#the amount of people who love this series as much as i do is making my heart go doki doki but at the same time it hurts

[eliezersaul]

As a half hispanic man, I can agree; El Chavo (as well as other series/characters from its creator, Roberto Gómez Bolaños; like El Chapulín Colorado, Chespirito, Dr. Chapatín and many others) are STILL deeply massive EVERYWHERE ELSE in Latin América, Brazil, and believe it or not, Spain! (where they mostly dislike Latin American media… something we share, as it's very difficult for Spain-based media to be liked by Latin American audiences) but México, where apparently, people loathe it.

One of my best friends, is actually from México; and I ask her once why they hate El Chavo so much, so she briefly explained to me that Gómez Bolaños' uncle was President of México until 1970, around the time he started showing his series on TV, as well as for portraying an exaggerated/stereotypical vision of poverty** in México in late 1960s-1970s. Also, many people have never forgotten that during his popularity peak, he (silently?) supported some dictatorships and some controversial politicians from that time (again, 1970s)… So, it's not a "love the art, hate the artist", but mostly a "hate the art, abhor the artist", and it's not difficult finding millions of videos on YouTube where everyday Mexican people explain WHY they don't like El Chavo (or whatever created by RBG)

**Some "intellectual/academic" people have said that that's exactly one of the reasons it's still so massively popular, no matter which social status you may have; it shows some scenarios or situations that are (even in almost 2025!) so present in many Latin American cities/towns, and yes; most of its humor nowadays would make the series get cancelled in one season. Despite El Chavo's jokes are considered clean humor for most people, nowadays jokes about body shaming (poor Señor Barriga and Ñoño!), ageism, or poverty itself would cause a scandal.

Not sure if it's a bit of nostalgia as almost every single Latin American kid, (again, maybe except México) in the 80s and 90s, and 00s, and even 10s! grew up watching Roberto Gómez Bolaños' shows every afternoon/night on their national tv stations, and became an ingrained memory from our childhood, or if it's a nostalgia regarding a time long, long gone… Or if it's because even there's indeed a lot of situations portrayed there that are still easily identifiable once you go out there in Latin América's streets, or maybe a mix of everything, but, El Chavo is just a part of our culture, for better or worse.

Believe it or not, there's very few (if any) original merch from those times, and when ANYTHING with El Chavo's face on it comes out, people get crazy! Even McDonald's released in Latin America some years ago a whole line of toys with the Happy Meal. Nowadays are very hard to find, even on eBay. I myself have the only official sticker album that includes Quico and La Chilindrina (if you know the story, you'll know); which was released in 1995, the very same year the series ended. By the way, regarding that album… Nowadays you get astonished of seeing the absurd amount of copies/fake replicas you can easily find online… which get sold in a flash!

In 2020 the series got off the air because of royalty disagreements between Televisa (which, according to Florinda Meza, one of the main actresses, has earned over 2 BILLION dollars since 1970s thanks to El Chavo only, not including other RGB's series), and it was like a public mourning. Finally, some months ago (yep, almost 5 years later), the series went back on air, and don't know how to explain it, but it's good to know there's still the chance of turning to national TV (if you still do that in these age and times!) knowing that, on one of those stations, El Chavo is still on.

So, why is El Chavo/Chapulín Colorado/Chespirito/Chapatín/etc STILL so freshly popular … As a half hispanic, I have absolutely no idea. As a kid who grew up watching it every single freaking afternoon at 4:00pm, and then Chapulín Colorado at 5:00pm, and then Chespiritos on Saturdays afternoons… WHY NOT to love it? Even if in Mexico don't give a single dime. Even if they haven't built a single museum/gallery about it.

Bizarrely weird? Absolutely.

"¡Y la próxima vez, vaya a preguntarle sobre el éxito de El Chavo a su abuela! (And next time, go and ask about El Chavo's success to your grandma!)

-Ron Damón, ¿Su abuelita todavía ve El Chavo? (Ron Damón, does your grandma still watch El Chavo?)"

-(bell sounds, as Don Ramón bumps El Chavo's head)!!!!!!

-Pipipipipipi (Chavo crying)

-Pehpehpehpehpehpeh (Don Ramón mocking El Chavo)… No te doy otra nomás porque mi abuelita vio el primer episodio cuando lo transmitieron por primera vez. (And won't give you another one because my grandma watched the pilot episode when it was first aired!)"

In Latin America there’s this weird popular culture thing going on with an old 70’s Mexican show called El Chavo del 8 (the kid from the 8)

It’s a sitcom based around a vecindad (a type of multifamily apartments) with a small rooster of characters, both kids and adults, all played by adult actors, with 2 or more characters played by the same actor, with the simple premise of the trials and tribulations of living in said vecindad, and how each character clashes with each other.

Well, this is still massively popular all over Latin America, even in Brazil, where the dubbed version, called Chavez, is as equally popular as in spanish-speaking countries, and it’s all thanks to constant reruns and a sort of simple yet timeless comedy routine based around physical violence, akin to the looney tunes, to the point you can find someone like my 92 year old dad laughing his ass off at an episode next to his equally laughing 8 year old great grandson.

It’s so popular, it even found ground in Spain, a country notorious for not enjoying Latin American-based media, with even some fans found in Portugal thanks to the Brazilian dub.

So, this is all well and good, so what’s the weird part you must be asking? If it’s good, which it is, surely it’s a good enough reason for its popularity.

Well, here’s the thing, in Mexico, the country where the show was made and almost all their cast is from, well, they just don’t care about it, nor seem to really understand why the show is so massively popular outside their country.

Look, El Chavo was so massive, at one time its actors all founded circuses and toured around Latin America for years, finding great success whenever they went, and even with all the years that have passed, and with half the original cast now passed away, people all over this region still recognize the actors, and they still get interviews and random television spots to this day, but again, mostly OUTSIDE Mexico.

Hell, when the actor of the main character of the show, Roberto “Chespirito” Gomez Bolaños, who played the titular El Chavo, passed away some years ago, it became massive news in Latin America, with TV specials made and even government officials speaking out about his passing.

And yet, Mexico still refuses to give a shit about it, and man, I find that so bizarrely weird.

[jamiepaige]

Constant Companions Closeup #10: MY DARLING, MY COMPANION

(also on spotify!)

It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet

---

Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.

Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.

There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.

So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.

...

My constant companions, if you will.

wait didn't i already do that bit. what was i talking about when i did that

This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.

Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.

But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.

The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.

Letting yourself be yourself, and loving yourself for who you are, is the best way to be!

or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny

---

The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.

The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.

Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.

See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.

On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.

These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.

Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.

Do you know what it is?

That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!

Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)

[literary-illuminati]

2024 Book Review #61 – Mammoths at the Gates by Nghi Vo

This is the latest in my now-extremely-belated attempt to read all the nominees for Best Novella from this year’s Hugos (only need to hunt down a copy of Seeds of Mercury somewhere now!) It was a well-done, enjoyable read – nothing to change your life but, frankly, would have been far more deserving of the prize than Thornhedge was.

