#CELIAS UP TO SOMETHING

[stardustcleaningguy]

CAUGHT UP ON TMAGP WHAT THE FUCK WHAT THE FUCK

[helpimstuckposting]

Alice is very much aware she’s in a horror movie and is frantically trying to get her friends to run out the door and not run upstairs

[atlas-five]

Alice inviting Sam and Celia to the show seems less like trying to fuck w Sam or his relationship (or even flirting w then both) and more like she's fucking lonely. she might have genuinely wanted them there, cuz, y'know, hanging out w people is how you make and keep friends generally. like,,,, before Celia it sounded like Sam and Alice were chillin' at work and had regular banter but since Celia showed up Sam's attention is all on her and hes started treating every interaction with Alice as an annoyance (and just generally being grumpy, if you consider his interaction w Gwen that one time). plus it's not like Gwen has time for Alice to even mess w her anymore. everything is changing and I don't think Alice is taking it well

[somuchbetterthanthat]

Hopes and wishes for next season:

Yes, they find out Colin is dead. But he left tons of media for Alice to follow and find to help her solve the mystery. Because he really genuinely liked Alice, and wanted her to be able to UNDERSTAND and help and/or get away. It's heartbreaking to hear him go from grumbling to obsessive to horrified to quietly sad all over again. We mourn him as a forever what if, but he also helps Alice lots in Plot Related Stuff.

Sam!Comes!Back!Wrong!Sam!comes!back!a!litte!evil! Sam's tired of being nice, he's going full Apeshitt. I COULD see him only coming back mid-season or even as a GASP for the finale of s2 tho. But he's so main character coded, proobably more mid-season?

Very obviously Gwen is sooooo over her head. Gwen keeps messing up and trying to cover it up in more and more desperate ways until she HAS to ask someone for help (preferably Lena would be amazing, although Lena going "..No, thank you Gwen" would also be delicious).

[ashes-in-a-jar]

My feeling right now about the cast

[rebeccasteventaylor]

So - about Celia just wanting to file a case as ‘dog’ and not wanting to tag in great detail.

And I wonder if she’s been doing this a lot lately and why?

The complex, very specific tagging system the OIAR has seems to be for the purpose of allowing someone, or something in the future to find these specific cases again. To allow someone (possibly some kind of - archivist) to easily track down a very specific case, person or entity. Or fear.

Maybe the reason Celia is so lax on tagging is to make cases more difficult for anyone else to find? So if they’re searching for that dog, for example, they have to go through every dog case, instead of being able to go to the right one.

And it’s interesting that for such a comprehensive tagging system, there’s no entry for ‘archivist’. Even without the connotations in the Magnus world, anyone who’s ever read M.R. James knows the kind of trouble archivists can get into.

Also, is it just me, or does the meticulously detailed and comprehensive list of content warnings for each episode feel like a tagging system too?

[jennycalendar]

SO. in the process of my ted lasso rewatch, i noticed something that absolutely floored me, and that feels really fucking significant re: nate's arc. the second episode features a scene where nate, in an effort to be Cool and Angry About Losing in the same way as the players, does this:

seriously damaging the door.

now, there are a lot of parts of this moment that are super important to look at. the door is damaged because nate is trying to be someone he isn't in an attempt to fit in. the crack patterns ON the door have a nexus point that shows up directly where ted's back is -- visually speaking, nate is backstabbing ted. the scene itself ends with this nonverbal interchange between ted and nate:

ted is confused, nate is placating and apologetic, both of them are separated by a sheet of damaged glass (and ted is in the manager's office, which is the very position that nate wants to inhabit so badly!)

but the reason that i so badly wanted to bring this to the attention of tumblr at large is the single-second, blink-and-you'll-miss-it follow-up shot during sam's birthday party.

we see nate. we see the door, taped up. we see the tape, in nate's hands.

nate has fixed the damage that he did. gone and done it himself. the show makes it clear that HE did this by emphasizing him tossing the tape between his hands in time to the music. he caused damage but he learned how to put things back together and we see BOTH OF THOSE ASPECTS in this scene!

anyway. i think that one is worth thinking about. :)

[sleepynegress]

A COMPREHENSIVE & AUTHENTIC UHURA LOVE/HISTORY POST

The above is where Roddenberry 1st employed Nichelle Nichols [click to watch the full clip]. It was a military show based on Roddenberry's own experiences, the episode is called To Set it Right (I highly suggest reading the wiki article about it).

