hit your head too hard during our match or something because I,” you paused, signaling to the crowd filling the arena, “as well as the entire WWE universe remember very clearly that I pinned you last week at Main Event.” The crowd cheered in response, boosting your already high confidence as you smirked at Nia. “If you’re soooo confident you can beat me one-on-one, then do it. Put your title on the line next week and let’s see how much of a ‘force’ you really are.”

“Oh, Y/N…” Nia mocked you, “it’s so adorable that you think you’re a threat to me and my title. That win you got last week, pinning me? Was pure luck.” Nia stepped to you, with little distance between you too as she glared down at you, “But unlike you, at least I don’t have to sleep with anyone to get my main event spots, I work hard for what I have. Do that first, then come talk to me.” That wasn’t in the fucking script, is she serious right now? Oh, if she wants to improv, best believe I can too. You swung without thinking twice, using the microphone in your hand to hit her on the side of the head. It was time for a fight. 

You and Nia took turns trying to go at each other, both of you countering the other until she blindsided you out of nowhere with a hit that made you see double for a second. You knew you were done after that, feeling blood trickle from a cut on your head created by her. She continued to attack you while you were down, the crowd booing with every hit she delivered. After your body had slumped in the center of the ring she grabbed you by your hair and pulled you up, showing your beaten and bloody face to the crowd and cameras. “This isn’t fantasy, Y/N, stop playing pretend with Roman and go back to catering where you fucking belong.” She threw your head back onto the mat and exited the ring as security and medical personnel rushed to the ring. You dragged your fatigued body out of the ring and backstage, refusing treatment from medical despite their protests. You walked into the locker room Joe and you now shared, while Joe was screaming at someone on the phone.

“Nick, are you fucking kidding me? There’s gotta be some form of punish- I don’t give a shit what the higher ups thought about it, she could’ve seriously injured Y/N, I-,” Joe paused, turning around and seeing you enter the locker room, “I gotta go. This conversation isn’t over.” Joe hung up on the GM and rushed over to you. “Baby, are you okay? Did she hurt you? Have you gotten looked at by-”

“No, Joe, and I’m not going to. Just please, drop it. I’m over it.”

“Well, I’m not. Why the fuck would she even say something like that? How would she have known about us?”

“I don’t fuckin’ know, Joe! Now leave it alone, seriously, I’m not in the goddamn mood.” You went silent, thinking about what you were going to do about Nia. You needed to do something different, something she would never see coming. Your priorities shifted completely after that segment, you now no longer wanted just the title. Your biggest priority, maybe even more than wanting the belt, was to beat the shit outta Nia Jax, no matter what it took.

“Babe, c’mon, you need to sit down. You’re gonna stress yourself into a heart attack if you don’t quit pacing around the room like that,” Joe was currently attempting to calm you down, you had been completely fine this past week you were training and promoting the match, but now that the show had officially started your overwhelming amount of confidence had completely vanished.

“Easy for you to say, title matches are second nature to you. Muscle memory. I  have never competed for a title before, I have every right to be freaking the fuck out right now, Joe,” you sighed. “It feels like everything just did a 180 degree turn, like I have so many eyes on me now and they all want me to beat Nia’s ass, and I just don’t know if I-”

“Hey, none of that. Y/N, look at me,” you slowly brought your head up to meet his eyes, the same ones that completely captivated your being just a couple weeks ago. “Whatever you’re about to say, don’t. That crowd out there knows exactly what you’re capable of, you know what you’re capable of, and I know what you’re capable of. I believe in you, baby, and if you can’t find it in you to believe in yourself then I’ll believe enough for the both of us. You got this, Y/N, I know you do.” Your heart melted at his words, the soothing and reassuring tone in his voice providing you some much needed comfort. 

“You still nervous, baby?” You nodded your head, looking down at your lap as he scooted closer to you on the couch. “I think I have an idea on how we can fix that. Do you trust me?”

“A-always, Joe.”

“Good girl.” He lifts your chin with his finger and passionately presses his lips to yours, resting his palm on the side of your face as you moan into the kiss. Your stomach flutters at his soft demeanor, feeling some of your nerves dissipate as his lips caress yours. He lays you down on the couch, hovering over you as he deepens the kiss. Breathless, he pulls away, leaning his forehead against yours and looking lovingly into your eyes. “You still feelin’ nervous, baby?”

“Y-yeah,” you breathed out, “a little less, but still pretty nervous.”

“I guess I’ll have to keep going then, don’t I?” His lips find their way back to yours, resting there for a moment before trailing along your jawbone and down your neck, leaving a few wet kisses at the base of your throat before continuing his path downward. Your breathing had picked up, and you were now looking down at him as his lips left a trail down your abdomen.

“A-are you sure we should… now? I mean, I have my match later and I-”

“Shhh, I promise I’ll be quick. Just wanna take care of you, help my baby out,” he muttered against your hip bone as he teased the lining of your ring gear you had been wearing. You sighed contently, leaning your head back against the arm of the couch and allowing yourself to relax into his touch. His fingers interlock in the lining of your bottoms as he looks up for you, asking for permission to remove them. You lift your hips off the couch, allowing him to slowly drag the material down your legs and throw them to the side. He snakes both hands up your legs, kneading the soft flesh of your thighs before splitting them apart and exposing you to him. Your body was so reactive to him- Joe loved how goosebumps would scatter across your skin at the brush of his lips or how your eyes would flutter closed and your eyebrows would scrunch together with just his touch, but most of all, he loved how how wet he made you without doing a thing to you. 

“Fuck, ma, always so ready for me,” you moaned loudly and bucked your hips, desperate for any sort of friction, “you gon’ have to be quiet for me, don’t want nobody to hear us, right baby?” You nodded and bit your lip, trying to hold in your cries and his fingers danced up the smooth skin of your inner thighs and through your folds, leaning down to make his face level with your core and presses a soft kiss on your clit before wrapping his lips around the swollen bud, nipping and sucking while he continues to drag his fingers along your slit before pushing a finger inside. His thrusts are slow, putting his focus on his mouth as he eats you with a burning intensity. His tongue works itself in ways that set your body on fire, the scruff of his beard along with it only adding to the sensation he’s giving you. The lip you’re biting to keep quiet is nearly drawing blood. You want to cry out, you want to moan his praises loud enough for the crowd inside the arena to hear, but you know you can’t so you continue to restrain yourself despite wanting to do the complete opposite.

He replaces his fingers with his tongue now, pumping it inside of you and using one to pin your hips down and the other to draw slow circles into your clit. This time you can’t help yourself; your clit is so sensitive that the second his fingers brushed it, you were done for. He pauses for a moment to remove his t-shirt he was wearing and you whine from the loss of contact, watching as he morphs the cotton material into a ball and hands it over to you, bringing his hand back down to your clit. “Bite down on this, since you can’t keep yourself quiet, I’ll make you.” You hesitate for a moment and look down at him, his features darkening and giving you a sly smirk before nodding his head. You bring the material to your lips before biting down on it, your senses being completely filled by Joe. He goes back to eating you as you moan into the cloth, the material successfully muffling your cries. Joe’s movements become more and more desperate, moving his tongue and fingers faster as he can sense you’re close. You can’t stop your moans now, saliva drooling from the corner of your mouth as you feel yourself getting closer to your release. Your legs begin to shake and Joe, noticing you were close, dives his head deeper into your pussy, trapping you with his mouth. Your eyes squeeze shut as you inhale, breathing in his scent and cologne you were using as a gag, triggering your own orgasm. You came on his tongue hard, shaking and moaning into the fabric of his shirt as he laps up your juices like an animal deprived of water. You even your breathing and throw his shirt back at him, the both of you laughing as he crawls on top of you.