This is the fourth in the Singing Hills Cycle, following the itinerant archivist-monk Cleric Chih as they travel across a vaguely Chinese fantasy setting collecting histories and folktales to be collected into the monastery archives. After nearly three years walking the earth, they return to the titalur monastery itself to discover Cleric Thien, a very senior cleric and their own mentor, has died in the intern. Of more pressing concern, two members of their family are outside the gates – one of them a corporal in the Imperial Army with her command of two war-mammoths – demanding their body turned over to buried with their family and ancestors instead of interned in the monastery catacombs. And if that wasn’t enough of a complication Myriad Virtues, Thien’s companion neixin, has been driven to self-mutilation and a total withdrawal by her grief. It is, needless to say, an eventful funeral.

For all that, it’s not a particularly exciting novella, let alone an action-packed one. It’s very much, and very consciously, About Grief in a few different ways. Compared to earlier stories in the series, the narrative is far simpler, with none of the playing around with framing devices, unreliable narrators, or stories-within-stories that have kind of been the cycle’s trademark until now. The freed up space is instead used to make Chih far more of an actual character than they have been previously, rather than just a cipher to experience the narrative happening around them.

I do find myself slightly annoyed at the book because having set out such a genuinely messy and compelling conflict – both on the level of ‘who gets to decide what funerary traditions to follow and where the body is kept, the religious institution or the aristocratic family?’ being the sort of thing that has absolutely started wars, and with ‘who decides how someone should be remembered and grieved, their family or the people they choice to build a life with’ being a theme with a certain amount of contemporary resonance even without the whole thing where clerics are universally refereed to as they/them and Thien’s granddaughters kept insistently referring to them as a man – the book gave itself an easy way out on several different levels. But that’s just me being irritated it isn’t a different story entirely – this is a gentle, elegiac story; the central emotion is the melancholy of quietly organizing a loved one’s things after they’ve passed. On that level it works quite well and is even beautiful at points.

I’ve said before that this series would adapt near-perfectly into a high budget miniseries with a 40-60 minute episode per novella, and I stand by that. If anything, it feels like it’s only getting more true. It does feel like a bit of a loss, though – maybe I’m remembering it as more than it was, but I think Empress of Salt and Fortune had a level of thematic and narrative ambition that all of its sequels have kind of lacked. This and Into the Riverlands especially feel like they exist in a different and...shallower? Simpler? Clearer? Register than the first two entries in the Cycle.

Ah well. It would have to far a long way before it was even in the conversation for most disappointing book I read because of a Hugo nomination. On balance, lovely read with a dog cuddled up beside you on the sofa.

[acid-ixx]

https://www.tiktok.com/t/ZTN8X9hLh/

This is so neglected [reader] coded I cried when I found this audio after reading your fic 😭😭

AAAAHH !!! this hurts so much especially since i'm writing about chapter two and chapter three is basically the audio in a nutshell 😭 like omg take all of the reader's pain and give it to the joker istfg!! i'm literally dreading when i have to write for a breakdown scene in chapter three but chapter two is already draining me of my energy, i had to actually take a break and walk outside just to replenish myself ehe

istg i wish i knew how to animate so i could draw the reader literally screaming at their family with this audio but alas, the world has to nerf me or i'd be too powerful 💔

[that-one-dudette]

This is like when dudes get #notallmen, and of course it's not all men, Chad, but it’s enough men for it to be worrying. Even more worrying and discouraging are the ones that indeed are not, but see the ones that do and keep being impassive or cover them.

There is nothing wrong with shipping buddie: a lot of the people that I follow here and I am thrilled by their content are either multishippers or shipped buddie before. (And that is also why I think it is nice that some guys use other names, like bobs, to identify the most radicalized people here.)

But it was not that far away, at the end of May, when that comment over bashing Tommy with a hammer came, and yeah, it was one comment from one person, but we all saw the amount of likes. I see posts here that say, “Now that we got rid of that man." Are you celebrating that we lost a gay, late-millennial male character in a show? The comments about the daddy kink, about the flirting, about LFJ voice—those were very reductive things that not just one person was saying and that too many people were liking (and honestly, thank God that Silken won’t know that the same people that were scolding him are the people that write that over a 40-year-old gay character). pff… the death threats...

We can talk about representation, but this is not about that: Representation is not a cake that you have to distribute and then is over; you can have as much as needed and demanded. Why do these people think that representing two men who, after 6 years of loving each other, discover they are in love is more important than showing queer people that go through life knowing that about themselves, overcome obstacles, and get a happy ending? Why is it ‘I get the representation I want or no one gets one’?

(The tweet about tarlos is particularly hurtful, because if you go to the link and see all the posts asking for buddie…. Here in tumblr is different, but twitter is another space, and imagine the queer people that saw a series making a happy and hot couple in the new show, and all comments are about ‘yeah, this doesn’t matter, we want the straights of the other show to kiss.’)

And yes, of course there are a few people on this side that are also being rude and crossing the line. It is like being in the Wave movie to see how in so few days a lot are getting very radicalized and trying to police people over how to ship. However, I find it encouraging that people are willing to respond to these posts, pose questions, and challenge these viewpoints. I think we are trying to keep a healthy fandom (maybe on the other side some are doing it to, I hope so)

the more and more time i spend on tumblr and come across insane Buddie takes and behavior, the more and more i am convinced that the small, vocal, toxic subsection of shippers who don't know how to behave are, how shall i say it?

homophobic

they don't seem to actually like gay men. the situation with richard siken is an example of that. what they appear to like is their made-up version of what gay men are like and what they do. there's no concept of nuance or an actual understanding of queerness that informs their ship.

and i don't think you do need to understand it. sometimes you can just enjoy something without looking into it differently. but if you're going to be out on main talking about Buddie this and Buddie that, then you absolutely need to do the bare minimum and inform yourself on gay culture and gay issues so you don't, you know, go after a gay poet because you didn't like his tone.

sorry, there's a reason gay men of his demographic don't take shit. it's because they took so much shit that a large percentage of them died. the ones that survived don't owe you a tone when you act like an idiot.

the internet is free. wikipedia is free.

use a search engine and educate yourself, just a tiny little bit, and stop fetishizing while holding onto homophobic attitudes

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[im-still-watching-anime]

one piece is crazy fr like what do you mean you’re following up Everyone’s Dead™️ with Objectifying Women: The Arc™️

[fauxnotice]

crazy how alien stage would have never gotten such a big fanbase if ivtl didnt exist. Not because its that good or better than mzsu but because no matter how you look at it female characters will never be treated the same way male characters are and the same applies to f/f ships. Like yes fandoms have mostly (not entirely though!) moved away from the trope of portraying women as nuisances that get in the way of gay relationships but now we have a new brand of misogyny that is much more subtle. and if you even IMPLY that some internal bias is the root of the way fandoms treat female characters youre looking too hard and youre too woke. Whatever

[lavenderjewels]

me ranting to myself in my head about how yuuji is a good character

[gu6chan]

99% just my autism speaking here but something ive been noticing lately that im sorta kinda 😶 about is when ppl are like "I think you'll like this" but not bc they ACTUALLY think you'll like it, rather they just got into it and want you to also get into it so "I think you'll like this" is a nice personal hook. i love chill stuff as much as any other person ofc but given i don't divulge that EVER, what makes you think my berserk reading, made in abyss watching, drakengard playing ass would like YURU CAMP????

[mattzerella-sticks]

We know the lasso of lies makes any lie the user holds come true, makes people believe the lie.