You should note two other actors, whom he later pegged for Star Trek are in the episode.

They dated briefly and then became good friends way before Trek came about.

Miss Nichols was already an accomplished singer and dancer who performed regularly w/ Billy Eckstine and Duke Ellington

Roddenberry's 1st show, The Lieutenant, was canceled/pulled from the air before these scenes bluntly dealing with racism could air (there's blackface as punishment for the racists at the end of the show, in a case of 'he 'a little confused but got the spirit' for the times, so tw)

He created Star Trek to try to soften the blow of all the social messaging he wanted to insert from his military experience. Star Trek was basically, a submarine drama placed in a sci-fi setting. He made it diverse on purpose because the military helped him travel and serve with all kinds of people. Roddenberry was inspired by that.

Uhura was the first person to read for Spock and in fact, helped to shape the character with her reading and based many of the traits of Uhura (formerly Uhuru) on Spock.

She was basically a glorified secretary. She played the part with poise, joy, and the 60's style womanism she got to play out for those times... Everything from her mini-skirt (which Nichelle herself called very comfortable) to her smile, and teasing lines, and quips were about her playing "big" in a small role. She made every moment, every look, every line, and movement count:

Roddenberry cracked jokes about the fact that the network never figured out that Uhura was fourth in command.

Nichelle was the only main cast member who was not salaried. She was paid by the hour. This attempt at marginalization actually resulted in her being the highest paid at times, because of the long hours.

Nichelle was not let in the front entrance at times, her fan-mail was kept from her, and she grew frustrated with the constant cutting of her scenes, lines and storylines. This is why she justifiably attempted to leave. The bigots in production did not like her being there (and if we're being real, were it not for Janice Rand's actress Grace Lee Whitney having gone through so much and thus losing her job in the 1st season...Uhura might have had even LESS presence)

The lost context in MLK convincing her to stay was that YES she was minimized and could make more money and be more fulfilled on broadway, but her symbolism and presence meant so much at a time when Black women weren't on TV unless as a racist caricature cleaning a house, and even that was rare...that she stayed.

One of her best allies was DeForest Kelly, who threatened to quit if they fired Nichelle. George Takei was her absolute best friend on the show and in life (she served as his Best Woman at his wedding).

There was an unfilmed episode in which Uhura and Deforest would have played reverse roles in "racial dynamics" on a planet they visit

Spock and Uhura were originally supposed to kiss in the alien mind control episode, but Shatner demanded to do so for the publiicity.

Her work to recruit marginalized people as astronauts, as in personally going to colleges and talking to candidates after the show is a staggering achievement that arguably is the most potent of any castmember in any of the Trek series post-show. Sally Ride, Guy Bluford (she personally recruited the 1st woman and 1st black astronaut), Mae Jemison (the 1st black woman credits her for inspiring her to become an astronaut).

Uhura did finally command the ship in the animated series. She would not have gotten to voice the role, but for Leonard Nimoy making it an obligation that all the original actors voice their parts for him to come on.

Scotty and Uhura in the film was definitely a pair the spares situation, in which both were the leftover senior citizens with the writers just going "why not?"

it was beyond insulting and she did protest about the scene where she's bumbling through a giant translation book to speak to klingons for laughs in trek 5 ...but her best moment IMO is her pulling a gun on the young ensign in the transporter room in Trek 3...sadly her ONLY scene in the damn movie.

Miss Saldana got to play to MANY corrections in JJ Abrams rebooted Trek, from being amazing at languages to having an actual life & love, to confidently turning down Kirk at every turn.