“Oh, you wanna throw things at me do you? I might just have to teach you a le-”

Joe was interrupted by someone knocking on the door to his locker room. “Excuse me, Ms. Y/N? It’s almost time for your match, we need to head to Gorilla to finalize some things real quick.” You both sigh, him getting off of you as you put your bottoms back on in a rush. You make a run for the door to hurry and get to your position, but he grabs your arm to stop you. “You still feeling nervous?” You smiled at him and shook your head, going to thank him but getting cut off. “Good luck out there, baby. I’ll be waiting for you in Gorilla for you to show me that new title,” he kisses your cheek and you blush.

“Thank you, Joe, for everything. I mean it, I wouldn’t be doing this without you.” He gives you a soft smile and ushers you out the door, as you prepare yourself for possibly the biggest match of your entire career.

“Ughhh,” you groaned as Nia dragged you from the center of the ring to the corner, preparing to give you an Annihilator and win this match. From the jump Nia had punished you, much to the crowd’s distaste. It seemed like everybody in the arena had been behind you and you felt it, right up until the bell rang and she started throwing heavy combinations your way. You managed to sneak in a couple pieces of offense but none were convincing enough to give you any sort of edge. Nia got on the ropes, and performed the move. She remained seated on you, trying to get the pin. 1… 2… kick out. You pushed her off of you and sat on your heels, gripping your side. Jesus, my fuckin’ ribs. 

Finally to your feet, you unload on Nia as she laid on the ground. Kicks, punches, springboard moves, you threw the whole arsenal but each pin attempt gave a 1 or 2 count, and never close calls. You knew deep down you were going to have to do something completely insane to get this win, so you start stringing things together to get it done. You start by giving her a drop kick to send her to the outside, following her out, then throwing her into the steel steps. You dragged her by the hair to the announce table, laying her on it as you ran to the ring and climbed to the top rope. You made sure everyone near the table had cleared before crossing your heart and doing a senton, landing on Nia as the table and collapsing along with it. You could tell that Nia was nearly to the breaking point, so you mustered all the energy and strength you could to drag her back into the ring and climbed to the top rope once more. You hit your finisher, but wasn’t satisfied. You wanted no doubts, so you climbed up and hit it again, straddling her shoulders and hooking your arms around her legs. The arena was so loud you could barely hear the ref’s count. 1… 2… 3… ‘Here is your winner, and the NEW… WWE Women’s Champion… Y/N!’

You couldn’t even process what had just happened, all you wanted to do was get the hell out of that ring so you snatched the title from the ref and escaped. You slowed down when you made it to the stage, clutching the title in your arms and looking down at it with tears brimming your eyes. Your knees felt weak, and your heart was beating out of your chest. You did it. You triumphantly raised the title in the air, tears starting to fall as you smiled and took the moment in. After the cameras had cut and you had taken a few pictures with fans, you walked backstage only to be greeted with cheers. You made your way to everyone, getting pictures, hugs, and everything else in between before locking eyes with the man you wanted to see ever since your hand was raised. Joe. You practically ran to him, jumping into his arms and wrapping yours around his neck, hugging him tightly. He spun you around and smiled from ear to ear. 

“I’m so fuckin’ proud of you, baby. You had a helluva match out there, I knew you had it in you,” he kissed you sweetly right there, not caring who was watching as you grinned widely. “Now, let’s get you home,” he winked at you, setting you down before whispering low in your ear.

“We’ve got some more celebrating to do tonight.”

[constantfragmentation]

HI FELLOW SILCO ENJOYER

What are your thoughts on the polycule theory of felicia-silco-vander? 👀

Whew... where to begin?

Fair warning, this is going to be a long assessment.

First off, I firmly believe (unless S2 Act 3 makes me eat my words), that the writers didn't realize Silco and Vander would become such popular characters. I don't think that was the plan. They were side characters meant to beef up the main stars Jinx and Vi. Rightly so. They were devised as parallels for Vi and Jinx throughout the story. And it was beautiful.

S1 was filled with little details that enhanced every part of the plot and character development through each act.

However, if S/V were so important, more care would have been put into their backstories, which have been kept pretty vague. And these so-called continuity mistakes/plotholes seem pretty big for a studio that has been meticulous in the details all through S1.

We meet Vander, who changes his life after seeing the kids lose their parents and adopts them. Vander is seen as the builder and leader of the Underground, and he seems to lead with the threat of who he used to be (until Sevika calls his ass out).

Silco is introduced as the mean baddie immediately via Vander/Benzo's conversation in E1.

"There's worse things than Enforcers out there. We both know that."

Then his full intro including an underground evil lair and mad scientist at the end of E1.

E2 leans into the same MO for Silco. Until finally coming to the best episode (IMO) in all of S1 and it's E3, where things come to light. But he's still evil, vicious and spares no one. Silco appears to have zero empathy and is filled with a deep seeded hate.

"Silco?! You animal! Go crawl back into whatever hole you came out of!"

S1E1-3 Silco completely paints him as terrible from the Underground's perspective. Silco - bad. Vander - good. Both Vander and Benzo see Silco as a dangerous threat. So does the rest of the Underground feel the same? Do they know about what happened to Silco by Vander's hands? Sevika chooses him because she lost faith in Vander as a leader.

So, that makes me wonder if Silco WAS the brains behind everything from their smuggling business and building up the Underground to the rebellion. Vander on his own, seemingly, isn't shit. He is the muscle. WIthout the brains, he doesn't haven much in planning so he turns to making a deal with Enforcers instead.

By S1E3, we start to see beyond the veil a bit. Vander tried to drown and murder Silco. Let's remember one thing. Vander didn't just try to shoot Silco or they got into a fist fight and things got out of hand.

He tried to DROWN him. There's no way Silco went with Vander to the river fearing his life. Now, whether they went to talk in private and it got heated, you still have to sit back and look at Young!Vander and think wtf?

He is painted the good guy from the beginning. A man with restraint and compassion, looking out for everyone and especially his 'kids'.

It takes will and strength to smother/drown a person. It is NOT a quick death, it's a slow and painful death. Vander's intent was to kill him. Not once, did Vander think in the minutes holding Silco underwater that damn, this is wrong or overkill? You don't flippantly say "I'll never forgive myself" for trying to murder you slowly. Now beating the shit out of him and ruining his eye, yeah, that would make more sense from Vander, knowing he probably turned Silco into this worse person and fucked up his face, vision forever.