What if that is how Lizzie was born?

Someone, or even Diana, says that she has a daughter while holding the lasso and because she's holding it the lie becomes 'truth'.

It would also make sense why she would even keep the lasso of lies as maybe she needs to hold it to stay tethered to reality, to stay alive. Especially since it's wrapped around her more like an accessory than equipment.

And also why she feels so disconnected from her 'mother' Diana, because Diana is a woman of truth and she was born of lies.

Plus this would also make it so Diana doesn't have to 'spend time' pregnant in the world of comics, people will believe she had already been pregnant, and also do away with any questions of who Lizzie's dad is (unless she makes the lie while holding the rope with someone, or the 'King of America' created her to burden Diana and so he is technically her father).

I hate that I'm thinking of this. I blame all the artists I like announcing their own variant covers for the Trinity special dropping in 2024. Shows how much DC really wants this to be a success + want to sell as many as possible using variant covers to point to as proof of concept (like they're doing with the WW series rn - why wait until NOW for Jim Lee to do the final piece of the triptych).

[helladventurers]

(long negative rant, be aware)

I think i'm starting to pinpoint one of the biggest reasons I can't really connect with the plot of botw and totk anymore 😫 and it's because I'm really tired of the "peaceful world whose entire source of conflict can all be pinned into a single, cartooningly evil individual/organization" trope

I'm rewatching some fire emblem playthroughs, another series who relies on that plot narrative too much, and it's exhausting to me 🫠 I thought that totk was a step down from botw plot wise, but it's really Nintendo's incapability and refusal to evolve and to make stories more complex than bog standard "evil always falls and light destroys darkness" kinda stories

[friendshiptothemax]

I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.

That’s not the issue at stake here. Let me tell you a little something about “minirooms.”

Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.

This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.

Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.

The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.

[idolomantises]

Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

[moonlight-prose]

RIGHT WHERE YOU LEFT ME

➛ 01. IN DREAMS WE REST

a/n: i've been stressed about this fic probably more than any other i've ever written. not because it's logan per se, but because wade wilson makes me want to rip my hair out. i love that bastard, but writing him feels like pulling teeth. i'm in love with this concept solely for the angst, so if you see more throughout and wonder if they will ever get a happy ending, please know i'm dead inside. enjoy!

summary: stuck in another universe and unsure of where he stands, logan expects things to even out as they always did. but when you cross his path and you have no idea who he is, he's in for a rude awakening.

word count: 5.9k+

pairing: logan howlett x f!reader

warnings: not explicit, wade wilson breaking the fourth wall, angst, cussing so much cussing, alcohol consumption, grief, pain, a broken man pretending he's not broken, chance encounters, awkward conversations, hope.

NEXT CHAPTER | SERIES MASTERLIST

He can hear it when he sleeps.

Their screams.

The constant ring of agony that chimes out like a bell, an alarm he never set for himself. A joke once told to him in the midst of World War II, as bullets flew by him and soldiers lost their lives each second of each day. There's no escape from hell. No running from the devil that nipped at his heels the faster he went, the longer he tried to navigate a way free.

There's no escape from the memories that ate away in his mind. Multitudes of them, of the faces he once called family, the people he used to love. They were his punishment. The boulder he continued to roll up the hill, day after day after day. Until eventually...he was crushed by his own self-hatred.

"Logan." The voice whispered long enough for him to grasp who it might be, yet never louder than a mere breath of air.

He clung to it some days. Sunk his claws into what little of his past remained good and allowed it to fill him with some amount of peace. At least then he'd be able to bear this weight, this grief he could never quite name.

Something light brushed across his cheek. Tickling the skin enough to send a flare of irritation down his spine, but the dreams held him in their grasp. What came next never surprised him. He expected it at this point—longed for it. The distant pain of losing what once made him whole; the entirety of his life now defined by one single moment he could never change.

"He sleeps so sweetly. I just want to curl up in his arms and have him read me bedtime stories."

"He's not gonna like that when he wakes up."

"Zip it Al. If I wanted an opinion, I'd go see a Hollywood therapist."

A scoff echoed in the background. "No therapist wants you on their couch."

"Not true. I hear Ryan Reynolds has a great one."

"Who?"

"Not the point." The feather dusted across Logan's face again, soft enough to keep him asleep yet annoying enough to bring a smile to Wade's face. "I wonder if he's dreaming about killing bad guys. They say it's good for the soul."

"Who the fuck is they?"

Wade laughed. "Oh you know. Them. The readers. And boy howdy do they love their blood."

Every day he was forced to listen to Wade's voice became another day Logan dragged his claw through a tally mark of his sanity. "Do you ever shut the fuck up," he growled, gripping Wade's wrist until he heard the satisfying crack of bones.

"Only when I swallow."

"I'll tear your fuckin' arm off."

The smile on Wade’s face only added another tally. "Nice kitty. No need for the claws."

Anger washed across his skin in a familiar wave as he released Wade's arm, watching it go limp. Trying to kill the unkillable walking irritation was like trying to swat a fly that never quite died. It still buzzed incessantly. Until eventually madness was the only viable option of dealing with it. In his case, he seemed to be driving head on with no brakes.

Logan wasn't sure he possessed enough sanity left within him to keep dealing with this. Sleeping on the couch didn't help the way his body never rested; always stuck in that permanent fighting mode. He'd give anything to find some peace. A small sliver of it carved off the past that continued to call him—that begged him to come back and try again.

Swinging his legs off the couch, he planted a swift kick to Wade's chest that sent him across the floor. The lack of caffeine in his system left everything hazy and half coherent. If he focused he might have caught the keys thrown at him, but being exhausted and sober didn't make for a good combination with him. An empty whiskey bottle lay discarded on the floor from last night; the memories of how he passed out barely tinged on the edge of his mind.

He could recall stabbing Wade in the leg.

Nothing beyond that.

Dried blood—now an ugly brown—stained his white shirt. He nearly stripped himself of it, prepared to throw it in with whoever was washing next, but his flannel being chucked at his head caught him off guard.

"Fuck off," he snapped, stumbling to the kitchen.

Wade sighed, following him. "Get dressed, peanut. We have to go do human things today."

"Human–”

"Food," Al retorted. "We're out."

Even in a new universe, he couldn't see himself acting normal. For so long he did what had to in order to survive. Yet now...he wasn't so sure. Accompanying Wade Wilson in order to complete household chores left a bad taste in his mouth. But the thought of fresh coffee and an unopened bottle of whiskey sounded like sweet silver bells in his head.

With reluctance, he buttoned up half of the flannel before he became annoyed with the small size of the holes punched into the fabric. There was only so much he could do with the life he had now. And sometimes shit really sucked.

"Don't scratch my fucking car," Al pointed her words towards Wade, thankfully ignoring Logan's existence for a brief moment.

"Is it safe for her to own a car?"

The door shut behind him with a bang, echoing down the vacant hallway. He was surprised people actually lived here given Wade's antics. They could hear the loud mouthed fucker across the street—if the angry notes in the mail were anything to go by. He didn't bother asking if he should be concerned with any of it. Not when he had no say in how the house was run. And choosing to insert himself where he wasn’t needed, rarely went well for him.

