#the batshit insane plot was right up my alley

[miiversian]

"Let us explore the world of nothingness together."

[wondereads]

Weekly Reading Update (5/29/23)

Reviews and thoughts under the cut

Heir of Fire by Sarah J. Maas (7/10)

It took me a while to finish this book, but I got through it. It was a solid 7 for me, which is what I typically give average books. I think it moved way to slowly, and really could not have cared less about Dorian's whole thing, but there were parts I liked. I really enjoyed Manon's perspective—the wyverns are just so cool—I liked Aedion, and Aelin's finale was pretty good, even if I wasn't a huge fan of the build-up. I like that the romance seems to be taking a turn towards a slow burn, which I prefer infinitely to the meet-and-get-together-in-one-book approach that Maas often uses.

Island of Silence by Lisa McMann (8/10)

The first book of The Unwanteds is firmly average. It's fun to read, but it lacks something that makes it stand out, especially considering when it was published. That all changes in Island of Silence. While the first half of the book is just okay and there are some character choices that irk me, the second half is just batshit insane. All sorts of things are happening, including some great worldbuilding developments, and there's a huge plot twist at the end. It definitely makes you want to read the next book!

Code by Kathy and Brendan Reichs (8/10)

I really enjoy the Virals series. It's a candy series for me; not exactly great quality but so much fun to eat. The mysteries in these books are always so well-planned and researched; it's obvious the Reichs put a ton of effort into writing these. If you ever want to know some facts about Charleston, just read these books. I'm a fan of Tory Brennan, she's a relatable and likable protagonist, and I loved that the romantic subplot was getting more attention in this one. My one major complaint is that Tory seems to be shifting more and more in not-like-other-girls. In the first book, she at least had one other girl she was friends with/looked up to. Now most of her female interactions are limited to her dad's well-meaning but frankly idiotic girlfriend and her school bullies, which doesn't really make for an incredibly feminist narrative.

The Scum Villain's Self-Saving System Vol. 4 by Mo Xiang Tong Xiu (10/10)

This book is after the main story has ceased and is a collection of short stories and extras that are basically just fanfiction. I loved it. It was cute, silly, and...steamy at times. I feel like after the third volume, which while great doesn't really have the time to delve into the main relationship, it's the perfect addition. It's pretty adorable to watch them become more comfortable around each other, and there's also some development for the secondary relationship and some side characters such as Liu Qingge and Yue Qingyuan. I enjoyed myself supremely.

Blood Bonds by J. Bree (CR, 51%)

I've made very little progress with this book since last week. I'm in no rush, and I've been craving a bit more substance. If you'd like to see my thoughts, check out the reading update from last week.

Fourth Wing by Rebecca Yarros (CR, 25%)

This book has been hyped to the moon and back, so I'm kind of nervous! So far, it's pretty good. I like that the main character, Violet, is clever and uses that to her advantage, though I do find her personality, which is very stubborn and sassy, very similar to most other YA/NA protagonists. It's really obvious who the love interest is supposed to be, but I like him so far, and I also like that there's no instalove situation going on, even if Violet (fairly) finds him attractive. The worldbuilding is incredibly interesting—the way the dragons work and the different types are just right up my alley. I suspect that while everything right now is revolving around Violet simply living through the next three years, there's something more under the surface (there have already been hints of historical revisionism!).

[iwanttobiteyourfaceoff]

Evil Laugh (1986) is a fever dream I wish went on forever.

I refuse to let Evil Laugh, a movie me, and whatever other pyschos watching obscure low-budget slasher movies, to be the only ones that know about this absolute gem of a movie. I Know, I know. It's a slasher that was birthed smack dab in the slasher craze of the 80's.You might be asking yourself, is it a movie with porn level acting and a budget consisting of a paper clip and whatever you find inbetween the couch cushions?

Yes. Yes it is.

Why? Well, where do I even start? This movie is kind of like a dirty prostitute you find in a dark alley, only to strike-up a conversation and find out that she knows some shit, seen some shit and what kind of distaster movie plot did this woman's life go on before ending up talking to a weirdo like you? Where was I again? Oh yeah, Evil Laugh.