The viewer is left to assume it was something so fucking bad, Vander had to kill to stop it. Plus, Silco is already painted as the bad guy, so we presume Vander was right in trying to kill him?

So, what was so bad that this course of action was required? Well, it's pretty damn vague. In all of E3, Felicia isn't mentioned or hinted at ONCE. Not once. If Vander tried to kill Silco because of her, why do we not learn about any of it?? That seems like a pretty important fact, yes? This is Vi/Jinx's mom and she was a close friend? I'd say that's important.

Nope. Silco drags Vander to his lair and waxes on about fighting Piltover and finally realizing his dream of a free Zaun by any means.

Vander tells Silco he's never forgiven himself for trying to kill him, but nothing else is added to it? We're left to believe that Silco was either too powerful and influential in Zaun or that he orchestrated the bridge fight (that Vander was still fighting until the kids arrive and they see their dead parents).

This grey area is why the fandom has spent years trying to decipher what was so bad that it tore two brothers apart with attempted murder.

We learn in S2, Vander apparently "looked everywhere" for Silco and then wrote him a letter in a mine, hoping Silco might come across it. Well, if your brother tried to murder you, I'd say you would stay far away from him and not venture to old places in case he might try it again? Sounds reasonable, yes?

So Vander just gave up trying to talk to Silco and explain everything for YEARS? By S1E1 he and Benzo know about Silco and probably know where he is and that he's up to no good obviously. So why haven't they talked once in years?

Vander said he was in a rage over Felicia's death. But I'm sorry, none of that makes much sense and frankly takes the fire out of what created the fracture between two friends.

I would have preferred Riot not explain than give us a half-assed backstory of three happy-go-lucky buddies and the death of one is the backbone of hate, distrust and betrayal.

Again, Silco said Vander BETRAYED him. If they were arguing about Felicia and her partner dying, leaving kids orphaned, I don't call that betrayal. Vander's letter sounds like an argument that got out of hand. You don't just accidentally drown your best friend for the greater good because your other friend died in a fight ALL of you were fighting. You knew people would get hurt and/or die. It's reality.

It just doesn't FIT. It doesn't fit these characters at all in the narrative from S1.

Another reason I believe Riot never intended to go further with Silco and Vander's backstory is in the animation. Like I said above, S1 was littered with little and amazing details that we, as the viewer, have been analyzing for years.

The drowning was a VERY young Silco and Vander. Vander clearly has a beard and looks much older on the bridge in E1. The flashback in E3 looks like it was 10 years earlier at LEAST. That would be around the time Vi was born or a toddler if we're estimating her age by S1E1 on the bridge.

Vander beat the shit out of him and then decided to kill him by drowning. THAT is a major choice to make. That is a vicious choice. So we do see Vander as being more violent in his youth. So if the drowning came AFTER the bridge, that also doesn't quite fit either. He takes the kids and chooses pacifism, yet soon after, he's murdering his best friend. AND he suddenly shaved and grew younger, because he wanted to look clean and pretty before killing his bestie?

Zero continuity here. Bad writing. If there was mistake due to animation, they should have changed the backstory to fit than ramrod something else that looks badly done and makes zero sense to your audience.

Personally, I wish the drowning was PRIOR to the bridge battle.

It would make more sense if Vander was having second thoughts while planning the bridge fight. Maybe a separate attack went wrong and he realized they were going to lose and many would die. Silco, maybe having more influence or threatening to show Vander as a coward to the people is what finally triggers Vander to kill him. In order to stop this, Silco needs to die and then maybe Vander can convince others the fight is already lost against a superior firepower.

To kill Silco in that manner, signals to me, Silco was a great threat. Which means to me, Vander either felt he was a threat to him (since Vander does become the power in the Underground - the Hound) or he is beginning to feel like this fight is pointless and will change nothing. People will die for nothing.

Making it all about Felicia, just takes the fire out of rift between these two men all these years.

Again, she's never mentioned.

Silco even reflects in S1E3 that he still respected Vander after the drowning until he learned Vander was working with Enforcers and basically made a deal with Topside to keep the peace. That continues his pathway as a rebel and he's going to take down Vander with it or use him "what you really are".

Silco knows how violent Vander was and he's going to use it with Shimmer.

If we go by S2 timeline, then both Silco and Vander would know Felicia's kids well before the bridge battle. in S1, Silco would know who Vi is, at least and be aware of Powder. He would know this by S1E3 when he says "Have you heard the rumour? Vander the coward fled town with his children and were never seen again."

Pretty callous talking about his other bestie's kids like that. Damn. If Silco cared for her, then wouldn't he spare her kids? I just don't see this was ever about Felicia. It doesn't fit. He really didn't flinch in having Vi or any of the kids killed. HER kids? I'm having a hard time with that one.

I've said before that in Silco's eyes, Vi is an extension of Vander. When he finds Powder and she cuts off Vi as her sister, Jinx becomes an extension of himself, thus HIS daughter. It's like Silco's last "fuck you" to Vander by taking Felicia's other daughter as his own.

Overall, I hope to hell it's not some love triangle. Or either man was in love or had a crush on her.

I read some fans saying since the flashbacks are Vander's in S2, we're seeing things from his perspective. I'm all for an unreliable narrator with characters because it keeps things open for interpretation.

But we would need to see this from Silco's perspective, too—not just the drowning/betrayal. Silco sees this as a major factor in the direction his character takes. It's a life-changing moment for him.

We also don't see any flashbacks to the years Silco took care of Jinx after Vander's death. If he knew Jinx's mom, wouldn't that come up? Wouldn't that be something Jinx would remember and influence her?

In S2, she reminisces a few memories of her mom like nothing has happened since. She and Vi act like nothing really happened between them. By the end of S1, the sisters diverge when Jinx decides who she will be. It's Jinx, not Powder. She knows Silco loved her and, more importantly, accepted her for who she was. She was perfect in his eyes.

Plus, Vander's trio flashback seems odd in both animation and backstory choices. Silco looks VERY different than his flashback of the drowning. His hair is much longer (man bun), he has a widow's peak he doesn't have later (weird). He appears to care for Felicia and happy for her being a mom. They made him more physically attractive and older than the flashback in S1E3.

Vander doesn't look like the younger version in Silco's drowning flashback. He looks older too. Animation choices were made that don't match the continuity of the previous season.

We're assuming their smuggling business is doing well if Felicia talks about the Underground being much better for everyone. Are we still giving Vander full credit for that? S1 implies Vander built the Underground both from Grayson and Zaunites.

Silco jokes he is "Bozo #1". To me, he is joking but not in saying he's the mastermind in this duo. Without him, Vander's just a brute.

I'm not sure of Vi's age by S1E1, but maybe she's 10 or 12? So prior to the battle unless a fallout happened with Vander and Silco, why don't we see Silco with the kids? Why do the kids act like they don't know him? If they were such a tight trio with Felicia, why only Vander with the kids?

He fought at the bridge knowing Felicia had two young kids that could be orphaned and was still fighting when the kids showed up. He already knew Felicia was dead but was still fighting.

If her death was too much, why didn't he stop then? The kids appreance stopped him. Okay. I get that. But we don't see Silco anywhere on that bridge, does he know she dead? Is he still fighting? Where is he?