"God no. But I give her the benefit of the doubt. She hasn't killed anyone. Yet."

He yanked the keys out of Wade's hand. "Yeah well I don't trust you either Bub."

The car didn't leave room for his legs as he squeezed into the driver's side. His body practically folded in half as he turned it over—the rumble of the engine rattling against metal. How Blind Al managed to pay for this vehicle went beyond even Wade's knowledge, and in all honesty…he was too fucking scared to ask.

Too much seemed to be happening for him to ever catch up. While this Earth felt similar to his, small things were different. And when they began to add up...he began to wonder if he was drowning.

"Turn left to merge onto the asscrack of traffic."

He barely heard the directions as he drove, his mind drifting the further they went. Part of him sensed the grief from earlier begin to claw up the back of his throat. It begged him to fall, to be swallowed whole by the darkness he'd been stuck in before. And he nearly gave in; could feel his body shift into its constant mode of fight or flight.

The steering wheel cracked under his white knuckled grip as Wade's voice became an afterthought to the war he fought in his mind. Terror trapped itself in his throat and he slammed his foot on the brakes a foot away from a parking spot in retaliation. The car lurched forward, his claws descended. A snarl rumbled in his chest the longer he sat there thinking.

"Woah..." For the first time in days, Wade fell silent. "You alright?"

Logan ripped himself free, shoving his body out of the car before he even threw it in park. He gulped in breath after breath and did his best to wait for this fucking feeling to leave his system. The nightmares only came as he slept. A constant familiar horror show after two centuries.

Yet now he was left like this. Leaned up against a car, his eyes closed shut, and heart racing.

All because he couldn't do his fucking job.

"Logan–"

He snapped, shoving past Wade and his pity that choked him with a vengeance. He didn't deserve anyone's pity. He didn't want it. But people couldn't help but hand it over unconsciously. As if they could see the layers of broken pieces beneath his false expression of strength. Logan never pretended to be okay. Why bother with something people could see right through?

He merely wanted others to ignore he was there. Walk past him, look through him, do whatever it took to pretend that him and all his tragedies weren't standing before them. Because one day he would die and fuck how he couldn't wait for that time to come.

A small hole in the wall dive bar sat in the corner of the shopping center. He barely caught sight of it. But the unmistakable scent of alcohol poured out the door as someone stumbled out—their eyes squeezed shut against the harsh brightness of the sun. He could understand them in a way.

His world didn't have sunlight this bright. Or perhaps he never noticed it ‘til now.

Maybe his body wasn't acclimated yet; unsure of what the fuck was still happening. Everything seemed to be turned up to eleven for him, yet no off switch existed.

The dark hazy glow of the interior sent a wave of calm through him as the door swung shut with a soft thud. Four people sat scattered around the place and a bartender with white and graying hair stood cleaning a glass so foggy it was probably better to throw it out. He found himself letting out a breath that'd been trapped in his chest since that morning. Finally some peace before he had to listen to Wade yap about bullshit he didn't in fact give a shit about.

"What'll you have?" the old man asked, his face screwing up in a wince as he limped towards Logan's spot at the end of the bar.

A quick glance down let him see the brace wrapped around the man's knee. "Whiskey on the rocks."

He nodded, slowly heading towards the center of the wall—a lonesome half empty bottle of Jack Daniels on the counter. Logan shifted, taking the center seat directly behind the man.

"I can't say I've seen you around before son."

He grinned, his finger tracing a random carving that'd been placed in the wood. "I just moved here. Living with a coworker."

"Coworker huh?"

The word didn't sound right to Logan, but he couldn't exactly call Wade his friend. Although they were more than people who fought together, more than men who shared blood during the same battle. That was the thing about Logan though. He'd never be able to put a label on something like that. To him...things weren't one or the other as much as he wanted to pretend they were. There was nuance to his life.

Complications which made living that much harder.

The man turned, surprised to see Logan so close, but didn't make note of it. Logan could see the gratitude in the way his drink was slid carefully to him. The small silent thank you in the bowl of pretzels placed beside it.

"You look lost."

Logan grunted, biting into the salty and dry snack. "Do I?"

"More than some of the others that come around here."

"And who comes around here?"

The man laughed. "No one as of late. You're the first young man I've seen in a while walk through those doors."

He bit back his laugh at the word young. The stories he could tell would leave the man baffled. About wars that no living person had witnessed. About when the world was far different than today—when mutants were freaks of nature and humans were far less forgiving. He could list it all and then some.

But whether or not someone would listen was another thing entirely.

"This place that old?" he inquired, sipping on the amber liquid with a contented sigh.

"Oh you bet." A weary laugh filled the space. "I bought this place in the sixties. When my wife was still my girlfriend. She almost left me because of it."

Logan huffed, his lips curling slightly. "She wasn't a fan?"

The man shook his head, tossing a cloth over his shoulder. "Still isn't. Well she...wasn't." He pressed his thumb to the worn gold band on his left hand. "When she was alive she used to host a book night. Helped bring in the men's wives. Kept them outta trouble."

"Book night huh?"

"She loved to read."

Before he could down the final sips of his drink it was topped off. Logan nodded his head in thanks, his thumb digging into the thumbprint shape of the glass. If he thought about it hard enough, he could almost see himself coming here every night. He pictured a life far different than his own, a past where he might have been happy. With someone who might have even made him smile.

"I'm not much of a reader," he replied, his voice hoarse and eyes fixed on the ice that floated to the surface.

"Ah me too," the man laughed. "I just liked seeing her smile."

A soft remark was on the tip of his tongue before an entirely new image began to take shape. The face of someone lost. Of a smile he'd known better than his own. Hands that once held his face with the tenderness of a lover—a voice that sent the hair rising on the back of his neck. He could see it as clear as he did the man.

You in all your beauty. Lost to a past he could no longer rectify.

He swallowed thickly, beating back every emotion that crawled under his skin. "What's your name?"

"Travis."

Raising his glass, he tipped it towards the man with a tight grin. "Logan." The alcohol went down with a quick and biting burn. A feeling he'd grown familiar with. One he counted on.

"Nice to meet you Logan."

"Yeah you too."

He dug out some cash and tossed it on the bar as he stood with a slight grunt. He may heal quickly but the ache in his bones still existed. As if something resisted against how his body moved with each slow shift.

Fighting meant he could ignore it.

Existing is what made it worse.

The sun practically burned his eyes when he stepped out, the heat of the day encompassing his whole body quicker than he would have liked. For some unknown fucking reason, summer here felt worse than on his Earth. Then again the alcohol didn't help. He stood in the shade of the building next to the bar, searching the parking lot for any sign of Wade.

Going into the store wasn't an option and as much as he wanted to leave the annoyance behind, he didn't want to feel like a piece of shit. That is...even more than he already did.

"Fuck," he hissed, leaning against the brick wall. "You've got to be fucking kidding me."

One option would be taking a walk to work off the energy that ran through his veins. At least then he'd be able to sleep at night. And the temptation almost worked. If it weren't for the shop doors that opened to his left, effectively distracting him from the chance of leaving. He could have ignored the person, probably should have given everything he'd been through.