Let's start with an introduction. You know the drill, a group of attractive, meatbag, dumbass young people ready to get killed in similar ways to all the other big slasher movies of the era at the time did. They're on the way to their the house their friend rented or some shit. Obviously, their dick-ass friend get's smoked in the first scene of the movie, and they spend the rest of the movie bunkered down in the vacation home hoping he went somewhere to get food. The characters think something's wrong but they forget about it and go back to fuckin', making gay jokes and dying to the killer (Who looks like janitor in a human-sized condom). Oh yeah, this movie is kinda gay, your guess is just as good as mine as to why.

Waiting for the day for this to become a halloween costume.

Anyway, that's the basic plot. The police show up, they tell a spooky story about a guy who killed a bunch of kids because they said he was pedo, blah blah blah whatever. The movie actually shines when it goes completly off-rails and delves into the shenanigans of the stupid young meatbags. There's a scene where a guy is about to bring a girl to pound town, but his friend reaches out of the matress and starts groping his ass. The characters in this movie consist of every basic slasher trope, except for one character who does the fanatic horror movie fan personality. Yeah, this movie came out 10 years before Scream and it did Randy first, I was pretty damn suprised when I realized this and kinda wish people know that this type of character was actually made WAAAYYY before Scream did. The life storys of this movie's actors is so batshit insane that it overshadows anything I can actually say about the characters, one of them became a leader to a hollywood prostitution ring and our last girl who refused to show her private parts on camera for Evil Laugh, but later decided to become a pornstar. Guess the innocent last girl persona didn't pay the bills.

The kills in this movie are great. Be it someone getting stabbed in the dick, someone getting their head stuck in a microwave and turned on ( Which is probably the coolest kill of the entire film imo) or the guy getting fucking blasted as his roped down fuck-buddy can only watch in horror.

All in all, out of every shitty Friday the 13th rip-off I've watched (Which hopefully I'll talk about on here), this one was a pleasant suprise and feels somewhat self-aware. This one get's my seal of approval as a must watch for anyone looking into the more obscure slasher movies. The movie's on Youtube, check it out. (Not at the best quality, but beggars can't be choosers, right?)

I also reccomend the follow video by "Schlock Horrori" which dives a bit deeper into the movie and offers other tid-bits of info it.

Thanks for reading and uh.... Don't have sex on trips with friends? Is that the point of these movies? Maybe. Probably.

[carriagelamp]

Weirdly enough, I often find myself reading less in the summer, since I have more time than I do during the rest of the year to do other things. Also artfight has been eating up more than a bit of my free time! But here’s a collection a graphic novels I sat around on the hammock reading, and some novels I finished up...

(Everyone go read All Systems Red, holy crow guys)

A Whale of the Wild

The “sequel” to A Wolf Called Wander, though it doesn’t actually connect to the previous novel except in the stylistic/thematic sense. A Whale of the Wild is very much a standalone novel. And a pretty decent one! Personally, I think I liked Wolf more, but this one was a pleasant, informative read, with just the right amount of crushing dread sprinkled in. It’s about a young orca called Vega who is learning to become a new wayfinder for her pod but who still has a lot to learn, especially in an ocean that is becoming increasingly hostile to orcas and the other sealife that live alongside humans. When a devastating earthquake hits, Vega and her little brother find themselves separated from their family, lost in a now horrifyingly unfamiliar environment, and fighting starvation as the salmon that sustain them become more and more unreliable. It’s a desperate fight for survival as they search for food and their missing family. This book is written for a middle grade level, and does a really good job of putting the current environmental crisis into an animal’s perspective while giving the readers something to hope for.

The Adventure Zone: The Crystal Kingdom

Every July I eagerly anticipate the next Adventure Zone graphic novel. This one is for their fourth arc, The Crystal Kingdom, in which Magnus, Taako, and Merle respond to a SOS from a floating laboratory that is gradually being consumed by crystals and which threatens the entire world should it fall into the ocean. Carey Pietsch’s art continues to be absolutely fantastic, so beautifully and hilariously expressive, and this one delivers some great Merle moments, lots of Carey Fangbattle, and, of course, Kravtiz. Kravitz, my beloved…

Anyway, I obviously always recommend these. If you’ve never gotten into The Adventure Zone, I totally recommend either trying these graphic novels — or even better, just go listen to the podcast because it really is both hilarious and creates a shockingly good and heart-wrenching story by the end.