This whole polycule feels like they had to throw it in somewhere but didn't adequately explain it to match the motivations of the characters we have known and studied. It opens more plothole questions than it answers. It creates more problems that did not need to be there.

If Felicia wasn't that important to expand on last season, why do it now and do it poorly that contradicts characterizations already laid down in the whole previous season?

I'll say it again and again: Riot did not plan for it. They didn't think Vander and especially Silco would be so popular, and fans would demand to know more about them.

Plus, another thing that kind of bugged me:

When Vi is embracing Warwick/Vander and tells Jinx "He's your dad too."

Yeah, it's a nice moment, but it's a shit on Silco too. Technically, didn't JInx have more years with Silco than Vander? She saw Silco as her father (although not the best), accepted her, encouraged her skills, gave her important jobs, wouldn't give her up and called her perfect in his dying words.

I guess fuck that dad, right? He is evil dad and now he's dead, doesn't matter anymore.

Did anyone else feel like Jinx turned back into Powder this season? The kicker in S1, is that she CHOSE to be Jinx. IDK. The sisters were real quick to hook back up after everything.

As I've said before, they needed maybe three seasons if they were going this route. No character is getting enough time this season for good story-telling and character development. Too much is getting crammed in one season and it's sad because there is SO much story to work with.

I, for one, would watch another season of these characters. You could take time to explain the Black Rose and Mel's story. Ekko has nothing this season. Jayce doesn't have much. There's very little explaining and too many new questions that won't get answered in one season.

Vi became an Enforcer for half a second. Granted Caitvi only knew each other for maybe a week so for their 'relationship' to fall apart doesn't surprise me. But Cait bouncing back and forth. Jinx bouncing back immediately after Silco's death doesn't make sense since he wasn't the cause of her mental illness.

"Silco didn't create Jinx. You did."

Sister's bond quickly like nothing happened between them. Sevika is suddenly on Jinx's side with little work considering they disliked each so much.

Intro of a new character, Isha.

Viktor turns into Jesus and hangs out in the Big Bang with Sky. I was waiting for Machine Herald and got Jesus Herald.

Ambessa could have a better story but again, I think they needed at least one more season to flesh everything out. It's all too fast and packing way too much into one season of plot for so many characters. The sister's reunion is too fast. We don't get enough info on Warwick yet.

I hope, but they can't tie all this up in three more episodes.

Sorry for the mental vomit, but I've been thinking about this all week, and now it's out like verbal diarrhea. Even though I've enjoyed this season, I can't help but feel disappointed. S1 was so much better.

[ardentpoop]

Speight: How was that experience, going from the two guys who did the pilot [to] the sort of forging of… what became the Supernatural crew family?

Jared: For me, honest to god, the majority of the first - let’s say, July to December of 2005, which would have been episodes 1 to “The Benders,” ‘cause “The Benders” bookended our hiatus […] I was focused on Jensen. You know? And Sam was focused on Dean. […] At first I was just focused on, like, I don’t wanna jack this up. […] Then when I looked out at the crew I realized that they had just seen Jensen and me working together in concert, in a friendly but creative and effective way… by then they had a sense of us. Like, oh, y’know, nice to get to know you better. I’ve seen you work 18-hour days for the last five months; I know you’re a good dude. I know Ackles is a good dude. I know that y’all are here project-first, y’know, not like Jared-first or Jensen-first. So I feel like there was that mutual trust. ‘Cause especially back in the mid-2000s, a lot of twenty-something-year-old actors and actresses weren’t known as being… very group-mentality. Family-first, best-idea-wins kind of thing - and I think Jensen and I were from the get, and I think they saw that, and they were like: Oh, thank god. These guys seem pretty normal.

[Rob starts to ask Jared another question]

Jared: I wanna hear - I wanna hear Ackles, real quick, talk about what you thought about getting to know the crew.

Jensen: Yeah, it was… most shows, movies, projects like this, you’ve got a cast that - a lot of times, the cast will […] go out to cast dinners, y’know… It was just Jared and I. So I feel like we got to know our crew very quickly, because that was the extension of who we were surrounding ourselves with, in Vancouver. We were away from home, we were away from our family, away from our friends - and so Jared and I very quickly formed a brotherly bond, both on and off screen, and then very quickly I think, became bonded to our camera operators and assistants and our directors, the writers… so we very quickly grew this bond that was really unbreakable for the better part of two decades. We also had a very young crew. We were young going into this, y’know, we were in our mid-twenties when we started this thing. And there were a lot of crew that were young. […] Yeah, there was a lot of crew that were close in age to us, and so we just immediately had this cool bond with all the cast and the crew, that never really broke.

[Supernatural Then and Now podcast episode 2: Wendigo. Published 1/24/22]

[sassenach77yle]

||COUNTDOWN || SEASON 7 EPISODE 08 || TURNING POINTS||

#83daysofoutlander☆

“A bargain’s a bargain,” I said, with a nod at the cup in his hand. “Drink it.”He lifted the cup and poked a long nose reluctantly over the rim, nostrils twitching at the sickly-sweet scent. He let the dark liquid touch the end of his tongue and made a face.“It will make me sick.”“It will make you sleep.”“It gives me terrible dreams.”“As long as you don’t chase rabbits in your sleep, it won’t matter,” I assured him. He laughed despite himself, but had one final try.“It tastes like the stuff ye scrape out of horses’ hooves.”“And when was the last time you licked a horse’s hoof?” I demanded, hands on my hips. I gave him a medium-intensity glare, suitable for the intimidation of petty bureaucrats and low-level army officials.He sighed.“Ye mean it, aye?”“I do.”“All right, then.” With a reproachful look of long-suffering resignation, he threw back his head and tossed the contents of the cup down in one gulp.A convulsive shudder racked him, and he made small choking noises.“I did say to sip it,” I observed mildly. “Vomit, and I’ll make you lick it up off the floor.”Given the scuffled dirt and trampled grass underfoot, this was plainly an idle threat, but he pressed his lips and eyes tight shut and lay back on the pillow, breathing heavily and swallowing convulsively every few seconds. I brought up a low stool and sat down by the camp bed to wait.“How do you feel?” I asked, a few minutes later.“Dizzy,” he replied. He cracked one eye open and viewed me through the narrow blue slit, then groaned and closed it. “As if I’m falling off a cliff. It’s a verra unpleasant sensation, Sassenach.”“Try to think of something else for a minute,” I suggested. “Something pleasant, to take your mind off it.”His brow furrowed for a moment, then relaxed.

