#the 100 speculations

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[vaguely-concerned]

one of the funniest things about garashir are all those times when julian bashir -- not unequivocally the most autistic person in the quadrant only because odo and worf are also here -- steps in to function as garak's emotional support social skills. 'garak this isn't helping/garak this isn't the time/garak baby if I can read the social writing on this wall it's time to get out let's go go go'

[chronurgy]

Gortash designs and builds mechanisms so I imagine he has to be able to sketch fairly decently in order to sketch his projects and designs. And I'm imagining a pile of charcoal sketches of Durge, done over their entire acquaintance, starting out with sketches of them in battle and then slowly becoming more detailed and intimate and as they do, the titles changing from things like "The Bhaalspawn" and "Bhaal's Chosen at Their Bloody Work" to "The Chosen in Contemplation" and finally just Durge's name

[ntls-24722]

"It was easy to see that, in a few hundred thousand years, humanity could start again with these titanic primatives. Sadly, as a catastrophic ice age took over the Titans' home world, the gentle giants disappeared, never to return."

[filurig]

i rarely ever get the Anatomy Worldbuilding Brainworm but suddenly i was struck by it bcs i had been thinking about the weirdness of basilisks and in particular how the whole Ability to change sex through shapeshifting works so. Yippe

[herejusttosufferalong]

“Coughlan is keenly aware of how fans’ interest in Polin transcends the small screen. “A lot of people really want me to marry Luke,” she says with a laugh. “We have this gorgeous friendship. We have such a love for one another and this experience that I’ll never have with someone else again. Isn’t it gorgeous that a man and woman can have that sort of relationship with one another?””

https://time.com/collection/next-generation-leaders/7071916/nicola-coughlan-interview/#:~:text=Coughlan%2C%20now%2037%2C%20can%20be,status%20in%20the%20public%20eye.&text=As%20Coughlan%20landed%20her%20big,idea%20of%20who%20she%20is.

So this is my current thoughts based on how I read the article.

There is two options in my mind here:

Either there is something going on between Nic and Luke and there has been to some degree and she is very specific in how she answers because of that.

Or... There is/has been nothing going on between them at any point and they are indifferent to each other. This would be her stock answer to sell the idea of them, their chemistry, as more than friends but not quite lovers.

That is where I think we are, there is no in between these two options.

Could I be wrong all around? Quite possibly.

Of course I hope the first option is closer to reality but we can't rule out the second altogether.

NOW

I do think it's weird that she forced this info into the conversation.

Marriage? Yes, we would like that... Eventually.

But girl... like we will settle for y'all just to be together and publicly...

For those who haven't, give the article a read it is well worth it.

[watchyourbuck]

If Buck gets yet another random-rescued-woman love interest arc™️ I might have to retire guys

[bird-inacage]

The Heart Killers EP1: Kant & Bison's Desire for Agency

I recently wrote a post around Kant being the vehicle for Bison's freedom, but I'm spotting a bigger theme that these two lovebirds share in common. Both feel stripped of their agency, their ability to dictate their lives freely on their own terms and by their own ideals and desires.

For that reason, they're respectively struggling with where they are versus where they want to be, as factors beyond their control currently inhibit that from being attainable.

"I've cleared my name of car theft. My hands are so damn clean now." Kant is keen to put his past behind him, however Captain Chris has him cornered under the threat of re-opening his previous felonies and possible jail time, dangling custody of his brother as a bargaining chip. "If you get this done for me, not only will your criminal record be swept away, I'll wipe it clean." "If you go to jail, who'd take care of your brother?" Leaving Kant with no choice but to begrudgingly concede.

Bison feels similarly trapped by a life he didn't choose, clearly eager at any opportunity to 'clock off'. "I do what I have to do. Now I want to do what I want to. Can't I just live a little?" "If being hitmen makes it so hard to live, shouldn't we just quit?" "I don't want to kill people for a living my whole life... I just want to live my life." He just wants to enjoy a normal life - to have fun, to be frivolous, to embrace being an ordinary 24 year old.

TOGETHER WE BREAK FREE

Their relationship serves as temporary relief or escape from the situations they both find themselves in. Bison finds Kant's company a break from routine and monotony, a welcome distraction in between killing and working at the burger bar (neither of which he chose for himself). Dating Kant is an insight into the joys of life he fears missing out on. 'When I'm with you, I'm not a killer, I'm just a boy'.