All Systems Red

I’ve seen The Murderbot Diaries on my dash occasionally, and it always looked interesting, but a friend’s recommendation finally compelled me to read the first novella of the series. And holy shit y’all. Absolutely the best book I’ve read this month, it’s amazing. Mind-blowingly good. Also, if you’re like me and want a good audiobook, it’s a nice three-hour listen, very chill!

Anyway, All Systems Red is about a Security Unit, an artificially created being that’s part-organic part-mechanical and all-company-owned-and-controlled. However, self-named “Murderbot” has managed to hack into the system that suppresses its own will, and is now coasting along, doing the least amount of work its job requires not to be noticed, while preferring to spend all its time watching the hours and hours of soap operas it has downloaded into its brain. And it’s a tolerable if somewhat dull life, until the science team that it's currently rented to is attacked and the whole mission goes pear-shaped. Suddenly Murderbot has to scramble to keep its humans alive… while its humans scramble with the realization that their “SecUnit” isn’t actually a mindless robot like they had all believed...

This story is both gripping and hilariously funny. Murderbot has such a unique voice and perspective and it’s an absolute pleasure to follow its story. I reallly need to read the next book...

Asterix and the Banquet

A classic. I was startled when I realized I hadn’t actually read this Asterix story… but hell I’m not gonna complain, it lets me read one of the originals for the first time again! In this Asterix volume, the Indomitable Gauls and the Romans end up arranging a bet — the Romans intend to keep them under siege, trapped in their village, while Asterix is confident that he can easily evade them… and will prove it by going on a tour around all of Gaul, collecting iconic foods from each region in order to return and put on a fine banquet. So we get a fantastic adventure in which Asterix and Obelix run all over the country, pursued the whole way, while making cheerful stops at the various eateries along the way. Also the first book Dogmatix shows up in! All around, a wonderful read, fun like all the best Asterix comics are.

Beauty Pop v4

A less impressive graphic novel. The first Beauty Pop is one of my guilty pleasure manga because… it really is pretty stupid but in the best possible ways. I mean, the whole thing is framed around hairstyling battles, like a shojo sports manga without the sports. It’s bonkers. Unfortunately, the series does not really manage to hold up, and it really begins to feel repetitive and dragging as it continues… as a lot of series like this do. *shrug* Unsurprising but still kinda disappointing I suppose. The building three-way romantic tension is mildly interesting if for no other reason than the main character Does Not Notice and Does Not Care about any of it, which is amusing and refreshing.

FRNCK v5

Now this series only gets better and better as it goes. This is the first book of the second arc, and somehow the danger just seems to be ramping up and up and up. The cavefamily have lost their home… as well as Léonard and Gargouille. Heartbroken, shocked, and angry, Franck is the one who ends up shouldering the blame for their presumed deaths as the others mourn. Things only get worse when Franck finds himself separated from the family, and in the territory of another tribe, this one hostile and cannibalistic...

Haikyuu v5

I continue to read this series because it continues to be charming… though it is beginning to feel, maybe, just a little repetitive. Kind of an inevitability with sports manga. But so far it continues to be good enough to overcome that. I’m not sure what I can say about this series that I haven’t already, so I’ll simply say it continues to be one of the most impressive sports manga I’ve read, and the author does a fantastic job of creating engaging characters, fleshed out teams, and really compelling relationships. I do genuinely adore all the main members of Crows, along with a number of characters from the rival teams as well. And of course it has some kickass volleyball scenes that are just drawn so dramatically they can’t help but take your breath away a little.

M*A*S*H Goes To Maine

Meh. The original book of the series was actually quite good in my opinion. This one… considerably less so. The first part I enjoyed more, since it was about Hawkeye, Trapper, Duke, and Oliver Jones trying to set up the FinestKind Clinic and Fishmarket in Crabapple Cove (which… is just the best premise I could have ever asked for). However, the book spends most of its time describing the quirky lives and times of other people living in the area and I… just… don’t care. It was funny at times but… I just don’t care. I wanted to hear more about the main cast. Also I found this book felt more racist and misogynistic than the first which also put me off :/ Wouldn’t bother if I were you. Go read the first book instead, or better yet just watch the TV show which is an obvious banger.