“Stand up a moment, will ye?” he said. I obligingly stood, wondering what he wanted. He opened his eyes, reached out with his good hand, and took a firm grip of my buttock.“There,” he said. “That’s the best thing I can think of. Having a good hold on your arse always makes me feel steady.”I laughed and moved a few inches closer to him, so his forehead pressed against my thighs.“Well, it’s a portable remedy, at least.”He closed his eyes then and held on tight, breathing slowly and deeply. The harsh lines of pain and exhaustion in his face began to soften as the drug took effect.“Jamie,” I said softly, after a minute. “I’m sorry about it.”He opened his eyes, looked upward, and smiled, giving me a slight squeeze.“Aye, well,” he said. His pupils had begun to shrink; his eyes were sea-deep and fathomless, as though he looked into a great distance.“Tell me, Sassenach,” he said, a moment later. “If someone stood a man before ye and told ye that if ye were to cut off your finger, the man would live, and if ye did not, he would die—would ye do it?”“I don’t know,” I said, slightly startled. “If that was the choice, and no doubt about it, and he was a good man … yes, I suppose I would. I wouldn’t like it a bit, though,” I added practically, and his mouth curved in a smile.“No,” he said. His expression was growing soft and dreamy. “Did ye know,” he said after a moment, “a colonel came to see me, whilst ye were at work wi’ the wounded? Colonel Johnson; Micah Johnson, his name was.”“No; what did he say?”His grip on my bottom was beginning to slacken; I put my own hand over his, to hold it in place.“It was his company—in the fight. Part of Morgan’s, and the rest of the regiment just over the hill, in the path of the British. If the charge had gone through, they’d ha’ lost the company surely, he said, and God knows what might have become o’ the rest.” His soft Highland burr was growing broader, his eyes fixed on my skirt.“So you saved them,” I said gently. “How many men are there in a company?”“Fifty,” he said. “Though they wouldna all have been killed, I dinna suppose.” His hand slipped; he caught it and took a fresh grip, chuckling slightly. I could feel his breath through my skirt, warm on my thighs.“I was thinking it was like the Bible, aye?”“Yes?” I pressed his hand against the curve of my hip, keeping it in place.“That bit where Abraham is bargaining wi’ the Lord for the Cities of the Plain. ‘Wilt thou not destroy the city,’ ” he quoted, “ ‘for the sake of fifty just men?’ And then Abraham does Him down, a bit at a time, from fifty to forty, and then to thirty, and twenty and ten.”His eyes were half closed, and his voice peaceful and unconcerned.“I didna have time to inquire into the moral state of any o’ the men in that company. But ye’d think there might be ten just men among them—good men?”“I’m sure there are.” His hand was heavy, his arm gone nearly limp.“Or five. Or even one. One would be enough.”“I’m sure there’s one.”“The apple-faced laddie that helped ye wi’ the wounded—he’s one?”“Yes, he’s one.”He sighed deeply, his eyes nearly shut.“Tell him I dinna grudge him the finger, then,” he said.I held his good hand tightly for a minute. He was breathing slowly and deeply, his mouth gone slack in utter relaxation. I rolled him gently onto his back and laid the hand across his chest.

“Bloody man,” I whispered. “I knew you’d make me cry.”

62 ONE JUST MAN ~an echo in the bone

[nickrocketrodriguez]

Hello, Nick! Can you share with us some of your favorite scenes into the writing process of Jurassic World: Chaos Theory? Or even some scenes that didn't end up on the show but you liked it?

Gosh, we wrote these so long ago it's so hard to come up with specifics. For the episodes I wrote, I loved writing the scenes in "Halfway Home" between Daniel and Kenji. I have a relationship in my own life that mirrors (to a certain extent) theirs, so to be able to put all of myself into that episode -- my first as a staff writer on a TV series -- was very special for me. It really allowed me to completely open myself up to working with other writers to intimately. I also get a giggle out of the part where Kenji doesn't have the words to describe Daniel's ultimatum, so he just grunts -- I didn't know if it would make anyone else laugh, but it seemed to, so it stayed! That was pretty fun.

"The Drop" was a bit tougher for me, as it was a pretty pivotal moment between Darius and Kenji. In their scene where they struggle over possession of Brooklynn's phone, I really wanted Darius to rear back to take a swing at Kenji, but for some reason, in a show where people are eaten by dinosaurs, throwing punches (or even implying it) was a no-go, but what ended up in there was still really fun and to the spirit of what I was trying to do.

"Batten Down the Hatches" was sooooo much fun to write as a horror and action fan -- I feel like the team really took what I wrote and ran with it in the best possible way! Seeing that one at SDCC with a group of like 800 fans was something I will never forget. People laughed, gasped, shouted at the screen -- it was just such a cool moment for me.

But getting to introduce Soyona Santos was also such a special thing for me. As I've said in the past, getting to write for Dichen Lachman was such a fanboy moment for me, I'm so glad I got to reintroduce her to the world and help usher in a more three dimensional version of the character than there was time for in Dominion. I love the cat-and-mouse vibe of their conversation. There's also the bit that I'm not sure many picked up on where Santos is the one who uses the term, "limb difference" for the first time in the series. Our consultants had taught me that phrase, and I thought it was an interesting choice for Santos to introduce it to Brooklynn. The thinking was somewhere along the lines of, in her quest to get deeper into the trafficking of dinos, she probably didn't have a ton of time to look into how she was really feeling about losing her arm, let alone find anyone else who'd introduce that phrase to her. So when Santos uses it, there's a split second where Brooklynn kinda connects with it. I think it shows that Santos isn't just a mustache-twirly type of villain. She's intelligent, she's hip to how language has evolved, and she might even be a good person in another life. There was a moment where it was called into question whether or not Santos would use the phrase, so I'm especially glad we got to keep it in there.

And don't even get me started on the episodes my amazing colleagues wrote for the rest of the series. They all did such an incredible job, I don't even have enough words to express how awesome their episodes turned out, not to mention how awesome all of the rest of the crew did in bringing the show to life!!

[quinn-of-aebradore]

the blame falls on jayce's shoulders because he's the one that combined viktor with the hexcore at the beginning of season 2! and then when he comes and then tells jayve he's going to leave, jayce is going to say "i never asked for this" YOU were the one that combined the hexcore with viktor. i know they're both victims but the way people try and act like viktor wasn't being manipulated by the hexcore this entire time annoy me so bad, especially the comments about it i see on tiktok.

Alright anon, I generally agree with you and I am very exasperated with Jayce for blowing a hole in Viktor’s chest, but as with all things. Nuance.

Firstly, regarding Jayce combing Viktor with the Hexcore; there is no way in hell Jayce could’ve known what was going to come of that. Which, obviously, means maybe he shouldn’t have done it if he didn’t know the outcome, but also the second the Hexcore registered that Viktor was in the room, it started gravitating towards him. Jayce tried to hold it back with those tongs and it was stronger than him. I give him grace for that whole situation because desperation and adrenaline are some insane fucking drugs and also because the moment Viktor was back in that lab, his fate was sealed, regardless of Jayce coming into contact with the Hexcore or not. Firmly believe that even if Jayce had set him there and left to go find help, he would’ve come back to find that the Hexcore had merged with Viktor anyway. I think it’s also worth noting that Viktor started this process on his own in Season 1. Viktor was the one who chose to feed the Hexcore his blood and Shimmer, though yes, he was doing so out of desperation. But still, that was his choice, not Jayce’s.

Secondly, about Viktor being manipulated by the Hexcore; absolutely! I 1000% agree with that. I do not think that whatever is appearing to him as Sky is actually Sky, that is Something Else, in a way that’s very parallel to the fake Kino we saw with Mel in episode 5! Viktor does not have the full picture of what he’s been doing with the Arcane and we only have a handful more tiny pieces than he does!