FUN FACT!! Both JJ and Bob Orci both expressed disappointed shock that the love story between Spock & Uhura got more hatred from fans than BLOWING UP PLANET VULCAN.

another FUN FACT!! The love story between Spock & Uhura is what grabbed the old school Star Wars fan (JJ Abrams) enough to come aboard to direct. Yep. JJ ships Spock & Uhura.

Zoe's iteration became the 1st version of Uhura to speak confidently in Klingon

Celia Rose Gooding becoming Uhura brings around a lot of Uhura's qualities full circle, IMO. As she is also from theatre (like Nichelle) and has a beautiful singing voice as well as the charm. Zoe's iteration was sharper, and much more protective, professional, & mature, about her life and love.

Celia Rose has the youthful curiousity and stars in her eyes and had vulnerability from her first intro... I loved the eagerness the crew showed to being in her orbit, seeing the glow of her talent and being drawn to that, to have a part in nurturing that.

As I've said... Celia IMO has the most dazzling smile, giant warm brown eyes, fantastic curves, and an energy that feels essentially Uhura, & that is all light, joy, a bit of uncertainty, -from the light singing (!) and the growth to her joy in discovery... I'd love to see her writing move away from serving and be more about her wants needs and growing in friendships/loves.

But Celia is a gift and is perfectly cast.

Essentially Uhura = femininity, graceful carriage, gorgeous smile, excellence in engineering and translation (canon!), ability to sing and play the Vulcan lyre, sharp womanist wit, love for her U.S. of African-Kenyan culture and being beloved by all crew...

When Miss Celia hummed those gorgeous notes to the alien entity on that comet?? That Solidified that she IS Uhura IMO.

I 100% think they fucked up by killing Hemmer, because that mentor-mentee relationship was giving marginalized coming together and bonding over everybody else's bullshit and I was here for it...it was giving me Data and Geordi updated...and since then, IMO they've lost track and given us the same kinda backwards wingwoman role BS, that people who like to pretend to be her fan shoehorn her into.

...but I have high hopes that they'll course-correct.

All this to say ALL OF THE ABOVE is Uhura and anyone calling her ugly, bossy, pushy, annoying, whatever is just sad little hater who doesn't know wtf they are talking about.

[spooksier]

a really funny part of celia being the archives-verse character to cross over to protocol is that sure yeah she knows who jon and martin are. but like. they met at most maybe two times in the entire podcast. and one of those times she was trying to lie to martin for money. net zero information for the oiar staff

[the-eclectic-wonderer]

Yes, of course I have a thing for the rich lady that sets up elaborate games to hunt and eat people for sport. She’s British she’s posh she’s old she’s commanding and she’s morally revolting. How the hell am I supposed not to have a thing for her

[buildoblivion]

okay everyone I need 30 web!celia fanarts on my desk tomorrow stat

[captaincrazycreative]

Was listening to mag 24 and thinking "damn Sam is terrible at being subtle about this. Good thing Celia is there to try and keep things on track." then she just immediately jumped in with the "Have you considered being a cop?" CELIA NO-

[thebluestbluewords]

pick a card, any card

"Pick a card," Celia Facilier demands. "Let my friends tell your future." 

Mal, crammed in the backseat of the limo on Ben's other side, laughs. "Don't do it, Ben. She's just trying to scam you out of your money." 

Celia's mouth drops open, theatrically scandalized at the accusation. "Moi? I would never, ever try to scam anyone, and I'm hurt you'd say such a thing." 

She's so small. Her hands, on the cards she's fanning out in Ben's face, are bony. She's handling them well, but Ben remembers the feeling of cards too big and too stiff for his childhood hands to manage, and even though Celia is more comfortable with her cards than he's ever been, the strain shows in the way she tilts her hand to manage them all. 