My Heart’s in the Highlands

I have had this on my “currently reading” list for so long but I’m officially giving up. It’s a really good book in theory but my god I can’t get over the pacing.

It’s about Lady Jane, a woman studying medicine in Edinburgh in 1888, and who suddenly finds herself back in the Highlands in the 13th century. Lost and confused, Jane is now at the mercy Clan Donald’s hospitality while she tries to adjust to this new world and hunts for her broken time machine. Fortunately, this hospitality include a burgeoning friendship with a red-haired warrior woman, Ainslie nic Dòmhnaill, who opens Jane’s eyes to the way the world could be.

Listen. It drives me nuts. This book should be completely up my alley, it has everything I like — IT HAS ALL OF ITS HISTORICAL FOOTNOTES CITED AT THE BACK, LITTLE EXTRA DETAILS ABOUT EVERY CHAPTER. THAT’S MY SHIT RIGHT THERE. DO YOU KNOW HOW MUCH I LIKE BEING ABLE TO GO OVER HISTORICAL DETAILS?? AND WELL RESEARCHED FOOTNOTES?? And yet it doesn’t. Fucking. Work for me. It has a kickass Scottish warrior lady as a love interest! It has a badass lady doctor! It has fish-out-of-water culture shock! But it also has a completely meandering plot, no sense of building tension, and a romance that just happens out of nowhere and feels completely unearned and uninteresting.

I would genuinely just rather read Outlander again, which I know has its own host of problems, but at least Outlander felt exciting and interesting and tense and funny. The romance built in fits and starts, it was complicated, and kept me interested. That book had me hooked (and has me hooked every time I reread it) whereas this book I’ve been sadly picking at for months like its a plate of overcooked spinach. This felt like an attempt at a queer, historically accurate knockoff which I would normally be super into but which just could not stick the landing.

Moomin on the Riviera

My first time actually reading anything from the Moomin canon. I have zero idea how to feel about it! It certainly is as feral as I’ve heard described! Overall, I think I enjoyed it but it sure made me feel strange emotions I didn’t know existed. I’m not even going to try to describe it. Read it if you want a batshit insane anti-capitalist comic.

Surviving the City

This was good in some areas, less good in others. It had a very interesting indigenous perspective on life in the modern city, the foster system, and The Missing and Murdered Indigenous Women issue, which I’ve never seen handled in a book before. Something about the pacing did not completely click with me and I found myself getting easily distracted, but it’s definitely worth the read just to experience it and look at the issues it deals with through the characters’ (and author’s) eyes. It did give me a lot to think about and wrestle with, which is sometimes the best thing a book can give you.

Torchwood: Pack Animals

A really fun read, more so than I had ever expected! If you like Torchwood and want more stories about the team before everything goes to shit, this is perfect for that. It includes the entire cast, an interest mystery to be unravelled, lots of slavering monsters, Rhys being really wonderful and sweet (which I didn’t know I wanted until I read this book), and all the humour I expect from Torchwood. I had to send a lot of quotes to my long-suffering girlfriend who a) does not watch this show but b) needs to tolerate it because I find it too funny to keep to myself. It was good enough to make me go out another book of the series since this was the only one my library carried.

[tessatechaitea]

Cerebus #11 (1979)

The only weapon you need to provoke a police officer to violence is scorn.