And third, on whatever Jayce saw in his missing time; I am getting the feeling that he witnessed/lived through multiple alternate timelines in which things went Very Wrong, likely at the hands of a heavily corrupted and possessed Viktor, who Jayce could not bring himself to kill. That’s why he’s so adamant about not failing again. I don’t think this perception is 100% accurate to the state of things in the core timeline, but I also don’t think Jayce’s perception of the Arcane as whole is entirely accurate. He’s been exposed to the worst of it, the mind-rending and reality-shredding horrifying potential it contains, whereas Viktor has only been exposed to the best parts of it, the good it can do (even if that’s not exactly what’s happening with him in reality). We don’t know exactly how long is between Act 1 and Act 2 this time around, probably a handful of months, but I am very much willing to bet that Jayce was gone for a lot longer than that from his perspective and came back not only with run-of-the-mill PTSD (as to be expected) but also some seriously magically inflicted psychic damage. I don’t think Salo!Viktor was being metaphorical when he said that the Arcane took Jayce’s mind. His perception of reality has been irreparably altered and I wonder if it’s part due to the lack of this alteration that led to him potentially sparing alternate timeline Viktors who otherwise should’ve died. He almost killed a child, again. Something isn’t right when it comes to both him and Viktor.

Jayce is to blame for a whole lot—the entire end of episode 6, obviously—but I don’t blame him for Viktor’s initial transformation. Whatever comes next, however, does fall on his shoulders. That I won’t dispute for a second, though there is without a doubt more going on there and I am SO excited to see what’s going on behind the curtain with all the weird magic shit.

[dorkydegeneracy]

It's crazy that we were all tossing around these theories about how Eddie was going to get Chris back, and arguably one of the more obvious solutions, Eddie returning to El Paso all together to be with Chris, never crossed our minds.

Because let's be honest. IRL this isn't a terrible decision. It's actually quite a good one, considering Chris is seemingly thriving in Texas and all of his blood family is there (radio silence from Tia Pepa and Abuelita (didn't abuela move back to Texas, or is that fanon? The lines between fic and reality are Heavily blurred)). Uprooting Chris' life again would be unnecessarily cruel. Stability is of paramount importance right now after the tumultuous life Chris has had.

There are really only two things that make this idea nonsensical:

1) Eddie moving to El Paso is not going to fix his relationship with his son. He's doing it purely for himself because he is missing out on his son's most formative year. (See #2 for more insight on this.). But Chris doesn't need Eddie to move to El Paso permanently. He needs Eddie to come to terms with why he continues to make these reckless mistakes that affect Chris in a real way. Chris needs Eddie to stop trying to replace Shannon. Chris needs Eddie to move on and be happy so he can be an even better father. Which brings me to. . .

2(a)) Eddie believes that moving to El Paso is going to make him happy because Chris is there. But he is sorrily mistaken. The priest gave him the assignment to stop punishing himself and allow himself to feel joy. And he is choosing to move so that he can be happier by not missing Chris's milestone moments. He's going about the assignment the wrong way. Yes Chris should and does make him happy, but that's not the only thing that makes Eddie happy. It would be incredibly unhealthy if this was true. Eddie LOVES being a fire fighter. Eddie LOVES his fire fam* (more than he likes his parents). And. . .

2(b)) EDDIE LOVES BUCK. There are a million reasons why Eddie loves Buck. But one in particular was illuminated last episode that I don't think the show has ever teased at before.

Listen, I know we are all obsessed with Buck having his own crisis, but this was the most striking part of the entire scene for me. DO Y'ALL SEE THIS FACE? This is the face of a man who was afraid to let his "best friend" know that he was planning on moving to El Paso to be with his son because he knows that Buck is going through a tough time right now. He didn't want to add another stone to the pile. But Buck isn't a guest in Eddie's house, so he took a peak and ripped the band-aid off. And Buck had the nerve to be 1000% supportive of Eddie's decision. So Eddie makes that 👆🏾face because he CANNOT BELIEVE that Buck would be so selfless. He thinks it's crazy that somebody would unquestionably help him be happy in Buck's scenario.

Eddie, I'm just saying, what we all just saw is HUSBAND-like behavior from Buck. And I know you didn't see the whole thing, and you don't know this, but you have just flipped Buck's world upside down. Your man is dying on the inside. Because BUCK LOVES YOU. But he doesn't know that yet. And he doesn't want to pull you away from your son. Who is also his son. So yeah.

*NOTE: The fire fam is not the same as actual blood family at least not for Chris. I get it, Helena obviously does not have Eddie's interest at heart, which is why her and Ramon taking Chris for three months is cruel, but I think the show is trying to suggest that Chris is indeed thriving in El Paso where he is surrounded by his aunts, uncles, cousins and other family. Those bonds are unique and important. Even if Helena Diaz is conniving. The fire fam in my mind is more crucial for Eddie. Not that the fire fam aren't amazing and provide a comforting familial sense in LA, but. . . you get what I mean. It's just different. Especially since Eddie actually has a big family back home, not all of which he is maligned.

[reignpage]

hello

what's your process of writing smau's? like the idea and how do you decide to implement it and everything?

thanks in advance and pookie don't forget to rest

Saw this a while back and finally have time to answer

I've already touched on this in my recent Announcement

Here is my start to finish process:

I have a list in my notes app of story ideas divided by smau and fic

and within smaus, they're further divided by angst/smut/fluff

Many are popular plots like

Clingy? (they call you clingy)

Birthday Girl (forget your birthday)

And the others are things I've just thought of for example:

A New Friend (or more popularly known as 'Keiko')

Tell Your Friends About Me

When it comes to making a smau, I first have to ask myself what kind I wanna make

To make a oneshot, my process is:

Start with Gojo (I always go in order of their appearance, it's just easier to transfer the screenshots from my phone to my laptop and organise them when they're already in order)

Change the contacts (his picture and name)

And text myself my initial thoughts

Most of the time I never plan what I'm going to say, like the plot for each character or the exact wording, it just comes to me naturally. But there are times when I have to trial and error what feels best. Regardless, there's a lot of deleting happening. Which is why I prefer the single page layout because then if I have to start over because of a mistake or typo, I don't have to recreate as many lines. It's less tedious.

To make a series, I like to generally follow a 4 part stage:

Problem

Confrontation

Explanation/Grovelling

Resolution

Which is why I was actually surprised a couple people thought I was excessively making parts, because looking through my masterlist, that just doesn't seem to be the case

Anyways

Each part and each character are like episodes of a telenovela in my head

That's why some people might think the conversations end suddenly and then people have to read back to understand the new part. I never thought that was a bad thing. In fact, it was actually quite intentional. These messages are dramatic like Vampire Diaries or Greys Anatomy and not realistic because realism is boring.

The children yearn for escapism!

Sometimes there's even minor time jumps between parts where reader has avoided the men for a couple days for example. Each character's plot plays out in my head like a show is the best explanation I can provide.

