#the 100 character write in

[poorly-drawn-mdzs]

Not beating the allegations.

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[still-a-morosexual-help]

I would love to see obey me MC in a stereotypical horror movie setting, I think the 0 amount of shits they'd give would be very funny

I would pay good money to watch them go about their day to day life while something desperately tries to kill them and becomes more and more devastated by how little MC cares

Horrific Creature haunting MC, in tears: Can't you just pretend to be scared?

MC: You want me to lie?

[the-uncanny-dag]

[serpentface]

WARDI WRITTEN LANGUAGE (BASICS).

Couya's full name (properly 'Haidamane Couya') written formally and with common handwriting conventions.

The Wardi written language derives from earlier proto-language systems consisting exclusively of logograms without direct phonetic meaning or grammatical structure. These symbols gradually became simplified and abstracted to the point of many having little intrinsic clarity, and combined to communicate abstract concepts.

The development of a full written language did not occur independently (as very few written languages do), and its phonetic elements (namely its use of syllabograms) were largely derived the 'ancient' Burri writing system, gradually synthesized with native writing conventions, and in the contemporary forms a wholly distinct system. The language's Relatively universalized form is a very recent phenomena, developing within the past two centuries with the region's conquering/unification into a single entity.

The contemporary written language is a mixture of logograms and syllabograms. It is read from right to left and arranged in horizontal columns. The most formal variant of this system contains each character within a square outline, usually separated by a small space. This outline confers little phonetic or symbolic information beyond making distinction between syllables exceptionally clear, and can be (and often is) omitted in handwriting. The separation of words is conveyed through a narrow rectangle or line in formal contexts, and again often omitted in handwriting (instead indicated instead by a wider blank space).

The pure logograms that have been retained in this writing system tend to be those of very common words or specific concepts (most logogram characters for types of livestock, key crops, water, major body parts, etc are widely recognized and in common use). There has not yet been any attempts to fully 'formalize' the language and omit potentially unnecessary logograms, and they remain frequently used as shorthand while conveying the same semantic information.

Many of the syllabogram characters are directly derived from logograms that depicted monosyllabic words. For example, the spoken word 'gan' means 'cow', and the character for the syllable 'gan' is identical to the common logogram for 'cow'.

The name Gantoche (literally "cow-eye") could be written either fully with syllabograms as:

or through logograms as:

Both ultimately communicate the same meaning, but the former clarifies pronunciation (the words gan and atoche are contracted, it's gantoche and not gan-atoche).

It is a relatively easy written language to learn, as the pure syllabogram characters indicate their own pronunciation with little ambiguity and often have consistency to their construction (ie the character for the syllable 'man' contains most of the same elements as that for the syllable 'wan'- the dot placement in particular has indication of the vowel sounds).

The inclusion of logograms in general and many of the syllabic characters being directly imported From logograms complicates matters. These characters lack visual consistency, and can be confusing to the large swath of the public who know common logograms but not the full written language itself. Ie: the word 'ungande' meaning 'liver' will be composed of logogram-derived syllable characters for 'un' (which alone means 'hand') and 'gan' (which alone means 'cow'). Someone who is only semi-literate in common logograms may be confused at the meaning, especially since these same exact same characters may be used elsewhere on their own to indicate 'hand' or 'cow'.

One major exception to this tendency is that current religious doctrine requires established logogram characters describing God to be used in place of syllabic characters. The word for god is 'Od', and has its own unique character (as do each of the Faces, the capital F 'Face', and Its deified pronoun). The syllable 'od' [oʊd] is very common in the Wardi language, and a wholly separate character is used for the phonetic sound when it is not a reference to the deity (ie 'lion' (odo [oʊdoʊ]) does not contain the same character for God in spite of its first syllable having the exact same pronunciation). Names are a bit of a gray area (ie: the name 'Odabi' is very common and carries the meaning of 'gift/blessing from God'). Religious leadership is currently experiencing a mild schism on whether the written character for God is separated due to being wholly sacrosanct (and thus inappropriate to include in the written form of a personal name) or as more of a functional delineation of the sacred and mundane.

[nothingbizzare]

To be a sunflower looking at the sun

[vaguely-concerned]

seeing people claim that lucanis is 'bad representation' is hilarious to me because in so many ways he's really the closest anything has ever gotten to capturing my own personal experience. sorry for being bad real life queer and mental health/neurodiversity representation folks 😔 I'll take time to reflect and do some work on myself and try to do better in the future

[5hrignold]

homestars handwriting 2000 / 2005

[eshithepetty]

Thinking about Mob and contradictions today.