"Sure," Ben says, instead of listening to Mal. His beloved fiancee is wonderful and all, but sometimes she forget that he is, in fact, an adult who is more than capable of making his own decisions.  He loves her so much, and so deeply that it scares him sometimes, but the blind spots that come from growing up on the Isle are weird, and the issues that Mal has with trusting people aren't one of her best qualities, and definitely aren't ones that Ben wants to fall victim to himself. "I'll take one reading of my future, please." 

Celia laughs.

She's so young.

"Tell me what you want to know," the kid in front of him says, reshuffling her cards quicker than the naked eye can follow. "Love advice? Money? Fame and fortune? What's your poison, King of Auradon?" 

"No poison. The drought of love should be sweet." Ben says firmly. "I want to hear about my future love life." 

"Ah." The cards fan out again, and Celia giggles. She sounds like Freddie when she does it, which is weirdly sweet. Not many of the Isle kids will admit to having family, so it's sort of nice when sisters or brothers do something, and they reveal that they're not so different after all. "Sweet it might be, but love can go sour at any moment. Pull one card." 

Ben smiles. "Any card?"

"Not that one!" Celia squawks, wobbling the cards like she's going to jerk her hand back. "Just kidding. You can pull any card you want, but you have to feel it. Let my friends guide you." 

Ben stops. "Feel the cards," he repeats. "Okay. I feel….” He lets his hand hang still for a moment. The cards are worn, or possibly painted to look worn. They look stiff and solid, not like they’re soft and crumbling on the edges despite their worn backs. They don’t feel like much of anything to him, but he’s always been empty of magic. It’s the one thing that his father has always been proud of. 

Magic feeling and the lack thereof thoroughly investigated, Ben wiggles his fingers. One of the cards on the left is sticking out of alignment a bit, so he moves toward that one, and then rests his finger on the card before it. Any changes always have a root cause, so it feels right to pick the card before the odd one out. “This one?” 

Celia lets him pull the card. 

The rest of her deck snaps back together like a fan, and Celia’s hand shoots out, palm up. “Now hand it over. And also, that'll be five dollars, no refunds or exchanges if you don't like my advice after."

"A wise business practice," Ben agrees, shifting so he can pull out his wallet. Five dollars might be a scam on the isle, but it won't get her far in Auradon, and for showmanship and card control alone, she deserves at least double that. "Here you are." 

Celia takes the fifty-dollar note between two fingers, and there's a half-second of hesitation where Ben can see her eyes flickering over the number on the folded bill. They're supposed to be taking her off the isle because of her potential for goodness. Scamming the king out of fifty dollars isn't a very good thing to do, but Ben is remembering right, the isle kids are too proud to ask for money when they need it. And she will need it, because coming over with nothing but the clothes and personal items she can fit in her suitcase isn’t going to be enough. Giving money to the isle kids outright is awkward, and Ben still has a scar on his shoulder from where Mal pulled a knife on him after he tried to buy her a car, but making Celia feel like she’s cheating him for it might be too much of a risk in this case, with her so brand new and unsure of how to fit it. 

So. 

"I don't carry anything less than fifty," Ben lies, smiling. "You can give me another reading later, if you're up for it. Call it fair?" 

[deaderthandoubledead]

The villain of TMA was a Bouchard and a Bouchard appears to be mirroring Jon in TMAGP. So what if this time, the OIAR is the actual "bad guys" and not the Magnus Institute?

[skepticalcatfrog]

I've started learning how to play a drum set at my school and honestly. To be completely honest with you all. It's making me very tempted to make a TVD band au a la Daisy Jones

[bumblebree1903]

Okay so, like, when Celia wakes up on the side of the road and realises her phone doesn’t work she says “hold on Jack, I’m on my way”. And I’ve seen some ppl wondering who Jack is and the suggestion it could be Jack Barnibus pop up.

But what if Jack is like, a cat or something. And she was calling to get a ride/make sure her pet stayed in her apartment during her nighttime trip. Like we’re all trying to figure out who this mysterious Jack is an she’s just got like a cat or dog or something.