It's the same for the Modern au!smaus

Some people didn't get the Modern au!Nanami ones because they couldn't tell when a text is a pre-relationship text or when a text is during their relationship

First 3 texts are pre and the last half are established relationship texts Some texts are a continuation of a story, others are a snapshot of a moment in their lives

So it might not make sense immediately and that's because it's not supposed to be linear

It's like an episode!

Think of the Modern au!Nanami one titled 'Newton's first law'

First text is a snapshot of their first every conversation From reader's perspective, it's their first time meeting So in the beginning of an episode, it'd be like a flashback Then the episode picks up where we left off from the pre-relationship timeline, when Nanami got fed up because of the drunk party stunt reader pulled, and reader apologises and begs for another chance. The third pre-relationship pic is still following that event in the episode, but is a couple weeks into the future, where reader has kept her promise and been distant, which Nanami picks up on. THEN the three next pictures are in the present time, during their relationship, and we see they're having an issue, they even go on a break. But the episode ends with them reconciling and it all connects back to the first pic (the snapshot of their first conversation) with a reference to a text reader sent nanami

See my vision?

It might not be executed perfectly, but I hope you guys can at least see where I'm coming from.

If you've made it this far, you're a champ

Once I've reached the final character

Either Sukuna (or Shiu) in my 18+ works or Toge

I crop the pictures and I create a post on Tumblr using my laptop

I colour the title using a website

Paste it on the post

Get my template:

Smau: in which they/you..... Warnings: ..... Featuring: Gojo, Geto, Choso, Toji, Nanami, Sukuna/ Yuji, Megumi, Inumaki

I copy and paste the tags from my notes app (I do not type them out one by one anymore it's tedious work) and just edit out the inappropriate tags like if it's not smut, I'll take out every 'jjk character smut' tag etc.

And then transfer the pictures from my phone to my laptop, and then place the pics into Tumblr

I do final checks

Sometimes I forget to crop a picture or I didn't screenshot a character's conversation (I have to take a lap when this happens because that means I have to change out the contact pic and name and scroll up and go through the process ugh)

But if all looks good on my front, then I don't hesitate to click post!

Thanks for reading and hope that was informative!!!

[ropebunnykant]

after watching the first episode, there are a loooot of things that stand out to me in terms of characterization in parallel to taming and i think i’m coming to the conclusion that actually all of them are katherine

wild thing to say i know, and obviously fadel fits the storytelling role (character needing to be tied down in order for sibling to be able to have a partner) but weirdly enough, he is the least like katherine in personality

style actually mimics petruchio’s personality quite a lot - he’s loud and unabashed and stubborn. but those are also traits of katherine. part of the reason petruchio is able to “tame” katherine is because he matches her wits and isn’t afraid to stand toe to toe with her - they’re a lot alike at the end of the day.

and with bison, he is being portrayed to be the wildcard between him and fadel when katherine is meant to be the wildcard. she’s unpredictable and violent and is the cause of a lot of bianca’s grief and that’s exactly the case with bison for fadel. he gets drunk, shoots wildly at karaoke, and then they have to move and fadel is pissed about it! and like bison also has bianca traits as well, but their dynamic seems totally switched from the play

as for kant, his personality seems less like katherine’s, but he is also another instance of needing to be “tamed.” a reformed criminal trying to get his record scrubbed. not to mention he literally has katherine’s line tattooed on his back - “if i be waspish, best beware my sting,” which i find fascinating in its own right. especially because it’s written on a tattoo of what appear to be angel wings when he actually has a bee tattoo on his chest. and like the line itself makes sense out of context because it implies people need to be weary of him - ie bison needs to be weary of trusting him - but in context it’s even more interesting because petruchio’s response is “my remedy is then to pluck it out.” he will pluck out her stinger - he will tame her. bison will tame him!

and with fadel i’m honestly kind of fascinated by the fact that despite being the katherine, the shrew, the one that needs to be tamed - he is arguably the calmest among the bunch, with the most patience? like yes, he physically dragged style out of the restaurant, but that was after style was the worst customer ever and if this was a true katherine, he would have thrown him out immediately. i do wonder if it’s because jojo is leaning into the idea of katherine being misunderstood, which is a very popular idea. that for some reason everyone thinks of fadel as this wild card, this shrew, but he’s actually just kind of a guy that will flip if his patience is really tested. it’s a little early to really tell but it’s interesting either way!

[megabuild]

as a bdubs fan, what are your thoughts on his team kill in last life/how that affected his relationships going into later seasons? 🎤

i think the reason a lot of people struggle with this is that many of us (myself included!) are still deeply into the idea of the characters being wholly separate from their creators, but you can't really talk about bdubs' killing of tango without acknowledging bdubs the man's love of doing whatever will tell the best story. it's why he doesn't kill etho as the boogeyman, and it's why he kills tango and lizzie when he does- those decisions are conscious choices as a narrator that he knows will make more drama and incentivize people to react in more interesting ways. this carries onto other controversial decisions of his, like "betraying" impulse at the end of 3rd life, and his behaviour in double life.

a lot of smarter people than me have made commentaries on how this sort of decision-making would relate to c!bdubs and i'm not going to attempt to try and get on their level but it's something that i feel the need to mention, because otherwise bdubs' decisions (particularly in last life) are often confusing and unstrategic to those who don't watch him. because yes, obviously, looking at him as purely a character with no awareness of what's going on outwith the story of a closed death game is going to make him look callous and uncaring. if you strip away all of the overarching narratives that lead to his decisions- for example, impulse being disloyal and betraying others all throughout 3rd life only to get his comeuppance at the end, or much of tango's story throughout the whole series being tied to him being dehumanised, objectified, and treated unfairly- then they do appear cruel and unwarranted. but at the same time, looking at bdubs' character purely as a narrative force with the omniscient ability to further other storylines doesn't lend to a lot of interpretations (even if this was done very literally in limited life by not having individual episodes and spending much of his time doing "boring" tasks to assist his team).

something particularly interesting about bdubs is how his behaviours aren't really called out except by those who perceived him as having wronged them (impulse and tango), as opposed to say, bigb and pearl, who despite only having "wronged" a select few people have worse reputations across the server. i don't know enough about bigb or pearl to hazard a guess at why this is but it could be due to the people they've crossed having more respect or influence- i can't speak for impulse but tango in particular is not taken very seriously, so the last life kill within the series is almost a joke, not a genuine threat. couple this with, for example, pearl having won and placed highly in dl/sl respectively, while bdubs' pvp is often not fantastic (though again this could be a choice on his part- see the liml skizz fight) and it can be easier to see why she could be perceived as a threat while bdubs is not.

so how does it affect his teams going forward? well, from last life onwards, one could say that the only people bdubs has teamed with are those who either a) have good reason to trust him regardless due to prior experience (cleo, etho) or b) those who have little other choice due to being perceived similarly as untrustworthy (scar, pearl). one could also say that it hasn't actually affected his teamups that much because bdubs was already dismissed as a liability from the get go (see: widow's alliance in 3rd life) and so, coupled with tango's habit of making bad decisions and being dehumanised, his kill in last life was seen less as his fault and more tango's fault for making the foolish decision of continuing to stay in the alliance. so bdubs' reputation remains as poor as it was initially and doesn't take the hit that bigb or pearl's did! it's a similar situation to scar or jimmy, but with the difference that bdubs is seen as just that bit more capable, along with the fact that rather than being an inevitable danger to himself (though he is fully capable of that) he's an inevitable danger to others, whether he wants to be or not.

this is all a bit of a nothingburger ramble not least because most of his alliances repeat (the only standout one being the mounders in secret life which has been wiped from my memory entirely) but i hope it at least makes sense.