About how he's seen as this emotionless, unemotive person, yet he has all these strong emotions whirling on inside him. How he's seen as gullible and air-headed, yet he thinks every little thing through, and only is so easily taken advantage of cause he doesn't value himself. How he's seen as unintelligent, especially academically, yet he becomes so emotionally intelligent over the course of the series. How he's seen as this endlessly kind, endlessly patient and forgiving person, but as we find out in confession arc, he has a deep well of resentment growing inside him that ends in him near-killing his friends out of that anger. How his eyes are red, symbolising both love and passion and rage and danger at once. How his form can change from a monstrous black hole to an innocent, ordinary middle schooler at will. How his hands have both been used to spill blood and gently hold.

And they're not contradictions, really. It's just that he contains multitudes. It's just that he's human.

And he's loved not despite, but precisely because of it. We all are.

[hunnyy-bunnyyy]

The dissonance between era inspiration in ACoTaR is one of the more brushed over flaws in the book series. Looking at the Inner Circle's fashion alone, we jump between "literal scraps of fabric" (Under the Mountain, Court of Nightmares) to "orientalist painter's imaginings of the Ottoman Harem" (clothing described during Feyre's first few visits to the Night Court) to "modern 'corset' dress" (Feyre's Starfall dress, majority of Mor's clothing, most of the clothes drawn in fan art) to "modern -- almost sci-fi style -- skin-tight leather armor" to "sweater and leggings combo".

Then, between courts, we have Helion wearing Spirit Halloween's take on the ancient Grecian tunic; Feyre's Spring Court wedding dress looking like an 1830s fashion plate; and Dawn heavily implied to have traditional East Asain clothing (e.g. kimono, hanfu, hanbok).

On top of all of that, some of the Dawn Court's small cities ". . . specialized in tinkering and clockwork and clever things. . ." which -- combined with Lucien's metal eye and Nuan's mechanical hand -- implies a sort of post-industrial revolution time period. However, a decent chunk of the fandom says that ACoTaR is medieval; which, yeah, it's medieval themed in the first book -- sans the "dress" Rhysand forces Feyre to wear UTM.

The wild inconsistencies in ACoTaR's inspiration leads, not to a rich and diverse world, but a world that seems ramshackle and haphazard -- like it's creator simply threw together a board on Pinterest and called it a day. This is a major part of why the world building is so abysmal, it relies on convenience to the plot and whatever pleases the aesthetic whims of the author. Cultures deemed "pretty" or "badass" are thrown together, irregardless of how far apart they actually are. This is not only disrespectful to the narrative, but to the readers and the cultures used as inspiration.

All of this to say: Sarah J Maas is a bad author, not just because of the way she handles serious topics like power dynamics and abuse, but also because she cannot put together a world that is even the slightest bit cohesive.

[kastheory]

steve did not bully eddie in "the past" steve was a grade below him for 3 out of 4 years of his high school career freshman steve heard this weird loudass sophomore talking w his friends at 100 decibels in the hallway about fighting elves in the woods or something (steve did not know what larping was nor care to find out) and then he went to class bc are you insane hes not fucking w a sophomore you dont normally fuck w people ahead of your grade especially if they yell at people and wear chains and get into fights in the woods (with elves?) and you dont even have classes w them. you dont even care much about them in the first place beyond passing gossip like HAVE YOU GUYS EVER BEEN IN HIGH SCHOOL. sorry. anyway.

then steve keeps catching this guy in his periphery over the next two years shouting about board games and controversial food opinions and metal bands that steve likes a few songs from but could not ever imagine giving that much of a shit about. like at all. and by (steve's) year 3 the motherfucker is bouncing off the walls giving speeches about what the hell ever and saying he cant fucking WAIT to get out of this FUCKED UP PLACE!!!! YEP ITS TRUE IN LESS THAN ONE MEASLY YEAR ILL BE SAYING MY SWEET SWEET GOODBYES TO THIS BRAINLESS CONFORMIST PRISON!!!! and hardly anyone reacts beyond rolling their eyes or snickering to their friends about it and this includes steve because who cares literally who cares. this guys been causing a ruckus since the beginning of time and hes weird and unpredictable and not worth trying to shove in a locker he would probably evade the attack anyway like a nimble mouse or squirrel he might even try to bite you. and steve didnt shove anybody in lockers in the first place so who cares and yeah he has pretty eyes and a funny way of talking and moving around but WHO CARES

and then steve goes through the first round of nightmarish shit that would become a yearly ordeal and then wraps up junior year in a perfectly normal not haunted whatsoever fashion. and then hes a senior and in his subtly cringefail era (ongoing) and that freak guy is STILL HERE for some reason and kinda pissed off and possibly a bit devastated about it so okay great now steve has a few classes with this angry weirdo loudguy but. crucially. he has had a lot of OTHER SHIT to deal with lately (MONSTERS ARE REAL) (GIRL DIED IN HIS POOL) (GF RESENTS HIM) (HAS NO FRIENDS) (COLLEGE APPS) so the only effect eddie's constantly loudmouthed & often unwarranted input during class ever has is that it adds a little flavor to the constant metaphorical and literal headache of steves life.