Sorry! The above caption had nothing to do with The Cockroach's first appearance in Cerebus and everything to do with how the Omaha Police arrested peaceful protesters by claiming that they're purpose was to "attack and/or provoke police officers to violence." Also, you can tell they're already spinning and lying by adding the "and/or" so they can imply that the protesters are planning on attacking police. And, well, even if they weren't (and they did say "or"!), their other main plan was to provoke them. But of course everybody whose ability to perceive reality isn't clouded by their incessant need to defend police no matter what understands that police will abuse their power at the drop of an eye roll. They believe any slight disrespect is an excuse for a violent rebuttal. They force physical violence on people whom they have no reason to arrest simply so the person can struggle against the assault, as any normal person would do, and then claim resisting. Police should be confronted by scorn and disrespect at every turn. Only when they learn not to instantly resort to violence and threats will they deserve to not be. Welcome to my comic book and/or police review blog! Deni's "A Note from the Publisher" continues on a theme that I hadn't noticed until just now: every new issue of Cerebus now seems to be a landmark issue! It's an interesting self-promotion take that I have to admit I'd never thought of trying. "Every new Eee! Tess Ate Chai Tea review is a landmark review!" You know what else is a landmark? Places & Predators, my Cribbage-based Roller Playing Game! You don't even really need any friends to play it. Just read it like a book and enjoy it! Or play it like a Fighting Fantasy Adventure Book! Use some online Cribbage app! Figure out how to use the crib in ways the online app definitely won't let you! Oh, the reason this is a landmark issue is because more letters came in than normal! It's a hit! Deni also reveals that she'll be making the Cerebus plush toys that were advertised in previous issues and at half the price! So kudos for stealing that job from the person who originally made them! It probably wasn't anything so dramatic but what fun is going through your life defaulting to the best, most optimistic possibility in every given situation? Have some fun! Act paranoid! Purposefully misunderstand your father and scream in his face! Kick a dog! Sorry! I got carried away! I would never kick a dog unless it was attacking me. But even then, I'd be wishing I was kicking the owner who let it go off leash. The dog doesn't deserve my epic self defense tactics in its soft face. But the owner certainly does!

The basics on the origin of The Cockroach.

I didn't realize Dave came up with The Cockroach because it was gross and disgusting. I just thought it was a more clever version of a bat, keeping to the shadows, hiding, surviving, a constant annoyance to poor people. In any case, The Cockroach is the greatest parody of The Batman, hands down. Because The Batman has become such a parody of himself time and time again, you just need an absolutely Batshit insane version of him. I don't do segues so Cerebus has come to Beduin to sell the Black Blossom Lotus. Just look at all the continuity Dave Sim is giving his readers! I wonder how many comic book fans would list "continuity" as their number one favorite thing about comic books? Like, are there people who would list that above great writing or terrific art? Judging by how terrible a lot of mainstream comic books are and how rabid many of the fans, I'd suspect it was a fairly high number. Maybe 65 out of 100, Bob. Change that card! The Merchant Cerebus deals with is a kook who might just have a super secret identity. It's weird to think of the Roach as being capable of actually living an independent life! I suppose he's just barely hanging onto his sanity at this point (and, of course, only during the day). But then he comes into the mystical aura of strangeness that aardvarks apparently exude out of their buttholes and he just loses it completely. He becomes less a merchant slash superhero and more a superhero slash zombie cosplayer. Also he becomes one of the greatest characters ever created! There are like four of them in the entirety of Cerebus! The exclamation point is because I think that's an incredibly high number and not because I think it's an incredibly low number. Most comic book's protagonists never quite make it to the greatest ever! Plus I'd probably give Cerebus more than four but a lot of them are just really good parodies, satires, and slightly-off representations of characters and people who already existed. The merchant buys the Black Blossom Lotus from Cerebus for 100 gold pieces and then promptly drops it out of the window and into the Feld River.

Not only does Dave Sim come up with a bunch of memorable plots across three hundred issues, he also comes up with a lot of good Dungeons & Dragons campaign ideas.

The Merchant pays Cerebus a sack of gold and gets ready for bed as Cerebus begins to leave. Before Cerebus can even exit the hallway outside the merchant's bedroom door, Cerebus begins to hear loud ranting coming from the other side. It's a lot of hissing and threats of murder. Against his better judgment, Cerebus decides to see what's happening and gets his first look at the guy who will be a huge headache to him for the next two hundred issues or so.

One thing I like about Dave Sim is how honest he is when recounting where he came up with or stole his ideas. He gives plenty of credit for the Cockroach and his hissing to Marshall Rogers and Jules Feiffer. It's admirable because a lot of people would just figure, "It might make me look less of an artist and who's going to know anyway?!"