But then his heart dropped to his stomach as you walked out. He'd never seen you in such a soft sundress before, the off white fabric draped off your curves in a way that floored him. As if you were an angel floating by without a care in the world. You were busy shoving a small piece of paper in your purse, your face furrowed in frustration, and Logan smiled. Because he'd traced each line of that face before, he'd kissed those cheeks, your eyelids as you slept.

He'd loved you in ways that would scare a normal human.

And there you were.

"Honey?" he called, unconsciously following you quicker than he intended to. "Honey."

You glanced to the side, completely unaware of the giant lumbering man trailing after you with a soft look on his face and hope in his hands.

That alone tore him in two more than the memories from before.

"Baby, it's me."

The breeze finally went through the air, pushing the skirt of your dress a bit higher on your thighs. Except that's not what he latched onto. Your scent was different. Unlike any he'd encountered before. Honey still sweetly caressed his senses, but flowers overlayed that—peonies if he guessed. Delicious enough to have his mouth watering; his body already aching for you to be closer. To look at him in the way you used to.

He wanted to call out to you—gain your attention properly—but your name wouldn't leave his tongue. Because you were there and you finally caught sight of him and you were looking at him as if nothing bad ever happened between the two of you.

You saw him as a man.

Not a disappointment.

He willed himself to stop and breathe. Take in his surroundings; realize that you weren't who he once knew. You weren't even the same fucking person.

But before he could think straight, he'd already followed you halfway to your car. His eyes were dazed, heart nearly throttling him alive as he stood there dumbly. Waiting for you to finally speak.

"Oh..." Your heart rate spiked quicker than he expected. He couldn't find it in himself to feel bad though. "Hello?"

"Honey," he sighed, the weight on his shoulders lifting ever so slightly.

He caught the way your fingers tightened around your keys, the defense mechanism an instinct by now. And Logan realized what he looked like. A strange man standing too close for your liking. So he took a step back and gave you some space. In the hopes that you wouldn't see him as a threat. That maybe...you'd listen to what he had to say.

"Can I help you?" you asked, eyes darting around the parking lot in case you needed help.

What he wouldn't give for the opportunity to reassure you. To explain that he wasn't here to hurt you. That he'd kill himself before even laying a hand on you. Yet the correct words were lost and all he seemed to get out was an incoherent babble that had him wanting to dig his own claws into his chest.

"You smell different."

You straightened your spine, eyes narrowed into a glare he felt burn across his skin. "Look, I don't know who you are. But fuck off."

Something akin to pride flared in his chest at your tone, your words. But he couldn't show it externally. How would he explain that your fight—your fire—is what drew him to you in the first place? How could he tell you about a version of yourself you'd never know? A person he thought would be with him until his last breath exhaled into the world.

"I'm not here to hurt you." He raised his hands in an attempt to prove his point, but like your variant counterpart you were willing to bite first and ask questions later.

"Yeah. Sure asshole." The shopping bag in your other hand was lifted up, until you had a tighter grip on it in case something happened. You didn't know him. You probably never would.

But Logan had to try. He owed it to you to give it all he had this time around.

Otherwise...what was the point of living?

"My name's–" He made the wrong move stepping forward and knew it the second his boot hit the gravel. With a wince, he watched you stumble back against your car, your arm coming up to protect yourself. "No. Look I'm not gonna do anything–"

"Get the fuck away from me," you spit.

He moved back as if approaching a wounded animal—his body finally on edge in a new way. The fact that you didn't know him wasn't what broke off another chunk of his heart. He could handle that. He'd been through that.

You were afraid of him.

That realization dug in too deep for his body to heal.

That...he couldn't live with.

"WOAH hey!" He'd never appreciated Wade's irritating ass more than in this moment. He jumped between the two of you, the cart of groceries forgotten as he blocked Logan from your sight. "Step away from the nice lady wolf boy." Wade regarded you with a smile. "Hi! Sorry. This is my uncle and well as you can probably tell he's lost eight of his lives. So we're going on little old nine. And well the mind just goes to shit first."

Seconds passed by like minutes and Logan watched you visibly deflate. "Wade," you greeted him, visibly calmer than before. Logan felt his stomach twist violently at the thought. "It's good to see you. How's the job?"

"Oh yup you know. Left that. But I'm really pushing through. I've got an Etsy store where I sell miniature paintings of Michael Angelo's David's penis. So there's that."

Your laughter sent a hole through his chest and Logan bit back the growl that rose up the back of his throat. What the fuck was Wade doing making friends with you? Why were you laughing at his humor?

He couldn't count how many days he'd spent longing to hear your laugh again, the shine in your eyes that always came around when joy flooded your bloodstream. He could smell the honey off your skin, the warmth of what no doubt lay beneath your thin dress. And he wanted to rip Wade to pieces knowing that he was the one making it happen. That you were comfortable with a man who's mouth ran at a mile a minute.

"Did your sister have the baby yet?"

You brightened and Logan felt his heart stutter. "She did! A boy."

"Named Wade I hope."

Another peal of laughter had Logan's claws itching to descend as you ignored he was there. "Theo actually. A cutie."

"Aww." Wade moved closer, head bent to see the small polaroid you pulled out of your wallet. "Wow, he looks like you'd find him in a Gerber's advertisement."

Your eyes drifted up, past Wade's shoulder, until you finally caught Logan's gaze. And he felt like he could breathe. Every ounce of fear was wiped from your face; interest now creeping in as you dragged your eyes down his form. Past the slight peek of chest hair and down to how his jeans hugged his hips. Logan stood taller for your benefit, as if he needed to make a good impression.

He wanted to linger in your mind for days. Until the curiosity ate you alive.

"We're gonna go," Wade announced, after grabbing your bag and placing it in your trunk for you. "Someone has to feed the blind woman in my apartment. She tends to root through everything looking for food." He gripped Logan's arm, shoving him back a good few feet. Even as your eyes still remained glued to his face. "Glad to see the Hyundai is still working. You know you could take the fattest fucking nap in the back of that puppy. Makes you feel like an Egyptian mummy."

"Bye," you said, a dazed look in your eyes as Logan smiled in your direction. At ease with the knowledge that even in a different universe, he could still fluster you with a look.

Dragging himself away from you was hell, but Wade's grip remained unbreakable as they clambered to the car. The groceries stacked in the small backseat.

He could glimpse you driving off and suddenly the nightmare from earlier was the last thing on his mind.

Wade's back hit the wall with a crack before the door could shut properly. The groceries in their hands toppled to the floor. He barely had time to duck before Logan's claws were aiming for his head—a snarl ripping from his throat.

"What the fuck?" Wade shouted, grabbing the paper bag and gently setting it on the table. "Next time just say you need to stay home and find some joy in an empty room and your hand."

"How do you know her?"

Wade smiled, assessing the furious state of chaos Logan was now left in. The tatters of his stability falling to the floor around him. For as much as he held himself together, it certainly remained easy enough to tear him a part.

"Got an eye on someone, do we honey badger?"

Logan grimaced, running a hand down his face. "Would you just fucking tell me?"

"Let me bask in this Logan. I'm about to watch a romcom come to life and need some popcorn." He rummaged through the bag, yanking out some chips. "Salty and sweet. That'll do."

"Wade," he bit out.

"Stick with us girls, we're about to get to the good stuff."

"WADE!"