By some poetic irony, Kant's mission to instrument Bison's capture would grant him access to the freedom he is seeking - allowing him and his brother to truly start afresh. There will absolutely be more backstory to come as to why Kant wants this so badly, that he’s willing to throw so much in. Dating Bison may begin as a means to an end, but Kant does find himself falling in love - despite his objective.

Once everything is out in the open, I do think they'll aid one another in acquiring the agency they each so desperately desire. No one can better understand how it feels to be trapped than someone who is also fighting against the bars of their own cage.

OVERCOMING YOUR RESTRAINTS

On their first date, Kant shares the following with Bison: “Would you believe me if I told you that I'm afraid of the ocean? Something happened when I was a kid. I almost drowned. Now I'm still afraid of it." One could argue that we don't know if Kant's admission is true, but I don't see any reason for him to lie about this specifically.

This promptly takes me back to this moment from the trailer, which has prominently stuck in my mind. I still get the impression that they are working together here when Kant jumps in. If Bison was on the offensive, I don't think he'd be as stationary or calm. Maybe he's performing under someone's watchful eye, or his gun is aimed at something out of shot, or they're practicing for a specific stunt.

Whatever the context, this scene now has considerably more weight. The fact that Kant jumps in whilst his hands are bound, when he has a fear of drowning is an indication of putting his complete trust in Bison (who is adept at swimming), to rescue him if needs be. The implication here being that Bison may quite literally, mentally and symbolically free Kant from his restraints, helping him to overcome what he’s most afraid of.

BDSM: THE PLEASURE OF CONTROL

Funnily enough, this duo's exploration of BDSM even aligns with their shared desire for agency. From the few snippets we’ve been shown, Bison likes being the one in control. Your partner consents to be at your mercy, affording you the power to enact pleasure and/or pain. And there’s a heady thrill in being handed such control. (It's also worth noting the inherent power play in taking a life, but whether Bison derives any pleasure from this, I'm not 100% sure. Kant also knows Bison is capable of killing, so letting him dominate actually says a tonne). During their one night stand, Bison even quips, "you're not doing this solo, you know," which teases that he's no passive participant. This seems to be Bison's philosophy on life overall (and the root of his dissatisfaction), that he's not one to sit back and watch his life pass him by.

Kant seems happy to indulge Bison in taking the reins. Having his agency taken away during acts of passion, but on his terms is noticeably different to feeling forcibly pushed - because you've chosen how and who you forfeit that agency to. This is partly why I suspect Kant actually gives Bison permission to tie him up in that boat scene (above), for the greater purposes of a mission or task they have agreed to help each other achieve.

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.

[dana-duchovny]

Apologies as I’m sure this has already been said before, but…

Okay, after my fourth rewatch I truly believe that Crowley never meant to ask Aziraphale to run away with him.

I mean, look at him! After his conversation with Nina, he comes to term with his feelings, and meets up with Aziraphale at the most romantic cafe possible. He asks him if he wants to have a drink. They flirt. It’s all very… if not human, earthbound. (Scene of all time, honestly).

Back at the bookshop, I think he was planning on confessing, hopefully having his feelings reciprocated, going to the Ritz for that romantic, boozy breakfast, and going back to the bookshop to live as an us. I think he panicked when Aziraphale threw the Metatron curveball at him, and reverted to his trauma response, which is to escape. I don’t think he really wanted to run away from the life they had built together (“You can’t leave this bookshop”). I think he pivoted to that plan because he saw the writing on the wall. I wish Aziraphale could have understood that in the moment, but I understand why he wasn’t able to.

Doesn’t make it hurt any less though 😅😅😅😅

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[mischiefbuckley]

buddie canon season 8 for the wedding season 9 🫣

[da-janela-lateral]

Get 'em, Mob!

[tare-anime]

Somewhere near the East-West border.

Someone has a cottage.

And this someone saved Martha (while we can assume all of her friends died in the war/ being sacrified by the Ostanian govt)

While waiting for the new chapter, a poll for fun / not serious.....

Personally I'd love to see Matthew saving her. Purely for my M&Ms agenda.

But if Shopkeeper showed up we might have a glimpse of the fondation of Garden. 👀

Personally, I think Lt. Scarface or [Redacted's] dad might be too young, and Briar parents had different home design and didn't live near the border.... but idk

This is just for fun speculation. 😁

[redrobin-detective]

I have been awake all night and I think, since we got to follow Zuko from S1 even though he didn’t join the Gaang until the bitter end, we should’ve gotten the same for Toph. In between season 1 and early season 2 plots, we’d occasionally cut to this earth kingdom noble family for seemingly no reason.