Just a few days ago, my old elementary school friend who was blown up in Iraq and then became a comedian playing to Christians and patriots (which I mention so you'll understand how, as a wounded veteran, he'll never be criticized by his audience and he'll never really grow as a comedian) posted a Tik Tok on Facebook that was just a film of a television set capturing the "Masked Debate" bit on Last Week Tonight with John Oliver. The clip only shows all the clips of news readers saying "masked debate" and none of Oliver's or the show's set-up. He then watermarked it with his Tik Tok name. Now all of those naive followers who can only seem to reply to his posts with the laugh/cry emoji probably think he wrote it. Better yet, they're probably mostly Trump followers who would never admit to finding that libjerk Oliver or his show funny. What's even better is that the Tik Tok has some quote along top that's watermarked with somebody else's Tik Tok name! So it looks like Bob doubly stole the bit. Man, I wish I'd joined the army and gotten blown up and then found Christ and developed an audience of uncritical naive yahoos who would wildly applaud everything I wrote! Why didn't I join the army?! Oh, that's right. Because I believed I had a future right out of high school. Well, I guess Bob is having the last laugh now! Cerebus follows Cockroach across the rooftops to find out what's going on. He eventually witnesses the Cockroach confront a man in an alley, accuse him of killing his parents, knock him out, and steal his gold. The gold part of the night helps Cerebus to ignore all of the other confusing stuff. The Cockroach doesn't gloat for long. He's off to find another victim! Cerebus witnesses him mug another guy whom he also accuses of killing his parents. He also admits to doing this for thirty years. So now Cerebus thinks the guy is crazy but also crazy rich. At the end of the night, the Cockroach returns home and drops the gold purses into a secret panel in the wall. He falls asleep, wakes up, and, when he sees Cerebus, acts as if Cerebus were just leaving. So Cerebus realizes that the merchant doesn't have any idea what the Cockroach is doing. Which means Cerebus is going to recover those gold purses before the Cockroach comes back! At the moment, Cerebus doesn't realize that he's going to be finding thirty years worth of gold purses in the merchant's walls. Can you imagine how boring the last two hundred and eighty-nine issues of Cerebus would have been if Cerebus managed to steal all of the Roach's gold?! I'm sure some of you are thinking, "It wouldn't have been any worse than the last hundred issues we did get!" Also, can you imagine how fat Cerebus would have gotten drinking tons of ale and eating loads of rich foods? I'm laughing so much just trying to picture it! Ha ha!

Eight feet of gold would make Cerebus fatter than a domesticated raccoon!

In the end, Cerebus only makes it away with three sacks of gold. But in the process, he manages to completely screw up the Roach/Merchant equilibrium that's lasted for thirty years. In trying to exploit the man's mental illness so that he'd help Cerebus move the gold, Cerebus drags the Roach personality into the daylight. From here on out, the Roach will simply be a pawn of others, susceptible to almost any second-rate demagogue (although most of the people who subsequently control the Roach are of the first rate variety). The Aardvark Comment section was two pages this issue and had this letter that I don't think was being sarcastic?

I guess I also wouldn't necessarily consider a chainmail bikini as "a disgusting costume." He's probably thinking about Power Girl.

Also, and I admit it might have been a joke, but Dave Sim reveals that Ronald Reagan is Cerebus' father. That, um, makes sense! Cerebus #11 Rating: A. I almost gave it a B+ for variety but then I remembered I just read the first appearance of the Roach. I also forgot that my ratings don't actually mean anything.

[justbloggingit-blog]

The 10 Best New TV Shows of 2017 (So Far)

If choosing the 10 best new TV shows of 2017 sounds like a difficult task, trust us: It is. Even limiting the options to series that debuted before May 1 left us with any number of worthy near-misses, including the recent Dear White People and American Gods—both of which will surely have a strong showing when we update our list come September. (We also excluded one-off miniseries such as Big Little Lies, though new anthology series, like Feud, were eligible.) As with our ranking of the 20 best TV shows overall, though, the result still features entries for every taste, with oddball comedies (Santa Clarita Diet) and sharp-tongued teen melodramas (Riverdale) alike. The list even offers a glimpse of TV’s future: Unlike our overall ranking, which is dominated by broadcast, cable and premium outlets, streaming services landed six of the 10 slots.

