#the archivist is going crazy

[bebyebeeh]

local archivist slowly goes insane

[wojtekaneko]

That's how it went

[eggsplice]

i made a compilation of jon's lifelong all-consuming guilt complex bc it kills me and also for reference sooo here!

tried to keep the bare minimum of what i thought counted but its also like. an almost 50 minute long video LOL

[joona-fandom-mars]

Finally finished my relisten and I’m a shattered man. Very excited to start Protocol

[titaniumions]

and if i said they are twinning

[cursemewithyourkiss]

Y'all are always saying your favourite actors are leading you places you wouldn't go with a gun but how many of you are corresponding with the fucking... Ronald Reagan Library? Yeah, I don't think so.

[becauseplot]

thinking about archivists again. below the cut: obscene amounts of brainrot in the form of a long-winded relationship study and oddly specific references to canon that may or may not be accurate

im trying to come up with some sort of au for them (writer's block and creative burnout is a BITCH it's okay though we stay silly) and there's just something about how qphil and qcellbit don't (or didn't) really wind up in each other's circles often. sure they were friendly with each other in passing, and they definitely had some nice little interactions earlier on: cellbit briefly interviewing phil on one of his first days on the island over a cup of coffee and solidifying phil's view of cellbit as the Dedicated Investigator; phil asking cellbit to babysit chayanne and tallulah while he's away on a trip and cellbit being more than happy to; phil briefly checking in with cellbit --- who was in the process of tumbling into his regret arc, cutting off ties with loved ones and making himself a martyr --- and asking if he was okay when phil spotted him hanging alone in the back of the group; chatting about the upcoming wedding and phil advising cellbit that he and roier should probably introduce some sort of dress code (lmao); cellbit watching phil and missa meet up for the first time in months on the way to the federation's people-freezers and all of the pieces rapidly falling into place (the name of phil's waystone, phil's skull backpack, phil's elusive "husband," ohhhhhhh...). they've always been in each other's peripheral, but never directly involved in each other's personal lives.

until the happy pills.

see the thing about archivists is that they're not drawn together by a pre-existing friendship; they're more friendly acquaintances at this point, perhaps almost-friends, though they're certainly not close. but then forever's life is under threat, and god, they both love forever immensely. with direct help from bad and indirect help from others (qpac you LEGEND), they're eventually able to formulate a plan that successfully drag forever out from under the haze of drugs, pull him to the surface. they sit next to each other as they sit at the bedside of their mutual friend, watch him breathing, and try to breathe themselves.

and from that moment on it's solidified: they know they can depend on each other, when shit hits the fan. they have their respective strengths, and they balance out each other nicely. i wish i had gotten more of a chance to watch their dynamic during purgatory 1 (unfortunately i have a life sadge) but from what i saw, they turned out to be some pretty good co-leaders, and an interesting dynamic at that: phil acting more as a support role (moral support, resource support, combat support, ALL the support) and stepping up into a leader-like role when needed, but ultimately letting cellbit take the helm a lot of the time since he's a strategist with more practice managing large groups of people (i wont get into it here, and i want to watch more vods so i can more properly analyze them but HOUGHH i have THOUGHTS!! SO MANY!!!)

what im trying to get at is that they were initially in the peripheral in each others lives but were eventually drawn together out of necessity, due to circumstances. the mutual respect followed, which was then followed by trust, and then collaboration, and then friendship. i've also made this post talking about their dynamic, how they both understand each other's need to focus on the here and now and understand that they don't need to know every little thing about each other to still trust each other. and this is so integral to their relationship. it's what makes archivists archivists.

so now all that's left for me to do is try to come up with some sort of au i can chuck them in, incorporating this idea of "friendship of necessity" as a core feature of the plot. i have scattered ideas but none are particularly appealing or solid enough. i will try though!! if u have any suggestions/thoughts/ideas feel free to leave a comment or say in tags (pspsppsps come brainrot with meeee)

[trylobite]

started my archivist internship today :p

[penguindrumblr]

good lord what happened there

[bebyebeeh]

local archivist slowly goes insane

[grungebutsoft]

MARTIN BLACKWOOD, HOZIER FAN

ok whatever

[ace-apple]

should i cave and listen to tmagp just so i can understand what the fuck is going on with some of the like. original world tma cast being there. cuz i have no context. what the fuck is going on.

[dawgdayze]

oh BOY i sure do love HAUNTING THE NARRATIVE

[stardustcleaningguy]

CAUGHT UP ON TMAGP WHAT THE FUCK WHAT THE FUCK

[stardustsernade]

THE CATS ARE LITERALLY A METAPHOR FOR VANITAS AND NOÈ

Noé needs to learn some lessons from Murr about love

And their colors are sus

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.