He tossed the bag to the table, eyeing the way Logan never quite settled. "I'm gonna take a guess and say we know her more than just friendly hellos."

Logan couldn't answer because his grief did it for him. He did what he could to catch his breath, to stop seeing his version of you. The disappointment on your face, the pain in your voice. You'd been so angry with him. To watch the person he loved be reduced to a screaming crying mess wasn't something he wanted to relive, but Wade's question seemed to send an avalanche toppling to the ground.

"She's..." He sucked in a breath. "On my world. I...knew her."

"Knew her? Or knew her."

He reached for the bottle of whiskey Wade threw in with the rest of the groceries and popped it open before he spoke again. "It didn't end well between us. None of it did."

Wade fell silent and Logan found himself loathing the quiet more than the sound of his voice. If he was joking Logan could ignore it. He could pretend nothing happened. That you weren't here, you couldn't be hurt by him again.

You were safe from his destructive tendencies as long as you were in another universe.

"She lives across the street." Logan's head rose and whipped to see the window that faced the building across from them. "The old uncultured shit whistles that keep complaining about WHAM! the greatest thing to happen to music. They're her neighbors. Live right next door."

"Neighbors."

Wade nodded, offering him a chip. "She found their note and angel that she is, she very sweetly threatened to get them evicted. I offered to let her borrow my katanas but was rejected like younger me on prom night. You've really got yourself a catch there buddy."

Logan didn't need Wade to tell him how fucking lucky he was. He knew that the second you walked out of that store. You were everything good in his life at one point, everything he couldn't save. There wasn't much keeping him going on his old Earth, but having you made all the suffering he went through—all the pain he endured—worth it.

If you were waiting for him at the end, he'd do it all over again.

"So you want to take a dip in that honey huh? Taste that rainbow?"

His claws would have sunk into Wade's throat if a knock hadn't sounded at the door. With a huff, he stepped into the kitchen, the bottle clutched tightly in his hand. Whoever decided to give Wade some luck was of no concern to him.

Or so he believed.

"I didn't mean to accidentally take your groceries," you laughed, handing over a overpacked paper bag.

Stuffing the bottle under the sink, he met you halfway to the living room, his eyes drinking in the sight of you still in that dress. Still delicate enough for him to rip if he tugged it right. Heat curled along the base of his spine when your eyes met his, wide and glimmering with your laughter. He felt himself crumple at the sight of your lips parting, the surprise at his size still enough to make you speechless.

"Good to see you again," he greeted you, voice low and soft.

You didn't mean to grow flustered in his presence, but something about the way his gaze devoured you within seconds left you breathless. The swooping sensation in your stomach became too much to handle. Desire and attraction weren't unknown concepts to you. But this felt like more. You could sense him right down to your bones and it scared the shit out of you.

"Oh right!" Wade scooched past you to swing an arm around Logan's shoulders. He did what he could to not stab him in the stomach. "This is Logan. My hunky new roommate."

Logan groaned. "Alright–"

"No, no it's good. You remember when I was declared basically the savior of the universe?"

Your face screwed up in confusion. Logan had never wanted to kiss someone more.

"Marvel...Jesus right?"

"I prefer MJ. Since I've got a Peter." Wade's head whipped to the side. "Suck it Tom Holland." His grip on Logan tightened. "This walking People's Sexiest Magazine helped. We're talking big claws, abs you just want to lick whipped cream off of–"

Logan's elbow slammed into Wade's stomach—crimson slowly tinting the tips of his ears. "That's enough."

"AND the Wolverine."

Surprised etched itself onto your face even further. Until you finally regarded Logan with a look he'd seen once before. Awe. When you first met one another in the halls of the mansion, you stared at him that exact way. As if you couldn't quite believe that iconic figure the X-Men made him out to be actually existed.

He couldn't tell if he liked it. Or if he'd rather you view him as a stranger.

"Logan," he said, offering his hand to you politely. Your skin remained as soft as he remembered.

Warmth bloomed in your body at the feeling of his calloused palm overwhelming yours, the scars across his knuckles old and ancient. Yet you found yourself wanting to trace them over and over, until the sight of them seared in your mind. You fought the urge to press your lips to them, etch your own mark into his skin. Something told you he wouldn’t mind.

Logan could see the intrigue on your face—the distracted gaze he wanted to keep in place. You were still curious. Still willing to learn about him. To pick him a part with soft words and even softer touches.

"Logan," you murmured under your breath, your eyes catching his. He felt his stomach leap at the sound of your voice whispering his name. Memories flooding his mind quicker than he expected. Of mornings spent in bed, your skin pressed against his. Of nights alone in his cabin—your stories lulling him to sleep.

Everything he willed himself to forget, yet could never truly let go of.

"I've got to head back." Disappointment filled your heart at the thought of not getting a chance to talk to him more. He had yet to let go of your hand and you found you liked his touch on your skin. "I'll see you soon Wade."

"Logan will be more than happy to walk you back," Wade replied, waving drastically behind your back. "Can't have you getting hurt now can we? Right peanut?"

You smiled. "I'm just across the street."

"I don't mind," Logan cut in, glaring at Wade to shut the fuck up.

"Okay," your voice was soft. Happy.

Logan would have done anything to keep it that way.

The walk back wasn't long enough for him to explain his actions from earlier, but you seemed to be just as smart as your variant self. Shutting the building's door, you turned to him—your dress fluttering in the breeze. Logan choked on his spit at the slight peek of your ass before you pushed the skirt back down around you.

"Did you know me?" You lead him to the corner, waiting for the traffic to die down. "On your Earth."

He paused, his eyebrows pulling together, and for a moment you wondered if you asked the wrong question. Wade told you bits and pieces of what happened since you last saw him, but Logan's background wasn't a discussion you tried to seek out. All you knew was that Wade acquired a new roommate. Not even a name.

Certainly not that he was Wolverine.

"Yes," Logan muttered, glancing at the change in lights.

You started to walk. "In what way?"

His hands curled into fists—echoes of his past rising to the surface. "We were...friends. You're a professor."

"A professor?" you exclaimed, a smile tugging on your lips. "Am I a mutant?"

He nodded. "You're able to bend time. Or control it." He snorted, following your lead towards your building. "I could never understand it. But Charles did."

The walk up to your apartment was silent, your thoughts filled with the new information he'd given you. And no matter how hard you tried to picture it, you couldn't see yourself as a mutant. A powerful being that held the ability to manipulate time who just so happened to be a professor. Somehow even thinking about it made you wonder why Logan was bothering to entertain this version of you. When the better one existed on his Earth.

"You said were."

Stopping at your door, he nearly knocked into you. "Hm?"

"Were friends. What happened?"

The answer he couldn't give you. The words he wouldn't even admit out loud to himself.

He felt his heart twist as if a knife slowly carved through his spleen. "We uh..." He coughed. "You..."

"I don't have to know." Grasping gently onto his arm, you offered a warm smile he felt down to his toes. A look he hadn't seen in quite some time. Logan could picture the last day you were happy in his head. Laughing with Charles in his office as you shared dinner, working on theories of your powers late into the night.

A week before they came.

"It's good to see you like this," he breathed, his hand reaching out to touch your cheek before stopping midair. "Happy."

Your eyebrows knit together. "I wasn't happy?"