Ok they are rich and they have the daughter. Alright she’s blind that’s interesting. The Beifongs will comment about canon events and their daughter is quiet and perfect in the background. Then one episode we see her earthbend something small, intriguing. Also intriguing she only looks helpless and lost when other people are around. We get more solo perspectives of her, she’s a bit more coarse away from her parents. Her earthbending continues to be used secretly, impressive but not monumental. We suspect she’ll be similar to Katara, an eager, untrained bender who learns as she teaches Aang. We wait with anticipation for this vulnerable girl to see the world and own her power.

And then they drop The Blind Bandit episode and every episode that follows are unchanged and oh. Oh. Now we are really meeting Toph.

[andr0nap]

cowboy au worldbuilding with the thoma

as you can see im taking some creative liberties with the giant emu by making them more diverse bc canon isnt enough for me and i have the brainworms

extra notes below the cut

standard thoma:

the original thoma and most common type available

perfect for travel, can pull wagons or carry light cargo

fast with good stamina, fastest over short distances

friendly, intelligent, energetic and quick to learn

the most diverse in terms of colors, patterns and extra traits

well rounded in all departments (theyre like the AQ horses of trigun)

draft thoma:

uncommon outside of major cities (kept by specialized breeders)

used for construction work and long haul heavy cargo transport

gentle, patient and eager to work

not built for speed but can walk for days at a steady pace without rest

dense feather coat protects them from the heat and sand

expensive to maintain and keep due to their size

theyre a relatively new type that came from selective breeding

"wild" thoma:

actually feral (aka. previously domesticated), not wild

originating from lost/runaways that have not been in contact with humans for generations

rare and elusive with a small population, sometimes spotted living near shipwrecks

people will pay top $$ for their capture

begin to exhibit adaptive mutations that help them survive the wastelands

smaller and less fluffy than their standard counterparts

dont come in many colors, mostly bays, chestnuts and blacks

hardy with incredible endurance

very stubborn, temperamental and intelligent, cant be forced to do something they dont want (like donkeys)

rarely ridden, mostly kept for crossbreeding

cattle-type thoma:

related to the standard thoma but NOT the same species

common pack animal in caravans, sometimes ridden as a cheaper alternative to the standard thoma

mainly bred for meat, hide and eggs

kept in huge open range herds that travel along worm swarms for feeding

sometimes kept as a form for anti-worm pest control

keratin crests are lightweight and used for protection and display

ranchers will paint patterns on their crests as a form of identification

not the sharpest tools in the shed, tend to bite and trample people

[echo-of-the-eye]

Can’t stop thinking about Viktor and Jon parallels cause I have tma brainrot and anytime I see anything even remotely similar I go “is that a magnus reference?”

Anyways thinking about the differences in the choices they did and did not make and how both of them came back from the dead and were involved in ending the world.

I talked a bit about it before but Jon chooses to come back to life and become a monster. Granted it wasn’t a fair choice but he did choose it. Meanwhile the end of the world was not his choice. As much as he thinks otherwise it was not his fault. He didn’t “accidentally” start the apocalypse, he wasn’t “manipulated into it” he straight up did not end the world. Jonah did. Using Jon. Yes he was manipulated to prepare for the ritual (still not his fault), but actually ending the world? Jonah did that. He straight up took control of his body. Jon was the tool. The key to open the door. Jonah shaped the key and turned it.

Viktor is the opposite. He did not choose to come back to life. In fact he had basically accepted his death and was actively suicidal. Jayce brought him back (and I don’t really blame him for that. He didn’t know the consequences and he was trying to save the man he loved). Viktor did however, almost end the world (and succeeded in some timelines? I’m confused). Now it’s hard to say how much of that was Viktor. He was heavily influenced by the arcane, but Jon was also heavily influenced by the Eye (not that you can really compare them). We don’t know how sentient the arcane is but we can guess that its main goal/instinct is to spread. If it worked through Viktor or if it was simply influenced him, altering his thoughts and feelings to more easily rationalize what he was doing. Either way Viktor would not have done what he did without the arcane. But he did do it. The arcane isn’t a person. You can’t really put all the blame there. And we did see that Viktor was still in there, deep down, enough that he could change his mind. Meaning that to a certain degree, he did choose it. Viktor’s actions were his own, even if they were influenced. He’s the most responsible for what happened. Jayce also carries some responsibility for bringing Viktor back in the first place and creating hextech alongside Viktor, but again, he did not know the consequences of that. Neither did Viktor at first. So how much are they to blame?

I just find it fascinating how such similar events (even if they are still vastly different) happen in two completely different series and how the characters had different levels of agency throughout it.