[thetriggereffect]

Nothing About the Stargate Is Intelligent

Don't get me wrong, I love all three Stargate shows, and I regard them as some of the best science fiction on television.

But the Stargate itself is a mass of technobabble whose operation is not just ridiculous, but impossible. And I don't mean technically, I mean logistically.

A standard Milky Way Stargate has 39 glyphs. Each glyph represents a constellation. A standard Stargate address involves seven of these glyphs-- six of them identify the location in three dimensional space, and the seventh is the point of origin.

This is several entirely distinct flavors of stupid.

Constellations are not points. One of the stars in Orion's belt, for example, is more than a thousand light years from either of the others.

Even if this weren't the case, the Stargates are millions of years old. Stellar drift has changed the constellations in the ~10,000 years that mankind has been aware of them.

You only need three points to identify a location in three dimensional space. Requiring a second position for each axis does nothing except for drastically limit the locations that can be addressed.

If every address requires the same seventh symbol at a given gate, there's no reason not to make the gate automatically supply it.

If you can identify the point of origin with a single glyph, why can't you identify the destination with one? (There is actually a bit in the original movie where Daniel tells the natives, "we're from here" and shows the symbol that corresponds to earth and they get it.)

Also, if the point of origin is one symbol.... there can be a maximum of 39 total gates. There is no such limit in the shows.

Of course, there is also the magic eight-symbol address that somehow, despite being made up of coordinates in the milky way galaxy, points to the Pegasus Galaxy. Or the nine-symbol address that can only be dialed from one gate (that apparently isn't even in the right place, affecting its ability to dial), which points to Destiny, which doesn't even have a fixed location.

And while we're on the subject of Destiny, how does THAT gate work? If the glyphs on a gate are constellations, how does that work on a ship that moves between galaxies?

How does dialing even work? The whole spinny thing is just our gate, because we don't have a DHD, but, like... why does spinning it even work? And how is it that, by the end of the show, we've developed the technology to build our own gates, but we're still dialing the main gate with the equivalent of a hotwire?

That's not even getting into the physics of the "wormhole" itself, or, rather, the lack thereof.

An incoming wormhole spits out a vortex that, in a violation of all known laws of physics, completely destroys everything it comes into contact with.

Unless it's the iris, which is just really close to the event horizon.

Or you just bury it, but that seems to have only worked the once.

The iris that we built, because the ancients who created them didn't seem to think anyone would need to be able to lock the goddamn door (until they got to the Pegasus Galaxy).

The iris that nonetheless seems to be completely integrated into the gate so seamlessly that you can't see the mechanism or where the parts go when not in use.

Wormhole travel is one-way. Except, of course, for radio waves.

It is an explicit plot point in several episodes that an object passing through a stargate is de-materialized as it passes through the event horizon, and is not re-materialized until (and unless) the entire object passes through.

Which begs the question-- how can you step through? Once your front foot is through the horizon, it can't bear weight. How is your back foot lifted up?

[fragilefirstchance]

I actually have thoughts about this! I think Ford is a specific type of character.

First of all: Let's talk about fanon!

Something I think that a lot of us forget when we're doing fan analysis is just how caricaturized all blorbos are in canon. This is true of any work of media: the characters aren't real people, they're figments who only exist as we see them on-screen.

Fanon is kind of like those AI image sharpeners that take a blurred photo and make it look like a person's face: yeah, technically that is an accurate way you can interpret the blur, but there are hundreds of faces that would be just as accurate, and not only are they all very different from each other, they don't even agree on the most basic and obvious traits. The same blurry headshot could be a scowling white woman with a square jaw or a smiling black man with sharp features. In a similar way, when we see a character become stressed because they just saw a mouse in a cage, we could say they're scared of mice, or morally opposed to pets, or that they have cage-based trauma - any option that works is plausible.

I think that there are characters who are good characters, characters who are uniquely good subjects for fanon, and a ven diagram between the two. For example, a lot of kids' shows from the nineties are bad, but they managed to produce a really fun and rich fandom. Meanwhile, some really beautiful and culturally important stories don't leave a lot of room for fan works because they've already said what they need to say. I think the absolute best works for fandom are the ones that are objectively good stories, but have really simplified characters: Undertale might be the best example of this, because every single character suggests a rich and beautiful personality while only being on screen for a relatively short time.

So that leads me to part two: Ford!

I think Ford fills a particular fandom niche that was empty for a lot of us.

He's extremely traumatized, and the more we learn about him, the more traumatized he is. He's kind of pushing the limits of what's acceptable from a kids' show, to be honest.

He canonically has a lot of difficulty making friends; this is partly because he's quirky and seemingly neurodivergent, but partly because he has poor social skills. He's not a cartoony, Eeyore-style "has trouble making friends but we love him anyway" character, either; there are tangible, in-story examples of him failing to make friends.

He behaves badly sometimes. This is actually my favorite trait of his - anyone who reads my fanfiction knows how much I love giving people with real flaws a chance to find love and be treated with respect. Most characters have a flaw to overcome, but in his worst moments, Ford actually lashes out and hurts others in a tangible way and not just a child-friendly way. Showrunners don't always like to show that sort of thing.

It is very, very easy to read some severe mental health symptoms into his behavior. Bill is a literal character, but he's also a pretty good metaphor: you can use him to explain hallucinations, dissociative fugues, sudden mood swings, manic episodes, severe depression, paranoia - the list goes on and on.

(That last one is really important. There's a pretty damn big difference between a good metaphor for mental illness and a thoughtful portrayal of that mental illness in a story. It's kind of like how many of us were so starved for queer representation growing up that we read queer metaphors into everything. Well, there still isn't good mental illness representation in most media, so we'll take the metaphors we can get. Ford is a really good metaphor even as he's presented, and there are a lot of holes in his narrative where personality disorder symptoms, manic episodes, delusions, etc. can slot in easily.)

None of those traits make a good Disney character. They only really work because he spends so little time on-screen; the books were only possible because of Gravity Falls's massive commercial success. So, he's a very rare example of a character who's from a light-hearted, positive, optimistic show aimed at children, but who has all of the template features necessary for us to read him as deeply broken in some ways that aren't sanitized or socially acceptable.

So, there are dozens and dozens of Ford AUs in which we project very specific experiences, traumas, and symptom sets into this one man.

How many Ford AUs out there are reflections of our own insecurities, traumas, and just general unresolved issues? Is that, like, his whole purpose in the wider multiverse of alternate Gravity Falls characters? 'Cause I KNOW it isn't just me