"No." What he wouldn't give to take that information back, but it was out in the open, and as always—he remained too late.

"Why?" you asked, your hand sliding down to his much to his delight.

"I made you a promise." He sucked in a breath, his body begging him to start running. You'd be better off if you never knew. If you never remembered him in the first place. "I couldn't keep it."

I'll always keep you safe.

Words he refused to say again.

How could he promise this version of you that? How could he look you in the eyes and lie again? Breaking his Earth's you would haunt him for the rest of his life. He couldn't fathom doing it all over. It would kill him.

Except you weren't the person in his mind. You weren't the mutant who hated him with every fiber of your being. You were you. A continuous surprise that left his heart stuttering in his chest each time you looked his way. An enigma he found himself wanting to unravel.

"Maybe this time around you can," you said softly, letting him go with a smile as you entered your apartment, effectively opening the wound in his heart so wide there was no saving him.

Although he now knew something he didn’t know before.

He didn’t want to be saved.

[maxlarens]

OP: well, that isn't fucking relevant

pairing(s): oscar piastri x mercedes driver!reader

summary: someone tries to threaten your job, oscar has some choice words for him. (OR: the trials and tribulations of being a woman in a male dominated sport)

word count: 2.7k+

an: i kinda hate the white knight trope but i still wrote this lol, it scratches an itch and i think driver!reader did a sufficient amount of defending of herself beforehand. anyway, this is a one shot that's kind of connected to my smau series just a girl. enjoy!!!!! [also standard disclaimer: this does not reflect the opinions of any real life people/companies/organisations/etc. it is fiction. thank you]

You’re no stranger to sexism in Formula racing— you knew going into this that you’d have to deal with thinly veiled remarks about your gender and purposefully obtuse questions from reporters who think they know more than you about the sport you’ve dedicated your life to. You had to deal with it when you were karting, you had to deal with it during your stint in F2, and you have to deal with it now.

The fact of the matter is that some people do not think you belong here, and therefore are entirely unable to integrate the reality that you are very much here to stay, into their worldview. You’re lucky to have somehow earned Lewis’ loyalty, which had brought the Mercedes contract and the support of Toto simultaneously. Mercedes-AMG aren’t making leaps and bounds into the world of feminism, but you’re grateful for the seat regardless. You’re here and not going anywhere if you can help it.

You try your best to stay off the bad parts of social media, so as not to be subjected to the barrage of hate comments and death threats directed your way. You’re tough— but no one’s that tough. It’s fine for the most part. You focus on the racing, how the car feels, your performance and improving it weekend after weekend. You try at least. You’d love to leave your gender entirely out of the mix, you don’t think it’s relevant frankly. But unfortunately, the reporters do. (And so do some choice individuals working on the grid, who just can’t seem to keep their big fucking mouths shut about you.)

It’s disappointing, sure— but not surprising to sit down at a press conference and get a smattering of questions about your rumoured relationships and extracurricular activities when every other driver gets fifty questions practically thrown at them about their performance, or FIA regulations, or the track conditions. The part that bothers you the most is honestly just the lack of interest. It’s like they don’t think anything you have to say about the sport is valuable so they just don’t ask you the same questions they bother to ask the men. That probably is the actual case too.

So— y’know— you’re not that shocked when a reporter from some sports blog you’ve never heard of straight out asks if you “expect to be switched out with another female driver next year?”

The room goes dead fucking silent in a way that you do actually find satisfying. It’s good to know that most of the reporters in the room do know a tactless question when they hear one, or at least that you inspire enough fear in people that they’re waiting with bated breath to hear your response. Next to you, Oscar tenses, you can feel it where your thighs are touching. You can imagine his face right now without looking, that pinched micro-grimace he does. The barest hint of a crease in the bridge of his nose as he tries not to scowl. You want to put your hand on his knee and squeeze it in thanks.

You don’t. Instead, you frown and cock your head to the side, meeting the eyes of the reporter across the room.

Slowly, measuredly, you repeat, “I’m sorry, do I expect to be replaced with another female driver next year? Is that what you said?”

He nods, bringing the microphone closer to his mouth as if you really couldn’t hear him the first time, “Yes, yeah. That is what I asked.”

You hum, pursing your lips as if you’re sincerely considering his question. You can see a few people in the crowd who are cringing already, some of them have been on the receiving end of your tendency to play with your food before you eat it. Your ego feels pretty good about that.

“Why would Mercedes want to replace me?” you ask in your most polite voice, feigning real curiosity to this man who you doubt has done any research at all on you.

“Um,” he errs, some of his former unflappable confidence leeching out of his tone, “Well, to give more women a chance in Formula One—”

You start to speak over him, done with entertaining his ignorance. You bite, “—there are other teams for that, actually. I don’t think it’s presumptuous to say that I’ve earned my seat at Mercedes, or that I’ve proven that I belong here so far this season. In which, I have not qualified or placed below a P7. And I certainly don’t think it’s fair of you to ask if I am going to voluntarily give up my hard-earned seat to another person because you think I am here because of some women’s inclusion effort by Mercedes. And, okay, who knows, maybe I am. But I am not giving up this seat without a fight, nor do I imagine that Mercedes are in a rush to find someone to replace me right now. You’ll have to ask someone to confirm that though.”

You wind down after that, punctuating your point with a firm nod; some of the fight and the fury seeping out as you start to reckon with the potential consequences of your outburst. Mercedes’ PR rep will have something to say surely, you’re just hoping you haven’t crossed some kind of uncrossable line. Another part of you doesn’t quite care as you watch the reporter gape like a fish out of water, feeling rather satisfied that you’d put him in his place.

Eventually, the room recovers and moves on from you. Checo is getting asked his opinion on tyres while you share a furtive glance with Oscar. He smiles approvingly, mouth closed and the apples of his cheeks pushed up into his eyes. You feel the urge to touch his knee again but resist, instead smiling back as covertly as you possibly can. A warm feeling spreads in your chest and you almost forget about the reporter and his stupid question in favour of watching Oscar’s slow-burn smile.

Mercedes is fine with it, it turns out. Apparently, you’re doing the heavy lifting for them in the feminism department and all they have to do is have Toto or someone come out and say a few words in agreement. It suits them fine, they don’t need to take any hard stances and you get the blame if anything goes horribly wrong. That grates at you, of course it does. But you’ve got a seat, haven’t you? You’re not going to give it up because Mercedes are covering their asses like the multibillion-dollar company that they are.

It means you’ve avoided the all-hands-on-deck PR meeting you thought you’d be stuck in tonight, but it’s left you in too sour a mood for this party. It’s some function, fundraiser, something or other and they’ve invited all the teams, drivers and ‘important’ FIA staff. This means there’s an inordinate amount of people here and you’re really not into it.

But you’re still here. You’ve shoved yourself into a cute, strappy, black top, and a denim mini-skirt and you’ve even added some cute jewellery in a feeble attempt to match whatever over-the-top outfit Lewis has arrived in. It’s at least a step up from your usual team polo and leggings, or the Mercedes hoodie that you pull on over it. You’re comfortable. You’re fine.

You pull a hand out of the pocket of your oversized leather jacket as Oscar comes back over with your beer. You smile at the expression on his face as you take the neck in between your fingers. He’s scowling openly, the corners of his lips curled up in distaste.