and then he goes through round 2 of shit and finishes his senior year with little hope for a satisfying future ahead of him and never once thinks about that guy again except when his fellow grads whisper about oh my godd did you hear that the freak flunked out again hahaha and yep sure enough eddie's not there at the graduation ceremony. and he thinks huh i wonder what his fucking problem is and then he MOVES ON. the end. thats the extent of """their past""" at least in terms of any actual interactions btwn the two of them i promise okay listen to me. i was there

[aihaloos]

Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.

Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.

Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.

The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.

The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.

Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.

Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?

Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.

Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.

(Ortho ties in with Idia so I'll explain him in Idia's paragraph)

Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.

Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.

Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.

I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.

Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3

[silkentine]

PLEASE TELL ME ABOUT BAT VALENTINE PLEASE

Bat Valentine is new to the city. He’s spent his whole life chasing the next “change of pace:” new haircuts, new schools, new names… new friends. It’s not that he isn’t sociable or kind; rather, he’s just one of the unlucky kids that has never had a best friend. Not for lack of trying! After his roommate told him he was clingy, he found a new apartment. After his coworker got a girlfriend, he didn’t have anyone to go out with. After his mom became catatonic, he had no one to talk to. So he shoved everything he needed into a steamer trunk, bought a one-way ticket to Dentona, and got a change of pace.

With no money (YET!) and no job prospects (YET!), he turns to a matchmaking service called Zippr that pairs people looking for new friends with each other. Everyone in the Zippr ads is having fun meeting up at cafés and drinking beers on the beach but he’s mostly hoping he’ll find someone who will let him crash on their couch. He’s so fucking tired. The only thing that keeps him sane is pretending that he’s a vampire who’s been alive for hundreds of years and has a ton of friends that have unfortunately succumbed to their mortality, just like the moody, heart-throb love interest from the Crepuscular Saga novels, Anthony Slater.

Seriously, something might be wrong with him. When you have to role play every day to get out of bed (in a tiny capsule hotel that is rapidly sucking up your dwindling savings), you might just have to admit that you’re properly depressed. Bat, however, will be damned if anyone finds out he’s having a rough time—and that he might have been hasty moving across the country with no safety net—so when he goes to every Zippr LinkUp and announces that he’s a vampire with a forced smile on his face, it doesn’t take long for people to suspect him of being the local brutal serial killer that tears their victims’ throats. The news has dubbed them “The Dentona Vampire” (that’s their best work? OK.), and Bat really couldn’t have picked a worse time to get into LARPing.

Luckily for him, the angry mob is not the only one who’s noticed his suspicious vampirism; a bright-eyed young woman takes Bat under her wing, vowing to teach him how to “live among mortals” and grumbling about “masters not taking care of their newly-turned.” She seems more into the vampire gimmick than even he is, but he won’t look a gift friend in the mouth (even if they have fangs.) FYI: This is Camille, who you can find out more about by looking at the “sanguine” tag on my blog.

That’s my elevator pitch for Bat Valentine. He’s a huge sad dork and he desperately doesn’t want anyone to find out even though he can’t stop wearing his heart on his sleeve. Some characters that I draw inspiration from are: Portgas D. Ace from One Piece, Bella from Twilight, Okarun/Ken Takakura from Dandadan, Adrien Agreste from Miraculous Ladybug, Chloe Price from Life is Strange, and Haejoon Goh from No Home.

[foundfamilywhump]

see like the thing with 'carewhumpers' as a concept to me is it just like... i know this is prrrrobably not really how it's meant but something skeeves me out about the idea that kindness or caretaking mixed in with hurting someone can somehow meaningfully complicate or dilute the harm done to the point of making that character no longer a 'whumper' whereas someone doing the same 'bad' things but not ever being gentle or caring for them would just be a straight-out whumper. when like... that's how 90% of irl abuse dynamics work? so i just... don't really get the point, i guess. like to me it implies something about the 'care' provided somehow mitigating or combating the harm done that. i just do not personally appreciate or enjoy.

[jagarts]

been meaning to draw laxus for a while

[nothingbizzare]

Vampire au Teru is so dramatic

[shigayokagayama]

adhd reigen not in a “hes so goofy and silly” way but in a “he has a tendency to hyperfixate on things then drop them the moment he gets bored, has trouble forming genuine relationships with people because he’s so dedicated to making himself likable, is terrified of rejection and actively self sabotages to avoid it” kinda way