Here are the 10 best new TV shows of 2017 (so far):

10. Detroiters Network: Comedy Central

The key to Detroiters is its sincerity, which shines through almost every episode without any kind of smugness or self-congratulations. Sam Richardson (Veep) and Tim Robinson (Saturday Night Live) genuinely love each other, and their families, and their advertising company, and most of all their city. (It’s Detroit. Detroit, Michigan. That’s where they’re from.) The tone gets dark at times, and Tim and Sam occasionally act petty or vindictive, but there’s almost none of the cynicism and mean-spiritedness so often found in comedy today. When they’re making illicit purchases in a back alley at night with Tim’s sanity-challenged father, they’re not buying drugs, but fireworks. When Sam unintentionally becomes a gigolo, it takes him a while to realize it, and he’s convinced he’s in love with his only client. When they accidentally run over prospective client Jason Sudeikis, it gnaws at them until they inevitably let Sudeikis run them over as penance. Without this sweetness, Detroiters would probably still be funny, but it wouldn’t be as charming or as powerful. Garrett Martin

9. Santa Clarita Diet Network:   Netflix  

What if one of the couples in Saturday Night Live’s “The Californians” started eating people and they began systematically and quite rationally (logistically speaking) incorporating it into their lives? Well, that’d be the bizarro comedy that is Santa Clarita Diet. Stilted and strange in its delivery of aggressively witty jokes, it’s a series that seemed to escape from a mad scientist’s lab unfinished—but that’s the point. It’s roasting Californian perfection for a delicious bonfire and stars Drew Barrymore and Timothy Olyphant are obviously hungry for more. Jacob Oller

8. The Good Fight Network: CBS All Access

Admit it. You were nervous. I was nervous. We were all worried that there was no way The Good Fight could live up to our expectations. But it has. And then some. Without the confines of network television, showrunners Michelle and Robert King have flourished. Diane’s (Christine Baranski) fall from financial grace was a great catalyst to start the series, re-team her with Lucca (Cush Jumbo) and introduce new series regulars. Plus, the world the Kings have created is so rich, fan favorites including Elsbeth Tascioni (Carrie Preston) and Colin Sweeney (Dylan Baker) easily weave in and out of this world. I’ve said it before, but it’s worth repeating: The Good Fight gives good spin-off. Amy Amatangelo

7. Patriot Network: Amazon

What if 007 dealt with his PTSD and the moral ambiguities of being a spy by revealing his deepest inner turmoil (and state secrets) at open-mic nights in Amsterdam? What if Q had trouble requisitioning his apartment with a single chair? And M sent him to work at a piping firm in the Midwest with an extra digit in his social security number? What if the American version of a Bond film replaced the car chases, femme fatales and slick gadgets with the dark humor of the Coen brothers, mixing deep ennui with side-splitting moments of levity? That’s Patriot in a nutshell. The stakes are high—keeping nuclear weapons out of the hands of an Iranian extremist leader—but everything depends on our hero, John Tavner, (Michael Dormer) first navigating the mid-level corporate world of industrial piping. Josh Jackson

6. One Day at a Time Network:   Netflix  

I can’t remember a time I loved something the way I love the new One Day at a Time. Part of my affection stems from the fact that the show was such a discovery. It arrived January 6 of this year with almost no hype. I write about TV for a living and I barely knew it was premiering. Almost immediately I dismissed the show as yet another ill-advised remake. How wrong I was. The comedy is a pure delight. A throwback to the defining comedies of the 1970s with a modern twist, the show deftly tackles some hot-button issues, including post-traumatic stress disorder, wage inequality and teenage sexuality, amid real conversations about generational differences and Cuban heritage and traditions. Justina Machado (Six Feet Under) is fantastic as the recently separated veteran raising her two adolescent children with the help of her mother Lydia (living legend Rita Moreno) and her landlord Schneider (Todd Grinnell). Moreno gives an amazing speech in the series 12th episode that should easily nab her an Emmy nomination this year. But above all, the show is funny and grounded. Once you start watching, you won’t be able to watch this gem one day at a time. Amy Amatangelo