“Busy?” you ask, then you hold up the beer in thanks, “Cheers, by the way.”

“Hmm, too crowded,” he affirms, “I lost Lando.”

You shrug, taking a swig of the refreshingly cold beer, “Actually? Or did he run off with someone?”

Oscar snorts, “Yeah, no. He got into a conversation with Max.”

You laugh, “Yeah, in that case, I reckon we’ll see Lando in a few hours.”

“Definitely.”

The two of you share an amused smile before you’re back to looking into the crowd because sometimes, it’s hard for you to look at him— like looking directly into the sun. You’re aware of him in your periphery, standing there and rocking back and forth on his heels, occasionally taking a sip of his drink. He looks away for a moment, and you turn to look at him. Taking in the endearing swoop of his hair, the scattering of freckles and moles on the side of his pale face, the long line of his neck disappearing into the collar of his shirt. You shift your eyes slightly to the right of him, to the patchwork of vents and scaffolding in the ceiling, feigning as if you’d only been casually looking his way.

“That reporter was a piece of work,” Oscar says once he’s drifted his attention back to you.

You roll your eyes on instinct, and groan, “Tell me about it, holy shit, Osc. What an asshole. I don’t know if he was just stupid or legit didn’t know a single thing about me.”

“Mm,” Oscar hums in agreement, “and I like how no one asked you a single question after that. Way to go guys, that’s exactly how you show your support.”

You roll your eyes, still smiling a little at the contented feeling you’ve got in your chest, “I know, right. Trust, they all got on their keyboards afterwards to wax lyrical about how deserving I am of my seat. It’d be fucken’ nice if they acted like it during press conferences.”

“Yeaah,” he sighs, half-laugh, half-exhale, “It’s unfair.”

“Fucken' right,” you gripe, tipping your head back and letting a slip of fizzy beer cascade down your throat— the alcohol, though meagre, leaves you feeling loose, a little reckless, “It sucks Osc. God, I just want to be respected. If I had a dick and balls I’d be fucking killing it, dude. This is my rookie season, I’ve been scoring points every race. Except for the DNF, which was not my fault. But, fuck me, they don’t give a shit.”

You squeeze your eyes shut to stave off the angry tears that are sitting behind your eyelids, threatening. When you open them Oscar is staring at you, frowning, his brown eyes huge and sparkling and sympathetic. They’re like a black hole you want to fall into. Your heart squeezes. He’s so— ugh. Quickly, your mind supplies about a hundred answers to that question: sweet, cute, nice, adorable. Something stutters in your chest and you feel your cheeks starting to grow hot. That slow-burn smile of Oscar’s starts on his face, and you watch dimples form on his cheeks.

The moment is quickly ruined by a particularly nasally Italian accent that you vaguely recognise, “You know,” it says, clearly talking to you, “You should make sure to watch your tone. You never know who could be listening.”

Mood thoroughly dampened, you turn to face the interruption. It turns out to be one of the numerous men on the grid who won’t shut up about you, sharing unsolicited opinions left and right. He has his arms crossed against his chest and a smug expression on his face, as if he’s just caught you doing something terrible— instead of simply complaining about the subpar treatment you’re afforded.

He’s not worth your time whatsoever but God you’re angry. Maybe it’s just been too much shit on top of shit today but you cannot deal reasonably with this man right now— and you are not afforded the luxury of not acting reasonably toward someone like this, no matter how much of a dickhead they are. You open your mouth. Close it. Open it again. Close it and bite down on your bottom lip so nothing accidentally slips out. You’re trying to fish a semi-civil sentence out of a sea of fuck you fuck you fuck you on repeat and it’s not working.

“Are you threatening her?” Oscar asks, a dangerous lilt to his tone, and somewhere in the pulse of anger, you think this is the happiest you’ve ever been to hear his voice, “Because, I am pretty sure your team principal would not be pleased to hear that you’re going around threatening one of Mercedes’ drivers.”

He scoffs, trying to play it off, but you think you register a little bit of worry somewhere in there— Oscar can be threatening when he wants to be and McLaren are not exactly nobodies in this sport right now, “Please, I am not threatening her. I am just telling her that she needs to watch her mouth.”

“Right,” Oscar nods, mouth pinching, “Sure. Well, it would be our word against yours and I’m fairly sure your team principal would believe two drivers over you right now. Especially with that history, you’ve got, dude.”

A little thrill goes up your spine as his face goes white as a sheet. Oscar’s talking about the nice little list of comments he’s made that you’ve reported to your team and an FIA representative— which you’ve taken to doing every time anyone starts up a pattern of saying things about you or to you. They’re to cover your ass honestly, so you can’t be accused of making things up if push comes to shove. You’re sure they’ve made their way back to him and his boss; you’re glad they’ve made an impact (but perhaps not enough to stop him outright).

He sniffs, a nervous edge to his words, “I am not threatening her.”

“Okay. Apologise.”

“Excuse me?”

Oscar raises an eyebrow, “If you’re not threatening her, apologise.”

You bite the inside of your lip and grip the neck of your near-empty beer bottle tighter. Alright, Oscar can be scary. Noted. Very much noted.

“I—” He quickly thinks better of protesting and looks at you, lips pursed in a thin angry line, “I apologise.”

He looks at Oscar, Oscar looks at you. You shrug and nod. Good enough. You don’t need him to grovel, you think he’s been sufficiently humiliated already. Although, before he scampers off into the crowd at Oscar’s approval, you manage a dry, “You think I need to watch my tone now?”

He scowls, but says, “No,” anyway.

Then he stalks off into the throng of people.

You relax more the further that he gets away from the two of you. The tension dissipates into something warm and charged with a different kind of electricity entirely. You ignore the unease that tries to take root in your stomach and instead focus on Oscar at your side.

“That was—” you scrub a hand over your face, starting your sentence again, “Hm.”

Oscar sigh-laughs again, “Yeah, what an asshole.”

“Thank you,” you say meaning it wholeheartedly, “No one’s done something like that for me before.”

Oscar looks down at you, frowning, he shakes his head, “It’s nothing.”

“It’s not nothing,” you answer, feeling bold as you put a hand on his bicep in an attempt to express how grateful you feel for him, for what he’d done for you, “It’s really not, Osc.”

He’s quiet, staring at you with big brown sparkling eyes for a long long moment. A long moment in which you fantasise about reaching upward and pulling his face down to yours, feeling his lips against your own. They’d be soft, you think— his hair would be too. You don’t think about it and you resolutely ignore the tug low in your gut.

“You deserve it,” he says eventually, loud enough that you can hear it, but not anyone else, “You are killing it, by the way.”

You breathe a laugh, “Yeah, I’d better be.”

You squeeze gently at his bicep, feeling the sinewed muscle underneath his dress shirt. Then you let your hand drop, trailing absently down his arm as you do so. Your fingers brush his hand, and he catches yours before it's out of reach at your side. Purposefully, he threads your fingers with his, squeezing firmly and brushing his thumb tenderly over your knuckle. You feel a little lightheaded when he lets go.

You sigh, masking the out-of-breath quality of your voice, “I need another drink.”

“Yeah,” Oscar breathes, “Me too, I reckon.”

🏎️ title taken from this song :)