5. 13 Reasons Why Network:   Netflix  

Here’s something ironic: One of the 2017 shows that might be the easiest to take for granted could very well be the one about a teenage girl who kills herself because she was taken for granted. Based on author Jay Asher’s young adult bestseller, 13 Reasons Why is about what happens when the bullying, sexting, betrayed friendships, doublespeak conversations, and sheer loneliness of high-school hell get too much for teenager Hannah Baker (Katherine Langford). But Hannah doesn’t go down without naming some names, and her suicide note comes in the form of an audio recording in which she recounts exactly what (and who) led her to fall into this pit of hopelessness. The message is that everyone had a chance to save Hannah from herself, even the adults. 13 Reasons Why is one of the most important TV shows of the season. Whitney Friedlander

4. Riverdale Network:: The CW

This is the way I’ve been selling Riverdale to friends who have not yet wised up and started watching it: it’s Gossip Girl meets Twin Peaks, but with the characters from Archie Comics. That alone should be enough to suck them in, but if they need more convincing, I add that Luke Perry plays Archie’s dad, Molly Ringwald plays Archie’s mom, Skeet Ulrich plays Jughead’s creepy hot dad (who is also the head of the local gang, the Southside Serpents), and for the first third of the season, Archie is boning his music teacher, Ms. Grundy—who, unlike in the comics—where she’s an elderly white-haired lady—goes around wearing heart-eyed sunglasses and picking up teen boys. It’s ridiculous and campy in all the right ways (hey, this is a CW teen drama, after all), but there’s also a compelling murder mystery driving the plot (“Who killed Jason Blossom?” is Riverdale’s “Who killed Laura Palmer?”), with new twists and turns peppered in along the way. Bonnie Stiernberg

3. Feud Network: FX

American Crime Story and Feud have proven that auteur Ryan Murphy is at his best when he has a short, concise story to tell. And so Murphy’s examination of the long-running rift between Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon) was more than just an examination of their experience filming Whatever Happened to Baby Jane?: It’s also a condemnation of an industry that abused them and cast them aside and what happens when your self-worth is completely tied to your public persona. We could debate for weeks whether Lange or Sarandon gave the better performance. I say let’s call it a draw, because both women had career highs with this series. Jackie Hoffman had a breakout performance as Crawford’s maid, Mamacita (I would so watch the story re-told from her perspective). Aided by strong performances from Stanley Tucci, Judy Davis, Alfred Molina, Alison Wright and Kiernan Shipka, with just the right amount of camp and Pepsi thrown in, we wanted to be friends with Feud all this time. Amy Amatangelo

2. The Handmaid’s Tale Network:   Hulu  

With precise compositions and a rich sense of color, The Handmaid’s Tale envisions the intersectional, drawing the interlocking influences of gender, sexuality and status into its portrait of a puritanical dystopia not far from our own: “Blessed are the meek,” Offred (Elisabeth Moss) says in scornful voiceover, referring to the extremists’ empty dictum. “They always left out the part about inheriting the Earth.” Indeed, as she navigates Gilead’s stony euphemisms and loud silences, whether playing Scrabble with the powerful Commander Waterford (Jospeh Fiennes), flirting with his driver (Max Minghella), or (unsuccessfully) avoiding the ire of Waterford’s wife (Yvonne Strahovski), patriarchal dominion becomes the series’ unifying principle, the poison that soaks through the body politic “under His eye.” In this sense, the first great political drama of our authoritarian age is also, as with Atwood’s now three-decade-old novel, a kind of instant classic: Forever of our time. Matt Brennan

1. Legion Network: FX

We were introduced to Noah Hawley’s dark humor with Fargo, but Legion allows the writer/creator to play in a more fantastical sandbox—and thus to truly revel in a batshit crazy world. If ABC’s Agents of S.H.I.E.L.D. gave us the light-hearted comic-book action and Netflix’s quartet of interwoven series showcased the grittier side of superheroes, FX’s first partnership with Marvel embraces the insanity of a lesser-known X-Men character, making you forget it has any shared DNA with those blockbuster men in super-suits. The story is as much about Dan Stevens’ character’s grasp on reality as his struggle for survival. David Heller suffers from schizophrenia, but what’s real and what’s the product of malevolent forces is often unclear, with his friend, Lenny Busker (Aubrey Plaza), playing the imaginary devil on his shoulder. The production design, full of ‘60s/’70s psychedelia and striking color palettes, the cast, which includes Hawley’s Fargo collaborators Rachel Keller and Jean Smart, and the sharp writing make this another win for FX.